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The Project Gutenberg Etext of Ulysses
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by James Joyce
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(#4 in our series by James Joyce)
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Title: Ulysses
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Author: James Joyce
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Release Date: July, 2003 [Etext #4300]
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[Yes, we are more than one year ahead of schedule]
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[This file was first posted on December 27, 2001]
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Edition: 10
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Language: English
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Character set encoding: ASCII
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The Project Gutenberg Etext of Ulysses
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by James Joyce
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******This file should be named ulyss10.txt or ulyss10.zip******
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Corrected EDITIONS of our etexts get a new NUMBER, ulyss11.txt
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*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*
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This etext was prepared by Col Choat <colchoat@yahoo.com.au>.
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Ulysses by James Joyce
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-- I --
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Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of
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lather on which a mirror and a razor lay crossed. A yellow dressinggown,
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ungirdled, was sustained gently behind him on the mild morning air. He
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held the bowl aloft and intoned:
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--INTROIBO AD ALTARE DEI.
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Halted, he peered down the dark winding stairs and called out coarsely:
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--Come up, Kinch! Come up, you fearful jesuit!
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Solemnly he came forward and mounted the round gunrest. He faced
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about and blessed gravely thrice the tower, the surrounding land and the
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awaking mountains. Then, catching sight of Stephen Dedalus, he bent
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towards him and made rapid crosses in the air, gurgling in his throat and
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shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms
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on the top of the staircase and looked coldly at the shaking gurgling face
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that blessed him, equine in its length, and at the light untonsured hair,
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grained and hued like pale oak.
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Buck Mulligan peeped an instant under the mirror and then covered
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the bowl smartly.
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--Back to barracks! he said sternly.
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He added in a preacher's tone:
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--For this, O dearly beloved, is the genuine Christine: body and soul and
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blood and ouns. Slow music, please. Shut your eyes, gents. One moment. A
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little trouble about those white corpuscles. Silence, all.
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He peered sideways up and gave a long slow whistle of call, then
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paused awhile in rapt attention, his even white teeth glistening here and
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there with gold points. Chrysostomos. Two strong shrill whistles answered
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through the calm.
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--Thanks, old chap, he cried briskly. That will do nicely. Switch off the
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current, will you?
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He skipped off the gunrest and looked gravely at his watcher,
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gathering about his legs the loose folds of his gown. The plump shadowed
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face and sullen oval jowl recalled a prelate, patron of arts in the middle
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ages. A pleasant smile broke quietly over his lips.
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--The mockery of it! he said gaily. Your absurd name, an ancient Greek!
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He pointed his finger in friendly jest and went over to the parapet,
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laughing to himself. Stephen Dedalus stepped up, followed him wearily
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halfway and sat down on the edge of the gunrest, watching him still as he
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propped his mirror on the parapet, dipped the brush in the bowl and
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lathered cheeks and neck.
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Buck Mulligan's gay voice went on.
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--My name is absurd too: Malachi Mulligan, two dactyls. But it has a
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Hellenic ring, hasn't it? Tripping and sunny like the buck himself. We
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must go to Athens. Will you come if I can get the aunt to fork out twenty
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quid?
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He laid the brush aside and, laughing with delight, cried:
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--Will he come? The jejune jesuit!
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Ceasing, he began to shave with care.
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--Tell me, Mulligan, Stephen said quietly.
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--Yes, my love?
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--How long is Haines going to stay in this tower?
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Buck Mulligan showed a shaven cheek over his right shoulder.
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--God, isn't he dreadful? he said frankly. A ponderous Saxon. He thinks
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you're not a gentleman. God, these bloody English! Bursting with money
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and indigestion. Because he comes from Oxford. You know, Dedalus, you
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have the real Oxford manner. He can't make you out. O, my name for you
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is the best: Kinch, the knife-blade.
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He shaved warily over his chin.
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--He was raving all night about a black panther, Stephen said. Where is
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his guncase?
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--A woful lunatic! Mulligan said. Were you in a funk?
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--I was, Stephen said with energy and growing fear. Out here in the dark
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with a man I don't know raving and moaning to himself about shooting a
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black panther. You saved men from drowning. I'm not a hero, however. If
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he stays on here I am off.
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Buck Mulligan frowned at the lather on his razorblade. He hopped
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down from his perch and began to search his trouser pockets hastily.
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--Scutter! he cried thickly.
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He came over to the gunrest and, thrusting a hand into Stephen's
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upper pocket, said:
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--Lend us a loan of your noserag to wipe my razor.
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Stephen suffered him to pull out and hold up on show by its corner a
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dirty crumpled handkerchief. Buck Mulligan wiped the razorblade neatly.
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Then, gazing over the handkerchief, he said:
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--The bard's noserag! A new art colour for our Irish poets: snotgreen.
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You can almost taste it, can't you?
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He mounted to the parapet again and gazed out over Dublin bay, his
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fair oakpale hair stirring slightly.
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--God! he said quietly. Isn't the sea what Algy calls it: a great sweet
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mother? The snotgreen sea. The scrotumtightening sea. EPI OINOPA PONTON.
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Ah, Dedalus, the Greeks! I must teach you. You must read them in the
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original. THALATTA! THALATTA! She is our great sweet mother. Come and
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look.
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Stephen stood up and went over to the parapet. Leaning on it he
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looked down on the water and on the mailboat clearing the harbourmouth
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of Kingstown.
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--Our mighty mother! Buck Mulligan said.
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He turned abruptly his grey searching eyes from the sea to Stephen's
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face.
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|
|
--The aunt thinks you killed your mother, he said. That's why she won't
|
|
let me have anything to do with you.
|
|
|
|
--Someone killed her, Stephen said gloomily.
|
|
|
|
--You could have knelt down, damn it, Kinch, when your dying mother
|
|
asked you, Buck Mulligan said. I'm hyperborean as much as you. But to
|
|
think of your mother begging you with her last breath to kneel down and
|
|
pray for her. And you refused. There is something sinister in you ...
|
|
|
|
He broke off and lathered again lightly his farther cheek. A tolerant
|
|
smile curled his lips.
|
|
|
|
--But a lovely mummer! he murmured to himself. Kinch, the loveliest
|
|
mummer of them all!
|
|
|
|
He shaved evenly and with care, in silence, seriously.
|
|
|
|
Stephen, an elbow rested on the jagged granite, leaned his palm
|
|
against his brow and gazed at the fraying edge of his shiny black
|
|
coat-sleeve. Pain, that was not yet the pain of love, fretted his heart.
|
|
Silently, in a dream she had come to him after her death, her wasted body
|
|
within its loose brown graveclothes giving off an odour of wax and
|
|
rosewood, her breath, that had bent upon him, mute, reproachful, a faint
|
|
odour of wetted ashes. Across the threadbare cuffedge he saw the sea
|
|
hailed as a great sweet mother by the wellfed voice beside him. The ring
|
|
of bay and skyline held a dull green mass of liquid. A bowl of white china
|
|
had stood beside her deathbed holding the green sluggish bile which she
|
|
had torn up from her rotting liver by fits of loud groaning vomiting.
|
|
|
|
Buck Mulligan wiped again his razorblade.
|
|
|
|
--Ah, poor dogsbody! he said in a kind voice. I must give you a shirt and
|
|
a few noserags. How are the secondhand breeks?
|
|
|
|
--They fit well enough, Stephen answered.
|
|
|
|
Buck Mulligan attacked the hollow beneath his underlip.
|
|
|
|
--The mockery of it, he said contentedly. Secondleg they should be. God
|
|
knows what poxy bowsy left them off. I have a lovely pair with a hair
|
|
stripe, grey. You'll look spiffing in them. I'm not joking, Kinch. You
|
|
look damn well when you're dressed.
|
|
|
|
--Thanks, Stephen said. I can't wear them if they are grey.
|
|
|
|
--He can't wear them, Buck Mulligan told his face in the mirror.
|
|
Etiquette is etiquette. He kills his mother but he can't wear grey
|
|
trousers.
|
|
|
|
He folded his razor neatly and with stroking palps of fingers felt the
|
|
smooth skin.
|
|
|
|
Stephen turned his gaze from the sea and to the plump face with its
|
|
smokeblue mobile eyes.
|
|
|
|
--That fellow I was with in the Ship last night, said Buck Mulligan, says
|
|
you have g.p.i. He's up in Dottyville with Connolly Norman. General
|
|
paralysis of the insane!
|
|
|
|
He swept the mirror a half circle in the air to flash the tidings abroad
|
|
in sunlight now radiant on the sea. His curling shaven lips laughed and
|
|
the edges of his white glittering teeth. Laughter seized all his strong
|
|
wellknit trunk.
|
|
|
|
--Look at yourself, he said, you dreadful bard!
|
|
|
|
Stephen bent forward and peered at the mirror held out to him, cleft
|
|
by a crooked crack. Hair on end. As he and others see me. Who chose this
|
|
face for me? This dogsbody to rid of vermin. It asks me too.
|
|
|
|
--I pinched it out of the skivvy's room, Buck Mulligan said. It does her
|
|
all right. The aunt always keeps plainlooking servants for Malachi. Lead
|
|
him not into temptation. And her name is Ursula.
|
|
|
|
Laughing again, he brought the mirror away from Stephen's peering
|
|
eyes.
|
|
|
|
--The rage of Caliban at not seeing his face in a mirror, he said. If
|
|
Wilde were only alive to see you!
|
|
|
|
Drawing back and pointing, Stephen said with bitterness:
|
|
|
|
--It is a symbol of Irish art. The cracked looking-glass of a servant.
|
|
|
|
Buck Mulligan suddenly linked his arm in Stephen's and walked with
|
|
him round the tower, his razor and mirror clacking in the pocket where he
|
|
had thrust them.
|
|
|
|
--It's not fair to tease you like that, Kinch, is it? he said kindly. God
|
|
knows you have more spirit than any of them.
|
|
|
|
Parried again. He fears the lancet of my art as I fear that of his. The
|
|
cold steelpen.
|
|
|
|
--Cracked lookingglass of a servant! Tell that to the oxy chap downstairs
|
|
and touch him for a guinea. He's stinking with money and thinks you're
|
|
not a gentleman. His old fellow made his tin by selling jalap to Zulus or
|
|
some bloody swindle or other. God, Kinch, if you and I could only work
|
|
together we might do something for the island. Hellenise it.
|
|
|
|
Cranly's arm. His arm.
|
|
|
|
--And to think of your having to beg from these swine. I'm the only one
|
|
that knows what you are. Why don't you trust me more? What have you up
|
|
your nose against me? Is it Haines? If he makes any noise here I'll bring
|
|
down Seymour and we'll give him a ragging worse than they gave Clive
|
|
Kempthorpe.
|
|
|
|
Young shouts of moneyed voices in Clive Kempthorpe's rooms. Palefaces:
|
|
they hold their ribs with laughter, one clasping another. O, I
|
|
shall expire! Break the news to her gently, Aubrey! I shall die! With slit
|
|
ribbons of his shirt whipping the air he hops and hobbles round the table,
|
|
with trousers down at heels, chased by Ades of Magdalen with the tailor's
|
|
shears. A scared calf's face gilded with marmalade. I don't want to be
|
|
debagged! Don't you play the giddy ox with me!
|
|
|
|
Shouts from the open window startling evening in the quadrangle. A
|
|
deaf gardener, aproned, masked with Matthew Arnold's face, pushes his
|
|
mower on the sombre lawn watching narrowly the dancing motes of
|
|
grasshalms.
|
|
|
|
To ourselves ... new paganism ... omphalos.
|
|
|
|
--Let him stay, Stephen said. There's nothing wrong with him except at
|
|
night.
|
|
|
|
--Then what is it? Buck Mulligan asked impatiently. Cough it up. I'm
|
|
quite frank with you. What have you against me now?
|
|
|
|
They halted, looking towards the blunt cape of Bray Head that lay on
|
|
the water like the snout of a sleeping whale. Stephen freed his arm
|
|
quietly.
|
|
|
|
--Do you wish me to tell you? he asked.
|
|
|
|
--Yes, what is it? Buck Mulligan answered. I don't remember anything.
|
|
|
|
He looked in Stephen's face as he spoke. A light wind passed his
|
|
brow, fanning softly his fair uncombed hair and stirring silver points of
|
|
anxiety in his eyes.
|
|
|
|
Stephen, depressed by his own voice, said:
|
|
|
|
--Do you remember the first day I went to your house after my mother's
|
|
death?
|
|
|
|
Buck Mulligan frowned quickly and said:
|
|
|
|
--What? Where? I can't remember anything. I remember only ideas and
|
|
sensations. Why? What happened in the name of God?
|
|
|
|
--You were making tea, Stephen said, and went across the landing to get
|
|
more hot water. Your mother and some visitor came out of the
|
|
drawingroom. She asked you who was in your room.
|
|
|
|
--Yes? Buck Mulligan said. What did I say? I forget.
|
|
|
|
--You said, Stephen answered, O, IT'S ONLY DEDALUS WHOSE MOTHER IS
|
|
BEASTLY DEAD.
|
|
|
|
A flush which made him seem younger and more engaging rose to
|
|
Buck Mulligan's cheek.
|
|
|
|
--Did I say that? he asked. Well? What harm is that?
|
|
|
|
He shook his constraint from him nervously.
|
|
|
|
--And what is death, he asked, your mother's or yours or my own? You
|
|
saw only your mother die. I see them pop off every day in the Mater and
|
|
Richmond and cut up into tripes in the dissectingroom. It's a beastly
|
|
thing and nothing else. It simply doesn't matter. You wouldn't kneel down
|
|
to pray for your mother on her deathbed when she asked you. Why? Because
|
|
you have the cursed jesuit strain in you, only it's injected the wrong
|
|
way. To me it's all a mockery and beastly. Her cerebral lobes are not
|
|
functioning. She calls the doctor sir Peter Teazle and picks buttercups
|
|
off the quilt. Humour her till it's over. You crossed her last wish in
|
|
death and yet you sulk with me because I don't whinge like some hired mute
|
|
from Lalouette's. Absurd! I suppose I did say it. I didn't mean to offend
|
|
the memory of your mother.
|
|
|
|
He had spoken himself into boldness. Stephen, shielding the gaping
|
|
wounds which the words had left in his heart, said very coldly:
|
|
|
|
--I am not thinking of the offence to my mother.
|
|
|
|
--Of what then? Buck Mulligan asked.
|
|
|
|
--Of the offence to me, Stephen answered.
|
|
|
|
Buck Mulligan swung round on his heel.
|
|
|
|
--O, an impossible person! he exclaimed.
|
|
|
|
He walked off quickly round the parapet. Stephen stood at his post,
|
|
gazing over the calm sea towards the headland. Sea and headland now
|
|
grew dim. Pulses were beating in his eyes, veiling their sight, and he
|
|
felt the fever of his cheeks.
|
|
|
|
A voice within the tower called loudly:
|
|
|
|
--Are you up there, Mulligan?
|
|
|
|
--I'm coming, Buck Mulligan answered.
|
|
|
|
He turned towards Stephen and said:
|
|
|
|
--Look at the sea. What does it care about offences? Chuck Loyola, Kinch,
|
|
and come on down. The Sassenach wants his morning rashers.
|
|
|
|
His head halted again for a moment at the top of the staircase, level
|
|
with the roof:
|
|
|
|
--Don't mope over it all day, he said. I'm inconsequent. Give up the
|
|
moody brooding.
|
|
|
|
His head vanished but the drone of his descending voice boomed out
|
|
of the stairhead:
|
|
|
|
|
|
AND NO MORE TURN ASIDE AND BROOD
|
|
UPON LOVE'S BITTER MYSTERY
|
|
FOR FERGUS RULES THE BRAZEN CARS.
|
|
|
|
|
|
Woodshadows floated silently by through the morning peace from the
|
|
stairhead seaward where he gazed. Inshore and farther out the mirror of
|
|
water whitened, spurned by lightshod hurrying feet. White breast of the
|
|
dim sea. The twining stresses, two by two. A hand plucking the
|
|
harpstrings, merging their twining chords. Wavewhite wedded words
|
|
shimmering on the dim tide.
|
|
|
|
A cloud began to cover the sun slowly, wholly, shadowing the bay in
|
|
deeper green. It lay beneath him, a bowl of bitter waters. Fergus' song: I
|
|
sang it alone in the house, holding down the long dark chords. Her door
|
|
was open: she wanted to hear my music. Silent with awe and pity I went to
|
|
her bedside. She was crying in her wretched bed. For those words, Stephen:
|
|
love's bitter mystery.
|
|
|
|
Where now?
|
|
|
|
Her secrets: old featherfans, tasselled dancecards, powdered with
|
|
musk, a gaud of amber beads in her locked drawer. A birdcage hung in the
|
|
sunny window of her house when she was a girl. She heard old Royce sing
|
|
in the pantomime of Turko the Terrible and laughed with others when he
|
|
sang:
|
|
|
|
|
|
I AM THE BOY
|
|
THAT CAN ENJOY
|
|
INVISIBILITY.
|
|
|
|
|
|
Phantasmal mirth, folded away: muskperfumed.
|
|
|
|
|
|
AND NO MORE TURN ASIDE AND BROOD.
|
|
|
|
|
|
Folded away in the memory of nature with her toys. Memories beset
|
|
his brooding brain. Her glass of water from the kitchen tap when she had
|
|
approached the sacrament. A cored apple, filled with brown sugar, roasting
|
|
for her at the hob on a dark autumn evening. Her shapely fingernails
|
|
reddened by the blood of squashed lice from the children's shirts.
|
|
|
|
In a dream, silently, she had come to him, her wasted body within its
|
|
loose graveclothes giving off an odour of wax and rosewood, her breath,
|
|
bent over him with mute secret words, a faint odour of wetted ashes.
|
|
|
|
Her glazing eyes, staring out of death, to shake and bend my soul. On
|
|
me alone. The ghostcandle to light her agony. Ghostly light on the
|
|
tortured face. Her hoarse loud breath rattling in horror, while all prayed
|
|
on their knees. Her eyes on me to strike me down. LILIATA RUTILANTIUM TE
|
|
CONFESSORUM TURMA CIRCUMDET: IUBILANTIUM TE VIRGINUM CHORUS EXCIPIAT.
|
|
|
|
Ghoul! Chewer of corpses!
|
|
|
|
No, mother! Let me be and let me live.
|
|
|
|
--Kinch ahoy!
|
|
|
|
Buck Mulligan's voice sang from within the tower. It came nearer up
|
|
the staircase, calling again. Stephen, still trembling at his soul's cry,
|
|
heard warm running sunlight and in the air behind him friendly words.
|
|
|
|
--Dedalus, come down, like a good mosey. Breakfast is ready. Haines is
|
|
apologising for waking us last night. It's all right.
|
|
|
|
--I'm coming, Stephen said, turning.
|
|
|
|
--Do, for Jesus' sake, Buck Mulligan said. For my sake and for all our
|
|
sakes.
|
|
|
|
His head disappeared and reappeared.
|
|
|
|
--I told him your symbol of Irish art. He says it's very clever. Touch
|
|
him for a quid, will you? A guinea, I mean.
|
|
|
|
--I get paid this morning, Stephen said.
|
|
|
|
--The school kip? Buck Mulligan said. How much? Four quid? Lend us
|
|
one.
|
|
|
|
--If you want it, Stephen said.
|
|
|
|
--Four shining sovereigns, Buck Mulligan cried with delight. We'll have a
|
|
glorious drunk to astonish the druidy druids. Four omnipotent sovereigns.
|
|
|
|
He flung up his hands and tramped down the stone stairs, singing out
|
|
of tune with a Cockney accent:
|
|
|
|
|
|
O, WON'T WE HAVE A MERRY TIME,
|
|
DRINKING WHISKY, BEER AND WINE!
|
|
ON CORONATION,
|
|
CORONATION DAY!
|
|
O, WON'T WE HAVE A MERRY TIME
|
|
ON CORONATION DAY!
|
|
|
|
|
|
Warm sunshine merrying over the sea. The nickel shavingbowl shone,
|
|
forgotten, on the parapet. Why should I bring it down? Or leave it there
|
|
all day, forgotten friendship?
|
|
|
|
He went over to it, held it in his hands awhile, feeling its coolness,
|
|
smelling the clammy slaver of the lather in which the brush was stuck. So
|
|
I carried the boat of incense then at Clongowes. I am another now and yet
|
|
the same. A servant too. A server of a servant.
|
|
|
|
In the gloomy domed livingroom of the tower Buck Mulligan's
|
|
gowned form moved briskly to and fro about the hearth, hiding and
|
|
revealing its yellow glow. Two shafts of soft daylight fell across the
|
|
flagged floor from the high barbacans: and at the meeting of their rays a
|
|
cloud of coalsmoke and fumes of fried grease floated, turning.
|
|
|
|
--We'll be choked, Buck Mulligan said. Haines, open that door, will you?
|
|
|
|
Stephen laid the shavingbowl on the locker. A tall figure rose from the
|
|
hammock where it had been sitting, went to the doorway and pulled open
|
|
the inner doors.
|
|
|
|
--Have you the key? a voice asked.
|
|
|
|
--Dedalus has it, Buck Mulligan said. Janey Mack, I'm choked!
|
|
|
|
He howled, without looking up from the fire:
|
|
|
|
--Kinch!
|
|
|
|
--It's in the lock, Stephen said, coming forward.
|
|
|
|
The key scraped round harshly twice and, when the heavy door had
|
|
been set ajar, welcome light and bright air entered. Haines stood at the
|
|
doorway, looking out. Stephen haled his upended valise to the table and
|
|
sat down to wait. Buck Mulligan tossed the fry on to the dish beside him.
|
|
Then he carried the dish and a large teapot over to the table, set them
|
|
down heavily and sighed with relief.
|
|
|
|
--I'm melting, he said, as the candle remarked when ... But, hush! Not a
|
|
word more on that subject! Kinch, wake up! Bread, butter, honey. Haines,
|
|
come in. The grub is ready. Bless us, O Lord, and these thy gifts. Where's
|
|
the sugar? O, jay, there's no milk.
|
|
|
|
Stephen fetched the loaf and the pot of honey and the buttercooler
|
|
from the locker. Buck Mulligan sat down in a sudden pet.
|
|
|
|
--What sort of a kip is this? he said. I told her to come after eight.
|
|
|
|
--We can drink it black, Stephen said thirstily. There's a lemon in the
|
|
locker.
|
|
|
|
--O, damn you and your Paris fads! Buck Mulligan said. I want Sandycove
|
|
milk.
|
|
|
|
Haines came in from the doorway and said quietly:
|
|
|
|
--That woman is coming up with the milk.
|
|
|
|
--The blessings of God on you! Buck Mulligan cried, jumping up from his
|
|
chair. Sit down. Pour out the tea there. The sugar is in the bag. Here, I
|
|
can't go fumbling at the damned eggs.
|
|
|
|
He hacked through the fry on the dish and slapped it out on three
|
|
plates, saying:
|
|
|
|
--IN NOMINE PATRIS ET FILII ET SPIRITUS SANCTI.
|
|
|
|
Haines sat down to pour out the tea.
|
|
|
|
--I'm giving you two lumps each, he said. But, I say, Mulligan, you do
|
|
make strong tea, don't you?
|
|
|
|
Buck Mulligan, hewing thick slices from the loaf, said in an old
|
|
woman's wheedling voice:
|
|
|
|
--When I makes tea I makes tea, as old mother Grogan said. And when I
|
|
makes water I makes water.
|
|
|
|
--By Jove, it is tea, Haines said.
|
|
|
|
Buck Mulligan went on hewing and wheedling:
|
|
|
|
--SO I DO, MRS CAHILL, says she. BEGOB, MA'AM, says Mrs Cahill, GOD SEND
|
|
YOU DON'T MAKE THEM IN THE ONE POT.
|
|
|
|
He lunged towards his messmates in turn a thick slice of bread,
|
|
impaled on his knife.
|
|
|
|
--That's folk, he said very earnestly, for your book, Haines. Five lines
|
|
of text and ten pages of notes about the folk and the fishgods of Dundrum.
|
|
Printed by the weird sisters in the year of the big wind.
|
|
|
|
He turned to Stephen and asked in a fine puzzled voice, lifting his
|
|
brows:
|
|
|
|
--Can you recall, brother, is mother Grogan's tea and water pot spoken of
|
|
in the Mabinogion or is it in the Upanishads?
|
|
|
|
--I doubt it, said Stephen gravely.
|
|
|
|
--Do you now? Buck Mulligan said in the same tone. Your reasons, pray?
|
|
|
|
--I fancy, Stephen said as he ate, it did not exist in or out of the
|
|
Mabinogion. Mother Grogan was, one imagines, a kinswoman of Mary
|
|
Ann.
|
|
|
|
Buck Mulligan's face smiled with delight.
|
|
|
|
--Charming! he said in a finical sweet voice, showing his white teeth and
|
|
blinking his eyes pleasantly. Do you think she was? Quite charming!
|
|
|
|
Then, suddenly overclouding all his features, he growled in a
|
|
hoarsened rasping voice as he hewed again vigorously at the loaf:
|
|
|
|
|
|
--FOR OLD MARY ANN
|
|
SHE DOESN'T CARE A DAMN.
|
|
BUT, HISING UP HER PETTICOATS ...
|
|
|
|
|
|
He crammed his mouth with fry and munched and droned.
|
|
|
|
The doorway was darkened by an entering form.
|
|
|
|
--The milk, sir!
|
|
|
|
--Come in, ma'am, Mulligan said. Kinch, get the jug.
|
|
|
|
An old woman came forward and stood by Stephen's elbow.
|
|
|
|
--That's a lovely morning, sir, she said. Glory be to God.
|
|
|
|
--To whom? Mulligan said, glancing at her. Ah, to be sure!
|
|
|
|
Stephen reached back and took the milkjug from the locker.
|
|
|
|
--The islanders, Mulligan said to Haines casually, speak frequently of
|
|
the collector of prepuces.
|
|
|
|
--How much, sir? asked the old woman.
|
|
|
|
--A quart, Stephen said.
|
|
|
|
He watched her pour into the measure and thence into the jug rich
|
|
white milk, not hers. Old shrunken paps. She poured again a measureful
|
|
and a tilly. Old and secret she had entered from a morning world, maybe a
|
|
messenger. She praised the goodness of the milk, pouring it out. Crouching
|
|
by a patient cow at daybreak in the lush field, a witch on her toadstool,
|
|
her wrinkled fingers quick at the squirting dugs. They lowed about her
|
|
whom they knew, dewsilky cattle. Silk of the kine and poor old woman,
|
|
names given her in old times. A wandering crone, lowly form of an immortal
|
|
serving her conqueror and her gay betrayer, their common cuckquean, a
|
|
messenger from the secret morning. To serve or to upbraid, whether he
|
|
could not tell: but scorned to beg her favour.
|
|
|
|
--It is indeed, ma'am, Buck Mulligan said, pouring milk into their cups.
|
|
|
|
--Taste it, sir, she said.
|
|
|
|
He drank at her bidding.
|
|
|
|
--If we could live on good food like that, he said to her somewhat
|
|
loudly, we wouldn't have the country full of rotten teeth and rotten guts.
|
|
Living in a bogswamp, eating cheap food and the streets paved with dust,
|
|
horsedung and consumptives' spits.
|
|
|
|
--Are you a medical student, sir? the old woman asked.
|
|
|
|
--I am, ma'am, Buck Mulligan answered.
|
|
|
|
--Look at that now, she said.
|
|
|
|
Stephen listened in scornful silence. She bows her old head to a voice
|
|
that speaks to her loudly, her bonesetter, her medicineman: me she
|
|
slights. To the voice that will shrive and oil for the grave all there is
|
|
of her but her woman's unclean loins, of man's flesh made not in God's
|
|
likeness, the serpent's prey. And to the loud voice that now bids her be
|
|
silent with wondering unsteady eyes.
|
|
|
|
--Do you understand what he says? Stephen asked her.
|
|
|
|
--Is it French you are talking, sir? the old woman said to Haines.
|
|
|
|
Haines spoke to her again a longer speech, confidently.
|
|
|
|
--Irish, Buck Mulligan said. Is there Gaelic on you?
|
|
|
|
--I thought it was Irish, she said, by the sound of it. Are you from the
|
|
west, sir?
|
|
|
|
--I am an Englishman, Haines answered.
|
|
|
|
--He's English, Buck Mulligan said, and he thinks we ought to speak Irish
|
|
in Ireland.
|
|
|
|
--Sure we ought to, the old woman said, and I'm ashamed I don't speak the
|
|
language myself. I'm told it's a grand language by them that knows.
|
|
|
|
--Grand is no name for it, said Buck Mulligan. Wonderful entirely. Fill
|
|
us out some more tea, Kinch. Would you like a cup, ma'am?
|
|
|
|
--No, thank you, sir, the old woman said, slipping the ring of the
|
|
milkcan on her forearm and about to go.
|
|
|
|
Haines said to her:
|
|
|
|
--Have you your bill? We had better pay her, Mulligan, hadn't we?
|
|
|
|
Stephen filled again the three cups.
|
|
|
|
--Bill, sir? she said, halting. Well, it's seven mornings a pint at
|
|
twopence is seven twos is a shilling and twopence over and these three
|
|
mornings a quart at fourpence is three quarts is a shilling. That's a
|
|
shilling and one and two is two and two, sir.
|
|
|
|
Buck Mulligan sighed and, having filled his mouth with a crust
|
|
thickly buttered on both sides, stretched forth his legs and began to
|
|
search his trouser pockets.
|
|
|
|
--Pay up and look pleasant, Haines said to him, smiling.
|
|
|
|
Stephen filled a third cup, a spoonful of tea colouring faintly the thick
|
|
rich milk. Buck Mulligan brought up a florin, twisted it round in his
|
|
fingers and cried:
|
|
|
|
--A miracle!
|
|
|
|
He passed it along the table towards the old woman, saying:
|
|
|
|
--Ask nothing more of me, sweet. All I can give you I give.
|
|
|
|
Stephen laid the coin in her uneager hand.
|
|
|
|
--We'll owe twopence, he said.
|
|
|
|
--Time enough, sir, she said, taking the coin. Time enough. Good morning,
|
|
sir.
|
|
|
|
She curtseyed and went out, followed by Buck Mulligan's tender
|
|
chant:
|
|
|
|
|
|
--HEART OF MY HEART, WERE IT MORE,
|
|
MORE WOULD BE LAID AT YOUR FEET.
|
|
|
|
|
|
He turned to Stephen and said:
|
|
|
|
--Seriously, Dedalus. I'm stony. Hurry out to your school kip and bring
|
|
us back some money. Today the bards must drink and junket. Ireland expects
|
|
that every man this day will do his duty.
|
|
|
|
--That reminds me, Haines said, rising, that I have to visit your
|
|
national library today.
|
|
|
|
--Our swim first, Buck Mulligan said.
|
|
|
|
He turned to Stephen and asked blandly:
|
|
|
|
--Is this the day for your monthly wash, Kinch?
|
|
|
|
Then he said to Haines:
|
|
|
|
--The unclean bard makes a point of washing once a month.
|
|
|
|
--All Ireland is washed by the gulfstream, Stephen said as he let honey
|
|
trickle over a slice of the loaf.
|
|
|
|
Haines from the corner where he was knotting easily a scarf about
|
|
the loose collar of his tennis shirt spoke:
|
|
|
|
--I intend to make a collection of your sayings if you will let me.
|
|
|
|
Speaking to me. They wash and tub and scrub. Agenbite of inwit.
|
|
Conscience. Yet here's a spot.
|
|
|
|
--That one about the cracked lookingglass of a servant being the symbol
|
|
of Irish art is deuced good.
|
|
|
|
Buck Mulligan kicked Stephen's foot under the table and said with
|
|
warmth of tone:
|
|
|
|
--Wait till you hear him on Hamlet, Haines.
|
|
|
|
--Well, I mean it, Haines said, still speaking to Stephen. I was just
|
|
thinking of it when that poor old creature came in.
|
|
|
|
--Would I make any money by it? Stephen asked.
|
|
|
|
Haines laughed and, as he took his soft grey hat from the holdfast of
|
|
the hammock, said:
|
|
|
|
--I don't know, I'm sure.
|
|
|
|
He strolled out to the doorway. Buck Mulligan bent across to Stephen
|
|
and said with coarse vigour:
|
|
|
|
--You put your hoof in it now. What did you say that for?
|
|
|
|
--Well? Stephen said. The problem is to get money. From whom? From the
|
|
milkwoman or from him. It's a toss up, I think.
|
|
|
|
--I blow him out about you, Buck Mulligan said, and then you come along
|
|
with your lousy leer and your gloomy jesuit jibes.
|
|
|
|
--I see little hope, Stephen said, from her or from him.
|
|
|
|
Buck Mulligan sighed tragically and laid his hand on Stephen's arm.
|
|
|
|
--From me, Kinch, he said.
|
|
|
|
In a suddenly changed tone he added:
|
|
|
|
--To tell you the God's truth I think you're right. Damn all else they
|
|
are good for. Why don't you play them as I do? To hell with them all. Let
|
|
us get out of the kip.
|
|
|
|
He stood up, gravely ungirdled and disrobed himself of his gown,
|
|
saying resignedly:
|
|
|
|
--Mulligan is stripped of his garments.
|
|
|
|
He emptied his pockets on to the table.
|
|
|
|
--There's your snotrag, he said.
|
|
|
|
And putting on his stiff collar and rebellious tie he spoke to them,
|
|
chiding them, and to his dangling watchchain. His hands plunged and
|
|
rummaged in his trunk while he called for a clean handkerchief. God, we'll
|
|
simply have to dress the character. I want puce gloves and green boots.
|
|
Contradiction. Do I contradict myself? Very well then, I contradict
|
|
myself. Mercurial Malachi. A limp black missile flew out of his talking
|
|
hands.
|
|
|
|
--And there's your Latin quarter hat, he said.
|
|
|
|
Stephen picked it up and put it on. Haines called to them from the
|
|
doorway:
|
|
|
|
--Are you coming, you fellows?
|
|
|
|
--I'm ready, Buck Mulligan answered, going towards the door. Come out,
|
|
Kinch. You have eaten all we left, I suppose. Resigned he passed out with
|
|
grave words and gait, saying, wellnigh with sorrow:
|
|
|
|
--And going forth he met Butterly.
|
|
|
|
Stephen, taking his ashplant from its leaningplace, followed them out
|
|
and, as they went down the ladder, pulled to the slow iron door and locked
|
|
it. He put the huge key in his inner pocket.
|
|
|
|
At the foot of the ladder Buck Mulligan asked:
|
|
|
|
--Did you bring the key?
|
|
|
|
--I have it, Stephen said, preceding them.
|
|
|
|
He walked on. Behind him he heard Buck Mulligan club with his heavy
|
|
bathtowel the leader shoots of ferns or grasses.
|
|
|
|
--Down, sir! How dare you, sir!
|
|
|
|
Haines asked:
|
|
|
|
--Do you pay rent for this tower?
|
|
|
|
--Twelve quid, Buck Mulligan said.
|
|
|
|
--To the secretary of state for war, Stephen added over his shoulder.
|
|
|
|
They halted while Haines surveyed the tower and said at last:
|
|
|
|
--Rather bleak in wintertime, I should say. Martello you call it?
|
|
|
|
--Billy Pitt had them built, Buck Mulligan said, when the French were on
|
|
the sea. But ours is the omphalos.
|
|
|
|
--What is your idea of Hamlet? Haines asked Stephen.
|
|
|
|
--No, no, Buck Mulligan shouted in pain. I'm not equal to Thomas
|
|
Aquinas and the fiftyfive reasons he has made out to prop it up. Wait till
|
|
I have a few pints in me first.
|
|
|
|
He turned to Stephen, saying, as he pulled down neatly the peaks of
|
|
his primrose waistcoat:
|
|
|
|
--You couldn't manage it under three pints, Kinch, could you?
|
|
|
|
--It has waited so long, Stephen said listlessly, it can wait longer.
|
|
|
|
--You pique my curiosity, Haines said amiably. Is it some paradox?
|
|
|
|
--Pooh! Buck Mulligan said. We have grown out of Wilde and paradoxes.
|
|
It's quite simple. He proves by algebra that Hamlet's grandson is
|
|
Shakespeare's grandfather and that he himself is the ghost of his own
|
|
father.
|
|
|
|
--What? Haines said, beginning to point at Stephen. He himself?
|
|
|
|
Buck Mulligan slung his towel stolewise round his neck and, bending
|
|
in loose laughter, said to Stephen's ear:
|
|
|
|
--O, shade of Kinch the elder! Japhet in search of a father!
|
|
|
|
--We're always tired in the morning, Stephen said to Haines. And it is
|
|
rather long to tell.
|
|
|
|
Buck Mulligan, walking forward again, raised his hands.
|
|
|
|
--The sacred pint alone can unbind the tongue of Dedalus, he said.
|
|
|
|
--I mean to say, Haines explained to Stephen as they followed, this tower
|
|
and these cliffs here remind me somehow of Elsinore. THAT BEETLES O'ER HIS
|
|
BASE INTO THE SEA, ISN'T IT?
|
|
|
|
Buck Mulligan turned suddenly. for an instant towards Stephen but
|
|
did not speak. In the bright silent instant Stephen saw his own image in
|
|
cheap dusty mourning between their gay attires.
|
|
|
|
--It's a wonderful tale, Haines said, bringing them to halt again.
|
|
|
|
Eyes, pale as the sea the wind had freshened, paler, firm and prudent.
|
|
The seas' ruler, he gazed southward over the bay, empty save for the
|
|
smokeplume of the mailboat vague on the bright skyline and a sail tacking
|
|
by the Muglins.
|
|
|
|
--I read a theological interpretation of it somewhere, he said bemused.
|
|
The Father and the Son idea. The Son striving to be atoned with the
|
|
Father.
|
|
|
|
Buck Mulligan at once put on a blithe broadly smiling face. He
|
|
looked at them, his wellshaped mouth open happily, his eyes, from which he
|
|
had suddenly withdrawn all shrewd sense, blinking with mad gaiety. He
|
|
moved a doll's head to and fro, the brims of his Panama hat quivering, and
|
|
began to chant in a quiet happy foolish voice:
|
|
|
|
|
|
--I'M THE QUEEREST YOUNG FELLOW THAT EVER YOU HEARD.
|
|
MY MOTHER'S A JEW, MY FATHER'S A BIRD.
|
|
WITH JOSEPH THE JOINER I CANNOT AGREE.
|
|
SO HERE'S TO DISCIPLES AND CALVARY.
|
|
|
|
|
|
He held up a forefinger of warning.
|
|
|
|
|
|
--IF ANYONE THINKS THAT I AMN'T DIVINE
|
|
HE'LL GET NO FREE DRINKS WHEN I'M MAKING THE WINE
|
|
BUT HAVE TO DRINK WATER AND WISH IT WERE PLAIN
|
|
THAT I MAKE WHEN THE WINE BECOMES WATER AGAIN.
|
|
|
|
|
|
He tugged swiftly at Stephen's ashplant in farewell and, running
|
|
forward to a brow of the cliff, fluttered his hands at his sides like fins
|
|
or wings of one about to rise in the air, and chanted:
|
|
|
|
|
|
--GOODBYE, NOW, GOODBYE! WRITE DOWN ALL I SAID
|
|
AND TELL TOM, DIEK AND HARRY I ROSE FROM THE DEAD.
|
|
WHAT'S BRED IN THE BONE CANNOT FAIL ME TO FLY
|
|
AND OLIVET'S BREEZY ... GOODBYE, NOW, GOODBYE!
|
|
|
|
|
|
He capered before them down towards the fortyfoot hole, fluttering
|
|
his winglike hands, leaping nimbly, Mercury's hat quivering in the fresh
|
|
wind that bore back to them his brief birdsweet cries.
|
|
|
|
Haines, who had been laughing guardedly, walked on beside Stephen
|
|
and said:
|
|
|
|
--We oughtn't to laugh, I suppose. He's rather blasphemous. I'm not a
|
|
believer myself, that is to say. Still his gaiety takes the harm out of it
|
|
somehow, doesn't it? What did he call it? Joseph the Joiner?
|
|
|
|
--The ballad of joking Jesus, Stephen answered.
|
|
|
|
--O, Haines said, you have heard it before?
|
|
|
|
--Three times a day, after meals, Stephen said drily.
|
|
|
|
--You're not a believer, are you? Haines asked. I mean, a believer in the
|
|
narrow sense of the word. Creation from nothing and miracles and a
|
|
personal God.
|
|
|
|
--There's only one sense of the word, it seems to me, Stephen said.
|
|
|
|
Haines stopped to take out a smooth silver case in which twinkled a
|
|
green stone. He sprang it open with his thumb and offered it.
|
|
|
|
--Thank you, Stephen said, taking a cigarette.
|
|
|
|
Haines helped himself and snapped the case to. He put it back in his
|
|
sidepocket and took from his waistcoatpocket a nickel tinderbox, sprang it
|
|
open too, and, having lit his cigarette, held the flaming spunk towards
|
|
Stephen in the shell of his hands.
|
|
|
|
--Yes, of course, he said, as they went on again. Either you believe or
|
|
you don't, isn't it? Personally I couldn't stomach that idea of a personal
|
|
God. You don't stand for that, I suppose?
|
|
|
|
--You behold in me, Stephen said with grim displeasure, a horrible
|
|
example of free thought.
|
|
|
|
He walked on, waiting to be spoken to, trailing his ashplant by his
|
|
side. Its ferrule followed lightly on the path, squealing at his heels. My
|
|
familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line along the
|
|
path. They will walk on it tonight, coming here in the dark. He wants that
|
|
key. It is mine. I paid the rent. Now I eat his salt bread. Give him the
|
|
key too. All. He will ask for it. That was in his eyes.
|
|
|
|
--After all, Haines began ...
|
|
|
|
Stephen turned and saw that the cold gaze which had measured him
|
|
was not all unkind.
|
|
|
|
--After all, I should think you are able to free yourself. You are your
|
|
own master, it seems to me.
|
|
|
|
--I am a servant of two masters, Stephen said, an English and an Italian.
|
|
|
|
--Italian? Haines said.
|
|
|
|
A crazy queen, old and jealous. Kneel down before me.
|
|
|
|
--And a third, Stephen said, there is who wants me for odd jobs.
|
|
|
|
--Italian? Haines said again. What do you mean?
|
|
|
|
--The imperial British state, Stephen answered, his colour rising, and
|
|
the holy Roman catholic and apostolic church.
|
|
|
|
Haines detached from his underlip some fibres of tobacco before he
|
|
spoke.
|
|
|
|
--I can quite understand that, he said calmly. An Irishman must think
|
|
like that, I daresay. We feel in England that we have treated you rather
|
|
unfairly. It seems history is to blame.
|
|
|
|
The proud potent titles clanged over Stephen's memory the triumph
|
|
of their brazen bells: ET UNAM SANCTAM CATHOLICAM ET APOSTOLICAM
|
|
ECCLESIAM: the slow growth and change of rite and dogma like his own rare
|
|
thoughts, a chemistry of stars. Symbol of the apostles in the mass for
|
|
pope Marcellus, the voices blended, singing alone loud in affirmation: and
|
|
behind their chant the vigilant angel of the church militant disarmed and
|
|
menaced her heresiarchs. A horde of heresies fleeing with mitres awry:
|
|
Photius and the brood of mockers of whom Mulligan was one, and Arius,
|
|
warring his life long upon the consubstantiality of the Son with the
|
|
Father, and Valentine, spurning Christ's terrene body, and the subtle
|
|
African heresiarch Sabellius who held that the Father was Himself His own
|
|
Son. Words Mulligan had spoken a moment since in mockery to the stranger.
|
|
Idle mockery. The void awaits surely all them that weave the wind: a
|
|
menace, a disarming and a worsting from those embattled angels of the
|
|
church, Michael's host, who defend her ever in the hour of conflict with
|
|
their lances and their shields.
|
|
|
|
Hear, hear! Prolonged applause. ZUT! NOM DE DIEU!
|
|
|
|
--Of course I'm a Britisher, Haines's voice said, and I feel as one. I
|
|
don't want to see my country fall into the hands of German jews either.
|
|
That's our national problem, I'm afraid, just now.
|
|
|
|
Two men stood at the verge of the cliff, watching: businessman,
|
|
boatman.
|
|
|
|
--She's making for Bullock harbour.
|
|
|
|
The boatman nodded towards the north of the bay with some disdain.
|
|
|
|
--There's five fathoms out there, he said. It'll be swept up that way
|
|
when the tide comes in about one. It's nine days today.
|
|
|
|
The man that was drowned. A sail veering about the blank bay
|
|
waiting for a swollen bundle to bob up, roll over to the sun a puffy face,
|
|
saltwhite. Here I am.
|
|
|
|
They followed the winding path down to the creek. Buck Mulligan
|
|
stood on a stone, in shirtsleeves, his unclipped tie rippling over his
|
|
shoulder. A young man clinging to a spur of rock near him, moved slowly
|
|
frogwise his green legs in the deep jelly of the water.
|
|
|
|
--Is the brother with you, Malachi?
|
|
|
|
--Down in Westmeath. With the Bannons.
|
|
|
|
--Still there? I got a card from Bannon. Says he found a sweet young
|
|
thing down there. Photo girl he calls her.
|
|
|
|
--Snapshot, eh? Brief exposure.
|
|
|
|
Buck Mulligan sat down to unlace his boots. An elderly man shot up
|
|
near the spur of rock a blowing red face. He scrambled up by the stones,
|
|
water glistening on his pate and on its garland of grey hair, water
|
|
rilling over his chest and paunch and spilling jets out of his black
|
|
sagging loincloth.
|
|
|
|
Buck Mulligan made way for him to scramble past and, glancing at
|
|
Haines and Stephen, crossed himself piously with his thumbnail at brow
|
|
and lips and breastbone.
|
|
|
|
--Seymour's back in town, the young man said, grasping again his spur of
|
|
rock. Chucked medicine and going in for the army.
|
|
|
|
--Ah, go to God! Buck Mulligan said.
|
|
|
|
--Going over next week to stew. You know that red Carlisle girl, Lily?
|
|
|
|
--Yes.
|
|
|
|
--Spooning with him last night on the pier. The father is rotto with
|
|
money.
|
|
|
|
--Is she up the pole?
|
|
|
|
--Better ask Seymour that.
|
|
|
|
--Seymour a bleeding officer! Buck Mulligan said.
|
|
|
|
|
|
He nodded to himself as he drew off his trousers and stood up, saying
|
|
tritely:
|
|
|
|
--Redheaded women buck like goats.
|
|
|
|
He broke off in alarm, feeling his side under his flapping shirt.
|
|
|
|
--My twelfth rib is gone, he cried. I'm the ubermench. Toothless Kinch
|
|
and I, the supermen.
|
|
|
|
He struggled out of his shirt and flung it behind him to where his
|
|
clothes lay.
|
|
|
|
--Are you going in here, Malachi?
|
|
|
|
--Yes. Make room in the bed.
|
|
|
|
The young man shoved himself backward through the water and
|
|
reached the middle of the creek in two long clean strokes. Haines sat down
|
|
on a stone, smoking.
|
|
|
|
--Are you not coming in? Buck Mulligan asked.
|
|
|
|
--Later on, Haines said. Not on my breakfast.
|
|
|
|
Stephen turned away.
|
|
|
|
--I'm going, Mulligan, he said.
|
|
|
|
--Give us that key, Kinch, Buck Mulligan said, to keep my chemise flat.
|
|
|
|
Stephen handed him the key. Buck Mulligan laid it across his heaped
|
|
clothes.
|
|
|
|
--And twopence, he said, for a pint. Throw it there.
|
|
|
|
Stephen threw two pennies on the soft heap. Dressing, undressing.
|
|
Buck Mulligan erect, with joined hands before him, said solemnly:
|
|
|
|
--He who stealeth from the poor lendeth to the Lord. Thus spake
|
|
Zarathustra.
|
|
|
|
His plump body plunged.
|
|
|
|
--We'll see you again, Haines said, turning as Stephen walked up the path
|
|
and smiling at wild Irish.
|
|
|
|
Horn of a bull, hoof of a horse, smile of a Saxon.
|
|
|
|
--The Ship, Buck Mulligan cried. Half twelve.
|
|
|
|
--Good, Stephen said.
|
|
|
|
He walked along the upwardcurving path.
|
|
|
|
|
|
LILIATA RUTILANTIUM.
|
|
TURMA CIRCUMDET.
|
|
IUBILANTIUM TE VIRGINUM.
|
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|
|
|
|
The priest's grey nimbus in a niche where he dressed discreetly. I will
|
|
not sleep here tonight. Home also I cannot go.
|
|
|
|
|
|
A voice, sweettoned and sustained, called to him from the sea.
|
|
Turning the curve he waved his hand. It called again. A sleek brown head,
|
|
a seal's, far out on the water, round.
|
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|
|
Usurper.
|
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|
|
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|
* * * * * * *
|
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|
|
|
|
--You, Cochrane, what city sent for him?
|
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|
|
--Tarentum, sir.
|
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|
|
--Very good. Well?
|
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|
|
--There was a battle, sir.
|
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|
|
--Very good. Where?
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|
|
The boy's blank face asked the blank window.
|
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|
|
Fabled by the daughters of memory. And yet it was in some way if not
|
|
as memory fabled it. A phrase, then, of impatience, thud of Blake's wings
|
|
of excess. I hear the ruin of all space, shattered glass and toppling
|
|
masonry, and time one livid final flame. What's left us then?
|
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|
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--I forget the place, sir. 279 B. C.
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|
|
--Asculum, Stephen said, glancing at the name and date in the gorescarred
|
|
book.
|
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|
|
--Yes, sir. And he said: ANOTHER VICTORY LIKE THAT AND WE ARE DONE FOR.
|
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|
|
That phrase the world had remembered. A dull ease of the mind.
|
|
From a hill above a corpsestrewn plain a general speaking to his officers,
|
|
leaned upon his spear. Any general to any officers. They lend ear.
|
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|
|
--You, Armstrong, Stephen said. What was the end of Pyrrhus?
|
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|
|
--End of Pyrrhus, sir?
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|
--I know, sir. Ask me, sir, Comyn said.
|
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|
|
--Wait. You, Armstrong. Do you know anything about Pyrrhus?
|
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|
|
A bag of figrolls lay snugly in Armstrong's satchel. He curled them
|
|
between his palms at whiles and swallowed them softly. Crumbs adhered to
|
|
the tissue of his lips. A sweetened boy's breath. Welloff people, proud
|
|
that their eldest son was in the navy. Vico road, Dalkey.
|
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|
|
--Pyrrhus, sir? Pyrrhus, a pier.
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|
|
All laughed. Mirthless high malicious laughter. Armstrong looked
|
|
round at his classmates, silly glee in profile. In a moment they will
|
|
laugh more loudly, aware of my lack of rule and of the fees their papas
|
|
pay.
|
|
|
|
--Tell me now, Stephen said, poking the boy's shoulder with the book,
|
|
what is a pier.
|
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|
|
--A pier, sir, Armstrong said. A thing out in the water. A kind of a
|
|
bridge. Kingstown pier, sir.
|
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|
|
Some laughed again: mirthless but with meaning. Two in the back
|
|
bench whispered. Yes. They knew: had never learned nor ever been
|
|
innocent. All. With envy he watched their faces: Edith, Ethel, Gerty,
|
|
Lily. Their likes: their breaths, too, sweetened with tea and jam, their
|
|
bracelets tittering in the struggle.
|
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|
|
--Kingstown pier, Stephen said. Yes, a disappointed bridge.
|
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|
|
The words troubled their gaze.
|
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|
|
--How, sir? Comyn asked. A bridge is across a river.
|
|
|
|
For Haines's chapbook. No-one here to hear. Tonight deftly amid
|
|
wild drink and talk, to pierce the polished mail of his mind. What then? A
|
|
jester at the court of his master, indulged and disesteemed, winning a
|
|
clement master's praise. Why had they chosen all that part? Not wholly for
|
|
the smooth caress. For them too history was a tale like any other too
|
|
often heard, their land a pawnshop.
|
|
|
|
Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar
|
|
not been knifed to death. They are not to be thought away. Time has
|
|
branded them and fettered they are lodged in the room of the infinite
|
|
possibilities they have ousted. But can those have been possible seeing
|
|
that they never were? Or was that only possible which came to pass? Weave,
|
|
weaver of the wind.
|
|
|
|
--Tell us a story, sir.
|
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|
|
--O, do, sir. A ghoststory.
|
|
|
|
--Where do you begin in this? Stephen asked, opening another book.
|
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|
|
--WEEP NO MORE, Comyn said.
|
|
|
|
--Go on then, Talbot.
|
|
|
|
--And the story, sir?
|
|
|
|
--After, Stephen said. Go on, Talbot.
|
|
|
|
A swarthy boy opened a book and propped it nimbly under the
|
|
breastwork of his satchel. He recited jerks of verse with odd glances at
|
|
the text:
|
|
|
|
|
|
--WEEP NO MORE, WOFUL SHEPHERDS, WEEP NO MORE
|
|
FOR LYCIDAS, YOUR SORROW, IS NOT DEAD,
|
|
SUNK THOUGH HE BE BENEATH THE WATERY FLOOR ...
|
|
|
|
|
|
It must be a movement then, an actuality of the possible as possible.
|
|
Aristotle's phrase formed itself within the gabbled verses and floated out
|
|
into the studious silence of the library of Saint Genevieve where he had
|
|
read, sheltered from the sin of Paris, night by night. By his elbow a
|
|
delicate Siamese conned a handbook of strategy. Fed and feeding brains
|
|
about me: under glowlamps, impaled, with faintly beating feelers: and in
|
|
my mind's darkness a sloth of the underworld, reluctant, shy of
|
|
brightness, shifting her dragon scaly folds. Thought is the thought of
|
|
thought. Tranquil brightness. The soul is in a manner all that is: the
|
|
soul is the form of forms. Tranquility sudden, vast, candescent: form of
|
|
forms.
|
|
|
|
Talbot repeated:
|
|
|
|
|
|
--THROUGH THE DEAR MIGHT OF HIM THAT WALKED THE WAVES,
|
|
THROUGH THE DEAR MIGHT ...
|
|
|
|
|
|
--Turn over, Stephen said quietly. I don't see anything.
|
|
|
|
--What, sir? Talbot asked simply, bending forward.
|
|
|
|
His hand turned the page over. He leaned back and went on again,
|
|
having just remembered. Of him that walked the waves. Here also over
|
|
these craven hearts his shadow lies and on the scoffer's heart and lips
|
|
and on mine. It lies upon their eager faces who offered him a coin of the
|
|
tribute. To Caesar what is Caesar's, to God what is God's. A long look
|
|
from dark eyes, a riddling sentence to be woven and woven on the church's
|
|
looms. Ay.
|
|
|
|
|
|
RIDDLE ME, RIDDLE ME, RANDY RO.
|
|
MY FATHER GAVE ME SEEDS TO SOW.
|
|
|
|
|
|
Talbot slid his closed book into his satchel.
|
|
|
|
--Have I heard all? Stephen asked.
|
|
|
|
--Yes, sir. Hockey at ten, sir.
|
|
|
|
--Half day, sir. Thursday.
|
|
|
|
--Who can answer a riddle? Stephen asked.
|
|
|
|
They bundled their books away, pencils clacking, pages rustling.
|
|
Crowding together they strapped and buckled their satchels, all gabbling
|
|
gaily:
|
|
|
|
--A riddle, sir? Ask me, sir.
|
|
|
|
--O, ask me, sir.
|
|
|
|
--A hard one, sir.
|
|
|
|
--This is the riddle, Stephen said:
|
|
|
|
|
|
THE COCK CREW,
|
|
THE SKY WAS BLUE:
|
|
THE BELLS IN HEAVEN
|
|
WERE STRIKING ELEVEN.
|
|
'TIS TIME FOR THIS POOR SOUL
|
|
TO GO TO HEAVEN.
|
|
|
|
|
|
What is that?
|
|
|
|
--What, sir?
|
|
|
|
--Again, sir. We didn't hear.
|
|
|
|
Their eyes grew bigger as the lines were repeated. After a silence
|
|
Cochrane said:
|
|
|
|
--What is it, sir? We give it up.
|
|
|
|
Stephen, his throat itching, answered:
|
|
|
|
--The fox burying his grandmother under a hollybush.
|
|
|
|
He stood up and gave a shout of nervous laughter to which their cries
|
|
echoed dismay.
|
|
|
|
A stick struck the door and a voice in the corridor called:
|
|
|
|
--Hockey!
|
|
|
|
They broke asunder, sidling out of their benches, leaping them.
|
|
Quickly they were gone and from the lumberroom came the rattle of sticks
|
|
and clamour of their boots and tongues.
|
|
|
|
Sargent who alone had lingered came forward slowly, showing an
|
|
open copybook. His thick hair and scraggy neck gave witness of
|
|
unreadiness and through his misty glasses weak eyes looked up pleading.
|
|
On his cheek, dull and bloodless, a soft stain of ink lay, dateshaped,
|
|
recent and damp as a snail's bed.
|
|
|
|
He held out his copybook. The word Sums was written on the
|
|
headline. Beneath were sloping figures and at the foot a crooked signature
|
|
with blind loops and a blot. Cyril Sargent: his name and seal.
|
|
|
|
--Mr Deasy told me to write them out all again, he said, and show them to
|
|
you, sir.
|
|
|
|
Stephen touched the edges of the book. Futility.
|
|
|
|
--Do you understand how to do them now? he asked.
|
|
|
|
--Numbers eleven to fifteen, Sargent answered. Mr Deasy said I was to
|
|
copy them off the board, sir.
|
|
|
|
--Can you do them. yourself? Stephen asked.
|
|
|
|
--No, sir.
|
|
|
|
Ugly and futile: lean neck and thick hair and a stain of ink, a snail's
|
|
bed. Yet someone had loved him, borne him in her arms and in her heart.
|
|
But for her the race of the world would have trampled him underfoot, a
|
|
squashed boneless snail. She had loved his weak watery blood drained from
|
|
her own. Was that then real? The only true thing in life? His mother's
|
|
prostrate body the fiery Columbanus in holy zeal bestrode. She was no
|
|
more: the trembling skeleton of a twig burnt in the fire, an odour of
|
|
rosewood and wetted ashes. She had saved him from being trampled
|
|
underfoot and had gone, scarcely having been. A poor soul gone to heaven:
|
|
and on a heath beneath winking stars a fox, red reek of rapine in his fur,
|
|
with merciless bright eyes scraped in the earth, listened, scraped up the
|
|
earth, listened, scraped and scraped.
|
|
|
|
Sitting at his side Stephen solved out the problem. He proves by
|
|
algebra that Shakespeare's ghost is Hamlet's grandfather. Sargent peered
|
|
askance through his slanted glasses. Hockeysticks rattled in the
|
|
lumberroom: the hollow knock of a ball and calls from the field.
|
|
|
|
Across the page the symbols moved in grave morrice, in the mummery
|
|
of their letters, wearing quaint caps of squares and cubes. Give hands,
|
|
traverse, bow to partner: so: imps of fancy of the Moors. Gone too from
|
|
the world, Averroes and Moses Maimonides, dark men in mien and
|
|
movement, flashing in their mocking mirrors the obscure soul of the
|
|
world, a darkness shining in brightness which brightness could not
|
|
comprehend.
|
|
|
|
--Do you understand now? Can you work the second for yourself?
|
|
|
|
--Yes, sir.
|
|
|
|
In long shaky strokes Sargent copied the data. Waiting always for a
|
|
word of help his hand moved faithfully the unsteady symbols, a faint hue
|
|
of shame flickering behind his dull skin. Amor matris: subjective and
|
|
objective genitive. With her weak blood and wheysour milk she had fed him
|
|
and hid from sight of others his swaddling bands.
|
|
|
|
Like him was I, these sloping shoulders, this gracelessness. My
|
|
childhood bends beside me. Too far for me to lay a hand there once or
|
|
lightly. Mine is far and his secret as our eyes. Secrets, silent, stony
|
|
sit in the dark palaces of both our hearts: secrets weary of their
|
|
tyranny: tyrants, willing to be dethroned.
|
|
|
|
The sum was done.
|
|
|
|
--It is very simple, Stephen said as he stood up.
|
|
|
|
--Yes, sir. Thanks, Sargent answered.
|
|
|
|
He dried the page with a sheet of thin blottingpaper and carried his
|
|
copybook back to his bench.
|
|
|
|
--You had better get your stick and go out to the others, Stephen said as
|
|
he followed towards the door the boy's graceless form.
|
|
|
|
--Yes, sir.
|
|
|
|
In the corridor his name was heard, called from the playfield.
|
|
|
|
--Sargent!
|
|
|
|
--Run on, Stephen said. Mr Deasy is calling you.
|
|
|
|
He stood in the porch and watched the laggard hurry towards the
|
|
scrappy field where sharp voices were in strife. They were sorted in teams
|
|
and Mr Deasy came away stepping over wisps of grass with gaitered feet.
|
|
When he had reached the schoolhouse voices again contending called to
|
|
him. He turned his angry white moustache.
|
|
|
|
--What is it now? he cried continually without listening.
|
|
|
|
--Cochrane and Halliday are on the same side, sir, Stephen said.
|
|
|
|
--Will you wait in my study for a moment, Mr Deasy said, till I restore
|
|
order here.
|
|
|
|
And as he stepped fussily back across the field his old man's voice
|
|
cried sternly:
|
|
|
|
--What is the matter? What is it now?
|
|
|
|
Their sharp voices cried about him on all sides: their many forms
|
|
closed round him, the garish sunshine bleaching the honey of his illdyed
|
|
head.
|
|
|
|
Stale smoky air hung in the study with the smell of drab abraded
|
|
leather of its chairs. As on the first day he bargained with me here. As
|
|
it was in the beginning, is now. On the sideboard the tray of Stuart
|
|
coins, base treasure of a bog: and ever shall be. And snug in their
|
|
spooncase of purple plush, faded, the twelve apostles having preached to
|
|
all the gentiles: world without end.
|
|
|
|
A hasty step over the stone porch and in the corridor. Blowing out his
|
|
rare moustache Mr Deasy halted at the table.
|
|
|
|
--First, our little financial settlement, he said.
|
|
|
|
He brought out of his coat a pocketbook bound by a leather thong. It
|
|
slapped open and he took from it two notes, one of joined halves, and laid
|
|
them carefully on the table.
|
|
|
|
--Two, he said, strapping and stowing his pocketbook away.
|
|
|
|
And now his strongroom for the gold. Stephen's embarrassed hand
|
|
moved over the shells heaped in the cold stone mortar: whelks and money
|
|
cowries and leopard shells: and this, whorled as an emir's turban, and
|
|
this, the scallop of saint James. An old pilgrim's hoard, dead treasure,
|
|
hollow shells.
|
|
|
|
A sovereign fell, bright and new, on the soft pile of the tablecloth.
|
|
|
|
--Three, Mr Deasy said, turning his little savingsbox about in his hand.
|
|
These are handy things to have. See. This is for sovereigns. This is for
|
|
shillings. Sixpences, halfcrowns. And here crowns. See.
|
|
|
|
He shot from it two crowns and two shillings.
|
|
|
|
--Three twelve, he said. I think you'll find that's right.
|
|
|
|
--Thank you, sir, Stephen said, gathering the money together with shy
|
|
haste and putting it all in a pocket of his trousers.
|
|
|
|
--No thanks at all, Mr Deasy said. You have earned it.
|
|
|
|
Stephen's hand, free again, went back to the hollow shells. Symbols
|
|
too of beauty and of power. A lump in my pocket: symbols soiled by greed
|
|
and misery.
|
|
|
|
--Don't carry it like that, Mr Deasy said. You'll pull it out somewhere
|
|
and lose it. You just buy one of these machines. You'll find them very
|
|
handy.
|
|
|
|
Answer something.
|
|
|
|
--Mine would be often empty, Stephen said.
|
|
|
|
The same room and hour, the same wisdom: and I the same. Three
|
|
times now. Three nooses round me here. Well? I can break them in this
|
|
instant if I will.
|
|
|
|
--Because you don't save, Mr Deasy said, pointing his finger. You don't
|
|
know yet what money is. Money is power. When you have lived as long as I
|
|
have. I know, I know. If youth but knew. But what does Shakespeare say?
|
|
PUT BUT MONEY IN THY PURSE.
|
|
|
|
--Iago, Stephen murmured.
|
|
|
|
He lifted his gaze from the idle shells to the old man's stare.
|
|
|
|
--He knew what money was, Mr Deasy said. He made money. A poet, yes,
|
|
but an Englishman too. Do you know what is the pride of the English? Do
|
|
you know what is the proudest word you will ever hear from an
|
|
Englishman's mouth?
|
|
|
|
The seas' ruler. His seacold eyes looked on the empty bay: it seems
|
|
history is to blame: on me and on my words, unhating.
|
|
|
|
--That on his empire, Stephen said, the sun never sets.
|
|
|
|
--Ba! Mr Deasy cried. That's not English. A French Celt said that. He
|
|
tapped his savingsbox against his thumbnail.
|
|
|
|
--I will tell you, he said solemnly, what is his proudest boast. I PAID
|
|
MY WAY.
|
|
|
|
Good man, good man.
|
|
|
|
--I PAID MY WAY. I NEVER BORROWED A SHILLING IN MY LIFE. Can you feel
|
|
that? I OWE NOTHING. Can you?
|
|
|
|
Mulligan, nine pounds, three pairs of socks, one pair brogues, ties.
|
|
Curran, ten guineas. McCann, one guinea. Fred Ryan, two shillings.
|
|
Temple, two lunches. Russell, one guinea, Cousins, ten shillings, Bob
|
|
Reynolds, half a guinea, Koehler, three guineas, Mrs MacKernan, five
|
|
weeks' board. The lump I have is useless.
|
|
|
|
--For the moment, no, Stephen answered.
|
|
|
|
Mr Deasy laughed with rich delight, putting back his savingsbox.
|
|
|
|
--I knew you couldn't, he said joyously. But one day you must feel it. We
|
|
are a generous people but we must also be just.
|
|
|
|
--I fear those big words, Stephen said, which make us so unhappy.
|
|
|
|
Mr Deasy stared sternly for some moments over the mantelpiece at
|
|
the shapely bulk of a man in tartan filibegs: Albert Edward, prince of
|
|
Wales.
|
|
|
|
--You think me an old fogey and an old tory, his thoughtful voice said. I
|
|
saw three generations since O'Connell's time. I remember the famine
|
|
in '46. Do you know that the orange lodges agitated for repeal of the
|
|
union twenty years before O'Connell did or before the prelates of your
|
|
communion denounced him as a demagogue? You fenians forget some things.
|
|
|
|
Glorious, pious and immortal memory. The lodge of Diamond in
|
|
Armagh the splendid behung with corpses of papishes. Hoarse, masked and
|
|
armed, the planters' covenant. The black north and true blue bible.
|
|
Croppies lie down.
|
|
|
|
Stephen sketched a brief gesture.
|
|
|
|
--I have rebel blood in me too, Mr Deasy said. On the spindle side. But I
|
|
am descended from sir John Blackwood who voted for the union. We are all
|
|
Irish, all kings' sons.
|
|
|
|
--Alas, Stephen said.
|
|
|
|
--PER VIAS RECTAS, Mr Deasy said firmly, was his motto. He voted for it
|
|
and put on his topboots to ride to Dublin from the Ards of Down to do so.
|
|
|
|
|
|
LAL THE RAL THE RA
|
|
THE ROCKY ROAD TO DUBLIN.
|
|
|
|
|
|
A gruff squire on horseback with shiny topboots. Soft day, sir John!
|
|
Soft day, your honour! ... Day! ... Day! ... Two topboots jog dangling
|
|
on to Dublin. Lal the ral the ra. Lal the ral the raddy.
|
|
|
|
--That reminds me, Mr Deasy said. You can do me a favour, Mr Dedalus,
|
|
with some of your literary friends. I have a letter here for the press.
|
|
Sit down a moment. I have just to copy the end.
|
|
|
|
He went to the desk near the window, pulled in his chair twice and
|
|
read off some words from the sheet on the drum of his typewriter.
|
|
|
|
--Sit down. Excuse me, he said over his shoulder, THE DICTATES OF COMMON
|
|
SENSE. Just a moment.
|
|
|
|
He peered from under his shaggy brows at the manuscript by his
|
|
elbow and, muttering, began to prod the stiff buttons of the keyboard
|
|
slowly, sometimes blowing as he screwed up the drum to erase an error.
|
|
|
|
Stephen seated himself noiselessly before the princely presence.
|
|
Framed around the walls images of vanished horses stood in homage, their
|
|
meek heads poised in air: lord Hastings' Repulse, the duke of
|
|
Westminster's Shotover, the duke of Beaufort's Ceylon, PRIX DE PARIS,
|
|
1866. Elfin riders sat them, watchful of a sign. He saw their speeds,
|
|
backing king's colours, and shouted with the shouts of vanished crowds.
|
|
|
|
--Full stop, Mr Deasy bade his keys. But prompt ventilation of this
|
|
allimportant question ...
|
|
|
|
Where Cranly led me to get rich quick, hunting his winners among
|
|
the mudsplashed brakes, amid the bawls of bookies on their pitches and
|
|
reek of the canteen, over the motley slush. Fair Rebel! Fair Rebel! Even
|
|
money the favourite: ten to one the field. Dicers and thimbleriggers we
|
|
hurried by after the hoofs, the vying caps and jackets and past the
|
|
meatfaced woman, a butcher's dame, nuzzling thirstily her clove of orange.
|
|
|
|
Shouts rang shrill from the boys' playfield and a whirring whistle.
|
|
|
|
Again: a goal. I am among them, among their battling bodies in a
|
|
medley, the joust of life. You mean that knockkneed mother's darling who
|
|
seems to be slightly crawsick? Jousts. Time shocked rebounds, shock by
|
|
shock. Jousts, slush and uproar of battles, the frozen deathspew of the
|
|
slain, a shout of spearspikes baited with men's bloodied guts.
|
|
|
|
--Now then, Mr Deasy said, rising.
|
|
|
|
He came to the table, pinning together his sheets. Stephen stood up.
|
|
|
|
--I have put the matter into a nutshell, Mr Deasy said. It's about the
|
|
foot and mouth disease. Just look through it. There can be no two opinions
|
|
on the matter.
|
|
|
|
May I trespass on your valuable space. That doctrine of LAISSEZ FAIRE
|
|
which so often in our history. Our cattle trade. The way of all our old
|
|
industries. Liverpool ring which jockeyed the Galway harbour scheme.
|
|
European conflagration. Grain supplies through the narrow waters of the
|
|
channel. The pluterperfect imperturbability of the department of
|
|
agriculture. Pardoned a classical allusion. Cassandra. By a woman who
|
|
was no better than she should be. To come to the point at issue.
|
|
|
|
--I don't mince words, do I? Mr Deasy asked as Stephen read on.
|
|
|
|
Foot and mouth disease. Known as Koch's preparation. Serum and
|
|
virus. Percentage of salted horses. Rinderpest. Emperor's horses at
|
|
Murzsteg, lower Austria. Veterinary surgeons. Mr Henry Blackwood Price.
|
|
Courteous offer a fair trial. Dictates of common sense. Allimportant
|
|
question. In every sense of the word take the bull by the horns. Thanking
|
|
you for the hospitality of your columns.
|
|
|
|
--I want that to be printed and read, Mr Deasy said. You will see at the
|
|
next outbreak they will put an embargo on Irish cattle. And it can be
|
|
cured. It is cured. My cousin, Blackwood Price, writes to me it is
|
|
regularly treated and cured in Austria by cattledoctors there. They offer
|
|
to come over here. I am trying to work up influence with the department.
|
|
Now I'm going to try publicity. I am surrounded by difficulties,
|
|
by ... intrigues by ... backstairs influence by ...
|
|
|
|
He raised his forefinger and beat the air oldly before his voice spoke.
|
|
|
|
--Mark my words, Mr Dedalus, he said. England is in the hands of the
|
|
jews. In all the highest places: her finance, her press. And they are the
|
|
signs of a nation's decay. Wherever they gather they eat up the nation's
|
|
vital strength. I have seen it coming these years. As sure as we are
|
|
standing here the jew merchants are already at their work of destruction.
|
|
Old England is dying.
|
|
|
|
He stepped swiftly off, his eyes coming to blue life as they passed a
|
|
broad sunbeam. He faced about and back again.
|
|
|
|
--Dying, he said again, if not dead by now.
|
|
|
|
|
|
THE HARLOT'S CRY FROM STREET TO STREET
|
|
SHALL WEAVE OLD ENGLAND'S WINDINGSHEET.
|
|
|
|
|
|
His eyes open wide in vision stared sternly across the sunbeam in
|
|
which he halted.
|
|
|
|
--A merchant, Stephen said, is one who buys cheap and sells dear, jew or
|
|
gentile, is he not?
|
|
|
|
--They sinned against the light, Mr Deasy said gravely. And you can see
|
|
the darkness in their eyes. And that is why they are wanderers on the
|
|
earth to this day.
|
|
|
|
On the steps of the Paris stock exchange the goldskinned men quoting
|
|
prices on their gemmed fingers. Gabble of geese. They swarmed loud,
|
|
uncouth about the temple, their heads thickplotting under maladroit silk
|
|
hats. Not theirs: these clothes, this speech, these gestures. Their full
|
|
slow eyes belied the words, the gestures eager and unoffending, but knew
|
|
the rancours massed about them and knew their zeal was vain. Vain patience
|
|
to heap and hoard. Time surely would scatter all. A hoard heaped by the
|
|
roadside: plundered and passing on. Their eyes knew their years of
|
|
wandering and, patient, knew the dishonours of their flesh.
|
|
|
|
--Who has not? Stephen said.
|
|
|
|
--What do you mean? Mr Deasy asked.
|
|
|
|
He came forward a pace and stood by the table. His underjaw fell
|
|
sideways open uncertainly. Is this old wisdom? He waits to hear from me.
|
|
|
|
--History, Stephen said, is a nightmare from which I am trying to awake.
|
|
|
|
From the playfield the boys raised a shout. A whirring whistle: goal.
|
|
What if that nightmare gave you a back kick?
|
|
|
|
--The ways of the Creator are not our ways, Mr Deasy said. All human
|
|
history moves towards one great goal, the manifestation of God.
|
|
|
|
Stephen jerked his thumb towards the window, saying:
|
|
|
|
--That is God.
|
|
|
|
Hooray! Ay! Whrrwhee!
|
|
|
|
--What? Mr Deasy asked.
|
|
|
|
--A shout in the street, Stephen answered, shrugging his shoulders.
|
|
|
|
Mr Deasy looked down and held for awhile the wings of his nose
|
|
tweaked between his fingers. Looking up again he set them free.
|
|
|
|
--I am happier than you are, he said. We have committed many errors and
|
|
many sins. A woman brought sin into the world. For a woman who was no
|
|
better than she should be, Helen, the runaway wife of Menelaus, ten years
|
|
the Greeks made war on Troy. A faithless wife first brought the strangers
|
|
to our shore here, MacMurrough's wife and her leman, O'Rourke, prince of
|
|
Breffni. A woman too brought Parnell low. Many errors, many failures but
|
|
not the one sin. I am a struggler now at the end of my days. But I will
|
|
fight for the right till the end.
|
|
|
|
|
|
FOR ULSTER WILL FIGHT
|
|
AND ULSTER WILL BE RIGHT.
|
|
|
|
|
|
Stephen raised the sheets in his hand.
|
|
|
|
--Well, sir, he began ...
|
|
|
|
--I foresee, Mr Deasy said, that you will not remain here very long at
|
|
this work. You were not born to be a teacher, I think. Perhaps I am wrong.
|
|
|
|
--A learner rather, Stephen said.
|
|
|
|
And here what will you learn more?
|
|
|
|
Mr Deasy shook his head.
|
|
|
|
--Who knows? he said. To learn one must be humble. But life is the great
|
|
teacher.
|
|
|
|
Stephen rustled the sheets again.
|
|
|
|
--As regards these, he began.
|
|
|
|
--Yes, Mr Deasy said. You have two copies there. If you can have them
|
|
published at once.
|
|
|
|
TELEGRAPH. IRISH HOMESTEAD.
|
|
|
|
--I will try, Stephen said, and let you know tomorrow. I know two editors
|
|
slightly.
|
|
|
|
--That will do, Mr Deasy said briskly. I wrote last night to Mr Field,
|
|
M.P. There is a meeting of the cattletraders' association today at the
|
|
City Arms hotel. I asked him to lay my letter before the meeting. You see
|
|
if you can get it into your two papers. What are they?
|
|
|
|
--THE EVENING TELEGRAPH ...
|
|
|
|
--That will do, Mr Deasy said. There is no time to lose. Now I have to
|
|
answer that letter from my cousin.
|
|
|
|
--Good morning, sir, Stephen said, putting the sheets in his pocket.
|
|
Thank you.
|
|
|
|
--Not at all, Mr Deasy said as he searched the papers on his desk. I like
|
|
to break a lance with you, old as I am.
|
|
|
|
--Good morning, sir, Stephen said again, bowing to his bent back.
|
|
|
|
He went out by the open porch and down the gravel path under the
|
|
trees, hearing the cries of voices and crack of sticks from the playfield.
|
|
The lions couchant on the pillars as he passed out through the gate:
|
|
toothless terrors. Still I will help him in his fight. Mulligan will dub
|
|
me a new name: the bullockbefriending bard.
|
|
|
|
--Mr Dedalus!
|
|
|
|
Running after me. No more letters, I hope.
|
|
|
|
--Just one moment.
|
|
|
|
--Yes, sir, Stephen said, turning back at the gate.
|
|
|
|
Mr Deasy halted, breathing hard and swallowing his breath.
|
|
|
|
--I just wanted to say, he said. Ireland, they say, has the honour of
|
|
being the only country which never persecuted the jews. Do you know that?
|
|
No. And do you know why?
|
|
|
|
He frowned sternly on the bright air.
|
|
|
|
--Why, sir? Stephen asked, beginning to smile.
|
|
|
|
--Because she never let them in, Mr Deasy said solemnly.
|
|
|
|
A coughball of laughter leaped from his throat dragging after it a
|
|
rattling chain of phlegm. He turned back quickly, coughing, laughing, his
|
|
lifted arms waving to the air.
|
|
|
|
--She never let them in, he cried again through his laughter as he
|
|
stamped on gaitered feet over the gravel of the path. That's why.
|
|
|
|
On his wise shoulders through the checkerwork of leaves the sun flung
|
|
spangles, dancing coins.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Ineluctable modality of the visible: at least that if no more, thought
|
|
through my eyes. Signatures of all things I am here to read, seaspawn and
|
|
seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust:
|
|
coloured signs. Limits of the diaphane. But he adds: in bodies. Then he
|
|
was aware of them bodies before of them coloured. How? By knocking his
|
|
sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO
|
|
DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane,
|
|
adiaphane. If you can put your five fingers through it it is a gate, if
|
|
not a door. Shut your eyes and see.
|
|
|
|
Stephen closed his eyes to hear his boots crush crackling wrack and
|
|
shells. You are walking through it howsomever. I am, a stride at a time. A
|
|
very short space of time through very short times of space. Five, six: the
|
|
NACHEINANDER. Exactly: and that is the ineluctable modality of the
|
|
audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles
|
|
o'er his base, fell through the NEBENEINANDER ineluctably! I am getting on
|
|
nicely in the dark. My ash sword hangs at my side. Tap with it: they do.
|
|
My two feet in his boots are at the ends of his legs, NEBENEINANDER.
|
|
Sounds solid: made by the mallet of LOS DEMIURGOS. Am I walking into
|
|
eternity along Sandymount strand? Crush, crack, crick, crick. Wild sea
|
|
money. Dominie Deasy kens them a'.
|
|
|
|
|
|
WON'T YOU COME TO SANDYMOUNT,
|
|
MADELINE THE MARE?
|
|
|
|
|
|
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
|
|
marching. No, agallop: DELINE THE MARE.
|
|
|
|
Open your eyes now. I will. One moment. Has all vanished since? If I
|
|
open and am for ever in the black adiaphane. BASTA! I will see if I can
|
|
see.
|
|
|
|
See now. There all the time without you: and ever shall be, world
|
|
without end.
|
|
|
|
They came down the steps from Leahy's terrace prudently,
|
|
FRAUENZIMMER: and down the shelving shore flabbily, their splayed feet
|
|
sinking in the silted sand. Like me, like Algy, coming down to our mighty
|
|
mother. Number one swung lourdily her midwife's bag, the other's gamp
|
|
poked in the beach. From the liberties, out for the day. Mrs Florence
|
|
MacCabe, relict of the late Patk MacCabe, deeply lamented, of Bride
|
|
Street. One of her sisterhood lugged me squealing into life. Creation from
|
|
nothing. What has she in the bag? A misbirth with a trailing navelcord,
|
|
hushed in ruddy wool. The cords of all link back, strandentwining cable of
|
|
all flesh. That is why mystic monks. Will you be as gods? Gaze in your
|
|
omphalos. Hello! Kinch here. Put me on to Edenville. Aleph, alpha: nought,
|
|
nought, one.
|
|
|
|
Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had
|
|
no navel. Gaze. Belly without blemish, bulging big, a buckler of taut
|
|
vellum, no, whiteheaped corn, orient and immortal, standing from
|
|
everlasting to everlasting. Womb of sin.
|
|
|
|
Wombed in sin darkness I was too, made not begotten. By them, the
|
|
man with my voice and my eyes and a ghostwoman with ashes on her
|
|
breath. They clasped and sundered, did the coupler's will. From before the
|
|
ages He willed me and now may not will me away or ever. A LEX ETERNA
|
|
stays about Him. Is that then the divine substance wherein Father and Son
|
|
are consubstantial? Where is poor dear Arius to try conclusions? Warring
|
|
his life long upon the contransmagnificandjewbangtantiality. Illstarred
|
|
heresiarch' In a Greek watercloset he breathed his last: euthanasia. With
|
|
beaded mitre and with crozier, stalled upon his throne, widower of a
|
|
widowed see, with upstiffed omophorion, with clotted hinderparts.
|
|
|
|
Airs romped round him, nipping and eager airs. They are coming,
|
|
waves. The whitemaned seahorses, champing, brightwindbridled, the steeds
|
|
of Mananaan.
|
|
|
|
I mustn't forget his letter for the press. And after? The Ship, half
|
|
twelve. By the way go easy with that money like a good young imbecile.
|
|
|
|
Yes, I must.
|
|
|
|
His pace slackened. Here. Am I going to aunt Sara's or not? My
|
|
consubstantial father's voice. Did you see anything of your artist brother
|
|
Stephen lately? No? Sure he's not down in Strasburg terrace with his aunt
|
|
|
|
Sally? Couldn't he fly a bit higher than that, eh? And and and and tell
|
|
us, Stephen, how is uncle Si? O, weeping God, the things I married into!
|
|
De boys up in de hayloft. The drunken little costdrawer and his brother,
|
|
the cornet player. Highly respectable gondoliers! And skeweyed Walter
|
|
sirring his father, no less! Sir. Yes, sir. No, sir. Jesus wept: and no
|
|
wonder, by Christ!
|
|
|
|
I pull the wheezy bell of their shuttered cottage: and wait. They take
|
|
me for a dun, peer out from a coign of vantage.
|
|
|
|
--It's Stephen, sir.
|
|
|
|
--Let him in. Let Stephen in.
|
|
|
|
A bolt drawn back and Walter welcomes me.
|
|
|
|
--We thought you were someone else.
|
|
|
|
In his broad bed nuncle Richie, pillowed and blanketed, extends over
|
|
the hillock of his knees a sturdy forearm. Cleanchested. He has washed the
|
|
upper moiety.
|
|
|
|
--Morrow, nephew.
|
|
|
|
He lays aside the lapboard whereon he drafts his bills of costs for the
|
|
eyes of master Goff and master Shapland Tandy, filing consents and
|
|
common searches and a writ of DUCES TECUM. A bogoak frame over his bald
|
|
head: Wilde's REQUIESCAT. The drone of his misleading whistle brings
|
|
Walter back.
|
|
|
|
--Yes, sir?
|
|
|
|
--Malt for Richie and Stephen, tell mother. Where is she?
|
|
|
|
--Bathing Crissie, sir.
|
|
|
|
Papa's little bedpal. Lump of love.
|
|
|
|
--No, uncle Richie ...
|
|
|
|
--Call me Richie. Damn your lithia water. It lowers. Whusky!
|
|
|
|
--Uncle Richie, really ...
|
|
|
|
--Sit down or by the law Harry I'll knock you down.
|
|
|
|
Walter squints vainly for a chair.
|
|
|
|
--He has nothing to sit down on, sir.
|
|
|
|
--He has nowhere to put it, you mug. Bring in our chippendale chair.
|
|
Would you like a bite of something? None of your damned lawdeedaw airs
|
|
here. The rich of a rasher fried with a herring? Sure? So much the better.
|
|
We have nothing in the house but backache pills.
|
|
|
|
ALL'ERTA!
|
|
|
|
He drones bars of Ferrando's ARIA DI SORTITA. The grandest number,
|
|
Stephen, in the whole opera. Listen.
|
|
|
|
His tuneful whistle sounds again, finely shaded, with rushes of the air,
|
|
his fists bigdrumming on his padded knees.
|
|
|
|
This wind is sweeter.
|
|
|
|
Houses of decay, mine, his and all. You told the Clongowes gentry
|
|
you had an uncle a judge and an uncle a general in the army. Come out of
|
|
them, Stephen. Beauty is not there. Nor in the stagnant bay of Marsh's
|
|
library where you read the fading prophecies of Joachim Abbas. For
|
|
whom? The hundredheaded rabble of the cathedral close. A hater of his
|
|
kind ran from them to the wood of madness, his mane foaming in the
|
|
moon, his eyeballs stars. Houyhnhnm, horsenostrilled. The oval equine
|
|
faces, Temple, Buck Mulligan, Foxy Campbell, Lanternjaws. Abbas father,--
|
|
furious dean, what offence laid fire to their brains? Paff! DESCENDE,
|
|
CALVE, UT NE AMPLIUS DECALVERIS. A garland of grey hair on his comminated
|
|
head see him me clambering down to the footpace (DESCENDE!), clutching a
|
|
monstrance, basiliskeyed. Get down, baldpoll! A choir gives back menace
|
|
and echo, assisting about the altar's horns, the snorted Latin of
|
|
jackpriests moving burly in their albs, tonsured and oiled and gelded, fat
|
|
with the fat of kidneys of wheat.
|
|
|
|
And at the same instant perhaps a priest round the corner is elevating it.
|
|
Dringdring! And two streets off another locking it into a pyx.
|
|
Dringadring! And in a ladychapel another taking housel all to his own
|
|
cheek. Dringdring! Down, up, forward, back. Dan Occam thought of that,
|
|
invincible doctor. A misty English morning the imp hypostasis tickled his
|
|
brain. Bringing his host down and kneeling he heard twine with his second
|
|
bell the first bell in the transept (he is lifting his) and, rising, heard
|
|
(now I am lifting) their two bells (he is kneeling) twang in diphthong.
|
|
|
|
Cousin Stephen, you will never be a saint. Isle of saints. You were
|
|
awfully holy, weren't you? You prayed to the Blessed Virgin that you might
|
|
not have a red nose. You prayed to the devil in Serpentine avenue that the
|
|
fubsy widow in front might lift her clothes still more from the wet
|
|
street. O SI, CERTO! Sell your soul for that, do, dyed rags pinned round a
|
|
squaw. More tell me, more still!! On the top of the Howth tram alone
|
|
crying to the rain: Naked women! NAKED WOMEN! What about that, eh?
|
|
|
|
What about what? What else were they invented for?
|
|
|
|
Reading two pages apiece of seven books every night, eh? I was
|
|
young. You bowed to yourself in the mirror, stepping forward to applause
|
|
earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one
|
|
saw: tell no-one. Books you were going to write with letters for titles.
|
|
Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful.
|
|
O yes, W. Remember your epiphanies written on green oval leaves, deeply
|
|
deep, copies to be sent if you died to all the great libraries of the
|
|
world, including Alexandria? Someone was to read them there after a few
|
|
thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like
|
|
a whale. When one reads these strange pages of one long gone one feels
|
|
that one is at one with one who once ...
|
|
|
|
The grainy sand had gone from under his feet. His boots trod again a
|
|
damp crackling mast, razorshells, squeaking pebbles, that on the
|
|
unnumbered pebbles beats, wood sieved by the shipworm, lost Armada.
|
|
Unwholesome sandflats waited to suck his treading soles, breathing upward
|
|
sewage breath, a pocket of seaweed smouldered in seafire under a midden
|
|
of man's ashes. He coasted them, walking warily. A porterbottle stood up,
|
|
stogged to its waist, in the cakey sand dough. A sentinel: isle of
|
|
dreadful thirst. Broken hoops on the shore; at the land a maze of dark
|
|
cunning nets; farther away chalkscrawled backdoors and on the higher beach
|
|
a dryingline with two crucified shirts. Ringsend: wigwams of brown
|
|
steersmen and master mariners. Human shells.
|
|
|
|
He halted. I have passed the way to aunt Sara's. Am I not going
|
|
there? Seems not. No-one about. He turned northeast and crossed the
|
|
firmer sand towards the Pigeonhouse.
|
|
|
|
--QUI VOUS A MIS DANS CETTE FICHUE POSITION?
|
|
|
|
--C'EST LE PIGEON, JOSEPH.
|
|
|
|
Patrice, home on furlough, lapped warm milk with me in the bar
|
|
MacMahon. Son of the wild goose, Kevin Egan of Paris. My father's a bird,
|
|
he lapped the sweet LAIT CHAUD with pink young tongue, plump bunny's face.
|
|
Lap, LAPIN. He hopes to win in the GROS LOTS. About the nature of women he
|
|
read in Michelet. But he must send me LA VIE DE JESUS by M. Leo Taxil.
|
|
Lent it to his friend.
|
|
|
|
--C'EST TORDANT, VOUS SAVEZ. MOI, JE SUIS SOCIALISTE. JE NE CROIS PAS EN
|
|
L'EXISTENCE DE DIEU. FAUT PAS LE DIRE A MON P-RE.
|
|
|
|
--IL CROIT?
|
|
|
|
--MON PERE, OUI.
|
|
|
|
SCHLUSS. He laps.
|
|
|
|
My Latin quarter hat. God, we simply must dress the character. I
|
|
want puce gloves. You were a student, weren't you? Of what in the other
|
|
devil's name? Paysayenn. P. C. N., you know: PHYSIQUES, CHIMIQUES ET
|
|
NATURELLES. Aha. Eating your groatsworth of MOU EN CIVET, fleshpots of
|
|
Egypt, elbowed by belching cabmen. Just say in the most natural tone:
|
|
when I was in Paris; BOUL' MICH', I used to. Yes, used to carry punched
|
|
tickets to prove an alibi if they arrested you for murder somewhere.
|
|
Justice. On the night of the seventeenth of February 1904 the prisoner was
|
|
seen by two witnesses. Other fellow did it: other me. Hat, tie, overcoat,
|
|
nose. LUI, C'EST MOI. You seem to have enjoyed yourself.
|
|
|
|
Proudly walking. Whom were you trying to walk like? Forget: a
|
|
dispossessed. With mother's money order, eight shillings, the banging door
|
|
of the post office slammed in your face by the usher. Hunger toothache.
|
|
ENCORE DEUX MINUTES. Look clock. Must get. FERME. Hired dog! Shoot him
|
|
to bloody bits with a bang shotgun, bits man spattered walls all brass
|
|
buttons. Bits all khrrrrklak in place clack back. Not hurt? O, that's all
|
|
right. Shake hands. See what I meant, see? O, that's all right. Shake a
|
|
shake. O, that's all only all right.
|
|
|
|
You were going to do wonders, what? Missionary to Europe after
|
|
fiery Columbanus. Fiacre and Scotus on their creepystools in heaven spilt
|
|
from their pintpots, loudlatinlaughing: EUGE! EUGE! Pretending to speak
|
|
broken English as you dragged your valise, porter threepence, across the
|
|
slimy pier at Newhaven. COMMENT? Rich booty you brought back; LE TUTU,
|
|
five tattered numbers of PANTALON BLANC ET CULOTTE ROUGE; a blue
|
|
French telegram, curiosity to show:
|
|
|
|
--Mother dying come home father.
|
|
|
|
The aunt thinks you killed your mother. That's why she won't.
|
|
|
|
|
|
THEN HERE'S A HEALTH TO MULLIGAN'S AUNT
|
|
AND I'LL TELL YOU THE REASON WHY.
|
|
SHE ALWAYS KEPT THINGS DECENT IN
|
|
THE HANNIGAN FAMILEYE.
|
|
|
|
|
|
His feet marched in sudden proud rhythm over the sand furrows,
|
|
along by the boulders of the south wall. He stared at them proudly, piled
|
|
stone mammoth skulls. Gold light on sea, on sand, on boulders. The sun is
|
|
there, the slender trees, the lemon houses.
|
|
|
|
Paris rawly waking, crude sunlight on her lemon streets. Moist pith of
|
|
farls of bread, the froggreen wormwood, her matin incense, court the air.
|
|
Belluomo rises from the bed of his wife's lover's wife, the kerchiefed
|
|
housewife is astir, a saucer of acetic acid in her hand. In Rodot's Yvonne
|
|
and Madeleine newmake their tumbled beauties, shattering with gold teeth
|
|
CHAUSSONS of pastry, their mouths yellowed with the PUS OF FLAN BRETON.
|
|
Faces of Paris men go by, their wellpleased pleasers, curled
|
|
conquistadores.
|
|
|
|
Noon slumbers. Kevin Egan rolls gunpowder cigarettes through
|
|
fingers smeared with printer's ink, sipping his green fairy as Patrice his
|
|
white. About us gobblers fork spiced beans down their gullets. UN DEMI
|
|
SETIER! A jet of coffee steam from the burnished caldron. She serves me at
|
|
his beck. IL EST IRLANDAIS. HOLLANDAIS? NON FROMAGE. DEUX IRLANDAIS, NOUS,
|
|
IRLANDE, VOUS SAVEZ AH, OUI! She thought you wanted a cheese HOLLANDAIS.
|
|
Your postprandial, do you know that word? Postprandial. There was a
|
|
fellow I knew once in Barcelona, queer fellow, used to call it his
|
|
postprandial. Well: SLAINTE! Around the slabbed tables the tangle of wined
|
|
breaths and grumbling gorges. His breath hangs over our saucestained
|
|
plates, the green fairy's fang thrusting between his lips. Of Ireland, the
|
|
Dalcassians, of hopes, conspiracies, of Arthur Griffith now, A E,
|
|
pimander, good shepherd of men. To yoke me as his yokefellow, our crimes
|
|
our common cause. You're your father's son. I know the voice. His fustian
|
|
shirt, sanguineflowered, trembles its Spanish tassels at his secrets. M.
|
|
Drumont, famous journalist, Drumont, know what he called queen
|
|
Victoria? Old hag with the yellow teeth. VIEILLE OGRESSE with the DENTS
|
|
JAUNES. Maud Gonne, beautiful woman, LA PATRIE, M. Millevoye, Felix
|
|
Faure, know how he died? Licentious men. The froeken, BONNE A TOUT FAIRE,
|
|
who rubs male nakedness in the bath at Upsala. MOI FAIRE, she said, TOUS
|
|
LES MESSIEURS. Not this MONSIEUR, I said. Most licentious custom. Bath a
|
|
most private thing. I wouldn't let my brother, not even my own brother,
|
|
most lascivious thing. Green eyes, I see you. Fang, I feel. Lascivious
|
|
people.
|
|
|
|
The blue fuse burns deadly between hands and burns clear. Loose
|
|
tobaccoshreds catch fire: a flame and acrid smoke light our corner. Raw
|
|
facebones under his peep of day boy's hat. How the head centre got away,
|
|
authentic version. Got up as a young bride, man, veil, orangeblossoms,
|
|
drove out the road to Malahide. Did, faith. Of lost leaders, the betrayed,
|
|
wild escapes. Disguises, clutched at, gone, not here.
|
|
|
|
Spurned lover. I was a strapping young gossoon at that time, I tell
|
|
you. I'll show you my likeness one day. I was, faith. Lover, for her love
|
|
he prowled with colonel Richard Burke, tanist of his sept, under the walls
|
|
of Clerkenwell and, crouching, saw a flame of vengeance hurl them upward
|
|
in the fog. Shattered glass and toppling masonry. In gay Paree he hides,
|
|
Egan of Paris, unsought by any save by me. Making his day's stations, the
|
|
dingy printingcase, his three taverns, the Montmartre lair he sleeps short
|
|
night in, rue de la Goutte-d'Or, damascened with flyblown faces of the
|
|
gone. Loveless, landless, wifeless. She is quite nicey comfy without her
|
|
outcast man, madame in rue GIT-LE-COEUR, canary and two buck lodgers.
|
|
Peachy cheeks, a zebra skirt, frisky as a young thing's. Spurned and
|
|
undespairing. Tell Pat you saw me, won't you? I wanted to get poor Pat a
|
|
job one time. MON FILS, soldier of France. I taught him to sing THE BOYS
|
|
OF KILKENNY ARE STOUT ROARING BLADES. Know that old lay? I taught Patrice
|
|
that. Old Kilkenny: saint Canice, Strongbow's castle on the Nore. Goes
|
|
like this. O, O. He takes me, Napper Tandy, by the hand.
|
|
|
|
|
|
O, O THE BOYS OF
|
|
KILKENNY ...
|
|
|
|
|
|
Weak wasting hand on mine. They have forgotten Kevin Egan, not he
|
|
them. Remembering thee, O Sion.
|
|
|
|
He had come nearer the edge of the sea and wet sand slapped his
|
|
boots. The new air greeted him, harping in wild nerves, wind of wild air
|
|
of seeds of brightness. Here, I am not walking out to the Kish lightship,
|
|
am I? He stood suddenly, his feet beginning to sink slowly in the quaking
|
|
soil. Turn back.
|
|
|
|
Turning, he scanned the shore south, his feet sinking again slowly in
|
|
new sockets. The cold domed room of the tower waits. Through the
|
|
barbacans the shafts of light are moving ever, slowly ever as my feet are
|
|
sinking, creeping duskward over the dial floor. Blue dusk, nightfall, deep
|
|
blue night. In the darkness of the dome they wait, their pushedback
|
|
chairs, my obelisk valise, around a board of abandoned platters. Who to
|
|
clear it? He has the key. I will not sleep there when this night comes.
|
|
A shut door of a silent tower, entombing their--blind bodies, the
|
|
panthersahib and his pointer. Call: no answer. He lifted his feet up from
|
|
the suck and turned back by the mole of boulders. Take all, keep all. My
|
|
soul walks with me, form of forms. So in the moon's midwatches I pace the
|
|
path above the rocks, in sable silvered, hearing Elsinore's tempting
|
|
flood.
|
|
|
|
The flood is following me. I can watch it flow past from here. Get
|
|
back then by the Poolbeg road to the strand there. He climbed over the
|
|
sedge and eely oarweeds and sat on a stool of rock, resting his ashplant
|
|
in a grike.
|
|
|
|
A bloated carcass of a dog lay lolled on bladderwrack. Before him the
|
|
gunwale of a boat, sunk in sand. UN COCHE ENSABLE Louis Veuillot called
|
|
Gautier's prose. These heavy sands are language tide and wind have silted
|
|
here. And these, the stoneheaps of dead builders, a warren of weasel rats.
|
|
Hide gold there. Try it. You have some. Sands and stones. Heavy of the
|
|
past. Sir Lout's toys. Mind you don't get one bang on the ear. I'm the
|
|
bloody well gigant rolls all them bloody well boulders, bones for my
|
|
steppingstones. Feefawfum. I zmellz de bloodz odz an Iridzman.
|
|
|
|
A point, live dog, grew into sight running across the sweep of sand.
|
|
Lord, is he going to attack me? Respect his liberty. You will not be
|
|
master of others or their slave. I have my stick. Sit tight. From farther
|
|
away, walking shoreward across from the crested tide, figures, two. The
|
|
two maries. They have tucked it safe mong the bulrushes. Peekaboo. I see
|
|
you. No, the dog. He is running back to them. Who?
|
|
|
|
Galleys of the Lochlanns ran here to beach, in quest of prey, their
|
|
bloodbeaked prows riding low on a molten pewter surf. Dane vikings, torcs
|
|
of tomahawks aglitter on their breasts when Malachi wore the collar of
|
|
gold. A school of turlehide whales stranded in hot noon, spouting,
|
|
hobbling in the shallows. Then from the starving cagework city a horde of
|
|
jerkined dwarfs, my people, with flayers' knives, running, scaling,
|
|
hacking in green blubbery whalemeat. Famine, plague and slaughters. Their
|
|
blood is in me, their lusts my waves. I moved among them on the frozen
|
|
Liffey, that I, a changeling, among the spluttering resin fires. I spoke
|
|
to no-one: none to me.
|
|
|
|
The dog's bark ran towards him, stopped, ran back. Dog of my
|
|
enemy. I just simply stood pale, silent, bayed about. TERRIBILIA MEDITANS.
|
|
A primrose doublet, fortune's knave, smiled on my fear. For that are you
|
|
pining, the bark of their applause? Pretenders: live their lives. The
|
|
Bruce's brother, Thomas Fitzgerald, silken knight, Perkin Warbeck, York's
|
|
false scion, in breeches of silk of whiterose ivory, wonder of a day, and
|
|
Lambert Simnel, with a tail of nans and sutlers, a scullion crowned. All
|
|
kings' sons. Paradise of pretenders then and now. He saved men from
|
|
drowning and you shake at a cur's yelping. But the courtiers who mocked
|
|
Guido in Or san Michele were in their own house. House of ... We don't
|
|
want any of your medieval abstrusiosities. Would you do what he did? A
|
|
boat would be near, a lifebuoy. NATURLICH, put there for you. Would you or
|
|
would you not? The man that was drowned nine days ago off Maiden's rock.
|
|
They are waiting for him now. The truth, spit it out. I would want to.
|
|
I would try. I am not a strong swimmer. Water cold soft. When I put my
|
|
face into it in the basin at Clongowes. Can't see! Who's behind me? Out
|
|
quickly, quickly! Do you see the tide flowing quickly in on all sides,
|
|
sheeting the lows of sand quickly, shellcocoacoloured? If I had land under
|
|
my feet. I want his life still to be his, mine to be mine. A drowning man.
|
|
His human eyes scream to me out of horror of his death. I ... With him
|
|
together down ... I could not save her. Waters: bitter death: lost.
|
|
|
|
A woman and a man. I see her skirties. Pinned up, I bet.
|
|
|
|
Their dog ambled about a bank of dwindling sand, trotting, sniffing
|
|
on all sides. Looking for something lost in a past life. Suddenly he made
|
|
off like a bounding hare, ears flung back, chasing the shadow of a
|
|
lowskimming gull. The man's shrieked whistle struck his limp ears. He
|
|
turned, bounded back, came nearer, trotted on twinkling shanks. On a field
|
|
tenney a buck, trippant, proper, unattired. At the lacefringe of the tide
|
|
he halted with stiff forehoofs, seawardpointed ears. His snout lifted
|
|
barked at the wavenoise, herds of seamorse. They serpented towards his
|
|
feet, curling, unfurling many crests, every ninth, breaking, plashing,
|
|
from far, from farther out, waves and waves.
|
|
|
|
Cocklepickers. They waded a little way in the water and, stooping,
|
|
soused their bags and, lifting them again, waded out. The dog yelped
|
|
running to them, reared up and pawed them, dropping on all fours, again
|
|
reared up at them with mute bearish fawning. Unheeded he kept by them as
|
|
they came towards the drier sand, a rag of wolf's tongue redpanting from
|
|
his jaws. His speckled body ambled ahead of them and then loped off at a
|
|
calf's gallop. The carcass lay on his path. He stopped, sniffed, stalked
|
|
round it, brother, nosing closer, went round it, sniffling rapidly like a
|
|
dog all over the dead dog's bedraggled fell. Dogskull, dogsniff, eyes on
|
|
the ground, moves to one great goal. Ah, poor dogsbody! Here lies poor
|
|
dogsbody's body.
|
|
|
|
--Tatters! Out of that, you mongrel!
|
|
|
|
The cry brought him skulking back to his master and a blunt bootless
|
|
kick sent him unscathed across a spit of sand, crouched in flight. He
|
|
slunk back in a curve. Doesn't see me. Along by the edge of the mole he
|
|
lolloped, dawdled, smelt a rock. and from under a cocked hindleg pissed
|
|
against it. He trotted forward and, lifting again his hindleg, pissed
|
|
quick short at an unsmelt rock. The simple pleasures of the poor. His
|
|
hindpaws then scattered the sand: then his forepaws dabbled and delved.
|
|
Something he buried there, his grandmother. He rooted in the sand,
|
|
dabbling, delving and stopped to listen to the air, scraped up the sand
|
|
again with a fury of his claws, soon ceasing, a pard, a panther, got in
|
|
spousebreach, vulturing the dead.
|
|
|
|
After he woke me last night same dream or was it? Wait. Open
|
|
hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting
|
|
it. That man led me, spoke. I was not afraid. The melon he had he held
|
|
against my face. Smiled: creamfruit smell. That was the rule, said. In.
|
|
Come. Red carpet spread. You will see who.
|
|
|
|
Shouldering their bags they trudged, the red Egyptians. His blued
|
|
feet out of turnedup trousers slapped the clammy sand, a dull brick
|
|
muffler strangling his unshaven neck. With woman steps she followed: the
|
|
ruffian and his strolling mort. Spoils slung at her back. Loose sand and
|
|
shellgrit crusted her bare feet. About her windraw face hair trailed.
|
|
Behind her lord, his helpmate, bing awast to Romeville. When night hides
|
|
her body's flaws calling under her brown shawl from an archway where dogs
|
|
have mired. Her fancyman is treating two Royal Dublins in O'Loughlin's of
|
|
Blackpitts. Buss her, wap in rogues' rum lingo, for, O, my dimber wapping
|
|
dell! A shefiend's whiteness under her rancid rags. Fumbally's lane that
|
|
night: the tanyard smells.
|
|
|
|
|
|
WHITE THY FAMBLES, RED THY GAN
|
|
AND THY QUARRONS DAINTY IS.
|
|
COUCH A HOGSHEAD WITH ME THEN.
|
|
IN THE DARKMANS CLIP AND KISS.
|
|
|
|
|
|
Morose delectation Aquinas tunbelly calls this, FRATE PORCOSPINO.
|
|
Unfallen Adam rode and not rutted. Call away let him: THY QUARRONS DAINTY
|
|
IS. Language no whit worse than his. Monkwords, marybeads jabber on
|
|
their girdles: roguewords, tough nuggets patter in their pockets.
|
|
|
|
Passing now.
|
|
|
|
A side eye at my Hamlet hat. If I were suddenly naked here as I sit? I
|
|
am not. Across the sands of all the world, followed by the sun's flaming
|
|
sword, to the west, trekking to evening lands. She trudges, schlepps,
|
|
trains, drags, trascines her load. A tide westering, moondrawn, in her
|
|
wake. Tides, myriadislanded, within her, blood not mine, OINOPA PONTON,
|
|
a winedark sea. Behold the handmaid of the moon. In sleep the wet sign
|
|
calls her hour, bids her rise. Bridebed, childbed, bed of death,
|
|
ghostcandled. OMNIS CARO AD TE VENIET. He comes, pale vampire, through
|
|
storm his eyes, his bat sails bloodying the sea, mouth to her mouth's
|
|
kiss.
|
|
|
|
Here. Put a pin in that chap, will you? My tablets. Mouth to her kiss.
|
|
|
|
No. Must be two of em. Glue em well. Mouth to her mouth's kiss.
|
|
|
|
His lips lipped and mouthed fleshless lips of air: mouth to her
|
|
moomb. Oomb, allwombing tomb. His mouth moulded issuing breath,
|
|
unspeeched: ooeeehah: roar of cataractic planets, globed, blazing, roaring
|
|
wayawayawayawayaway. Paper. The banknotes, blast them. Old Deasy's
|
|
letter. Here. Thanking you for the hospitality tear the blank end off.
|
|
Turning his back to the sun he bent over far to a table of rock and
|
|
scribbled words. That's twice I forgot to take slips from the library
|
|
counter.
|
|
|
|
His shadow lay over the rocks as he bent, ending. Why not endless till
|
|
the farthest star? Darkly they are there behind this light, darkness
|
|
shining in the brightness, delta of Cassiopeia, worlds. Me sits there with
|
|
his augur's rod of ash, in borrowed sandals, by day beside a livid sea,
|
|
unbeheld, in violet night walking beneath a reign of uncouth stars.
|
|
I throw this ended shadow from me, manshape ineluctable, call it back.
|
|
Endless, would it be mine, form of my form? Who watches me here? Who ever
|
|
anywhere will read these written words? Signs on a white field. Somewhere
|
|
to someone in your flutiest voice. The good bishop of Cloyne took the veil
|
|
of the temple out of his shovel hat: veil of space with coloured emblems
|
|
hatched on its field. Hold hard. Coloured on a flat: yes, that's right.
|
|
Flat I see, then think distance, near, far, flat I see, east, back. Ah,
|
|
see now! Falls back suddenly, frozen in stereoscope. Click does the trick.
|
|
You find my words dark. Darkness is in our souls do you not think?
|
|
Flutier. Our souls, shamewounded by our sins, cling to us yet more,
|
|
a woman to her lover clinging, the more the more.
|
|
|
|
She trusts me, her hand gentle, the longlashed eyes. Now where the blue
|
|
hell am I bringing her beyond the veil? Into the ineluctable modality
|
|
of the ineluctable visuality. She, she, she. What she? The virgin
|
|
at Hodges Figgis' window on Monday looking in for one of the alphabet
|
|
books you were going to write. Keen glance you gave her. Wrist through
|
|
the braided jesse of her sunshade. She lives in Leeson park with
|
|
a grief and kickshaws, a lady of letters. Talk that to someone else,
|
|
Stevie: a pickmeup. Bet she wears those curse of God stays suspenders
|
|
and yellow stockings, darned with lumpy wool. Talk about apple dumplings,
|
|
PIUTTOSTO. Where are your wits?
|
|
|
|
Touch me. Soft eyes. Soft soft soft hand. I am lonely here. O, touch
|
|
me soon, now. What is that word known to all men? I am quiet here alone.
|
|
Sad too. Touch, touch me.
|
|
|
|
He lay back at full stretch over the sharp rocks, cramming the
|
|
scribbled note and pencil into a pock his hat. His hat down on his eyes.
|
|
That is Kevin Egan's movement I made, nodding for his nap, sabbath sleep.
|
|
ET VIDIT DEUS. ET ERANT VALDE BONA. Alo! BONJOUR. Welcome as the flowers
|
|
in May. Under its leaf he watched through peacocktwittering lashes the
|
|
southing sun. I am caught in this burning scene. Pan's hour, the faunal
|
|
noon. Among gumheavy serpentplants, milkoozing fruits, where on the
|
|
tawny waters leaves lie wide. Pain is far.
|
|
|
|
AND NO MORE TURN ASIDE AND BROOD.
|
|
|
|
His gaze brooded on his broadtoed boots, a buck's castoffs,
|
|
NEBENEINANDER. He counted the creases of rucked leather wherein another's
|
|
foot had nested warm. The foot that beat the ground in tripudium, foot I
|
|
dislove. But you were delighted when Esther Osvalt's shoe went on you:
|
|
girl I knew in Paris. TIENS, QUEL PETIT PIED! Staunch friend, a brother
|
|
soul: Wilde's love that dare not speak its name. His arm: Cranly's arm. He
|
|
now will leave me. And the blame? As I am. As I am. All or not at all.
|
|
|
|
In long lassoes from the Cock lake the water flowed full, covering
|
|
greengoldenly lagoons of sand, rising, flowing. My ashplant will float
|
|
away. I shall wait. No, they will pass on, passing, chafing against the
|
|
low rocks, swirling, passing. Better get this job over quick. Listen: a
|
|
fourworded wavespeech: seesoo, hrss, rsseeiss, ooos. Vehement breath of
|
|
waters amid seasnakes, rearing horses, rocks. In cups of rocks it slops:
|
|
flop, slop, slap: bounded in barrels. And, spent, its speech ceases. It
|
|
flows purling, widely flowing, floating foampool, flower unfurling.
|
|
|
|
Under the upswelling tide he saw the writhing weeds lift languidly
|
|
and sway reluctant arms, hising up their petticoats, in whispering water
|
|
swaying and upturning coy silver fronds. Day by day: night by night:
|
|
lifted, flooded and let fall. Lord, they are weary; and, whispered to,
|
|
they sigh. Saint Ambrose heard it, sigh of leaves and waves, waiting,
|
|
awaiting the fullness of their times, DIEBUS AC NOCTIBUS INIURIAS PATIENS
|
|
INGEMISCIT. To no end gathered; vainly then released, forthflowing,
|
|
wending back: loom of the moon. Weary too in sight of lovers, lascivious
|
|
men, a naked woman shining in her courts, she draws a toil of waters.
|
|
|
|
Five fathoms out there. Full fathom five thy father lies. At one, he
|
|
said. Found drowned. High water at Dublin bar. Driving before it a loose
|
|
drift of rubble, fanshoals of fishes, silly shells. A corpse rising
|
|
saltwhite from the undertow, bobbing a pace a pace a porpoise landward.
|
|
There he is. Hook it quick. Pull. Sunk though he be beneath the watery
|
|
floor. We have him. Easy now.
|
|
|
|
Bag of corpsegas sopping in foul brine. A quiver of minnows, fat of a
|
|
spongy titbit, flash through the slits of his buttoned trouserfly. God
|
|
becomes man becomes fish becomes barnacle goose becomes featherbed
|
|
mountain. Dead breaths I living breathe, tread dead dust, devour a urinous
|
|
offal from all dead. Hauled stark over the gunwale he breathes upward the
|
|
stench of his green grave, his leprous nosehole snoring to the sun.
|
|
|
|
A seachange this, brown eyes saltblue. Seadeath, mildest of all deaths
|
|
known to man. Old Father Ocean. PRIX DE PARIS: beware of imitations. Just
|
|
you give it a fair trial. We enjoyed ourselves immensely.
|
|
|
|
Come. I thirst. Clouding over. No black clouds anywhere, are there?
|
|
Thunderstorm. Allbright he falls, proud lightning of the intellect,
|
|
LUCIFER, DICO, QUI NESCIT OCCASUM. No. My cockle hat and staff and hismy
|
|
sandal shoon. Where? To evening lands. Evening will find itself.
|
|
|
|
He took the hilt of his ashplant, lunging with it softly, dallying still.
|
|
Yes, evening will find itself in me, without me. All days make their end.
|
|
By the way next when is it Tuesday will be the longest day. Of all the
|
|
glad new year, mother, the rum tum tiddledy tum. Lawn Tennyson, gentleman
|
|
poet. GIA. For the old hag with the yellow teeth. And Monsieur Drumont,
|
|
gentleman journalist. Gia. My teeth are very bad. Why, I wonder. Feel.
|
|
That one is going too. Shells. Ought I go to a dentist, I wonder, with
|
|
that money? That one. This. Toothless Kinch, the superman. Why is that, I
|
|
wonder, or does it mean something perhaps?
|
|
|
|
My handkerchief. He threw it. I remember. Did I not take it up?
|
|
|
|
His hand groped vainly in his pockets. No, I didn't. Better buy one.
|
|
|
|
He laid the dry snot picked from his nostril on a ledge of rock,
|
|
carefully. For the rest let look who will.
|
|
|
|
Behind. Perhaps there is someone.
|
|
|
|
He turned his face over a shoulder, rere regardant. Moving through
|
|
the air high spars of a threemaster, her sails brailed up on the
|
|
crosstrees, homing, upstream, silently moving, a silent ship.
|
|
+
|
|
|
|
-- II --
|
|
|
|
|
|
Mr Leopold Bloom ate with relish the inner organs of beasts and
|
|
fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart,
|
|
liverslices fried with crustcrumbs, fried hencods' roes. Most of all he
|
|
liked grilled mutton kidneys which gave to his palate a fine tang of
|
|
faintly scented urine.
|
|
|
|
Kidneys were in his mind as he moved about the kitchen softly,
|
|
righting her breakfast things on the humpy tray. Gelid light and air
|
|
were in the kitchen but out of doors gentle summer morning everywhere.
|
|
Made him feel a bit peckish.
|
|
|
|
The coals were reddening.
|
|
|
|
Another slice of bread and butter: three, four: right. She didn't like
|
|
her plate full. Right. He turned from the tray, lifted the kettle off the
|
|
hob and set it sideways on the fire. It sat there, dull and squat, its
|
|
spout stuck out. Cup of tea soon. Good. Mouth dry. The cat walked stiffly
|
|
round a leg of the table with tail on high.
|
|
|
|
--Mkgnao!
|
|
|
|
--O, there you are, Mr Bloom said, turning from the fire.
|
|
|
|
The cat mewed in answer and stalked again stiffly round a leg of the
|
|
table, mewing. Just how she stalks over my writingtable. Prr. Scratch my
|
|
head. Prr.
|
|
|
|
Mr Bloom watched curiously, kindly the lithe black form. Clean to
|
|
see: the gloss of her sleek hide, the white button under the butt of her
|
|
tail, the green flashing eyes. He bent down to her, his hands on his
|
|
knees.
|
|
|
|
--Milk for the pussens, he said.
|
|
|
|
--Mrkgnao! the cat cried.
|
|
|
|
They call them stupid. They understand what we say better than we
|
|
understand them. She understands all she wants to. Vindictive too. Cruel.
|
|
Her nature. Curious mice never squeal. Seem to like it. Wonder what I look
|
|
like to her. Height of a tower? No, she can jump me.
|
|
|
|
--Afraid of the chickens she is, he said mockingly. Afraid of the
|
|
chookchooks. I never saw such a stupid pussens as the pussens.
|
|
|
|
Cruel. Her nature. Curious mice never squeal. Seem to like it.
|
|
|
|
--Mrkrgnao! the cat said loudly.
|
|
|
|
She blinked up out of her avid shameclosing eyes, mewing plaintively
|
|
and long, showing him her milkwhite teeth. He watched the dark eyeslits
|
|
narrowing with greed till her eyes were green stones. Then he went to the
|
|
dresser, took the jug Hanlon's milkman had just filled for him, poured
|
|
warmbubbled milk on a saucer and set it slowly on the floor.
|
|
|
|
--Gurrhr! she cried, running to lap.
|
|
|
|
He watched the bristles shining wirily in the weak light as she tipped
|
|
three times and licked lightly. Wonder is it true if you clip them they
|
|
can't mouse after. Why? They shine in the dark, perhaps, the tips. Or kind
|
|
of feelers in the dark, perhaps.
|
|
|
|
He listened to her licking lap. Ham and eggs, no. No good eggs with
|
|
this drouth. Want pure fresh water. Thursday: not a good day either for a
|
|
mutton kidney at Buckley's. Fried with butter, a shake of pepper. Better a
|
|
pork kidney at Dlugacz's. While the kettle is boiling. She lapped slower,
|
|
then licking the saucer clean. Why are their tongues so rough? To lap
|
|
better, all porous holes. Nothing she can eat? He glanced round him. No.
|
|
|
|
On quietly creaky boots he went up the staircase to the hall, paused
|
|
by the bedroom door. She might like something tasty. Thin bread and
|
|
butter she likes in the morning. Still perhaps: once in a way.
|
|
|
|
He said softly in the bare hall:
|
|
|
|
--I'm going round the corner. Be back in a minute.
|
|
|
|
And when he had heard his voice say it he added:
|
|
|
|
--You don't want anything for breakfast?
|
|
|
|
A sleepy soft grunt answered:
|
|
|
|
--Mn.
|
|
|
|
No. She didn't want anything. He heard then a warm heavy sigh,
|
|
softer, as she turned over and the loose brass quoits of the bedstead
|
|
jingled. Must get those settled really. Pity. All the way from Gibraltar.
|
|
Forgotten any little Spanish she knew. Wonder what her father gave for it.
|
|
Old style. Ah yes! of course. Bought it at the governor's auction. Got a
|
|
short knock. Hard as nails at a bargain, old Tweedy. Yes, sir. At Plevna
|
|
that was. I rose from the ranks, sir, and I'm proud of it. Still he had
|
|
brains enough to make that corner in stamps. Now that was farseeing.
|
|
|
|
His hand took his hat from the peg over his initialled heavy overcoat
|
|
and his lost property office secondhand waterproof. Stamps: stickyback
|
|
pictures. Daresay lots of officers are in the swim too. Course they do.
|
|
The sweated legend in the crown of his hat told him mutely: Plasto's high
|
|
grade ha. He peeped quickly inside the leather headband. White slip of
|
|
paper. Quite safe.
|
|
|
|
On the doorstep he felt in his hip pocket for the latchkey. Not there.
|
|
In the trousers I left off. Must get it. Potato I have. Creaky wardrobe.
|
|
No use disturbing her. She turned over sleepily that time. He pulled the
|
|
halldoor to after him very quietly, more, till the footleaf dropped gently
|
|
over the threshold, a limp lid. Looked shut. All right till I come back
|
|
anyhow.
|
|
|
|
He crossed to the bright side, avoiding the loose cellarflap of number
|
|
seventyfive. The sun was nearing the steeple of George's church. Be a warm
|
|
day I fancy. Specially in these black clothes feel it more. Black
|
|
conducts, reflects, (refracts is it?), the heat. But I couldn't go in that
|
|
light suit. Make a picnic of it. His eyelids sank quietly often as he
|
|
walked in happy warmth. Boland's breadvan delivering with trays our daily
|
|
but she prefers yesterday's loaves turnovers crisp crowns hot. Makes you
|
|
feel young. Somewhere in the east: early morning: set off at dawn. Travel
|
|
round in front of the sun, steal a day's march on him. Keep it up for ever
|
|
never grow a day older technically. Walk along a strand, strange land,
|
|
come to a city gate, sentry there, old ranker too, old Tweedy's big
|
|
moustaches, leaning on a long kind of a spear. Wander through awned
|
|
streets. Turbaned faces going by. Dark caves of carpet shops, big man,
|
|
Turko the terrible, seated crosslegged, smoking a coiled pipe. Cries of
|
|
sellers in the streets. Drink water scented with fennel, sherbet. Dander
|
|
along all day. Might meet a robber or two. Well, meet him. Getting on to
|
|
sundown. The shadows of the mosques among the pillars: priest with a
|
|
scroll rolled up. A shiver of the trees, signal, the evening wind. I pass
|
|
on. Fading gold sky. A mother watches me from her doorway. She calls her
|
|
children home in their dark language. High wall: beyond strings twanged.
|
|
Night sky, moon, violet, colour of Molly's new garters. Strings. Listen.
|
|
A girl playing one of those instruments what do you call them: dulcimers.
|
|
I pass.
|
|
|
|
Probably not a bit like it really. Kind of stuff you read: in the track of
|
|
the sun. Sunburst on the titlepage. He smiled, pleasing himself. What
|
|
Arthur Griffith said about the headpiece over the FREEMAN leader: a
|
|
homerule sun rising up in the northwest from the laneway behind the bank
|
|
of Ireland. He prolonged his pleased smile. Ikey touch that: homerule sun
|
|
rising up in the north-west.
|
|
|
|
He approached Larry O'Rourke's. From the cellar grating floated up
|
|
the flabby gush of porter. Through the open doorway the bar squirted out
|
|
whiffs of ginger, teadust, biscuitmush. Good house, however: just the end
|
|
of the city traffic. For instance M'Auley's down there: n. g. as position.
|
|
Of course if they ran a tramline along the North Circular from the
|
|
cattlemarket to the quays value would go up like a shot.
|
|
|
|
Baldhead over the blind. Cute old codger. No use canvassing him for
|
|
an ad. Still he knows his own business best. There he is, sure enough, my
|
|
bold Larry, leaning against the sugarbin in his shirtsleeves watching the
|
|
aproned curate swab up with mop and bucket. Simon Dedalus takes him
|
|
off to a tee with his eyes screwed up. Do you know what I'm going to tell
|
|
you? What's that, Mr O'Rourke? Do you know what? The Russians,
|
|
they'd only be an eight o'clock breakfast for the Japanese.
|
|
|
|
Stop and say a word: about the funeral perhaps. Sad thing about
|
|
poor Dignam, Mr O'Rourke.
|
|
|
|
Turning into Dorset street he said freshly in greeting through the
|
|
doorway:
|
|
|
|
--Good day, Mr O'Rourke.
|
|
|
|
--Good day to you.
|
|
|
|
--Lovely weather, sir.
|
|
|
|
--'Tis all that.
|
|
|
|
Where do they get the money? Coming up redheaded curates from
|
|
the county Leitrim, rinsing empties and old man in the cellar. Then, lo
|
|
and behold, they blossom out as Adam Findlaters or Dan Tallons. Then thin
|
|
of the competition. General thirst. Good puzzle would be cross Dublin
|
|
without passing a pub. Save it they can't. Off the drunks perhaps. Put
|
|
down three and carry five. What is that, a bob here and there, dribs and
|
|
drabs. On the wholesale orders perhaps. Doing a double shuffle with the
|
|
town travellers. Square it you with the boss and we'll split the job, see?
|
|
|
|
How much would that tot to off the porter in the month? Say ten
|
|
barrels of stuff. Say he got ten per cent off. O more. Fifteen. He passed
|
|
Saint Joseph's National school. Brats' clamour. Windows open. Fresh air
|
|
helps memory. Or a lilt. Ahbeesee defeegee kelomen opeecue rustyouvee
|
|
doubleyou. Boys are they? Yes. Inishturk. Inishark. Inishboffin. At their
|
|
joggerfry. Mine. Slieve Bloom.
|
|
|
|
He halted before Dlugacz's window, staring at the hanks of sausages,
|
|
polonies, black and white. Fifteen multiplied by. The figures whitened in
|
|
his mind, unsolved: displeased, he let them fade. The shiny links, packed
|
|
with forcemeat, fed his gaze and he breathed in tranquilly the lukewarm
|
|
breath of cooked spicy pigs' blood.
|
|
|
|
A kidney oozed bloodgouts on the willowpatterned dish: the last. He
|
|
stood by the nextdoor girl at the counter. Would she buy it too, calling
|
|
the items from a slip in her hand? Chapped: washingsoda. And a pound and a
|
|
half of Denny's sausages. His eyes rested on her vigorous hips. Woods his
|
|
name is. Wonder what he does. Wife is oldish. New blood. No followers
|
|
allowed. Strong pair of arms. Whacking a carpet on the clothesline. She
|
|
does whack it, by George. The way her crooked skirt swings at each whack.
|
|
|
|
The ferreteyed porkbutcher folded the sausages he had snipped off
|
|
with blotchy fingers, sausagepink. Sound meat there: like a stallfed
|
|
heifer.
|
|
|
|
He took a page up from the pile of cut sheets: the model farm at
|
|
Kinnereth on the lakeshore of Tiberias. Can become ideal winter
|
|
sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round it,
|
|
blurred cattle cropping. He held the page from him: interesting: read it
|
|
nearer, the title, the blurred cropping cattle, the page rustling. A young
|
|
white heifer. Those mornings in the cattlemarket, the beasts lowing in
|
|
their pens, branded sheep, flop and fall of dung, the breeders in
|
|
hobnailed boots trudging through the litter, slapping a palm on a
|
|
ripemeated hindquarter, there's a prime one, unpeeled switches in their
|
|
hands. He held the page aslant patiently, bending his senses and his will,
|
|
his soft subject gaze at rest. The crooked skirt swinging, whack by whack
|
|
by whack.
|
|
|
|
The porkbutcher snapped two sheets from the pile, wrapped up her
|
|
prime sausages and made a red grimace.
|
|
|
|
--Now, my miss, he said.
|
|
|
|
She tendered a coin, smiling boldly, holding her thick wrist out.
|
|
|
|
--Thank you, my miss. And one shilling threepence change. For you,
|
|
please?
|
|
|
|
Mr Bloom pointed quickly. To catch up and walk behind her if she
|
|
went slowly, behind her moving hams. Pleasant to see first thing in the
|
|
morning. Hurry up, damn it. Make hay while the sun shines. She stood
|
|
outside the shop in sunlight and sauntered lazily to the right. He sighed
|
|
down his nose: they never understand. Sodachapped hands. Crusted
|
|
toenails too. Brown scapulars in tatters, defending her both ways. The
|
|
sting of disregard glowed to weak pleasure within his breast. For another:
|
|
a constable off duty cuddling her in Eccles lane. They like them sizeable.
|
|
Prime sausage. O please, Mr Policeman, I'm lost in the wood.
|
|
|
|
--Threepence, please.
|
|
|
|
His hand accepted the moist tender gland and slid it into a sidepocket.
|
|
Then it fetched up three coins from his trousers' pocket and laid them on
|
|
the rubber prickles. They lay, were read quickly and quickly slid, disc by
|
|
disc, into the till.
|
|
|
|
--Thank you, sir. Another time.
|
|
|
|
A speck of eager fire from foxeyes thanked him. He withdrew his
|
|
gaze after an instant. No: better not: another time.
|
|
|
|
--Good morning, he said, moving away.
|
|
|
|
--Good morning, sir.
|
|
|
|
No sign. Gone. What matter?
|
|
|
|
He walked back along Dorset street, reading gravely. Agendath
|
|
Netaim: planters' company. To purchase waste sandy tracts from Turkish
|
|
government and plant with eucalyptus trees. Excellent for shade, fuel and
|
|
construction. Orangegroves and immense melonfields north of Jaffa. You
|
|
pay eighty marks and they plant a dunam of land for you with olives,
|
|
oranges, almonds or citrons. Olives cheaper: oranges need artificial
|
|
irrigation. Every year you get a sending of the crop. Your name entered
|
|
for life as owner in the book of the union. Can pay ten down and the
|
|
balance in yearly instalments. Bleibtreustrasse 34, Berlin, W. 15.
|
|
|
|
Nothing doing. Still an idea behind it.
|
|
|
|
He looked at the cattle, blurred in silver heat. Silverpowdered
|
|
olivetrees. Quiet long days: pruning, ripening. Olives are packed in jars,
|
|
eh? I have a few left from Andrews. Molly spitting them out. Knows the
|
|
taste of them now. Oranges in tissue paper packed in crates. Citrons too.
|
|
Wonder is poor Citron still in Saint Kevin's parade. And Mastiansky with
|
|
the old cither. Pleasant evenings we had then. Molly in Citron's
|
|
basketchair. Nice to hold, cool waxen fruit, hold in the hand, lift it to
|
|
the nostrils and smell the perfume. Like that, heavy, sweet, wild perfume.
|
|
Always the same, year after year. They fetched high prices too, Moisel
|
|
told me. Arbutus place: Pleasants street: pleasant old times. Must be
|
|
without a flaw, he said. Coming all that way: Spain, Gibraltar,
|
|
Mediterranean, the Levant. Crates lined up on the quayside at Jaffa, chap
|
|
ticking them off in a book, navvies handling them barefoot in soiled
|
|
dungarees. There's whatdoyoucallhim out of. How do you? Doesn't see. Chap
|
|
you know just to salute bit of a bore. His back is like that Norwegian
|
|
captain's. Wonder if I'll meet him today. Watering cart. To provoke the
|
|
rain. On earth as it is in heaven.
|
|
|
|
A cloud began to cover the sun slowly, wholly. Grey. Far.
|
|
|
|
No, not like that. A barren land, bare waste. Vulcanic lake, the dead
|
|
sea: no fish, weedless, sunk deep in the earth. No wind could lift those
|
|
waves, grey metal, poisonous foggy waters. Brimstone they called it
|
|
raining down: the cities of the plain: Sodom, Gomorrah, Edom. All dead
|
|
names. A dead sea in a dead land, grey and old. Old now. It bore the
|
|
oldest, the first race. A bent hag crossed from Cassidy's, clutching a
|
|
naggin bottle by the neck. The oldest people. Wandered far away over all
|
|
the earth, captivity to captivity, multiplying, dying, being born
|
|
everywhere. It lay there now. Now it could bear no more. Dead: an old
|
|
woman's: the grey sunken cunt of the world.
|
|
|
|
Desolation.
|
|
|
|
Grey horror seared his flesh. Folding the page into his pocket he
|
|
turned into Eccles street, hurrying homeward. Cold oils slid along his
|
|
veins, chilling his blood: age crusting him with a salt cloak. Well, I am
|
|
here now. Yes, I am here now. Morning mouth bad images. Got up wrong side
|
|
of the bed. Must begin again those Sandow's exercises. On the hands down.
|
|
Blotchy brown brick houses. Number eighty still unlet. Why is that?
|
|
Valuation is only twenty-eight. Towers, Battersby, North, MacArthur:
|
|
parlour windows plastered with bills. Plasters on a sore eye. To smell the
|
|
gentle smoke of tea, fume of the pan, sizzling butter. Be near her ample
|
|
bedwarmed flesh. Yes, yes.
|
|
|
|
Quick warm sunlight came running from Berkeley road, swiftly, in
|
|
slim sandals, along the brightening footpath. Runs, she runs to meet me, a
|
|
girl with gold hair on the wind.
|
|
|
|
Two letters and a card lay on the hallfloor. He stooped and gathered
|
|
them. Mrs Marion Bloom. His quickened heart slowed at once. Bold hand.
|
|
Mrs Marion.
|
|
|
|
--Poldy!
|
|
|
|
Entering the bedroom he halfclosed his eyes and walked through
|
|
warm yellow twilight towards her tousled head.
|
|
|
|
--Who are the letters for?
|
|
|
|
He looked at them. Mullingar. Milly.
|
|
|
|
--A letter for me from Milly, he said carefully, and a card to you. And a
|
|
letter for you.
|
|
|
|
He laid her card and letter on the twill bedspread near the curve of
|
|
her knees.
|
|
|
|
--Do you want the blind up?
|
|
|
|
Letting the blind up by gentle tugs halfway his backward eye saw her
|
|
glance at the letter and tuck it under her pillow.
|
|
|
|
--That do? he asked, turning.
|
|
|
|
She was reading the card, propped on her elbow.
|
|
|
|
--She got the things, she said.
|
|
|
|
He waited till she had laid the card aside and curled herself back
|
|
slowly with a snug sigh.
|
|
|
|
--Hurry up with that tea, she said. I'm parched.
|
|
|
|
--The kettle is boiling, he said.
|
|
|
|
But he delayed to clear the chair: her striped petticoat, tossed soiled
|
|
linen: and lifted all in an armful on to the foot of the bed.
|
|
|
|
As he went down the kitchen stairs she called:
|
|
|
|
--Poldy!
|
|
|
|
--What?
|
|
|
|
--Scald the teapot.
|
|
|
|
On the boil sure enough: a plume of steam from the spout. He
|
|
scalded and rinsed out the teapot and put in four full spoons of tea,
|
|
tilting the kettle then to let the water flow in. Having set it to draw he
|
|
took off the kettle, crushed the pan flat on the live coals and watched
|
|
the lump of butter slide and melt. While he unwrapped the kidney the cat
|
|
mewed hungrily against him. Give her too much meat she won't mouse. Say
|
|
they won't eat pork. Kosher. Here. He let the bloodsmeared paper fall to
|
|
her and dropped the kidney amid the sizzling butter sauce. Pepper. He
|
|
sprinkled it through his fingers ringwise from the chipped eggcup.
|
|
|
|
Then he slit open his letter, glancing down the page and over.
|
|
Thanks: new tam: Mr Coghlan: lough Owel picnic: young student: Blazes
|
|
Boylan's seaside girls.
|
|
|
|
The tea was drawn. He filled his own moustachecup, sham crown
|
|
|
|
Derby, smiling. Silly Milly's birthday gift. Only five she was then. No,
|
|
wait: four. I gave her the amberoid necklace she broke. Putting pieces of
|
|
folded brown paper in the letterbox for her. He smiled, pouring.
|
|
|
|
|
|
O, MILLY BLOOM, YOU ARE MY DARLING.
|
|
YOU ARE MY LOOKINGGLASS FROM NIGHT TO MORNING.
|
|
I'D RATHER HAVE YOU WITHOUT A FARTHING
|
|
THAN KATEY KEOGH WITH HER ASS AND GARDEN.
|
|
|
|
|
|
Poor old professor Goodwin. Dreadful old case. Still he was a
|
|
courteous old chap. Oldfashioned way he used to bow Molly off the
|
|
platform. And the little mirror in his silk hat. The night Milly brought
|
|
it into the parlour. O, look what I found in professor Goodwin's hat! All
|
|
we laughed. Sex breaking out even then. Pert little piece she was.
|
|
|
|
He prodded a fork into the kidney and slapped it over: then fitted the
|
|
teapot on the tray. Its hump bumped as he took it up. Everything on it?
|
|
Bread and butter, four, sugar, spoon, her cream. Yes. He carried it
|
|
upstairs, his thumb hooked in the teapot handle.
|
|
|
|
|
|
Nudging the door open with his knee he carried the tray in and set it
|
|
on the chair by the bedhead.
|
|
|
|
--What a time you were! she said.
|
|
|
|
She set the brasses jingling as she raised herself briskly, an elbow on
|
|
the pillow. He looked calmly down on her bulk and between her large soft
|
|
bubs, sloping within her nightdress like a shegoat's udder. The warmth of
|
|
her couched body rose on the air, mingling with the fragrance of the tea
|
|
she poured.
|
|
|
|
A strip of torn envelope peeped from under the dimpled pillow. In the
|
|
act of going he stayed to straighten the bedspread.
|
|
|
|
--Who was the letter from? he asked.
|
|
|
|
Bold hand. Marion.
|
|
|
|
--O, Boylan, she said. He's bringing the programme.
|
|
|
|
--What are you singing?
|
|
|
|
--LA CI DAREM with J. C. Doyle, she said, and LOVE'S OLD SWEET SONG.
|
|
|
|
Her full lips, drinking, smiled. Rather stale smell that incense leaves
|
|
next day. Like foul flowerwater.
|
|
|
|
--Would you like the window open a little?
|
|
|
|
She doubled a slice of bread into her mouth, asking:
|
|
|
|
--What time is the funeral?
|
|
|
|
--Eleven, I think, he answered. I didn't see the paper.
|
|
|
|
Following the pointing of her finger he took up a leg of her soiled
|
|
drawers from the bed. No? Then, a twisted grey garter looped round a
|
|
stocking: rumpled, shiny sole.
|
|
|
|
--No: that book.
|
|
|
|
Other stocking. Her petticoat.
|
|
|
|
--It must have fell down, she said.
|
|
|
|
He felt here and there. VOGLIO E NON VORREI. Wonder if she pronounces
|
|
that right: VOGLIO. Not in the bed. Must have slid down. He stooped and
|
|
lifted the valance. The book, fallen, sprawled against the bulge of the
|
|
orangekeyed chamberpot.
|
|
|
|
--Show here, she said. I put a mark in it. There's a word I wanted to ask
|
|
you.
|
|
|
|
She swallowed a draught of tea from her cup held by nothandle and,
|
|
having wiped her fingertips smartly on the blanket, began to search the
|
|
text with the hairpin till she reached the word.
|
|
|
|
--Met him what? he asked.
|
|
|
|
--Here, she said. What does that mean?
|
|
|
|
He leaned downward and read near her polished thumbnail.
|
|
|
|
--Metempsychosis?
|
|
|
|
--Yes. Who's he when he's at home?
|
|
|
|
--Metempsychosis, he said, frowning. It's Greek: from the Greek. That
|
|
means the transmigration of souls.
|
|
|
|
--O, rocks! she said. Tell us in plain words.
|
|
|
|
He smiled, glancing askance at her mocking eyes. The same young
|
|
eyes. The first night after the charades. Dolphin's Barn. He turned over
|
|
the smudged pages. RUBY: THE PRIDE OF THE RING. Hello. Illustration.
|
|
Fierce Italian with carriagewhip. Must be Ruby pride of the on the floor
|
|
naked. Sheet kindly lent. THE MONSTER MAFFEI DESISTED AND FLUNG HIS
|
|
VICTIM FROM HIM WITH AN OATH. Cruelty behind it all. Doped animals.
|
|
Trapeze at Hengler's. Had to look the other way. Mob gaping. Break your
|
|
neck and we'll break our sides. Families of them. Bone them young so they
|
|
metamspychosis. That we live after death. Our souls. That a man's soul
|
|
after he dies. Dignam's soul ...
|
|
|
|
--Did you finish it? he asked.
|
|
|
|
--Yes, she said. There's nothing smutty in it. Is she in love with the
|
|
first fellow all the time?
|
|
|
|
--Never read it. Do you want another?
|
|
|
|
--Yes. Get another of Paul de Kock's. Nice name he has.
|
|
|
|
She poured more tea into her cup, watching it flow sideways.
|
|
|
|
Must get that Capel street library book renewed or they'll write to
|
|
Kearney, my guarantor. Reincarnation: that's the word.
|
|
|
|
--Some people believe, he said, that we go on living in another body
|
|
after death, that we lived before. They call it reincarnation. That we all
|
|
lived before on the earth thousands of years ago or some other planet.
|
|
They say we have forgotten it. Some say they remember their past lives.
|
|
|
|
The sluggish cream wound curdling spirals through her tea. Bette
|
|
remind her of the word: metempsychosis. An example would be better. An
|
|
example?
|
|
|
|
The BATH OF THE NYMPH over the bed. Given away with the Easter
|
|
number of PHOTO BITS: Splendid masterpiece in art colours. Tea before you
|
|
put milk in. Not unlike her with her hair down: slimmer. Three and six I
|
|
gave for the frame. She said it would look nice over the bed. Naked
|
|
nymphs: Greece: and for instance all the people that lived then.
|
|
|
|
He turned the pages back.
|
|
|
|
--Metempsychosis, he said, is what the ancient Greeks called it. They
|
|
used to believe you could be changed into an animal or a tree, for
|
|
instance. What they called nymphs, for example.
|
|
|
|
Her spoon ceased to stir up the sugar. She gazed straight before her,
|
|
inhaling through her arched nostrils.
|
|
|
|
--There's a smell of burn, she said. Did you leave anything on the fire?
|
|
|
|
--The kidney! he cried suddenly.
|
|
|
|
He fitted the book roughly into his inner pocket and, stubbing his toes
|
|
against the broken commode, hurried out towards the smell, stepping
|
|
hastily down the stairs with a flurried stork's legs. Pungent smoke shot
|
|
up in an angry jet from a side of the pan. By prodding a prong of the fork
|
|
under the kidney he detached it and turned it turtle on its back. Only a
|
|
little burnt. He tossed it off the pan on to a plate and let the scanty
|
|
brown gravy trickle over it.
|
|
|
|
Cup of tea now. He sat down, cut and buttered a slice of the loaf. He
|
|
shore away the burnt flesh and flung it to the cat. Then he put a forkful
|
|
into his mouth, chewing with discernment the toothsome pliant meat. Done
|
|
to a turn. A mouthful of tea. Then he cut away dies of bread, sopped one
|
|
in the gravy and put it in his mouth. What was that about some young
|
|
student and a picnic? He creased out the letter at his side, reading it
|
|
slowly as he chewed, sopping another die of bread in the gravy and raising
|
|
it to his mouth.
|
|
|
|
|
|
Dearest Papli
|
|
|
|
Thanks ever so much for the lovely birthday present. It suits me
|
|
splendid. Everyone says I am quite the belle in my new tam. I got mummy's
|
|
Iovely box of creams and am writing. They are lovely. I am getting on
|
|
swimming in the photo business now. Mr Coghlan took one of me and Mrs.
|
|
Will send when developed. We did great biz yesterday. Fair day and all the
|
|
beef to the heels were in. We are going to lough Owel on Monday with a
|
|
few friends to make a scrap picnic. Give my love to mummy and to yourself
|
|
a big kiss and thanks. I hear them at the piano downstairs. There is to be
|
|
a concert in the Greville Arms on Saturday. There is a young student comes
|
|
here some evenings named Bannon his cousins or something are big swells
|
|
and he sings Boylan's (I was on the pop of writing Blazes Boylan's) song
|
|
about those seaside girls. Tell him silly Milly sends my best respects. I
|
|
must now close with fondest love
|
|
|
|
|
|
Your fond daughter, MILLY.
|
|
|
|
|
|
P. S. Excuse bad writing am in hurry. Byby. M.
|
|
|
|
|
|
Fifteen yesterday. Curious, fifteenth of the month too. Her first
|
|
birthday away from home. Separation. Remember the summer morning she
|
|
was born, running to knock up Mrs Thornton in Denzille street. Jolly old
|
|
woman. Lot of babies she must have helped into the world. She knew from
|
|
the first poor little Rudy wouldn't live. Well, God is good, sir. She knew
|
|
at once. He would be eleven now if he had lived.
|
|
|
|
His vacant face stared pityingly at the postscript. Excuse bad writing.
|
|
Hurry. Piano downstairs. Coming out of her shell. Row with her in the XL
|
|
Cafe about the bracelet. Wouldn't eat her cakes or speak or look.
|
|
Saucebox. He sopped other dies of bread in the gravy and ate piece after
|
|
piece of kidney. Twelve and six a week. Not much. Still, she might do
|
|
worse. Music hall stage. Young student. He drank a draught of cooler tea
|
|
to wash down his meal. Then he read the letter again: twice.
|
|
|
|
O, well: she knows how to mind herself. But if not? No, nothing has
|
|
happened. Of course it might. Wait in any case till it does. A wild piece
|
|
of goods. Her slim legs running up the staircase. Destiny. Ripening now.
|
|
|
|
Vain: very.
|
|
|
|
He smiled with troubled affection at the kitchen window. Day I
|
|
caught her in the street pinching her cheeks to make them red. Anemic a
|
|
little. Was given milk too long. On the ERIN'S KING that day round the
|
|
Kish. Damned old tub pitching about. Not a bit funky. Her pale blue scarf
|
|
loose in the wind with her hair.
|
|
|
|
|
|
ALL DIMPLED CHEEKS AND CURLS,
|
|
YOUR HEAD IT SIMPLY SWIRLS.
|
|
|
|
|
|
Seaside girls. Torn envelope. Hands stuck in his trousers' pockets, jarvey
|
|
off for the day, singing. Friend of the family. Swurls, he says. Pier with
|
|
lamps, summer evening, band,
|
|
|
|
|
|
THOSE GIRLS, THOSE GIRLS,
|
|
THOSE LOVELY SEASIDE GIRLS.
|
|
|
|
|
|
Milly too. Young kisses: the first. Far away now past. Mrs Marion.
|
|
Reading, lying back now, counting the strands of her hair, smiling,
|
|
braiding.
|
|
|
|
|
|
A soft qualm, regret, flowed down his backbone, increasing. Will
|
|
happen, yes. Prevent. Useless: can't move. Girl's sweet light lips. Will
|
|
happen too. He felt the flowing qualm spread over him. Useless to move
|
|
now. Lips kissed, kissing, kissed. Full gluey woman's lips.
|
|
|
|
Better where she is down there: away. Occupy her. Wanted a dog to
|
|
pass the time. Might take a trip down there. August bank holiday, only two
|
|
and six return. Six weeks off, however. Might work a press pass. Or
|
|
through M'Coy.
|
|
|
|
The cat, having cleaned all her fur, returned to the meatstained paper,
|
|
nosed at it and stalked to the door. She looked back at him, mewing. Wants
|
|
to go out. Wait before a door sometime it will open. Let her wait. Has the
|
|
fidgets. Electric. Thunder in the air. Was washing at her ear with her
|
|
back to the fire too.
|
|
|
|
He felt heavy, full: then a gentle loosening of his bowels. He stood up,
|
|
undoing the waistband of his trousers. The cat mewed to him.
|
|
|
|
--Miaow! he said in answer. Wait till I'm ready.
|
|
|
|
Heaviness: hot day coming. Too much trouble to fag up the stairs to
|
|
the landing.
|
|
|
|
A paper. He liked to read at stool. Hope no ape comes knocking just
|
|
as I'm.
|
|
|
|
In the tabledrawer he found an old number of TITBITS. He folded it
|
|
under his armpit, went to the door and opened it. The cat went up in soft
|
|
bounds. Ah, wanted to go upstairs, curl up in a ball on the bed.
|
|
|
|
Listening, he heard her voice:
|
|
|
|
--Come, come, pussy. Come.
|
|
|
|
He went out through the backdoor into the garden: stood to listen
|
|
towards the next garden. No sound. Perhaps hanging clothes out to dry.
|
|
The maid was in the garden. Fine morning.
|
|
|
|
He bent down to regard a lean file of spearmint growing by the wall.
|
|
Make a summerhouse here. Scarlet runners. Virginia creepers. Want to
|
|
manure the whole place over, scabby soil. A coat of liver of sulphur. All
|
|
soil like that without dung. Household slops. Loam, what is this that is?
|
|
The hens in the next garden: their droppings are very good top dressing.
|
|
Best of all though are the cattle, especially when they are fed on those
|
|
oilcakes. Mulch of dung. Best thing to clean ladies' kid gloves.
|
|
Dirty cleans. Ashes too. Reclaim the whole place. Grow peas in that corner
|
|
there. Lettuce. Always have fresh greens then. Still gardens have their
|
|
drawbacks. That bee or bluebottle here Whitmonday.
|
|
|
|
He walked on. Where is my hat, by the way? Must have put it back
|
|
on the peg. Or hanging up on the floor. Funny I don't remember that.
|
|
Hallstand too full. Four umbrellas, her raincloak. Picking up the letters.
|
|
Drago's shopbell ringing. Queer I was just thinking that moment. Brown
|
|
brillantined hair over his collar. Just had a wash and brushup. Wonder
|
|
have I time for a bath this morning. Tara street. Chap in the paybox there
|
|
got away James Stephens, they say. O'Brien.
|
|
|
|
Deep voice that fellow Dlugacz has. Agendath what is it? Now, my
|
|
miss. Enthusiast.
|
|
|
|
He kicked open the crazy door of the jakes. Better be careful not to get
|
|
these trousers dirty for the funeral. He went in, bowing his head under
|
|
the low lintel. Leaving the door ajar, amid the stench of mouldy limewash
|
|
and stale cobwebs he undid his braces. Before sitting down he peered
|
|
through a chink up at the nextdoor windows. The king was in his
|
|
countinghouse. Nobody.
|
|
|
|
Asquat on the cuckstool he folded out his paper, turning its pages
|
|
over on his bared knees. Something new and easy. No great hurry. Keep it
|
|
a bit. Our prize titbit: MATEHAM'S MASTERSTROKE. Written by Mr Philip
|
|
Beaufoy, Playgoers' Club, London. Payment at the rate of one guinea a
|
|
column has been made to the writer. Three and a half. Three pounds three.
|
|
Three pounds, thirteen and six.
|
|
|
|
Quietly he read, restraining himself, the first column and, yielding but
|
|
resisting, began the second. Midway, his last resistance yielding, he
|
|
allowed his bowels to ease themselves quietly as he read, reading still
|
|
patiently that slight constipation of yesterday quite gone. Hope it's not
|
|
too big bring on piles again. No, just right. So. Ah! Costive. One tabloid
|
|
of cascara sagrada. Life might be so. It did not move or touch him but it
|
|
was something quick and neat. Print anything now. Silly season. He read
|
|
on, seated calm above his own rising smell. Neat certainly. MATCHAM OFTEN
|
|
THINKS OF THE MASTERSTROKE BY WHICH HE WON THE LAUGHING WITCH WHO NOW.
|
|
Begins and ends morally. HAND IN HAND. Smart. He glanced back through what
|
|
he had read and, while feeling his water flow quietly, he envied kindly
|
|
Mr Beaufoy who had written it and received payment of three pounds,
|
|
thirteen and six.
|
|
|
|
Might manage a sketch. By Mr and Mrs L. M. Bloom. Invent a story
|
|
for some proverb. Which? Time I used to try jotting down on my cuff what
|
|
she said dressing. Dislike dressing together. Nicked myself shaving.
|
|
Biting her nether lip, hooking the placket of her skirt. Timing her. 9.l5.
|
|
Did Roberts pay you yet? 9.20. What had Gretta Conroy on? 9.23. What
|
|
possessed me to buy this comb? 9.24. I'm swelled after that cabbage. A
|
|
speck of dust on the patent leather of her boot.
|
|
|
|
Rubbing smartly in turn each welt against her stockinged calf. Morning
|
|
after the bazaar dance when May's band played Ponchielli's dance of
|
|
the hours. Explain that: morning hours, noon, then evening coming on,
|
|
then night hours. Washing her teeth. That was the first night. Her head
|
|
dancing. Her fansticks clicking. Is that Boylan well off? He has money.
|
|
Why? I noticed he had a good rich smell off his breath dancing. No use
|
|
humming then. Allude to it. Strange kind of music that last night.
|
|
The mirror was in shadow. She rubbed her handglass briskly on her
|
|
woollen vest against her full wagging bub. Peering into it. Lines in
|
|
her eyes. It wouldn't pan out somehow.
|
|
|
|
Evening hours, girls in grey gauze. Night hours then: black with
|
|
daggers and eyemasks. Poetical idea: pink, then golden, then grey, then
|
|
black. Still, true to life also. Day: then the night.
|
|
|
|
He tore away half the prize story sharply and wiped himself with it.
|
|
Then he girded up his trousers, braced and buttoned himself. He pulled
|
|
back the jerky shaky door of the jakes and came forth from the gloom into
|
|
the air.
|
|
|
|
In the bright light, lightened and cooled in limb, he eyed carefully his
|
|
black trousers: the ends, the knees, the houghs of the knees. What time is
|
|
the funeral? Better find out in the paper.
|
|
|
|
A creak and a dark whirr in the air high up. The bells of George's
|
|
church. They tolled the hour: loud dark iron.
|
|
|
|
|
|
HEIGHO! HEIGHO!
|
|
HEIGHO! HEIGHO!
|
|
HEIGHO! HEIGHO!
|
|
|
|
|
|
Quarter to. There again: the overtone following through the air, third.
|
|
|
|
Poor Dignam!
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
By lorries along sir John Rogerson's quay Mr Bloom walked soberly,
|
|
past Windmill lane, Leask's the linseed crusher, the postal telegraph
|
|
office. Could have given that address too. And past the sailors' home.
|
|
He turned from the morning noises of the quayside and walked through Lime
|
|
street. By Brady's cottages a boy for the skins lolled, his bucket of
|
|
offal linked, smoking a chewed fagbutt. A smaller girl with scars of
|
|
eczema on her forehead eyed him, listlessly holding her battered caskhoop.
|
|
Tell him if he smokes he won't grow. O let him! His life isn't such a bed
|
|
of roses. Waiting outside pubs to bring da home. Come home to ma, da.
|
|
Slack hour: won't be many there. He crossed Townsend street, passed the
|
|
frowning face of Bethel. El, yes: house of: Aleph, Beth. And past Nichols'
|
|
the undertaker. At eleven it is. Time enough. Daresay Corny Kelleher
|
|
bagged the job for O'Neill's. Singing with his eyes shut. Corny. Met her
|
|
once in the park. In the dark. What a lark. Police tout. Her name and
|
|
address she then told with my tooraloom tooraloom tay. O, surely he bagged
|
|
it. Bury him cheap in a whatyoumaycall. With my tooraloom, tooraloom,
|
|
tooraloom, tooraloom.
|
|
|
|
In Westland row he halted before the window of the Belfast and
|
|
Oriental Tea Company and read the legends of leadpapered packets: choice
|
|
blend, finest quality, family tea. Rather warm. Tea. Must get some from
|
|
Tom Kernan. Couldn't ask him at a funeral, though. While his eyes still
|
|
read blandly he took off his hat quietly inhaling his hairoil and sent his
|
|
right hand with slow grace over his brow and hair. Very warm morning.
|
|
Under their dropped lids his eyes found the tiny bow of the leather
|
|
headband inside his high grade ha. Just there. His right hand came down
|
|
into the bowl of his hat. His fingers found quickly a card behind the
|
|
headband and transferred it to his waistcoat pocket.
|
|
|
|
So warm. His right hand once more more slowly went over his brow
|
|
and hair. Then he put on his hat again, relieved: and read again: choice
|
|
blend, made of the finest Ceylon brands. The far east. Lovely spot it must
|
|
be: the garden of the world, big lazy leaves to float about on, cactuses,
|
|
flowery meads, snaky lianas they call them. Wonder is it like that. Those
|
|
Cinghalese lobbing about in the sun IN DOLCE FAR NIENTE, not doing a
|
|
hand's turn all day. Sleep six months out of twelve. Too hot to quarrel.
|
|
Influence of the climate. Lethargy. Flowers of idleness. The air feeds
|
|
most. Azotes. Hothouse in Botanic gardens. Sensitive plants. Waterlilies.
|
|
Petals too tired to. Sleeping sickness in the air. Walk on roseleaves.
|
|
Imagine trying to eat tripe and cowheel. Where was the chap I saw in that
|
|
picture somewhere? Ah yes, in the dead sea floating on his back, reading a
|
|
book with a parasol open. Couldn't sink if you tried: so thick with salt.
|
|
Because the weight of the water, no, the weight of the body in the water
|
|
is equal to the weight of the what? Or is it the volume is equal to the
|
|
weight? It's a law something like that. Vance in High school cracking his
|
|
fingerjoints, teaching. The college curriculum. Cracking curriculum. What
|
|
is weight really when you say the weight? Thirtytwo feet per second per
|
|
second. Law of falling bodies: per second per second. They all fall to the
|
|
ground. The earth. It's the force of gravity of the earth is the weight.
|
|
|
|
He turned away and sauntered across the road. How did she walk
|
|
with her sausages? Like that something. As he walked he took the folded
|
|
FREEMAN from his sidepocket, unfolded it, rolled it lengthwise in a baton
|
|
and tapped it at each sauntering step against his trouserleg. Careless
|
|
air: just drop in to see. Per second per second. Per second for every
|
|
second it means. From the curbstone he darted a keen glance through the
|
|
door of the postoffice. Too late box. Post here. No-one. In.
|
|
|
|
He handed the card through the brass grill.
|
|
|
|
--Are there any letters for me? he asked.
|
|
|
|
While the postmistress searched a pigeonhole he gazed at the
|
|
recruiting poster with soldiers of all arms on parade: and held the tip of
|
|
his baton against his nostrils, smelling freshprinted rag paper. No answer
|
|
probably. Went too far last time.
|
|
|
|
The postmistress handed him back through the grill his card with a
|
|
letter. He thanked her and glanced rapidly at the typed envelope.
|
|
|
|
|
|
Henry Flower Esq,
|
|
c/o P. O. Westland Row,
|
|
City.
|
|
|
|
|
|
Answered anyhow. He slipped card and letter into his sidepocket,
|
|
reviewing again the soldiers on parade. Where's old Tweedy's regiment?
|
|
Castoff soldier. There: bearskin cap and hackle plume. No, he's a
|
|
grenadier. Pointed cuffs. There he is: royal Dublin fusiliers. Redcoats.
|
|
Too showy. That must be why the women go after them. Uniform. Easier to
|
|
enlist and drill. Maud Gonne's letter about taking them off O'Connell
|
|
street at night: disgrace to our Irish capital. Griffith's paper is on the
|
|
same tack now: an army rotten with venereal disease: overseas or
|
|
halfseasover empire. Half baked they look: hypnotised like. Eyes front.
|
|
Mark time. Table: able. Bed: ed. The King's own. Never see him dressed up
|
|
as a fireman or a bobby. A mason, yes.
|
|
|
|
He strolled out of the postoffice and turned to the right. Talk: as if
|
|
that would mend matters. His hand went into his pocket and a forefinger
|
|
felt its way under the flap of the envelope, ripping it open in jerks.
|
|
Women will pay a lot of heed, I don't think. His fingers drew forth the
|
|
letter the letter and crumpled the envelope in his pocket. Something
|
|
pinned on: photo perhaps. Hair? No.
|
|
|
|
M'Coy. Get rid of him quickly. Take me out of my way. Hate company
|
|
when you.
|
|
|
|
--Hello, Bloom. Where are you off to?
|
|
|
|
--Hello, M'Coy. Nowhere in particular.
|
|
|
|
--How's the body?
|
|
|
|
--Fine. How are you?
|
|
|
|
--Just keeping alive, M'Coy said.
|
|
|
|
His eyes on the black tie and clothes he asked with low respect:
|
|
|
|
--Is there any ... no trouble I hope? I see you're ...
|
|
|
|
--O, no, Mr Bloom said. Poor Dignam, you know. The funeral is today.
|
|
|
|
--To be sure, poor fellow. So it is. What time?
|
|
|
|
A photo it isn't. A badge maybe.
|
|
|
|
--E ... eleven, Mr Bloom answered.
|
|
|
|
--I must try to get out there, M'Coy said. Eleven, is it? I only heard it
|
|
last night. Who was telling me? Holohan. You know Hoppy?
|
|
|
|
--I know.
|
|
|
|
Mr Bloom gazed across the road at the outsider drawn up before the
|
|
door of the Grosvenor. The porter hoisted the valise up on the well. She
|
|
stood still, waiting, while the man, husband, brother, like her, searched
|
|
his pockets for change. Stylish kind of coat with that roll collar, warm
|
|
for a day like this, looks like blanketcloth. Careless stand of her with
|
|
her hands in those patch pockets. Like that haughty creature at the polo
|
|
match. Women all for caste till you touch the spot. Handsome is and
|
|
handsome does. Reserved about to yield. The honourable Mrs and Brutus is
|
|
an honourable man. Possess her once take the starch out of her.
|
|
|
|
--I was with Bob Doran, he's on one of his periodical bends, and what do
|
|
you call him Bantam Lyons. Just down there in Conway's we were.
|
|
|
|
Doran Lyons in Conway's. She raised a gloved hand to her hair. In
|
|
came Hoppy. Having a wet. Drawing back his head and gazing far from
|
|
beneath his vailed eyelids he saw the bright fawn skin shine in the glare,
|
|
the braided drums. Clearly I can see today. Moisture about gives long
|
|
sight perhaps. Talking of one thing or another. Lady's hand. Which side
|
|
will she get up?
|
|
|
|
--And he said: SAD THING ABOUT OUR POOR FRIEND PADDY! WHAT PADDY? I said.
|
|
Poor little Paddy Dignam, he said.
|
|
|
|
Off to the country: Broadstone probably. High brown boots with
|
|
laces dangling. Wellturned foot. What is he foostering over that change
|
|
for? Sees me looking. Eye out for other fellow always. Good fallback. Two
|
|
strings to her bow.
|
|
|
|
--WHY? I said. WHAT'S WRONG WITH HIM? I said.
|
|
|
|
Proud: rich: silk stockings.
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
He moved a little to the side of M'Coy's talking head. Getting up in a
|
|
minute.
|
|
|
|
--WHAT'S WRONG WITH HIM? He said. HE'S DEAD, he said. And, faith, he
|
|
filled up. IS IT PADDY DIGNAM? I said. I couldn't believe it when I heard
|
|
it. I was with him no later than Friday last or Thursday was it in the
|
|
Arch. YES, he said. He's gone. HE DIED ON MONDAY, POOR FELLOW. Watch!
|
|
Watch! Silk flash rich stockings white. Watch!
|
|
|
|
A heavy tramcar honking its gong slewed between.
|
|
|
|
Lost it. Curse your noisy pugnose. Feels locked out of it. Paradise and
|
|
the peri. Always happening like that. The very moment. Girl in Eustace
|
|
street hallway Monday was it settling her garter. Her friend covering the
|
|
display of. ESPRIT DE CORPS. Well, what are you gaping at?
|
|
|
|
--Yes, yes, Mr Bloom said after a dull sigh. Another gone.
|
|
|
|
--One of the best, M'Coy said.
|
|
|
|
The tram passed. They drove off towards the Loop Line bridge, her
|
|
rich gloved hand on the steel grip. Flicker, flicker: the laceflare of her
|
|
hat in the sun: flicker, flick.
|
|
|
|
--Wife well, I suppose? M'Coy's changed voice said.
|
|
|
|
--O, yes, Mr Bloom said. Tiptop, thanks.
|
|
|
|
He unrolled the newspaper baton idly and read idly:
|
|
|
|
|
|
WHAT IS HOME WITHOUT
|
|
PLUMTREE'S POTTED MEAT?
|
|
INCOMPLETE
|
|
WITH IT AN ABODE OF BLISS.
|
|
|
|
|
|
--My missus has just got an engagement. At least it's not settled yet.
|
|
|
|
Valise tack again. By the way no harm. I'm off that, thanks.
|
|
|
|
Mr Bloom turned his largelidded eyes with unhasty friendliness.
|
|
|
|
--My wife too, he said. She's going to sing at a swagger affair in the
|
|
Ulster Hall, Belfast, on the twenty-fifth.
|
|
|
|
--That so? M'Coy said. Glad to hear that, old man. Who's getting it up?
|
|
|
|
Mrs Marion Bloom. Not up yet. Queen was in her bedroom eating
|
|
bread and. No book. Blackened court cards laid along her thigh by sevens.
|
|
Dark lady and fair man. Letter. Cat furry black ball. Torn strip of
|
|
envelope.
|
|
|
|
LOVE'S
|
|
OLD
|
|
SWEET
|
|
SONG
|
|
COMES LO-OVE'S OLD ...
|
|
|
|
--It's a kind of a tour, don't you see, Mr Bloom said thoughtfully.
|
|
SWEEEET SONG. There's a committee formed. Part shares and part profits.
|
|
|
|
M'Coy nodded, picking at his moustache stubble.
|
|
|
|
--O, well, he said. That's good news.
|
|
|
|
He moved to go.
|
|
|
|
--Well, glad to see you looking fit, he said. Meet you knocking around.
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
--Tell you what, M'Coy said. You might put down my name at the funeral,
|
|
will you? I'd like to go but I mightn't be able, you see. There's a
|
|
drowning case at Sandycove may turn up and then the coroner and myself
|
|
would have to go down if the body is found. You just shove in my name if
|
|
I'm not there, will you?
|
|
|
|
--I'll do that, Mr Bloom said, moving to get off. That'll be all right.
|
|
|
|
--Right, M'Coy said brightly. Thanks, old man. I'd go if I possibly
|
|
could. Well, tolloll. Just C. P. M'Coy will do.
|
|
|
|
--That will be done, Mr Bloom answered firmly.
|
|
|
|
Didn't catch me napping that wheeze. The quick touch. Soft mark.
|
|
I'd like my job. Valise I have a particular fancy for. Leather. Capped
|
|
corners, rivetted edges, double action lever lock. Bob Cowley lent him his
|
|
for the Wicklow regatta concert last year and never heard tidings of it
|
|
from that good day to this.
|
|
|
|
Mr Bloom, strolling towards Brunswick street, smiled. My missus has
|
|
just got an. Reedy freckled soprano. Cheeseparing nose. Nice enough in its
|
|
way: for a little ballad. No guts in it. You and me, don't you know: in
|
|
the same boat. Softsoaping. Give you the needle that would. Can't he hear
|
|
the difference? Think he's that way inclined a bit. Against my grain
|
|
somehow. Thought that Belfast would fetch him. I hope that smallpox up
|
|
there doesn't get worse. Suppose she wouldn't let herself be vaccinated
|
|
again. Your wife and my wife.
|
|
|
|
Wonder is he pimping after me?
|
|
|
|
Mr Bloom stood at the corner, his eyes wandering over the
|
|
multicoloured hoardings. Cantrell and Cochrane's Ginger Ale (Aromatic).
|
|
Clery's Summer Sale. No, he's going on straight. Hello. LEAH tonight. Mrs
|
|
Bandmann Palmer. Like to see her again in that. HAMLET she played last
|
|
night. Male impersonator. Perhaps he was a woman. Why Ophelia
|
|
committed suicide. Poor papa! How he used to talk of Kate Bateman in
|
|
that. Outside the Adelphi in London waited all the afternoon to get in.
|
|
Year before I was born that was: sixtyfive. And Ristori in Vienna. What is
|
|
this the right name is? By Mosenthal it is. Rachel, is it? No. The scene
|
|
he was always talking about where the old blind Abraham recognises the
|
|
voice and puts his fingers on his face.
|
|
|
|
Nathan's voice! His son's voice! I hear the voice of Nathan who left
|
|
his father to die of grief and misery in my arms, who left the house of
|
|
his father and left the God of his father.
|
|
|
|
Every word is so deep, Leopold.
|
|
|
|
Poor papa! Poor man! I'm glad I didn't go into the room to look at
|
|
his face. That day! O, dear! O, dear! Ffoo! Well, perhaps it was best for
|
|
him.
|
|
|
|
Mr Bloom went round the corner and passed the drooping nags of the
|
|
hazard. No use thinking of it any more. Nosebag time. Wish I hadn't met
|
|
that M'Coy fellow.
|
|
|
|
He came nearer and heard a crunching of gilded oats, the gently
|
|
champing teeth. Their full buck eyes regarded him as he went by, amid the
|
|
sweet oaten reek of horsepiss. Their Eldorado. Poor jugginses! Damn all
|
|
they know or care about anything with their long noses stuck in nosebags.
|
|
Too full for words. Still they get their feed all right and their doss.
|
|
Gelded too: a stump of black guttapercha wagging limp between their
|
|
haunches. Might be happy all the same that way. Good poor brutes they
|
|
look. Still their neigh can be very irritating.
|
|
|
|
He drew the letter from his pocket and folded it into the newspaper he
|
|
carried. Might just walk into her here. The lane is safer.
|
|
|
|
He passed the cabman's shelter. Curious the life of drifting cabbies.
|
|
All weathers, all places, time or setdown, no will of their own.
|
|
VOGLIO E NON. Like to give them an odd cigarette. Sociable. Shout a few
|
|
flying syllables as they pass. He hummed:
|
|
|
|
|
|
LA CI DAREM LA MANO
|
|
LA LA LALA LA LA.
|
|
|
|
|
|
He turned into Cumberland street and, going on some paces, halted
|
|
in the lee of the station wall. No-one. Meade's timberyard. Piled balks.
|
|
Ruins and tenements. With careful tread he passed over a hopscotch court
|
|
with its forgotten pickeystone. Not a sinner. Near the timberyard a
|
|
squatted child at marbles, alone, shooting the taw with a cunnythumb. A
|
|
wise tabby, a blinking sphinx, watched from her warm sill. Pity to disturb
|
|
them. Mohammed cut a piece out of his mantle not to wake her. Open it.
|
|
And once I played marbles when I went to that old dame's school. She liked
|
|
mignonette. Mrs Ellis's. And Mr? He opened the letter within the
|
|
newspaper.
|
|
|
|
A flower. I think it's a. A yellow flower with flattened petals. Not
|
|
annoyed then? What does she say?
|
|
|
|
|
|
Dear Henry
|
|
|
|
I got your last letter to me and thank you very much for it. I am sorry
|
|
you did not like my last letter. Why did you enclose the stamps? I am
|
|
awfully angry with you. I do wish I could punish you for that. I called
|
|
you naughty boy because I do not like that other world. Please tell me
|
|
what is the real meaning of that word? Are you not happy in your home you
|
|
poor little naughty boy? I do wish I could do something for you. Please
|
|
tell me what you think of poor me. I often think of the beautiful name you
|
|
have. Dear Henry, when will we meet? I think of you so often you have no
|
|
idea. I have never felt myself so much drawn to a man as you. I feel so
|
|
bad about. Please write me a long letter and tell me more. Remember if you
|
|
do not I will punish you. So now you know what I will do to you, you
|
|
naughty boy, if you do not wrote. O how I long to meet you. Henry dear, do
|
|
not deny my request before my patience are exhausted. Then I will tell you
|
|
all. Goodbye now, naughty darling, I have such a bad headache. today. and
|
|
write BY RETURN to your longing
|
|
|
|
|
|
Martha
|
|
|
|
P. S. Do tell me what kind of perfume does your wife use. I want to know.
|
|
|
|
|
|
He tore the flower gravely from its pinhold smelt its almost no smell
|
|
and placed it in his heart pocket. Language of flowers. They like it
|
|
because no-one can hear. Or a poison bouquet to strike him down. Then
|
|
walking slowly forward he read the letter again, murmuring here and there
|
|
a word. Angry tulips with you darling manflower punish your cactus if you
|
|
don't please poor forgetmenot how I long violets to dear roses when we
|
|
soon anemone meet all naughty nightstalk wife Martha's perfume. Having
|
|
read it all he took it from the newspaper and put it back in his
|
|
sidepocket.
|
|
|
|
Weak joy opened his lips. Changed since the first letter. Wonder
|
|
did she wrote it herself. Doing the indignant: a girl of good
|
|
family like me, respectable character. Could meet one Sunday after the
|
|
rosary. Thank you: not having any. Usual love scrimmage. Then running
|
|
round corners. Bad as a row with Molly. Cigar has a cooling effect.
|
|
Narcotic. Go further next time. Naughty boy: punish: afraid of words, of
|
|
course. Brutal, why not? Try it anyhow. A bit at a time.
|
|
|
|
Fingering still the letter in his pocket he drew the pin out of it.
|
|
Common pin, eh? He threw it on the road. Out of her clothes somewhere:
|
|
pinned together. Queer the number of pins they always have. No roses
|
|
without thorns.
|
|
|
|
Flat Dublin voices bawled in his head. Those two sluts that night in
|
|
the Coombe, linked together in the rain.
|
|
|
|
|
|
O, MAIRY LOST THE PIN OF HER DRAWERS.
|
|
SHE DIDN'T KNOW WHAT TO DO
|
|
TO KEEP IT UP
|
|
TO KEEP IT UP.
|
|
|
|
|
|
It? Them. Such a bad headache. Has her roses probably. Or sitting all day
|
|
typing. Eyefocus bad for stomach nerves. What perfume does your wife
|
|
use. Now could you make out a thing like that?
|
|
|
|
TO KEEP IT UP.
|
|
|
|
Martha, Mary. I saw that picture somewhere I forget now old master or
|
|
faked for money. He is sitting in their house, talking. Mysterious. Also
|
|
the two sluts in the Coombe would listen.
|
|
|
|
TO KEEP IT UP.
|
|
|
|
Nice kind of evening feeling. No more wandering about. Just loll there:
|
|
quiet dusk: let everything rip. Forget. Tell about places you have been,
|
|
strange customs. The other one, jar on her head, was getting the supper:
|
|
fruit, olives, lovely cool water out of a well, stonecold like the hole in
|
|
the wall at Ashtown. Must carry a paper goblet next time I go to the
|
|
trottingmatches. She listens with big dark soft eyes. Tell her: more and
|
|
more: all. Then a sigh: silence. Long long long rest.
|
|
|
|
Going under the railway arch he took out the envelope, tore it swiftly
|
|
in shreds and scattered them towards the road. The shreds fluttered away,
|
|
sank in the dank air: a white flutter, then all sank.
|
|
|
|
Henry Flower. You could tear up a cheque for a hundred pounds in
|
|
the same way. Simple bit of paper. Lord Iveagh once cashed a sevenfigure
|
|
cheque for a million in the bank of Ireland. Shows you the money to be
|
|
made out of porter. Still the other brother lord Ardilaun has to change
|
|
his shirt four times a day, they say. Skin breeds lice or vermin. A
|
|
million pounds, wait a moment. Twopence a pint, fourpence a quart,
|
|
eightpence a gallon of porter, no, one and fourpence a gallon of porter.
|
|
One and four into twenty: fifteen about. Yes, exactly. Fifteen millions of
|
|
barrels of porter.
|
|
|
|
What am I saying barrels? Gallons. About a million barrels all the same.
|
|
|
|
An incoming train clanked heavily above his head, coach after coach.
|
|
Barrels bumped in his head: dull porter slopped and churned inside. The
|
|
bungholes sprang open and a huge dull flood leaked out, flowing together,
|
|
winding through mudflats all over the level land, a lazy pooling swirl of
|
|
liquor bearing along wideleaved flowers of its froth.
|
|
|
|
He had reached the open backdoor of All Hallows. Stepping into the
|
|
porch he doffed his hat, took the card from his pocket and tucked it again
|
|
behind the leather headband. Damn it. I might have tried to work M'Coy
|
|
for a pass to Mullingar.
|
|
|
|
Same notice on the door. Sermon by the very reverend John Conmee
|
|
S.J. on saint Peter Claver S.J. and the African Mission. Prayers for the
|
|
conversion of Gladstone they had too when he was almost unconscious.
|
|
The protestants are the same. Convert Dr William J. Walsh D.D. to the
|
|
true religion. Save China's millions. Wonder how they explain it to the
|
|
heathen Chinee. Prefer an ounce of opium. Celestials. Rank heresy for
|
|
them. Buddha their god lying on his side in the museum. Taking it easy
|
|
with hand under his cheek. Josssticks burning. Not like Ecce Homo. Crown
|
|
of thorns and cross. Clever idea Saint Patrick the shamrock. Chopsticks?
|
|
Conmee: Martin Cunningham knows him: distinguishedlooking. Sorry I
|
|
didn't work him about getting Molly into the choir instead of that Father
|
|
Farley who looked a fool but wasn't. They're taught that. He's not going
|
|
out in bluey specs with the sweat rolling off him to baptise blacks, is
|
|
he? The glasses would take their fancy, flashing. Like to see them sitting
|
|
round in a ring with blub lips, entranced, listening. Still life. Lap it
|
|
up like milk, I suppose.
|
|
|
|
|
|
The cold smell of sacred stone called him. He trod the worn steps,
|
|
pushed the swingdoor and entered softly by the rere.
|
|
|
|
Something going on: some sodality. Pity so empty. Nice discreet place
|
|
to be next some girl. Who is my neighbour? Jammed by the hour to slow
|
|
music. That woman at midnight mass. Seventh heaven. Women knelt in the
|
|
benches with crimson halters round their necks, heads bowed. A batch knelt
|
|
at the altarrails. The priest went along by them, murmuring, holding the
|
|
thing in his hands. He stopped at each, took out a communion, shook a
|
|
drop or two (are they in water?) off it and put it neatly into her mouth.
|
|
Her hat and head sank. Then the next one. Her hat sank at once. Then the
|
|
next one: a small old woman. The priest bent down to put it into her
|
|
mouth, murmuring all the time. Latin. The next one. Shut your eyes and
|
|
open your mouth. What? CORPUS: body. Corpse. Good idea the Latin.
|
|
Stupefies them first. Hospice for the dying. They don't seem to chew it:
|
|
only swallow it down. Rum idea: eating bits of a corpse. Why the cannibals
|
|
cotton to it.
|
|
|
|
He stood aside watching their blind masks pass down the aisle, one by
|
|
one, and seek their places. He approached a bench and seated himself in
|
|
its corner, nursing his hat and newspaper. These pots we have to wear. We
|
|
ought to have hats modelled on our heads. They were about him here and
|
|
there, with heads still bowed in their crimson halters, waiting for it to
|
|
melt in their stomachs. Something like those mazzoth: it's that sort of
|
|
bread: unleavened shewbread. Look at them. Now I bet it makes them feel
|
|
happy. Lollipop. It does. Yes, bread of angels it's called. There's a big
|
|
idea behind it, kind of kingdom of God is within you feel. First
|
|
communicants. Hokypoky penny a lump. Then feel all like one family party,
|
|
same in the theatre, all in the same swim. They do. I'm sure of that. Not
|
|
so lonely. In our confraternity. Then come out a bit spreeish. Let off
|
|
steam. Thing is if you really believe in it. Lourdes cure, waters of
|
|
oblivion, and the Knock apparition, statues bleeding. Old fellow asleep
|
|
near that confessionbox. Hence those snores. Blind faith. Safe in the arms
|
|
of kingdom come. Lulls all pain. Wake this time next year.
|
|
|
|
He saw the priest stow the communion cup away, well in, and kneel
|
|
an instant before it, showing a large grey bootsole from under the lace
|
|
affair he had on. Suppose he lost the pin of his. He wouldn't know what to
|
|
do to. Bald spot behind. Letters on his back: I.N.R.I? No: I.H.S.
|
|
Molly told me one time I asked her. I have sinned: or no: I have suffered,
|
|
it is. And the other one? Iron nails ran in.
|
|
|
|
Meet one Sunday after the rosary. Do not deny my request. Turn up
|
|
with a veil and black bag. Dusk and the light behind her. She might be
|
|
here with a ribbon round her neck and do the other thing all the same on
|
|
the sly. Their character. That fellow that turned queen's evidence on the
|
|
invincibles he used to receive the, Carey was his name, the communion
|
|
every morning. This very church. Peter Carey, yes. No, Peter Claver I am
|
|
thinking of. Denis Carey. And just imagine that. Wife and six children
|
|
at home. And plotting that murder all the time. Those crawthumpers,
|
|
now that's a good name for them, there's always something shiftylooking
|
|
about them. They're not straight men of business either. O, no, she's
|
|
not here: the flower: no, no. By the way, did I tear up that envelope?
|
|
Yes: under the bridge.
|
|
|
|
The priest was rinsing out the chalice: then he tossed off the dregs
|
|
smartly. Wine. Makes it more aristocratic than for example if he drank
|
|
what they are used to Guinness's porter or some temperance beverage
|
|
Wheatley's Dublin hop bitters or Cantrell and Cochrane's ginger ale
|
|
(aromatic). Doesn't give them any of it: shew wine: only the other. Cold
|
|
comfort. Pious fraud but quite right: otherwise they'd have one old booser
|
|
worse than another coming along, cadging for a drink. Queer the whole
|
|
atmosphere of the. Quite right. Perfectly right that is.
|
|
|
|
Mr Bloom looked back towards the choir. Not going to be any music.
|
|
Pity. Who has the organ here I wonder? Old Glynn he knew how to make
|
|
that instrument talk, the VIBRATO: fifty pounds a year they say he had in
|
|
Gardiner street. Molly was in fine voice that day, the STABAT MATER of
|
|
Rossini. Father Bernard Vaughan's sermon first. Christ or Pilate? Christ,
|
|
but don't keep us all night over it. Music they wanted. Footdrill stopped.
|
|
Could hear a pin drop. I told her to pitch her voice against that corner.
|
|
I could feel the thrill in the air, the full, the people looking up:
|
|
|
|
QUIS EST HOMO.
|
|
|
|
Some of that old sacred music splendid. Mercadante: seven last
|
|
words. Mozart's twelfth mass: GLORIA in that. Those old popes keen on
|
|
music, on art and statues and pictures of all kinds. Palestrina for
|
|
example too. They had a gay old time while it lasted. Healthy too,
|
|
chanting, regular hours, then brew liqueurs. Benedictine. Green
|
|
Chartreuse. Still, having eunuchs in their choir that was coming it a bit
|
|
thick. What kind of voice is it? Must be curious to hear after their own
|
|
strong basses. Connoisseurs. Suppose they wouldn't feel anything after.
|
|
Kind of a placid. No worry. Fall into flesh, don't they? Gluttons, tall,
|
|
long legs. Who knows? Eunuch. One way out of it.
|
|
|
|
He saw the priest bend down and kiss the altar and then face about
|
|
and bless all the people. All crossed themselves and stood up. Mr Bloom
|
|
glanced about him and then stood up, looking over the risen hats. Stand up
|
|
at the gospel of course. Then all settled down on their knees again and he
|
|
sat back quietly in his bench. The priest came down from the altar,
|
|
holding the thing out from him, and he and the massboy answered each other
|
|
in Latin. Then the priest knelt down and began to read off a card:
|
|
|
|
--O God, our refuge and our strength ...
|
|
|
|
Mr Bloom put his face forward to catch the words. English. Throw
|
|
them the bone. I remember slightly. How long since your last mass?
|
|
Glorious and immaculate virgin. Joseph, her spouse. Peter and Paul. More
|
|
interesting if you understood what it was all about. Wonderful
|
|
organisation certainly, goes like clockwork. Confession. Everyone wants
|
|
to. Then I will tell you all. Penance. Punish me, please. Great weapon in
|
|
their hands. More than doctor or solicitor. Woman dying to. And I
|
|
schschschschschsch. And did you chachachachacha? And why did you? Look
|
|
down at her ring to find an excuse. Whispering gallery walls have ears.
|
|
Husband learn to his surprise. God's little joke. Then out she comes.
|
|
Repentance skindeep. Lovely shame. Pray at an altar. Hail Mary and
|
|
Holy Mary. Flowers, incense, candles melting. Hide her blushes.
|
|
Salvation army blatant imitation. Reformed prostitute will address
|
|
the meeting. How I found the Lord. Squareheaded chaps those must be
|
|
in Rome: they work the whole show. And don't they rake in the money too?
|
|
Bequests also: to the P.P. for the time being in his absolute discretion.
|
|
Masses for the repose of my soul to be said publicly with open doors.
|
|
Monasteries and convents. The priest in that Fermanagh will case in
|
|
the witnessbox. No browbeating him. He had his answer pat for everything.
|
|
Liberty and exaltation of our holy mother the church. The doctors of the
|
|
church: they mapped out the whole theology of it.
|
|
|
|
The priest prayed:
|
|
|
|
--Blessed Michael, archangel, defend us in the hour of conflict. Be our
|
|
safeguard against the wickedness and snares of the devil (may God restrain
|
|
him, we humbly pray!): and do thou, O prince of the heavenly host, by the
|
|
power of God thrust Satan down to hell and with him those other wicked
|
|
spirits who wander through the world for the ruin of souls.
|
|
|
|
The priest and the massboy stood up and walked off. All over. The
|
|
women remained behind: thanksgiving.
|
|
|
|
Better be shoving along. Brother Buzz. Come around with the plate
|
|
perhaps. Pay your Easter duty.
|
|
|
|
He stood up. Hello. Were those two buttons of my waistcoat open all
|
|
the time? Women enjoy it. Never tell you. But we. Excuse, miss, there's a
|
|
(whh!) just a (whh!) fluff. Or their skirt behind, placket unhooked.
|
|
Glimpses of the moon. Annoyed if you don't. Why didn't you tell me
|
|
before. Still like you better untidy. Good job it wasn't farther south. He
|
|
passed, discreetly buttoning, down the aisle and out through the main door
|
|
into the light. He stood a moment unseeing by the cold black marble bowl
|
|
while before him and behind two worshippers dipped furtive hands in the
|
|
low tide of holy water. Trams: a car of Prescott's dyeworks: a widow in
|
|
her weeds. Notice because I'm in mourning myself. He covered himself. How
|
|
goes the time? Quarter past. Time enough yet. Better get that lotion made
|
|
up. Where is this? Ah yes, the last time. Sweny's in Lincoln place.
|
|
Chemists rarely move. Their green and gold beaconjars too heavy to stir.
|
|
Hamilton Long's, founded in the year of the flood. Huguenot churchyard
|
|
near there. Visit some day.
|
|
|
|
He walked southward along Westland row. But the recipe is in the
|
|
other trousers. O, and I forgot that latchkey too. Bore this funeral
|
|
affair. O well, poor fellow, it's not his fault. When was it I got it made
|
|
up last? Wait. I changed a sovereign I remember. First of the month it
|
|
must have been or the second. O, he can look it up in the prescriptions
|
|
book.
|
|
|
|
The chemist turned back page after page. Sandy shrivelled smell he
|
|
seems to have. Shrunken skull. And old. Quest for the philosopher's stone.
|
|
The alchemists. Drugs age you after mental excitement. Lethargy then.
|
|
Why? Reaction. A lifetime in a night. Gradually changes your character.
|
|
Living all the day among herbs, ointments, disinfectants. All his
|
|
alabaster lilypots. Mortar and pestle. Aq. Dist. Fol. Laur. Te Virid.
|
|
Smell almost cure you like the dentist's doorbell. Doctor Whack. He ought
|
|
to physic himself a bit. Electuary or emulsion. The first fellow that
|
|
picked an herb to cure himself had a bit of pluck. Simples. Want to be
|
|
careful. Enough stuff here to chloroform you. Test: turns blue litmus
|
|
paper red. Chloroform. Overdose of laudanum. Sleeping draughts.
|
|
Lovephiltres. Paragoric poppysyrup bad for cough. Clogs the pores or the
|
|
phlegm. Poisons the only cures. Remedy where you least expect it. Clever
|
|
of nature.
|
|
|
|
--About a fortnight ago, sir?
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
He waited by the counter, inhaling slowly the keen reek of drugs, the
|
|
dusty dry smell of sponges and loofahs. Lot of time taken up telling your
|
|
aches and pains.
|
|
|
|
--Sweet almond oil and tincture of benzoin, Mr Bloom said, and then
|
|
orangeflower water ...
|
|
|
|
It certainly did make her skin so delicate white like wax.
|
|
|
|
--And white wax also, he said.
|
|
|
|
Brings out the darkness of her eyes. Looking at me, the sheet up to
|
|
her eyes, Spanish, smelling herself, when I was fixing the links in my
|
|
cuffs. Those homely recipes are often the best: strawberries for the
|
|
teeth: nettles and rainwater: oatmeal they say steeped in buttermilk.
|
|
Skinfood. One of the old queen's sons, duke of Albany was it? had only one
|
|
skin. Leopold, yes. Three we have. Warts, bunions and pimples to make it
|
|
worse. But you want a perfume too. What perfume does your? PEAU D'ESPAGNE.
|
|
That orangeflower water is so fresh. Nice smell these soaps have. Pure
|
|
curd soap. Time to get a bath round the corner. Hammam. Turkish. Massage.
|
|
Dirt gets rolled up in your navel. Nicer if a nice girl did it. Also I
|
|
think I. Yes I. Do it in the bath. Curious longing I. Water to water.
|
|
Combine business with pleasure. Pity no time for massage. Feel fresh then
|
|
all the day. Funeral be rather glum.
|
|
|
|
--Yes, sir, the chemist said. That was two and nine. Have you brought a
|
|
bottle?
|
|
|
|
--No, Mr Bloom said. Make it up, please. I'll call later in the day and
|
|
I'll take one of these soaps. How much are they?
|
|
|
|
--Fourpence, sir.
|
|
|
|
Mr Bloom raised a cake to his nostrils. Sweet lemony wax.
|
|
|
|
--I'll take this one, he said. That makes three and a penny.
|
|
|
|
--Yes, sir, the chemist said. You can pay all together, sir, when you
|
|
come back.
|
|
|
|
--Good, Mr Bloom said.
|
|
|
|
He strolled out of the shop, the newspaper baton under his armpit,
|
|
the coolwrappered soap in his left hand.
|
|
|
|
At his armpit Bantam Lyons' voice and hand said:
|
|
|
|
--Hello, Bloom. What's the best news? Is that today's? Show us a minute.
|
|
|
|
Shaved off his moustache again, by Jove! Long cold upper lip. To
|
|
look younger. He does look balmy. Younger than I am.
|
|
|
|
Bantam Lyons's yellow blacknailed fingers unrolled the baton. Wants
|
|
a wash too. Take off the rough dirt. Good morning, have you used Pears'
|
|
soap? Dandruff on his shoulders. Scalp wants oiling.
|
|
|
|
--I want to see about that French horse that's running today, Bantam
|
|
Lyons said. Where the bugger is it?
|
|
|
|
He rustled the pleated pages, jerking his chin on his high collar.
|
|
Barber's itch. Tight collar he'll lose his hair. Better leave him the
|
|
paper and get shut of him.
|
|
|
|
--You can keep it, Mr Bloom said.
|
|
|
|
--Ascot. Gold cup. Wait, Bantam Lyons muttered. Half a mo. Maximum
|
|
the second.
|
|
|
|
--I was just going to throw it away, Mr Bloom said.
|
|
|
|
Bantam Lyons raised his eyes suddenly and leered weakly.
|
|
|
|
--What's that? his sharp voice said.
|
|
|
|
--I say you can keep it, Mr Bloom answered. I was going to throw it away
|
|
that moment.
|
|
|
|
Bantam Lyons doubted an instant, leering: then thrust the outspread
|
|
sheets back on Mr Bloom's arms.
|
|
|
|
--I'll risk it, he said. Here, thanks.
|
|
|
|
He sped off towards Conway's corner. God speed scut.
|
|
|
|
Mr Bloom folded the sheets again to a neat square and lodged the
|
|
soap in it, smiling. Silly lips of that chap. Betting. Regular hotbed of
|
|
it lately. Messenger boys stealing to put on sixpence. Raffle for large
|
|
tender turkey. Your Christmas dinner for threepence. Jack Fleming
|
|
embezzling to gamble then smuggled off to America. Keeps a hotel now. They
|
|
never come back. Fleshpots of Egypt.
|
|
|
|
He walked cheerfully towards the mosque of the baths. Remind you
|
|
of a mosque, redbaked bricks, the minarets. College sports today I see. He
|
|
eyed the horseshoe poster over the gate of college park: cyclist doubled
|
|
up like a cod in a pot. Damn bad ad. Now if they had made it round like a
|
|
wheel. Then the spokes: sports, sports, sports: and the hub big: college.
|
|
Something to catch the eye.
|
|
|
|
There's Hornblower standing at the porter's lodge. Keep him on
|
|
hands: might take a turn in there on the nod. How do you do, Mr
|
|
Hornblower? How do you do, sir?
|
|
|
|
Heavenly weather really. If life was always like that. Cricket weather.
|
|
Sit around under sunshades. Over after over. Out. They can't play it here.
|
|
Duck for six wickets. Still Captain Culler broke a window in the Kildare
|
|
street club with a slog to square leg. Donnybrook fair more in their line.
|
|
And the skulls we were acracking when M'Carthy took the floor.
|
|
Heatwave. Won't last. Always passing, the stream of life, which in the
|
|
stream of life we trace is dearer than them all.
|
|
|
|
Enjoy a bath now: clean trough of water, cool enamel, the gentle
|
|
tepid stream. This is my body.
|
|
|
|
He foresaw his pale body reclined in it at full, naked, in a womb of
|
|
warmth, oiled by scented melting soap, softly laved. He saw his trunk and
|
|
limbs riprippled over and sustained, buoyed lightly upward, lemonyellow:
|
|
his navel, bud of flesh: and saw the dark tangled curls of his bush
|
|
floating, floating hair of the stream around the limp father of thousands,
|
|
a languid floating flower.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Martin Cunningham, first, poked his silkhatted head into the creaking
|
|
carriage and, entering deftly, seated himself. Mr Power stepped in after
|
|
him, curving his height with care.
|
|
|
|
--Come on, Simon.
|
|
|
|
--After you, Mr Bloom said.
|
|
|
|
Mr Dedalus covered himself quickly and got in, saying:
|
|
|
|
Yes, yes.
|
|
|
|
--Are we all here now? Martin Cunningham asked. Come along, Bloom.
|
|
|
|
Mr Bloom entered and sat in the vacant place. He pulled the door to
|
|
after him and slammed it twice till it shut tight. He passed an arm
|
|
through the armstrap and looked seriously from the open carriagewindow at
|
|
the lowered blinds of the avenue. One dragged aside: an old woman peeping.
|
|
Nose whiteflattened against the pane. Thanking her stars she was passed
|
|
over. Extraordinary the interest they take in a corpse. Glad to see us go
|
|
we give them such trouble coming. Job seems to suit them. Huggermugger in
|
|
corners. Slop about in slipperslappers for fear he'd wake. Then getting it
|
|
ready. Laying it out. Molly and Mrs Fleming making the bed. Pull it more
|
|
to your side. Our windingsheet. Never know who will touch you dead.
|
|
Wash and shampoo. I believe they clip the nails and the hair. Keep a bit
|
|
in an envelope. Grows all the same after. Unclean job.
|
|
|
|
All waited. Nothing was said. Stowing in the wreaths probably. I am
|
|
sitting on something hard. Ah, that soap: in my hip pocket. Better shift
|
|
it out of that. Wait for an opportunity.
|
|
|
|
All waited. Then wheels were heard from in front, turning: then
|
|
nearer: then horses' hoofs. A jolt. Their carriage began to move, creaking
|
|
and swaying. Other hoofs and creaking wheels started behind. The blinds
|
|
of the avenue passed and number nine with its craped knocker, door ajar.
|
|
At walking pace.
|
|
|
|
They waited still, their knees jogging, till they had turned and were
|
|
passing along the tramtracks. Tritonville road. Quicker. The wheels
|
|
rattled rolling over the cobbled causeway and the crazy glasses shook
|
|
rattling in the doorframes.
|
|
|
|
--What way is he taking us? Mr Power asked through both windows.
|
|
|
|
--Irishtown, Martin Cunningham said. Ringsend. Brunswick street.
|
|
|
|
Mr Dedalus nodded, looking out.
|
|
|
|
--That's a fine old custom, he said. I am glad to see it has not died out.
|
|
|
|
All watched awhile through their windows caps and hats lifted by
|
|
passers. Respect. The carriage swerved from the tramtrack to the smoother
|
|
road past Watery lane. Mr Bloom at gaze saw a lithe young man, clad in
|
|
mourning, a wide hat.
|
|
|
|
--There's a friend of yours gone by, Dedalus, he said.
|
|
|
|
--Who is that?
|
|
|
|
--Your son and heir.
|
|
|
|
--Where is he? Mr Dedalus said, stretching over across.
|
|
|
|
The carriage, passing the open drains and mounds of rippedup
|
|
roadway before the tenement houses, lurched round the corner and,
|
|
swerving back to the tramtrack, rolled on noisily with chattering wheels.
|
|
Mr Dedalus fell back, saying:
|
|
|
|
--Was that Mulligan cad with him? His FIDUS ACHATES!
|
|
|
|
--No, Mr Bloom said. He was alone.
|
|
|
|
--Down with his aunt Sally, I suppose, Mr Dedalus said, the Goulding
|
|
faction, the drunken little costdrawer and Crissie, papa's little lump of
|
|
dung, the wise child that knows her own father.
|
|
|
|
Mr Bloom smiled joylessly on Ringsend road. Wallace Bros: the
|
|
bottleworks: Dodder bridge.
|
|
|
|
Richie Goulding and the legal bag. Goulding, Collis and Ward he
|
|
calls the firm. His jokes are getting a bit damp. Great card he was.
|
|
Waltzing in Stamer street with Ignatius Gallaher on a Sunday morning, the
|
|
landlady's two hats pinned on his head. Out on the rampage all night.
|
|
Beginning to tell on him now: that backache of his, I fear. Wife ironing
|
|
his back. Thinks he'll cure it with pills. All breadcrumbs they are.
|
|
About six hundred per cent profit.
|
|
|
|
--He's in with a lowdown crowd, Mr Dedalus snarled. That Mulligan is a
|
|
contaminated bloody doubledyed ruffian by all accounts. His name stinks
|
|
all over Dublin. But with the help of God and His blessed mother I'll make
|
|
it my business to write a letter one of those days to his mother or his
|
|
aunt or whatever she is that will open her eye as wide as a gate. I'll
|
|
tickle his catastrophe, believe you me.
|
|
|
|
He cried above the clatter of the wheels:
|
|
|
|
--I won't have her bastard of a nephew ruin my son. A counterjumper's
|
|
son. Selling tapes in my cousin, Peter Paul M'Swiney's. Not likely.
|
|
|
|
He ceased. Mr Bloom glanced from his angry moustache to Mr Power's
|
|
mild face and Martin Cunningham's eyes and beard, gravely shaking.
|
|
Noisy selfwilled man. Full of his son. He is right. Something to
|
|
hand on. If little Rudy had lived. See him grow up. Hear his voice in the
|
|
house. Walking beside Molly in an Eton suit. My son. Me in his eyes.
|
|
Strange feeling it would be. From me. Just a chance. Must have been that
|
|
morning in Raymond terrace she was at the window watching the two dogs
|
|
at it by the wall of the cease to do evil. And the sergeant grinning up.
|
|
She had that cream gown on with the rip she never stitched. Give us a
|
|
touch, Poldy. God, I'm dying for it. How life begins.
|
|
|
|
Got big then. Had to refuse the Greystones concert. My son inside
|
|
her. I could have helped him on in life. I could. Make him independent.
|
|
Learn German too.
|
|
|
|
--Are we late? Mr Power asked.
|
|
|
|
--Ten minutes, Martin Cunningham said, looking at his watch.
|
|
|
|
Molly. Milly. Same thing watered down. Her tomboy oaths. O jumping
|
|
Jupiter! Ye gods and little fishes! Still, she's a dear girl. Soon
|
|
be a woman. Mullingar. Dearest Papli. Young student. Yes, yes: a woman
|
|
too. Life, life.
|
|
|
|
The carriage heeled over and back, their four trunks swaying.
|
|
|
|
--Corny might have given us a more commodious yoke, Mr Power said.
|
|
|
|
--He might, Mr Dedalus said, if he hadn't that squint troubling him. Do
|
|
you follow me?
|
|
|
|
He closed his left eye. Martin Cunningham began to brush away
|
|
crustcrumbs from under his thighs.
|
|
|
|
--What is this, he said, in the name of God? Crumbs?
|
|
|
|
--Someone seems to have been making a picnic party here lately, Mr Power
|
|
said.
|
|
|
|
All raised their thighs and eyed with disfavour the mildewed
|
|
buttonless leather of the seats. Mr Dedalus, twisting his nose, frowned
|
|
downward and said:
|
|
|
|
--Unless I'm greatly mistaken. What do you think, Martin?
|
|
|
|
--It struck me too, Martin Cunningham said.
|
|
|
|
Mr Bloom set his thigh down. Glad I took that bath. Feel my feet
|
|
quite clean. But I wish Mrs Fleming had darned these socks better.
|
|
|
|
Mr Dedalus sighed resignedly.
|
|
|
|
--After all, he said, it's the most natural thing in the world.
|
|
|
|
--Did Tom Kernan turn up? Martin Cunningham asked, twirling the peak
|
|
of his beard gently.
|
|
|
|
--Yes, Mr Bloom answered. He's behind with Ned Lambert and Hynes.
|
|
|
|
--And Corny Kelleher himself? Mr Power asked.
|
|
|
|
--At the cemetery, Martin Cunningham said.
|
|
|
|
--I met M'Coy this morning, Mr Bloom said. He said he'd try to come.
|
|
|
|
The carriage halted short.
|
|
|
|
--What's wrong?
|
|
|
|
--We're stopped.
|
|
|
|
--Where are we?
|
|
|
|
Mr Bloom put his head out of the window.
|
|
|
|
--The grand canal, he said.
|
|
|
|
Gasworks. Whooping cough they say it cures. Good job Milly never
|
|
got it. Poor children! Doubles them up black and blue in convulsions.
|
|
Shame really. Got off lightly with illnesses compared. Only measles.
|
|
Flaxseed tea. Scarlatina, influenza epidemics. Canvassing for death. Don't
|
|
miss this chance. Dogs' home over there. Poor old Athos! Be good to Athos,
|
|
Leopold, is my last wish. Thy will be done. We obey them in the grave. A
|
|
dying scrawl. He took it to heart, pined away. Quiet brute. Old men's dogs
|
|
usually are.
|
|
|
|
A raindrop spat on his hat. He drew back and saw an instant of
|
|
shower spray dots over the grey flags. Apart. Curious. Like through a
|
|
colander. I thought it would. My boots were creaking I remember now.
|
|
|
|
--The weather is changing, he said quietly.
|
|
|
|
--A pity it did not keep up fine, Martin Cunningham said.
|
|
|
|
--Wanted for the country, Mr Power said. There's the sun again coming out.
|
|
|
|
Mr Dedalus, peering through his glasses towards the veiled sun,
|
|
hurled a mute curse at the sky.
|
|
|
|
--It's as uncertain as a child's bottom, he said.
|
|
|
|
--We're off again.
|
|
|
|
The carriage turned again its stiff wheels and their trunks swayed
|
|
gently. Martin Cunningham twirled more quickly the peak of his beard.
|
|
|
|
--Tom Kernan was immense last night, he said. And Paddy Leonard taking
|
|
him off to his face.
|
|
|
|
--O, draw him out, Martin, Mr Power said eagerly. Wait till you hear him,
|
|
Simon, on Ben Dollard's singing of THE CROPPY BOY.
|
|
|
|
--Immense, Martin Cunningham said pompously. HIS SINGING OF THAT SIMPLE
|
|
BALLAD, MARTIN, IS THE MOST TRENCHANT RENDERING I EVER HEARD IN THE WHOLE
|
|
COURSE OF MY EXPERIENCE.
|
|
|
|
--Trenchant, Mr Power said laughing. He's dead nuts on that. And the
|
|
retrospective arrangement.
|
|
|
|
--Did you read Dan Dawson's speech? Martin Cunningham asked.
|
|
|
|
--I did not then, Mr Dedalus said. Where is it?
|
|
|
|
--In the paper this morning.
|
|
|
|
Mr Bloom took the paper from his inside pocket. That book I must
|
|
change for her.
|
|
|
|
--No, no, Mr Dedalus said quickly. Later on please.
|
|
|
|
Mr Bloom's glance travelled down the edge of the paper, scanning the
|
|
deaths: Callan, Coleman, Dignam, Fawcett, Lowry, Naumann, Peake, what
|
|
Peake is that? is it the chap was in Crosbie and Alleyne's? no, Sexton,
|
|
Urbright. Inked characters fast fading on the frayed breaking paper.
|
|
Thanks to the Little Flower. Sadly missed. To the inexpressible grief of
|
|
his. Aged 88 after a long and tedious illness. Month's mind: Quinlan.
|
|
On whose soul Sweet Jesus have mercy.
|
|
|
|
|
|
IT IS NOW A MONTH SINCE DEAR HENRY FLED
|
|
TO HIS HOME UP ABOVE IN THE SKY
|
|
WHILE HIS FAMILY WEEPS AND MOURNS HIS LOSS
|
|
HOPING SOME DAY TO MEET HIM ON HIGH.
|
|
|
|
|
|
I tore up the envelope? Yes. Where did I put her letter after I read it in
|
|
the bath? He patted his waistcoatpocket. There all right. Dear Henry fled.
|
|
Before my patience are exhausted.
|
|
|
|
National school. Meade's yard. The hazard. Only two there now.
|
|
Nodding. Full as a tick. Too much bone in their skulls. The other trotting
|
|
round with a fare. An hour ago I was passing there. The jarvies raised
|
|
their hats.
|
|
|
|
A pointsman's back straightened itself upright suddenly against a
|
|
tramway standard by Mr Bloom's window. Couldn't they invent something
|
|
automatic so that the wheel itself much handier? Well but that fellow
|
|
would lose his job then? Well but then another fellow would get a job
|
|
making the new invention?
|
|
|
|
Antient concert rooms. Nothing on there. A man in a buff suit with a
|
|
crape armlet. Not much grief there. Quarter mourning. People in law
|
|
perhaps.
|
|
|
|
They went past the bleak pulpit of saint Mark's, under the railway
|
|
bridge, past the Queen's theatre: in silence. Hoardings: Eugene Stratton,
|
|
Mrs Bandmann Palmer. Could I go to see LEAH tonight, I wonder. I said I.
|
|
Or the LILY OF KILLARNEY? Elster Grimes Opera Company. Big powerful
|
|
change. Wet bright bills for next week. FUN ON THE BRISTOL. Martin
|
|
Cunningham could work a pass for the Gaiety. Have to stand a drink or
|
|
two. As broad as it's long.
|
|
|
|
He's coming in the afternoon. Her songs.
|
|
|
|
Plasto's. Sir Philip Crampton's memorial fountain bust. Who was he?
|
|
|
|
--How do you do? Martin Cunningham said, raising his palm to his brow
|
|
in salute.
|
|
|
|
--He doesn't see us, Mr Power said. Yes, he does. How do you do?
|
|
|
|
--Who? Mr Dedalus asked.
|
|
|
|
--Blazes Boylan, Mr Power said. There he is airing his quiff.
|
|
|
|
Just that moment I was thinking.
|
|
|
|
Mr Dedalus bent across to salute. From the door of the Red Bank the
|
|
white disc of a straw hat flashed reply: spruce figure: passed.
|
|
|
|
Mr Bloom reviewed the nails of his left hand, then those of his right
|
|
hand. The nails, yes. Is there anything more in him that they she sees?
|
|
Fascination. Worst man in Dublin. That keeps him alive. They sometimes
|
|
feel what a person is. Instinct. But a type like that. My nails. I am just
|
|
looking at them: well pared. And after: thinking alone. Body getting a bit
|
|
softy. I would notice that: from remembering. What causes that? I suppose
|
|
the skin can't contract quickly enough when the flesh falls off. But the
|
|
shape is there. The shape is there still. Shoulders. Hips. Plump. Night of
|
|
the dance dressing. Shift stuck between the cheeks behind.
|
|
|
|
He clasped his hands between his knees and, satisfied, sent his vacant
|
|
glance over their faces.
|
|
|
|
Mr Power asked:
|
|
|
|
--How is the concert tour getting on, Bloom?
|
|
|
|
--O, very well, Mr Bloom said. I hear great accounts of it. It's a good
|
|
idea, you see ...
|
|
|
|
--Are you going yourself?
|
|
|
|
--Well no, Mr Bloom said. In point of fact I have to go down to the
|
|
county Clare on some private business. You see the idea is to tour the
|
|
chief towns. What you lose on one you can make up on the other.
|
|
|
|
--Quite so, Martin Cunningham said. Mary Anderson is up there now.
|
|
|
|
Have you good artists?
|
|
|
|
--Louis Werner is touring her, Mr Bloom said. O yes, we'll have all
|
|
topnobbers. J. C. Doyle and John MacCormack I hope and. The best, in
|
|
fact.
|
|
|
|
--And MADAME, Mr Power said smiling. Last but not least.
|
|
|
|
Mr Bloom unclasped his hands in a gesture of soft politeness and
|
|
clasped them. Smith O'Brien. Someone has laid a bunch of flowers there.
|
|
Woman. Must be his deathday. For many happy returns. The carriage
|
|
wheeling by Farrell's statue united noiselessly their unresisting knees.
|
|
|
|
Oot: a dullgarbed old man from the curbstone tendered his wares, his
|
|
mouth opening: oot.
|
|
|
|
--Four bootlaces for a penny.
|
|
|
|
Wonder why he was struck off the rolls. Had his office in Hume
|
|
street. Same house as Molly's namesake, Tweedy, crown solicitor for
|
|
Waterford. Has that silk hat ever since. Relics of old decency. Mourning
|
|
too. Terrible comedown, poor wretch! Kicked about like snuff at a wake.
|
|
O'Callaghan on his last legs.
|
|
|
|
And MADAME. Twenty past eleven. Up. Mrs Fleming is in to clean.
|
|
Doing her hair, humming. VOGLIO E NON VORREI. No. VORREI E NON. Looking
|
|
at the tips of her hairs to see if they are split. MI TREMA UN POCO IL.
|
|
Beautiful on that TRE her voice is: weeping tone. A thrush. A throstle.
|
|
There is a word throstle that expresses that.
|
|
|
|
His eyes passed lightly over Mr Power's goodlooking face. Greyish
|
|
over the ears. MADAME: smiling. I smiled back. A smile goes a long way.
|
|
Only politeness perhaps. Nice fellow. Who knows is that true about the
|
|
woman he keeps? Not pleasant for the wife. Yet they say, who was it told
|
|
me, there is no carnal. You would imagine that would get played out pretty
|
|
quick. Yes, it was Crofton met him one evening bringing her a pound of
|
|
rumpsteak. What is this she was? Barmaid in Jury's. Or the Moira, was it?
|
|
|
|
They passed under the hugecloaked Liberator's form.
|
|
|
|
Martin Cunningham nudged Mr Power.
|
|
|
|
--Of the tribe of Reuben, he said.
|
|
|
|
A tall blackbearded figure, bent on a stick, stumping round the corner
|
|
of Elvery's Elephant house, showed them a curved hand open on his spine.
|
|
|
|
--In all his pristine beauty, Mr Power said.
|
|
|
|
Mr Dedalus looked after the stumping figure and said mildly:
|
|
|
|
--The devil break the hasp of your back!
|
|
|
|
Mr Power, collapsing in laughter, shaded his face from the window as
|
|
the carriage passed Gray's statue.
|
|
|
|
--We have all been there, Martin Cunningham said broadly.
|
|
|
|
His eyes met Mr Bloom's eyes. He caressed his beard, adding:
|
|
|
|
--Well, nearly all of us.
|
|
|
|
Mr Bloom began to speak with sudden eagerness to his companions' faces.
|
|
|
|
--That's an awfully good one that's going the rounds about Reuben J and
|
|
the son.
|
|
|
|
--About the boatman? Mr Power asked.
|
|
|
|
--Yes. Isn't it awfully good?
|
|
|
|
--What is that? Mr Dedalus asked. I didn't hear it.
|
|
|
|
--There was a girl in the case, Mr Bloom began, and he determined to send
|
|
him to the Isle of Man out of harm's way but when they were both ...
|
|
|
|
--What? Mr Dedalus asked. That confirmed bloody hobbledehoy is it?
|
|
|
|
--Yes, Mr Bloom said. They were both on the way to the boat and he tried
|
|
to drown ...
|
|
|
|
--Drown Barabbas! Mr Dedalus cried. I wish to Christ he did!
|
|
|
|
Mr Power sent a long laugh down his shaded nostrils.
|
|
|
|
--No, Mr Bloom said, the son himself ...
|
|
|
|
Martin Cunningham thwarted his speech rudely:
|
|
|
|
--Reuben and the son were piking it down the quay next the river on their
|
|
way to the Isle of Man boat and the young chiseller suddenly got loose and
|
|
over the wall with him into the Liffey.
|
|
|
|
--For God's sake! Mr Dedalus exclaimed in fright. Is he dead?
|
|
|
|
--Dead! Martin Cunningham cried. Not he! A boatman got a pole and
|
|
fished him out by the slack of the breeches and he was landed up to the
|
|
father on the quay more dead than alive. Half the town was there.
|
|
|
|
--Yes, Mr Bloom said. But the funny part is ...
|
|
|
|
--And Reuben J, Martin Cunningham said, gave the boatman a florin for
|
|
saving his son's life.
|
|
|
|
A stifled sigh came from under Mr Power's hand.
|
|
|
|
--O, he did, Martin Cunningham affirmed. Like a hero. A silver florin.
|
|
|
|
--Isn't it awfully good? Mr Bloom said eagerly.
|
|
|
|
--One and eightpence too much, Mr Dedalus said drily.
|
|
|
|
Mr Power's choked laugh burst quietly in the carriage.
|
|
|
|
Nelson's pillar.
|
|
|
|
--Eight plums a penny! Eight for a penny!
|
|
|
|
--We had better look a little serious, Martin Cunningham said.
|
|
|
|
Mr Dedalus sighed.
|
|
|
|
--Ah then indeed, he said, poor little Paddy wouldn't grudge us a laugh.
|
|
Many a good one he told himself.
|
|
|
|
--The Lord forgive me! Mr Power said, wiping his wet eyes with his
|
|
fingers. Poor Paddy! I little thought a week ago when I saw him last and
|
|
he was in his usual health that I'd be driving after him like this. He's
|
|
gone from us.
|
|
|
|
--As decent a little man as ever wore a hat, Mr Dedalus said. He went
|
|
very suddenly.
|
|
|
|
--Breakdown, Martin Cunningham said. Heart.
|
|
|
|
He tapped his chest sadly.
|
|
|
|
Blazing face: redhot. Too much John Barleycorn. Cure for a red
|
|
nose. Drink like the devil till it turns adelite. A lot of money he spent
|
|
colouring it.
|
|
|
|
Mr Power gazed at the passing houses with rueful apprehension.
|
|
|
|
--He had a sudden death, poor fellow, he said.
|
|
|
|
--The best death, Mr Bloom said.
|
|
|
|
Their wide open eyes looked at him.
|
|
|
|
--No suffering, he said. A moment and all is over. Like dying in sleep.
|
|
|
|
No-one spoke.
|
|
|
|
Dead side of the street this. Dull business by day, land agents,
|
|
temperance hotel, Falconer's railway guide, civil service college, Gill's,
|
|
catholic club, the industrious blind. Why? Some reason. Sun or wind. At
|
|
night too. Chummies and slaveys. Under the patronage of the late Father
|
|
Mathew. Foundation stone for Parnell. Breakdown. Heart.
|
|
|
|
White horses with white frontlet plumes came round the Rotunda
|
|
corner, galloping. A tiny coffin flashed by. In a hurry to bury. A
|
|
mourning coach. Unmarried. Black for the married. Piebald for bachelors.
|
|
Dun for a nun.
|
|
|
|
--Sad, Martin Cunningham said. A child.
|
|
|
|
A dwarf's face, mauve and wrinkled like little Rudy's was. Dwarf's
|
|
body, weak as putty, in a whitelined deal box. Burial friendly society
|
|
pays. Penny a week for a sod of turf. Our. Little. Beggar. Baby.
|
|
Meant nothing. Mistake of nature. If it's healthy it's from the mother.
|
|
If not from the man. Better luck next time.
|
|
|
|
--Poor little thing, Mr Dedalus said. It's well out of it.
|
|
|
|
The carriage climbed more slowly the hill of Rutland square. Rattle
|
|
his bones. Over the stones. Only a pauper. Nobody owns.
|
|
|
|
--In the midst of life, Martin Cunningham said.
|
|
|
|
--But the worst of all, Mr Power said, is the man who takes his own life.
|
|
|
|
Martin Cunningham drew out his watch briskly, coughed and put it back.
|
|
|
|
--The greatest disgrace to have in the family, Mr Power added.
|
|
|
|
--Temporary insanity, of course, Martin Cunningham said decisively. We
|
|
must take a charitable view of it.
|
|
|
|
--They say a man who does it is a coward, Mr Dedalus said.
|
|
|
|
--It is not for us to judge, Martin Cunningham said.
|
|
|
|
Mr Bloom, about to speak, closed his lips again. Martin Cunningham's
|
|
large eyes. Looking away now. Sympathetic human man he is. Intelligent.
|
|
Like Shakespeare's face. Always a good word to say. They have no
|
|
mercy on that here or infanticide. Refuse christian burial. They
|
|
used to drive a stake of wood through his heart in the grave. As if it
|
|
wasn't broken already. Yet sometimes they repent too late. Found in the
|
|
riverbed clutching rushes. He looked at me. And that awful drunkard of a
|
|
wife of his. Setting up house for her time after time and then pawning the
|
|
furniture on him every Saturday almost. Leading him the life of the
|
|
damned. Wear the heart out of a stone, that. Monday morning. Start afresh.
|
|
Shoulder to the wheel. Lord, she must have looked a sight that night
|
|
Dedalus told me he was in there. Drunk about the place and capering with
|
|
Martin's umbrella.
|
|
|
|
|
|
AND THEY CALL ME THE JEWEL OF ASIA,
|
|
OF ASIA,
|
|
THE GEISHA.
|
|
|
|
|
|
He looked away from me. He knows. Rattle his bones.
|
|
|
|
That afternoon of the inquest. The redlabelled bottle on the table. The
|
|
room in the hotel with hunting pictures. Stuffy it was. Sunlight through
|
|
the slats of the Venetian blind. The coroner's sunlit ears, big and hairy.
|
|
Boots giving evidence. Thought he was asleep first. Then saw like yellow
|
|
streaks on his face. Had slipped down to the foot of the bed. Verdict:
|
|
overdose. Death by misadventure. The letter. For my son Leopold.
|
|
|
|
No more pain. Wake no more. Nobody owns.
|
|
|
|
The carriage rattled swiftly along Blessington street. Over the stones.
|
|
|
|
--We are going the pace, I think, Martin Cunningham said.
|
|
|
|
--God grant he doesn't upset us on the road, Mr Power said.
|
|
|
|
--I hope not, Martin Cunningham said. That will be a great race tomorrow
|
|
in Germany. The Gordon Bennett.
|
|
|
|
--Yes, by Jove, Mr Dedalus said. That will be worth seeing, faith.
|
|
|
|
As they turned into Berkeley street a streetorgan near the Basin sent
|
|
over and after them a rollicking rattling song of the halls. Has anybody
|
|
here seen Kelly? Kay ee double ell wy. Dead March from SAUL. He's as bad
|
|
as old Antonio. He left me on my ownio. Pirouette! The MATER
|
|
MISERICORDIAE. Eccles street. My house down there. Big place. Ward for
|
|
incurables there. Very encouraging. Our Lady's Hospice for the dying.
|
|
Deadhouse handy underneath. Where old Mrs Riordan died. They look
|
|
terrible the women. Her feeding cup and rubbing her mouth with the
|
|
spoon. Then the screen round her bed for her to die. Nice young student
|
|
that was dressed that bite the bee gave me. He's gone over to the lying-in
|
|
hospital they told me. From one extreme to the other. The carriage
|
|
galloped round a corner: stopped.
|
|
|
|
--What's wrong now?
|
|
|
|
A divided drove of branded cattle passed the windows, lowing,
|
|
slouching by on padded hoofs, whisking their tails slowly on their clotted
|
|
bony croups. Outside them and through them ran raddled sheep bleating
|
|
their fear.
|
|
|
|
--Emigrants, Mr Power said.
|
|
|
|
--Huuuh! the drover's voice cried, his switch sounding on their flanks.
|
|
|
|
Huuuh! out of that!
|
|
|
|
Thursday, of course. Tomorrow is killing day. Springers. Cuffe sold
|
|
them about twentyseven quid each. For Liverpool probably. Roastbeef for
|
|
old England. They buy up all the juicy ones. And then the fifth quarter
|
|
lost: all that raw stuff, hide, hair, horns. Comes to a big thing in a
|
|
year. Dead meat trade. Byproducts of the slaughterhouses for tanneries,
|
|
soap, margarine. Wonder if that dodge works now getting dicky meat off the
|
|
train at Clonsilla.
|
|
|
|
The carriage moved on through the drove.
|
|
|
|
--I can't make out why the corporation doesn't run a tramline from the
|
|
parkgate to the quays, Mr Bloom said. All those animals could be taken in
|
|
trucks down to the boats.
|
|
|
|
--Instead of blocking up the thoroughfare, Martin Cunningham said. Quite
|
|
right. They ought to.
|
|
|
|
--Yes, Mr Bloom said, and another thing I often thought, is to have
|
|
municipal funeral trams like they have in Milan, you know. Run the line
|
|
out to the cemetery gates and have special trams, hearse and carriage and
|
|
all. Don't you see what I mean?
|
|
|
|
--O, that be damned for a story, Mr Dedalus said. Pullman car and saloon
|
|
diningroom.
|
|
|
|
--A poor lookout for Corny, Mr Power added.
|
|
|
|
--Why? Mr Bloom asked, turning to Mr Dedalus. Wouldn't it be more
|
|
decent than galloping two abreast?
|
|
|
|
--Well, there's something in that, Mr Dedalus granted.
|
|
|
|
--And, Martin Cunningham said, we wouldn't have scenes like that when
|
|
the hearse capsized round Dunphy's and upset the coffin on to the road.
|
|
|
|
--That was terrible, Mr Power's shocked face said, and the corpse fell
|
|
about the road. Terrible!
|
|
|
|
--First round Dunphy's, Mr Dedalus said, nodding. Gordon Bennett cup.
|
|
|
|
--Praises be to God! Martin Cunningham said piously.
|
|
|
|
Bom! Upset. A coffin bumped out on to the road. Burst open. Paddy
|
|
Dignam shot out and rolling over stiff in the dust in a brown habit too
|
|
large for him. Red face: grey now. Mouth fallen open. Asking what's up
|
|
now. Quite right to close it. Looks horrid open. Then the insides
|
|
decompose quickly. Much better to close up all the orifices. Yes, also.
|
|
With wax. The sphincter loose. Seal up all.
|
|
|
|
--Dunphy's, Mr Power announced as the carriage turned right.
|
|
|
|
Dunphy's corner. Mourning coaches drawn up, drowning their grief.
|
|
A pause by the wayside. Tiptop position for a pub. Expect we'll pull up
|
|
here on the way back to drink his health. Pass round the consolation.
|
|
Elixir of life.
|
|
|
|
But suppose now it did happen. Would he bleed if a nail say cut him in
|
|
the knocking about? He would and he wouldn't, I suppose. Depends on
|
|
where. The circulation stops. Still some might ooze out of an artery. It
|
|
would be better to bury them in red: a dark red.
|
|
|
|
In silence they drove along Phibsborough road. An empty hearse
|
|
trotted by, coming from the cemetery: looks relieved.
|
|
|
|
Crossguns bridge: the royal canal.
|
|
|
|
Water rushed roaring through the sluices. A man stood on his
|
|
dropping barge, between clamps of turf. On the towpath by the lock a
|
|
slacktethered horse. Aboard of the BUGABU.
|
|
|
|
Their eyes watched him. On the slow weedy waterway he had floated
|
|
on his raft coastward over Ireland drawn by a haulage rope past beds of
|
|
reeds, over slime, mudchoked bottles, carrion dogs. Athlone, Mullingar,
|
|
Moyvalley, I could make a walking tour to see Milly by the canal. Or cycle
|
|
down. Hire some old crock, safety. Wren had one the other day at the
|
|
auction but a lady's. Developing waterways. James M'Cann's hobby to row
|
|
me o'er the ferry. Cheaper transit. By easy stages. Houseboats. Camping
|
|
out. Also hearses. To heaven by water. Perhaps I will without writing.
|
|
Come as a surprise, Leixlip, Clonsilla. Dropping down lock by lock to
|
|
Dublin. With turf from the midland bogs. Salute. He lifted his brown straw
|
|
hat, saluting Paddy Dignam.
|
|
|
|
They drove on past Brian Boroimhe house. Near it now.
|
|
|
|
--I wonder how is our friend Fogarty getting on, Mr Power said.
|
|
|
|
--Better ask Tom Kernan, Mr Dedalus said.
|
|
|
|
--How is that? Martin Cunningham said. Left him weeping, I suppose?
|
|
|
|
--Though lost to sight, Mr Dedalus said, to memory dear.
|
|
|
|
The carriage steered left for Finglas road.
|
|
|
|
The stonecutter's yard on the right. Last lap. Crowded on the spit of
|
|
land silent shapes appeared, white, sorrowful, holding out calm hands,
|
|
knelt in grief, pointing. Fragments of shapes, hewn. In white silence:
|
|
appealing. The best obtainable. Thos. H. Dennany, monumental builder and
|
|
sculptor.
|
|
|
|
Passed.
|
|
|
|
On the curbstone before Jimmy Geary, the sexton's, an old tramp sat,
|
|
grumbling, emptying the dirt and stones out of his huge dustbrown
|
|
yawning boot. After life's journey.
|
|
|
|
Gloomy gardens then went by: one by one: gloomy houses.
|
|
|
|
Mr Power pointed.
|
|
|
|
--That is where Childs was murdered, he said. The last house.
|
|
|
|
--So it is, Mr Dedalus said. A gruesome case. Seymour Bushe got him off.
|
|
Murdered his brother. Or so they said.
|
|
|
|
--The crown had no evidence, Mr Power said.
|
|
|
|
--Only circumstantial, Martin Cunningham added. That's the maxim of
|
|
the law. Better for ninetynine guilty to escape than for one innocent
|
|
person to be wrongfully condemned.
|
|
|
|
They looked. Murderer's ground. It passed darkly. Shuttered,
|
|
tenantless, unweeded garden. Whole place gone to hell. Wrongfully
|
|
condemned. Murder. The murderer's image in the eye of the murdered.
|
|
They love reading about it. Man's head found in a garden. Her clothing
|
|
consisted of. How she met her death. Recent outrage. The weapon used.
|
|
Murderer is still at large. Clues. A shoelace. The body to be exhumed.
|
|
Murder will out.
|
|
|
|
Cramped in this carriage. She mightn't like me to come that way
|
|
without letting her know. Must be careful about women. Catch them once
|
|
with their pants down. Never forgive you after. Fifteen.
|
|
|
|
The high railings of Prospect rippled past their gaze. Dark poplars,
|
|
rare white forms. Forms more frequent, white shapes thronged amid the
|
|
trees, white forms and fragments streaming by mutely, sustaining vain
|
|
gestures on the air.
|
|
|
|
The felly harshed against the curbstone: stopped. Martin
|
|
Cunningham put out his arm and, wrenching back the handle, shoved the
|
|
door open with his knee. He stepped out. Mr Power and Mr Dedalus
|
|
followed.
|
|
|
|
Change that soap now. Mr Bloom's hand unbuttoned his hip pocket
|
|
swiftly and transferred the paperstuck soap to his inner handkerchief
|
|
pocket. He stepped out of the carriage, replacing the newspaper his other
|
|
hand still held.
|
|
|
|
Paltry funeral: coach and three carriages. It's all the same.
|
|
Pallbearers, gold reins, requiem mass, firing a volley. Pomp of death.
|
|
Beyond the hind carriage a hawker stood by his barrow of cakes and fruit.
|
|
Simnel cakes those are, stuck together: cakes for the dead. Dogbiscuits.
|
|
Who ate them? Mourners coming out.
|
|
|
|
He followed his companions. Mr Kernan and Ned Lambert followed,
|
|
Hynes walking after them. Corny Kelleher stood by the opened hearse and
|
|
took out the two wreaths. He handed one to the boy.
|
|
|
|
Where is that child's funeral disappeared to?
|
|
|
|
A team of horses passed from Finglas with toiling plodding tread,
|
|
dragging through the funereal silence a creaking waggon on which lay a
|
|
granite block. The waggoner marching at their head saluted.
|
|
|
|
Coffin now. Got here before us, dead as he is. Horse looking round at it
|
|
with his plume skeowways. Dull eye: collar tight on his neck, pressing on
|
|
a bloodvessel or something. Do they know what they cart out here every
|
|
day? Must be twenty or thirty funerals every day. Then Mount Jerome for
|
|
the protestants. Funerals all over the world everywhere every minute.
|
|
Shovelling them under by the cartload doublequick. Thousands every hour.
|
|
Too many in the world.
|
|
|
|
Mourners came out through the gates: woman and a girl. Leanjawed
|
|
harpy, hard woman at a bargain, her bonnet awry. Girl's face stained with
|
|
dirt and tears, holding the woman's arm, looking up at her for a sign to
|
|
cry. Fish's face, bloodless and livid.
|
|
|
|
The mutes shouldered the coffin and bore it in through the gates. So
|
|
much dead weight. Felt heavier myself stepping out of that bath. First the
|
|
stiff: then the friends of the stiff. Corny Kelleher and the boy followed
|
|
with their wreaths. Who is that beside them? Ah, the brother-in-law.
|
|
|
|
All walked after.
|
|
|
|
Martin Cunningham whispered:
|
|
|
|
--I was in mortal agony with you talking of suicide before Bloom.
|
|
|
|
--What? Mr Power whispered. How so?
|
|
|
|
--His father poisoned himself, Martin Cunningham whispered. Had the
|
|
Queen's hotel in Ennis. You heard him say he was going to Clare.
|
|
Anniversary.
|
|
|
|
--O God! Mr Power whispered. First I heard of it. Poisoned himself?
|
|
|
|
He glanced behind him to where a face with dark thinking eyes
|
|
followed towards the cardinal's mausoleum. Speaking.
|
|
|
|
--Was he insured? Mr Bloom asked.
|
|
|
|
--I believe so, Mr Kernan answered. But the policy was heavily mortgaged.
|
|
Martin is trying to get the youngster into Artane.
|
|
|
|
--How many children did he leave?
|
|
|
|
--Five. Ned Lambert says he'll try to get one of the girls into Todd's.
|
|
|
|
--A sad case, Mr Bloom said gently. Five young children.
|
|
|
|
--A great blow to the poor wife, Mr Kernan added.
|
|
|
|
--Indeed yes, Mr Bloom agreed.
|
|
|
|
Has the laugh at him now.
|
|
|
|
He looked down at the boots he had blacked and polished. She had
|
|
outlived him. Lost her husband. More dead for her than for me. One must
|
|
outlive the other. Wise men say. There are more women than men in the
|
|
world. Condole with her. Your terrible loss. I hope you'll soon follow
|
|
him. For Hindu widows only. She would marry another. Him? No. Yet who
|
|
knows after. Widowhood not the thing since the old queen died. Drawn on
|
|
a guncarriage. Victoria and Albert. Frogmore memorial mourning. But in
|
|
the end she put a few violets in her bonnet. Vain in her heart of hearts.
|
|
All for a shadow. Consort not even a king. Her son was the substance.
|
|
Something new to hope for not like the past she wanted back, waiting. It
|
|
never comes. One must go first: alone, under the ground: and lie no more
|
|
in her warm bed.
|
|
|
|
--How are you, Simon? Ned Lambert said softly, clasping hands. Haven't
|
|
seen you for a month of Sundays.
|
|
|
|
--Never better. How are all in Cork's own town?
|
|
|
|
--I was down there for the Cork park races on Easter Monday, Ned
|
|
Lambert said. Same old six and eightpence. Stopped with Dick Tivy.
|
|
|
|
--And how is Dick, the solid man?
|
|
|
|
--Nothing between himself and heaven, Ned Lambert answered.
|
|
|
|
--By the holy Paul! Mr Dedalus said in subdued wonder. Dick Tivy bald?
|
|
|
|
--Martin is going to get up a whip for the youngsters, Ned Lambert said,
|
|
pointing ahead. A few bob a skull. Just to keep them going till the
|
|
insurance is cleared up.
|
|
|
|
--Yes, yes, Mr Dedalus said dubiously. Is that the eldest boy in front?
|
|
|
|
--Yes, Ned Lambert said, with the wife's brother. John Henry Menton is
|
|
behind. He put down his name for a quid.
|
|
|
|
--I'll engage he did, Mr Dedalus said. I often told poor Paddy he ought
|
|
to mind that job. John Henry is not the worst in the world.
|
|
|
|
--How did he lose it? Ned Lambert asked. Liquor, what?
|
|
|
|
--Many a good man's fault, Mr Dedalus said with a sigh.
|
|
|
|
They halted about the door of the mortuary chapel. Mr Bloom stood
|
|
behind the boy with the wreath looking down at his sleekcombed hair and
|
|
at the slender furrowed neck inside his brandnew collar. Poor boy! Was he
|
|
there when the father? Both unconscious. Lighten up at the last moment
|
|
and recognise for the last time. All he might have done. I owe three
|
|
shillings to O'Grady. Would he understand? The mutes bore the coffin into
|
|
the chapel. Which end is his head?
|
|
|
|
After a moment he followed the others in, blinking in the screened
|
|
light. The coffin lay on its bier before the chancel, four tall yellow
|
|
candles at its corners. Always in front of us. Corny Kelleher, laying a
|
|
wreath at each fore corner, beckoned to the boy to kneel. The mourners
|
|
knelt here and there in prayingdesks. Mr Bloom stood behind near the font
|
|
and, when all had knelt, dropped carefully his unfolded newspaper from his
|
|
pocket and knelt his right knee upon it. He fitted his black hat gently on
|
|
his left knee and, holding its brim, bent over piously.
|
|
|
|
A server bearing a brass bucket with something in it came out through
|
|
a door. The whitesmocked priest came after him, tidying his stole with one
|
|
hand, balancing with the other a little book against his toad's belly.
|
|
Who'll read the book? I, said the rook.
|
|
|
|
They halted by the bier and the priest began to read out of his book
|
|
with a fluent croak.
|
|
|
|
Father Coffey. I knew his name was like a coffin. DOMINE-NAMINE.
|
|
Bully about the muzzle he looks. Bosses the show. Muscular christian. Woe
|
|
betide anyone that looks crooked at him: priest. Thou art Peter. Burst
|
|
sideways like a sheep in clover Dedalus says he will. With a belly on him
|
|
like a poisoned pup. Most amusing expressions that man finds. Hhhn: burst
|
|
sideways.
|
|
|
|
--NON INTRES IN JUDICIUM CUM SERVO TUO, DOMINE.
|
|
|
|
Makes them feel more important to be prayed over in Latin. Requiem
|
|
mass. Crape weepers. Blackedged notepaper. Your name on the altarlist.
|
|
Chilly place this. Want to feed well, sitting in there all the morning in
|
|
the gloom kicking his heels waiting for the next please. Eyes of a toad
|
|
too. What swells him up that way? Molly gets swelled after cabbage. Air of
|
|
the place maybe. Looks full up of bad gas. Must be an infernal lot of bad
|
|
gas round the place. Butchers, for instance: they get like raw beefsteaks.
|
|
Who was telling me? Mervyn Browne. Down in the vaults of saint Werburgh's
|
|
lovely old organ hundred and fifty they have to bore a hole in the coffins
|
|
sometimes to let out the bad gas and burn it. Out it rushes: blue. One
|
|
whiff of that and you're a goner.
|
|
|
|
My kneecap is hurting me. Ow. That's better.
|
|
|
|
The priest took a stick with a knob at the end of it out of the boy's
|
|
bucket and shook it over the coffin. Then he walked to the other end and
|
|
shook it again. Then he came back and put it back in the bucket. As you
|
|
were before you rested. It's all written down: he has to do it.
|
|
|
|
--ET NE NOS INDUCAS IN TENTATIONEM.
|
|
|
|
The server piped the answers in the treble. I often thought it would be
|
|
better to have boy servants. Up to fifteen or so. After that, of
|
|
course ...
|
|
|
|
Holy water that was, I expect. Shaking sleep out of it. He must be fed
|
|
up with that job, shaking that thing over all the corpses they trot up.
|
|
What harm if he could see what he was shaking it over. Every mortal day a
|
|
fresh batch: middleaged men, old women, children, women dead in
|
|
childbirth, men with beards, baldheaded businessmen, consumptive girls
|
|
with little sparrows' breasts. All the year round he prayed the same thing
|
|
over them all and shook water on top of them: sleep. On Dignam now.
|
|
|
|
--IN PARADISUM.
|
|
|
|
Said he was going to paradise or is in paradise. Says that over everybody.
|
|
Tiresome kind of a job. But he has to say something.
|
|
|
|
The priest closed his book and went off, followed by the server.
|
|
Corny Kelleher opened the sidedoors and the gravediggers came in, hoisted
|
|
the coffin again, carried it out and shoved it on their cart. Corny
|
|
Kelleher gave one wreath to the boy and one to the brother-in-law. All
|
|
followed them out of the sidedoors into the mild grey air. Mr Bloom came
|
|
last folding his paper again into his pocket. He gazed gravely at the
|
|
ground till the coffincart wheeled off to the left. The metal wheels
|
|
ground the gravel with a sharp grating cry and the pack of blunt boots
|
|
followed the trundled barrow along a lane of sepulchres.
|
|
|
|
The ree the ra the ree the ra the roo. Lord, I mustn't lilt here.
|
|
|
|
--The O'Connell circle, Mr Dedalus said about him.
|
|
|
|
Mr Power's soft eyes went up to the apex of the lofty cone.
|
|
|
|
--He's at rest, he said, in the middle of his people, old Dan O'. But his
|
|
heart is buried in Rome. How many broken hearts are buried here, Simon!
|
|
|
|
--Her grave is over there, Jack, Mr Dedalus said. I'll soon be stretched
|
|
beside her. Let Him take me whenever He likes.
|
|
|
|
Breaking down, he began to weep to himself quietly, stumbling a little
|
|
in his walk. Mr Power took his arm.
|
|
|
|
--She's better where she is, he said kindly.
|
|
|
|
--I suppose so, Mr Dedalus said with a weak gasp. I suppose she is in
|
|
heaven if there is a heaven.
|
|
|
|
Corny Kelleher stepped aside from his rank and allowed the mourners to
|
|
plod by.
|
|
|
|
--Sad occasions, Mr Kernan began politely.
|
|
|
|
Mr Bloom closed his eyes and sadly twice bowed his head.
|
|
|
|
--The others are putting on their hats, Mr Kernan said. I suppose we can
|
|
do so too. We are the last. This cemetery is a treacherous place.
|
|
|
|
They covered their heads.
|
|
|
|
--The reverend gentleman read the service too quickly, don't you think?
|
|
Mr Kernan said with reproof.
|
|
|
|
Mr Bloom nodded gravely looking in the quick bloodshot eyes. Secret
|
|
eyes, secretsearching. Mason, I think: not sure. Beside him again. We are
|
|
the last. In the same boat. Hope he'll say something else.
|
|
|
|
Mr Kernan added:
|
|
|
|
--The service of the Irish church used in Mount Jerome is simpler, more
|
|
impressive I must say.
|
|
|
|
Mr Bloom gave prudent assent. The language of course was another thing.
|
|
|
|
Mr Kernan said with solemnity:
|
|
|
|
--I AM THE RESURRECTION AND THE LIFE. That touches a man's inmost heart.
|
|
|
|
--It does, Mr Bloom said.
|
|
|
|
Your heart perhaps but what price the fellow in the six feet by two
|
|
with his toes to the daisies? No touching that. Seat of the affections.
|
|
Broken heart. A pump after all, pumping thousands of gallons of blood
|
|
every day. One fine day it gets bunged up: and there you are. Lots of
|
|
them lying around here: lungs, hearts, livers. Old rusty pumps: damn the
|
|
thing else. The resurrection and the life. Once you are dead you are dead.
|
|
That last day idea. Knocking them all up out of their graves. Come forth,
|
|
Lazarus! And he came fifth and lost the job. Get up! Last day! Then every
|
|
fellow mousing around for his liver and his lights and the rest of his
|
|
traps. Find damn all of himself that morning. Pennyweight of powder in
|
|
a skull. Twelve grammes one pennyweight. Troy measure.
|
|
|
|
Corny Kelleher fell into step at their side.
|
|
|
|
--Everything went off A1, he said. What?
|
|
|
|
He looked on them from his drawling eye. Policeman's shoulders. With
|
|
your tooraloom tooraloom.
|
|
|
|
--As it should be, Mr Kernan said.
|
|
|
|
--What? Eh? Corny Kelleher said.
|
|
|
|
Mr Kernan assured him.
|
|
|
|
--Who is that chap behind with Tom Kernan? John Henry Menton asked. I
|
|
know his face.
|
|
|
|
Ned Lambert glanced back.
|
|
|
|
--Bloom, he said, Madame Marion Tweedy that was, is, I mean, the
|
|
soprano. She's his wife.
|
|
|
|
--O, to be sure, John Henry Menton said. I haven't seen her for some time.
|
|
he was a finelooking woman. I danced with her, wait, fifteen seventeen
|
|
golden years ago, at Mat Dillon's in Roundtown. And a good armful she
|
|
was.
|
|
|
|
He looked behind through the others.
|
|
|
|
--What is he? he asked. What does he do? Wasn't he in the stationery line?
|
|
I fell foul of him one evening, I remember, at bowls.
|
|
|
|
Ned Lambert smiled.
|
|
|
|
--Yes, he was, he said, in Wisdom Hely's. A traveller for blottingpaper.
|
|
|
|
--In God's name, John Henry Menton said, what did she marry a coon like
|
|
that for? She had plenty of game in her then.
|
|
|
|
--Has still, Ned Lambert said. He does some canvassing for ads.
|
|
|
|
John Henry Menton's large eyes stared ahead.
|
|
|
|
The barrow turned into a side lane. A portly man, ambushed among
|
|
the grasses, raised his hat in homage. The gravediggers touched their
|
|
caps.
|
|
|
|
--John O'Connell, Mr Power said pleased. He never forgets a friend.
|
|
|
|
Mr O'Connell shook all their hands in silence. Mr Dedalus said:
|
|
|
|
--I am come to pay you another visit.
|
|
|
|
--My dear Simon, the caretaker answered in a low voice. I don't want your
|
|
custom at all.
|
|
|
|
Saluting Ned Lambert and John Henry Menton he walked on at Martin
|
|
Cunningham's side puzzling two long keys at his back.
|
|
|
|
--Did you hear that one, he asked them, about Mulcahy from the Coombe?
|
|
|
|
--I did not, Martin Cunningham said.
|
|
|
|
They bent their silk hats in concert and Hynes inclined his ear. The
|
|
caretaker hung his thumbs in the loops of his gold watchchain and spoke in
|
|
a discreet tone to their vacant smiles.
|
|
|
|
--They tell the story, he said, that two drunks came out here one foggy
|
|
evening to look for the grave of a friend of theirs. They asked for
|
|
Mulcahy from the Coombe and were told where he was buried. After traipsing
|
|
about in the fog they found the grave sure enough. One of the drunks spelt
|
|
out the name: Terence Mulcahy. The other drunk was blinking up at a statue
|
|
of Our Saviour the widow had got put up.
|
|
|
|
The caretaker blinked up at one of the sepulchres they passed. He
|
|
resumed:
|
|
|
|
--And, after blinking up at the sacred figure, NOT A BLOODY BIT LIKE THE
|
|
MAN, SAYS HE. THAT'S NOT MULCAHY, says he, WHOEVER DONE IT.
|
|
|
|
Rewarded by smiles he fell back and spoke with Corny Kelleher, accepting
|
|
the dockets given him, turning them over and scanning them as he walked.
|
|
|
|
--That's all done with a purpose, Martin Cunningham explained to Hynes.
|
|
|
|
--I know, Hynes said. I know that.
|
|
|
|
--To cheer a fellow up, Martin Cunningham said. It's pure goodheartedness:
|
|
damn the thing else.
|
|
|
|
Mr Bloom admired the caretaker's prosperous bulk. All want to be on
|
|
good terms with him. Decent fellow, John O'Connell, real good sort. Keys:
|
|
like Keyes's ad: no fear of anyone getting out. No passout checks. HABEAS
|
|
CORPUS. I must see about that ad after the funeral. Did I write
|
|
Ballsbridge on the envelope I took to cover when she disturbed me writing
|
|
to Martha? Hope it's not chucked in the dead letter office. Be the better
|
|
of a shave. Grey sprouting beard. That's the first sign when the hairs
|
|
come out grey. And temper getting cross. Silver threads among the grey.
|
|
Fancy being his wife. Wonder he had the gumption to propose to any girl.
|
|
Come out and live in the graveyard. Dangle that before her. It might
|
|
thrill her first. Courting death ... Shades of night hovering here with
|
|
all the dead stretched about. The shadows of the tombs when churchyards
|
|
yawn and Daniel O'Connell must be a descendant I suppose who is this used
|
|
to say he was a queer breedy man great catholic all the same like a big
|
|
giant in the dark. Will o' the wisp. Gas of graves. Want to keep her mind
|
|
off it to conceive at all. Women especially are so touchy. Tell her a
|
|
ghost story in bed to make her sleep. Have you ever seen a ghost? Well, I
|
|
have. It was a pitchdark night. The clock was on the stroke of twelve.
|
|
Still they'd kiss all right if properly keyed up. Whores in Turkish
|
|
graveyards. Learn anything if taken young. You might pick up a young
|
|
widow here. Men like that. Love among the tombstones. Romeo. Spice of
|
|
pleasure. In the midst of death we are in life. Both ends meet.
|
|
Tantalising for the poor dead. Smell of grilled beefsteaks to the
|
|
starving. Gnawing their vitals. Desire to grig people. Molly wanting to
|
|
do it at the window. Eight children he has anyway.
|
|
|
|
He has seen a fair share go under in his time, lying around him field
|
|
after field. Holy fields. More room if they buried them standing. Sitting
|
|
or kneeling you couldn't. Standing? His head might come up some day above
|
|
ground in a landslip with his hand pointing. All honeycombed the ground
|
|
must be: oblong cells. And very neat he keeps it too: trim grass and
|
|
edgings. His garden Major Gamble calls Mount Jerome. Well, so it is.
|
|
Ought to be flowers of sleep. Chinese cemeteries with giant poppies
|
|
growing produce the best opium Mastiansky told me. The Botanic Gardens
|
|
are just over there. It's the blood sinking in the earth gives new life.
|
|
Same idea those jews they said killed the christian boy. Every man
|
|
his price. Well preserved fat corpse, gentleman, epicure, invaluable
|
|
for fruit garden. A bargain. By carcass of William Wilkinson, auditor
|
|
and accountant, lately deceased, three pounds thirteen and six.
|
|
With thanks.
|
|
|
|
I daresay the soil would be quite fat with corpsemanure, bones, flesh,
|
|
nails. Charnelhouses. Dreadful. Turning green and pink decomposing. Rot
|
|
quick in damp earth. The lean old ones tougher. Then a kind of a tallowy
|
|
kind of a cheesy. Then begin to get black, black treacle oozing out of
|
|
them. Then dried up. Deathmoths. Of course the cells or whatever they are
|
|
go on living. Changing about. Live for ever practically. Nothing to feed
|
|
on feed on themselves.
|
|
|
|
But they must breed a devil of a lot of maggots. Soil must be simply
|
|
swirling with them. Your head it simply swurls. Those pretty little
|
|
seaside gurls. He looks cheerful enough over it. Gives him a sense of
|
|
power seeing all the others go under first. Wonder how he looks at life.
|
|
Cracking his jokes too: warms the cockles of his heart. The one about the
|
|
bulletin. Spurgeon went to heaven 4 a.m. this morning. 11 p.m.
|
|
(closing time). Not arrived yet. Peter. The dead themselves the men
|
|
anyhow would like to hear an odd joke or the women to know what's in
|
|
fashion. A juicy pear or ladies' punch, hot, strong and sweet. Keep out
|
|
the damp. You must laugh sometimes so better do it that way. Gravediggers
|
|
in HAMLET. Shows the profound knowledge of the human heart. Daren't joke
|
|
about the dead for two years at least. DE MORTUIS NIL NISI PRIUS. Go out
|
|
of mourning first. Hard to imagine his funeral. Seems a sort of a joke.
|
|
Read your own obituary notice they say you live longer. Gives you second
|
|
wind. New lease of life.
|
|
|
|
--How many have-you for tomorrow? the caretaker asked.
|
|
|
|
--Two, Corny Kelleher said. Half ten and eleven.
|
|
|
|
The caretaker put the papers in his pocket. The barrow had ceased to
|
|
trundle. The mourners split and moved to each side of the hole, stepping
|
|
with care round the graves. The gravediggers bore the coffin and set its
|
|
nose on the brink, looping the bands round it.
|
|
|
|
Burying him. We come to bury Caesar. His ides of March or June.
|
|
He doesn't know who is here nor care.
|
|
Now who is that lankylooking galoot over there in the macintosh?
|
|
Now who is he I'd like to know? Now I'd give a trifle to know who he is.
|
|
Always someone turns up you never dreamt of. A fellow could live on his
|
|
lonesome all his life. Yes, he could. Still he'd have to get someone to
|
|
sod him after he died though he could dig his own grave. We all do. Only
|
|
man buries. No, ants too. First thing strikes anybody. Bury the dead. Say
|
|
Robinson Crusoe was true to life. Well then Friday buried him. Every
|
|
Friday buries a Thursday if you come to look at it.
|
|
|
|
|
|
O, POOR ROBINSON CRUSOE!
|
|
HOW COULD YOU POSSIBLY DO SO?
|
|
|
|
|
|
Poor Dignam! His last lie on the earth in his box. When you think of
|
|
them all it does seem a waste of wood. All gnawed through. They could
|
|
invent a handsome bier with a kind of panel sliding, let it down that way.
|
|
Ay but they might object to be buried out of another fellow's. They're so
|
|
particular. Lay me in my native earth. Bit of clay from the holy land.
|
|
Only a mother and deadborn child ever buried in the one coffin. I see what
|
|
it means. I see. To protect him as long as possible even in the earth. The
|
|
Irishman's house is his coffin. Embalming in catacombs, mummies the same
|
|
idea.
|
|
|
|
Mr Bloom stood far back, his hat in his hand, counting the bared
|
|
heads. Twelve. I'm thirteen. No. The chap in the macintosh is thirteen.
|
|
Death's number. Where the deuce did he pop out of? He wasn't in the
|
|
chapel, that I'll swear. Silly superstition that about thirteen.
|
|
|
|
Nice soft tweed Ned Lambert has in that suit. Tinge of purple. I had
|
|
one like that when we lived in Lombard street west. Dressy fellow he was
|
|
once. Used to change three suits in the day. Must get that grey suit of
|
|
mine turned by Mesias. Hello. It's dyed. His wife I forgot he's not
|
|
married or his landlady ought to have picked out those threads for him.
|
|
|
|
The coffin dived out of sight, eased down by the men straddled on the
|
|
gravetrestles. They struggled up and out: and all uncovered. Twenty.
|
|
|
|
Pause.
|
|
|
|
If we were all suddenly somebody else.
|
|
|
|
Far away a donkey brayed. Rain. No such ass. Never see a dead one,
|
|
they say. Shame of death. They hide. Also poor papa went away.
|
|
|
|
Gentle sweet air blew round the bared heads in a whisper. Whisper.
|
|
The boy by the gravehead held his wreath with both hands staring quietly
|
|
in the black open space. Mr Bloom moved behind the portly kindly
|
|
caretaker. Wellcut frockcoat. Weighing them up perhaps to see which will
|
|
go next. Well, it is a long rest. Feel no more. It's the moment you feel.
|
|
Must be damned unpleasant. Can't believe it at first. Mistake must be:
|
|
someone else. Try the house opposite. Wait, I wanted to. I haven't yet.
|
|
Then darkened deathchamber. Light they want. Whispering around you. Would
|
|
you like to see a priest? Then rambling and wandering. Delirium all you
|
|
hid all your life. The death struggle. His sleep is not natural. Press his
|
|
lower eyelid. Watching is his nose pointed is his jaw sinking are the
|
|
soles of his feet yellow. Pull the pillow away and finish it off on the
|
|
floor since he's doomed. Devil in that picture of sinner's death showing
|
|
him a woman. Dying to embrace her in his shirt. Last act of LUCIA.
|
|
SHALL I NEVERMORE BEHOLD THEE? Bam! He expires. Gone at last. People
|
|
talk about you a bit: forget you. Don't forget to pray for him.
|
|
Remember him in your prayers. Even Parnell. Ivy day dying out. Then
|
|
they follow: dropping into a hole, one after the other.
|
|
|
|
We are praying now for the repose of his soul. Hoping you're well
|
|
and not in hell. Nice change of air. Out of the fryingpan of life into the
|
|
fire of purgatory.
|
|
|
|
Does he ever think of the hole waiting for himself? They say you do
|
|
when you shiver in the sun. Someone walking over it. Callboy's warning.
|
|
Near you. Mine over there towards Finglas, the plot I bought. Mamma,
|
|
poor mamma, and little Rudy.
|
|
|
|
The gravediggers took up their spades and flung heavy clods of clay
|
|
in on the coffin. Mr Bloom turned away his face. And if he was alive all
|
|
the time? Whew! By jingo, that would be awful! No, no: he is dead, of
|
|
course. Of course he is dead. Monday he died. They ought to have
|
|
some law to pierce the heart and make sure or an electric clock or
|
|
a telephone in the coffin and some kind of a canvas airhole. Flag of
|
|
distress. Three days. Rather long to keep them in summer. Just as well
|
|
to get shut of them as soon as you are sure there's no.
|
|
|
|
The clay fell softer. Begin to be forgotten. Out of sight, out of mind.
|
|
|
|
The caretaker moved away a few paces and put on his hat. Had
|
|
enough of it. The mourners took heart of grace, one by one, covering
|
|
themselves without show. Mr Bloom put on his hat and saw the portly
|
|
figure make its way deftly through the maze of graves. Quietly, sure of
|
|
his ground, he traversed the dismal fields.
|
|
|
|
Hynes jotting down something in his notebook. Ah, the names. But he
|
|
knows them all. No: coming to me.
|
|
|
|
--I am just taking the names, Hynes said below his breath. What is your
|
|
christian name? I'm not sure.
|
|
|
|
--L, Mr Bloom said. Leopold. And you might put down M'Coy's name too.
|
|
He asked me to.
|
|
|
|
--Charley, Hynes said writing. I know. He was on the FREEMAN once.
|
|
|
|
So he was before he got the job in the morgue under Louis Byrne.
|
|
Good idea a postmortem for doctors. Find out what they imagine they
|
|
know. He died of a Tuesday. Got the run. Levanted with the cash of a few
|
|
ads. Charley, you're my darling. That was why he asked me to. O well,
|
|
does no harm. I saw to that, M'Coy. Thanks, old chap: much obliged.
|
|
Leave him under an obligation: costs nothing.
|
|
|
|
--And tell us, Hynes said, do you know that fellow in the, fellow was
|
|
over there in the ...
|
|
|
|
He looked around.
|
|
|
|
--Macintosh. Yes, I saw him, Mr Bloom said. Where is he now?
|
|
|
|
--M'Intosh, Hynes said scribbling. I don't know who he is. Is that
|
|
his name?
|
|
|
|
He moved away, looking about him.
|
|
|
|
--No, Mr Bloom began, turning and stopping. I say, Hynes!
|
|
|
|
Didn't hear. What? Where has he disappeared to? Not a sign. Well of
|
|
all the. Has anybody here seen? Kay ee double ell. Become invisible. Good
|
|
Lord, what became of him?
|
|
|
|
A seventh gravedigger came beside Mr Bloom to take up an idle spade.
|
|
|
|
--O, excuse me!
|
|
|
|
He stepped aside nimbly.
|
|
|
|
Clay, brown, damp, began to be seen in the hole. It rose. Nearly over.
|
|
A mound of damp clods rose more, rose, and the gravediggers rested their
|
|
spades. All uncovered again for a few instants. The boy propped his wreath
|
|
against a corner: the brother-in-law his on a lump. The gravediggers put
|
|
on their caps and carried their earthy spades towards the barrow. Then
|
|
knocked the blades lightly on the turf: clean. One bent to pluck from the
|
|
haft a long tuft of grass. One, leaving his mates, walked slowly on with
|
|
shouldered weapon, its blade blueglancing. Silently at the gravehead
|
|
another coiled the coffinband. His navelcord. The brother-in-law, turning
|
|
away, placed something in his free hand. Thanks in silence. Sorry, sir:
|
|
trouble. Headshake. I know that. For yourselves just.
|
|
|
|
The mourners moved away slowly without aim, by devious paths,
|
|
staying at whiles to read a name on a tomb.
|
|
|
|
--Let us go round by the chief's grave, Hynes said. We have time.
|
|
|
|
--Let us, Mr Power said.
|
|
|
|
They turned to the right, following their slow thoughts. With awe Mr
|
|
Power's blank voice spoke:
|
|
|
|
--Some say he is not in that grave at all. That the coffin was filled
|
|
with stones. That one day he will come again.
|
|
|
|
Hynes shook his head.
|
|
|
|
--Parnell will never come again, he said. He's there, all that was mortal
|
|
of him. Peace to his ashes.
|
|
|
|
Mr Bloom walked unheeded along his grove by saddened angels,
|
|
crosses, broken pillars, family vaults, stone hopes praying with upcast
|
|
eyes, old Ireland's hearts and hands. More sensible to spend the money on
|
|
some charity for the living. Pray for the repose of the soul of. Does
|
|
anybody really? Plant him and have done with him. Like down a coalshoot.
|
|
Then lump them together to save time. All souls' day. Twentyseventh I'll
|
|
be at his grave. Ten shillings for the gardener. He keeps it free of
|
|
weeds. Old man himself. Bent down double with his shears clipping. Near
|
|
death's door. Who passed away. Who departed this life. As if they did it
|
|
of their own accord. Got the shove, all of them. Who kicked the bucket.
|
|
More interesting if they told you what they were. So and So, wheelwright.
|
|
I travelled for cork lino. I paid five shillings in the pound. Or a
|
|
woman's with her saucepan. I cooked good Irish stew. Eulogy in a country
|
|
churchyard it ought to be that poem of whose is it Wordsworth or Thomas
|
|
Campbell. Entered into rest the protestants put it. Old Dr Murren's.
|
|
The great physician called him home. Well it's God's acre for them.
|
|
Nice country residence. Newly plastered and painted. Ideal spot to
|
|
have a quiet smoke and read the CHURCH TIMES. Marriage ads they never
|
|
try to beautify. Rusty wreaths hung on knobs, garlands of bronzefoil.
|
|
Better value that for the money. Still, the flowers are more poetical.
|
|
The other gets rather tiresome, never withering. Expresses nothing.
|
|
Immortelles.
|
|
|
|
A bird sat tamely perched on a poplar branch. Like stuffed. Like the
|
|
wedding present alderman Hooper gave us. Hoo! Not a budge out of him.
|
|
Knows there are no catapults to let fly at him. Dead animal even sadder.
|
|
Silly-Milly burying the little dead bird in the kitchen matchbox, a
|
|
daisychain and bits of broken chainies on the grave.
|
|
|
|
The Sacred Heart that is: showing it. Heart on his sleeve. Ought to be
|
|
sideways and red it should be painted like a real heart. Ireland was
|
|
dedicated to it or whatever that. Seems anything but pleased. Why this
|
|
infliction? Would birds come then and peck like the boy with the basket of
|
|
fruit but he said no because they ought to have been afraid of the boy.
|
|
Apollo that was.
|
|
|
|
How many! All these here once walked round Dublin. Faithful departed.
|
|
As you are now so once were we.
|
|
|
|
Besides how could you remember everybody? Eyes, walk, voice. Well,
|
|
the voice, yes: gramophone. Have a gramophone in every grave or keep it
|
|
in the house. After dinner on a Sunday. Put on poor old greatgrandfather.
|
|
Kraahraark! Hellohellohello amawfullyglad kraark awfullygladaseeagain
|
|
hellohello amawf krpthsth. Remind you of the voice like the photograph
|
|
reminds you of the face. Otherwise you couldn't remember the face after
|
|
fifteen years, say. For instance who? For instance some fellow that died
|
|
when I was in Wisdom Hely's.
|
|
|
|
Rtststr! A rattle of pebbles. Wait. Stop!
|
|
|
|
He looked down intently into a stone crypt. Some animal. Wait.
|
|
There he goes.
|
|
|
|
An obese grey rat toddled along the side of the crypt, moving the
|
|
pebbles. An old stager: greatgrandfather: he knows the ropes. The grey
|
|
alive crushed itself in under the plinth, wriggled itself in under it.
|
|
Good hidingplace for treasure.
|
|
|
|
Who lives there? Are laid the remains of Robert Emery. Robert
|
|
Emmet was buried here by torchlight, wasn't he? Making his rounds.
|
|
|
|
Tail gone now.
|
|
|
|
One of those chaps would make short work of a fellow. Pick the
|
|
bones clean no matter who it was. Ordinary meat for them. A corpse is
|
|
meat gone bad. Well and what's cheese? Corpse of milk. I read in that
|
|
VOYAGES IN CHINA that the Chinese say a white man smells like a corpse.
|
|
Cremation better. Priests dead against it. Devilling for the other firm.
|
|
Wholesale burners and Dutch oven dealers. Time of the plague. Quicklime
|
|
feverpits to eat them. Lethal chamber. Ashes to ashes. Or bury at sea.
|
|
Where is that Parsee tower of silence? Eaten by birds. Earth, fire, water.
|
|
Drowning they say is the pleasantest. See your whole life in a flash. But
|
|
being brought back to life no. Can't bury in the air however. Out of a
|
|
flying machine. Wonder does the news go about whenever a fresh one is let
|
|
down. Underground communication. We learned that from them. Wouldn't be
|
|
surprised. Regular square feed for them. Flies come before he's well dead.
|
|
Got wind of Dignam. They wouldn't care about the smell of it. Saltwhite
|
|
crumbling mush of corpse: smell, taste like raw white turnips.
|
|
|
|
The gates glimmered in front: still open. Back to the world again.
|
|
Enough of this place. Brings you a bit nearer every time. Last time I was
|
|
here was Mrs Sinico's funeral. Poor papa too. The love that kills. And
|
|
even scraping up the earth at night with a lantern like that case I read
|
|
of to get at fresh buried females or even putrefied with running
|
|
gravesores. Give you the creeps after a bit. I will appear to you after
|
|
death. You will see my ghost after death. My ghost will haunt you after
|
|
death. There is another world after death named hell. I do not like that
|
|
other world she wrote. No more do I. Plenty to see and hear and feel yet.
|
|
Feel live warm beings near you. Let them sleep in their maggoty beds. They
|
|
are not going to get me this innings. Warm beds: warm fullblooded life.
|
|
|
|
Martin Cunningham emerged from a sidepath, talking gravely.
|
|
|
|
Solicitor, I think. I know his face. Menton, John Henry, solicitor,
|
|
commissioner for oaths and affidavits. Dignam used to be in his office.
|
|
Mat Dillon's long ago. Jolly Mat. Convivial evenings. Cold fowl, cigars,
|
|
the Tantalus glasses. Heart of gold really. Yes, Menton. Got his rag out
|
|
that evening on the bowlinggreen because I sailed inside him. Pure fluke
|
|
of mine: the bias. Why he took such a rooted dislike to me. Hate at first
|
|
sight. Molly and Floey Dillon linked under the lilactree, laughing.
|
|
Fellow always like that, mortified if women are by.
|
|
|
|
Got a dinge in the side of his hat. Carriage probably.
|
|
|
|
--Excuse me, sir, Mr Bloom said beside them.
|
|
|
|
They stopped.
|
|
|
|
--Your hat is a little crushed, Mr Bloom said pointing.
|
|
|
|
John Henry Menton stared at him for an instant without moving.
|
|
|
|
--There, Martin Cunningham helped, pointing also. John Henry Menton took
|
|
off his hat, bulged out the dinge and smoothed the nap with care on his
|
|
coatsleeve. He clapped the hat on his head again.
|
|
|
|
--It's all right now, Martin Cunningham said.
|
|
|
|
John Henry Menton jerked his head down in acknowledgment.
|
|
|
|
--Thank you, he said shortly.
|
|
|
|
They walked on towards the gates. Mr Bloom, chapfallen, drew
|
|
behind a few paces so as not to overhear. Martin laying down the law.
|
|
Martin could wind a sappyhead like that round his little finger, without
|
|
his seeing it.
|
|
|
|
Oyster eyes. Never mind. Be sorry after perhaps when it dawns on him.
|
|
Get the pull over him that way.
|
|
|
|
Thank you. How grand we are this morning!
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
IN THE HEART OF THE HIBERNIAN METROPOLIS
|
|
|
|
|
|
Before Nelson's pillar trams slowed, shunted, changed trolley, started
|
|
for Blackrock, Kingstown and Dalkey, Clonskea, Rathgar and Terenure,
|
|
Palmerston Park and upper Rathmines, Sandymount Green, Rathmines,
|
|
Ringsend and Sandymount Tower, Harold's Cross. The hoarse Dublin
|
|
United Tramway Company's timekeeper bawled them off:
|
|
|
|
--Rathgar and Terenure!
|
|
|
|
--Come on, Sandymount Green!
|
|
|
|
Right and left parallel clanging ringing a doubledecker and a
|
|
singledeck moved from their railheads, swerved to the down line, glided
|
|
parallel.
|
|
|
|
--Start, Palmerston Park!
|
|
|
|
|
|
THE WEARER OF THE CROWN
|
|
|
|
|
|
Under the porch of the general post office shoeblacks called and
|
|
polished. Parked in North Prince's street His Majesty's vermilion
|
|
mailcars, bearing on their sides the royal initials, E. R., received
|
|
loudly flung sacks of letters, postcards, lettercards, parcels, insured
|
|
and paid, for local, provincial, British and overseas delivery.
|
|
|
|
|
|
GENTLEMEN OF THE PRESS
|
|
|
|
|
|
Grossbooted draymen rolled barrels dullthudding out of Prince's
|
|
stores and bumped them up on the brewery float. On the brewery float
|
|
bumped dullthudding barrels rolled by grossbooted draymen out of
|
|
Prince's stores.
|
|
|
|
--There it is, Red Murray said. Alexander Keyes.
|
|
|
|
--Just cut it out, will you? Mr Bloom said, and I'll take it round to the
|
|
TELEGRAPH office.
|
|
|
|
The door of Ruttledge's office creaked again. Davy Stephens, minute
|
|
in a large capecoat, a small felt hat crowning his ringlets, passed out
|
|
with a roll of papers under his cape, a king's courier.
|
|
|
|
Red Murray's long shears sliced out the advertisement from the
|
|
newspaper in four clean strokes. Scissors and paste.
|
|
|
|
--I'll go through the printingworks, Mr Bloom said, taking the cut square.
|
|
|
|
--Of course, if he wants a par, Red Murray said earnestly, a pen behind
|
|
his ear, we can do him one.
|
|
|
|
--Right, Mr Bloom said with a nod. I'll rub that in.
|
|
|
|
We.
|
|
|
|
|
|
WILLIAM BRAYDEN,
|
|
ESQUIRE, OF OAKLANDS, SANDYMOUNT
|
|
|
|
|
|
Red Murray touched Mr Bloom's arm with the shears and whispered:
|
|
|
|
--Brayden.
|
|
|
|
Mr Bloom turned and saw the liveried porter raise his lettered cap as a
|
|
stately figure entered between the newsboards of the WEEKLY FREEMAN AND
|
|
NATIONAL PRESS and the FREEMAN'S JOURNAL AND NATIONAL PRESS. Dullthudding
|
|
Guinness's barrels. It passed statelily up the staircase, steered by an
|
|
umbrella, a solemn beardframed face. The broadcloth back ascended each
|
|
step: back. All his brains are in the nape of his neck, Simon Dedalus
|
|
says. Welts of flesh behind on him. Fat folds of neck, fat, neck, fat,
|
|
neck.
|
|
|
|
--Don't you think his face is like Our Saviour? Red Murray whispered.
|
|
|
|
The door of Ruttledge's office whispered: ee: cree. They always build
|
|
one door opposite another for the wind to. Way in. Way out.
|
|
|
|
Our Saviour: beardframed oval face: talking in the dusk. Mary,
|
|
Martha. Steered by an umbrella sword to the footlights: Mario the tenor.
|
|
|
|
--Or like Mario, Mr Bloom said.
|
|
|
|
--Yes, Red Murray agreed. But Mario was said to be the picture of Our
|
|
Saviour.
|
|
|
|
Jesusmario with rougy cheeks, doublet and spindle legs. Hand on his
|
|
heart. In MARTHA.
|
|
|
|
|
|
CO-OME THOU LOST ONE,
|
|
CO-OME THOU DEAR ONE!
|
|
THE CROZIER AND THE PEN
|
|
|
|
|
|
--His grace phoned down twice this morning, Red Murray said gravely.
|
|
|
|
They watched the knees, legs, boots vanish. Neck.
|
|
|
|
A telegram boy stepped in nimbly, threw an envelope on the counter
|
|
and stepped off posthaste with a word:
|
|
|
|
--FREEMAN!
|
|
|
|
Mr Bloom said slowly:
|
|
|
|
--Well, he is one of our saviours also.
|
|
|
|
A meek smile accompanied him as he lifted the counterflap, as he
|
|
passed in through a sidedoor and along the warm dark stairs and passage,
|
|
along the now reverberating boards. But will he save the circulation?
|
|
Thumping. Thumping.
|
|
|
|
He pushed in the glass swingdoor and entered, stepping over strewn
|
|
packing paper. Through a lane of clanking drums he made his way towards
|
|
Nannetti's reading closet.
|
|
|
|
|
|
WITH UNFEIGNED REGRET IT IS WE ANNOUNCE THE DISSOLUTION
|
|
OF A MOST RESPECTED DUBLIN BURGESS
|
|
|
|
Hynes here too: account of the funeral probably. Thumping. Thump.
|
|
This morning the remains of the late Mr Patrick Dignam. Machines.
|
|
Smash a man to atoms if they got him caught. Rule the world today. His
|
|
machineries are pegging away too. Like these, got out of hand: fermenting.
|
|
Working away, tearing away. And that old grey rat tearing to get in.
|
|
|
|
|
|
HOW A GREAT DAILY ORGAN IS TURNED OUT
|
|
|
|
|
|
Mr Bloom halted behind the foreman's spare body, admiring a glossy crown.
|
|
|
|
Strange he never saw his real country. Ireland my country. Member
|
|
for College green. He boomed that workaday worker tack for all it was
|
|
worth. It's the ads and side features sell a weekly, not the stale news in
|
|
the official gazette. Queen Anne is dead. Published by authority in the
|
|
year one thousand and. Demesne situate in the townland of Rosenallis,
|
|
barony of Tinnahinch. To all whom it may concern schedule pursuant to
|
|
statute showing return of number of mules and jennets exported from
|
|
Ballina. Nature notes. Cartoons. Phil Blake's weekly Pat and Bull story.
|
|
Uncle Toby's page for tiny tots. Country bumpkin's queries. Dear Mr
|
|
Editor, what is a good cure for flatulence? I'd like that part. Learn a
|
|
lot teaching others. The personal note. M. A. P. Mainly all pictures.
|
|
Shapely bathers on golden strand. World's biggest balloon. Double marriage
|
|
of sisters celebrated. Two bridegrooms laughing heartily at each other.
|
|
Cuprani too, printer. More Irish than the Irish.
|
|
|
|
The machines clanked in threefour time. Thump, thump, thump.
|
|
Now if he got paralysed there and no-one knew how to stop them they'd
|
|
clank on and on the same, print it over and over and up and back.
|
|
Monkeydoodle the whole thing. Want a cool head.
|
|
|
|
--Well, get it into the evening edition, councillor, Hynes said.
|
|
|
|
Soon be calling him my lord mayor. Long John is backing him, they say.
|
|
|
|
The foreman, without answering, scribbled press on a corner of the
|
|
sheet and made a sign to a typesetter. He handed the sheet silently over
|
|
the dirty glass screen.
|
|
|
|
--Right: thanks, Hynes said moving off.
|
|
|
|
Mr Bloom stood in his way.
|
|
|
|
--If you want to draw the cashier is just going to lunch, he said,
|
|
pointing backward with his thumb.
|
|
|
|
--Did you? Hynes asked.
|
|
|
|
--Mm, Mr Bloom said. Look sharp and you'll catch him.
|
|
|
|
--Thanks, old man, Hynes said. I'll tap him too.
|
|
|
|
He hurried on eagerly towards the FREEMAN'S JOURNAL.
|
|
|
|
Three bob I lent him in Meagher's. Three weeks. Third hint.
|
|
|
|
|
|
WE SEE THE CANVASSER AT WORK
|
|
|
|
|
|
Mr Bloom laid his cutting on Mr Nannetti's desk.
|
|
|
|
--Excuse me, councillor, he said. This ad, you see. Keyes, you remember?
|
|
|
|
Mr Nannetti considered the cutting awhile and nodded.
|
|
|
|
--He wants it in for July, Mr Bloom said.
|
|
|
|
The foreman moved his pencil towards it.
|
|
|
|
--But wait, Mr Bloom said. He wants it changed. Keyes, you see. He wants
|
|
two keys at the top.
|
|
|
|
Hell of a racket they make. He doesn't hear it. Nannan. Iron nerves.
|
|
Maybe he understands what I.
|
|
|
|
The foreman turned round to hear patiently and, lifting an elbow,
|
|
began to scratch slowly in the armpit of his alpaca jacket.
|
|
|
|
--Like that, Mr Bloom said, crossing his forefingers at the top.
|
|
|
|
Let him take that in first.
|
|
|
|
Mr Bloom, glancing sideways up from the cross he had made, saw the
|
|
foreman's sallow face, think he has a touch of jaundice, and beyond the
|
|
obedient reels feeding in huge webs of paper. Clank it. Clank it. Miles of
|
|
it unreeled. What becomes of it after? O, wrap up meat, parcels: various
|
|
uses, thousand and one things.
|
|
|
|
Slipping his words deftly into the pauses of the clanking he drew
|
|
swiftly on the scarred woodwork.
|
|
|
|
|
|
HOUSE OF KEY(E)S
|
|
|
|
|
|
--Like that, see. Two crossed keys here. A circle. Then here the name.
|
|
Alexander Keyes, tea, wine and spirit merchant. So on.
|
|
|
|
Better not teach him his own business.
|
|
|
|
--You know yourself, councillor, just what he wants. Then round the top
|
|
in leaded: the house of keys. You see? Do you think that's a good idea?
|
|
|
|
The foreman moved his scratching hand to his lower ribs and scratched
|
|
there quietly.
|
|
|
|
--The idea, Mr Bloom said, is the house of keys. You know, councillor,
|
|
the Manx parliament. Innuendo of home rule. Tourists, you know, from the
|
|
isle of Man. Catches the eye, you see. Can you do that?
|
|
|
|
I could ask him perhaps about how to pronounce that voglio. But
|
|
then if he didn't know only make it awkward for him. Better not.
|
|
|
|
--We can do that, the foreman said. Have you the design?
|
|
|
|
--I can get it, Mr Bloom said. It was in a Kilkenny paper. He has a house
|
|
there too. I'll just run out and ask him. Well, you can do that and just a
|
|
little par calling attention. You know the usual. Highclass licensed
|
|
premises. Longfelt want. So on.
|
|
|
|
The foreman thought for an instant.
|
|
|
|
--We can do that, he said. Let him give us a three months' renewal.
|
|
|
|
A typesetter brought him a limp galleypage. He began to check it
|
|
silently. Mr Bloom stood by, hearing the loud throbs of cranks, watching
|
|
the silent typesetters at their cases.
|
|
|
|
|
|
ORTHOGRAPHICAL
|
|
|
|
|
|
Want to be sure of his spelling. Proof fever. Martin Cunningham
|
|
forgot to give us his spellingbee conundrum this morning. It is amusing to
|
|
view the unpar one ar alleled embarra two ars is it? double ess ment of a
|
|
harassed pedlar while gauging au the symmetry with a y of a peeled pear
|
|
under a cemetery wall. Silly, isn't it? Cemetery put in of course on
|
|
account of the symmetry.
|
|
|
|
I should have said when he clapped on his topper. Thank you. I ought
|
|
to have said something about an old hat or something. No. I could have
|
|
said. Looks as good as new now. See his phiz then.
|
|
|
|
Sllt. The nethermost deck of the first machine jogged forward its
|
|
flyboard with sllt the first batch of quirefolded papers. Sllt. Almost
|
|
human the way it sllt to call attention. Doing its level best to speak.
|
|
That door too sllt creaking, asking to be shut. Everything speaks in its
|
|
own way. Sllt.
|
|
|
|
|
|
NOTED CHURCHMAN AN OCCASIONAL CONTRIBUTOR
|
|
|
|
|
|
The foreman handed back the galleypage suddenly, saying:
|
|
|
|
--Wait. Where's the archbishop's letter? It's to be repeated in the
|
|
TELEGRAPH. Where's what's his name?
|
|
|
|
He looked about him round his loud unanswering machines.
|
|
|
|
--Monks, sir? a voice asked from the castingbox.
|
|
|
|
--Ay. Where's Monks?
|
|
|
|
--Monks!
|
|
|
|
Mr Bloom took up his cutting. Time to get out.
|
|
|
|
--Then I'll get the design, Mr Nannetti, he said, and you'll give it a
|
|
good place I know.
|
|
|
|
--Monks!
|
|
|
|
--Yes, sir.
|
|
|
|
Three months' renewal. Want to get some wind off my chest first. Try
|
|
it anyhow. Rub in August: good idea: horseshow month. Ballsbridge.
|
|
Tourists over for the show.
|
|
|
|
|
|
A DAYFATHER
|
|
|
|
|
|
He walked on through the caseroom passing an old man, bowed,
|
|
spectacled, aproned. Old Monks, the dayfather. Queer lot of stuff he must
|
|
have put through his hands in his time: obituary notices, pubs' ads,
|
|
speeches, divorce suits, found drowned. Nearing the end of his tether now.
|
|
Sober serious man with a bit in the savingsbank I'd say. Wife a good cook
|
|
and washer. Daughter working the machine in the parlour. Plain Jane, no
|
|
damn nonsense.
|
|
|
|
|
|
AND IT WAS THE FEAST OF THE PASSOVER
|
|
|
|
|
|
He stayed in his walk to watch a typesetter neatly distributing type.
|
|
Reads it backwards first. Quickly he does it. Must require some practice
|
|
that. mangiD kcirtaP. Poor papa with his hagadah book, reading
|
|
backwards with his finger to me. Pessach. Next year in Jerusalem. Dear, O
|
|
dear! All that long business about that brought us out of the land of
|
|
Egypt and into the house of bondage ALLELUIA. SHEMA ISRAEL ADONAI ELOHENU.
|
|
No, that's the other. Then the twelve brothers, Jacob's sons. And then the
|
|
lamb and the cat and the dog and the stick and the water and the butcher.
|
|
And then the angel of death kills the butcher and he kills the ox and the
|
|
dog kills the cat. Sounds a bit silly till you come to look into it well.
|
|
Justice it means but it's everybody eating everyone else. That's what life
|
|
is after all. How quickly he does that job. Practice makes perfect. Seems
|
|
to see with his fingers.
|
|
|
|
Mr Bloom passed on out of the clanking noises through the gallery on
|
|
to the landing. Now am I going to tram it out all the way and then catch
|
|
him out perhaps. Better phone him up first. Number? Yes. Same as Citron's
|
|
house. Twentyeight. Twentyeight double four.
|
|
|
|
|
|
ONLY ONCE MORE THAT SOAP
|
|
|
|
|
|
He went down the house staircase. Who the deuce scrawled all over
|
|
those walls with matches? Looks as if they did it for a bet. Heavy greasy
|
|
smell there always is in those works. Lukewarm glue in Thom's next door
|
|
when I was there.
|
|
|
|
He took out his handkerchief to dab his nose. Citronlemon? Ah, the
|
|
soap I put there. Lose it out of that pocket. Putting back his
|
|
handkerchief he took out the soap and stowed it away, buttoned, into the
|
|
hip pocket of his trousers.
|
|
|
|
What perfume does your wife use? I could go home still: tram:
|
|
something I forgot. Just to see: before: dressing. No. Here. No.
|
|
|
|
A sudden screech of laughter came from the EVENING TELEGRAPH office. Know
|
|
who that is. What's up? Pop in a minute to phone. Ned Lambert it is.
|
|
|
|
He entered softly.
|
|
|
|
|
|
ERIN, GREEN GEM OF THE SILVER SEA
|
|
|
|
|
|
--The ghost walks, professor MacHugh murmured softly, biscuitfully to
|
|
the dusty windowpane.
|
|
|
|
Mr Dedalus, staring from the empty fireplace at Ned Lambert's
|
|
quizzing face, asked of it sourly:
|
|
|
|
--Agonising Christ, wouldn't it give you a heartburn on your arse?
|
|
|
|
Ned Lambert, seated on the table, read on:
|
|
|
|
--OR AGAIN, NOTE THE MEANDERINGS OF SOME PURLING RILL AS IT BABBLES ON
|
|
ITS WAY, THO' QUARRELLING WITH THE STONY OBSTACLES, TO THE TUMBLING WATERS
|
|
OF NEPTUNE'S BLUE DOMAIN, 'MID MOSSY BANKS, FANNED BY GENTLEST ZEPHYRS,
|
|
PLAYED ON BY THE GLORIOUS SUNLIGHT OR 'NEATH THE SHADOWS CAST O'ER ITS
|
|
PENSIVE BOSOM BY THE OVERARCHING LEAFAGE OF THE GIANTS OF THE FOREST. What
|
|
about that, Simon? he asked over the fringe of his newspaper. How's that
|
|
for high?
|
|
|
|
--Changing his drink, Mr Dedalus said.
|
|
|
|
Ned Lambert, laughing, struck the newspaper on his knees, repeating:
|
|
|
|
--THE PENSIVE BOSOM AND THE OVERARSING LEAFAGE. O boys! O boys!
|
|
|
|
--And Xenophon looked upon Marathon, Mr Dedalus said, looking again
|
|
on the fireplace and to the window, and Marathon looked on the sea.
|
|
|
|
--That will do, professor MacHugh cried from the window. I don't want to
|
|
hear any more of the stuff.
|
|
|
|
He ate off the crescent of water biscuit he had been nibbling and,
|
|
hungered, made ready to nibble the biscuit in his other hand.
|
|
|
|
High falutin stuff. Bladderbags. Ned Lambert is taking a day off I
|
|
see. Rather upsets a man's day, a funeral does. He has influence they say.
|
|
Old Chatterton, the vicechancellor, is his granduncle or his
|
|
greatgranduncle. Close on ninety they say. Subleader for his death written
|
|
this long time perhaps. Living to spite them. Might go first himself.
|
|
Johnny, make room for your uncle. The right honourable Hedges Eyre
|
|
Chatterton. Daresay he writes him an odd shaky cheque or two on gale days.
|
|
Windfall when he kicks out. Alleluia.
|
|
|
|
--Just another spasm, Ned Lambert said.
|
|
|
|
--What is it? Mr Bloom asked.
|
|
|
|
--A recently discovered fragment of Cicero, professor MacHugh answered
|
|
with pomp of tone. OUR LOVELY LAND.
|
|
|
|
|
|
SHORT BUT TO THE POINT
|
|
|
|
|
|
--Whose land? Mr Bloom said simply.
|
|
|
|
--Most pertinent question, the professor said between his chews. With an
|
|
accent on the whose.
|
|
|
|
--Dan Dawson's land Mr Dedalus said.
|
|
|
|
--Is it his speech last night? Mr Bloom asked.
|
|
|
|
Ned Lambert nodded.
|
|
|
|
--But listen to this, he said.
|
|
|
|
The doorknob hit Mr Bloom in the small of the back as the door was
|
|
pushed in.
|
|
|
|
--Excuse me, J. J. O'Molloy said, entering.
|
|
|
|
Mr Bloom moved nimbly aside.
|
|
|
|
--I beg yours, he said.
|
|
|
|
--Good day, Jack.
|
|
|
|
--Come in. Come in.
|
|
|
|
--Good day.
|
|
|
|
--How are you, Dedalus?
|
|
|
|
--Well. And yourself?
|
|
|
|
J. J. O'Molloy shook his head.
|
|
|
|
|
|
SAD
|
|
|
|
|
|
Cleverest fellow at the junior bar he used to be. Decline, poor chap.
|
|
That hectic flush spells finis for a man. Touch and go with him. What's in
|
|
the wind, I wonder. Money worry.
|
|
|
|
--OR AGAIN IF WE BUT CLIMB THE SERRIED MOUNTAIN PEAKS.
|
|
|
|
--You're looking extra.
|
|
|
|
--Is the editor to be seen? J. J. O'Molloy asked, looking towards the
|
|
inner door.
|
|
|
|
--Very much so, professor MacHugh said. To be seen and heard. He's in
|
|
his sanctum with Lenehan.
|
|
|
|
J. J. O'Molloy strolled to the sloping desk and began to turn back the
|
|
pink pages of the file.
|
|
|
|
Practice dwindling. A mighthavebeen. Losing heart. Gambling. Debts
|
|
of honour. Reaping the whirlwind. Used to get good retainers from D. and
|
|
T. Fitzgerald. Their wigs to show the grey matter. Brains on their sleeve
|
|
like the statue in Glasnevin. Believe he does some literary work for the
|
|
EXPRESS with Gabriel Conroy. Wellread fellow. Myles Crawford began on
|
|
the INDEPENDENT. Funny the way those newspaper men veer about when
|
|
they get wind of a new opening. Weathercocks. Hot and cold in the same
|
|
breath. Wouldn't know which to believe. One story good till you hear the
|
|
next. Go for one another baldheaded in the papers and then all blows over.
|
|
Hail fellow well met the next moment.
|
|
|
|
--Ah, listen to this for God' sake, Ned Lambert pleaded. OR AGAIN IF WE
|
|
BUT CLIMB THE SERRIED MOUNTAIN PEAKS ...
|
|
|
|
--Bombast! the professor broke in testily. Enough of the inflated
|
|
windbag!
|
|
|
|
--Peaks, Ned Lambert went on, TOWERING HIGH ON HIGH, TO BATHE OUR SOULS,
|
|
AS IT WERE ...
|
|
|
|
--Bathe his lips, Mr Dedalus said. Blessed and eternal God! Yes? Is he
|
|
taking anything for it?
|
|
|
|
--AS 'TWERE, IN THE PEERLESS PANORAMA OF IRELAND'S PORTFOLIO, UNMATCHED,
|
|
DESPITE THEIR WELLPRAISED PROTOTYPES IN OTHER VAUNTED PRIZE REGIONS, FOR
|
|
VERY BEAUTY, OF BOSKY GROVE AND UNDULATING PLAIN AND LUSCIOUS PASTURELAND
|
|
OF VERNAL GREEN, STEEPED IN THE TRANSCENDENT TRANSLUCENT GLOW OF OUR MILD
|
|
MYSTERIOUS IRISH TWILIGHT ...
|
|
|
|
|
|
HIS NATIVE DORIC
|
|
|
|
|
|
--The moon, professor MacHugh said. He forgot Hamlet.
|
|
|
|
--THAT MANTLES THE VISTA FAR AND WIDE AND WAIT TILL THE GLOWING ORB OF
|
|
THE MOON SHINE FORTH TO IRRADIATE HER SILVER EFFULGENCE ...
|
|
|
|
--O! Mr Dedalus cried, giving vent to a hopeless groan. Shite and onions!
|
|
That'll do, Ned. Life is too short.
|
|
|
|
He took off his silk hat and, blowing out impatiently his bushy
|
|
moustache, welshcombed his hair with raking fingers.
|
|
|
|
Ned Lambert tossed the newspaper aside, chuckling with delight. An
|
|
instant after a hoarse bark of laughter burst over professor MacHugh's
|
|
unshaven blackspectacled face.
|
|
|
|
--Doughy Daw! he cried.
|
|
|
|
|
|
WHAT WETHERUP SAID
|
|
|
|
|
|
All very fine to jeer at it now in cold print but it goes down like hot
|
|
cake that stuff. He was in the bakery line too, wasn't he? Why they call
|
|
him Doughy Daw. Feathered his nest well anyhow. Daughter engaged to that
|
|
chap in the inland revenue office with the motor. Hooked that nicely.
|
|
Entertainments. Open house. Big blowout. Wetherup always said that. Get
|
|
a grip of them by the stomach.
|
|
|
|
The inner door was opened violently and a scarlet beaked face,
|
|
crested by a comb of feathery hair, thrust itself in. The bold blue eyes
|
|
stared about them and the harsh voice asked:
|
|
|
|
--What is it?
|
|
|
|
--And here comes the sham squire himself! professor MacHugh said grandly.
|
|
|
|
--Getonouthat, you bloody old pedagogue! the editor said in recognition.
|
|
|
|
--Come, Ned, Mr Dedalus said, putting on his hat. I must get a drink
|
|
after that.
|
|
|
|
--Drink! the editor cried. No drinks served before mass.
|
|
|
|
--Quite right too, Mr Dedalus said, going out. Come on, Ned.
|
|
|
|
Ned Lambert sidled down from the table. The editor's blue eyes roved
|
|
towards Mr Bloom's face, shadowed by a smile.
|
|
|
|
--Will you join us, Myles? Ned Lambert asked.
|
|
|
|
|
|
MEMORABLE BATTLES RECALLED
|
|
|
|
|
|
--North Cork militia! the editor cried, striding to the mantelpiece. We
|
|
won every time! North Cork and Spanish officers!
|
|
|
|
--Where was that, Myles? Ned Lambert asked with a reflective glance at
|
|
his toecaps.
|
|
|
|
--In Ohio! the editor shouted.
|
|
|
|
--So it was, begad, Ned Lambert agreed.
|
|
|
|
Passing out he whispered to J. J. O'Molloy:
|
|
|
|
--Incipient jigs. Sad case.
|
|
|
|
--Ohio! the editor crowed in high treble from his uplifted scarlet face.
|
|
My Ohio!
|
|
|
|
--A perfect cretic! the professor said. Long, short and long.
|
|
|
|
|
|
O, HARP EOLIAN!
|
|
|
|
|
|
He took a reel of dental floss from his waistcoat pocket and, breaking
|
|
off a piece, twanged it smartly between two and two of his resonant
|
|
unwashed teeth.
|
|
|
|
--Bingbang, bangbang.
|
|
|
|
Mr Bloom, seeing the coast clear, made for the inner door.
|
|
|
|
--Just a moment, Mr Crawford, he said. I just want to phone about an ad.
|
|
|
|
He went in.
|
|
|
|
--What about that leader this evening? professor MacHugh asked, coming
|
|
to the editor and laying a firm hand on his shoulder.
|
|
|
|
--That'll be all right, Myles Crawford said more calmly. Never you fret.
|
|
Hello, Jack. That's all right.
|
|
|
|
--Good day, Myles, J. J. O'Molloy said, letting the pages he held slip
|
|
limply back on the file. Is that Canada swindle case on today?
|
|
|
|
The telephone whirred inside.
|
|
|
|
--Twentyeight ... No, twenty ... Double four ... Yes.
|
|
|
|
|
|
SPOT THE WINNER
|
|
|
|
|
|
Lenehan came out of the inner office with SPORT'S tissues.
|
|
|
|
--Who wants a dead cert for the Gold cup? he asked. Sceptre with O.
|
|
Madden up.
|
|
|
|
He tossed the tissues on to the table.
|
|
|
|
Screams of newsboys barefoot in the hall rushed near and the door
|
|
was flung open.
|
|
|
|
--Hush, Lenehan said. I hear feetstoops.
|
|
|
|
Professor MacHugh strode across the room and seized the cringing
|
|
urchin by the collar as the others scampered out of the hall and down the
|
|
steps. The tissues rustled up in the draught, floated softly in the air
|
|
blue scrawls and under the table came to earth.
|
|
|
|
--It wasn't me, sir. It was the big fellow shoved me, sir.
|
|
|
|
--Throw him out and shut the door, the editor said. There's a hurricane
|
|
blowing.
|
|
|
|
Lenehan began to paw the tissues up from the floor, grunting as he
|
|
stooped twice.
|
|
|
|
--Waiting for the racing special, sir, the newsboy said. It was Pat
|
|
Farrell shoved me, sir.
|
|
|
|
He pointed to two faces peering in round the doorframe.
|
|
|
|
--Him, sir.
|
|
|
|
--Out of this with you, professor MacHugh said gruffly.
|
|
|
|
He hustled the boy out and banged the door to.
|
|
|
|
J. J. O'Molloy turned the files crackingly over, murmuring, seeking:
|
|
|
|
--Continued on page six, column four.
|
|
|
|
--Yes, EVENING TELEGRAPH here, Mr Bloom phoned from the inner office. Is
|
|
the boss ...? Yes, TELEGRAPH ... To where? Aha! Which auction rooms ?...
|
|
Aha! I see ... Right. I'll catch him.
|
|
|
|
|
|
A COLLISION ENSUES
|
|
|
|
|
|
The bell whirred again as he rang off. He came in quickly and
|
|
bumped against Lenehan who was struggling up with the second tissue.
|
|
|
|
--PARDON, MONSIEUR, Lenehan said, clutching him for an instant and making
|
|
a grimace.
|
|
|
|
--My fault, Mr Bloom said, suffering his grip. Are you hurt? I'm in a
|
|
hurry.
|
|
|
|
--Knee, Lenehan said.
|
|
|
|
He made a comic face and whined, rubbing his knee:
|
|
|
|
--The accumulation of the ANNO DOMINI.
|
|
|
|
--Sorry, Mr Bloom said.
|
|
|
|
He went to the door and, holding it ajar, paused. J. J. O'Molloy
|
|
slapped the heavy pages over. The noise of two shrill voices, a
|
|
mouthorgan, echoed in the bare hallway from the newsboys squatted on the
|
|
doorsteps:
|
|
|
|
|
|
--WE ARE THE BOYS OF WEXFORD
|
|
WHO FOUGHT WITH HEART AND HAND.
|
|
|
|
|
|
EXIT BLOOM
|
|
|
|
|
|
--I'm just running round to Bachelor's walk, Mr Bloom said, about this ad
|
|
of Keyes's. Want to fix it up. They tell me he's round there in Dillon's.
|
|
|
|
He looked indecisively for a moment at their faces. The editor who,
|
|
leaning against the mantelshelf, had propped his head on his hand,
|
|
suddenly stretched forth an arm amply.
|
|
|
|
--Begone! he said. The world is before you.
|
|
|
|
--Back in no time, Mr Bloom said, hurrying out.
|
|
|
|
J. J. O'Molloy took the tissues from Lenehan's hand and read them,
|
|
blowing them apart gently, without comment.
|
|
|
|
--He'll get that advertisement, the professor said, staring through his
|
|
blackrimmed spectacles over the crossblind. Look at the young scamps after
|
|
him.
|
|
|
|
--Show. Where? Lenehan cried, running to the window.
|
|
|
|
|
|
A STREET CORTEGE
|
|
|
|
|
|
Both smiled over the crossblind at the file of capering newsboys in Mr
|
|
Bloom's wake, the last zigzagging white on the breeze a mocking kite, a
|
|
tail of white bowknots.
|
|
|
|
--Look at the young guttersnipe behind him hue and cry, Lenehan said, and
|
|
you'll kick. O, my rib risible! Taking off his flat spaugs and the walk.
|
|
Small nines. Steal upon larks.
|
|
|
|
He began to mazurka in swift caricature across the floor on sliding
|
|
feet past the fireplace to J. J. O'Molloy who placed the tissues in his
|
|
receiving hands.
|
|
|
|
--What's that? Myles Crawford said with a start. Where are the other two
|
|
gone?
|
|
|
|
--Who? the professor said, turning. They're gone round to the Oval for a
|
|
drink. Paddy Hooper is there with Jack Hall. Came over last night.
|
|
|
|
--Come on then, Myles Crawford said. Where's my hat?
|
|
|
|
He walked jerkily into the office behind, parting the vent of his jacket,
|
|
jingling his keys in his back pocket. They jingled then in the air and
|
|
against the wood as he locked his desk drawer.
|
|
|
|
--He's pretty well on, professor MacHugh said in a low voice.
|
|
|
|
--Seems to be, J. J. O'Molloy said, taking out a cigarettecase in
|
|
murmuring meditation, but it is not always as it seems. Who has the most
|
|
matches?
|
|
|
|
|
|
THE CALUMET OF PEACE
|
|
|
|
|
|
He offered a cigarette to the professor and took one himself. Lenehan
|
|
promptly struck a match for them and lit their cigarettes in turn. J. J.
|
|
O'Molloy opened his case again and offered it.
|
|
|
|
--THANKY VOUS, Lenehan said, helping himself.
|
|
|
|
The editor came from the inner office, a straw hat awry on his brow.
|
|
He declaimed in song, pointing sternly at professor MacHugh:
|
|
|
|
|
|
--'TWAS RANK AND FAME THAT TEMPTED THEE,
|
|
'TWAS EMPIRE CHARMED THY HEART.
|
|
|
|
|
|
The professor grinned, locking his long lips.
|
|
|
|
--Eh? You bloody old Roman empire? Myles Crawford said.
|
|
|
|
He took a cigarette from the open case. Lenehan, lighting it for him
|
|
with quick grace, said:
|
|
|
|
--Silence for my brandnew riddle!
|
|
|
|
--IMPERIUM ROMANUM, J. J. O'Molloy said gently. It sounds nobler than
|
|
British or Brixton. The word reminds one somehow of fat in the fire.
|
|
|
|
Myles Crawford blew his first puff violently towards the ceiling.
|
|
|
|
--That's it, he said. We are the fat. You and I are the fat in the fire.
|
|
We haven't got the chance of a snowball in hell.
|
|
|
|
|
|
THE GRANDEUR THAT WAS ROME
|
|
|
|
|
|
--Wait a moment, professor MacHugh said, raising two quiet claws. We
|
|
mustn't be led away by words, by sounds of words. We think of Rome,
|
|
imperial, imperious, imperative.
|
|
|
|
He extended elocutionary arms from frayed stained shirtcuffs, pausing:
|
|
|
|
--What was their civilisation? Vast, I allow: but vile. Cloacae: sewers.
|
|
The Jews in the wilderness and on the mountaintop said: IT IS MEET TO BE
|
|
HERE. LET US BUILD AN ALTAR TO JEHOVAH. The Roman, like the Englishman who
|
|
follows in his footsteps, brought to every new shore on which he set his
|
|
foot (on our shore he never set it) only his cloacal obsession. He gazed
|
|
about him in his toga and he said: IT IS MEET TO BE HERE. LET US CONSTRUCT
|
|
A WATERCLOSET.
|
|
|
|
--Which they accordingly did do, Lenehan said. Our old ancient ancestors,
|
|
as we read in the first chapter of Guinness's, were partial to the running
|
|
stream.
|
|
|
|
--They were nature's gentlemen, J. J. O'Molloy murmured. But we have
|
|
also Roman law.
|
|
|
|
--And Pontius Pilate is its prophet, professor MacHugh responded.
|
|
|
|
--Do you know that story about chief baron Palles? J. J. O'Molloy asked.
|
|
It was at the royal university dinner. Everything was going
|
|
swimmingly ...
|
|
|
|
--First my riddle, Lenehan said. Are you ready?
|
|
|
|
Mr O'Madden Burke, tall in copious grey of Donegal tweed, came in
|
|
from the hallway. Stephen Dedalus, behind him, uncovered as he entered.
|
|
|
|
--ENTREZ, MES ENFANTS! Lenehan cried.
|
|
|
|
--I escort a suppliant, Mr O'Madden Burke said melodiously. Youth led by
|
|
Experience visits Notoriety.
|
|
|
|
--How do you do? the editor said, holding out a hand. Come in. Your
|
|
governor is just gone.
|
|
|
|
|
|
? ? ?
|
|
|
|
|
|
Lenehan said to all:
|
|
|
|
--Silence! What opera resembles a railwayline? Reflect, ponder,
|
|
excogitate, reply.
|
|
|
|
Stephen handed over the typed sheets, pointing to the title and signature.
|
|
|
|
--Who? the editor asked.
|
|
|
|
Bit torn off.
|
|
|
|
--Mr Garrett Deasy, Stephen said.
|
|
|
|
--That old pelters, the editor said. Who tore it? Was he short taken?
|
|
|
|
|
|
ON SWIFT SAIL FLAMING
|
|
FROM STORM AND SOUTH
|
|
HE COMES, PALE VAMPIRE,
|
|
MOUTH TO MY MOUTH.
|
|
|
|
|
|
--Good day, Stephen, the professor said, coming to peer over their
|
|
shoulders. Foot and mouth? Are you turned ...?
|
|
|
|
Bullockbefriending bard.
|
|
|
|
|
|
SHINDY IN WELLKNOWN RESTAURANT
|
|
|
|
|
|
--Good day, sir, Stephen answered blushing. The letter is not mine. Mr
|
|
Garrett Deasy asked me to ...
|
|
|
|
--O, I know him, Myles Crawford said, and I knew his wife too. The
|
|
bloodiest old tartar God ever made. By Jesus, she had the foot and mouth
|
|
disease and no mistake! The night she threw the soup in the waiter's face
|
|
in the Star and Garter. Oho!
|
|
|
|
A woman brought sin into the world. For Helen, the runaway wife of
|
|
Menelaus, ten years the Greeks. O'Rourke, prince of Breffni.
|
|
|
|
--Is he a widower? Stephen asked.
|
|
|
|
--Ay, a grass one, Myles Crawford said, his eye running down the
|
|
typescript. Emperor's horses. Habsburg. An Irishman saved his life on the
|
|
ramparts of Vienna. Don't you forget! Maximilian Karl O'Donnell, graf
|
|
von Tirconnell in Ireland. Sent his heir over to make the king an Austrian
|
|
fieldmarshal now. Going to be trouble there one day. Wild geese. O yes,
|
|
every time. Don't you forget that!
|
|
|
|
--The moot point is did he forget it, J. J. O'Molloy said quietly,
|
|
turning a horseshoe paperweight. Saving princes is a thank you job.
|
|
|
|
Professor MacHugh turned on him.
|
|
|
|
--And if not? he said.
|
|
|
|
--I'll tell you how it was, Myles Crawford began. A Hungarian it was one
|
|
day ...
|
|
|
|
|
|
LOST CAUSES
|
|
|
|
|
|
NOBLE MARQUESS MENTIONED
|
|
|
|
|
|
--We were always loyal to lost causes, the professor said. Success for us
|
|
is the death of the intellect and of the imagination. We were never loyal
|
|
to the successful. We serve them. I teach the blatant Latin language. I
|
|
speak the tongue of a race the acme of whose mentality is the maxim: time
|
|
is money. Material domination. DOMINUS! Lord! Where is the spirituality?
|
|
Lord Jesus? Lord Salisbury? A sofa in a westend club. But the Greek!
|
|
|
|
|
|
KYRIE ELEISON!
|
|
|
|
|
|
A smile of light brightened his darkrimmed eyes, lengthened his long
|
|
lips.
|
|
|
|
--The Greek! he said again. KYRIOS! Shining word! The vowels the Semite
|
|
and the Saxon know not. KYRIE! The radiance of the intellect. I ought to
|
|
profess Greek, the language of the mind. KYRIE ELEISON! The closetmaker
|
|
and the cloacamaker will never be lords of our spirit. We are liege
|
|
subjects of the catholic chivalry of Europe that foundered at Trafalgar
|
|
and of the empire of the spirit, not an IMPERIUM, that went under with the
|
|
Athenian fleets at Aegospotami. Yes, yes. They went under. Pyrrhus, misled
|
|
by an oracle, made a last attempt to retrieve the fortunes of Greece.
|
|
Loyal to a lost cause.
|
|
|
|
He strode away from them towards the window.
|
|
|
|
--They went forth to battle, Mr O'Madden Burke said greyly, but they
|
|
always fell.
|
|
|
|
--Boohoo! Lenehan wept with a little noise. Owing to a brick received in
|
|
the latter half of the matinee. Poor, poor, poor Pyrrhus!
|
|
|
|
He whispered then near Stephen's ear:
|
|
|
|
|
|
LENEHAN'S LIMERICK
|
|
|
|
--THERE'S A PONDEROUS PUNDIT MACHUGH
|
|
WHO WEARS GOGGLES OF EBONY HUE.
|
|
AS HE MOSTLY SEES DOUBLE
|
|
TO WEAR THEM WHY TROUBLE?
|
|
I CAN'T SEE THE JOE MILLER. CAN YOU?
|
|
|
|
|
|
In mourning for Sallust, Mulligan says. Whose mother is beastly dead.
|
|
|
|
Myles Crawford crammed the sheets into a sidepocket.
|
|
|
|
--That'll be all right, he said. I'll read the rest after. That'll be all
|
|
right.
|
|
|
|
Lenehan extended his hands in protest.
|
|
|
|
--But my riddle! he said. What opera is like a railwayline?
|
|
|
|
--Opera? Mr O'Madden Burke's sphinx face reriddled.
|
|
|
|
Lenehan announced gladly:
|
|
|
|
|
|
--THE ROSE OF CASTILE. See the wheeze? Rows of cast steel. Gee!
|
|
|
|
He poked Mr O'Madden Burke mildly in the spleen. Mr O'Madden Burke
|
|
fell back with grace on his umbrella, feigning a gasp.
|
|
|
|
--Help! he sighed. I feel a strong weakness.
|
|
|
|
Lenehan, rising to tiptoe, fanned his face rapidly with the rustling
|
|
tissues.
|
|
|
|
The professor, returning by way of the files, swept his hand across
|
|
Stephen's and Mr O'Madden Burke's loose ties.
|
|
|
|
--Paris, past and present, he said. You look like communards.
|
|
|
|
--Like fellows who had blown up the Bastile, J. J. O'Molloy said in quiet
|
|
mockery. Or was it you shot the lord lieutenant of Finland between you?
|
|
You look as though you had done the deed. General Bobrikoff.
|
|
|
|
|
|
OMNIUM GATHERUM
|
|
|
|
|
|
--We were only thinking about it, Stephen said.
|
|
|
|
--All the talents, Myles Crawford said. Law, the classics ...
|
|
|
|
--The turf, Lenehan put in.
|
|
|
|
--Literature, the press.
|
|
|
|
--If Bloom were here, the professor said. The gentle art of advertisement.
|
|
|
|
--And Madam Bloom, Mr O'Madden Burke added. The vocal muse. Dublin's
|
|
prime favourite.
|
|
|
|
Lenehan gave a loud cough.
|
|
|
|
--Ahem! he said very softly. O, for a fresh of breath air! I caught a
|
|
cold in the park. The gate was open.
|
|
|
|
|
|
YOU CAN DO IT!
|
|
|
|
|
|
The editor laid a nervous hand on Stephen's shoulder.
|
|
|
|
--I want you to write something for me, he said. Something with a bite in
|
|
it. You can do it. I see it in your face. IN THE LEXICON OF YOUTH ...
|
|
|
|
See it in your face. See it in your eye. Lazy idle little schemer.
|
|
|
|
--Foot and mouth disease! the editor cried in scornful invective. Great
|
|
nationalist meeting in Borris-in-Ossory. All balls! Bulldosing the public!
|
|
Give them something with a bite in it. Put us all into it, damn its soul.
|
|
Father, Son and Holy Ghost and Jakes M'Carthy.
|
|
|
|
--We can all supply mental pabulum, Mr O'Madden Burke said.
|
|
|
|
Stephen raised his eyes to the bold unheeding stare.
|
|
|
|
--He wants you for the pressgang, J. J. O'Molloy said.
|
|
|
|
|
|
THE GREAT GALLAHER
|
|
|
|
|
|
--You can do it, Myles Crawford repeated, clenching his hand in emphasis.
|
|
Wait a minute. We'll paralyse Europe as Ignatius Gallaher used to say when
|
|
he was on the shaughraun, doing billiardmarking in the Clarence. Gallaher,
|
|
that was a pressman for you. That was a pen. You know how he made his
|
|
mark? I'll tell you. That was the smartest piece of journalism ever known.
|
|
That was in eightyone, sixth of May, time of the invincibles, murder in
|
|
the Phoenix park, before you were born, I suppose. I'll show you.
|
|
|
|
He pushed past them to the files.
|
|
|
|
--Look at here, he said turning. The NEW YORK WORLD cabled for a special.
|
|
Remember that time?
|
|
|
|
Professor MacHugh nodded.
|
|
|
|
--NEW YORK WORLD, the editor said, excitedly pushing back his straw hat.
|
|
Where it took place. Tim Kelly, or Kavanagh I mean. Joe Brady and the
|
|
rest of them. Where Skin-the-Goat drove the car. Whole route, see?
|
|
|
|
--Skin-the-Goat, Mr O'Madden Burke said. Fitzharris. He has that
|
|
cabman's shelter, they say, down there at Butt bridge. Holohan told me.
|
|
You know Holohan?
|
|
|
|
--Hop and carry one, is it? Myles Crawford said.
|
|
|
|
--And poor Gumley is down there too, so he told me, minding stones for
|
|
the corporation. A night watchman.
|
|
|
|
Stephen turned in surprise.
|
|
|
|
--Gumley? he said. You don't say so? A friend of my father's, is it?
|
|
|
|
--Never mind Gumley, Myles Crawford cried angrily. Let Gumley mind
|
|
the stones, see they don't run away. Look at here. What did Ignatius
|
|
Gallaher do? I'll tell you. Inspiration of genius. Cabled right away. Have
|
|
you WEEKLY FREEMAN of 17 March? Right. Have you got that?
|
|
|
|
He flung back pages of the files and stuck his finger on a point.
|
|
|
|
--Take page four, advertisement for Bransome's coffee, let us say. Have
|
|
you got that? Right.
|
|
|
|
The telephone whirred.
|
|
|
|
|
|
A DISTANT VOICE
|
|
|
|
|
|
--I'll answer it, the professor said, going.
|
|
|
|
--B is parkgate. Good.
|
|
|
|
His finger leaped and struck point after point, vibrating.
|
|
|
|
--T is viceregal lodge. C is where murder took place. K is Knockmaroon
|
|
gate.
|
|
|
|
The loose flesh of his neck shook like a cock's wattles. An illstarched
|
|
dicky jutted up and with a rude gesture he thrust it back into his
|
|
waistcoat.
|
|
|
|
--Hello? EVENING TELEGRAPH here ... Hello?... Who's there? ...
|
|
Yes ... Yes ... Yes.
|
|
|
|
--F to P is the route Skin-the-Goat drove the car for an alibi, Inchicore,
|
|
Roundtown, Windy Arbour, Palmerston Park, Ranelagh. F.A.B.P. Got that?
|
|
X is Davy's publichouse in upper Leeson street.
|
|
|
|
The professor came to the inner door.
|
|
|
|
--Bloom is at the telephone, he said.
|
|
|
|
--Tell him go to hell, the editor said promptly. X is Davy's publichouse,
|
|
see?
|
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|
|
|
|
CLEVER, VERY
|
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|
|
|
|
--Clever, Lenehan said. Very.
|
|
|
|
--Gave it to them on a hot plate, Myles Crawford said, the whole bloody
|
|
history.
|
|
|
|
Nightmare from which you will never awake.
|
|
|
|
--I saw it, the editor said proudly. I was present. Dick Adams, the
|
|
besthearted bloody Corkman the Lord ever put the breath of life in, and
|
|
myself.
|
|
|
|
Lenehan bowed to a shape of air, announcing:
|
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|
|
--Madam, I'm Adam. And Able was I ere I saw Elba.
|
|
|
|
--History! Myles Crawford cried. The Old Woman of Prince's street was
|
|
there first. There was weeping and gnashing of teeth over that. Out of an
|
|
advertisement. Gregor Grey made the design for it. That gave him the leg
|
|
up. Then Paddy Hooper worked Tay Pay who took him on to the Star.
|
|
Now he's got in with Blumenfeld. That's press. That's talent. Pyatt! He
|
|
was all their daddies!
|
|
|
|
--The father of scare journalism, Lenehan confirmed, and the
|
|
brother-in-law of Chris Callinan.
|
|
|
|
--Hello? ... Are you there? ... Yes, he's here still. Come across
|
|
yourself.
|
|
|
|
--Where do you find a pressman like that now, eh? the editor cried.
|
|
He flung the pages down.
|
|
|
|
--Clamn dever, Lenehan said to Mr O'Madden Burke.
|
|
|
|
--Very smart, Mr O'Madden Burke said.
|
|
|
|
Professor MacHugh came from the inner office.
|
|
|
|
--Talking about the invincibles, he said, did you see that some hawkers
|
|
were up before the recorder
|
|
|
|
--O yes, J. J. O'Molloy said eagerly. Lady Dudley was walking home
|
|
through the park to see all the trees that were blown down by that cyclone
|
|
last year and thought she'd buy a view of Dublin. And it turned out to be
|
|
a commemoration postcard of Joe Brady or Number One or Skin-the-Goat.
|
|
Right outside the viceregal lodge, imagine!
|
|
|
|
--They're only in the hook and eye department, Myles Crawford said.
|
|
Psha! Press and the bar! Where have you a man now at the bar like those
|
|
fellows, like Whiteside, like Isaac Butt, like silvertongued O'Hagan. Eh?
|
|
Ah, bloody nonsense. Psha! Only in the halfpenny place.
|
|
|
|
His mouth continued to twitch unspeaking in nervous curls of disdain.
|
|
|
|
Would anyone wish that mouth for her kiss? How do you know? Why did
|
|
you write it then?
|
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|
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|
|
RHYMES AND REASONS
|
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|
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|
|
Mouth, south. Is the mouth south someway? Or the south a mouth?
|
|
Must be some. South, pout, out, shout, drouth. Rhymes: two men dressed
|
|
the same, looking the same, two by two.
|
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|
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|
. . . . . . . . . . . . . . . . . . .LA TUA PACE
|
|
. . . . . . . . . . . . . . .CHE PARLAR TI PIACE
|
|
. . . . .MENTREM CHE IL VENTO, COME FA, SI TACE.
|
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|
|
|
|
He saw them three by three, approaching girls, in green, in rose, in
|
|
russet, entwining, PER L'AER PERSO, in mauve, in purple, QUELLA PACIFICA
|
|
ORIAFIAMMA, gold of oriflamme, DI RIMIRAR FE PIU ARDENTI. But I old men,
|
|
penitent, leadenfooted, underdarkneath the night: mouth south: tomb womb.
|
|
|
|
--Speak up for yourself, Mr O'Madden Burke said.
|
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|
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|
|
SUFFICIENT FOR THE DAY ...
|
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|
|
|
|
J. J. O'Molloy, smiling palely, took up the gage.
|
|
|
|
--My dear Myles, he said, flinging his cigarette aside, you put a false
|
|
construction on my words. I hold no brief, as at present advised, for the
|
|
third profession qua profession but your Cork legs are running away with
|
|
you. Why not bring in Henry Grattan and Flood and Demosthenes and
|
|
Edmund Burke? Ignatius Gallaher we all know and his Chapelizod boss,
|
|
Harmsworth of the farthing press, and his American cousin of the Bowery
|
|
guttersheet not to mention PADDY KELLY'S BUDGET, PUE'S OCCURRENCES and our
|
|
watchful friend THE SKIBBEREEN EAGLE. Why bring in a master of forensic
|
|
eloquence like Whiteside? Sufficient for the day is the newspaper thereof.
|
|
|
|
|
|
LINKS WITH BYGONE DAYS OF YORE
|
|
|
|
|
|
--Grattan and Flood wrote for this very paper, the editor cried in his
|
|
face. Irish volunteers. Where are you now? Established 1763. Dr Lucas.
|
|
Who have you now like John Philpot Curran? Psha!
|
|
|
|
--Well, J. J. O'Molloy said, Bushe K.C., for example.
|
|
|
|
--Bushe? the editor said. Well, yes: Bushe, yes. He has a strain of it in
|
|
his blood. Kendal Bushe or I mean Seymour Bushe.
|
|
|
|
--He would have been on the bench long ago, the professor said, only
|
|
for ... But no matter.
|
|
|
|
J. J. O'Molloy turned to Stephen and said quietly and slowly:
|
|
|
|
--One of the most polished periods I think I ever listened to in my life
|
|
fell from the lips of Seymour Bushe. It was in that case of fratricide,
|
|
the Childs murder case. Bushe defended him.
|
|
|
|
|
|
AND IN THE PORCHES OF MINE EAR DID POUR.
|
|
|
|
|
|
By the way how did he find that out? He died in his sleep. Or the
|
|
other story, beast with two backs?
|
|
|
|
--What was that? the professor asked.
|
|
|
|
|
|
ITALIA, MAGISTRA ARTIUM
|
|
|
|
|
|
--He spoke on the law of evidence, J. J. O'Molloy said, of Roman justice
|
|
as contrasted with the earlier Mosaic code, the LEX TALIONIS. And he cited
|
|
the Moses of Michelangelo in the vatican.
|
|
|
|
--Ha.
|
|
|
|
--A few wellchosen words, Lenehan prefaced. Silence!
|
|
|
|
Pause. J. J. O'Molloy took out his cigarettecase.
|
|
|
|
False lull. Something quite ordinary.
|
|
|
|
Messenger took out his matchbox thoughtfully and lit his cigar.
|
|
|
|
I have often thought since on looking back over that strange time that
|
|
it was that small act, trivial in itself, that striking of that match,
|
|
that determined the whole aftercourse of both our lives.
|
|
|
|
|
|
A POLISHED PERIOD
|
|
|
|
|
|
J. J. O'Molloy resumed, moulding his words:
|
|
|
|
--He said of it: THAT STONY EFFIGY IN FROZEN MUSIC, HORNED AND TERRIBLE,
|
|
OF THE HUMAN FORM DIVINE, THAT ETERNAL SYMBOL OF WISDOM AND OF PROPHECY
|
|
WHICH, IF AUGHT THAT THE IMAGINATION OR THE HAND OF SCULPTOR HAS WROUGHT
|
|
IN MARBLE OF SOULTRANSFIGURED AND OF SOULTRANSFIGURING DESERVES TO LIVE,
|
|
DESERVES TO LIVE.
|
|
|
|
His slim hand with a wave graced echo and fall.
|
|
|
|
--Fine! Myles Crawford said at once.
|
|
|
|
--The divine afflatus, Mr O'Madden Burke said.
|
|
|
|
--You like it? J. J. O'Molloy asked Stephen.
|
|
|
|
Stephen, his blood wooed by grace of language and gesture, blushed.
|
|
He took a cigarette from the case. J. J. O'Molloy offered his case to
|
|
Myles Crawford. Lenehan lit their cigarettes as before and took his
|
|
trophy, saying:
|
|
|
|
--Muchibus thankibus.
|
|
|
|
|
|
A MAN OF HIGH MORALE
|
|
|
|
|
|
--Professor Magennis was speaking to me about you, J. J. O'Molloy said to
|
|
Stephen. What do you think really of that hermetic crowd, the opal hush
|
|
poets: A. E. the mastermystic? That Blavatsky woman started it. She was a
|
|
nice old bag of tricks. A. E. has been telling some yankee interviewer
|
|
that you came to him in the small hours of the morning to ask him about
|
|
planes of consciousness. Magennis thinks you must have been pulling
|
|
A. E.'s leg. He is a man of the very highest morale, Magennis.
|
|
|
|
Speaking about me. What did he say? What did he say? What did he
|
|
say about me? Don't ask.
|
|
|
|
--No, thanks, professor MacHugh said, waving the cigarettecase aside.
|
|
Wait a moment. Let me say one thing. The finest display of oratory I ever
|
|
heard was a speech made by John F Taylor at the college historical
|
|
society. Mr Justice Fitzgibbon, the present lord justice of appeal, had
|
|
spoken and the paper under debate was an essay (new for those days),
|
|
advocating the revival of the Irish tongue.
|
|
|
|
He turned towards Myles Crawford and said:
|
|
|
|
--You know Gerald Fitzgibbon. Then you can imagine the style of his
|
|
discourse.
|
|
|
|
--He is sitting with Tim Healy, J. J. O'Molloy said, rumour has it, on
|
|
the Trinity college estates commission.
|
|
|
|
--He is sitting with a sweet thing, Myles Crawford said, in a child's
|
|
frock. Go on. Well?
|
|
|
|
--It was the speech, mark you, the professor said, of a finished orator,
|
|
full of courteous haughtiness and pouring in chastened diction I will not
|
|
say the vials of his wrath but pouring the proud man's contumely upon the
|
|
new movement. It was then a new movement. We were weak, therefore
|
|
worthless.
|
|
|
|
He closed his long thin lips an instant but, eager to be on, raised an
|
|
outspanned hand to his spectacles and, with trembling thumb and
|
|
ringfinger touching lightly the black rims, steadied them to a new focus.
|
|
|
|
|
|
IMPROMPTU
|
|
|
|
|
|
In ferial tone he addressed J. J. O'Molloy:
|
|
|
|
--Taylor had come there, you must know, from a sickbed. That he had
|
|
prepared his speech I do not believe for there was not even one
|
|
shorthandwriter in the hall. His dark lean face had a growth of shaggy
|
|
beard round it. He wore a loose white silk neckcloth and altogether he
|
|
looked (though he was not) a dying man.
|
|
|
|
His gaze turned at once but slowly from J. J. O'Molloy's towards
|
|
Stephen's face and then bent at once to the ground, seeking. His unglazed
|
|
linen collar appeared behind his bent head, soiled by his withering hair.
|
|
Still seeking, he said:
|
|
|
|
--When Fitzgibbon's speech had ended John F Taylor rose to reply.
|
|
Briefly, as well as I can bring them to mind, his words were these.
|
|
|
|
He raised his head firmly. His eyes bethought themselves once more.
|
|
Witless shellfish swam in the gross lenses to and fro, seeking outlet.
|
|
|
|
He began:
|
|
|
|
--MR CHAIRMAN, LADIES AND GENTLEMEN: GREAT WAS MY ADMIRATION IN LISTENING
|
|
TO THE REMARKS ADDRESSED TO THE YOUTH OF IRELAND A MOMENT SINCE BY MY
|
|
LEARNED FRIEND. IT SEEMED TO ME THAT I HAD BEEN TRANSPORTED INTO A COUNTRY
|
|
FAR AWAY FROM THIS COUNTRY, INTO AN AGE REMOTE FROM THIS AGE, THAT I STOOD
|
|
IN ANCIENT EGYPT AND THAT I WAS LISTENING TO THE SPEECH OF SOME HIGHPRIEST
|
|
OF THAT LAND ADDRESSED TO THE YOUTHFUL MOSES.
|
|
|
|
His listeners held their cigarettes poised to hear, their smokes
|
|
ascending in frail stalks that flowered with his speech. And let our
|
|
crooked smokes. Noble words coming. Look out. Could you try your hand at
|
|
it yourself?
|
|
|
|
--AND IT SEEMED TO ME THAT I HEARD THE VOICE OF THAT EGYPTIAN HIGHPRIEST
|
|
RAISED IN A TONE OF LIKE HAUGHTINESS AND LIKE PRIDE. I HEARD HIS WORDS AND
|
|
THEIR MEANING WAS REVEALED TO ME.
|
|
|
|
|
|
FROM THE FATHERS
|
|
|
|
|
|
It was revealed to me that those things are good which yet are
|
|
corrupted which neither if they were supremely good nor unless they were
|
|
good could be corrupted. Ah, curse you! That's saint Augustine.
|
|
|
|
--WHY WILL YOU JEWS NOT ACCEPT OUR CULTURE, OUR RELIGION AND OUR
|
|
LANGUAGE? YOU ARE A TRIBE OF NOMAD HERDSMEN: WE ARE A MIGHTY PEOPLE. YOU
|
|
HAVE NO CITIES NOR NO WEALTH: OUR CITIES ARE HIVES OF HUMANITY AND OUR
|
|
GALLEYS, TRIREME AND QUADRIREME, LADEN WITH ALL MANNER MERCHANDISE FURROW
|
|
THE WATERS OF THE KNOWN GLOBE. YOU HAVE BUT EMERGED FROM PRIMITIVE
|
|
CONDITIONS: WE HAVE A LITERATURE, A PRIESTHOOD, AN AGELONG HISTORY AND A
|
|
POLITY.
|
|
|
|
Nile.
|
|
|
|
Child, man, effigy.
|
|
|
|
By the Nilebank the babemaries kneel, cradle of bulrushes: a man
|
|
supple in combat: stonehorned, stonebearded, heart of stone.
|
|
|
|
--YOU PRAY TO A LOCAL AND OBSCURE IDOL: OUR TEMPLES, MAJESTIC AND
|
|
MYSTERIOUS, ARE THE ABODES OF ISIS AND OSIRIS, OF HORUS AND AMMON RA.
|
|
YOURS SERFDOM, AWE AND HUMBLENESS: OURS THUNDER AND THE SEAS. ISRAEL IS
|
|
WEAK AND FEW ARE HER CHILDREN: EGYPT IS AN HOST AND TERRIBLE ARE HER ARMS.
|
|
VAGRANTS AND DAYLABOURERS ARE YOU CALLED: THE WORLD TREMBLES AT OUR NAME.
|
|
|
|
A dumb belch of hunger cleft his speech. He lifted his voice above it
|
|
boldly:
|
|
|
|
--BUT, LADIES AND GENTLEMEN, HAD THE YOUTHFUL MOSES LISTENED TO AND
|
|
ACCEPTED THAT VIEW OF LIFE, HAD HE BOWED HIS HEAD AND BOWED HIS WILL AND
|
|
BOWED HIS SPIRIT BEFORE THAT ARROGANT ADMONITION HE WOULD NEVER HAVE
|
|
BROUGHT THE CHOSEN PEOPLE OUT OF THEIR HOUSE OF BONDAGE, NOR FOLLOWED THE
|
|
PILLAR OF THE CLOUD BY DAY. HE WOULD NEVER HAVE SPOKEN WITH THE ETERNAL
|
|
AMID LIGHTNINGS ON SINAI'S MOUNTAINTOP NOR EVER HAVE COME DOWN WITH THE
|
|
LIGHT OF INSPIRATION SHINING IN HIS COUNTENANCE AND BEARING IN HIS ARMS
|
|
THE TABLES OF THE LAW, GRAVEN IN THE LANGUAGE OF THE OUTLAW.
|
|
|
|
He ceased and looked at them, enjoying a silence.
|
|
|
|
|
|
OMINOUS--FOR HIM!
|
|
|
|
|
|
J. J. O'Molloy said not without regret:
|
|
|
|
--And yet he died without having entered the land of promise.
|
|
|
|
--A sudden--at--the--moment--though--from--lingering--illness--
|
|
often--previously--expectorated--demise, Lenehan added. And with a
|
|
great future behind him.
|
|
|
|
The troop of bare feet was heard rushing along the hallway and
|
|
pattering up the staircase.
|
|
|
|
--That is oratory, the professor said uncontradicted. Gone with the wind.
|
|
Hosts at Mullaghmast and Tara of the kings. Miles of ears of porches.
|
|
The tribune's words, howled and scattered to the four winds. A people
|
|
sheltered within his voice. Dead noise. Akasic records of all that ever
|
|
anywhere wherever was. Love and laud him: me no more.
|
|
|
|
I have money.
|
|
|
|
--Gentlemen, Stephen said. As the next motion on the agenda paper may I
|
|
suggest that the house do now adjourn?
|
|
|
|
--You take my breath away. It is not perchance a French compliment? Mr
|
|
O'Madden Burke asked. 'Tis the hour, methinks, when the winejug,
|
|
metaphorically speaking, is most grateful in Ye ancient hostelry.
|
|
|
|
--That it be and hereby is resolutely resolved. All that are in favour
|
|
say ay, Lenehan announced. The contrary no. I declare it carried. To which
|
|
particular boosing shed? ... My casting vote is: Mooney's!
|
|
|
|
He led the way, admonishing:
|
|
|
|
--We will sternly refuse to partake of strong waters, will we not? Yes,
|
|
we will not. By no manner of means.
|
|
|
|
Mr O'Madden Burke, following close, said with an ally's lunge of his
|
|
umbrella:
|
|
|
|
--Lay on, Macduff!
|
|
|
|
--Chip of the old block! the editor cried, clapping Stephen on the
|
|
shoulder. Let us go. Where are those blasted keys?
|
|
|
|
He fumbled in his pocket pulling out the crushed typesheets.
|
|
|
|
--Foot and mouth. I know. That'll be all right. That'll go in. Where are
|
|
they? That's all right.
|
|
|
|
He thrust the sheets back and went into the inner office.
|
|
|
|
|
|
LET US HOPE
|
|
|
|
|
|
J. J. O'Molloy, about to follow him in, said quietly to Stephen:
|
|
|
|
--I hope you will live to see it published. Myles, one moment.
|
|
|
|
He went into the inner office, closing the door behind him.
|
|
|
|
--Come along, Stephen, the professor said. That is fine, isn't it? It has
|
|
the prophetic vision. FUIT ILIUM! The sack of windy Troy. Kingdoms of this
|
|
world. The masters of the Mediterranean are fellaheen today.
|
|
|
|
The first newsboy came pattering down the stairs at their heels and
|
|
rushed out into the street, yelling:
|
|
|
|
--Racing special!
|
|
|
|
Dublin. I have much, much to learn.
|
|
|
|
They turned to the left along Abbey street.
|
|
|
|
--I have a vision too, Stephen said.
|
|
|
|
--Yes? the professor said, skipping to get into step. Crawford will
|
|
follow.
|
|
|
|
Another newsboy shot past them, yelling as he ran:
|
|
|
|
--Racing special!
|
|
|
|
|
|
DEAR DIRTY DUBLIN
|
|
|
|
|
|
Dubliners.
|
|
|
|
--Two Dublin vestals, Stephen said, elderly and pious, have lived fifty
|
|
and fiftythree years in Fumbally's lane.
|
|
|
|
--Where is that? the professor asked.
|
|
|
|
--Off Blackpitts, Stephen said.
|
|
|
|
Damp night reeking of hungry dough. Against the wall. Face
|
|
glistering tallow under her fustian shawl. Frantic hearts. Akasic records.
|
|
Quicker, darlint!
|
|
|
|
On now. Dare it. Let there be life.
|
|
|
|
--They want to see the views of Dublin from the top of Nelson's pillar.
|
|
They save up three and tenpence in a red tin letterbox moneybox. They
|
|
shake out the threepenny bits and sixpences and coax out the pennies with
|
|
the blade of a knife. Two and three in silver and one and seven in
|
|
coppers. They put on their bonnets and best clothes and take their
|
|
umbrellas for fear it may come on to rain.
|
|
|
|
--Wise virgins, professor MacHugh said.
|
|
|
|
|
|
LIFE ON THE RAW
|
|
|
|
|
|
--They buy one and fourpenceworth of brawn and four slices of panloaf at
|
|
the north city diningrooms in Marlborough street from Miss Kate Collins,
|
|
proprietress ... They purchase four and twenty ripe plums from a girl at
|
|
the foot of Nelson's pillar to take off the thirst of the brawn. They give
|
|
two threepenny bits to the gentleman at the turnstile and begin to waddle
|
|
slowly up the winding staircase, grunting, encouraging each other, afraid
|
|
of the dark, panting, one asking the other have you the brawn, praising
|
|
God and the Blessed Virgin, threatening to come down, peeping at the
|
|
airslits. Glory be to God. They had no idea it was that high.
|
|
|
|
Their names are Anne Kearns and Florence MacCabe. Anne Kearns
|
|
has the lumbago for which she rubs on Lourdes water, given her by a lady
|
|
who got a bottleful from a passionist father. Florence MacCabe takes a
|
|
crubeen and a bottle of double X for supper every Saturday.
|
|
|
|
--Antithesis, the professor said nodding twice. Vestal virgins. I can see
|
|
them. What's keeping our friend?
|
|
|
|
He turned.
|
|
|
|
A bevy of scampering newsboys rushed down the steps, scattering in
|
|
all directions, yelling, their white papers fluttering. Hard after them
|
|
Myles Crawford appeared on the steps, his hat aureoling his scarlet face,
|
|
talking with J. J. O'Molloy.
|
|
|
|
--Come along, the professor cried, waving his arm.
|
|
|
|
He set off again to walk by Stephen's side.
|
|
|
|
|
|
RETURN OF BLOOM
|
|
|
|
|
|
--Yes, he said. I see them.
|
|
|
|
Mr Bloom, breathless, caught in a whirl of wild newsboys near the
|
|
offices of the IRISH CATHOLIC AND DUBLIN PENNY JOURNAL, called:
|
|
|
|
--Mr Crawford! A moment!
|
|
|
|
--TELEGRAPH! Racing special!
|
|
|
|
--What is it? Myles Crawford said, falling back a pace.
|
|
|
|
A newsboy cried in Mr Bloom's face:
|
|
|
|
--Terrible tragedy in Rathmines! A child bit by a bellows!
|
|
|
|
|
|
|
|
INTERVIEW WITH THE EDITOR
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--Just this ad, Mr Bloom said, pushing through towards the steps,
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puffing, and taking the cutting from his pocket. I spoke with Mr Keyes
|
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just now. He'll give a renewal for two months, he says. After he'll see.
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But he wants a par to call attention in the TELEGRAPH too, the Saturday
|
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pink. And he wants it copied if it's not too late I told councillor
|
|
Nannetti from the KILKENNY PEOPLE. I can have access to it in the national
|
|
library. House of keys, don't you see? His name is Keyes. It's a play on
|
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the name. But he practically promised he'd give the renewal. But he wants
|
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just a little puff. What will I tell him, Mr Crawford?
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K.M.A.
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--Will you tell him he can kiss my arse? Myles Crawford said throwing out
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his arm for emphasis. Tell him that straight from the stable.
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A bit nervy. Look out for squalls. All off for a drink. Arm in arm.
|
|
Lenehan's yachting cap on the cadge beyond. Usual blarney. Wonder is
|
|
that young Dedalus the moving spirit. Has a good pair of boots on him
|
|
today. Last time I saw him he had his heels on view. Been walking in muck
|
|
somewhere. Careless chap. What was he doing in Irishtown?
|
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|
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--Well, Mr Bloom said, his eyes returning, if I can get the design I
|
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suppose it's worth a short par. He'd give the ad, I think. I'll tell
|
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him ...
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K.M.R.I.A.
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--He can kiss my royal Irish arse, Myles Crawford cried loudly over his
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shoulder. Any time he likes, tell him.
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While Mr Bloom stood weighing the point and about to smile he strode
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on jerkily.
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RAISING THE WIND
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--NULLA BONA, Jack, he said, raising his hand to his chin. I'm up to
|
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here. I've been through the hoop myself. I was looking for a fellow to
|
|
back a bill for me no later than last week. Sorry, Jack. You must take the
|
|
will for the deed. With a heart and a half if I could raise the wind
|
|
anyhow.
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J. J. O'Molloy pulled a long face and walked on silently. They caught
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up on the others and walked abreast.
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--When they have eaten the brawn and the bread and wiped their twenty
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fingers in the paper the bread was wrapped in they go nearer to the
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railings.
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--Something for you, the professor explained to Myles Crawford. Two old
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Dublin women on the top of Nelson's pillar.
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SOME COLUMN!--
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THAT'S WHAT WADDLER ONE SAID
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--That's new, Myles Crawford said. That's copy. Out for the waxies
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Dargle. Two old trickies, what?
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--But they are afraid the pillar will fall, Stephen went on. They see the
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roofs and argue about where the different churches are: Rathmines' blue
|
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dome, Adam and Eve's, saint Laurence O'Toole's. But it makes them giddy to
|
|
look so they pull up their skirts ...
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THOSE SLIGHTLY RAMBUNCTIOUS FEMALES
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--Easy all, Myles Crawford said. No poetic licence. We're in the
|
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archdiocese here.
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--And settle down on their striped petticoats, peering up at the statue
|
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of the onehandled adulterer.
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--Onehandled adulterer! the professor cried. I like that. I see the idea.
|
|
I see what you mean.
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DAMES DONATE DUBLIN'S CITS SPEEDPILLS
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VELOCITOUS AEROLITHS, BELIEF
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|
--It gives them a crick in their necks, Stephen said, and they are too
|
|
tired to look up or down or to speak. They put the bag of plums between
|
|
them and eat the plums out of it, one after another, wiping off with their
|
|
handkerchiefs the plumjuice that dribbles out of their mouths and spitting
|
|
the plumstones slowly out between the railings.
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He gave a sudden loud young laugh as a close. Lenehan and Mr O'Madden
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Burke, hearing, turned, beckoned and led on across towards Mooney's.
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--Finished? Myles Crawford said. So long as they do no worse.
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SOPHIST WALLOPS HAUGHTY HELEN SQUARE ON
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PROBOSCIS. SPARTANS GNASH MOLARS. ITHACANS
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VOW PEN IS CHAMP.
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--You remind me of Antisthenes, the professor said, a disciple of
|
|
Gorgias, the sophist. It is said of him that none could tell if he were
|
|
bitterer against others or against himself. He was the son of a noble and
|
|
a bondwoman. And he wrote a book in which he took away the palm of beauty
|
|
from Argive Helen and handed it to poor Penelope.
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Poor Penelope. Penelope Rich.
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|
They made ready to cross O'Connell street.
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HELLO THERE, CENTRAL!
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|
At various points along the eight lines tramcars with motionless
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trolleys stood in their tracks, bound for or from Rathmines, Rathfarnham,
|
|
Blackrock, Kingstown and Dalkey, Sandymount Green, Ringsend and
|
|
Sandymount Tower, Donnybrook, Palmerston Park and Upper Rathmines,
|
|
all still, becalmed in short circuit. Hackney cars, cabs, delivery
|
|
waggons, mailvans, private broughams, aerated mineral water floats with
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|
rattling crates of bottles, rattled, rolled, horsedrawn, rapidly.
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WHAT?--AND LIKEWISE--WHERE?
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--But what do you call it? Myles Crawford asked. Where did they get the
|
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plums?
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VIRGILIAN, SAYS PEDAGOGUE.
|
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SOPHOMORE PLUMPS FOR OLD MAN MOSES.
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|
--Call it, wait, the professor said, opening his long lips wide to
|
|
reflect. Call it, let me see. Call it: DEUS NOBIS HAEC OTIA FECIT.
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--No, Stephen said. I call it A PISGAH SIGHT OF PALESTINE OR THE PARABLE
|
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OF THE PLUMS.
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--I see, the professor said.
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|
He laughed richly.
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|
|
--I see, he said again with new pleasure. Moses and the promised land. We
|
|
gave him that idea, he added to J. J. O'Molloy.
|
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|
HORATIO IS CYNOSURE THIS FAIR JUNE DAY
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|
J. J. O'Molloy sent a weary sidelong glance towards the statue and
|
|
held his peace.
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|
--I see, the professor said.
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|
|
He halted on sir John Gray's pavement island and peered aloft at Nelson
|
|
through the meshes of his wry smile.
|
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|
DIMINISHED DIGITS PROVE TOO TITILLATING
|
|
FOR FRISKY FRUMPS. ANNE WIMBLES, FLO
|
|
WANGLES--YET CAN YOU BLAME THEM?
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|
--Onehandled adulterer, he said smiling grimly. That tickles me, I must
|
|
say.
|
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|
|
--Tickled the old ones too, Myles Crawford said, if the God Almighty's
|
|
truth was known.
|
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* * * * * * *
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|
Pineapple rock, lemon platt, butter scotch. A sugarsticky girl
|
|
shovelling scoopfuls of creams for a christian brother. Some school treat.
|
|
Bad for their tummies. Lozenge and comfit manufacturer to His Majesty
|
|
the King. God. Save. Our. Sitting on his throne sucking red jujubes white.
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|
|
A sombre Y.M.C.A. young man, watchful among the warm sweet
|
|
fumes of Graham Lemon's, placed a throwaway in a hand of Mr Bloom.
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|
|
Heart to heart talks.
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|
|
Bloo ... Me? No.
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|
Blood of the Lamb.
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|
|
His slow feet walked him riverward, reading. Are you saved? All are
|
|
washed in the blood of the lamb. God wants blood victim. Birth, hymen,
|
|
martyr, war, foundation of a building, sacrifice, kidney burntoffering,
|
|
druids' altars. Elijah is coming. Dr John Alexander Dowie restorer of the
|
|
church in Zion is coming.
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|
IS COMING! IS COMING!! IS COMING!!!
|
|
ALL HEARTILY WELCOME.
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|
Paying game. Torry and Alexander last year. Polygamy. His wife will
|
|
put the stopper on that. Where was that ad some Birmingham firm the
|
|
luminous crucifix. Our Saviour. Wake up in the dead of night and see him
|
|
on the wall, hanging. Pepper's ghost idea. Iron nails ran in.
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|
|
Phosphorus it must be done with. If you leave a bit of codfish for
|
|
instance. I could see the bluey silver over it. Night I went down to the
|
|
pantry in the kitchen. Don't like all the smells in it waiting to rush
|
|
out. What was it she wanted? The Malaga raisins. Thinking of Spain. Before
|
|
Rudy was born. The phosphorescence, that bluey greeny. Very good for the
|
|
brain.
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|
|
|
From Butler's monument house corner he glanced along Bachelor's
|
|
walk. Dedalus' daughter there still outside Dillon's auctionrooms. Must be
|
|
selling off some old furniture. Knew her eyes at once from the father.
|
|
Lobbing about waiting for him. Home always breaks up when the mother
|
|
goes. Fifteen children he had. Birth every year almost. That's in their
|
|
theology or the priest won't give the poor woman the confession, the
|
|
absolution. Increase and multiply. Did you ever hear such an idea? Eat you
|
|
out of house and home. No families themselves to feed. Living on the fat
|
|
of the land. Their butteries and larders. I'd like to see them do the
|
|
black fast Yom Kippur. Crossbuns. One meal and a collation for fear he'd
|
|
collapse on the altar. A housekeeper of one of those fellows if you could
|
|
pick it out of her. Never pick it out of her. Like getting l.s.d. out of
|
|
him. Does himself well. No guests. All for number one. Watching his water.
|
|
Bring your own bread and butter. His reverence: mum's the word.
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|
|
|
Good Lord, that poor child's dress is in flitters. Underfed she looks
|
|
too. Potatoes and marge, marge and potatoes. It's after they feel it.
|
|
Proof of the pudding. Undermines the constitution.
|
|
|
|
As he set foot on O'Connell bridge a puffball of smoke plumed up
|
|
from the parapet. Brewery barge with export stout. England. Sea air sours
|
|
it, I heard. Be interesting some day get a pass through Hancock to see the
|
|
brewery. Regular world in itself. Vats of porter wonderful. Rats get in
|
|
too. Drink themselves bloated as big as a collie floating. Dead drunk on
|
|
the porter. Drink till they puke again like christians. Imagine drinking
|
|
that! Rats: vats. Well, of course, if we knew all the things.
|
|
|
|
Looking down he saw flapping strongly, wheeling between the gaunt
|
|
quaywalls, gulls. Rough weather outside. If I threw myself down?
|
|
Reuben J's son must have swallowed a good bellyful of that sewage. One and
|
|
eightpence too much. Hhhhm. It's the droll way he comes out with the
|
|
things. Knows how to tell a story too.
|
|
|
|
They wheeled lower. Looking for grub. Wait.
|
|
|
|
He threw down among them a crumpled paper ball. Elijah thirtytwo
|
|
feet per sec is com. Not a bit. The ball bobbed unheeded on the wake of
|
|
swells, floated under by the bridgepiers. Not such damn fools. Also the
|
|
day I threw that stale cake out of the Erin's King picked it up in the
|
|
wake fifty yards astern. Live by their wits. They wheeled, flapping.
|
|
|
|
THE HUNGRY FAMISHED GULL
|
|
FLAPS O'ER THE WATERS DULL.
|
|
|
|
|
|
That is how poets write, the similar sounds. But then Shakespeare has
|
|
no rhymes: blank verse. The flow of the language it is. The thoughts.
|
|
Solemn.
|
|
|
|
|
|
HAMLET, I AM THY FATHER'S SPIRIT
|
|
DOOMED FOR A CERTAIN TIME TO WALK THE EARTH.
|
|
|
|
|
|
--Two apples a penny! Two for a penny!
|
|
|
|
His gaze passed over the glazed apples serried on her stand.
|
|
Australians they must be this time of year. Shiny peels: polishes them up
|
|
with a rag or a handkerchief.
|
|
|
|
Wait. Those poor birds.
|
|
|
|
He halted again and bought from the old applewoman two Banbury
|
|
cakes for a penny and broke the brittle paste and threw its fragments down
|
|
into the Liffey. See that? The gulls swooped silently, two, then all from
|
|
their heights, pouncing on prey. Gone. Every morsel.
|
|
|
|
Aware of their greed and cunning he shook the powdery crumb from his
|
|
hands. They never expected that. Manna. Live on fish, fishy flesh
|
|
they have, all seabirds, gulls, seagoose. Swans from Anna Liffey swim
|
|
down here sometimes to preen themselves. No accounting for tastes.
|
|
Wonder what kind is swanmeat. Robinson Crusoe had to live on them.
|
|
|
|
They wheeled flapping weakly. I'm not going to throw any more.
|
|
Penny quite enough. Lot of thanks I get. Not even a caw. They spread foot
|
|
and mouth disease too. If you cram a turkey say on chestnutmeal it tastes
|
|
like that. Eat pig like pig. But then why is it that saltwater fish are
|
|
not salty? How is that?
|
|
|
|
His eyes sought answer from the river and saw a rowboat rock at anchor
|
|
on the treacly swells lazily its plastered board.
|
|
|
|
KINO'S
|
|
11/-
|
|
TROUSERS
|
|
|
|
Good idea that. Wonder if he pays rent to the corporation. How can
|
|
you own water really? It's always flowing in a stream, never the same,
|
|
which in the stream of life we trace. Because life is a stream. All kinds
|
|
of places are good for ads. That quack doctor for the clap used to be
|
|
stuck up in all the greenhouses. Never see it now. Strictly confidential.
|
|
Dr Hy Franks. Didn't cost him a red like Maginni the dancing master self
|
|
advertisement. Got fellows to stick them up or stick them up himself for
|
|
that matter on the q. t. running in to loosen a button. Flybynight. Just
|
|
the place too. POST NO BILLS. POST 110 PILLS. Some chap with a dose
|
|
burning him.
|
|
|
|
If he ...?
|
|
|
|
O!
|
|
|
|
Eh?
|
|
|
|
No ... No.
|
|
|
|
No, no. I don't believe it. He wouldn't surely?
|
|
|
|
No, no.
|
|
|
|
Mr Bloom moved forward, raising his troubled eyes. Think no more about
|
|
that. After one. Timeball on the ballastoffice is down. Dunsink time.
|
|
Fascinating little book that is of sir Robert Ball's. Parallax. I never
|
|
exactly understood. There's a priest. Could ask him. Par it's Greek:
|
|
parallel, parallax. Met him pike hoses she called it till I told her about
|
|
the transmigration. O rocks!
|
|
|
|
Mr Bloom smiled O rocks at two windows of the ballastoffice. She's
|
|
right after all. Only big words for ordinary things on account of the
|
|
sound. She's not exactly witty. Can be rude too. Blurt out what I was
|
|
thinking. Still, I don't know. She used to say Ben Dollard had a base
|
|
barreltone voice. He has legs like barrels and you'd think he was singing
|
|
into a barrel. Now, isn't that wit. They used to call him big Ben. Not
|
|
half as witty as calling him base barreltone. Appetite like an albatross.
|
|
Get outside of a baron of beef. Powerful man he was at stowing away number
|
|
one Bass. Barrel of Bass. See? It all works out.
|
|
|
|
|
|
A procession of whitesmocked sandwichmen marched slowly towards
|
|
him along the gutter, scarlet sashes across their boards. Bargains. Like
|
|
that priest they are this morning: we have sinned: we have suffered. He
|
|
read the scarlet letters on their five tall white hats: H. E. L. Y. S.
|
|
Wisdom Hely's. Y lagging behind drew a chunk of bread from under his
|
|
foreboard, crammed it into his mouth and munched as he walked. Our staple
|
|
food. Three bob a day, walking along the gutters, street after street.
|
|
Just keep skin and bone together, bread and skilly. They are not Boyl:
|
|
no, M Glade's men. Doesn't bring in any business either. I suggested
|
|
to him about a transparent showcart with two smart girls sitting
|
|
inside writing letters, copybooks, envelopes, blottingpaper. I bet that
|
|
would have caught on. Smart girls writing something catch the eye at once.
|
|
Everyone dying to know what she's writing. Get twenty of them round you
|
|
if you stare at nothing. Have a finger in the pie. Women too. Curiosity.
|
|
Pillar of salt. Wouldn't have it of course because he didn't think
|
|
of it himself first. Or the inkbottle I suggested with a false stain
|
|
of black celluloid. His ideas for ads like Plumtree's potted under
|
|
the obituaries, cold meat department. You can't lick 'em. What? Our
|
|
envelopes. Hello, Jones, where are you going? Can't stop, Robinson,
|
|
I am hastening to purchase the only reliable inkeraser KANSELL,
|
|
sold by Hely's Ltd, 85 Dame street. Well out of that ruck I am.
|
|
Devil of a job it was collecting accounts of those convents. Tranquilla
|
|
convent. That was a nice nun there, really sweet face. Wimple suited her
|
|
small head. Sister? Sister? I am sure she was crossed in love by her eyes.
|
|
Very hard to bargain with that sort of a woman. I disturbed her at her
|
|
devotions that morning. But glad to communicate with the outside world.
|
|
Our great day, she said. Feast of Our Lady of Mount Carmel. Sweet name
|
|
too: caramel. She knew I, I think she knew by the way she. If she had
|
|
married she would have changed. I suppose they really were short of
|
|
money. Fried everything in the best butter all the same. No lard for them.
|
|
My heart's broke eating dripping. They like buttering themselves in and
|
|
out. Molly tasting it, her veil up. Sister? Pat Claffey, the pawnbroker's
|
|
daughter. It was a nun they say invented barbed wire.
|
|
|
|
He crossed Westmoreland street when apostrophe S had plodded by.
|
|
Rover cycleshop. Those races are on today. How long ago is that? Year
|
|
Phil Gilligan died. We were in Lombard street west. Wait: was in Thom's.
|
|
Got the job in Wisdom Hely's year we married. Six years. Ten years ago:
|
|
ninetyfour he died yes that's right the big fire at Arnott's. Val Dillon
|
|
was lord mayor. The Glencree dinner. Alderman Robert O'Reilly emptying the
|
|
port into his soup before the flag fell. Bobbob lapping it for the inner
|
|
alderman. Couldn't hear what the band played. For what we have already
|
|
received may the Lord make us. Milly was a kiddy then. Molly had that
|
|
elephantgrey dress with the braided frogs. Mantailored with selfcovered
|
|
buttons. She didn't like it because I sprained my ankle first day she wore
|
|
choir picnic at the Sugarloaf. As if that. Old Goodwin's tall hat done up
|
|
with some sticky stuff. Flies' picnic too. Never put a dress on her back
|
|
like it. Fitted her like a glove, shoulders and hips. Just beginning to
|
|
plump it out well. Rabbitpie we had that day. People looking after her.
|
|
|
|
Happy. Happier then. Snug little room that was with the red
|
|
wallpaper. Dockrell's, one and ninepence a dozen. Milly's tubbing night.
|
|
American soap I bought: elderflower. Cosy smell of her bathwater. Funny
|
|
she looked soaped all over. Shapely too. Now photography. Poor papa's
|
|
daguerreotype atelier he told me of. Hereditary taste.
|
|
|
|
He walked along the curbstone.
|
|
|
|
Stream of life. What was the name of that priestylooking chap was
|
|
always squinting in when he passed? Weak eyes, woman. Stopped in
|
|
Citron's saint Kevin's parade. Pen something. Pendennis? My memory is
|
|
getting. Pen ...? Of course it's years ago. Noise of the trams probably.
|
|
Well, if he couldn't remember the dayfather's name that he sees every day.
|
|
|
|
Bartell d'Arcy was the tenor, just coming out then. Seeing her home
|
|
after practice. Conceited fellow with his waxedup moustache. Gave her that
|
|
song WINDS THAT BLOW FROM THE SOUTH.
|
|
|
|
Windy night that was I went to fetch her there was that lodge meeting
|
|
on about those lottery tickets after Goodwin's concert in the supperroom
|
|
or oakroom of the Mansion house. He and I behind. Sheet of her music blew
|
|
out of my hand against the High school railings. Lucky it didn't. Thing
|
|
like that spoils the effect of a night for her. Professor Goodwin linking
|
|
her in front. Shaky on his pins, poor old sot. His farewell concerts.
|
|
Positively last appearance on any stage. May be for months and may be for
|
|
never. Remember her laughing at the wind, her blizzard collar up. Corner
|
|
of Harcourt road remember that gust. Brrfoo! Blew up all her skirts and
|
|
her boa nearly smothered old Goodwin. She did get flushed in the wind.
|
|
Remember when we got home raking up the fire and frying up those pieces
|
|
of lap of mutton for her supper with the Chutney sauce she liked. And the
|
|
mulled rum. Could see her in the bedroom from the hearth unclamping the
|
|
busk of her stays: white.
|
|
|
|
Swish and soft flop her stays made on the bed. Always warm from
|
|
her. Always liked to let her self out. Sitting there after till near two
|
|
taking out her hairpins. Milly tucked up in beddyhouse. Happy. Happy.
|
|
That was the night ...
|
|
|
|
--O, Mr Bloom, how do you do?
|
|
|
|
--O, how do you do, Mrs Breen?
|
|
|
|
--No use complaining. How is Molly those times? Haven't seen her for ages.
|
|
|
|
--In the pink, Mr Bloom said gaily. Milly has a position down in
|
|
Mullingar, you know.
|
|
|
|
--Go away! Isn't that grand for her?
|
|
|
|
--Yes. In a photographer's there. Getting on like a house on fire. How are
|
|
all your charges?
|
|
|
|
--All on the baker's list, Mrs Breen said.
|
|
|
|
How many has she? No other in sight.
|
|
|
|
--You're in black, I see. You have no ...
|
|
|
|
--No, Mr Bloom said. I have just come from a funeral.
|
|
|
|
Going to crop up all day, I foresee. Who's dead, when and what did
|
|
he die of? Turn up like a bad penny.
|
|
|
|
--O, dear me, Mrs Breen said. I hope it wasn't any near relation.
|
|
|
|
May as well get her sympathy.
|
|
|
|
--Dignam, Mr Bloom said. An old friend of mine. He died quite suddenly,
|
|
poor fellow. Heart trouble, I believe. Funeral was this morning.
|
|
|
|
|
|
YOUR FUNERAL'S TOMORROW
|
|
WHILE YOU'RE COMING THROUGH THE RYE.
|
|
DIDDLEDIDDLE DUMDUM
|
|
DIDDLEDIDDLE ...
|
|
|
|
|
|
--Sad to lose the old friends, Mrs Breen's womaneyes said melancholily.
|
|
|
|
Now that's quite enough about that. Just: quietly: husband.
|
|
|
|
--And your lord and master?
|
|
|
|
Mrs Breen turned up her two large eyes. Hasn't lost them anyhow.
|
|
|
|
--O, don't be talking! she said. He's a caution to rattlesnakes. He's in
|
|
there now with his lawbooks finding out the law of libel. He has me
|
|
heartscalded. Wait till I show you.
|
|
|
|
Hot mockturtle vapour and steam of newbaked jampuffs rolypoly
|
|
poured out from Harrison's. The heavy noonreek tickled the top of Mr
|
|
Bloom's gullet. Want to make good pastry, butter, best flour, Demerara
|
|
sugar, or they'd taste it with the hot tea. Or is it from her? A barefoot
|
|
arab stood over the grating, breathing in the fumes. Deaden the gnaw of
|
|
hunger that way. Pleasure or pain is it? Penny dinner. Knife and fork
|
|
chained to the table.
|
|
|
|
Opening her handbag, chipped leather. Hatpin: ought to have a
|
|
guard on those things. Stick it in a chap's eye in the tram. Rummaging.
|
|
Open. Money. Please take one. Devils if they lose sixpence. Raise Cain.
|
|
Husband barging. Where's the ten shillings I gave you on Monday? Are
|
|
you feeding your little brother's family? Soiled handkerchief:
|
|
medicinebottle. Pastille that was fell. What is she? ...
|
|
|
|
--There must be a new moon out, she said. He's always bad then. Do you
|
|
know what he did last night?
|
|
|
|
Her hand ceased to rummage. Her eyes fixed themselves on him, wide
|
|
in alarm, yet smiling.
|
|
|
|
--What? Mr Bloom asked.
|
|
|
|
Let her speak. Look straight in her eyes. I believe you. Trust me.
|
|
|
|
--Woke me up in the night, she said. Dream he had, a nightmare.
|
|
|
|
Indiges.
|
|
|
|
--Said the ace of spades was walking up the stairs.
|
|
|
|
--The ace of spades! Mr Bloom said.
|
|
|
|
She took a folded postcard from her handbag.
|
|
|
|
--Read that, she said. He got it this morning.
|
|
|
|
--What is it? Mr Bloom asked, taking the card. U.P.?
|
|
|
|
--U.P.: up, she said. Someone taking a rise out of him. It's a great shame
|
|
for them whoever he is.
|
|
|
|
--Indeed it is, Mr Bloom said.
|
|
|
|
She took back the card, sighing.
|
|
|
|
--And now he's going round to Mr Menton's office. He's going to take an
|
|
action for ten thousand pounds, he says.
|
|
|
|
She folded the card into her untidy bag and snapped the catch.
|
|
|
|
Same blue serge dress she had two years ago, the nap bleaching. Seen
|
|
its best days. Wispish hair over her ears. And that dowdy toque: three old
|
|
grapes to take the harm out of it. Shabby genteel. She used to be a tasty
|
|
dresser. Lines round her mouth. Only a year or so older than Molly.
|
|
|
|
See the eye that woman gave her, passing. Cruel. The unfair sex.
|
|
|
|
He looked still at her, holding back behind his look his discontent.
|
|
Pungent mockturtle oxtail mulligatawny. I'm hungry too. Flakes of pastry
|
|
on the gusset of her dress: daub of sugary flour stuck to her cheek.
|
|
Rhubarb tart with liberal fillings, rich fruit interior. Josie Powell that
|
|
was. In Luke Doyle's long ago. Dolphin's Barn, the charades. U.P.: up.
|
|
|
|
Change the subject.
|
|
|
|
--Do you ever see anything of Mrs Beaufoy? Mr Bloom asked.
|
|
|
|
--Mina Purefoy? she said.
|
|
|
|
Philip Beaufoy I was thinking. Playgoers' Club. Matcham often
|
|
thinks of the masterstroke. Did I pull the chain? Yes. The last act.
|
|
|
|
--Yes.
|
|
|
|
--I just called to ask on the way in is she over it. She's in the lying-in
|
|
hospital in Holles street. Dr Horne got her in. She's three days bad now.
|
|
|
|
--O, Mr Bloom said. I'm sorry to hear that.
|
|
|
|
--Yes, Mrs Breen said. And a houseful of kids at home. It's a very stiff
|
|
birth, the nurse told me.
|
|
|
|
---O, Mr Bloom said.
|
|
|
|
His heavy pitying gaze absorbed her news. His tongue clacked in
|
|
compassion. Dth! Dth!
|
|
|
|
--I'm sorry to hear that, he said. Poor thing! Three days! That's terrible
|
|
for her.
|
|
|
|
Mrs Breen nodded.
|
|
|
|
--She was taken bad on the Tuesday ...
|
|
|
|
Mr Bloom touched her funnybone gently, warning her:
|
|
|
|
--Mind! Let this man pass.
|
|
|
|
A bony form strode along the curbstone from the river staring with a
|
|
rapt gaze into the sunlight through a heavystringed glass. Tight as a
|
|
skullpiece a tiny hat gripped his head. From his arm a folded dustcoat, a
|
|
stick and an umbrella dangled to his stride.
|
|
|
|
--Watch him, Mr Bloom said. He always walks outside the lampposts. Watch!
|
|
|
|
--Who is he if it's a fair question? Mrs Breen asked. Is he dotty?
|
|
|
|
--His name is Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, Mr
|
|
Bloom said smiling. Watch!
|
|
|
|
--He has enough of them, she said. Denis will be like that one of these
|
|
days.
|
|
|
|
She broke off suddenly.
|
|
|
|
--There he is, she said. I must go after him. Goodbye. Remember me to
|
|
Molly, won't you?
|
|
|
|
--I will, Mr Bloom said.
|
|
|
|
He watched her dodge through passers towards the shopfronts. Denis
|
|
Breen in skimpy frockcoat and blue canvas shoes shuffled out of Harrison's
|
|
hugging two heavy tomes to his ribs. Blown in from the bay. Like old
|
|
times. He suffered her to overtake him without surprise and thrust his
|
|
dull grey beard towards her, his loose jaw wagging as he spoke earnestly.
|
|
|
|
Meshuggah. Off his chump.
|
|
|
|
Mr Bloom walked on again easily, seeing ahead of him in sunlight the
|
|
tight skullpiece, the dangling stickumbrelladustcoat. Going the two days.
|
|
Watch him! Out he goes again. One way of getting on in the world. And
|
|
that other old mosey lunatic in those duds. Hard time she must have with
|
|
him.
|
|
|
|
U.P.: up. I'll take my oath that's Alf Bergan or Richie Goulding.
|
|
Wrote it for a lark in the Scotch house I bet anything. Round to Menton's
|
|
office. His oyster eyes staring at the postcard. Be a feast for the gods.
|
|
|
|
He passed the IRISH TIMES. There might be other answers Iying there.
|
|
Like to answer them all. Good system for criminals. Code. At their lunch
|
|
now. Clerk with the glasses there doesn't know me. O, leave them there to
|
|
simmer. Enough bother wading through fortyfour of them. Wanted, smart
|
|
lady typist to aid gentleman in literary work. I called you naughty
|
|
darling because I do not like that other world. Please tell me what is the
|
|
meaning. Please tell me what perfume does your wife. Tell me who made the
|
|
world. The way they spring those questions on you. And the other one
|
|
Lizzie Twigg. My literary efforts have had the good fortune to meet with
|
|
the approval of the eminent poet A. E. (Mr Geo. Russell). No time to do
|
|
her hair drinking sloppy tea with a book of poetry.
|
|
|
|
Best paper by long chalks for a small ad. Got the provinces now.
|
|
Cook and general, exc. cuisine, housemaid kept. Wanted live man for spirit
|
|
counter. Resp. girl (R.C.) wishes to hear of post in fruit or pork shop.
|
|
James Carlisle made that. Six and a half per cent dividend. Made a big
|
|
deal on Coates's shares. Ca' canny. Cunning old Scotch hunks. All the
|
|
toady news. Our gracious and popular vicereine. Bought the IRISH FIELD
|
|
now. Lady Mountcashel has quite recovered after her confinement and rode
|
|
out with the Ward Union staghounds at the enlargement yesterday at
|
|
Rathoath. Uneatable fox. Pothunters too. Fear injects juices make it
|
|
tender enough for them. Riding astride. Sit her horse like a man.
|
|
Weightcarrying huntress. No sidesaddle or pillion for her, not for Joe.
|
|
First to the meet and in at the death. Strong as a brood mare some of
|
|
those horsey women. Swagger around livery stables. Toss off a glass of
|
|
brandy neat while you'd say knife. That one at the Grosvenor this morning.
|
|
Up with her on the car: wishswish. Stonewall or fivebarred gate
|
|
put her mount to it. Think that pugnosed driver did it out of spite.
|
|
Who is this she was like? O yes! Mrs Miriam Dandrade that sold me
|
|
her old wraps and black underclothes in the Shelbourne hotel.
|
|
Divorced Spanish American. Didn't take a feather out of her
|
|
my handling them. As if I was her clotheshorse. Saw her in the
|
|
viceregal party when Stubbs the park ranger got me in with Whelan of the
|
|
Express. Scavenging what the quality left. High tea. Mayonnaise I poured
|
|
on the plums thinking it was custard. Her ears ought to have tingled for a
|
|
few weeks after. Want to be a bull for her. Born courtesan. No nursery
|
|
work for her, thanks.
|
|
|
|
Poor Mrs Purefoy! Methodist husband. Method in his madness.
|
|
Saffron bun and milk and soda lunch in the educational dairy. Y. M. C. A.
|
|
Eating with a stopwatch, thirtytwo chews to the minute. And still his
|
|
muttonchop whiskers grew. Supposed to be well connected. Theodore's
|
|
cousin in Dublin Castle. One tony relative in every family. Hardy annuals
|
|
he presents her with. Saw him out at the Three Jolly Topers marching along
|
|
bareheaded and his eldest boy carrying one in a marketnet. The squallers.
|
|
Poor thing! Then having to give the breast year after year all hours of
|
|
the night. Selfish those t.t's are. Dog in the manger. Only one lump of
|
|
sugar in my tea, if you please.
|
|
|
|
He stood at Fleet street crossing. Luncheon interval. A sixpenny at
|
|
Rowe's? Must look up that ad in the national library. An eightpenny in the
|
|
Burton. Better. On my way.
|
|
|
|
He walked on past Bolton's Westmoreland house. Tea. Tea. Tea. I forgot
|
|
to tap Tom Kernan.
|
|
|
|
Sss. Dth, dth, dth! Three days imagine groaning on a bed with a
|
|
vinegared handkerchief round her forehead, her belly swollen out. Phew!
|
|
Dreadful simply! Child's head too big: forceps. Doubled up inside her
|
|
trying to butt its way out blindly, groping for the way out. Kill me that
|
|
would. Lucky Molly got over hers lightly. They ought to invent something
|
|
to stop that. Life with hard labour. Twilight sleep idea: queen Victoria
|
|
was given that. Nine she had. A good layer. Old woman that lived in a shoe
|
|
she had so many children. Suppose he was consumptive. Time someone thought
|
|
about it instead of gassing about the what was it the pensive bosom of the
|
|
silver effulgence. Flapdoodle to feed fools on. They could easily have big
|
|
establishments whole thing quite painless out of all the taxes give every
|
|
child born five quid at compound interest up to twentyone five per cent is
|
|
a hundred shillings and five tiresome pounds multiply by twenty decimal
|
|
system encourage people to put by money save hundred and ten and a bit
|
|
twentyone years want to work it out on paper come to a tidy sum more than
|
|
you think.
|
|
|
|
Not stillborn of course. They are not even registered. Trouble for
|
|
nothing.
|
|
|
|
Funny sight two of them together, their bellies out. Molly and Mrs
|
|
Moisel. Mothers' meeting. Phthisis retires for the time being, then
|
|
returns. How flat they look all of a sudden after. Peaceful eyes.
|
|
Weight off their mind. Old Mrs Thornton was a jolly old soul. All
|
|
my babies, she said. The spoon of pap in her mouth before she fed
|
|
them. O, that's nyumnyum. Got her hand crushed by old Tom Wall's son.
|
|
His first bow to the public. Head like a prize pumpkin. Snuffy Dr Murren.
|
|
People knocking them up at all hours. For God' sake, doctor. Wife in
|
|
her throes. Then keep them waiting months for their fee. To attendance
|
|
on your wife. No gratitude in people. Humane doctors, most of them.
|
|
|
|
Before the huge high door of the Irish house of parliament a flock of
|
|
pigeons flew. Their little frolic after meals. Who will we do it on? I
|
|
pick the fellow in black. Here goes. Here's good luck. Must be thrilling
|
|
from the air. Apjohn, myself and Owen Goldberg up in the trees near Goose
|
|
green playing the monkeys. Mackerel they called me.
|
|
|
|
A squad of constables debouched from College street, marching in
|
|
Indian file. Goosestep. Foodheated faces, sweating helmets, patting their
|
|
truncheons. After their feed with a good load of fat soup under their
|
|
belts. Policeman's lot is oft a happy one. They split up in groups and
|
|
scattered, saluting, towards their beats. Let out to graze. Best moment to
|
|
attack one in pudding time. A punch in his dinner. A squad of others,
|
|
marching irregularly, rounded Trinity railings making for the station.
|
|
Bound for their troughs. Prepare to receive cavalry. Prepare to receive
|
|
soup.
|
|
|
|
He crossed under Tommy Moore's roguish finger. They did right to
|
|
put him up over a urinal: meeting of the waters. Ought to be places for
|
|
women. Running into cakeshops. Settle my hat straight. THERE IS NOT IN
|
|
THIS WIDE WORLD A VALLEE. Great song of Julia Morkan's. Kept her voice up
|
|
to the very last. Pupil of Michael Balfe's, wasn't she?
|
|
|
|
He gazed after the last broad tunic. Nasty customers to tackle. Jack
|
|
Power could a tale unfold: father a G man. If a fellow gave them trouble
|
|
being lagged they let him have it hot and heavy in the bridewell. Can't
|
|
blame them after all with the job they have especially the young hornies.
|
|
That horsepoliceman the day Joe Chamberlain was given his degree in
|
|
Trinity he got a run for his money. My word he did! His horse's hoofs
|
|
clattering after us down Abbey street. Lucky I had the presence of mind to
|
|
dive into Manning's or I was souped. He did come a wallop, by George.
|
|
Must have cracked his skull on the cobblestones. I oughtn't to have got
|
|
myself swept along with those medicals. And the Trinity jibs in their
|
|
mortarboards. Looking for trouble. Still I got to know that young Dixon
|
|
who dressed that sting for me in the Mater and now he's in Holles street
|
|
where Mrs Purefoy. Wheels within wheels. Police whistle in my ears still.
|
|
All skedaddled. Why he fixed on me. Give me in charge. Right here it
|
|
began.
|
|
|
|
--Up the Boers!
|
|
|
|
--Three cheers for De Wet!
|
|
|
|
--We'll hang Joe Chamberlain on a sourapple tree.
|
|
|
|
Silly billies: mob of young cubs yelling their guts out. Vinegar hill.
|
|
The Butter exchange band. Few years' time half of them magistrates and
|
|
civil servants. War comes on: into the army helterskelter: same fellows
|
|
used to. Whether on the scaffold high.
|
|
|
|
Never know who you're talking to. Corny Kelleher he has Harvey
|
|
Duff in his eye. Like that Peter or Denis or James Carey that blew the
|
|
gaff on the invincibles. Member of the corporation too. Egging raw youths
|
|
on to get in the know all the time drawing secret service pay from the
|
|
castle. Drop him like a hot potato. Why those plainclothes men are always
|
|
courting slaveys. Easily twig a man used to uniform. Squarepushing up
|
|
against a backdoor. Maul her a bit. Then the next thing on the menu. And
|
|
who is the gentleman does be visiting there? Was the young master saying
|
|
anything? Peeping Tom through the keyhole. Decoy duck. Hotblooded young
|
|
student fooling round her fat arms ironing.
|
|
|
|
--Are those yours, Mary?
|
|
|
|
--I don't wear such things ... Stop or I'll tell the missus on you.
|
|
Out half the night.
|
|
|
|
--There are great times coming, Mary. Wait till you see.
|
|
|
|
--Ah, gelong with your great times coming.
|
|
|
|
Barmaids too. Tobaccoshopgirls.
|
|
|
|
James Stephens' idea was the best. He knew them. Circles of ten so
|
|
that a fellow couldn't round on more than his own ring. Sinn Fein. Back
|
|
out you get the knife. Hidden hand. Stay in. The firing squad. Turnkey's
|
|
daughter got him out of Richmond, off from Lusk. Putting up in the
|
|
Buckingham Palace hotel under their very noses. Garibaldi.
|
|
|
|
You must have a certain fascination: Parnell. Arthur Griffith is a
|
|
squareheaded fellow but he has no go in him for the mob. Or gas about our
|
|
lovely land. Gammon and spinach. Dublin Bakery Company's tearoom.
|
|
Debating societies. That republicanism is the best form of government.
|
|
That the language question should take precedence of the economic
|
|
question. Have your daughters inveigling them to your house. Stuff them
|
|
up with meat and drink. Michaelmas goose. Here's a good lump of thyme
|
|
seasoning under the apron for you. Have another quart of goosegrease
|
|
before it gets too cold. Halffed enthusiasts. Penny roll and a walk with
|
|
the band. No grace for the carver. The thought that the other chap pays
|
|
best sauce in the world. Make themselves thoroughly at home. Show us over
|
|
those apricots, meaning peaches. The not far distant day. Homerule sun
|
|
rising up in the northwest.
|
|
|
|
His smile faded as he walked, a heavy cloud hiding the sun slowly,
|
|
shadowing Trinity's surly front. Trams passed one another, ingoing,
|
|
outgoing, clanging. Useless words. Things go on same, day after day:
|
|
squads of police marching out, back: trams in, out. Those two loonies
|
|
mooching about. Dignam carted off. Mina Purefoy swollen belly on a bed
|
|
groaning to have a child tugged out of her. One born every second
|
|
somewhere. Other dying every second. Since I fed the birds five minutes.
|
|
Three hundred kicked the bucket. Other three hundred born, washing the
|
|
blood off, all are washed in the blood of the lamb, bawling maaaaaa.
|
|
|
|
Cityful passing away, other cityful coming, passing away too: other
|
|
coming on, passing on. Houses, lines of houses, streets, miles of
|
|
pavements, piledup bricks, stones. Changing hands. This owner, that.
|
|
Landlord never dies they say. Other steps into his shoes when he gets
|
|
his notice to quit. They buy the place up with gold and still they
|
|
have all the gold. Swindle in it somewhere. Piled up in cities, worn
|
|
away age after age. Pyramids in sand. Built on bread and onions.
|
|
Slaves Chinese wall. Babylon. Big stones left. Round towers. Rest rubble,
|
|
sprawling suburbs, jerrybuilt. Kerwan's mushroom houses built of breeze.
|
|
Shelter, for the night.
|
|
|
|
No-one is anything.
|
|
|
|
This is the very worst hour of the day. Vitality. Dull, gloomy: hate
|
|
this hour. Feel as if I had been eaten and spewed.
|
|
|
|
Provost's house. The reverend Dr Salmon: tinned salmon. Well
|
|
tinned in there. Like a mortuary chapel. Wouldn't live in it if they paid
|
|
me. Hope they have liver and bacon today. Nature abhors a vacuum.
|
|
|
|
The sun freed itself slowly and lit glints of light among the silverware
|
|
opposite in Walter Sexton's window by which John Howard Parnell passed,
|
|
unseeing.
|
|
|
|
There he is: the brother. Image of him. Haunting face. Now that's a
|
|
coincidence. Course hundreds of times you think of a person and don't
|
|
meet him. Like a man walking in his sleep. No-one knows him. Must be a
|
|
corporation meeting today. They say he never put on the city marshal's
|
|
uniform since he got the job. Charley Kavanagh used to come out on his
|
|
high horse, cocked hat, puffed, powdered and shaved. Look at the
|
|
woebegone walk of him. Eaten a bad egg. Poached eyes on ghost. I have a
|
|
pain. Great man's brother: his brother's brother. He'd look nice on the
|
|
city charger. Drop into the D.B.C. probably for his coffee, play chess
|
|
there. His brother used men as pawns. Let them all go to pot. Afraid to
|
|
pass a remark on him. Freeze them up with that eye of his. That's the
|
|
fascination: the name. All a bit touched. Mad Fanny and his other sister
|
|
Mrs Dickinson driving about with scarlet harness. Bolt upright lik
|
|
surgeon M'Ardle. Still David Sheehy beat him for south Meath.
|
|
Apply for the Chiltern Hundreds and retire into public life. The patriot's
|
|
banquet. Eating orangepeels in the park. Simon Dedalus said when they put
|
|
him in parliament that Parnell would come back from the grave and lead
|
|
him out of the house of commons by the arm.
|
|
|
|
--Of the twoheaded octopus, one of whose heads is the head upon which
|
|
the ends of the world have forgotten to come while the other speaks with a
|
|
Scotch accent. The tentacles ...
|
|
|
|
They passed from behind Mr Bloom along the curbstone. Beard and
|
|
bicycle. Young woman.
|
|
|
|
And there he is too. Now that's really a coincidence: second time.
|
|
Coming events cast their shadows before. With the approval of the eminent
|
|
poet, Mr Geo. Russell. That might be Lizzie Twigg with him. A. E.: what
|
|
does that mean? Initials perhaps. Albert Edward, Arthur Edmund,
|
|
Alphonsus Eb Ed El Esquire. What was he saying? The ends of the world
|
|
with a Scotch accent. Tentacles: octopus. Something occult: symbolism.
|
|
Holding forth. She's taking it all in. Not saying a word. To aid gentleman
|
|
in literary work.
|
|
|
|
His eyes followed the high figure in homespun, beard and bicycle, a
|
|
listening woman at his side. Coming from the vegetarian. Only
|
|
weggebobbles and fruit. Don't eat a beefsteak. If you do the eyes of that
|
|
cow will pursue you through all eternity. They say it's healthier.
|
|
Windandwatery though. Tried it. Keep you on the run all day. Bad as a
|
|
bloater. Dreams all night. Why do they call that thing they gave me
|
|
nutsteak? Nutarians. Fruitarians. To give you the idea you are eating
|
|
rumpsteak. Absurd. Salty too. They cook in soda. Keep you sitting by the
|
|
tap all night.
|
|
|
|
Her stockings are loose over her ankles. I detest that: so tasteless.
|
|
Those literary etherial people they are all. Dreamy, cloudy, symbolistic.
|
|
Esthetes they are. I wouldn't be surprised if it was that kind of food you
|
|
see produces the like waves of the brain the poetical. For example one of
|
|
those policemen sweating Irish stew into their shirts you couldn't squeeze
|
|
a line of poetry out of him. Don't know what poetry is even. Must be in a
|
|
certain mood.
|
|
|
|
|
|
THE DREAMY CLOUDY GULL
|
|
WAVES O'ER THE WATERS DULL.
|
|
|
|
|
|
He crossed at Nassau street corner and stood before the window of
|
|
Yeates and Son, pricing the fieldglasses. Or will I drop into old Harris's
|
|
and have a chat with young Sinclair? Wellmannered fellow. Probably at his
|
|
lunch. Must get those old glasses of mine set right. Goerz lenses six
|
|
guineas. Germans making their way everywhere. Sell on easy terms to
|
|
capture trade. Undercutting. Might chance on a pair in the railway lost
|
|
property office. Astonishing the things people leave behind them in trains
|
|
and cloakrooms. What do they be thinking about? Women too. Incredible.
|
|
Last year travelling to Ennis had to pick up that farmer's daughter's ba
|
|
and hand it to her at Limerick junction. Unclaimed money too. There's a
|
|
little watch up there on the roof of the bank to test those glasses by.
|
|
|
|
His lids came down on the lower rims of his irides. Can't see it. If you
|
|
imagine it's there you can almost see it. Can't see it.
|
|
|
|
He faced about and, standing between the awnings, held out his right
|
|
hand at arm's length towards the sun. Wanted to try that often. Yes:
|
|
completely. The tip of his little finger blotted out the sun's disk. Must
|
|
be the focus where the rays cross. If I had black glasses. Interesting.
|
|
There was a lot of talk about those sunspots when we were in Lombard
|
|
street west. Looking up from the back garden. Terrific explosions they
|
|
are. There will be a total eclipse this year: autumn some time.
|
|
|
|
Now that I come to think of it that ball falls at Greenwich time. It's
|
|
the clock is worked by an electric wire from Dunsink. Must go out there
|
|
some first Saturday of the month. If I could get an introduction to
|
|
professor Joly or learn up something about his family. That would do to:
|
|
man always feels complimented. Flattery where least expected. Nobleman
|
|
proud to be descended from some king's mistress. His foremother. Lay it on
|
|
with a trowel. Cap in hand goes through the land. Not go in and blurt out
|
|
what you know you're not to: what's parallax? Show this gentleman the
|
|
door.
|
|
|
|
Ah.
|
|
|
|
His hand fell to his side again.
|
|
|
|
Never know anything about it. Waste of time. Gasballs spinning
|
|
about, crossing each other, passing. Same old dingdong always. Gas: then
|
|
solid: then world: then cold: then dead shell drifting around, frozen
|
|
rock, like that pineapple rock. The moon. Must be a new moon out, she
|
|
said. I believe there is.
|
|
|
|
He went on by la maison Claire.
|
|
|
|
Wait. The full moon was the night we were Sunday fortnight exactly
|
|
there is a new moon. Walking down by the Tolka. Not bad for a Fairview
|
|
moon. She was humming. The young May moon she's beaming, love. He
|
|
other side of her. Elbow, arm. He. Glowworm's la-amp is gleaming, love.
|
|
Touch. Fingers. Asking. Answer. Yes.
|
|
|
|
Stop. Stop. If it was it was. Must.
|
|
|
|
Mr Bloom, quickbreathing, slowlier walking passed Adam court.
|
|
|
|
With a keep quiet relief his eyes took note this is the street here
|
|
middle of the day of Bob Doran's bottle shoulders. On his annual bend,
|
|
M Coy said. They drink in order to say or do something or CHERCHEZ LA
|
|
FEMME. Up in the Coombe with chummies and streetwalkers and then the
|
|
rest of the year sober as a judge.
|
|
|
|
Yes. Thought so. Sloping into the Empire. Gone. Plain soda would do
|
|
him good. Where Pat Kinsella had his Harp theatre before Whitbred ran
|
|
the Queen's. Broth of a boy. Dion Boucicault business with his
|
|
harvestmoon face in a poky bonnet. Three Purty Maids from School. How
|
|
time flies, eh? Showing long red pantaloons under his skirts. Drinkers,
|
|
drinking, laughed spluttering, their drink against their breath. More
|
|
power, Pat. Coarse red: fun for drunkards: guffaw and smoke. Take off that
|
|
white hat. His parboiled eyes. Where is he now? Beggar somewhere. The harp
|
|
that once did starve us all.
|
|
|
|
I was happier then. Or was that I? Or am I now I? Twentyeight I was.
|
|
She twentythree. When we left Lombard street west something changed.
|
|
Could never like it again after Rudy. Can't bring back time. Like holding
|
|
water in your hand. Would you go back to then? Just beginning then.
|
|
Would you? Are you not happy in your home you poor little naughty boy?
|
|
Wants to sew on buttons for me. I must answer. Write it in the library.
|
|
|
|
Grafton street gay with housed awnings lured his senses. Muslin
|
|
prints, silkdames and dowagers, jingle of harnesses, hoofthuds lowringing
|
|
in the baking causeway. Thick feet that woman has in the white stockings.
|
|
Hope the rain mucks them up on her. Countrybred chawbacon. All the beef
|
|
to the heels were in. Always gives a woman clumsy feet. Molly looks out of
|
|
plumb.
|
|
|
|
He passed, dallying, the windows of Brown Thomas, silk mercers.
|
|
Cascades of ribbons. Flimsy China silks. A tilted urn poured from its
|
|
mouth a flood of bloodhued poplin: lustrous blood. The huguenots brought
|
|
that here. LA CAUSA E SANTA! TARA TARA. Great chorus that. Taree tara.
|
|
Must be washed in rainwater. Meyerbeer. Tara: bom bom bom.
|
|
|
|
Pincushions. I'm a long time threatening to buy one. Sticking them all
|
|
over the place. Needles in window curtains.
|
|
|
|
He bared slightly his left forearm. Scrape: nearly gone. Not today
|
|
anyhow. Must go back for that lotion. For her birthday perhaps.
|
|
Junejulyaugseptember eighth. Nearly three months off. Then she mightn't
|
|
like it. Women won't pick up pins. Say it cuts lo.
|
|
|
|
Gleaming silks, petticoats on slim brass rails, rays of flat silk
|
|
stockings.
|
|
|
|
Useless to go back. Had to be. Tell me all.
|
|
|
|
High voices. Sunwarm silk. Jingling harnesses. All for a woman,
|
|
home and houses, silkwebs, silver, rich fruits spicy from Jaffa. Agendath
|
|
Netaim. Wealth of the world.
|
|
|
|
A warm human plumpness settled down on his brain. His brain
|
|
yielded. Perfume of embraces all him assailed. With hungered flesh
|
|
obscurely, he mutely craved to adore.
|
|
|
|
Duke street. Here we are. Must eat. The Burton. Feel better then.
|
|
|
|
He turned Combridge's corner, still pursued. Jingling, hoofthuds.
|
|
Perfumed bodies, warm, full. All kissed, yielded: in deep summer fields,
|
|
tangled pressed grass, in trickling hallways of tenements, along sofas,
|
|
creaking beds.
|
|
|
|
--Jack, love!
|
|
|
|
--Darling!
|
|
|
|
--Kiss me, Reggy!
|
|
|
|
--My boy!
|
|
|
|
--Love!
|
|
|
|
His heart astir he pushed in the door of the Burton restaurant. Stink
|
|
gripped his trembling breath: pungent meatjuice, slush of greens. See the
|
|
animals feed.
|
|
|
|
Men, men, men.
|
|
|
|
Perched on high stools by the bar, hats shoved back, at the tables
|
|
calling for more bread no charge, swilling, wolfing gobfuls of sloppy
|
|
food, their eyes bulging, wiping wetted moustaches. A pallid suetfaced
|
|
young man polished his tumbler knife fork and spoon with his napkin. New
|
|
set of microbes. A man with an infant's saucestained napkin tucked round
|
|
him shovelled gurgling soup down his gullet. A man spitting back on his
|
|
plate: halfmasticated gristle: gums: no teeth to chewchewchew it. Chump
|
|
chop from the grill. Bolting to get it over. Sad booser's eyes. Bitten off
|
|
more than he can chew. Am I like that? See ourselves as others see us.
|
|
Hungry man is an angry man. Working tooth and jaw. Don't! O! A bone! That
|
|
last pagan king of Ireland Cormac in the schoolpoem choked himself at
|
|
Sletty southward of the Boyne. Wonder what he was eating. Something
|
|
galoptious. Saint Patrick converted him to Christianity. Couldn't swallow
|
|
it all however.
|
|
|
|
--Roast beef and cabbage.
|
|
|
|
--One stew.
|
|
|
|
Smells of men. His gorge rose. Spaton sawdust, sweetish warmish
|
|
cigarette smoke, reek of plug, spilt beer, men's beery piss, the stale of
|
|
ferment.
|
|
|
|
Couldn't eat a morsel here. Fellow sharpening knife and fork to eat
|
|
all before him, old chap picking his tootles. Slight spasm, full, chewing
|
|
the cud. Before and after. Grace after meals. Look on this picture then on
|
|
that. Scoffing up stewgravy with sopping sippets of bread. Lick it off the
|
|
plate, man! Get out of this.
|
|
|
|
He gazed round the stooled and tabled eaters, tightening the wings of
|
|
his nose.
|
|
|
|
--Two stouts here.
|
|
|
|
--One corned and cabbage.
|
|
|
|
That fellow ramming a knifeful of cabbage down as if his life
|
|
depended on it. Good stroke. Give me the fidgets to look. Safer to eat
|
|
from his three hands. Tear it limb from limb. Second nature to him. Born
|
|
with a silver knife in his mouth. That's witty, I think. Or no. Silver
|
|
means born rich. Born with a knife. But then the allusion is lost.
|
|
|
|
An illgirt server gathered sticky clattering plates. Rock, the head
|
|
bailiff, standing at the bar blew the foamy crown from his tankard. Well
|
|
up: it splashed yellow near his boot. A diner, knife and fork upright,
|
|
elbows on table, ready for a second helping stared towards the foodlift
|
|
across his stained square of newspaper. Other chap telling him something
|
|
with his mouth full. Sympathetic listener. Table talk. I munched hum un
|
|
thu Unchster Bunk un Munchday. Ha? Did you, faith?
|
|
|
|
Mr Bloom raised two fingers doubtfully to his lips. His eyes said:
|
|
|
|
--Not here. Don't see him.
|
|
|
|
Out. I hate dirty eaters.
|
|
|
|
He backed towards the door. Get a light snack in Davy Byrne's. Stopgap.
|
|
Keep me going. Had a good breakfast.
|
|
|
|
--Roast and mashed here.
|
|
|
|
--Pint of stout.
|
|
|
|
Every fellow for his own, tooth and nail. Gulp. Grub. Gulp. Gobstuff.
|
|
|
|
He came out into clearer air and turned back towards Grafton street.
|
|
Eat or be eaten. Kill! Kill!
|
|
|
|
Suppose that communal kitchen years to come perhaps. All trotting
|
|
down with porringers and tommycans to be filled. Devour contents in the
|
|
street. John Howard Parnell example the provost of Trinity every mother's
|
|
son don't talk of your provosts and provost of Trinity women and children
|
|
cabmen priests parsons fieldmarshals archbishops. From Ailesbury road,
|
|
Clyde road, artisans' dwellings, north Dublin union, lord mayor in his
|
|
gingerbread coach, old queen in a bathchair. My plate's empty. After you
|
|
with our incorporated drinkingcup. Like sir Philip Crampton's fountain.
|
|
Rub off the microbes with your handkerchief. Next chap rubs on a new
|
|
batch with his. Father O'Flynn would make hares of them all. Have rows
|
|
all the same. All for number one. Children fighting for the scrapings of
|
|
the pot. Want a souppot as big as the Phoenix park. Harpooning flitches
|
|
and hindquarters out of it. Hate people all round you. City Arms hotel
|
|
TABLE D'HOTE she called it. Soup, joint and sweet. Never know whose
|
|
thoughts you're chewing. Then who'd wash up all the plates and forks?
|
|
Might be all feeding on tabloids that time. Teeth getting worse and worse.
|
|
|
|
After all there's a lot in that vegetarian fine flavour of things from the
|
|
earth garlic of course it stinks after Italian organgrinders crisp of
|
|
onions mushrooms truffles. Pain to the animal too. Pluck and draw fowl.
|
|
Wretched brutes there at the cattlemarket waiting for the poleaxe to split
|
|
their skulls open. Moo. Poor trembling calves. Meh. Staggering bob. Bubble
|
|
and squeak. Butchers' buckets wobbly lights. Give us that brisket off the
|
|
hook. Plup. Rawhead and bloody bones. Flayed glasseyed sheep hung from
|
|
their haunches, sheepsnouts bloodypapered snivelling nosejam on sawdust.
|
|
Top and lashers going out. Don't maul them pieces, young one.
|
|
|
|
Hot fresh blood they prescribe for decline. Blood always needed.
|
|
Insidious. Lick it up smokinghot, thick sugary. Famished ghosts.
|
|
|
|
Ah, I'm hungry.
|
|
|
|
He entered Davy Byrne's. Moral pub. He doesn't chat. Stands a
|
|
drink now and then. But in leapyear once in four. Cashed a cheque for me
|
|
once.
|
|
|
|
What will I take now? He drew his watch. Let me see now. Shandygaff?
|
|
|
|
--Hello, Bloom, Nosey Flynn said from his nook.
|
|
|
|
--Hello, Flynn.
|
|
|
|
--How's things?
|
|
|
|
--Tiptop ... Let me see. I'll take a glass of burgundy and ... let
|
|
me see.
|
|
|
|
Sardines on the shelves. Almost taste them by looking. Sandwich?
|
|
Ham and his descendants musterred and bred there. Potted meats. What is
|
|
home without Plumtree's potted meat? Incomplete. What a stupid ad!
|
|
Under the obituary notices they stuck it. All up a plumtree. Dignam's
|
|
potted meat. Cannibals would with lemon and rice. White missionary too
|
|
salty. Like pickled pork. Expect the chief consumes the parts of honour.
|
|
Ought to be tough from exercise. His wives in a row to watch the effect.
|
|
THERE WAS A RIGHT ROYAL OLD NIGGER. WHO ATE OR SOMETHING THE SOMETHINGS OF
|
|
THE REVEREND MR MACTRIGGER. With it an abode of bliss. Lord knows what
|
|
concoction. Cauls mouldy tripes windpipes faked and minced up. Puzzle
|
|
find the meat. Kosher. No meat and milk together. Hygiene that was what
|
|
they call now. Yom Kippur fast spring cleaning of inside. Peace and war
|
|
depend on some fellow's digestion. Religions. Christmas turkeys and geese.
|
|
Slaughter of innocents. Eat drink and be merry. Then casual wards full
|
|
after. Heads bandaged. Cheese digests all but itself. Mity cheese.
|
|
|
|
--Have you a cheese sandwich?
|
|
|
|
--Yes, sir.
|
|
|
|
Like a few olives too if they had them. Italian I prefer. Good glass of
|
|
burgundy take away that. Lubricate. A nice salad, cool as a cucumber, Tom
|
|
Kernan can dress. Puts gusto into it. Pure olive oil. Milly served me that
|
|
cutlet with a sprig of parsley. Take one Spanish onion. God made food, the
|
|
devil the cooks. Devilled crab.
|
|
|
|
--Wife well?
|
|
|
|
--Quite well, thanks ... A cheese sandwich, then. Gorgonzola, have you?
|
|
|
|
--Yes, sir.
|
|
|
|
Nosey Flynn sipped his grog.
|
|
|
|
--Doing any singing those times?
|
|
|
|
Look at his mouth. Could whistle in his own ear. Flap ears to match.
|
|
Music. Knows as much about it as my coachman. Still better tell him. Does
|
|
no harm. Free ad.
|
|
|
|
--She's engaged for a big tour end of this month. You may have heard
|
|
perhaps.
|
|
|
|
--No. O, that's the style. Who's getting it up?
|
|
|
|
The curate served.
|
|
|
|
--How much is that?
|
|
|
|
--Seven d., sir ... Thank you, sir.
|
|
|
|
Mr Bloom cut his sandwich into slender strips. MR MACTRIGGER. Easier
|
|
than the dreamy creamy stuff. HIS FIVE HUNDRED WIVES. HAD THE TIME OF
|
|
THEIR LIVES.
|
|
|
|
--Mustard, sir?
|
|
|
|
--Thank you.
|
|
|
|
He studded under each lifted strip yellow blobs. THEIR LIVES. I have it.
|
|
IT GREW BIGGER AND BIGGER AND BIGGER.
|
|
|
|
--Getting it up? he said. Well, it's like a company idea, you see. Part
|
|
shares and part profits.
|
|
|
|
--Ay, now I remember, Nosey Flynn said, putting his hand in his pocket to
|
|
scratch his groin. Who is this was telling me? Isn't Blazes Boylan mixed
|
|
up in it?
|
|
|
|
A warm shock of air heat of mustard hanched on Mr Bloom's heart.
|
|
He raised his eyes and met the stare of a bilious clock. Two. Pub clock
|
|
five minutes fast. Time going on. Hands moving. Two. Not yet.
|
|
|
|
His midriff yearned then upward, sank within him, yearned more longly,
|
|
longingly.
|
|
|
|
Wine.
|
|
|
|
He smellsipped the cordial juice and, bidding his throat strongly to
|
|
speed it, set his wineglass delicately down.
|
|
|
|
--Yes, he said. He's the organiser in point of fact.
|
|
|
|
No fear: no brains.
|
|
|
|
Nosey Flynn snuffled and scratched. Flea having a good square meal.
|
|
|
|
--He had a good slice of luck, Jack Mooney was telling me, over that
|
|
boxingmatch Myler Keogh won again that soldier in the Portobello
|
|
barracks. By God, he had the little kipper down in the county Carlow he
|
|
was telling me ...
|
|
|
|
Hope that dewdrop doesn't come down into his glass. No, snuffled it
|
|
up.
|
|
|
|
--For near a month, man, before it came off. Sucking duck eggs by God till
|
|
further orders. Keep him off the boose, see? O, by God, Blazes is a hairy
|
|
chap.
|
|
|
|
Davy Byrne came forward from the hindbar in tuckstitched
|
|
shirtsleeves, cleaning his lips with two wipes of his napkin. Herring's
|
|
blush. Whose smile upon each feature plays with such and such replete.
|
|
Too much fat on the parsnips.
|
|
|
|
--And here's himself and pepper on him, Nosey Flynn said. Can you give
|
|
us a good one for the Gold cup?
|
|
|
|
--I'm off that, Mr Flynn, Davy Byrne answered. I never put anything on a
|
|
horse.
|
|
|
|
--You're right there, Nosey Flynn said.
|
|
|
|
Mr Bloom ate his strips of sandwich, fresh clean bread, with relish of
|
|
disgust pungent mustard, the feety savour of green cheese. Sips of his
|
|
wine soothed his palate. Not logwood that. Tastes fuller this weather with
|
|
the chill off.
|
|
|
|
Nice quiet bar. Nice piece of wood in that counter. Nicely planed.
|
|
Like the way it curves there.
|
|
|
|
--I wouldn't do anything at all in that line, Davy Byrne said. It ruined
|
|
many a man, the same horses.
|
|
|
|
Vintners' sweepstake. Licensed for the sale of beer, wine and spirits
|
|
for consumption on the premises. Heads I win tails you lose.
|
|
|
|
--True for you, Nosey Flynn said. Unless you're in the know. There's no
|
|
straight sport going now. Lenehan gets some good ones. He's giving
|
|
Sceptre today. Zinfandel's the favourite, lord Howard de Walden's, won at
|
|
Epsom. Morny Cannon is riding him. I could have got seven to one against
|
|
Saint Amant a fortnight before.
|
|
|
|
--That so? Davy Byrne said ...
|
|
|
|
He went towards the window and, taking up the pettycash book, scanned
|
|
its pages.
|
|
|
|
--I could, faith, Nosey Flynn said, snuffling. That was a rare bit of
|
|
horseflesh. Saint Frusquin was her sire. She won in a thunderstorm,
|
|
Rothschild's filly, with wadding in her ears. Blue jacket and yellow cap.
|
|
Bad luck to big Ben Dollard and his John O'Gaunt. He put me off it. Ay.
|
|
|
|
He drank resignedly from his tumbler, running his fingers down the flutes.
|
|
|
|
--Ay, he said, sighing.
|
|
|
|
Mr Bloom, champing, standing, looked upon his sigh. Nosey
|
|
numbskull. Will I tell him that horse Lenehan? He knows already. Better
|
|
let him forget. Go and lose more. Fool and his money. Dewdrop coming down
|
|
again. Cold nose he'd have kissing a woman. Still they might like. Prickly
|
|
beards they like. Dogs' cold noses. Old Mrs Riordan with the rumbling
|
|
stomach's Skye terrier in the City Arms hotel. Molly fondling him in her
|
|
lap. O, the big doggybowwowsywowsy!
|
|
|
|
Wine soaked and softened rolled pith of bread mustard a moment
|
|
mawkish cheese. Nice wine it is. Taste it better because I'm not thirsty.
|
|
Bath of course does that. Just a bite or two. Then about six o'clock I can.
|
|
Six. Six. Time will be gone then. She ...
|
|
|
|
Mild fire of wine kindled his veins. I wanted that badly. Felt so off
|
|
colour. His eyes unhungrily saw shelves of tins: sardines, gaudy lobsters'
|
|
claws. All the odd things people pick up for food. Out of shells, periwinkles
|
|
with a pin, off trees, snails out of the ground the French eat, out of the sea
|
|
with bait on a hook. Silly fish learn nothing in a thousand years. If you
|
|
didn't know risky putting anything into your mouth. Poisonous berries.
|
|
Johnny Magories. Roundness you think good. Gaudy colour warns you
|
|
off. One fellow told another and so on. Try it on the dog first. Led on by the
|
|
smell or the look. Tempting fruit. Ice cones. Cream. Instinct. Orangegroves
|
|
for instance. Need artificial irrigation. Bleibtreustrasse. Yes but what about
|
|
oysters. Unsightly like a clot of phlegm. Filthy shells. Devil to open them
|
|
too. Who found them out? Garbage, sewage they feed on. Fizz and Red
|
|
bank oysters. Effect on the sexual. Aphrodis. He was in the Red Bank this
|
|
morning. Was he oysters old fish at table perhaps he young flesh in bed no
|
|
June has no ar no oysters. But there are people like things high. Tainted
|
|
game. Jugged hare. First catch your hare. Chinese eating eggs fifty years
|
|
old, blue and green again. Dinner of thirty courses. Each dish harmless
|
|
might mix inside. Idea for a poison mystery. That archduke Leopold was it
|
|
no yes or was it Otto one of those Habsburgs? Or who was it used to eat
|
|
the scruff off his own head? Cheapest lunch in town. Of course aristocrats,
|
|
then the others copy to be in the fashion. Milly too rock oil and flour. Raw
|
|
pastry I like myself. Half the catch of oysters they throw back in the sea to
|
|
keep up the price. Cheap no-one would buy. Caviare. Do the grand. Hock
|
|
in green glasses. Swell blowout. Lady this. Powdered bosom pearls. The
|
|
ELITE. CREME DE LA CREME. They want special dishes to pretend they're.
|
|
Hermit with a platter of pulse keep down the stings of the flesh. Know me
|
|
come eat with me. Royal sturgeon high sheriff, Coffey, the butcher, right to
|
|
venisons of the forest from his ex. Send him back the half of a cow. Spread
|
|
I saw down in the Master of the Rolls' kitchen area. Whitehatted CHEF like a
|
|
rabbi. Combustible duck. Curly cabbage A LA DUCHESSE DE PARME. Just as
|
|
well to write it on the bill of fare so you can know what you've eaten. Too
|
|
many drugs spoil the broth. I know it myself. Dosing it with Edwards'
|
|
desiccated soup. Geese stuffed silly for them. Lobsters boiled alive. Do
|
|
ptake some ptarmigan. Wouldn't mind being a waiter in a swell hotel. Tips,
|
|
evening dress, halfnaked ladies. May I tempt you to a little more filleted
|
|
lemon sole, miss Dubedat? Yes, do bedad. And she did bedad. Huguenot
|
|
name I expect that. A miss Dubedat lived in Killiney, I remember.
|
|
DU, DE LA French. Still it's the same fish perhaps old Micky Hanlon of
|
|
Moore street ripped the guts out of making money hand over fist finger in
|
|
fishes' gills can't write his name on a cheque think he was painting the
|
|
landscape with his mouth twisted. Moooikill A Aitcha Ha ignorant as a kish
|
|
of brogues, worth fifty thousand pounds.
|
|
|
|
Stuck on the pane two flies buzzed, stuck.
|
|
|
|
Glowing wine on his palate lingered swallowed. Crushing in the
|
|
winepress grapes of Burgundy. Sun's heat it is. Seems to a secret touch
|
|
telling me memory. Touched his sense moistened remembered. Hidden
|
|
under wild ferns on Howth below us bay sleeping: sky. No sound. The sky.
|
|
The bay purple by the Lion's head. Green by Drumleck. Yellowgreen
|
|
towards Sutton. Fields of undersea, the lines faint brown in grass, buried
|
|
cities. Pillowed on my coat she had her hair, earwigs in the heather scrub
|
|
my hand under her nape, you'll toss me all. O wonder! Coolsoft with
|
|
ointments her hand touched me, caressed: her eyes upon me did not turn
|
|
away. Ravished over her I lay, full lips full open, kissed her mouth. Yum.
|
|
Softly she gave me in my mouth the seedcake warm and chewed. Mawkish
|
|
pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy.
|
|
Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips.
|
|
Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A
|
|
goat. No-one. High on Ben Howth rhododendrons a nannygoat walking
|
|
surefooted, dropping currants. Screened under ferns she laughed
|
|
warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched
|
|
neck beating, woman's breasts full in her blouse of nun's veiling, fat nipples
|
|
upright. Hot I tongued her. She kissed me. I was kissed. All yielding she
|
|
tossed my hair. Kissed, she kissed me.
|
|
|
|
Me. And me now.
|
|
|
|
Stuck, the flies buzzed.
|
|
|
|
His downcast eyes followed the silent veining of the oaken slab.
|
|
Beauty: it curves: curves are beauty. Shapely goddesses, Venus, Juno:
|
|
curves the world admires. Can see them library museum standing in the
|
|
round hall, naked goddesses. Aids to digestion. They don't care what man
|
|
looks. All to see. Never speaking. I mean to say to fellows like Flynn.
|
|
Suppose she did Pygmalion and Galatea what would she say first? Mortal!
|
|
Put you in your proper place. Quaffing nectar at mess with gods golden
|
|
dishes, all ambrosial. Not like a tanner lunch we have, boiled mutton,
|
|
carrots and turnips, bottle of Allsop. Nectar imagine it drinking electricity:
|
|
gods' food. Lovely forms of women sculped Junonian. Immortal lovely.
|
|
And we stuffing food in one hole and out behind: food, chyle, blood, dung,
|
|
earth, food: have to feed it like stoking an engine. They have no. Never
|
|
looked. I'll look today. Keeper won't see. Bend down let something drop
|
|
see if she.
|
|
|
|
Dribbling a quiet message from his bladder came to go to do not to do
|
|
there to do. A man and ready he drained his glass to the lees and walked, to
|
|
men too they gave themselves, manly conscious, lay with men lovers, a
|
|
youth enjoyed her, to the yard.
|
|
|
|
When the sound of his boots had ceased Davy Byrne said from his book:
|
|
|
|
--What is this he is? Isn't he in the insurance line?
|
|
|
|
--He's out of that long ago, Nosey Flynn said. He does canvassing for the
|
|
FREEMAN.
|
|
|
|
--I know him well to see, Davy Byrne said. Is he in trouble?
|
|
|
|
--Trouble? Nosey Flynn said. Not that I heard of. Why?
|
|
|
|
--I noticed he was in mourning.
|
|
|
|
--Was he? Nosey Flynn said. So he was, faith. I asked him how was all at
|
|
home. You're right, by God. So he was.
|
|
|
|
--I never broach the subject, Davy Byrne said humanely, if I see a
|
|
gentleman is in trouble that way. It only brings it up fresh in their minds.
|
|
|
|
--It's not the wife anyhow, Nosey Flynn said. I met him the day before
|
|
yesterday and he coming out of that Irish farm dairy John Wyse Nolan's
|
|
wife has in Henry street with a jar of cream in his hand taking it home to
|
|
his better half. She's well nourished, I tell you. Plovers on toast.
|
|
|
|
--And is he doing for the Freeman? Davy Byrne said.
|
|
|
|
Nosey Flynn pursed his lips.
|
|
|
|
---He doesn't buy cream on the ads he picks up. You can make bacon of
|
|
that.
|
|
|
|
--How so? Davy Byrne asked, coming from his book.
|
|
|
|
Nosey Flynn made swift passes in the air with juggling fingers. He
|
|
winked.
|
|
|
|
--He's in the craft, he said.
|
|
|
|
---Do you tell me so? Davy Byrne said.
|
|
|
|
--Very much so, Nosey Flynn said. Ancient free and accepted order. He's
|
|
an excellent brother. Light, life and love, by God. They give him a leg up. I
|
|
was told that by a--well, I won't say who.
|
|
|
|
--Is that a fact?
|
|
|
|
--O, it's a fine order, Nosey Flynn said. They stick to you when you're
|
|
down. I know a fellow was trying to get into it. But they're as close as damn
|
|
it. By God they did right to keep the women out of it.
|
|
|
|
Davy Byrne smiledyawnednodded all in one:
|
|
|
|
--Iiiiiichaaaaaaach!
|
|
|
|
--There was one woman, Nosey Flynn said, hid herself in a clock to find
|
|
out what they do be doing. But be damned but they smelt her out and swore
|
|
her in on the spot a master mason. That was one of the saint Legers of
|
|
Doneraile.
|
|
|
|
Davy Byrne, sated after his yawn, said with tearwashed eyes:
|
|
|
|
--And is that a fact? Decent quiet man he is. I often saw him in here and I
|
|
never once saw him--you know, over the line.
|
|
|
|
--God Almighty couldn't make him drunk, Nosey Flynn said firmly. Slips
|
|
off when the fun gets too hot. Didn't you see him look at his watch? Ah,
|
|
you weren't there. If you ask him to have a drink first thing he does he outs
|
|
with the watch to see what he ought to imbibe. Declare to God he does.
|
|
|
|
--There are some like that, Davy Byrne said. He's a safe man, I'd say.
|
|
|
|
--He's not too bad, Nosey Flynn said, snuffling it up. He's been known to
|
|
put his hand down too to help a fellow. Give the devil his due. O, Bloom has
|
|
his good points. But there's one thing he'll never do.
|
|
|
|
His hand scrawled a dry pen signature beside his grog.
|
|
|
|
--I know, Davy Byrne said.
|
|
|
|
--Nothing in black and white, Nosey Flynn said.
|
|
|
|
Paddy Leonard and Bantam Lyons came in. Tom Rochford followed frowning,
|
|
a plaining hand on his claret waistcoat.
|
|
|
|
--Day, Mr Byrne.
|
|
|
|
--Day, gentlemen.
|
|
|
|
They paused at the counter.
|
|
|
|
--Who's standing? Paddy Leonard asked.
|
|
|
|
--I'm sitting anyhow, Nosey Flynn answered.
|
|
|
|
--Well, what'll it be? Paddy Leonard asked.
|
|
|
|
--I'll take a stone ginger, Bantam Lyons said.
|
|
|
|
--How much? Paddy Leonard cried. Since when, for God' sake? What's
|
|
yours, Tom?
|
|
|
|
--How is the main drainage? Nosey Flynn asked, sipping.
|
|
|
|
For answer Tom Rochford pressed his hand to his breastbone and hiccupped.
|
|
|
|
--Would I trouble you for a glass of fresh water, Mr Byrne? he said.
|
|
|
|
--Certainly, sir.
|
|
|
|
Paddy Leonard eyed his alemates.
|
|
|
|
--Lord love a duck, he said. Look at what I'm standing drinks to! Cold
|
|
water and gingerpop! Two fellows that would suck whisky off a sore leg.
|
|
He has some bloody horse up his sleeve for the Gold cup. A dead snip.
|
|
|
|
--Zinfandel is it? Nosey Flynn asked.
|
|
|
|
Tom Rochford spilt powder from a twisted paper into the water set
|
|
before him.
|
|
|
|
--That cursed dyspepsia, he said before drinking.
|
|
|
|
--Breadsoda is very good, Davy Byrne said.
|
|
|
|
Tom Rochford nodded and drank.
|
|
|
|
--Is it Zinfandel?
|
|
|
|
--Say nothing! Bantam Lyons winked. I'm going to plunge five bob on my
|
|
own.
|
|
|
|
--Tell us if you're worth your salt and be damned to you, Paddy Leonard
|
|
said. Who gave it to you?
|
|
|
|
Mr Bloom on his way out raised three fingers in greeting.
|
|
|
|
--So long! Nosey Flynn said.
|
|
|
|
The others turned.
|
|
|
|
--That's the man now that gave it to me, Bantam Lyons whispered.
|
|
|
|
--Prrwht! Paddy Leonard said with scorn. Mr Byrne, sir, we'll take two of
|
|
your small Jamesons after that and a ...
|
|
|
|
--Stone ginger, Davy Byrne added civilly.
|
|
|
|
--Ay, Paddy Leonard said. A suckingbottle for the baby.
|
|
|
|
Mr Bloom walked towards Dawson street, his tongue brushing his
|
|
teeth smooth. Something green it would have to be: spinach, say. Then with
|
|
those Rontgen rays searchlight you could.
|
|
|
|
At Duke lane a ravenous terrier choked up a sick knuckly cud on the
|
|
cobblestones and lapped it with new zest. Surfeit. Returned with thanks
|
|
having fully digested the contents. First sweet then savoury. Mr Bloom
|
|
coasted warily. Ruminants. His second course. Their upper jaw they move.
|
|
Wonder if Tom Rochford will do anything with that invention of his?
|
|
Wasting time explaining it to Flynn's mouth. Lean people long mouths.
|
|
Ought to be a hall or a place where inventors could go in and invent free.
|
|
Course then you'd have all the cranks pestering.
|
|
|
|
He hummed, prolonging in solemn echo the closes of the bars:
|
|
|
|
|
|
DON GIOVANNI, A CENAR TECO
|
|
M'INVITASTI.
|
|
|
|
|
|
Feel better. Burgundy. Good pick me up. Who distilled first? Some
|
|
chap in the blues. Dutch courage. That KILKENNY PEOPLE in the national
|
|
library now I must.
|
|
|
|
Bare clean closestools waiting in the window of William Miller,
|
|
plumber, turned back his thoughts. They could: and watch it all the way
|
|
down, swallow a pin sometimes come out of the ribs years after, tour round
|
|
the body changing biliary duct spleen squirting liver gastric juice coils of
|
|
intestines like pipes. But the poor buffer would have to stand all the time
|
|
with his insides entrails on show. Science.
|
|
|
|
--A CENAR TECO.
|
|
|
|
What does that teco mean? Tonight perhaps.
|
|
|
|
|
|
DON GIOVANNI, THOU HAST ME INVITED
|
|
TO COME TO SUPPER TONIGHT,
|
|
THE RUM THE RUMDUM.
|
|
|
|
|
|
Doesn't go properly.
|
|
|
|
Keyes: two months if I get Nannetti to. That'll be two pounds ten
|
|
about two pounds eight. Three Hynes owes me. Two eleven. Prescott's
|
|
dyeworks van over there. If I get Billy Prescott's ad: two fifteen. Five
|
|
guineas about. On the pig's back.
|
|
|
|
Could buy one of those silk petticoats for Molly, colour of her new
|
|
garters.
|
|
|
|
Today. Today. Not think.
|
|
|
|
Tour the south then. What about English wateringplaces? Brighton,
|
|
Margate. Piers by moonlight. Her voice floating out. Those lovely seaside
|
|
girls. Against John Long's a drowsing loafer lounged in heavy thought,
|
|
gnawing a crusted knuckle. Handy man wants job. Small wages. Will eat
|
|
anything.
|
|
|
|
Mr Bloom turned at Gray's confectioner's window of unbought tarts
|
|
and passed the reverend Thomas Connellan's bookstore. WHY I LEFT THE
|
|
CHURCH OF ROME? BIRDS' NEST. Women run him. They say they used to give
|
|
pauper children soup to change to protestants in the time of the potato
|
|
blight. Society over the way papa went to for the conversion of poor jews.
|
|
Same bait. Why we left the church of Rome.
|
|
|
|
A blind stripling stood tapping the curbstone with his slender cane.
|
|
No tram in sight. Wants to cross.
|
|
|
|
--Do you want to cross? Mr Bloom asked.
|
|
|
|
The blind stripling did not answer. His wallface frowned weakly. He
|
|
moved his head uncertainly.
|
|
|
|
--You're in Dawson street, Mr Bloom said. Molesworth street is opposite.
|
|
Do you want to cross? There's nothing in the way.
|
|
|
|
The cane moved out trembling to the left. Mr Bloom's eye followed its
|
|
line and saw again the dyeworks' van drawn up before Drago's. Where I
|
|
saw his brillantined hair just when I was. Horse drooping. Driver in John
|
|
Long's. Slaking his drouth.
|
|
|
|
--There's a van there, Mr Bloom said, but it's not moving. I'll see you
|
|
across. Do you want to go to Molesworth street?
|
|
|
|
--Yes, the stripling answered. South Frederick street.
|
|
|
|
--Come, Mr Bloom said.
|
|
|
|
He touched the thin elbow gently: then took the limp seeing hand to
|
|
guide it forward.
|
|
|
|
Say something to him. Better not do the condescending. They mistrust
|
|
what you tell them. Pass a common remark.
|
|
|
|
--The rain kept off.
|
|
|
|
No answer.
|
|
|
|
Stains on his coat. Slobbers his food, I suppose. Tastes all different for
|
|
him. Have to be spoonfed first. Like a child's hand, his hand. Like Milly's
|
|
was. Sensitive. Sizing me up I daresay from my hand. Wonder if he has a
|
|
name. Van. Keep his cane clear of the horse's legs: tired drudge get his
|
|
doze. That's right. Clear. Behind a bull: in front of a horse.
|
|
|
|
--Thanks, sir.
|
|
|
|
Knows I'm a man. Voice.
|
|
|
|
--Right now? First turn to the left.
|
|
|
|
The blind stripling tapped the curbstone and went on his way, drawing
|
|
his cane back, feeling again.
|
|
|
|
Mr Bloom walked behind the eyeless feet, a flatcut suit of herringbone
|
|
tweed. Poor young fellow! How on earth did he know that van was there?
|
|
Must have felt it. See things in their forehead perhaps: kind of sense of
|
|
volume. Weight or size of it, something blacker than the dark. Wonder
|
|
would he feel it if something was removed. Feel a gap. Queer idea of
|
|
Dublin he must have, tapping his way round by the stones. Could he walk
|
|
in a beeline if he hadn't that cane? Bloodless pious face like a fellow
|
|
going in to be a priest.
|
|
|
|
Penrose! That was that chap's name.
|
|
|
|
Look at all the things they can learn to do. Read with their fingers.
|
|
Tune pianos. Or we are surprised they have any brains. Why we think a
|
|
deformed person or a hunchback clever if he says something we might say.
|
|
Of course the other senses are more. Embroider. Plait baskets. People
|
|
ought to help. Workbasket I could buy for Molly's birthday. Hates sewing.
|
|
Might take an objection. Dark men they call them.
|
|
|
|
Sense of smell must be stronger too. Smells on all sides, bunched
|
|
together. Each street different smell. Each person too. Then the spring, the
|
|
summer: smells. Tastes? They say you can't taste wines with your eyes shut
|
|
or a cold in the head. Also smoke in the dark they say get no pleasure.
|
|
|
|
And with a woman, for instance. More shameless not seeing. That girl
|
|
passing the Stewart institution, head in the air. Look at me. I have them all
|
|
on. Must be strange not to see her. Kind of a form in his mind's eye. The
|
|
voice, temperatures: when he touches her with his fingers must almost see
|
|
the lines, the curves. His hands on her hair, for instance. Say it was black,
|
|
for instance. Good. We call it black. Then passing over her white skin.
|
|
Different feel perhaps. Feeling of white.
|
|
|
|
Postoffice. Must answer. Fag today. Send her a postal order two
|
|
shillings, half a crown. Accept my little present. Stationer's just here too.
|
|
Wait. Think over it.
|
|
|
|
With a gentle finger he felt ever so slowly the hair combed back above
|
|
his ears. Again. Fibres of fine fine straw. Then gently his finger felt the
|
|
skin of his right cheek. Downy hair there too. Not smooth enough. The belly is
|
|
the smoothest. No-one about. There he goes into Frederick street. Perhaps
|
|
to Levenston's dancing academy piano. Might be settling my braces.
|
|
|
|
Walking by Doran's publichouse he slid his hand between his
|
|
waistcoat and trousers and, pulling aside his shirt gently, felt a slack
|
|
fold of his belly. But I know it's whitey yellow. Want to try in the dark
|
|
to see.
|
|
|
|
He withdrew his hand and pulled his dress to.
|
|
|
|
Poor fellow! Quite a boy. Terrible. Really terrible. What dreams
|
|
would he have, not seeing? Life a dream for him. Where is the justice being
|
|
born that way? All those women and children excursion beanfeast burned
|
|
and drowned in New York. Holocaust. Karma they call that transmigration
|
|
for sins you did in a past life the reincarnation met him pike hoses.
|
|
Dear, dear, dear. Pity, of course: but somehow you can't cotton on to
|
|
them someway.
|
|
|
|
Sir Frederick Falkiner going into the freemasons' hall. Solemn as
|
|
Troy. After his good lunch in Earlsfort terrace. Old legal cronies
|
|
cracking a magnum. Tales of the bench and assizes and annals of the
|
|
bluecoat school. I sentenced him to ten years. I suppose he'd turn up
|
|
his nose at that stuff I drank. Vintage wine for them, the year
|
|
marked on a dusty bottle. Has his own ideas of justice in the recorder's
|
|
court. Wellmeaning old man. Police chargesheets crammed with cases
|
|
get their percentage manufacturing crime. Sends them to the rightabout.
|
|
The devil on moneylenders. Gave Reuben J. a great strawcalling. Now he's
|
|
really what they call a dirty jew. Power those judges have. Crusty
|
|
old topers in wigs. Bear with a sore paw. And may the Lord have mercy
|
|
on your soul.
|
|
|
|
Hello, placard. Mirus bazaar. His Excellency the lord lieutenant.
|
|
Sixteenth. Today it is. In aid of funds for Mercer's hospital. THE MESSIAH
|
|
was first given for that. Yes. Handel. What about going out there:
|
|
Ballsbridge. Drop in on Keyes. No use sticking to him like a leech. Wear
|
|
out my welcome. Sure to know someone on the gate.
|
|
|
|
Mr Bloom came to Kildare street. First I must. Library.
|
|
|
|
Straw hat in sunlight. Tan shoes. Turnedup trousers. It is. It is.
|
|
|
|
His heart quopped softly. To the right. Museum. Goddesses. He swerved
|
|
to the right.
|
|
|
|
Is it? Almost certain. Won't look. Wine in my face. Why did I? Too heady.
|
|
Yes, it is. The walk. Not see. Get on.
|
|
|
|
Making for the museum gate with long windy steps he lifted his eyes.
|
|
Handsome building. Sir Thomas Deane designed. Not following me?
|
|
|
|
Didn't see me perhaps. Light in his eyes.
|
|
|
|
The flutter of his breath came forth in short sighs. Quick. Cold
|
|
statues: quiet there. Safe in a minute.
|
|
|
|
No. Didn't see me. After two. Just at the gate.
|
|
|
|
My heart!
|
|
|
|
His eyes beating looked steadfastly at cream curves of stone. Sir
|
|
Thomas Deane was the Greek architecture.
|
|
|
|
Look for something I.
|
|
|
|
His hasty hand went quick into a pocket, took out, read unfolded
|
|
Agendath Netaim. Where did I?
|
|
|
|
Busy looking.
|
|
|
|
He thrust back quick Agendath.
|
|
|
|
Afternoon she said.
|
|
|
|
I am looking for that. Yes, that. Try all pockets. Handker. Freeman.
|
|
Where did I? Ah, yes. Trousers. Potato. Purse. Where?
|
|
|
|
Hurry. Walk quietly. Moment more. My heart.
|
|
|
|
His hand looking for the where did I put found in his hip pocket soap
|
|
lotion have to call tepid paper stuck. Ah soap there I yes. Gate.
|
|
|
|
Safe!
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Urbane, to comfort them, the quaker librarian purred:
|
|
|
|
--And we have, have we not, those priceless pages of WILHELM MEISTER. A
|
|
great poet on a great brother poet. A hesitating soul taking arms against a
|
|
sea of troubles, torn by conflicting doubts, as one sees in real life.
|
|
|
|
He came a step a sinkapace forward on neatsleather creaking and a
|
|
step backward a sinkapace on the solemn floor.
|
|
|
|
A noiseless attendant setting open the door but slightly made him a
|
|
noiseless beck.
|
|
|
|
--Directly, said he, creaking to go, albeit lingering. The beautiful
|
|
ineffectual dreamer who comes to grief against hard facts. One always feels
|
|
that Goethe's judgments are so true. True in the larger analysis.
|
|
|
|
Twicreakingly analysis he corantoed off. Bald, most zealous by the
|
|
door he gave his large ear all to the attendant's words: heard them: and was
|
|
gone.
|
|
|
|
Two left.
|
|
|
|
--Monsieur de la Palice, Stephen sneered, was alive fifteen minutes before
|
|
his death.
|
|
|
|
--Have you found those six brave medicals, John Eglinton asked with
|
|
elder's gall, to write PARADISE LOST at your dictation? THE SORROWS
|
|
OF SATAN he calls it.
|
|
|
|
Smile. Smile Cranly's smile.
|
|
|
|
|
|
FIRST HE TICKLED HER
|
|
THEN HE PATTED HER
|
|
THEN HE PASSED THE FEMALE CATHETER.
|
|
FOR HE WAS A MEDICAL
|
|
JOLLY OLD MEDI ...
|
|
|
|
|
|
--I feel you would need one more for HAMLET. Seven is dear to the mystic
|
|
mind. The shining seven W.B. calls them.
|
|
|
|
Glittereyed his rufous skull close to his greencapped desklamp sought
|
|
the face bearded amid darkgreener shadow, an ollav, holyeyed. He laughed
|
|
low: a sizar's laugh of Trinity: unanswered.
|
|
|
|
|
|
ORCHESTRAL SATAN, WEEPING MANY A ROOD
|
|
TEARS SUCH AS ANGELS WEEP.
|
|
ED EGLI AVEA DEL CUL FATTO TROMBETTA.
|
|
|
|
|
|
He holds my follies hostage.
|
|
|
|
Cranly's eleven true Wicklowmen to free their sireland. Gaptoothed
|
|
Kathleen, her four beautiful green fields, the stranger in her house. And one
|
|
more to hail him: AVE, RABBI: the Tinahely twelve. In the shadow of the glen
|
|
he cooees for them. My soul's youth I gave him, night by night. God speed.
|
|
Good hunting.
|
|
|
|
Mulligan has my telegram.
|
|
|
|
Folly. Persist.
|
|
|
|
--Our young Irish bards, John Eglinton censured, have yet to create a
|
|
figure which the world will set beside Saxon Shakespeare's Hamlet though
|
|
I admire him, as old Ben did, on this side idolatry.
|
|
|
|
--All these questions are purely academic, Russell oracled out of his
|
|
shadow. I mean, whether Hamlet is Shakespeare or James I or Essex.
|
|
Clergymen's discussions of the historicity of Jesus. Art has to reveal to us
|
|
ideas, formless spiritual essences. The supreme question about a work of art
|
|
is out of how deep a life does it spring. The painting of Gustave Moreau is
|
|
the painting of ideas. The deepest poetry of Shelley, the words of Hamlet
|
|
bring our minds into contact with the eternal wisdom, Plato's world of
|
|
ideas. All the rest is the speculation of schoolboys for schoolboys.
|
|
|
|
A. E. has been telling some yankee interviewer. Wall, tarnation strike me!
|
|
|
|
--The schoolmen were schoolboys first, Stephen said superpolitely.
|
|
Aristotle was once Plato's schoolboy.
|
|
|
|
--And has remained so, one should hope, John Eglinton sedately said. One
|
|
can see him, a model schoolboy with his diploma under his arm.
|
|
|
|
He laughed again at the now smiling bearded face.
|
|
|
|
Formless spiritual. Father, Word and Holy Breath. Allfather, the
|
|
heavenly man. Hiesos Kristos, magician of the beautiful, the Logos who
|
|
suffers in us at every moment. This verily is that. I am the fire upon the
|
|
altar. I am the sacrificial butter.
|
|
|
|
Dunlop, Judge, the noblest Roman of them all, A.E., Arval, the Name
|
|
Ineffable, in heaven hight: K.H., their master, whose identity is no
|
|
secret to adepts. Brothers of the great white lodge always watching to
|
|
see if they can help. The Christ with the bridesister, moisture of light,
|
|
born of an ensouled virgin, repentant sophia, departed to the plane of
|
|
buddhi. The life esoteric is not for ordinary person. O.P. must work off
|
|
bad karma first. Mrs Cooper Oakley once glimpsed our very illustrious
|
|
sister H.P.B.'s elemental.
|
|
|
|
O, fie! Out on't! PFUITEUFEL! You naughtn't to look, missus, so you
|
|
naughtn't when a lady's ashowing of her elemental.
|
|
|
|
Mr Best entered, tall, young, mild, light. He bore in his hand with
|
|
grace a notebook, new, large, clean, bright.
|
|
|
|
--That model schoolboy, Stephen said, would find Hamlet's musings about
|
|
the afterlife of his princely soul, the improbable, insignificant and
|
|
undramatic monologue, as shallow as Plato's.
|
|
|
|
John Eglinton, frowning, said, waxing wroth:
|
|
|
|
--Upon my word it makes my blood boil to hear anyone compare Aristotle
|
|
with Plato.
|
|
|
|
--Which of the two, Stephen asked, would have banished me from his
|
|
commonwealth?
|
|
|
|
Unsheathe your dagger definitions. Horseness is the whatness of
|
|
allhorse. Streams of tendency and eons they worship. God: noise in the
|
|
street: very peripatetic. Space: what you damn well have to see. Through
|
|
spaces smaller than red globules of man's blood they creepycrawl after
|
|
Blake's buttocks into eternity of which this vegetable world is but a shadow.
|
|
Hold to the now, the here, through which all future plunges to the past.
|
|
|
|
Mr Best came forward, amiable, towards his colleague.
|
|
|
|
--Haines is gone, he said.
|
|
|
|
--Is he?
|
|
|
|
--I was showing him Jubainville's book. He's quite enthusiastic, don't you
|
|
know, about Hyde's LOVESONGS OF CONNACHT. I couldn't bring him in to
|
|
hear the discussion. He's gone to Gill's to buy it.
|
|
|
|
|
|
BOUND THEE FORTH, MY BOOKLET, QUICK
|
|
TO GREET THE CALLOUS PUBLIC.
|
|
WRIT, I WEEN, 'TWAS NOT MY WISH
|
|
IN LEAN UNLOVELY ENGLISH.
|
|
|
|
|
|
--The peatsmoke is going to his head, John Eglinton opined.
|
|
|
|
We feel in England. Penitent thief. Gone. I smoked his baccy. Green
|
|
twinkling stone. An emerald set in the ring of the sea.
|
|
|
|
--People do not know how dangerous lovesongs can be, the auric egg of
|
|
Russell warned occultly. The movements which work revolutions in the
|
|
world are born out of the dreams and visions in a peasant's heart on the
|
|
hillside. For them the earth is not an exploitable ground but the living
|
|
mother. The rarefied air of the academy and the arena produce the
|
|
sixshilling novel, the musichall song. France produces the finest flower
|
|
of corruption in Mallarme but the desirable life is revealed only to the
|
|
poor of heart, the life of Homer's Phaeacians.
|
|
|
|
From these words Mr Best turned an unoffending face to Stephen.
|
|
|
|
--Mallarme, don't you know, he said, has written those wonderful prose
|
|
poems Stephen MacKenna used to read to me in Paris. The one about
|
|
HAMLET. He says: IL SE PROMENE, LISANT AU LIVRE DE LUI-MEME, don't you
|
|
know, READING THE BOOK OF HIMSELF. He describes HAMLET given in a French
|
|
town, don't you know, a provincial town. They advertised it.
|
|
|
|
His free hand graciously wrote tiny signs in air.
|
|
|
|
|
|
HAMLET
|
|
OU
|
|
LE DISTRAIT
|
|
PIECE DE SHAKESPEARE
|
|
|
|
|
|
He repeated to John Eglinton's newgathered frown:
|
|
|
|
--PIECE DE SHAKESPEARE, don't you know. It's so French. The French point
|
|
of view. HAMLET OU ...
|
|
|
|
--The absentminded beggar, Stephen ended.
|
|
|
|
John Eglinton laughed.
|
|
|
|
--Yes, I suppose it would be, he said. Excellent people, no doubt, but
|
|
distressingly shortsighted in some matters.
|
|
|
|
Sumptuous and stagnant exaggeration of murder.
|
|
|
|
--A deathsman of the soul Robert Greene called him, Stephen said. Not for
|
|
nothing was he a butcher's son, wielding the sledded poleaxe and spitting
|
|
in his palms. Nine lives are taken off for his father's one. Our Father
|
|
who art in purgatory. Khaki Hamlets don't hesitate to shoot. The
|
|
bloodboltered shambles in act five is a forecast of the concentration camp
|
|
sung by Mr Swinburne.
|
|
|
|
Cranly, I his mute orderly, following battles from afar.
|
|
|
|
WHELPS AND DAMS OF MURDEROUS FOES WHOM NONE
|
|
BUT WE HAD SPARED ...
|
|
|
|
|
|
Between the Saxon smile and yankee yawp. The devil and the deep sea.
|
|
|
|
--He will have it that HAMLET is a ghoststory, John Eglinton said for Mr
|
|
Best's behoof. Like the fat boy in Pickwick he wants to make our flesh
|
|
creep.
|
|
|
|
|
|
LIST! LIST! O LIST!
|
|
|
|
|
|
My flesh hears him: creeping, hears.
|
|
|
|
|
|
IF THOU DIDST EVER ...
|
|
|
|
|
|
--What is a ghost? Stephen said with tingling energy. One who has faded
|
|
into impalpability through death, through absence, through change of
|
|
manners. Elizabethan London lay as far from Stratford as corrupt Paris
|
|
lies from virgin Dublin. Who is the ghost from LIMBO PATRUM, returning to
|
|
the world that has forgotten him? Who is King Hamlet?
|
|
|
|
John Eglinton shifted his spare body, leaning back to judge.
|
|
|
|
Lifted.
|
|
|
|
--It is this hour of a day in mid June, Stephen said, begging with a swift
|
|
glance their hearing. The flag is up on the playhouse by the bankside. The
|
|
bear Sackerson growls in the pit near it, Paris garden. Canvasclimbers who
|
|
sailed with Drake chew their sausages among the groundlings.
|
|
|
|
Local colour. Work in all you know. Make them accomplices.
|
|
|
|
--Shakespeare has left the huguenot's house in Silver street and walks by
|
|
the swanmews along the riverbank. But he does not stay to feed the pen
|
|
chivying her game of cygnets towards the rushes. The swan of Avon has
|
|
other thoughts.
|
|
|
|
Composition of place. Ignatius Loyola, make haste to help me!
|
|
|
|
--The play begins. A player comes on under the shadow, made up in the
|
|
castoff mail of a court buck, a wellset man with a bass voice. It is the
|
|
ghost, the king, a king and no king, and the player is Shakespeare who has
|
|
studied HAMLET all the years of his life which were not vanity in order to
|
|
play the part of the spectre. He speaks the words to Burbage, the young player
|
|
who stands before him beyond the rack of cerecloth, calling him by a name:
|
|
|
|
HAMLET, I AM THY FATHER'S SPIRIT,
|
|
|
|
bidding him list. To a son he speaks, the son of his soul, the prince, young
|
|
Hamlet and to the son of his body, Hamnet Shakespeare, who has died in
|
|
Stratford that his namesake may live for ever.
|
|
|
|
Is it possible that that player Shakespeare, a ghost by absence, and in the
|
|
vesture of buried Denmark, a ghost by death, speaking his own words to
|
|
his own son's name (had Hamnet Shakespeare lived he would have been
|
|
prince Hamlet's twin), is it possible, I want to know, or probable that he
|
|
did not draw or foresee the logical conclusion of those premises: you are
|
|
the dispossessed son: I am the murdered father: your mother is the
|
|
guilty queen, Ann Shakespeare, born Hathaway?
|
|
|
|
--But this prying into the family life of a great man, Russell began
|
|
impatiently.
|
|
|
|
Art thou there, truepenny?
|
|
|
|
--Interesting only to the parish clerk. I mean, we have the plays. I mean
|
|
when we read the poetry of KING LEAR what is it to us how the poet lived?
|
|
As for living our servants can do that for us, Villiers de l'Isle has said.
|
|
Peeping and prying into greenroom gossip of the day, the poet's drinking,
|
|
the poet's debts. We have KING LEAR: and it is immortal.
|
|
|
|
Mr Best's face, appealed to, agreed.
|
|
|
|
|
|
FLOW OVER THEM WITH YOUR WAVES AND WITH YOUR WATERS, MANANAAN,
|
|
MANANAAN MACLIR ...
|
|
|
|
|
|
How now, sirrah, that pound he lent you when you were hungry?
|
|
|
|
Marry, I wanted it.
|
|
|
|
Take thou this noble.
|
|
|
|
Go to! You spent most of it in Georgina Johnson's bed, clergyman's
|
|
daughter. Agenbite of inwit.
|
|
|
|
Do you intend to pay it back?
|
|
|
|
O, yes.
|
|
|
|
When? Now?
|
|
|
|
Well ... No.
|
|
|
|
When, then?
|
|
|
|
I paid my way. I paid my way.
|
|
|
|
Steady on. He's from beyant Boyne water. The northeast corner. You owe it.
|
|
|
|
Wait. Five months. Molecules all change. I am other I now. Other I got
|
|
pound.
|
|
|
|
Buzz. Buzz.
|
|
|
|
But I, entelechy, form of forms, am I by memory because under
|
|
everchanging forms.
|
|
|
|
I that sinned and prayed and fasted.
|
|
|
|
A child Conmee saved from pandies.
|
|
|
|
I, I and I. I.
|
|
|
|
A.E.I.O.U.
|
|
|
|
--Do you mean to fly in the face of the tradition of three centuries? John
|
|
Eglinton's carping voice asked. Her ghost at least has been laid for ever.
|
|
She died, for literature at least, before she was born.
|
|
|
|
--She died, Stephen retorted, sixtyseven years after she was born. She saw
|
|
him into and out of the world. She took his first embraces. She bore his
|
|
children and she laid pennies on his eyes to keep his eyelids closed when he
|
|
lay on his deathbed.
|
|
|
|
Mother's deathbed. Candle. The sheeted mirror. Who brought me
|
|
into this world lies there, bronzelidded, under few cheap flowers. LILIATA
|
|
RUTILANTIUM.
|
|
|
|
I wept alone.
|
|
|
|
John Eglinton looked in the tangled glowworm of his lamp.
|
|
|
|
--The world believes that Shakespeare made a mistake, he said, and got out
|
|
of it as quickly and as best he could.
|
|
|
|
--Bosh! Stephen said rudely. A man of genius makes no mistakes. His
|
|
errors are volitional and are the portals of discovery.
|
|
|
|
Portals of discovery opened to let in the quaker librarian,
|
|
softcreakfooted, bald, eared and assiduous.
|
|
|
|
--A shrew, John Eglinton said shrewdly, is not a useful portal of discovery,
|
|
one should imagine. What useful discovery did Socrates learn from
|
|
Xanthippe?
|
|
|
|
--Dialectic, Stephen answered: and from his mother how to bring thoughts
|
|
into the world. What he learnt from his other wife Myrto (ABSIT NOMEN!),
|
|
Socratididion's Epipsychidion, no man, not a woman, will ever know. But
|
|
neither the midwife's lore nor the caudlelectures saved him from the
|
|
archons of Sinn Fein and their naggin of hemlock.
|
|
|
|
--But Ann Hathaway? Mr Best's quiet voice said forgetfully. Yes, we seem
|
|
to be forgetting her as Shakespeare himself forgot her.
|
|
|
|
His look went from brooder's beard to carper's skull, to remind, to
|
|
chide them not unkindly, then to the baldpink lollard costard, guiltless
|
|
though maligned.
|
|
|
|
--He had a good groatsworth of wit, Stephen said, and no truant memory.
|
|
He carried a memory in his wallet as he trudged to Romeville whistling THE
|
|
GIRL I LEFT BEHIND ME. If the earthquake did not time it we should know
|
|
where to place poor Wat, sitting in his form, the cry of hounds, the studded
|
|
bridle and her blue windows. That memory, VENUS AND ADONIS, lay in the
|
|
bedchamber of every light-of-love in London. Is Katharine the shrew
|
|
illfavoured? Hortensio calls her young and beautiful. Do you think the
|
|
writer of ANTONY AND CLEOPATRA, a passionate pilgrim, had his eyes in the
|
|
back of his head that he chose the ugliest doxy in all Warwickshire to lie
|
|
withal? Good: he left her and gained the world of men. But his boywomen
|
|
are the women of a boy. Their life, thought, speech are lent them by males.
|
|
He chose badly? He was chosen, it seems to me. If others have their will
|
|
Ann hath a way. By cock, she was to blame. She put the comether on him,
|
|
sweet and twentysix. The greyeyed goddess who bends over the boy Adonis,
|
|
stooping to conquer, as prologue to the swelling act, is a boldfaced
|
|
Stratford wench who tumbles in a cornfield a lover younger than herself.
|
|
|
|
And my turn? When?
|
|
|
|
Come!
|
|
|
|
--Ryefield, Mr Best said brightly, gladly, raising his new book, gladly,
|
|
brightly.
|
|
|
|
He murmured then with blond delight for all:
|
|
|
|
|
|
BETWEEN THE ACRES OF THE RYE
|
|
THESE PRETTY COUNTRYFOLK WOULD LIE.
|
|
|
|
|
|
Paris: the wellpleased pleaser.
|
|
|
|
A tall figure in bearded homespun rose from shadow and unveiled its
|
|
cooperative watch.
|
|
|
|
--I am afraid I am due at the HOMESTEAD.
|
|
|
|
Whither away? Exploitable ground.
|
|
|
|
--Are you going? John Eglinton's active eyebrows asked. Shall we see you
|
|
at Moore's tonight? Piper is coming.
|
|
|
|
--Piper! Mr Best piped. Is Piper back?
|
|
|
|
Peter Piper pecked a peck of pick of peck of pickled pepper.
|
|
|
|
--I don't know if I can. Thursday. We have our meeting. If I can get away
|
|
in time.
|
|
|
|
Yogibogeybox in Dawson chambers. ISIS UNVEILED. Their Pali book
|
|
we tried to pawn. Crosslegged under an umbrel umbershoot he thrones an
|
|
Aztec logos, functioning on astral levels, their oversoul, mahamahatma. The
|
|
faithful hermetists await the light, ripe for chelaship, ringroundabout him.
|
|
Louis H. Victory. T. Caulfield Irwin. Lotus ladies tend them i'the eyes, their
|
|
pineal glands aglow. Filled with his god, he thrones, Buddh under plantain.
|
|
Gulfer of souls, engulfer. Hesouls, shesouls, shoals of souls. Engulfed with
|
|
wailing creecries, whirled, whirling, they bewail.
|
|
|
|
|
|
IN QUINTESSENTIAL TRIVIALITY
|
|
FOR YEARS IN THIS FLESHCASE A SHESOUL DWELT.
|
|
|
|
|
|
--They say we are to have a literary surprise, the quaker librarian said,
|
|
friendly and earnest. Mr Russell, rumour has it, is gathering together a
|
|
sheaf of our younger poets' verses. We are all looking forward anxiously.
|
|
|
|
Anxiously he glanced in the cone of lamplight where three faces,
|
|
lighted, shone.
|
|
|
|
See this. Remember.
|
|
|
|
Stephen looked down on a wide headless caubeen, hung on his
|
|
ashplanthandle over his knee. My casque and sword. Touch lightly with
|
|
two index fingers. Aristotle's experiment. One or two? Necessity is that in
|
|
virtue of which it is impossible that one can be otherwise. Argal, one hat is
|
|
one hat.
|
|
|
|
Listen.
|
|
|
|
Young Colum and Starkey. George Roberts is doing the commercial part.
|
|
Longworth will give it a good puff in the EXPRESS. O, will he? I liked
|
|
Colum's DROVER. Yes, I think he has that queer thing genius. Do you think
|
|
he has genius really? Yeats admired his line: AS IN WILD EARTH A GRECIAN
|
|
VASE. Did he? I hope you'll be able to come tonight. Malachi Mulligan is
|
|
coming too. Moore asked him to bring Haines. Did you hear Miss
|
|
Mitchell's joke about Moore and Martyn? That Moore is Martyn's wild
|
|
oats? Awfully clever, isn't it? They remind one of Don Quixote and Sancho
|
|
Panza. Our national epic has yet to be written, Dr Sigerson says. Moore is
|
|
the man for it. A knight of the rueful countenance here in Dublin. With a
|
|
saffron kilt? O'Neill Russell? O, yes, he must speak the grand old tongue.
|
|
And his Dulcinea? James Stephens is doing some clever sketches. We are
|
|
becoming important, it seems.
|
|
|
|
Cordelia. CORDOGLIO. Lir's loneliest daughter.
|
|
|
|
Nookshotten. Now your best French polish.
|
|
|
|
--Thank you very much, Mr Russell, Stephen said, rising. If you will be so
|
|
kind as to give the letter to Mr Norman ...
|
|
|
|
--O, yes. If he considers it important it will go in. We have so much
|
|
correspondence.
|
|
|
|
--I understand, Stephen said. Thanks.
|
|
|
|
God ild you. The pigs' paper. Bullockbefriending.
|
|
|
|
Synge has promised me an article for DANA too. Are we going to be
|
|
read? I feel we are. The Gaelic league wants something in Irish. I hope you
|
|
will come round tonight. Bring Starkey.
|
|
|
|
Stephen sat down.
|
|
|
|
The quaker librarian came from the leavetakers. Blushing, his mask
|
|
said:
|
|
|
|
--Mr Dedalus, your views are most illuminating.
|
|
|
|
He creaked to and fro, tiptoing up nearer heaven by the altitude of a
|
|
chopine, and, covered by the noise of outgoing, said low:
|
|
|
|
--Is it your view, then, that she was not faithful to the poet?
|
|
|
|
Alarmed face asks me. Why did he come? Courtesy or an inward
|
|
light?
|
|
|
|
--Where there is a reconciliation, Stephen said, there must have been first a
|
|
sundering.
|
|
|
|
--Yes.
|
|
|
|
Christfox in leather trews, hiding, a runaway in blighted treeforks,
|
|
from hue and cry. Knowing no vixen, walking lonely in the chase. Women
|
|
he won to him, tender people, a whore of Babylon, ladies of justices, bully
|
|
tapsters' wives. Fox and geese. And in New Place a slack dishonoured body
|
|
that once was comely, once as sweet, as fresh as cinnamon, now her leaves
|
|
falling, all, bare, frighted of the narrow grave and unforgiven.
|
|
|
|
--Yes. So you think ...
|
|
|
|
The door closed behind the outgoer.
|
|
|
|
Rest suddenly possessed the discreet vaulted cell, rest of warm and
|
|
brooding air.
|
|
|
|
A vestal's lamp.
|
|
|
|
Here he ponders things that were not: what Caesar would have lived
|
|
to do had he believed the soothsayer: what might have been: possibilities of
|
|
the possible as possible: things not known: what name Achilles bore when
|
|
he lived among women.
|
|
|
|
Coffined thoughts around me, in mummycases, embalmed in spice of
|
|
words. Thoth, god of libraries, a birdgod, moonycrowned. And I heard the
|
|
voice of that Egyptian highpriest. IN PAINTED CHAMBERS LOADED WITH
|
|
TILEBOOKS.
|
|
|
|
They are still. Once quick in the brains of men. Still: but an itch of
|
|
death is in them, to tell me in my ear a maudlin tale, urge me to wreak their
|
|
will.
|
|
|
|
--Certainly, John Eglinton mused, of all great men he is the most enigmatic.
|
|
We know nothing but that he lived and suffered. Not even so much. Others
|
|
abide our question. A shadow hangs over all the rest.
|
|
|
|
--But HAMLET is so personal, isn't it? Mr Best pleaded. I mean, a kind of
|
|
private paper, don't you know, of his private life. I mean, I don't care a
|
|
button, don't you know, who is killed or who is guilty ...
|
|
|
|
He rested an innocent book on the edge of the desk, smiling his
|
|
defiance. His private papers in the original. TA AN BAD AR AN TIR. TAIM IN MO
|
|
SHAGART. Put beurla on it, littlejohn.
|
|
|
|
Quoth littlejohn Eglinton:
|
|
|
|
--I was prepared for paradoxes from what Malachi Mulligan told us but I
|
|
may as well warn you that if you want to shake my belief that Shakespeare
|
|
is Hamlet you have a stern task before you.
|
|
|
|
Bear with me.
|
|
|
|
Stephen withstood the bane of miscreant eyes glinting stern under
|
|
wrinkled brows. A basilisk. E QUANDO VEDE L'UOMO L'ATTOSCA. Messer
|
|
Brunetto, I thank thee for the word.
|
|
|
|
--As we, or mother Dana, weave and unweave our bodies, Stephen said,
|
|
from day to day, their molecules shuttled to and fro, so does the artist
|
|
weave and unweave his image. And as the mole on my right breast is where
|
|
it was when I was born, though all my body has been woven of new stuff
|
|
time after time, so through the ghost of the unquiet father the image of the
|
|
unliving son looks forth. In the intense instant of imagination, when the
|
|
mind, Shelley says, is a fading coal, that which I was is that which I am and
|
|
that which in possibility I may come to be. So in the future, the sister of
|
|
the past, I may see myself as I sit here now but by reflection from that which
|
|
then I shall be.
|
|
|
|
Drummond of Hawthornden helped you at that stile.
|
|
|
|
--Yes, Mr Best said youngly. I feel Hamlet quite young. The bitterness
|
|
might be from the father but the passages with Ophelia are surely from the
|
|
son.
|
|
|
|
Has the wrong sow by the lug. He is in my father. I am in his son.
|
|
|
|
--That mole is the last to go, Stephen said, laughing.
|
|
|
|
John Eglinton made a nothing pleasing mow.
|
|
|
|
--If that were the birthmark of genius, he said, genius would be a drug in
|
|
the market. The plays of Shakespeare's later years which Renan admired so
|
|
much breathe another spirit.
|
|
|
|
--The spirit of reconciliation, the quaker librarian breathed.
|
|
|
|
--There can be no reconciliation, Stephen said, if there has not been a
|
|
sundering.
|
|
|
|
Said that.
|
|
|
|
--If you want to know what are the events which cast their shadow over the
|
|
hell of time of KING LEAR, OTHELLO, HAMLET, TROILUS AND CRESSIDA, look to
|
|
see when and how the shadow lifts. What softens the heart of a man,
|
|
shipwrecked in storms dire, Tried, like another Ulysses, Pericles, prince of
|
|
Tyre?
|
|
|
|
Head, redconecapped, buffeted, brineblinded.
|
|
|
|
--A child, a girl, placed in his arms, Marina.
|
|
|
|
--The leaning of sophists towards the bypaths of apocrypha is a constant
|
|
quantity, John Eglinton detected. The highroads are dreary but they lead to
|
|
the town.
|
|
|
|
Good Bacon: gone musty. Shakespeare Bacon's wild oats.
|
|
Cypherjugglers going the highroads. Seekers on the great quest. What
|
|
town, good masters? Mummed in names: A. E., eon: Magee, John Eglinton.
|
|
East of the sun, west of the moon: TIR NA N-OG. Booted the twain and
|
|
staved.
|
|
|
|
|
|
HOW MANY MILES TO DUBLIN?
|
|
THREE SCORE AND TEN, SIR.
|
|
WILL WE BE THERE BY CANDLELIGHT?
|
|
|
|
|
|
--Mr Brandes accepts it, Stephen said, as the first play of the closing
|
|
period.
|
|
|
|
--Does he? What does Mr Sidney Lee, or Mr Simon Lazarus as some aver
|
|
his name is, say of it?
|
|
|
|
--Marina, Stephen said, a child of storm, Miranda, a wonder, Perdita, that
|
|
which was lost. What was lost is given back to him: his daughter's child.
|
|
MY DEAREST WIFE, Pericles says, WAS LIKE THIS MAID. Will any man love the
|
|
daughter if he has not loved the mother?
|
|
|
|
--The art of being a grandfather, Mr Best gan murmur. L'ART D'ETRE
|
|
GRAND ...
|
|
|
|
--Will he not see reborn in her, with the memory of his own youth added,
|
|
another image?
|
|
|
|
Do you know what you are talking about? Love, yes. Word known to
|
|
all men. Amor vero aliquid alicui bonum vult unde et ea quae
|
|
concupiscimus ...
|
|
|
|
--His own image to a man with that queer thing genius is the standard of
|
|
all experience, material and moral. Such an appeal will touch him. The
|
|
images of other males of his blood will repel him. He will see in them
|
|
grotesque attempts of nature to foretell or to repeat himself.
|
|
|
|
The benign forehead of the quaker librarian enkindled rosily with hope.
|
|
|
|
--I hope Mr Dedalus will work out his theory for the enlightenment of the
|
|
public. And we ought to mention another Irish commentator, Mr George
|
|
Bernard Shaw. Nor should we forget Mr Frank Harris. His articles on
|
|
Shakespeare in the SATURDAY REVIEW were surely brilliant. Oddly enough
|
|
he too draws for us an unhappy relation with the dark lady of the sonnets.
|
|
The favoured rival is William Herbert, earl of Pembroke. I own that if the
|
|
poet must be rejected such a rejection would seem more in harmony
|
|
with--what shall I say?--our notions of what ought not to have been.
|
|
|
|
Felicitously he ceased and held a meek head among them, auk's egg,
|
|
prize of their fray.
|
|
|
|
He thous and thees her with grave husbandwords. Dost love, Miriam?
|
|
Dost love thy man?
|
|
|
|
--That may be too, Stephen said. There's a saying of Goethe's which Mr
|
|
Magee likes to quote. Beware of what you wish for in youth because you
|
|
will get it in middle life. Why does he send to one who is a BUONAROBA, a
|
|
bay where all men ride, a maid of honour with a scandalous girlhood, a
|
|
lordling to woo for him? He was himself a lord of language and had made
|
|
himself a coistrel gentleman and he had written ROMEO AND JULIET. Why?
|
|
Belief in himself has been untimely killed. He was overborne in a
|
|
cornfield first (ryefield, I should say) and he will never be a victor
|
|
in his own eyes after nor play victoriously the game of laugh and lie
|
|
down. Assumed dongiovannism will not save him. No later undoing will undo
|
|
the first undoing. The tusk of the boar has wounded him there where love
|
|
lies ableeding. If the shrew is worsted yet there remains to her woman's
|
|
invisible weapon. There is, I feel in the words, some goad of the flesh
|
|
driving him into a new passion, a darker shadow of the first, darkening
|
|
even his own understanding of himself. A like fate awaits him and the two
|
|
rages commingle in a whirlpool.
|
|
|
|
They list. And in the porches of their ears I pour.
|
|
|
|
--The soul has been before stricken mortally, a poison poured in the porch
|
|
of a sleeping ear. But those who are done to death in sleep cannot know
|
|
the manner of their quell unless their Creator endow their souls with that
|
|
knowledge in the life to come. The poisoning and the beast with two backs
|
|
that urged it King Hamlet's ghost could not know of were he not endowed
|
|
with knowledge by his creator. That is why the speech (his lean unlovely
|
|
English) is always turned elsewhere, backward. Ravisher and ravished,
|
|
what he would but would not, go with him from Lucrece's bluecircled ivory
|
|
globes to Imogen's breast, bare, with its mole cinquespotted. He goes
|
|
back, weary of the creation he has piled up to hide him from himself, an
|
|
old dog licking an old sore. But, because loss is his gain, he passes on
|
|
towards eternity in undiminished personality, untaught by the wisdom he
|
|
has written or by the laws he has revealed. His beaver is up. He is a
|
|
ghost, a shadow now, the wind by Elsinore's rocks or what you will, the
|
|
sea's voice, a voice heard only in the heart of him who is the substance
|
|
of his shadow, the son consubstantial with the father.
|
|
|
|
--Amen! was responded from the doorway.
|
|
|
|
Hast thou found me, O mine enemy?
|
|
|
|
ENTR'ACTE.
|
|
|
|
A ribald face, sullen as a dean's, Buck Mulligan came forward, then
|
|
blithe in motley, towards the greeting of their smiles. My telegram.
|
|
|
|
--You were speaking of the gaseous vertebrate, if I mistake not? he asked
|
|
of Stephen.
|
|
|
|
Primrosevested he greeted gaily with his doffed Panama as with a bauble.
|
|
|
|
They make him welcome. WAS DU VERLACHST WIRST DU NOCH DIENEN.
|
|
|
|
Brood of mockers: Photius, pseudomalachi, Johann Most.
|
|
|
|
He Who Himself begot middler the Holy Ghost and Himself sent
|
|
Himself, Agenbuyer, between Himself and others, Who, put upon by His
|
|
fiends, stripped and whipped, was nailed like bat to barndoor, starved on
|
|
crosstree, Who let Him bury, stood up, harrowed hell, fared into heaven
|
|
and there these nineteen hundred years sitteth on the right hand of His
|
|
Own Self but yet shall come in the latter day to doom the quick and dead
|
|
when all the quick shall be dead already.
|
|
|
|
Glo--o--ri--a in ex--cel--sis De--o.
|
|
|
|
He lifts his hands. Veils fall. O, flowers! Bells with bells with bells
|
|
aquiring.
|
|
|
|
--Yes, indeed, the quaker librarian said. A most instructive discussion.
|
|
Mr Mulligan, I'll be bound, has his theory too of the play and of
|
|
Shakespeare. All sides of life should be represented.
|
|
|
|
He smiled on all sides equally.
|
|
|
|
Buck Mulligan thought, puzzled:
|
|
|
|
--Shakespeare? he said. I seem to know the name.
|
|
|
|
A flying sunny smile rayed in his loose features.
|
|
|
|
--To be sure, he said, remembering brightly. The chap that writes like
|
|
Synge.
|
|
|
|
Mr Best turned to him.
|
|
|
|
--Haines missed you, he said. Did you meet him? He'll see you after at the
|
|
D. B. C. He's gone to Gill's to buy Hyde's LOVESONGS OF CONNACHT.
|
|
|
|
--I came through the museum, Buck Mulligan said. Was he here?
|
|
|
|
--The bard's fellowcountrymen, John Eglinton answered, are rather tired
|
|
perhaps of our brilliancies of theorising. I hear that an actress played
|
|
Hamlet for the fourhundredandeighth time last night in Dublin. Vining
|
|
held that the prince was a woman. Has no-one made him out to be an
|
|
Irishman? Judge Barton, I believe, is searching for some clues. He swears
|
|
(His Highness not His Lordship) by saint Patrick.
|
|
|
|
--The most brilliant of all is that story of Wilde's, Mr Best said,
|
|
lifting his brilliant notebook. THAT PORTRAIT OF MR W. H. where he proves
|
|
that the sonnets were written by a Willie Hughes, a man all hues.
|
|
|
|
--For Willie Hughes, is it not? the quaker librarian asked.
|
|
|
|
Or Hughie Wills? Mr William Himself. W. H.: who am I?
|
|
|
|
--I mean, for Willie Hughes, Mr Best said, amending his gloss easily. Of
|
|
course it's all paradox, don't you know, Hughes and hews and hues, the
|
|
colour, but it's so typical the way he works it out. It's the very essence
|
|
of Wilde, don't you know. The light touch.
|
|
|
|
His glance touched their faces lightly as he smiled, a blond ephebe.
|
|
Tame essence of Wilde.
|
|
|
|
You're darned witty. Three drams of usquebaugh you drank with Dan Deasy's
|
|
ducats.
|
|
|
|
How much did I spend? O, a few shillings.
|
|
|
|
For a plump of pressmen. Humour wet and dry.
|
|
|
|
Wit. You would give your five wits for youth's proud livery he pranks
|
|
in. Lineaments of gratified desire.
|
|
|
|
There be many mo. Take her for me. In pairing time. Jove, a cool
|
|
ruttime send them. Yea, turtledove her.
|
|
|
|
Eve. Naked wheatbellied sin. A snake coils her, fang in's kiss.
|
|
|
|
--Do you think it is only a paradox? the quaker librarian was asking. The
|
|
mocker is never taken seriously when he is most serious.
|
|
|
|
They talked seriously of mocker's seriousness.
|
|
|
|
Buck Mulligan's again heavy face eyed Stephen awhile. Then, his
|
|
head wagging, he came near, drew a folded telegram from his pocket. His
|
|
mobile lips read, smiling with new delight.
|
|
|
|
--Telegram! he said. Wonderful inspiration! Telegram! A papal bull!
|
|
|
|
He sat on a corner of the unlit desk, reading aloud joyfully:
|
|
|
|
--THE SENTIMENTALIST IS HE WHO WOULD ENJOY WITHOUT INCURRING THE IMMENSE
|
|
DEBTORSHIP FOR A THING DONE. Signed: Dedalus. Where did you launch it
|
|
from? The kips? No. College Green. Have you drunk the four quid? The
|
|
aunt is going to call on your unsubstantial father. Telegram! Malachi
|
|
Mulligan, The Ship, lower Abbey street. O, you peerless mummer! O, you
|
|
priestified Kinchite!
|
|
|
|
Joyfully he thrust message and envelope into a pocket but keened in a
|
|
querulous brogue:
|
|
|
|
--It's what I'm telling you, mister honey, it's queer and sick we were,
|
|
Haines and myself, the time himself brought it in. 'Twas murmur we did for
|
|
a gallus potion would rouse a friar, I'm thinking, and he limp with
|
|
leching. And we one hour and two hours and three hours in Connery's
|
|
sitting civil waiting for pints apiece.
|
|
|
|
He wailed:
|
|
|
|
--And we to be there, mavrone, and you to be unbeknownst sending us
|
|
your conglomerations the way we to have our tongues out a yard long like
|
|
the drouthy clerics do be fainting for a pussful.
|
|
|
|
Stephen laughed.
|
|
|
|
Quickly, warningfully Buck Mulligan bent down.
|
|
|
|
--The tramper Synge is looking for you, he said, to murder you. He heard
|
|
you pissed on his halldoor in Glasthule. He's out in pampooties to murder
|
|
you.
|
|
|
|
--Me! Stephen exclaimed. That was your contribution to literature.
|
|
|
|
Buck Mulligan gleefully bent back, laughing to the dark eavesdropping
|
|
ceiling.
|
|
|
|
--Murder you! he laughed.
|
|
|
|
Harsh gargoyle face that warred against me over our mess of hash of
|
|
lights in rue Saint-Andre-des-Arts. In words of words for words, palabras.
|
|
Oisin with Patrick. Faunman he met in Clamart woods, brandishing a
|
|
winebottle. C'EST VENDREDI SAINT! Murthering Irish. His image, wandering,
|
|
he met. I mine. I met a fool i'the forest.
|
|
|
|
--Mr Lyster, an attendant said from the door ajar.
|
|
|
|
-- ... in which everyone can find his own. So Mr Justice Madden in his
|
|
DIARY OF MASTER WILLIAM SILENCE has found the hunting terms ... Yes? What
|
|
is it?
|
|
|
|
--There's a gentleman here, sir, the attendant said, coming forward and
|
|
offering a card. From the Freeman. He wants to see the files of the
|
|
KILKENNY PEOPLE for last year.
|
|
|
|
--Certainly, certainly, certainly. Is the gentleman? ...
|
|
|
|
He took the eager card, glanced, not saw, laid down unglanced,
|
|
looked, asked, creaked, asked:
|
|
|
|
--Is he? ... O, there!
|
|
|
|
Brisk in a galliard he was off, out. In the daylit corridor he talked
|
|
with voluble pains of zeal, in duty bound, most fair, most kind, most
|
|
honest broadbrim.
|
|
|
|
--This gentleman? FREEMAN'S JOURNAL? KILKENNY PEOPLE? To be sure. Good
|
|
day, sir. KILKENNY ... We have certainly ...
|
|
|
|
A patient silhouette waited, listening.
|
|
|
|
--All the leading provincial ... NORTHERN WHIG, CORK EXAMINER,
|
|
ENNISCORTHY GUARDIAN, 1903 ... Will you please? ... Evans,
|
|
conduct this gentleman ... If you just follow the atten ... Or, please
|
|
allow me ... This way ... Please, sir ...
|
|
|
|
Voluble, dutiful, he led the way to all the provincial papers, a bowing
|
|
dark figure following his hasty heels.
|
|
|
|
The door closed.
|
|
|
|
--The sheeny! Buck Mulligan cried.
|
|
|
|
He jumped up and snatched the card.
|
|
|
|
--What's his name? Ikey Moses? Bloom.
|
|
|
|
He rattled on:
|
|
|
|
--Jehovah, collector of prepuces, is no more. I found him over in the
|
|
museum where I went to hail the foamborn Aphrodite. The Greek mouth
|
|
that has never been twisted in prayer. Every day we must do homage to her.
|
|
LIFE OF LIFE, THY LIPS ENKINDLE.
|
|
|
|
Suddenly he turned to Stephen:
|
|
|
|
--He knows you. He knows your old fellow. O, I fear me, he is Greeker
|
|
than the Greeks. His pale Galilean eyes were upon her mesial groove.
|
|
Venus Kallipyge. O, the thunder of those loins! THE GOD PURSUING THE
|
|
MAIDEN HID.
|
|
|
|
--We want to hear more, John Eglinton decided with Mr Best's approval.
|
|
We begin to be interested in Mrs S. Till now we had thought of her, if at
|
|
all, as a patient Griselda, a Penelope stayathome.
|
|
|
|
--Antisthenes, pupil of Gorgias, Stephen said, took the palm of beauty
|
|
from Kyrios Menelaus' brooddam, Argive Helen, the wooden mare of Troy in
|
|
whom a score of heroes slept, and handed it to poor Penelope. Twenty years
|
|
he lived in London and, during part of that time, he drew a salary equal
|
|
to that of the lord chancellor of Ireland. His life was rich. His art,
|
|
more than the art of feudalism as Walt Whitman called it, is the art of
|
|
surfeit. Hot herringpies, green mugs of sack, honeysauces, sugar of roses,
|
|
marchpane, gooseberried pigeons, ringocandies. Sir Walter Raleigh, when
|
|
they arrested him, had half a million francs on his back including a pair
|
|
of fancy stays. The gombeenwoman Eliza Tudor had underlinen enough to vie
|
|
with her of Sheba. Twenty years he dallied there between conjugial love
|
|
and its chaste delights and scortatory love and its foul pleasures.
|
|
You know Manningham's story of the burgher's wife who bade Dick Burbage
|
|
to her bed after she had seen him in RICHARD III and how Shakespeare,
|
|
overhearing, without more ado about nothing, took the cow by the horns
|
|
and, when Burbage came knocking at the gate, answered from the capon's
|
|
blankets: WILLIAM THE CONQUEROR CAME BEFORE RICHARD III. And the gay
|
|
lakin, mistress Fitton, mount and cry O, and his dainty birdsnies, lady
|
|
Penelope Rich, a clean quality woman is suited for a player, and the punks
|
|
of the bankside, a penny a time.
|
|
|
|
Cours la Reine. ENCORE VINGT SOUS. NOUS FERONS DE PETITES COCHONNERIES.
|
|
MINETTE? TU VEUX?
|
|
|
|
--The height of fine society. And sir William Davenant of oxford's mother
|
|
with her cup of canary for any cockcanary.
|
|
|
|
Buck Mulligan, his pious eyes upturned, prayed:
|
|
|
|
--Blessed Margaret Mary Anycock!
|
|
|
|
--And Harry of six wives' daughter. And other lady friends from
|
|
neighbour seats as Lawn Tennyson, gentleman poet, sings. But all those
|
|
twenty years what do you suppose poor Penelope in Stratford was doing
|
|
behind the diamond panes?
|
|
|
|
Do and do. Thing done. In a rosery of Fetter lane of Gerard,
|
|
herbalist, he walks, greyedauburn. An azured harebell like her veins. Lids
|
|
of Juno's eyes, violets. He walks. One life is all. One body. Do. But do.
|
|
Afar, in a reek of lust and squalor, hands are laid on whiteness.
|
|
|
|
Buck Mulligan rapped John Eglinton's desk sharply.
|
|
|
|
--Whom do you suspect? he challenged.
|
|
|
|
--Say that he is the spurned lover in the sonnets. Once spurned twice
|
|
spurned. But the court wanton spurned him for a lord, his dearmylove.
|
|
|
|
Love that dare not speak its name.
|
|
|
|
--As an Englishman, you mean, John sturdy Eglinton put in, he loved
|
|
a lord.
|
|
|
|
Old wall where sudden lizards flash. At Charenton I watched them.
|
|
|
|
--It seems so, Stephen said, when he wants to do for him, and for all
|
|
other and singular uneared wombs, the holy office an ostler does for the
|
|
stallion. Maybe, like Socrates, he had a midwife to mother as he had a
|
|
shrew to wife. But she, the giglot wanton, did not break a bedvow. Two
|
|
deeds are rank in that ghost's mind: a broken vow and the dullbrained
|
|
yokel on whom her favour has declined, deceased husband's brother. Sweet
|
|
Ann, I take it, was hot in the blood. Once a wooer, twice a wooer.
|
|
|
|
Stephen turned boldly in his chair.
|
|
|
|
--The burden of proof is with you not with me, he said frowning. If you
|
|
deny that in the fifth scene of HAMLET he has branded her with infamy tell
|
|
me why there is no mention of her during the thirtyfour years between the
|
|
day she married him and the day she buried him. All those women saw their
|
|
men down and under: Mary, her goodman John, Ann, her poor dear
|
|
Willun, when he went and died on her, raging that he was the first to go,
|
|
Joan, her four brothers, Judith, her husband and all her sons, Susan, her
|
|
husband too, while Susan's daughter, Elizabeth, to use granddaddy's
|
|
words, wed her second, having killed her first.
|
|
|
|
O, yes, mention there is. In the years when he was living richly in royal
|
|
London to pay a debt she had to borrow forty shillings from her father's
|
|
shepherd. Explain you then. Explain the swansong too wherein he has
|
|
commended her to posterity.
|
|
|
|
He faced their silence.
|
|
|
|
To whom thus Eglinton:
|
|
|
|
|
|
You mean the will.
|
|
But that has been explained, I believe, by jurists.
|
|
She was entitled to her widow's dower
|
|
At common law. His legal knowledge was great
|
|
Our judges tell us.
|
|
Him Satan fleers,
|
|
Mocker:
|
|
And therefore he left out her name
|
|
From the first draft but he did not leave out
|
|
The presents for his granddaughter, for his daughters,
|
|
For his sister, for his old cronies in Stratford
|
|
And in London. And therefore when he was urged,
|
|
As I believe, to name her
|
|
He left her his
|
|
Secondbest
|
|
Bed.
|
|
PUNKT.
|
|
Leftherhis
|
|
Secondbest
|
|
Leftherhis
|
|
Bestabed
|
|
Secabest
|
|
Leftabed.
|
|
|
|
|
|
Woa!
|
|
|
|
--Pretty countryfolk had few chattels then, John Eglinton observed, as
|
|
they have still if our peasant plays are true to type.
|
|
|
|
--He was a rich country gentleman, Stephen said, with a coat of arms and
|
|
landed estate at Stratford and a house in Ireland yard, a capitalist
|
|
shareholder, a bill promoter, a tithefarmer. Why did he not leave her his
|
|
best bed if he wished her to snore away the rest of her nights in peace?
|
|
|
|
--It is clear that there were two beds, a best and a secondbest,
|
|
Mr Secondbest Best said finely.
|
|
|
|
--SEPARATIO A MENSA ET A THALAMO, bettered Buck Mulligan and was
|
|
smiled on.
|
|
|
|
--Antiquity mentions famous beds, Second Eglinton puckered, bedsmiling.
|
|
Let me think.
|
|
|
|
--Antiquity mentions that Stagyrite schoolurchin and bald heathen sage,
|
|
Stephen said, who when dying in exile frees and endows his slaves, pays
|
|
tribute to his elders, wills to be laid in earth near the bones of his
|
|
dead wife and bids his friends be kind to an old mistress (don't forget
|
|
Nell Gwynn Herpyllis) and let her live in his villa.
|
|
|
|
--Do you mean he died so? Mr Best asked with slight concern. I mean ...
|
|
|
|
--He died dead drunk, Buck Mulligan capped. A quart of ale is a dish for a
|
|
king. O, I must tell you what Dowden said!
|
|
|
|
--What? asked Besteglinton.
|
|
|
|
William Shakespeare and company, limited. The people's William.
|
|
For terms apply: E. Dowden, Highfield house ...
|
|
|
|
--Lovely! Buck Mulligan suspired amorously. I asked him what he thought
|
|
of the charge of pederasty brought against the bard. He lifted his hands
|
|
and said: ALL WE CAN SAY IS THAT LIFE RAN VERY HIGH IN THOSE DAYS. Lovely!
|
|
|
|
Catamite.
|
|
|
|
--The sense of beauty leads us astray, said beautifulinsadness Best to
|
|
ugling Eglinton.
|
|
|
|
Steadfast John replied severe:
|
|
|
|
--The doctor can tell us what those words mean. You cannot eat your cake
|
|
and have it.
|
|
|
|
Sayest thou so? Will they wrest from us, from me, the palm of beauty?
|
|
|
|
--And the sense of property, Stephen said. He drew Shylock out of his own
|
|
long pocket. The son of a maltjobber and moneylender he was himself a
|
|
cornjobber and moneylender, with ten tods of corn hoarded in the famine
|
|
riots. His borrowers are no doubt those divers of worship mentioned by
|
|
Chettle Falstaff who reported his uprightness of dealing. He sued a
|
|
fellowplayer for the price of a few bags of malt and exacted his pound of
|
|
flesh in interest for every money lent. How else could Aubrey's ostler and
|
|
callboy get rich quick? All events brought grist to his mill. Shylock
|
|
chimes with the jewbaiting that followed the hanging and quartering of the
|
|
queen's leech Lopez, his jew's heart being plucked forth while the sheeny
|
|
was yet alive: HAMLET AND MACBETH with the coming to the throne of a
|
|
Scotch philosophaster with a turn for witchroasting. The lost armada is
|
|
his jeer in LOVE'S LABOUR LOST. His pageants, the histories, sail
|
|
fullbellied on a tide of Mafeking enthusiasm. Warwickshire jesuits are
|
|
tried and we have a porter's theory of equivocation. The SEA VENTURE comes
|
|
home from Bermudas and the play Renan admired is written with Patsy
|
|
Caliban, our American cousin. The sugared sonnets follow Sidney's. As for
|
|
fay Elizabeth, otherwise carrotty Bess, the gross virgin who inspired THE
|
|
MERRY WIVES OF WINDSOR, let some meinherr from Almany grope his life long
|
|
for deephid meanings in the depths of the buckbasket.
|
|
|
|
I think you're getting on very nicely. Just mix up a mixture of
|
|
theolologicophilolological. MINGO, MINXI, MICTUM, MINGERE.
|
|
|
|
--Prove that he was a jew, John Eglinton dared,'expectantly. Your dean of
|
|
studies holds he was a holy Roman.
|
|
|
|
SUFFLAMINANDUS SUM.
|
|
|
|
--He was made in Germany, Stephen replied, as the champion French
|
|
polisher of Italian scandals.
|
|
|
|
--A myriadminded man, Mr Best reminded. Coleridge called him myriadminded.
|
|
|
|
|
|
AMPLIUS. IN SOCIETATE HUMANA HOC EST MAXIME NECESSARIUM UT SIT AMICITIA
|
|
INTER MULTOS.
|
|
|
|
--Saint Thomas, Stephen began ...
|
|
|
|
--Ora pro nobis, Monk Mulligan groaned, sinking to a chair.
|
|
|
|
There he keened a wailing rune.
|
|
|
|
--POGUE MAHONE! ACUSHLA MACHREE! It's destroyed we are from this day! It's
|
|
destroyed we are surely!
|
|
|
|
All smiled their smiles.
|
|
|
|
--Saint Thomas, Stephen smiling said, whose gorbellied works I enjoy
|
|
reading in the original, writing of incest from a standpoint different
|
|
from that of the new Viennese school Mr Magee spoke of, likens it in his
|
|
wise and curious way to an avarice of the emotions. He means that the love
|
|
so given to one near in blood is covetously withheld from some
|
|
stranger who, it may be, hungers for it. Jews, whom christians tax
|
|
with avarice, are of all races the most given to intermarriage.
|
|
Accusations are made in anger. The christian laws which built up
|
|
the hoards of the jews (for whom, as for the lollards, storm was shelter)
|
|
bound their affections too with hoops of steel. Whether these be sins
|
|
or virtues old Nobodaddy will tell us at doomsday leet. But a man who
|
|
holds so tightly to what he calls his rights over what he calls his debts
|
|
will hold tightly also to what he calls his rights over her whom he calls
|
|
his wife. No sir smile neighbour shall covet his ox or his wife or his
|
|
manservant or his maidservant or his jackass.
|
|
|
|
--Or his jennyass, Buck Mulligan antiphoned.
|
|
|
|
--Gentle Will is being roughly handled, gentle Mr Best said gently.
|
|
|
|
--Which will? gagged sweetly Buck Mulligan. We are getting mixed.
|
|
|
|
--The will to live, John Eglinton philosophised, for poor Ann, Will's
|
|
widow, is the will to die.
|
|
|
|
--REQUIESCAT! Stephen prayed.
|
|
|
|
|
|
WHAT OF ALL THE WILL TO DO?
|
|
IT HAS VANISHED LONG AGO ...
|
|
|
|
|
|
--She lies laid out in stark stiffness in that secondbest bed, the mobled
|
|
queen, even though you prove that a bed in those days was as rare as a
|
|
motorcar is now and that its carvings were the wonder of seven parishes.
|
|
In old age she takes up with gospellers (one stayed with her at New Place
|
|
and drank a quart of sack the town council paid for but in which bed he
|
|
slept it skills not to ask) and heard she had a soul. She read or had read
|
|
to her his chapbooks preferring them to the MERRY WIVES and, loosing her
|
|
nightly waters on the jordan, she thought over HOOKS AND EYES FOR
|
|
BELIEVERS' BREECHES and THE MOST SPIRITUAL SNUFFBOX TO MAKE THE MOST
|
|
DEVOUT SOULS SNEEZE. Venus has twisted her lips in prayer. Agenbite of
|
|
inwit: remorse of conscience. It is an age of exhausted whoredom groping
|
|
for its god.
|
|
|
|
--History shows that to be true, INQUIT EGLINTONUS CHRONOLOLOGOS. The ages
|
|
succeed one another. But we have it on high authority that a man's worst
|
|
enemies shall be those of his own house and family. I feel that Russell is
|
|
right. What do we care for his wife or father? I should say that only
|
|
family poets have family lives. Falstaff was not a family man. I feel that
|
|
the fat knight is his supreme creation.
|
|
|
|
Lean, he lay back. Shy, deny thy kindred, the unco guid. Shy, supping
|
|
with the godless, he sneaks the cup. A sire in Ultonian Antrim bade it
|
|
him. Visits him here on quarter days. Mr Magee, sir, there's a gentleman
|
|
to see you. Me? Says he's your father, sir. Give me my Wordsworth. Enter
|
|
Magee Mor Matthew, a rugged rough rugheaded kern, in strossers with a
|
|
buttoned codpiece, his nether stocks bemired with clauber of ten forests,
|
|
a wand of wilding in his hand.
|
|
|
|
Your own? He knows your old fellow. The widower.
|
|
|
|
Hurrying to her squalid deathlair from gay Paris on the quayside I
|
|
touched his hand. The voice, new warmth, speaking. Dr Bob Kenny is
|
|
attending her. The eyes that wish me well. But do not know me.
|
|
|
|
--A father, Stephen said, battling against hopelessness, is a necessary
|
|
evil. He wrote the play in the months that followed his father's death. If
|
|
you hold that he, a greying man with two marriageable daughters, with
|
|
thirtyfive years of life, NEL MEZZO DEL CAMMIN DI NOSTRA VITA, with fifty
|
|
of experience, is the beardless undergraduate from Wittenberg then you
|
|
must hold that his seventyyear old mother is the lustful queen. No. The
|
|
corpse of John Shakespeare does not walk the night. From hour to hour it
|
|
rots and rots. He rests, disarmed of fatherhood, having devised that
|
|
mystical estate upon his son. Boccaccio's Calandrino was the first and
|
|
last man who felt himself with child. Fatherhood, in the sense of
|
|
conscious begetting, is unknown to man. It is a mystical estate, an
|
|
apostolic succession, from only begetter to only begotten. On that mystery
|
|
and not on the madonna which the cunning Italian intellect flung
|
|
to the mob of Europe the church is founded and founded irremovably
|
|
because founded, like the world, macro and microcosm, upon the void. Upon
|
|
incertitude, upon unlikelihood. AMOR MATRIS, subjective and objective
|
|
genitive, may be the only true thing in life. Paternity may be a legal
|
|
fiction. Who is the father of any son that any son should love him or he
|
|
any son?
|
|
|
|
What the hell are you driving at?
|
|
|
|
I know. Shut up. Blast you. I have reasons.
|
|
|
|
AMPLIUS. ADHUC. ITERUM. POSTEA.
|
|
|
|
Are you condemned to do this?
|
|
|
|
--They are sundered by a bodily shame so steadfast that the criminal
|
|
annals of the world, stained with all other incests and bestialities,
|
|
hardly record its breach. Sons with mothers, sires with daughters, lesbic
|
|
sisters, loves that dare not speak their name, nephews with grandmothers,
|
|
jailbirds with keyholes, queens with prize bulls. The son unborn mars
|
|
beauty: born, he brings pain, divides affection, increases care. He is a
|
|
new male: his growth is his father's decline, his youth his father's envy,
|
|
his friend his father's enemy.
|
|
|
|
In rue Monsieur-le-Prince I thought it.
|
|
|
|
--What links them in nature? An instant of blind rut.
|
|
|
|
Am I a father? If I were?
|
|
|
|
Shrunken uncertain hand.
|
|
|
|
--Sabellius, the African, subtlest heresiarch of all the beasts of the
|
|
field, held that the Father was Himself His Own Son. The bulldog of Aquin,
|
|
with whom no word shall be impossible, refutes him. Well: if the father
|
|
who has not a son be not a father can the son who has not a father be a
|
|
son? When Rutlandbaconsouthamptonshakespeare or another poet of the same
|
|
name in the comedy of errors wrote Hamlet he was not the father of his own
|
|
son merely but, being no more a son, he was and felt himself the father of
|
|
all his race, the father of his own grandfather, the father of his unborn
|
|
grandson who, by the same token, never was born, for nature, as Mr Magee
|
|
understands her, abhors perfection.
|
|
|
|
Eglintoneyes, quick with pleasure, looked up shybrightly. Gladly
|
|
glancing, a merry puritan, through the twisted eglantine.
|
|
|
|
Flatter. Rarely. But flatter.
|
|
|
|
--Himself his own father, Sonmulligan told himself. Wait. I am big with
|
|
child. I have an unborn child in my brain. Pallas Athena! A play! The
|
|
play's the thing! Let me parturiate!
|
|
|
|
He clasped his paunchbrow with both birthaiding hands.
|
|
|
|
--As for his family, Stephen said, his mother's name lives in the forest
|
|
of Arden. Her death brought from him the scene with Volumnia in
|
|
CORIOLANUS. His boyson's death is the deathscene of young Arthur in KING
|
|
JOHN. Hamlet, the black prince, is Hamnet Shakespeare. Who the girls in
|
|
THE TEMPEST, in PERICLES, in WINTER'S TALE are we know. Who Cleopatra,
|
|
fleshpot of Egypt, and Cressid and Venus are we may guess. But there is
|
|
another member of his family who is recorded.
|
|
|
|
--The plot thickens, John Eglinton said.
|
|
|
|
The quaker librarian, quaking, tiptoed in, quake, his mask, quake,
|
|
with haste, quake, quack.
|
|
|
|
Door closed. Cell. Day.
|
|
|
|
They list. Three. They.
|
|
|
|
I you he they.
|
|
|
|
Come, mess.
|
|
|
|
|
|
STEPHEN: He had three brothers, Gilbert, Edmund, Richard. Gilbert in his
|
|
old age told some cavaliers he got a pass for nowt from Maister Gatherer
|
|
one time mass he did and he seen his brud Maister Wull the playwriter up
|
|
in Lunnon in a wrastling play wud a man on's back. The playhouse sausage
|
|
filled Gilbert's soul. He is nowhere: but an Edmund and a Richard are
|
|
recorded in the works of sweet William.
|
|
|
|
MAGEEGLINJOHN: Names! What's in a name?
|
|
|
|
BEST: That is my name, Richard, don't you know. I hope you are going to
|
|
say a good word for Richard, don't you know, for my sake.
|
|
|
|
(Laughter)
|
|
|
|
BUCKMULLIGAN: (PIANO, DIMINUENDO)
|
|
Then outspoke medical Dick
|
|
To his comrade medical Davy ...
|
|
|
|
STEPHEN: In his trinity of black Wills, the villain shakebags, Iago,
|
|
Richard Crookback, Edmund in King Lear, two bear the wicked uncles' names.
|
|
Nay, that last play was written or being written while his brother Edmund
|
|
lay dying in Southwark.
|
|
|
|
BEST: I hope Edmund is going to catch it. I don't want Richard,
|
|
my name ...
|
|
|
|
(Laughter)
|
|
|
|
QUAKERLYSTER: (A TEMPO) But he that filches from me my good name ...
|
|
|
|
STEPHEN: (STRINGENDO) He has hidden his own name, a fair name, William,
|
|
in the plays, a super here, a clown there, as a painter of old Italy set
|
|
his face in a dark corner of his canvas. He has revealed it in the sonnets
|
|
where there is Will in overplus. Like John o'Gaunt his name is dear to him,
|
|
as dear as the coat and crest he toadied for, on a bend sable a spear or
|
|
steeled argent, honorificabilitudinitatibus, dearer than his glory of
|
|
greatest shakescene in the country. What's in a name? That is what we ask
|
|
ourselves in childhood when we write the name that we are told is ours. A
|
|
star, a daystar, a firedrake, rose at his birth. It shone by day in the
|
|
heavens alone, brighter than Venus in the night, and by night it shone
|
|
over delta in Cassiopeia, the recumbent constellation which is the
|
|
signature of his initial among the stars. His eyes watched it, lowlying on
|
|
the horizon, eastward of the bear, as he walked by the slumberous summer
|
|
fields at midnight returning from Shottery and from her arms.
|
|
|
|
|
|
Both satisfied. I too.
|
|
|
|
Don't tell them he was nine years old when it was quenched.
|
|
|
|
And from her arms.
|
|
|
|
Wait to be wooed and won. Ay, meacock. Who will woo you?
|
|
|
|
Read the skies. AUTONTIMORUMENOS. BOUS STEPHANOUMENOS. Where's
|
|
your configuration? Stephen, Stephen, cut the bread even. S. D: SUA DONNA.
|
|
GIA: DI LUI. GELINDO RISOLVE DI NON AMARE S. D.
|
|
|
|
--What is that, Mr Dedalus? the quaker librarian asked. Was it a celestial
|
|
phenomenon?
|
|
|
|
--A star by night, Stephen said. A pillar of the cloud by day.
|
|
|
|
What more's to speak?
|
|
|
|
Stephen looked on his hat, his stick, his boots.
|
|
|
|
STEPHANOS, my crown. My sword. His boots are spoiling the shape of
|
|
my feet. Buy a pair. Holes in my socks. Handkerchief too.
|
|
|
|
--You make good use of the name, John Eglinton allowed. Your own name
|
|
is strange enough. I suppose it explains your fantastical humour.
|
|
|
|
Me, Magee and Mulligan.
|
|
|
|
Fabulous artificer. The hawklike man. You flew. Whereto?
|
|
Newhaven-Dieppe, steerage passenger. Paris and back. Lapwing. Icarus.
|
|
PATER, AIT. Seabedabbled, fallen, weltering. Lapwing you are. Lapwing be.
|
|
|
|
Mr Best eagerquietly lifted his book to say:
|
|
|
|
--That's very interesting because that brother motive, don't you know, we
|
|
find also in the old Irish myths. Just what you say. The three brothers
|
|
Shakespeare. In Grimm too, don't you know, the fairytales. The third
|
|
brother that always marries the sleeping beauty and wins the best prize.
|
|
|
|
Best of Best brothers. Good, better, best.
|
|
|
|
The quaker librarian springhalted near.
|
|
|
|
--I should like to know, he said, which brother you ... I understand you
|
|
to suggest there was misconduct with one of the brothers ... But
|
|
perhaps I am anticipating?
|
|
|
|
He caught himself in the act: looked at all: refrained.
|
|
|
|
An attendant from the doorway called:
|
|
|
|
--Mr Lyster! Father Dineen wants ...
|
|
|
|
--O, Father Dineen! Directly.
|
|
|
|
Swiftly rectly creaking rectly rectly he was rectly gone.
|
|
|
|
John Eglinton touched the foil.
|
|
|
|
--Come, he said. Let us hear what you have to say of Richard and
|
|
Edmund. You kept them for the last, didn't you?
|
|
|
|
--In asking you to remember those two noble kinsmen nuncle Richie and
|
|
nuncle Edmund, Stephen answered, I feel I am asking too much perhaps. A
|
|
brother is as easily forgotten as an umbrella.
|
|
|
|
Lapwing.
|
|
|
|
Where is your brother? Apothecaries' hall. My whetstone. Him, then
|
|
Cranly, Mulligan: now these. Speech, speech. But act. Act speech. They
|
|
mock to try you. Act. Be acted on.
|
|
|
|
Lapwing.
|
|
|
|
I am tired of my voice, the voice of Esau. My kingdom for a drink.
|
|
|
|
On.
|
|
|
|
--You will say those names were already in the chronicles from which he
|
|
took the stuff of his plays. Why did he take them rather than others?
|
|
Richard, a whoreson crookback, misbegotten, makes love to a widowed
|
|
Ann (what's in a name?), woos and wins her, a whoreson merry widow.
|
|
Richard the conqueror, third brother, came after William the conquered.
|
|
The other four acts of that play hang limply from that first. Of all his
|
|
kings Richard is the only king unshielded by Shakespeare's reverence,
|
|
the angel of the world. Why is the underplot of KING LEAR in which Edmund
|
|
figures lifted out of Sidney's ARCADIA and spatchcocked on to a Celtic
|
|
legend older than history?
|
|
|
|
--That was Will's way, John Eglinton defended. We should not now
|
|
combine a Norse saga with an excerpt from a novel by George Meredith.
|
|
QUE VOULEZ-VOUS? Moore would say. He puts Bohemia on the seacoast and
|
|
makes Ulysses quote Aristotle.
|
|
|
|
--Why? Stephen answered himself. Because the theme of the false or the
|
|
usurping or the adulterous brother or all three in one is to Shakespeare,
|
|
what the poor are not, always with him. The note of banishment,
|
|
banishment from the heart, banishment from home, sounds uninterruptedly
|
|
from THE TWO GENTLEMEN OF VERONA onward till Prospero breaks his staff,
|
|
buries it certain fathoms in the earth and drowns his book. It doubles
|
|
itself in the middle of his life, reflects itself in another, repeats
|
|
itself, protasis, epitasis, catastasis, catastrophe. It repeats
|
|
itself again when he is near the grave, when his married daughter
|
|
Susan, chip of the old block, is accused of adultery. But it was
|
|
the original sin that darkened his understanding, weakened his
|
|
will and left in him a strong inclination to evil. The words are
|
|
those of my lords bishops of Maynooth. An original sin and, like original
|
|
sin, committed by another in whose sin he too has sinned. It is between
|
|
the lines of his last written words, it is petrified on his tombstone
|
|
under which her four bones are not to be laid. Age has not withered it.
|
|
Beauty and peace have not done it away. It is in infinite variety
|
|
everywhere in the world he has created, in MUCH ADO ABOUT NOTHING, twice
|
|
in AS YOU LIKE IT, in THE TEMPEST, in HAMLET, in MEASURE FOR MEASURE--and
|
|
in all the other plays which I have not read.
|
|
|
|
He laughed to free his mind from his mind's bondage.
|
|
|
|
Judge Eglinton summed up.
|
|
|
|
--The truth is midway, he affirmed. He is the ghost and the prince. He is
|
|
all in all.
|
|
|
|
--He is, Stephen said. The boy of act one is the mature man of act five.
|
|
All in all. In CYMBELINE, in OTHELLO he is bawd and cuckold. He acts and
|
|
is acted on. Lover of an ideal or a perversion, like Jose he kills the
|
|
real Carmen. His unremitting intellect is the hornmad Iago ceaselessly
|
|
willing that the moor in him shall suffer.
|
|
|
|
--Cuckoo! Cuckoo! Cuck Mulligan clucked lewdly. O word of fear!
|
|
|
|
Dark dome received, reverbed.
|
|
|
|
--And what a character is Iago! undaunted John Eglinton exclaimed.
|
|
When all is said Dumas FILS (or is it Dumas PERE?) is right. After God
|
|
Shakespeare has created most.
|
|
|
|
--Man delights him not nor woman neither, Stephen said. He returns after
|
|
a life of absence to that spot of earth where he was born, where he has
|
|
always been, man and boy, a silent witness and there, his journey of life
|
|
ended, he plants his mulberrytree in the earth. Then dies. The motion is
|
|
ended. Gravediggers bury Hamlet PERE and Hamlet FILS. A king and a
|
|
prince at last in death, with incidental music. And, what though murdered
|
|
and betrayed, bewept by all frail tender hearts for, Dane or Dubliner,
|
|
sorrow for the dead is the only husband from whom they refuse to be
|
|
divorced. If you like the epilogue look long on it: prosperous Prospero,
|
|
the good man rewarded, Lizzie, grandpa's lump of love, and nuncle Richie,
|
|
the bad man taken off by poetic justice to the place where the bad niggers
|
|
go. Strong curtain. He found in the world without as actual what was in his
|
|
world within as possible. Maeterlinck says: IF SOCRATES LEAVE HIS HOUSE
|
|
TODAY HE WILL FIND THE SAGE SEATED ON HIS DOORSTEP. IF JUDAS GO FORTH
|
|
TONIGHT IT IS TO JUDAS HIS STEPS WILL TEND. Every life is many days,
|
|
day after day. We walk through ourselves, meeting robbers, ghosts, giants,
|
|
old men, young men, wives, widows, brothers-in-love, but always meeting
|
|
ourselves. The playwright who wrote the folio of this world and wrote it
|
|
badly (He gave us light first and the sun two days later), the lord of
|
|
things as they are whom the most Roman of catholics call DIO BOIA,
|
|
hangman god, is doubtless all in all in all of us, ostler and butcher,
|
|
and would be bawd and cuckold too but that in the economy of heaven,
|
|
foretold by Hamlet, there are no more marriages, glorified man, an
|
|
androgynous angel, being a wife unto himself.
|
|
|
|
--EUREKA! Buck Mulligan cried. EUREKA!
|
|
|
|
Suddenly happied he jumped up and reached in a stride John Eglinton's
|
|
desk.
|
|
|
|
--May I? he said. The Lord has spoken to Malachi.
|
|
|
|
He began to scribble on a slip of paper.
|
|
|
|
Take some slips from the counter going out.
|
|
|
|
--Those who are married, Mr Best, douce herald, said, all save one, shall
|
|
live. The rest shall keep as they are.
|
|
|
|
He laughed, unmarried, at Eglinton Johannes, of arts a bachelor.
|
|
|
|
Unwed, unfancied, ware of wiles, they fingerponder nightly each his
|
|
variorum edition of THE TAMING OF THE SHREW.
|
|
|
|
--You are a delusion, said roundly John Eglinton to Stephen. You have
|
|
brought us all this way to show us a French triangle. Do you believe your
|
|
own theory?
|
|
|
|
--No, Stephen said promptly.
|
|
|
|
--Are you going to write it? Mr Best asked. You ought to make it a
|
|
dialogue, don't you know, like the Platonic dialogues Wilde wrote.
|
|
|
|
John Eclecticon doubly smiled.
|
|
|
|
--Well, in that case, he said, I don't see why you should expect payment
|
|
for it since you don't believe it yourself. Dowden believes there is some
|
|
mystery in HAMLET but will say no more. Herr Bleibtreu, the man Piper met
|
|
in Berlin, who is working up that Rutland theory, believes that the secret
|
|
is hidden in the Stratford monument. He is going to visit the present
|
|
duke, Piper says, and prove to him that his ancestor wrote the plays.
|
|
It will come as a surprise to his grace. But he believes his theory.
|
|
|
|
I believe, O Lord, help my unbelief. That is, help me to believe or help
|
|
me to unbelieve? Who helps to believe? EGOMEN. Who to unbelieve? Other
|
|
chap.
|
|
|
|
--You are the only contributor to DANA who asks for pieces of silver. Then
|
|
I don't know about the next number. Fred Ryan wants space for an article
|
|
on economics.
|
|
|
|
Fraidrine. Two pieces of silver he lent me. Tide you over. Economics.
|
|
|
|
--For a guinea, Stephen said, you can publish this interview.
|
|
|
|
Buck Mulligan stood up from his laughing scribbling, laughing: and
|
|
then gravely said, honeying malice:
|
|
|
|
--I called upon the bard Kinch at his summer residence in upper
|
|
Mecklenburgh street and found him deep in the study of the SUMMA CONTRA
|
|
GENTILES in the company of two gonorrheal ladies, Fresh Nelly and Rosalie,
|
|
the coalquay whore.
|
|
|
|
He broke away.
|
|
|
|
--Come, Kinch. Come, wandering Aengus of the birds.
|
|
|
|
Come, Kinch. You have eaten all we left. Ay. I will serve you your orts
|
|
and offals.
|
|
|
|
Stephen rose.
|
|
|
|
Life is many days. This will end.
|
|
|
|
--We shall see you tonight, John Eglinton said. NOTRE AMI Moore says
|
|
Malachi Mulligan must be there.
|
|
|
|
Buck Mulligan flaunted his slip and panama.
|
|
|
|
--Monsieur Moore, he said, lecturer on French letters to the youth of
|
|
Ireland. I'll be there. Come, Kinch, the bards must drink. Can you walk
|
|
straight?
|
|
|
|
Laughing, he ...
|
|
|
|
Swill till eleven. Irish nights entertainment.
|
|
|
|
Lubber ...
|
|
|
|
Stephen followed a lubber ...
|
|
|
|
One day in the national library we had a discussion. Shakes. After.
|
|
His lub back: I followed. I gall his kibe.
|
|
|
|
Stephen, greeting, then all amort, followed a lubber jester, a
|
|
wellkempt head, newbarbered, out of the vaulted cell into a shattering
|
|
daylight of no thought.
|
|
|
|
What have I learned? Of them? Of me?
|
|
|
|
Walk like Haines now.
|
|
|
|
The constant readers' room. In the readers' book Cashel Boyle
|
|
O'Connor Fitzmaurice Tisdall Farrell parafes his polysyllables. Item: was
|
|
Hamlet mad? The quaker's pate godlily with a priesteen in booktalk.
|
|
|
|
--O please do, sir ... I shall be most pleased ...
|
|
|
|
Amused Buck Mulligan mused in pleasant murmur with himself, selfnodding:
|
|
|
|
--A pleased bottom.
|
|
|
|
The turnstile.
|
|
|
|
Is that? ... Blueribboned hat ... Idly writing ... What? Looked? ...
|
|
|
|
The curving balustrade: smoothsliding Mincius.
|
|
|
|
Puck Mulligan, panamahelmeted, went step by step, iambing, trolling:
|
|
|
|
|
|
JOHN EGLINTON, MY JO, JOHN,
|
|
WHY WON'T YOU WED A WIFE?
|
|
|
|
|
|
He spluttered to the air:
|
|
|
|
--O, the chinless Chinaman! Chin Chon Eg Lin Ton. We went over to their
|
|
playbox, Haines and I, the plumbers' hall. Our players are creating a new
|
|
art for Europe like the Greeks or M. Maeterlinck. Abbey Theatre! I smell
|
|
the pubic sweat of monks.
|
|
|
|
He spat blank.
|
|
|
|
Forgot: any more than he forgot the whipping lousy Lucy gave him.
|
|
And left the FEMME DE TRENTE ANS. And why no other children born? And his
|
|
first child a girl?
|
|
|
|
Afterwit. Go back.
|
|
|
|
The dour recluse still there (he has his cake) and the douce youngling,
|
|
minion of pleasure, Phedo's toyable fair hair.
|
|
|
|
Eh ... I just eh ... wanted ... I forgot ... he ...
|
|
|
|
--Longworth and M'Curdy Atkinson were there ...
|
|
|
|
Puck Mulligan footed featly, trilling:
|
|
|
|
I HARDLY HEAR THE PURLIEU CRY
|
|
OR A TOMMY TALK AS I PASS ONE BY
|
|
BEFORE MY THOUGHTS BEGIN TO RUN
|
|
ON F. M'CURDY ATKINSON,
|
|
THE SAME THAT HAD THE WOODEN LEG
|
|
AND THAT FILIBUSTERING FILIBEG
|
|
THAT NEVER DARED TO SLAKE HIS DROUTH,
|
|
MAGEE THAT HAD THE CHINLESS MOUTH.
|
|
BEING AFRAID TO MARRY ON EARTH
|
|
THEY MASTURBATED FOR ALL THEY WERE WORTH.
|
|
|
|
Jest on. Know thyself.
|
|
|
|
Halted, below me, a quizzer looks at me. I halt.
|
|
|
|
--Mournful mummer, Buck Mulligan moaned. Synge has left off wearing
|
|
black to be like nature. Only crows, priests and English coal are black.
|
|
|
|
A laugh tripped over his lips.
|
|
|
|
--Longworth is awfully sick, he said, after what you wrote about that old
|
|
hake Gregory. O you inquisitional drunken jewjesuit! She gets you a job on
|
|
the paper and then you go and slate her drivel to Jaysus. Couldn't you do
|
|
the Yeats touch?
|
|
|
|
He went on and down, mopping, chanting with waving graceful arms:
|
|
|
|
--The most beautiful book that has come out of our country in my time.
|
|
One thinks of Homer.
|
|
|
|
He stopped at the stairfoot.
|
|
|
|
--I have conceived a play for the mummers, he said solemnly.
|
|
|
|
The pillared Moorish hall, shadows entwined. Gone the nine men's
|
|
morrice with caps of indices.
|
|
|
|
In sweetly varying voices Buck Mulligan read his tablet:
|
|
|
|
|
|
EVERYMAN HIS OWN WIFE
|
|
OR
|
|
A HONEYMOON IN THE HAND
|
|
(A NATIONAL IMMORALITY IN THREE ORGASMS)
|
|
BY
|
|
BALLOCKY MULLIGAN
|
|
|
|
|
|
He turned a happy patch's smirk to Stephen, saying:
|
|
|
|
--The disguise, I fear, is thin. But listen.
|
|
|
|
He read, MARCATO:
|
|
|
|
--Characters:
|
|
|
|
|
|
TODY TOSTOFF (a ruined Pole)
|
|
CRAB (a bushranger)
|
|
MEDICAL DICK )
|
|
and ) (two birds with one stone)
|
|
MEDICAL DAVY )
|
|
MOTHER GROGAN (a watercarrier)
|
|
FRESH NELLY
|
|
and
|
|
ROSALIE (the coalquay whore).
|
|
|
|
|
|
He laughed, lolling a to and fro head, walking on, followed by Stephen:
|
|
and mirthfully he told the shadows, souls of men:
|
|
|
|
--O, the night in the Camden hall when the daughters of Erin had to lift
|
|
their skirts to step over you as you lay in your mulberrycoloured,
|
|
multicoloured, multitudinous vomit!
|
|
|
|
--The most innocent son of Erin, Stephen said, for whom they ever lifted
|
|
them.
|
|
|
|
About to pass through the doorway, feeling one behind, he stood aside.
|
|
|
|
Part. The moment is now. Where then? If Socrates leave his house
|
|
today, if Judas go forth tonight. Why? That lies in space which I in time
|
|
must come to, ineluctably.
|
|
|
|
My will: his will that fronts me. Seas between.
|
|
|
|
A man passed out between them, bowing, greeting.
|
|
|
|
--Good day again, Buck Mulligan said.
|
|
|
|
The portico.
|
|
|
|
Here I watched the birds for augury. Aengus of the birds. They go,
|
|
they come. Last night I flew. Easily flew. Men wondered. Street of harlots
|
|
after. A creamfruit melon he held to me. In. You will see.
|
|
|
|
--The wandering jew, Buck Mulligan whispered with clown's awe. Did you
|
|
see his eye? He looked upon you to lust after you. I fear thee, ancient
|
|
mariner. O, Kinch, thou art in peril. Get thee a breechpad.
|
|
|
|
Manner of Oxenford.
|
|
|
|
Day. Wheelbarrow sun over arch of bridge.
|
|
|
|
A dark back went before them, step of a pard, down, out by the
|
|
gateway, under portcullis barbs.
|
|
|
|
They followed.
|
|
|
|
Offend me still. Speak on.
|
|
|
|
Kind air defined the coigns of houses in Kildare street. No birds. Frail
|
|
from the housetops two plumes of smoke ascended, pluming, and in a flaw
|
|
of softness softly were blown.
|
|
|
|
Cease to strive. Peace of the druid priests of Cymbeline: hierophantic:
|
|
from wide earth an altar.
|
|
|
|
|
|
LAUD WE THE GODS
|
|
AND LET OUR CROOKED SMOKES CLIMB TO THEIR NOSTRILS
|
|
FROM OUR BLESS'D ALTARS.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
The superior, the very reverend John Conmee S.J. reset his smooth
|
|
watch in his interior pocket as he came down the presbytery steps. Five to
|
|
three. Just nice time to walk to Artane. What was that boy's name again?
|
|
Dignam. Yes. VERE DIGNUM ET IUSTUM EST. Brother Swan was the person to
|
|
see. Mr Cunningham's letter. Yes. Oblige him, if possible. Good practical
|
|
catholic: useful at mission time.
|
|
|
|
A onelegged sailor, swinging himself onward by lazy jerks of his
|
|
crutches, growled some notes. He jerked short before the convent of the
|
|
sisters of charity and held out a peaked cap for alms towards the very
|
|
reverend John Conmee S. J. Father Conmee blessed him in the sun for his
|
|
purse held, he knew, one silver crown.
|
|
|
|
Father Conmee crossed to Mountjoy square. He thought, but not for
|
|
long, of soldiers and sailors, whose legs had been shot off by
|
|
cannonballs, ending their days in some pauper ward, and of cardinal
|
|
Wolsey's words: IF I HAD SERVED MY GOD AS I HAVE SERVED MY KING HE WOULD
|
|
NOT HAVE ABANDONED ME IN MY OLD DAYS. He walked by the treeshade of
|
|
sunnywinking leaves: and towards him came the wife of Mr David Sheehy
|
|
M.P.
|
|
|
|
--Very well, indeed, father. And you, father?
|
|
|
|
Father Conmee was wonderfully well indeed. He would go to Buxton
|
|
probably for the waters. And her boys, were they getting on well at
|
|
Belvedere? Was that so? Father Conmee was very glad indeed to hear that.
|
|
And Mr Sheehy himself? Still in London. The house was still sitting, to be
|
|
sure it was. Beautiful weather it was, delightful indeed. Yes, it was very
|
|
probable that Father Bernard Vaughan would come again to preach. O,
|
|
yes: a very great success. A wonderful man really.
|
|
|
|
Father Conmee was very glad to see the wife of Mr David Sheehy
|
|
M.P. Iooking so well and he begged to be remembered to Mr David Sheehy
|
|
M.P. Yes, he would certainly call.
|
|
|
|
--Good afternoon, Mrs Sheehy.
|
|
|
|
Father Conmee doffed his silk hat and smiled, as he took leave, at the
|
|
jet beads of her mantilla inkshining in the sun. And smiled yet again, in
|
|
going. He had cleaned his teeth, he knew, with arecanut paste.
|
|
|
|
Father Conmee walked and, walking, smiled for he thought on Father
|
|
Bernard Vaughan's droll eyes and cockney voice.
|
|
|
|
--Pilate! Wy don't you old back that owlin mob?
|
|
|
|
A zealous man, however. Really he was. And really did great good in.
|
|
his way. Beyond a doubt. He loved Ireland, he said, and he loved the
|
|
Irish. Of good family too would one think it? Welsh, were they not?
|
|
|
|
O, lest he forget. That letter to father provincial.
|
|
|
|
Father Conmee stopped three little schoolboys at the corner of
|
|
Mountjoy square. Yes: they were from Belvedere. The little house. Aha.
|
|
And were they good boys at school? O. That was very good now. And what
|
|
was his name? Jack Sohan. And his name? Ger. Gallaher. And the other
|
|
little man? His name was Brunny Lynam. O, that was a very nice name to
|
|
have.
|
|
|
|
Father Conmee gave a letter from his breast to Master Brunny Lynam
|
|
and pointed to the red pillarbox at the corner of Fitzgibbon street.
|
|
|
|
--But mind you don't post yourself into the box, little man, he said.
|
|
|
|
The boys sixeyed Father Conmee and laughed:
|
|
|
|
--O, sir.
|
|
|
|
--Well, let me see if you can post a letter, Father Conmee said.
|
|
|
|
Master Brunny Lynam ran across the road and put Father Conmee's
|
|
letter to father provincial into the mouth of the bright red letterbox.
|
|
Father Conmee smiled and nodded and smiled and walked along Mountjoy
|
|
square east.
|
|
|
|
Mr Denis J Maginni, professor of dancing &c, in silk hat, slate
|
|
frockcoat with silk facings, white kerchief tie, tight lavender trousers,
|
|
canary gloves and pointed patent boots, walking with grave deportment
|
|
most respectfully took the curbstone as he passed lady Maxwell at the
|
|
corner of Dignam's court.
|
|
|
|
Was that not Mrs M'Guinness?
|
|
|
|
Mrs M'Guinness, stately, silverhaired, bowed to Father Conmee from
|
|
the farther footpath along which she sailed. And Father Conmee smiled and
|
|
saluted. How did she do?
|
|
|
|
A fine carriage she had. Like Mary, queen of Scots, something. And to
|
|
think that she was a pawnbroker! Well, now! Such a ... what should he
|
|
say? ... such a queenly mien.
|
|
|
|
Father Conmee walked down Great Charles street and glanced at the
|
|
shutup free church on his left. The reverend T. R. Greene B.A. will(D.V.)
|
|
speak. The incumbent they called him. He felt it incumbent on him to say a
|
|
few words. But one should be charitable. Invincible ignorance. They acted
|
|
according to their lights.
|
|
|
|
Father Conmee turned the corner and walked along the North
|
|
Circular road. It was a wonder that there was not a tramline in such an
|
|
important thoroughfare. Surely, there ought to be.
|
|
|
|
A band of satchelled schoolboys crossed from Richmond street. All
|
|
raised untidy caps. Father Conmee greeted them more than once benignly.
|
|
Christian brother boys.
|
|
|
|
Father Conmee smelt incense on his right hand as he walked. Saint
|
|
Joseph's church, Portland row. For aged and virtuous females. Father
|
|
Conmee raised his hat to the Blessed Sacrament. Virtuous: but occasionally
|
|
they were also badtempered.
|
|
|
|
Near Aldborough house Father Conmee thought of that spendthrift
|
|
nobleman. And now it was an office or something.
|
|
|
|
Father Conmee began to walk along the North Strand road and was
|
|
saluted by Mr William Gallagher who stood in the doorway of his shop.
|
|
Father Conmee saluted Mr William Gallagher and perceived the odours
|
|
that came from baconflitches and ample cools of butter. He passed
|
|
Grogan's the Tobacconist against which newsboards leaned and told of a
|
|
dreadful catastrophe in New York. In America those things were
|
|
continually happening. Unfortunate people to die like that, unprepared.
|
|
Still, an act of perfect contrition.
|
|
|
|
Father Conmee went by Daniel Bergin's publichouse against the
|
|
window of which two unlabouring men lounged. They saluted him and
|
|
were saluted.
|
|
|
|
Father Conmee passed H. J. O'Neill's funeral establishment where
|
|
Corny Kelleher totted figures in the daybook while he chewed a blade of
|
|
hay. A constable on his beat saluted Father Conmee and Father Conmee
|
|
saluted the constable. In Youkstetter's, the porkbutcher's, Father Conmee
|
|
observed pig's puddings, white and black and red, lie neatly curled in
|
|
tubes.
|
|
|
|
Moored under the trees of Charleville Mall Father Conmee saw a
|
|
turfbarge, a towhorse with pendent head, a bargeman with a hat of dirty
|
|
straw seated amidships, smoking and staring at a branch of poplar above
|
|
him. It was idyllic: and Father Conmee reflected on the providence of the
|
|
Creator who had made turf to be in bogs whence men might dig it out and
|
|
bring it to town and hamlet to make fires in the houses of poor people.
|
|
|
|
On Newcomen bridge the very reverend John Conmee S.J. of saint
|
|
Francis Xavier's church, upper Gardiner street, stepped on to an outward
|
|
bound tram.
|
|
|
|
Off an inward bound tram stepped the reverend Nicholas Dudley
|
|
C. C. of saint Agatha's church, north William street, on to Newcomen
|
|
bridge.
|
|
|
|
At Newcomen bridge Father Conmee stepped into an outward bound
|
|
tram for he disliked to traverse on foot the dingy way past Mud Island.
|
|
|
|
Father Conmee sat in a corner of the tramcar, a blue ticket tucked
|
|
with care in the eye of one plump kid glove, while four shillings, a
|
|
sixpence and five pennies chuted from his other plump glovepalm into his
|
|
purse. Passing the ivy church he reflected that the ticket inspector
|
|
usually made his visit when one had carelessly thrown away the ticket.
|
|
The solemnity of the occupants of the car seemed to Father Conmee
|
|
excessive for a journey so short and cheap. Father Conmee liked cheerful
|
|
decorum.
|
|
|
|
It was a peaceful day. The gentleman with the glasses opposite Father
|
|
Conmee had finished explaining and looked down. His wife, Father
|
|
Conmee supposed. A tiny yawn opened the mouth of the wife of the gentleman
|
|
with the glasses. She raised her small gloved fist, yawned ever so gently,
|
|
tiptapping her small gloved fist on her opening mouth and smiled tinily,
|
|
sweetly.
|
|
|
|
Father Conmee perceived her perfume in the car. He perceived also
|
|
that the awkward man at the other side of her was sitting on the edge of
|
|
the seat.
|
|
|
|
Father Conmee at the altarrails placed the host with difficulty in the
|
|
mouth of the awkward old man who had the shaky head.
|
|
|
|
At Annesley bridge the tram halted and, when it was about to go, an
|
|
old woman rose suddenly from her place to alight. The conductor pulled
|
|
the bellstrap to stay the car for her. She passed out with her basket and
|
|
a marketnet: and Father Conmee saw the conductor help her and net and
|
|
basket down: and Father Conmee thought that, as she had nearly passed
|
|
the end of the penny fare, she was one of those good souls who had always
|
|
to be told twice BLESS YOU, MY CHILD, that they have been absolved, PRAY
|
|
FOR ME. But they had so many worries in life, so many cares, poor
|
|
creatures.
|
|
|
|
From the hoardings Mr Eugene Stratton grimaced with thick niggerlips at
|
|
Father Conmee.
|
|
|
|
Father Conmee thought of the souls of black and brown and yellow
|
|
men and of his sermon on saint Peter Claver S.J. and the African mission
|
|
and of the propagation of the faith and of the millions of black and brown
|
|
and yellow souls that had not received the baptism of water when their last
|
|
hour came like a thief in the night. That book by the Belgian jesuit, LE
|
|
NOMBRE DES ELUS, seemed to Father Conmee a reasonable plea. Those were
|
|
millions of human souls created by God in His Own likeness to whom the
|
|
faith had not (D.V.) been brought. But they were God's souls, created by
|
|
God. It seemed to Father Conmee a pity that they should all be lost, a
|
|
waste, if one might say.
|
|
|
|
At the Howth road stop Father Conmee alighted, was saluted by the
|
|
conductor and saluted in his turn.
|
|
|
|
The Malahide road was quiet. It pleased Father Conmee, road and
|
|
name. The joybells were ringing in gay Malahide. Lord Talbot de Malahide,
|
|
immediate hereditary lord admiral of Malahide and the seas adjoining.
|
|
Then came the call to arms and she was maid, wife and widow in one day.
|
|
Those were old worldish days, loyal times in joyous townlands, old times
|
|
in the barony.
|
|
|
|
Father Conmee, walking, thought of his little book OLD TIMES IN THE
|
|
BARONY and of the book that might be written about jesuit houses and of
|
|
Mary Rochfort, daughter of lord Molesworth, first countess of Belvedere.
|
|
|
|
A listless lady, no more young, walked alone the shore of lough
|
|
Ennel, Mary, first countess of Belvedere, listlessly walking in the
|
|
evening, not startled when an otter plunged. Who could know the truth?
|
|
Not the jealous lord Belvedere and not her confessor if she had not
|
|
committed adultery fully, EIACULATIO SEMINIS INTER VAS NATURALE MULIERIS,
|
|
with her husband's brother? She would half confess if she had not all
|
|
sinned as women did. Only God knew and she and he, her husband's brother.
|
|
|
|
Father Conmee thought of that tyrannous incontinence, needed
|
|
however for man's race on earth, and of the ways of God which were not
|
|
our ways.
|
|
|
|
Don John Conmee walked and moved in times of yore. He was
|
|
humane and honoured there. He bore in mind secrets confessed and he
|
|
smiled at smiling noble faces in a beeswaxed drawingroom, ceiled with full
|
|
fruit clusters. And the hands of a bride and of a bridegroom, noble to
|
|
noble, were impalmed by Don John Conmee.
|
|
|
|
It was a charming day.
|
|
|
|
The lychgate of a field showed Father Conmee breadths of cabbages,
|
|
curtseying to him with ample underleaves. The sky showed him a flock of
|
|
small white clouds going slowly down the wind. MOUTONNER, the French
|
|
said. A just and homely word.
|
|
|
|
Father Conmee, reading his office, watched a flock of muttoning
|
|
clouds over Rathcoffey. His thinsocked ankles were tickled by the stubble
|
|
of Clongowes field. He walked there, reading in the evening, and heard the
|
|
cries of the boys' lines at their play, young cries in the quiet evening.
|
|
He was their rector: his reign was mild.
|
|
|
|
Father Conmee drew off his gloves and took his rededged breviary out.
|
|
An ivory bookmark told him the page.
|
|
|
|
Nones. He should have read that before lunch. But lady Maxwell had come.
|
|
|
|
Father Conmee read in secret PATER and AVE and crossed his breast.
|
|
DEUS IN ADIUTORIUM.
|
|
|
|
He walked calmly and read mutely the nones, walking and reading till
|
|
he came to RES in BEATI IMMACULATI: PRINCIPIUM VERBORUM TUORUM VERITAS:
|
|
IN ETERNUM OMNIA INDICIA IUSTITIAE TUAE.
|
|
|
|
A flushed young man came from a gap of a hedge and after him came
|
|
a young woman with wild nodding daisies in her hand. The young man
|
|
raised his cap abruptly: the young woman abruptly bent and with slow care
|
|
detached from her light skirt a clinging twig.
|
|
|
|
Father Conmee blessed both gravely and turned a thin page of his
|
|
breviary. Sin: PRINCIPES PERSECUTI SUNT ME GRATIS: ET A VERBIS TUIS
|
|
FORMIDAVIT COR MEUM.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Corny Kelleher closed his long daybook and glanced with his
|
|
drooping eye at a pine coffinlid sentried in a corner. He pulled himself
|
|
erect, went to it and, spinning it on its axle, viewed its shape and brass
|
|
furnishings. Chewing his blade of hay he laid the coffinlid by and came to
|
|
the doorway. There he tilted his hatbrim to give shade to his eyes and
|
|
leaned against the doorcase, looking idly out.
|
|
|
|
Father John Conmee stepped into the Dollymount tram on
|
|
Newcomen bridge.
|
|
|
|
Corny Kelleher locked his largefooted boots and gazed, his hat
|
|
downtilted, chewing his blade of hay.
|
|
|
|
Constable 57C, on his beat, stood to pass the time of day.
|
|
|
|
--That's a fine day, Mr Kelleher.
|
|
|
|
--Ay, Corny Kelleher said.
|
|
|
|
--It's very close, the constable said.
|
|
|
|
Corny Kelleher sped a silent jet of hayjuice arching from his mouth
|
|
while a generous white arm from a window in Eccles street flung forth a
|
|
coin.
|
|
|
|
--What's the best news? he asked.
|
|
|
|
--I seen that particular party last evening, the constable said with bated
|
|
breath.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
A onelegged sailor crutched himself round MacConnell's corner,
|
|
skirting Rabaiotti's icecream car, and jerked himself up Eccles street.
|
|
Towards Larry O'Rourke, in shirtsleeves in his doorway, he growled
|
|
unamiably:
|
|
|
|
--For England ...
|
|
|
|
He swung himself violently forward past Katey and Boody Dedalus,
|
|
halted and growled:
|
|
|
|
--HOME AND BEAUTY.
|
|
|
|
J. J. O'Molloy's white careworn face was told that Mr Lambert was
|
|
in the warehouse with a visitor.
|
|
|
|
A stout lady stopped, took a copper coin from her purse and dropped
|
|
it into the cap held out to her. The sailor grumbled thanks, glanced
|
|
sourly at the unheeding windows, sank his head and swung himself forward
|
|
four strides.
|
|
|
|
He halted and growled angrily:
|
|
|
|
--FOR ENGLAND ...
|
|
|
|
Two barefoot urchins, sucking long liquorice laces, halted near him,
|
|
gaping at his stump with their yellowslobbered mouths.
|
|
|
|
He swung himself forward in vigorous jerks, halted, lifted his head
|
|
towards a window and bayed deeply:
|
|
|
|
--HOME AND BEAUTY.
|
|
|
|
The gay sweet chirping whistling within went on a bar or two, ceased.
|
|
The blind of the window was drawn aside. A card UNFURNISHED APARTMENTS
|
|
slipped from the sash and fell. A plump bare generous arm shone, was seen,
|
|
held forth from a white petticoatbodice and taut shiftstraps. A woman's
|
|
hand flung forth a coin over the area railings. It fell on the path.
|
|
|
|
One of the urchins ran to it, picked it up and dropped it into the
|
|
minstrel's cap, saying:
|
|
|
|
--There, sir.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Katey and Boody Dedalus shoved in the door of the closesteaming
|
|
kitchen.
|
|
|
|
--Did you put in the books? Boody asked.
|
|
|
|
Maggy at the range rammed down a greyish mass beneath bubbling
|
|
suds twice with her potstick and wiped her brow.
|
|
|
|
--They wouldn't give anything on them, she said.
|
|
|
|
Father Conmee walked through Clongowes fields, his thinsocked
|
|
ankles tickled by stubble.
|
|
|
|
--Where did you try? Boody asked.
|
|
|
|
--M'Guinness's.
|
|
|
|
Boody stamped her foot and threw her satchel on the table.
|
|
|
|
--Bad cess to her big face! she cried.
|
|
|
|
Katey went to the range and peered with squinting eyes.
|
|
|
|
--What's in the pot? she asked.
|
|
|
|
--Shirts, Maggy said.
|
|
|
|
Boody cried angrily:
|
|
|
|
--Crickey, is there nothing for us to eat?
|
|
|
|
Katey, lifting the kettlelid in a pad of her stained skirt, asked:
|
|
|
|
--And what's in this?
|
|
|
|
A heavy fume gushed in answer.
|
|
|
|
--Peasoup, Maggy said.
|
|
|
|
--Where did you get it? Katey asked.
|
|
|
|
--Sister Mary Patrick, Maggy said.
|
|
|
|
The lacquey rang his bell.
|
|
|
|
--Barang!
|
|
|
|
Boody sat down at the table and said hungrily:
|
|
|
|
--Give us it here.
|
|
|
|
Maggy poured yellow thick soup from the kettle into a bowl. Katey,
|
|
sitting opposite Boody, said quietly, as her fingertip lifted to her mouth
|
|
random crumbs:
|
|
|
|
--A good job we have that much. Where's Dilly?
|
|
|
|
--Gone to meet father, Maggy said.
|
|
|
|
Boody, breaking big chunks of bread into the yellow soup, added:
|
|
|
|
--Our father who art not in heaven.
|
|
|
|
Maggy, pouring yellow soup in Katey's bowl, exclaimed:
|
|
|
|
--Boody! For shame!
|
|
|
|
A skiff, a crumpled throwaway, Elijah is coming, rode lightly down
|
|
the Liffey, under Loopline bridge, shooting the rapids where water chafed
|
|
around the bridgepiers, sailing eastward past hulls and anchorchains,
|
|
between the Customhouse old dock and George's quay.
|
|
|
|
* * * * *
|
|
|
|
|
|
The blond girl in Thornton's bedded the wicker basket with rustling
|
|
fibre. Blazes Boylan handed her the bottle swathed in pink tissue paper
|
|
and a small jar.
|
|
|
|
--Put these in first, will you? he said.
|
|
|
|
--Yes, sir, the blond girl said. And the fruit on top.
|
|
|
|
--That'll do, game ball, Blazes Boylan said.
|
|
|
|
She bestowed fat pears neatly, head by tail, and among them ripe
|
|
shamefaced peaches.
|
|
|
|
Blazes Boylan walked here and there in new tan shoes about the
|
|
fruitsmelling shop, lifting fruits, young juicy crinkled and plump red
|
|
tomatoes, sniffing smells.
|
|
|
|
H. E. L. Y.'S filed before him, tallwhitehatted, past Tangier lane,
|
|
plodding towards their goal.
|
|
|
|
He turned suddenly from a chip of strawberries, drew a gold watch
|
|
from his fob and held it at its chain's length.
|
|
|
|
--Can you send them by tram? Now?
|
|
|
|
A darkbacked figure under Merchants' arch scanned books on the
|
|
hawker's cart.
|
|
|
|
--Certainly, sir. Is it in the city?
|
|
|
|
--O, yes, Blazes Boylan said. Ten minutes.
|
|
|
|
The blond girl handed him a docket and pencil.
|
|
|
|
--Will you write the address, sir?
|
|
|
|
Blazes Boylan at the counter wrote and pushed the docket to her.
|
|
|
|
--Send it at once, will you? he said. It's for an invalid.
|
|
|
|
--Yes, sir. I will, sir.
|
|
|
|
Blazes Boylan rattled merry money in his trousers' pocket.
|
|
|
|
--What's the damage? he asked.
|
|
|
|
The blond girl's slim fingers reckoned the fruits.
|
|
|
|
Blazes Boylan looked into the cut of her blouse. A young pullet. He
|
|
took a red carnation from the tall stemglass.
|
|
|
|
--This for me? he asked gallantly.
|
|
|
|
The blond girl glanced sideways at him, got up regardless, with his tie
|
|
a bit crooked, blushing.
|
|
|
|
--Yes, sir, she said.
|
|
|
|
Bending archly she reckoned again fat pears and blushing peaches.
|
|
|
|
Blazes Boylan looked in her blouse with more favour, the stalk of the
|
|
red flower between his smiling teeth.
|
|
|
|
--May I say a word to your telephone, missy? he asked roguishly.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
--MA! Almidano Artifoni said.
|
|
|
|
He gazed over Stephen's shoulder at Goldsmith's knobby poll.
|
|
|
|
Two carfuls of tourists passed slowly, their women sitting fore,
|
|
gripping the handrests. Palefaces. Men's arms frankly round their stunted
|
|
forms. They looked from Trinity to the blind columned porch of the bank
|
|
of Ireland where pigeons roocoocooed.
|
|
|
|
--ANCH'IO HO AVUTO DI QUESTE IDEE, ALMIDANO ARTIFONI SAID, QUAND' ERO
|
|
GIOVINE COME LEI. EPPOI MI SONO CONVINTO CHE IL MONDO E UNA BESTIA.
|
|
PECCATO. PERCHE LA SUA VOCE ... SAREBBE UN CESPITE DI RENDITA, VIA.
|
|
INVECE, LEI SI SACRIFICA.
|
|
|
|
--SACRIFIZIO INCRUENTO, Stephen said smiling, swaying his ashplant in slow
|
|
swingswong from its midpoint, lightly.
|
|
|
|
--SPERIAMO, the round mustachioed face said pleasantly. MA, DIA RETTA A
|
|
ME. CI RIFLETTA.
|
|
|
|
By the stern stone hand of Grattan, bidding halt, an Inchicore tram
|
|
unloaded straggling Highland soldiers of a band.
|
|
|
|
--CI RIFLETTERO, Stephen said, glancing down the solid trouserleg.
|
|
|
|
--MA, SUL SERIO, EH? Almidano Artifoni said.
|
|
|
|
His heavy hand took Stephen's firmly. Human eyes. They gazed
|
|
curiously an instant and turned quickly towards a Dalkey tram.
|
|
|
|
--ECCOLO, Almidano Artifoni said in friendly haste. Venga a trovarmi e ci
|
|
pensi. ADDIO, CARO.
|
|
|
|
--ARRIVEDERLA, MAESTRO, Stephen said, raising his hat when his hand was
|
|
freed. E GRAZIE.
|
|
|
|
--DI CHE? Almidano Artifoni said. Scusi, eh? TANTE BELLE COSE!
|
|
|
|
Almidano Artifoni, holding up a baton of rolled music as a signal,
|
|
trotted on stout trousers after the Dalkey tram. In vain he trotted,
|
|
signalling in vain among the rout of barekneed gillies smuggling
|
|
implements of music through Trinity gates.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Miss Dunne hid the Capel street library copy of THE WOMAN IN WHITE
|
|
far back in her drawer and rolled a sheet of gaudy notepaper into her
|
|
typewriter.
|
|
|
|
Too much mystery business in it. Is he in love with that one, Marion?
|
|
Change it and get another by Mary Cecil Haye.
|
|
|
|
The disk shot down the groove, wobbled a while, ceased and ogled
|
|
them: six.
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Miss Dunne clicked on the keyboard:
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--16 June 1904.
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Five tallwhitehatted sandwichmen between Monypeny's corner and
|
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the slab where Wolfe Tone's statue was not, eeled themselves turning
|
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H. E. L. Y.'S and plodded back as they had come.
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|
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Then she stared at the large poster of Marie Kendall, charming soubrette,
|
|
and, listlessly lolling, scribbled on the jotter sixteens and capital
|
|
esses. Mustard hair and dauby cheeks. She's not nicelooking, is she? The
|
|
way she's holding up her bit of a skirt. Wonder will that fellow be at the
|
|
band tonight. If I could get that dressmaker to make a concertina skirt
|
|
like Susy Nagle's. They kick out grand. Shannon and all the boatclub
|
|
swells never took his eyes off her. Hope to goodness he won't keep me here
|
|
till seven.
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|
The telephone rang rudely by her ear.
|
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--Hello. Yes, sir. No, sir. Yes, sir. I'll ring them up after five. Only
|
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those two, sir, for Belfast and Liverpool. All right, sir. Then I can go
|
|
after six if you're not back. A quarter after. Yes, sir. Twentyseven and
|
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six. I'll tell him. Yes: one, seven, six.
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She scribbled three figures on an envelope.
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--Mr Boylan! Hello! That gentleman from SPORT was in looking for you.
|
|
Mr Lenehan, yes. He said he'll be in the Ormond at four. No, sir. Yes,
|
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sir. I'll ring them up after five.
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* * * * *
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Two pink faces turned in the flare of the tiny torch.
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--Who's that? Ned Lambert asked. Is that Crotty?
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--Ringabella and Crosshaven, a voice replied groping for foothold.
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|
|
--Hello, Jack, is that yourself? Ned Lambert said, raising in salute his
|
|
pliant lath among the flickering arches. Come on. Mind your steps there.
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The vesta in the clergyman's uplifted hand consumed itself in a long soft
|
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flame and was let fall. At their feet its red speck died: and mouldy air
|
|
closed round them.
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|
--How interesting! a refined accent said in the gloom.
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|
--Yes, sir, Ned Lambert said heartily. We are standing in the historic
|
|
council chamber of saint Mary's abbey where silken Thomas proclaimed
|
|
himself a rebel in 1534. This is the most historic spot in all Dublin.
|
|
O'Madden Burke is going to write something about it one of these days. The
|
|
old bank of Ireland was over the way till the time of the union and the
|
|
original jews' temple was here too before they built their synagogue over
|
|
in Adelaide road. You were never here before, Jack, were you?
|
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--No, Ned.
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|
--He rode down through Dame walk, the refined accent said, if my
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|
memory serves me. The mansion of the Kildares was in Thomas court.
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|
--That's right, Ned Lambert said. That's quite right, sir.
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|
--If you will be so kind then, the clergyman said, the next time to allow
|
|
me perhaps ...
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|
--Certainly, Ned Lambert said. Bring the camera whenever you like. I'll
|
|
get those bags cleared away from the windows. You can take it from here or
|
|
from here.
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|
In the still faint light he moved about, tapping with his lath the piled
|
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seedbags and points of vantage on the floor.
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From a long face a beard and gaze hung on a chessboard.
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|
--I'm deeply obliged, Mr Lambert, the clergyman said. I won't trespass on
|
|
your valuable time ...
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|
|
--You're welcome, sir, Ned Lambert said. Drop in whenever you like. Next
|
|
week, say. Can you see?
|
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|
--Yes, yes. Good afternoon, Mr Lambert. Very pleased to have met you.
|
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|
--Pleasure is mine, sir, Ned Lambert answered.
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|
He followed his guest to the outlet and then whirled his lath away
|
|
among the pillars. With J. J. O'Molloy he came forth slowly into Mary's
|
|
abbey where draymen were loading floats with sacks of carob and palmnut
|
|
meal, O'Connor, Wexford.
|
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|
|
He stood to read the card in his hand.
|
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|
|
--The reverend Hugh C. Love, Rathcoffey. Present address: Saint
|
|
Michael's, Sallins. Nice young chap he is. He's writing a book about the
|
|
Fitzgeralds he told me. He's well up in history, faith.
|
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|
|
The young woman with slow care detached from her light skirt a
|
|
clinging twig.
|
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|
|
--I thought you were at a new gunpowder plot, J. J. O'Molloy said.
|
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|
|
Ned Lambert cracked his fingers in the air.
|
|
|
|
--God! he cried. I forgot to tell him that one about the earl of Kildare
|
|
after he set fire to Cashel cathedral. You know that one? I'M BLOODY SORRY
|
|
I DID IT, says he, BUT I DECLARE TO GOD I THOUGHT THE ARCHBISHOP WAS
|
|
INSIDE. He mightn't like it, though. What? God, I'll tell him anyhow.
|
|
That was the great earl, the Fitzgerald Mor. Hot members they were all of
|
|
them, the Geraldines.
|
|
|
|
The horses he passed started nervously under their slack harness. He
|
|
slapped a piebald haunch quivering near him and cried:
|
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|
|
--Woa, sonny!
|
|
|
|
He turned to J. J. O'Molloy and asked:
|
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|
|
--Well, Jack. What is it? What's the trouble? Wait awhile. Hold hard.
|
|
|
|
With gaping mouth and head far back he stood still and, after an
|
|
instant, sneezed loudly.
|
|
|
|
--Chow! he said. Blast you!
|
|
|
|
--The dust from those sacks, J. J. O'Molloy said politely.
|
|
|
|
--No, Ned Lambert gasped, I caught a ... cold night before ... blast
|
|
your soul ... night before last ... and there was a hell of a lot of
|
|
draught ...
|
|
|
|
He held his handkerchief ready for the coming ...
|
|
|
|
--I was ... Glasnevin this morning ... poor little ... what do you call
|
|
him ... Chow! ... Mother of Moses!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Tom Rochford took the top disk from the pile he clasped against his
|
|
claret waistcoat.
|
|
|
|
--See? he said. Say it's turn six. In here, see. Turn Now On.
|
|
|
|
He slid it into the left slot for them. It shot down the groove, wobbled
|
|
a while, ceased, ogling them: six.
|
|
|
|
Lawyers of the past, haughty, pleading, beheld pass from the
|
|
consolidated taxing office to Nisi Prius court Richie Goulding carrying
|
|
the costbag of Goulding, Collis and Ward and heard rustling from the
|
|
admiralty division of king's bench to the court of appeal an elderly
|
|
female with false teeth smiling incredulously and a black silk skirt of
|
|
great amplitude.
|
|
|
|
--See? he said. See now the last one I put in is over here: Turns Over.
|
|
The impact. Leverage, see?
|
|
|
|
He showed them the rising column of disks on the right.
|
|
|
|
--Smart idea, Nosey Flynn said, snuffling. So a fellow coming in late can
|
|
see what turn is on and what turns are over.
|
|
|
|
--See? Tom Rochford said.
|
|
|
|
He slid in a disk for himself: and watched it shoot, wobble, ogle, stop:
|
|
four. Turn Now On.
|
|
|
|
--I'll see him now in the Ormond, Lenehan said, and sound him. One good
|
|
turn deserves another.
|
|
|
|
--Do, Tom Rochford said. Tell him I'm Boylan with impatience.
|
|
|
|
--Goodnight, M'Coy said abruptly. When you two begin
|
|
|
|
Nosey Flynn stooped towards the lever, snuffling at it.
|
|
|
|
--But how does it work here, Tommy? he asked.
|
|
|
|
--Tooraloo, Lenehan said. See you later.
|
|
|
|
He followed M'Coy out across the tiny square of Crampton court.
|
|
|
|
--He's a hero, he said simply.
|
|
|
|
--I know, M'Coy said. The drain, you mean.
|
|
|
|
--Drain? Lenehan said. It was down a manhole.
|
|
|
|
They passed Dan Lowry's musichall where Marie Kendall, charming
|
|
soubrette, smiled on them from a poster a dauby smile.
|
|
|
|
Going down the path of Sycamore street beside the Empire musichall
|
|
Lenehan showed M'Coy how the whole thing was. One of those manholes
|
|
like a bloody gaspipe and there was the poor devil stuck down in it, half
|
|
choked with sewer gas. Down went Tom Rochford anyhow, booky's vest
|
|
and all, with the rope round him. And be damned but he got the rope round
|
|
the poor devil and the two were hauled up.
|
|
|
|
--The act of a hero, he said.
|
|
|
|
At the Dolphin they halted to allow the ambulance car to gallop past
|
|
them for Jervis street.
|
|
|
|
--This way, he said, walking to the right. I want to pop into Lynam's to
|
|
see Sceptre's starting price. What's the time by your gold watch and
|
|
chain?
|
|
|
|
M'Coy peered into Marcus Tertius Moses' sombre office, then at
|
|
O'Neill's clock.
|
|
|
|
--After three, he said. Who's riding her?
|
|
|
|
--O. Madden, Lenehan said. And a game filly she is.
|
|
|
|
While he waited in Temple bar M'Coy dodged a banana peel with
|
|
gentle pushes of his toe from the path to the gutter. Fellow might damn
|
|
easy get a nasty fall there coming along tight in the dark.
|
|
|
|
The gates of the drive opened wide to give egress to the viceregal
|
|
cavalcade.
|
|
|
|
--Even money, Lenehan said returning. I knocked against Bantam Lyons in
|
|
there going to back a bloody horse someone gave him that hasn't an
|
|
earthly. Through here.
|
|
|
|
They went up the steps and under Merchants' arch. A darkbacked
|
|
figure scanned books on the hawker's cart.
|
|
|
|
--There he is, Lenehan said.
|
|
|
|
--Wonder what he's buying, M'Coy said, glancing behind.
|
|
|
|
--LEOPOLDO OR THE BLOOM IS ON THE RYE, Lenehan said.
|
|
|
|
--He's dead nuts on sales, M'Coy said. I was with him one day and he
|
|
bought a book from an old one in Liffey street for two bob. There were
|
|
fine plates in it worth double the money, the stars and the moon and
|
|
comets with long tails. Astronomy it was about.
|
|
|
|
Lenehan laughed.
|
|
|
|
--I'll tell you a damn good one about comets' tails, he said. Come over in
|
|
the sun.
|
|
|
|
They crossed to the metal bridge and went along Wellington quay by
|
|
the riverwall.
|
|
|
|
Master Patrick Aloysius Dignam came out of Mangan's, late
|
|
Fehrenbach's, carrying a pound and a half of porksteaks.
|
|
|
|
--There was a long spread out at Glencree reformatory, Lenehan said
|
|
eagerly. The annual dinner, you know. Boiled shirt affair. The lord mayor
|
|
was there, Val Dillon it was, and sir Charles Cameron and Dan Dawson
|
|
spoke and there was music. Bartell d'Arcy sang and Benjamin Dollard ...
|
|
|
|
--I know, M'Coy broke in. My missus sang there once.
|
|
|
|
--Did she? Lenehan said.
|
|
|
|
A card UNFURNISHED APARTMENTS reappeared on the windowsash of
|
|
number 7 Eccles street.
|
|
|
|
He checked his tale a moment but broke out in a wheezy laugh.
|
|
|
|
--But wait till I tell you, he said. Delahunt of Camden street had the
|
|
catering and yours truly was chief bottlewasher. Bloom and the wife were
|
|
there. Lashings of stuff we put up: port wine and sherry and curacao to
|
|
which we did ample justice. Fast and furious it was. After liquids came
|
|
solids. Cold joints galore and mince pies ...
|
|
|
|
--I know, M'Coy said. The year the missus was there ...
|
|
|
|
Lenehan linked his arm warmly.
|
|
|
|
--But wait till I tell you, he said. We had a midnight lunch too after all
|
|
the jollification and when we sallied forth it was blue o'clock the
|
|
morning after the night before. Coming home it was a gorgeous winter's
|
|
night on the Featherbed Mountain. Bloom and Chris Callinan were on one
|
|
side of the car and I was with the wife on the other. We started singing
|
|
glees and duets: LO, THE EARLY BEAM OF MORNING. She was well primed with a
|
|
good load of Delahunt's port under her bellyband. Every jolt the bloody
|
|
car gave I had her bumping up against me. Hell's delights! She has a fine
|
|
pair, God bless her. Like that.
|
|
|
|
|
|
He held his caved hands a cubit from him, frowning:
|
|
|
|
--I was tucking the rug under her and settling her boa all the time. Know
|
|
what I mean?
|
|
|
|
His hands moulded ample curves of air. He shut his eyes tight in
|
|
delight, his body shrinking, and blew a sweet chirp from his lips.
|
|
|
|
--The lad stood to attention anyhow, he said with a sigh. She's a gamey
|
|
mare and no mistake. Bloom was pointing out all the stars and the comets
|
|
in the heavens to Chris Callinan and the jarvey: the great bear and
|
|
Hercules and the dragon, and the whole jingbang lot. But, by God, I was
|
|
lost, so to speak, in the milky way. He knows them all, faith. At last she
|
|
spotted a weeny weeshy one miles away. AND WHAT STAR IS THAT, POLDY? says
|
|
she. By God, she had Bloom cornered. THAT ONE, IS IT? says Chris Callinan,
|
|
SURE THAT'S ONLY WHAT YOU MIGHT CALL A PINPRICK. By God, he wasn't far
|
|
wide of the mark.
|
|
|
|
Lenehan stopped and leaned on the riverwall, panting with soft
|
|
laughter.
|
|
|
|
--I'm weak, he gasped.
|
|
|
|
M'Coy's white face smiled about it at instants and grew grave.
|
|
Lenehan walked on again. He lifted his yachtingcap and scratched his
|
|
hindhead rapidly. He glanced sideways in the sunlight at M'Coy.
|
|
|
|
--He's a cultured allroundman, Bloom is, he said seriously. He's not one
|
|
of your common or garden ... you know ... There's a touch of the artist
|
|
about old Bloom.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Mr Bloom turned over idly pages of THE AWFUL DISCLOSURES OF MARIA
|
|
MONK, then of Aristotle's MASTERPIECE. Crooked botched print. Plates:
|
|
infants cuddled in a ball in bloodred wombs like livers of slaughtered
|
|
cows. Lots of them like that at this moment all over the world. All
|
|
butting with their skulls to get out of it. Child born every minute
|
|
somewhere. Mrs Purefoy.
|
|
|
|
He laid both books aside and glanced at the third: TALES OF THE GHETTO
|
|
by Leopold von Sacher Masoch.
|
|
|
|
--That I had, he said, pushing it by.
|
|
|
|
The shopman let two volumes fall on the counter.
|
|
|
|
--Them are two good ones, he said.
|
|
|
|
Onions of his breath came across the counter out of his ruined
|
|
mouth. He bent to make a bundle of the other books, hugged them against
|
|
his unbuttoned waistcoat and bore them off behind the dingy curtain.
|
|
|
|
On O'Connell bridge many persons observed the grave deportment
|
|
and gay apparel of Mr Denis J Maginni, professor of dancing &c.
|
|
|
|
Mr Bloom, alone, looked at the titles. FAIR TYRANTS by James Lovebirch.
|
|
Know the kind that is. Had it? Yes.
|
|
|
|
He opened it. Thought so.
|
|
|
|
A woman's voice behind the dingy curtain. Listen: the man.
|
|
|
|
No: she wouldn't like that much. Got her it once.
|
|
|
|
He read the other title: SWEETS OF SIN. More in her line. Let us see.
|
|
|
|
He read where his finger opened.
|
|
|
|
--ALL THE DOLLARBILLS HER HUSBAND GAVE HER WERE SPENT IN THE STORES ON
|
|
WONDROUS GOWNS AND COSTLIEST FRILLIES. FOR HIM! FOR RAOUL!
|
|
|
|
Yes. This. Here. Try.
|
|
|
|
--HER MOUTH GLUED ON HIS IN A LUSCIOUS VOLUPTUOUS KISS WHILE HIS HANDS
|
|
FELT FOR THE OPULENT CURVES INSIDE HER DESHABILLE.
|
|
|
|
Yes. Take this. The end.
|
|
|
|
--YOU ARE LATE, HE SPOKE HOARSELY, EYING HER WITH A SUSPICIOUS GLARE.
|
|
THE BEAUTIFUL WOMAN THREW OFF HER SABLETRIMMED WRAP, DISPLAYING HER
|
|
QUEENLY SHOULDERS AND HEAVING EMBONPOINT. AN IMPERCEPTIBLE SMILE PLAYED
|
|
ROUND HER PERFECT LIPS AS SHE TURNED TO HIM CALMLY.
|
|
|
|
Mr Bloom read again: THE BEAUTIFUL WOMAN.
|
|
|
|
Warmth showered gently over him, cowing his flesh. Flesh yielded
|
|
amply amid rumpled clothes: whites of eyes swooning up. His nostrils
|
|
arched themselves for prey. Melting breast ointments (FOR HIM! FOR
|
|
RAOUL!). Armpits' oniony sweat. Fishgluey slime (HER HEAVING EMBONPOINT!).
|
|
Feel! Press! Crushed! Sulphur dung of lions!
|
|
|
|
Young! Young!
|
|
|
|
An elderly female, no more young, left the building of the courts of
|
|
chancery, king's bench, exchequer and common pleas, having heard in the
|
|
lord chancellor's court the case in lunacy of Potterton, in the admiralty
|
|
division the summons, exparte motion, of the owners of the Lady Cairns
|
|
versus the owners of the barque Mona, in the court of appeal reservation
|
|
of judgment in the case of Harvey versus the Ocean Accident and Guarantee
|
|
Corporation.
|
|
|
|
Phlegmy coughs shook the air of the bookshop, bulging out the dingy
|
|
curtains. The shopman's uncombed grey head came out and his unshaven
|
|
reddened face, coughing. He raked his throat rudely, puked phlegm on the
|
|
floor. He put his boot on what he had spat, wiping his sole along it, and
|
|
bent, showing a rawskinned crown, scantily haired.
|
|
|
|
Mr Bloom beheld it.
|
|
|
|
Mastering his troubled breath, he said:
|
|
|
|
--I'll take this one.
|
|
|
|
The shopman lifted eyes bleared with old rheum.
|
|
|
|
--SWEETS OF SIN, he said, tapping on it. That's a good one.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
The lacquey by the door of Dillon's auctionrooms shook his handbell
|
|
twice again and viewed himself in the chalked mirror of the cabinet.
|
|
|
|
Dilly Dedalus, loitering by the curbstone, heard the beats of the bell,
|
|
the cries of the auctioneer within. Four and nine. Those lovely curtains.
|
|
Five shillings. Cosy curtains. Selling new at two guineas. Any advance on
|
|
five shillings? Going for five shillings.
|
|
|
|
The lacquey lifted his handbell and shook it:
|
|
|
|
--Barang!
|
|
|
|
Bang of the lastlap bell spurred the halfmile wheelmen to their sprint.
|
|
J. A. Jackson, W. E. Wylie, A. Munro and H. T. Gahan, their stretched
|
|
necks wagging, negotiated the curve by the College library.
|
|
|
|
Mr Dedalus, tugging a long moustache, came round from Williams's
|
|
row. He halted near his daughter.
|
|
|
|
--It's time for you, she said.
|
|
|
|
--Stand up straight for the love of the lord Jesus, Mr Dedalus said. Are you
|
|
trying to imitate your uncle John, the cornetplayer, head upon shoulder?
|
|
Melancholy God!
|
|
|
|
Dilly shrugged her shoulders. Mr Dedalus placed his hands on them
|
|
and held them back.
|
|
|
|
--Stand up straight, girl, he said. You'll get curvature of the spine.
|
|
Do you know what you look like?
|
|
|
|
He let his head sink suddenly down and forward, hunching his
|
|
shoulders and dropping his underjaw.
|
|
|
|
--Give it up, father, Dilly said. All the people are looking at you.
|
|
|
|
Mr Dedalus drew himself upright and tugged again at his moustache.
|
|
|
|
--Did you get any money? Dilly asked.
|
|
|
|
--Where would I get money? Mr Dedalus said. There is no-one in Dublin
|
|
would lend me fourpence.
|
|
|
|
--You got some, Dilly said, looking in his eyes.
|
|
|
|
--How do you know that? Mr Dedalus asked, his tongue in his cheek.
|
|
|
|
Mr Kernan, pleased with the order he had booked, walked boldly
|
|
along James's street.
|
|
|
|
--I know you did, Dilly answered. Were you in the Scotch house now?
|
|
|
|
--I was not, then, Mr Dedalus said, smiling. Was it the little nuns taught
|
|
you to be so saucy? Here.
|
|
|
|
He handed her a shilling.
|
|
|
|
--See if you can do anything with that, he said.
|
|
|
|
--I suppose you got five, Dilly said. Give me more than that.
|
|
|
|
--Wait awhile, Mr Dedalus said threateningly. You're like the rest of
|
|
them, are you? An insolent pack of little bitches since your poor mother
|
|
died. But wait awhile. You'll all get a short shrift and a long day from
|
|
me. Low blackguardism! I'm going to get rid of you. Wouldn't care if I was
|
|
stretched out stiff. He's dead. The man upstairs is dead.
|
|
|
|
He left her and walked on. Dilly followed quickly and pulled his coat.
|
|
|
|
--Well, what is it? he said, stopping.
|
|
|
|
The lacquey rang his bell behind their backs.
|
|
|
|
--Barang!
|
|
|
|
--Curse your bloody blatant soul, Mr Dedalus cried, turning on him.
|
|
|
|
The lacquey, aware of comment, shook the lolling clapper of his bell
|
|
but feebly:
|
|
|
|
--Bang!
|
|
|
|
Mr Dedalus stared at him.
|
|
|
|
--Watch him, he said. It's instructive. I wonder will he allow us to talk.
|
|
|
|
--You got more than that, father, Dilly said.
|
|
|
|
--I'm going to show you a little trick, Mr Dedalus said. I'll leave you
|
|
all where Jesus left the jews. Look, there's all I have. I got two
|
|
shillings from Jack Power and I spent twopence for a shave for the
|
|
funeral.
|
|
|
|
He drew forth a handful of copper coins, nervously.
|
|
|
|
--Can't you look for some money somewhere? Dilly said.
|
|
|
|
Mr Dedalus thought and nodded.
|
|
|
|
--I will, he said gravely. I looked all along the gutter in O'Connell
|
|
street. I'll try this one now.
|
|
|
|
--You're very funny, Dilly said, grinning.
|
|
|
|
--Here, Mr Dedalus said, handing her two pennies. Get a glass of milk for
|
|
yourself and a bun or a something. I'll be home shortly.
|
|
|
|
He put the other coins in his pocket and started to walk on.
|
|
|
|
The viceregal cavalcade passed, greeted by obsequious policemen, out
|
|
of Parkgate.
|
|
|
|
--I'm sure you have another shilling, Dilly said.
|
|
|
|
The lacquey banged loudly.
|
|
|
|
Mr Dedalus amid the din walked off, murmuring to himself with a
|
|
pursing mincing mouth gently:
|
|
|
|
--The little nuns! Nice little things! O, sure they wouldn't do anything!
|
|
O, sure they wouldn't really! Is it little sister Monica!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
From the sundial towards James's gate walked Mr Kernan, pleased
|
|
with the order he had booked for Pulbrook Robertson, boldly along
|
|
James's street, past Shackleton's offices. Got round him all right. How do
|
|
you do, Mr Crimmins? First rate, sir. I was afraid you might be up in your
|
|
other establishment in Pimlico. How are things going? Just keeping alive.
|
|
Lovely weather we're having. Yes, indeed. Good for the country. Those
|
|
farmers are always grumbling. I'll just take a thimbleful of your best
|
|
gin, Mr Crimmins. A small gin, sir. Yes, sir. Terrible affair that General
|
|
Slocum explosion. Terrible, terrible! A thousand casualties. And
|
|
heartrending scenes. Men trampling down women and children. Most brutal
|
|
thing. What do they say was the cause? Spontaneous combustion. Most
|
|
scandalous revelation. Not a single lifeboat would float and the firehose
|
|
all burst. What I can't understand is how the inspectors ever allowed a
|
|
boat like that ... Now, you're talking straight, Mr Crimmins. You know
|
|
why? Palm oil. Is that a fact? Without a doubt. Well now, look at that.
|
|
And America they say is the land of the free. I thought we were bad here.
|
|
|
|
I smiled at him. AMERICA, I said quietly, just like that. WHAT IS IT? THE
|
|
SWEEPINGS OF EVERY COUNTRY INCLUDING OUR OWN. ISN'T THAT TRUE? That's
|
|
a fact.
|
|
|
|
Graft, my dear sir. Well, of course, where there's money going there's
|
|
always someone to pick it up.
|
|
|
|
Saw him looking at my frockcoat. Dress does it. Nothing like a
|
|
dressy appearance. Bowls them over.
|
|
|
|
--Hello, Simon, Father Cowley said. How are things?
|
|
|
|
--Hello, Bob, old man, Mr Dedalus answered, stopping.
|
|
|
|
Mr Kernan halted and preened himself before the sloping mirror of Peter
|
|
Kennedy, hairdresser. Stylish coat, beyond a doubt. Scott of Dawson
|
|
street. Well worth the half sovereign I gave Neary for it. Never built
|
|
under three guineas. Fits me down to the ground. Some Kildare street club
|
|
toff had it probably. John Mulligan, the manager of the Hibernian bank,
|
|
gave me a very sharp eye yesterday on Carlisle bridge as if he remembered
|
|
me.
|
|
|
|
Aham! Must dress the character for those fellows. Knight of the road.
|
|
Gentleman. And now, Mr Crimmins, may we have the honour of your
|
|
custom again, sir. The cup that cheers but not inebriates, as the old
|
|
saying has it.
|
|
|
|
North wall and sir John Rogerson's quay, with hulls and
|
|
anchorchains, sailing westward, sailed by a skiff, a crumpled throwaway,
|
|
rocked on the ferrywash, Elijah is coming.
|
|
|
|
Mr Kernan glanced in farewell at his image. High colour, of course.
|
|
Grizzled moustache. Returned Indian officer. Bravely he bore his stumpy
|
|
body forward on spatted feet, squaring his shoulders. Is that Ned
|
|
Lambert's brother over the way, Sam? What? Yes. He's as like it as damn
|
|
it. No. The windscreen of that motorcar in the sun there. Just a flash
|
|
like that. Damn like him.
|
|
|
|
Aham! Hot spirit of juniper juice warmed his vitals and his breath. Good
|
|
drop of gin, that was. His frocktails winked in bright sunshine to his
|
|
fat strut.
|
|
|
|
Down there Emmet was hanged, drawn and quartered. Greasy black
|
|
rope. Dogs licking the blood off the street when the lord lieutenant's
|
|
wife drove by in her noddy.
|
|
|
|
Bad times those were. Well, well. Over and done with. Great topers
|
|
too. Fourbottle men.
|
|
|
|
Let me see. Is he buried in saint Michan's? Or no, there was a
|
|
midnight burial in Glasnevin. Corpse brought in through a secret door in
|
|
the wall. Dignam is there now. Went out in a puff. Well, well. Better turn
|
|
down here. Make a detour.
|
|
|
|
Mr Kernan turned and walked down the slope of Watling street by
|
|
the corner of Guinness's visitors' waitingroom. Outside the Dublin
|
|
Distillers Company's stores an outside car without fare or jarvey stood,
|
|
the reins knotted to the wheel. Damn dangerous thing. Some Tipperary
|
|
bosthoon endangering the lives of the citizens. Runaway horse.
|
|
|
|
Denis Breen with his tomes, weary of having waited an hour in John
|
|
Henry Menton's office, led his wife over O'Connell bridge, bound for the
|
|
office of Messrs Collis and Ward.
|
|
|
|
Mr Kernan approached Island street.
|
|
|
|
Times of the troubles. Must ask Ned Lambert to lend me those reminiscences
|
|
of sir Jonah Barrington. When you look back on it all now in a kind of
|
|
retrospective arrangement. Gaming at Daly's. No cardsharping then.
|
|
One of those fellows got his hand nailed to the table by a dagger.
|
|
Somewhere here lord Edward Fitzgerald escaped from major Sirr. Stables
|
|
behind Moira house.
|
|
|
|
Damn good gin that was.
|
|
|
|
Fine dashing young nobleman. Good stock, of course. That ruffian, that
|
|
sham squire, with his violet gloves gave him away. Course they were on
|
|
the wrong side. They rose in dark and evil days. Fine poem that is:
|
|
Ingram. They were gentlemen. Ben Dollard does sing that ballad touchingly.
|
|
Masterly rendition.
|
|
|
|
|
|
AT THE SIEGE OF ROSS DID MY FATHER FALL.
|
|
|
|
|
|
A cavalcade in easy trot along Pembroke quay passed, outriders
|
|
leaping, leaping in their, in their saddles. Frockcoats. Cream sunshades.
|
|
|
|
Mr Kernan hurried forward, blowing pursily.
|
|
|
|
His Excellency! Too bad! Just missed that by a hair. Damn it! What a pity!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Stephen Dedalus watched through the webbed window the lapidary's
|
|
fingers prove a timedulled chain. Dust webbed the window and the
|
|
showtrays. Dust darkened the toiling fingers with their vulture nails.
|
|
Dust slept on dull coils of bronze and silver, lozenges of cinnabar,
|
|
on rubies, leprous and winedark stones.
|
|
|
|
Born all in the dark wormy earth, cold specks of fire, evil, lights
|
|
shining in the darkness. Where fallen archangels flung the stars of their
|
|
brows. Muddy swinesnouts, hands, root and root, gripe and wrest them.
|
|
|
|
She dances in a foul gloom where gum bums with garlic. A
|
|
sailorman, rustbearded, sips from a beaker rum and eyes her. A long and
|
|
seafed silent rut. She dances, capers, wagging her sowish haunches and her
|
|
hips, on her gross belly flapping a ruby egg.
|
|
|
|
Old Russell with a smeared shammy rag burnished again his gem,
|
|
turned it and held it at the point of his Moses' beard. Grandfather ape
|
|
gloating on a stolen hoard.
|
|
|
|
And you who wrest old images from the burial earth? The brainsick
|
|
words of sophists: Antisthenes. A lore of drugs. Orient and immortal wheat
|
|
standing from everlasting to everlasting.
|
|
|
|
Two old women fresh from their whiff of the briny trudged through
|
|
Irishtown along London bridge road, one with a sanded tired umbrella, one
|
|
with a midwife's bag in which eleven cockles rolled.
|
|
|
|
The whirr of flapping leathern bands and hum of dynamos from the
|
|
powerhouse urged Stephen to be on. Beingless beings. Stop! Throb always
|
|
without you and the throb always within. Your heart you sing of. I between
|
|
them. Where? Between two roaring worlds where they swirl, I. Shatter
|
|
them, one and both. But stun myself too in the blow. Shatter me you who
|
|
can. Bawd and butcher were the words. I say! Not yet awhile. A look
|
|
around.
|
|
|
|
Yes, quite true. Very large and wonderful and keeps famous time. You
|
|
say right, sir. A Monday morning, 'twas so, indeed.
|
|
|
|
Stephen went down Bedford row, the handle of the ash clacking
|
|
against his shoulderblade. In Clohissey's window a faded 186O print of
|
|
Heenan boxing Sayers held his eye. Staring backers with square hats stood
|
|
round the roped prizering. The heavyweights in tight loincloths proposed
|
|
gently each to other his bulbous fists. And they are throbbing: heroes'
|
|
hearts.
|
|
|
|
He turned and halted by the slanted bookcart.
|
|
|
|
--Twopence each, the huckster said. Four for sixpence.
|
|
|
|
Tattered pages. THE IRISH BEEKEEPER. LIFE AND MIRACLES OF THE CURE' OF
|
|
ARS. POCKET GUIDE TO KILLARNEY.
|
|
|
|
I might find here one of my pawned schoolprizes. STEPHANO DEDALO,
|
|
ALUMNO OPTIMO, PALMAM FERENTI.
|
|
|
|
Father Conmee, having read his little hours, walked through the
|
|
hamlet of Donnycarney, murmuring vespers.
|
|
|
|
Binding too good probably. What is this? Eighth and ninth book of
|
|
Moses. Secret of all secrets. Seal of King David. Thumbed pages: read and
|
|
read. Who has passed here before me? How to soften chapped hands.
|
|
Recipe for white wine vinegar. How to win a woman's love. For me this.
|
|
Say the following talisman three times with hands folded:
|
|
|
|
--SE EL YILO NEBRAKADA FEMININUM! AMOR ME SOLO! SANKTUS! AMEN.
|
|
|
|
Who wrote this? Charms and invocations of the most blessed abbot
|
|
Peter Salanka to all true believers divulged. As good as any other abbot's
|
|
charms, as mumbling Joachim's. Down, baldynoddle, or we'll wool your wool.
|
|
|
|
--What are you doing here, Stephen?
|
|
|
|
Dilly's high shoulders and shabby dress.
|
|
|
|
Shut the book quick. Don't let see.
|
|
|
|
--What are you doing? Stephen said.
|
|
|
|
A Stuart face of nonesuch Charles, lank locks falling at its sides. It
|
|
glowed as she crouched feeding the fire with broken boots. I told her of
|
|
Paris. Late lieabed under a quilt of old overcoats, fingering a pinchbeck
|
|
bracelet, Dan Kelly's token. NEBRAKADA FEMININUM.
|
|
|
|
--What have you there? Stephen asked.
|
|
|
|
--I bought it from the other cart for a penny, Dilly said, laughing
|
|
nervously. Is it any good?
|
|
|
|
My eyes they say she has. Do others see me so? Quick, far and
|
|
daring. Shadow of my mind.
|
|
|
|
He took the coverless book from her hand. Chardenal's French primer.
|
|
|
|
--What did you buy that for? he asked. To learn French?
|
|
|
|
She nodded, reddening and closing tight her lips.
|
|
|
|
Show no surprise. Quite natural.
|
|
|
|
--Here, Stephen said. It's all right. Mind Maggy doesn't pawn it on you. I
|
|
suppose all my books are gone.
|
|
|
|
--Some, Dilly said. We had to.
|
|
|
|
She is drowning. Agenbite. Save her. Agenbite. All against us. She will
|
|
drown me with her, eyes and hair. Lank coils of seaweed hair around me,
|
|
my heart, my soul. Salt green death.
|
|
|
|
We.
|
|
|
|
Agenbite of inwit. Inwit's agenbite.
|
|
|
|
Misery! Misery!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
--Hello, Simon, Father Cowley said. How are things?
|
|
|
|
--Hello, Bob, old man, Mr Dedalus answered, stopping.
|
|
|
|
They clasped hands loudly outside Reddy and Daughter's. Father
|
|
Cowley brushed his moustache often downward with a scooping hand.
|
|
|
|
--What's the best news? Mr Dedalus said.
|
|
|
|
--Why then not much, Father Cowley said. I'm barricaded up, Simon, with
|
|
two men prowling around the house trying to effect an entrance.
|
|
|
|
--Jolly, Mr Dedalus said. Who is it?
|
|
|
|
--O, Father Cowley said. A certain gombeen man of our acquaintance.
|
|
|
|
--With a broken back, is it? Mr Dedalus asked.
|
|
|
|
--The same, Simon, Father Cowley answered. Reuben of that ilk. I'm just
|
|
waiting for Ben Dollard. He's going to say a word to long John to get him
|
|
to take those two men off. All I want is a little time.
|
|
|
|
He looked with vague hope up and down the quay, a big apple bulging
|
|
in his neck.
|
|
|
|
--I know, Mr Dedalus said, nodding. Poor old bockedy Ben! He's always
|
|
doing a good turn for someone. Hold hard!
|
|
|
|
He put on his glasses and gazed towards the metal bridge an instant.
|
|
|
|
--There he is, by God, he said, arse and pockets.
|
|
|
|
Ben Dollard's loose blue cutaway and square hat above large slops
|
|
crossed the quay in full gait from the metal bridge. He came towards them
|
|
at an amble, scratching actively behind his coattails.
|
|
|
|
As he came near Mr Dedalus greeted:
|
|
|
|
--Hold that fellow with the bad trousers.
|
|
|
|
--Hold him now, Ben Dollard said.
|
|
|
|
Mr Dedalus eyed with cold wandering scorn various points of Ben
|
|
Dollard's figure. Then, turning to Father Cowley with a nod, he muttered
|
|
sneeringly:
|
|
|
|
--That's a pretty garment, isn't it, for a summer's day?
|
|
|
|
--Why, God eternally curse your soul, Ben Dollard growled furiously, I
|
|
threw out more clothes in my time than you ever saw.
|
|
|
|
He stood beside them beaming, on them first and on his roomy
|
|
clothes from points of which Mr Dedalus flicked fluff, saying:
|
|
|
|
--They were made for a man in his health, Ben, anyhow.
|
|
|
|
--Bad luck to the jewman that made them, Ben Dollard said. Thanks be to
|
|
God he's not paid yet.
|
|
|
|
--And how is that BASSO PROFONDO, Benjamin? Father Cowley asked.
|
|
|
|
Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, murmuring,
|
|
glassyeyed, strode past the Kildare street club.
|
|
|
|
Ben Dollard frowned and, making suddenly a chanter's mouth, gave
|
|
forth a deep note.
|
|
|
|
--Aw! he said.
|
|
|
|
--That's the style, Mr Dedalus said, nodding to its drone.
|
|
|
|
--What about that? Ben Dollard said. Not too dusty? What?
|
|
|
|
He turned to both.
|
|
|
|
--That'll do, Father Cowley said, nodding also.
|
|
|
|
The reverend Hugh C. Love walked from the old chapterhouse of
|
|
saint Mary's abbey past James and Charles Kennedy's, rectifiers, attended
|
|
by Geraldines tall and personable, towards the Tholsel beyond the ford of
|
|
hurdles.
|
|
|
|
Ben Dollard with a heavy list towards the shopfronts led them forward,
|
|
his joyful fingers in the air.
|
|
|
|
--Come along with me to the subsheriff's office, he said. I want to show
|
|
you the new beauty Rock has for a bailiff. He's a cross between Lobengula
|
|
and Lynchehaun. He's well worth seeing, mind you. Come along. I saw John
|
|
Henry Menton casually in the Bodega just now and it will cost me a fall if
|
|
I don't ... Wait awhile ... We're on the right lay, Bob, believe you me.
|
|
|
|
--For a few days tell him, Father Cowley said anxiously.
|
|
|
|
Ben Dollard halted and stared, his loud orifice open, a dangling
|
|
button of his coat wagging brightbacked from its thread as he wiped away
|
|
the heavy shraums that clogged his eyes to hear aright.
|
|
|
|
--What few days? he boomed. Hasn't your landlord distrained for rent?
|
|
|
|
--He has, Father Cowley said.
|
|
|
|
--Then our friend's writ is not worth the paper it's printed on, Ben Dollard
|
|
said. The landlord has the prior claim. I gave him all the particulars. 29
|
|
Windsor avenue. Love is the name?
|
|
|
|
--That's right, Father Cowley said. The reverend Mr Love. He's a minister
|
|
in the country somewhere. But are you sure of that?
|
|
|
|
--You can tell Barabbas from me, Ben Dollard said, that he can put that
|
|
writ where Jacko put the nuts.
|
|
|
|
He led Father Cowley boldly forward, linked to his bulk.
|
|
|
|
--Filberts I believe they were, Mr Dedalus said, as he dropped his glasses
|
|
on his coatfront, following them.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
--The youngster will be all right, Martin Cunningham said, as they passed
|
|
out of the Castleyard gate.
|
|
|
|
The policeman touched his forehead.
|
|
|
|
--God bless you, Martin Cunningham said, cheerily.
|
|
|
|
He signed to the waiting jarvey who chucked at the reins and set on
|
|
towards Lord Edward street.
|
|
|
|
Bronze by gold, Miss Kennedy's head by Miss Douce's head,
|
|
appeared above the crossblind of the Ormond hotel.
|
|
|
|
--Yes, Martin Cunningham said, fingering his beard. I wrote to Father
|
|
Conmee and laid the whole case before him.
|
|
|
|
--You could try our friend, Mr Power suggested backward.
|
|
|
|
--Boyd? Martin Cunningham said shortly. Touch me not.
|
|
|
|
John Wyse Nolan, lagging behind, reading the list, came after them
|
|
quickly down Cork hill.
|
|
|
|
On the steps of the City hall Councillor Nannetti, descending, hailed
|
|
Alderman Cowley and Councillor Abraham Lyon ascending.
|
|
|
|
The castle car wheeled empty into upper Exchange street.
|
|
|
|
--Look here, Martin, John Wyse Nolan said, overtaking them at the MAIL
|
|
office. I see Bloom put his name down for five shillings.
|
|
|
|
--Quite right, Martin Cunningham said, taking the list. And put down the
|
|
five shillings too.
|
|
|
|
--Without a second word either, Mr Power said.
|
|
|
|
--Strange but true, Martin Cunningham added.
|
|
|
|
John Wyse Nolan opened wide eyes.
|
|
|
|
--I'll say there is much kindness in the jew, he quoted, elegantly.
|
|
|
|
They went down Parliament street.
|
|
|
|
--There's Jimmy Henry, Mr Power said, just heading for Kavanagh's.
|
|
|
|
--Righto, Martin Cunningham said. Here goes.
|
|
|
|
Outside LA MAISON CLAIRE Blazes Boylan waylaid Jack Mooney's
|
|
brother-in-law, humpy, tight, making for the liberties.
|
|
|
|
John Wyse Nolan fell back with Mr Power, while Martin
|
|
Cunningham took the elbow of a dapper little man in a shower of hail suit,
|
|
who walked uncertainly, with hasty steps past Micky Anderson's watches.
|
|
|
|
--The assistant town clerk's corns are giving him some trouble, John Wyse
|
|
Nolan told Mr Power.
|
|
|
|
They followed round the corner towards James Kavanagh's
|
|
winerooms. The empty castle car fronted them at rest in Essex gate. Martin
|
|
Cunningham, speaking always, showed often the list at which Jimmy Henry
|
|
did not glance.
|
|
|
|
--And long John Fanning is here too, John Wyse Nolan said, as large as
|
|
life.
|
|
|
|
The tall form of long John Fanning filled the doorway where he
|
|
stood.
|
|
|
|
--Good day, Mr Subsheriff, Martin Cunningham said, as all halted and
|
|
greeted.
|
|
|
|
Long John Fanning made no way for them. He removed his large Henry Clay
|
|
decisively and his large fierce eyes scowled intelligently over all
|
|
their faces.
|
|
|
|
--Are the conscript fathers pursuing their peaceful deliberations? he said
|
|
with rich acrid utterance to the assistant town clerk.
|
|
|
|
Hell open to christians they were having, Jimmy Henry said pettishly,
|
|
about their damned Irish language. Where was the marshal, he wanted to
|
|
know, to keep order in the council chamber. And old Barlow the
|
|
macebearer laid up with asthma, no mace on the table, nothing in order, no
|
|
quorum even, and Hutchinson, the lord mayor, in Llandudno and little
|
|
Lorcan Sherlock doing LOCUM TENENS for him. Damned Irish language,
|
|
language of our forefathers.
|
|
|
|
Long John Fanning blew a plume of smoke from his lips.
|
|
|
|
Martin Cunningham spoke by turns, twirling the peak of his beard, to
|
|
the assistant town clerk and the subsheriff, while John Wyse Nolan held
|
|
his peace.
|
|
|
|
--What Dignam was that? long John Fanning asked.
|
|
|
|
Jimmy Henry made a grimace and lifted his left foot.
|
|
|
|
--O, my corns! he said plaintively. Come upstairs for goodness' sake till
|
|
I sit down somewhere. Uff! Ooo! Mind!
|
|
|
|
Testily he made room for himself beside long John Fanning's flank
|
|
and passed in and up the stairs.
|
|
|
|
--Come on up, Martin Cunningham said to the subsheriff. I don't think
|
|
you knew him or perhaps you did, though.
|
|
|
|
With John Wyse Nolan Mr Power followed them in.
|
|
|
|
--Decent little soul he was, Mr Power said to the stalwart back of long
|
|
John Fanning ascending towards long John Fanning in the mirror.
|
|
|
|
--Rather lowsized. Dignam of Menton's office that was, Martin
|
|
Cunningham said.
|
|
|
|
Long John Fanning could not remember him.
|
|
|
|
Clatter of horsehoofs sounded from the air.
|
|
|
|
--What's that? Martin Cunningham said.
|
|
|
|
All turned where they stood. John Wyse Nolan came down again.
|
|
From the cool shadow of the doorway he saw the horses pass Parliament
|
|
street, harness and glossy pasterns in sunlight shimmering. Gaily they
|
|
went past before his cool unfriendly eyes, not quickly. In saddles of the
|
|
leaders, leaping leaders, rode outriders.
|
|
|
|
--What was it? Martin Cunningham asked, as they went on up the
|
|
staircase.
|
|
|
|
--The lord lieutenantgeneral and general governor of Ireland, John Wyse
|
|
Nolan answered from the stairfoot.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
As they trod across the thick carpet Buck Mulligan whispered behind
|
|
his Panama to Haines:
|
|
|
|
--Parnell's brother. There in the corner.
|
|
|
|
They chose a small table near the window, opposite a longfaced man
|
|
whose beard and gaze hung intently down on a chessboard.
|
|
|
|
--Is that he? Haines asked, twisting round in his seat.
|
|
|
|
--Yes, Mulligan said. That's John Howard, his brother, our city marshal.
|
|
|
|
John Howard Parnell translated a white bishop quietly and his grey
|
|
claw went up again to his forehead whereat it rested. An instant after,
|
|
under its screen, his eyes looked quickly, ghostbright, at his foe and
|
|
fell once more upon a working corner.
|
|
|
|
--I'll take a MELANGE, Haines said to the waitress.
|
|
|
|
--Two MELANGES, Buck Mulligan said. And bring us some scones and butter
|
|
and some cakes as well.
|
|
|
|
When she had gone he said, laughing:
|
|
|
|
--We call it D.B.C. because they have damn bad cakes. O, but you missed
|
|
Dedalus on HAMLET.
|
|
|
|
Haines opened his newbought book.
|
|
|
|
--I'm sorry, he said. Shakespeare is the happy huntingground of all minds
|
|
that have lost their balance.
|
|
|
|
The onelegged sailor growled at the area of 14 Nelson street:
|
|
|
|
--ENGLAND EXPECTS ...
|
|
|
|
Buck Mulligan's primrose waistcoat shook gaily to his laughter.
|
|
|
|
--You should see him, he said, when his body loses its balance. Wandering
|
|
Aengus I call him.
|
|
|
|
--I am sure he has an IDEE FIXE, Haines said, pinching his chin
|
|
thoughtfully with thumb and forefinger. Now I am speculating what it would
|
|
be likely to be. Such persons always have.
|
|
|
|
Buck Mulligan bent across the table gravely.
|
|
|
|
--They drove his wits astray, he said, by visions of hell. He will never
|
|
capture the Attic note. The note of Swinburne, of all poets, the white
|
|
death and the ruddy birth. That is his tragedy. He can never be a poet.
|
|
The joy of creation ...
|
|
|
|
--Eternal punishment, Haines said, nodding curtly. I see. I tackled him
|
|
this morning on belief. There was something on his mind, I saw. It's
|
|
rather interesting because professor Pokorny of Vienna makes an
|
|
interesting point out of that.
|
|
|
|
Buck Mulligan's watchful eyes saw the waitress come. He helped her
|
|
to unload her tray.
|
|
|
|
--He can find no trace of hell in ancient Irish myth, Haines said, amid
|
|
the cheerful cups. The moral idea seems lacking, the sense of destiny, of
|
|
retribution. Rather strange he should have just that fixed idea. Does he
|
|
write anything for your movement?
|
|
|
|
He sank two lumps of sugar deftly longwise through the whipped
|
|
cream. Buck Mulligan slit a steaming scone in two and plastered butter
|
|
over its smoking pith. He bit off a soft piece hungrily.
|
|
|
|
--Ten years, he said, chewing and laughing. He is going to write something
|
|
in ten years.
|
|
|
|
--Seems a long way off, Haines said, thoughtfully lifting his spoon.
|
|
Still, I shouldn't wonder if he did after all.
|
|
|
|
He tasted a spoonful from the creamy cone of his cup.
|
|
|
|
--This is real Irish cream I take it, he said with forbearance.
|
|
I don't want to be imposed on.
|
|
|
|
Elijah, skiff, light crumpled throwaway, sailed eastward by flanks of
|
|
ships and trawlers, amid an archipelago of corks, beyond new Wapping
|
|
street past Benson's ferry, and by the threemasted schooner ROSEVEAN from
|
|
Bridgwater with bricks.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Almidano Artifoni walked past Holles street, past Sewell's yard.
|
|
Behind him Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, with
|
|
stickumbrelladustcoat dangling, shunned the lamp before Mr Law Smith's
|
|
house and, crossing, walked along Merrion square. Distantly behind him a
|
|
blind stripling tapped his way by the wall of College park.
|
|
|
|
Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell walked as far as
|
|
Mr Lewis Werner's cheerful windows, then turned and strode back along
|
|
Merrion square, his stickumbrelladustcoat dangling.
|
|
|
|
At the corner of Wilde's house he halted, frowned at Elijah's name
|
|
announced on the Metropolitan hall, frowned at the distant pleasance of
|
|
duke's lawn. His eyeglass flashed frowning in the sun. With ratsteeth
|
|
bared he muttered:
|
|
|
|
--COACTUS VOLUI.
|
|
|
|
He strode on for Clare street, grinding his fierce word.
|
|
|
|
As he strode past Mr Bloom's dental windows the sway of his
|
|
dustcoat brushed rudely from its angle a slender tapping cane and swept
|
|
onwards, having buffeted a thewless body. The blind stripling turned his
|
|
sickly face after the striding form.
|
|
|
|
--God's curse on you, he said sourly, whoever you are! You're blinder nor
|
|
I am, you bitch's bastard!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Opposite Ruggy O'Donohoe's Master Patrick Aloysius Dignam,
|
|
pawing the pound and a half of Mangan's, late Fehrenbach's, porksteaks he
|
|
had been sent for, went along warm Wicklow street dawdling. It was too
|
|
blooming dull sitting in the parlour with Mrs Stoer and Mrs Quigley and
|
|
Mrs MacDowell and the blind down and they all at their sniffles and
|
|
sipping sups of the superior tawny sherry uncle Barney brought from
|
|
Tunney's. And they eating crumbs of the cottage fruitcake, jawing the
|
|
whole blooming time and sighing.
|
|
|
|
After Wicklow lane the window of Madame Doyle, courtdress
|
|
milliner, stopped him. He stood looking in at the two puckers stripped to
|
|
their pelts and putting up their props. From the sidemirrors two mourning
|
|
Masters Dignam gaped silently. Myler Keogh, Dublin's pet lamb, will meet
|
|
sergeantmajor Bennett, the Portobello bruiser, for a purse of fifty
|
|
sovereigns. Gob, that'd be a good pucking match to see. Myler Keogh,
|
|
that's the chap sparring out to him with the green sash. Two bar entrance,
|
|
soldiers half price. I could easy do a bunk on ma. Master Dignam on his
|
|
left turned as he turned. That's me in mourning. When is it? May the
|
|
twentysecond. Sure, the blooming thing is all over. He turned to the right
|
|
and on his right Master Dignam turned, his cap awry, his collar sticking
|
|
up. Buttoning it down, his chin lifted, he saw the image of Marie Kendall,
|
|
charming soubrette, beside the two puckers. One of them mots that do be in
|
|
the packets of fags Stoer smokes that his old fellow welted hell out of
|
|
him for one time he found out.
|
|
|
|
Master Dignam got his collar down and dawdled on. The best pucker
|
|
going for strength was Fitzsimons. One puck in the wind from that fellow
|
|
would knock you into the middle of next week, man. But the best pucker
|
|
for science was Jem Corbet before Fitzsimons knocked the stuffings out of
|
|
him, dodging and all.
|
|
|
|
In Grafton street Master Dignam saw a red flower in a toff's mouth
|
|
and a swell pair of kicks on him and he listening to what the drunk was
|
|
telling him and grinning all the time.
|
|
|
|
No Sandymount tram.
|
|
|
|
Master Dignam walked along Nassau street, shifted the porksteaks to
|
|
his other hand. His collar sprang up again and he tugged it down. The
|
|
blooming stud was too small for the buttonhole of the shirt, blooming end
|
|
to it. He met schoolboys with satchels. I'm not going tomorrow either,
|
|
stay away till Monday. He met other schoolboys. Do they notice I'm in
|
|
mourning? Uncle Barney said he'd get it into the paper tonight. Then
|
|
they'll all see it in the paper and read my name printed and pa's name.
|
|
|
|
His face got all grey instead of being red like it was and there was a
|
|
fly walking over it up to his eye. The scrunch that was when they were
|
|
screwing the screws into the coffin: and the bumps when they were bringing
|
|
it downstairs.
|
|
|
|
Pa was inside it and ma crying in the parlour and uncle Barney telling
|
|
the men how to get it round the bend. A big coffin it was, and high and
|
|
heavylooking. How was that? The last night pa was boosed he was standing
|
|
on the landing there bawling out for his boots to go out to Tunney's for
|
|
to boose more and he looked butty and short in his shirt. Never see him
|
|
again. Death, that is. Pa is dead. My father is dead. He told me to be a
|
|
good son to ma. I couldn't hear the other things he said but I saw his
|
|
tongue and his teeth trying to say it better. Poor pa. That was Mr Dignam,
|
|
my father. I hope he's in purgatory now because he went to confession to
|
|
Father Conroy on Saturday night.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
William Humble, earl of Dudley, and lady Dudley, accompanied by
|
|
lieutenantcolonel Heseltine, drove out after luncheon from the viceregal
|
|
lodge. In the following carriage were the honourable Mrs Paget, Miss de
|
|
Courcy and the honourable Gerald Ward A.D.C. in attendance.
|
|
|
|
The cavalcade passed out by the lower gate of Phoenix park saluted
|
|
by obsequious policemen and proceeded past Kingsbridge along the
|
|
northern quays. The viceroy was most cordially greeted on his way through
|
|
the metropolis. At Bloody bridge Mr Thomas Kernan beyond the river
|
|
greeted him vainly from afar Between Queen's and Whitworth bridges lord
|
|
Dudley's viceregal carriages passed and were unsaluted by Mr Dudley
|
|
White, B. L., M. A., who stood on Arran quay outside Mrs M. E. White's,
|
|
the pawnbroker's, at the corner of Arran street west stroking his nose
|
|
with his forefinger, undecided whether he should arrive at Phibsborough
|
|
more quickly by a triple change of tram or by hailing a car or on foot
|
|
through Smithfield, Constitution hill and Broadstone terminus. In the
|
|
porch of Four Courts Richie Goulding with the costbag of Goulding,
|
|
Collis and Ward saw him with surprise. Past Richmond bridge at the
|
|
doorstep of the office of Reuben J Dodd, solicitor, agent for the
|
|
Patriotic Insurance Company, an elderly female about to enter changed
|
|
her plan and retracing her steps by King's windows smiled credulously
|
|
on the representative of His Majesty. From its sluice in Wood quay
|
|
wall under Tom Devan's office Poddle river hung out in fealty a tongue
|
|
of liquid sewage. Above the crossblind of the Ormond hotel, gold by
|
|
bronze, Miss Kennedy's head by Miss Douce's head watched and admired.
|
|
On Ormond quay Mr Simon Dedalus, steering his way from the greenhouse
|
|
for the subsheriff's office, stood still in midstreet and brought his
|
|
hat low. His Excellency graciously returned Mr Dedalus' greeting. From
|
|
Cahill's corner the reverend Hugh C. Love, M.A., made obeisance
|
|
unperceived, mindful of lords deputies whose hands benignant
|
|
had held of yore rich advowsons. On Grattan bridge Lenehan and M'Coy,
|
|
taking leave of each other, watched the carriages go by. Passing by Roger
|
|
Greene's office and Dollard's big red printinghouse Gerty MacDowell,
|
|
carrying the Catesby's cork lino letters for her father who was laid up,
|
|
knew by the style it was the lord and lady lieutenant but she couldn't see
|
|
what Her Excellency had on because the tram and Spring's big yellow
|
|
furniture van had to stop in front of her on account of its being the lord
|
|
lieutenant. Beyond Lundy Foot's from the shaded door of Kavanagh's
|
|
winerooms John Wyse Nolan smiled with unseen coldness towards the lord
|
|
lieutenantgeneral and general governor of Ireland. The Right Honourable
|
|
William Humble, earl of Dudley, G. C. V. O., passed Micky Anderson's
|
|
all times ticking watches and Henry and James's wax smartsuited
|
|
freshcheeked models, the gentleman Henry, DERNIER CRI James. Over against
|
|
Dame gate Tom Rochford and Nosey Flynn watched the approach of the
|
|
cavalcade. Tom Rochford, seeing the eyes of lady Dudley fixed on him,
|
|
took his thumbs quickly out of the pockets of his claret waistcoat and
|
|
doffed his cap to her. A charming SOUBRETTE, great Marie Kendall, with
|
|
dauby cheeks and lifted skirt smiled daubily from her poster upon William
|
|
Humble, earl of Dudley, and upon lieutenantcolonel H. G. Heseltine, and
|
|
also upon the honourable Gerald Ward A. D. C. From the window of the
|
|
D. B. C. Buck Mulligan gaily, and Haines gravely, gazed down on the
|
|
viceregal equipage over the shoulders of eager guests, whose mass of forms
|
|
darkened the chessboard whereon John Howard Parnell looked intently. In
|
|
Fownes's street Dilly Dedalus, straining her sight upward from
|
|
Chardenal's first French primer, saw sunshades spanned and wheelspokes
|
|
spinning in the glare. John Henry Menton, filling the doorway of
|
|
Commercial Buildings, stared from winebig oyster eyes, holding a fat gold
|
|
hunter watch not looked at in his fat left hand not feeling it. Where the
|
|
foreleg of King Billy's horse pawed the air Mrs Breen plucked her
|
|
hastening husband back from under the hoofs of the outriders. She shouted
|
|
in his ear the tidings. Understanding, he shifted his tomes to his left
|
|
breast and saluted the second carriage. The honourable Gerald Ward A.D.C.,
|
|
agreeably surprised, made haste to reply. At Ponsonby's corner a jaded
|
|
white flagon H. halted and four tallhatted white flagons halted behind
|
|
him, E.L.Y'S, while outriders pranced past and carriages. Opposite
|
|
Pigott's music warerooms Mr Denis J Maginni, professor of dancing &c,
|
|
gaily apparelled, gravely walked, outpassed by a viceroy and unobserved.
|
|
By the provost's wall came jauntily Blazes Boylan, stepping in tan shoes
|
|
and socks with skyblue clocks to the refrain of MY GIRL'S A YORKSHIRE
|
|
GIRL.
|
|
|
|
Blazes Boylan presented to the leaders' skyblue frontlets and high
|
|
action a skyblue tie, a widebrimmed straw hat at a rakish angle and a suit
|
|
of indigo serge. His hands in his jacket pockets forgot to salute but he
|
|
offered to the three ladies the bold admiration of his eyes and the red
|
|
flower between his lips. As they drove along Nassau street His Excellency
|
|
drew the attention of his bowing consort to the programme of music which
|
|
was being discoursed in College park. Unseen brazen highland laddies
|
|
blared and drumthumped after the CORTEGE:
|
|
|
|
|
|
BUT THOUGH SHE'S A FACTORY LASS
|
|
AND WEARS NO FANCY CLOTHES.
|
|
BARAABUM.
|
|
YET I'VE A SORT OF A
|
|
YORKSHIRE RELISH FOR
|
|
MY LITTLE YORKSHIRE ROSE.
|
|
BARAABUM.
|
|
|
|
|
|
Thither of the wall the quartermile flat handicappers, M. C. Green, H.
|
|
Shrift, T. M. Patey, C. Scaife, J. B. Jeffs, G. N. Morphy, F. Stevenson,
|
|
C. Adderly and W. C. Huggard, started in pursuit. Striding past Finn's
|
|
hotel Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell stared through a
|
|
fierce eyeglass across the carriages at the head of Mr M. E. Solomons in
|
|
the window of the Austro-Hungarian viceconsulate. Deep in Leinster street
|
|
by Trinity's postern a loyal king's man, Hornblower, touched his tallyho
|
|
cap. As the glossy horses pranced by Merrion square Master Patrick
|
|
Aloysius Dignam, waiting, saw salutes being given to the gent with the
|
|
topper and raised also his new black cap with fingers greased by
|
|
porksteak paper. His collar too sprang up. The viceroy, on his way to
|
|
inaugurate the Mirus bazaar in aid of funds for Mercer's hospital,
|
|
drove with his following towards Lower Mount street. He passed a blind
|
|
stripling opposite Broadbent's. In Lower Mount street a pedestrian in a
|
|
brown macintosh, eating dry bread, passed swiftly and unscathed across the
|
|
viceroy's path. At the Royal Canal bridge, from his hoarding, Mr Eugene
|
|
Stratton, his blub lips agrin, bade all comers welcome to Pembroke
|
|
township. At Haddington road corner two sanded women halted themselves,
|
|
an umbrella and a bag in which eleven cockles rolled to view with wonder
|
|
the lord mayor and lady mayoress without his golden chain. On
|
|
Northumberland and Lansdowne roads His Excellency acknowledged punctually
|
|
salutes from rare male walkers, the salute of two small schoolboys at the
|
|
garden gate of the house said to have been admired by the late queen when
|
|
visiting the Irish capital with her husband, the prince consort, in 1849
|
|
and the salute of Almidano Artifoni's sturdy trousers swallowed by a
|
|
closing door.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Bronze by gold heard the hoofirons, steelyringing Imperthnthn thnthnthn.
|
|
|
|
Chips, picking chips off rocky thumbnail, chips.
|
|
|
|
Horrid! And gold flushed more.
|
|
|
|
A husky fifenote blew.
|
|
|
|
Blew. Blue bloom is on the.
|
|
|
|
Goldpinnacled hair.
|
|
|
|
A jumping rose on satiny breast of satin, rose of Castile.
|
|
|
|
Trilling, trilling: Idolores.
|
|
|
|
Peep! Who's in the ... peepofgold?
|
|
|
|
Tink cried to bronze in pity.
|
|
|
|
And a call, pure, long and throbbing. Longindying call.
|
|
|
|
Decoy. Soft word. But look: the bright stars fade. Notes chirruping
|
|
answer.
|
|
|
|
O rose! Castile. The morn is breaking.
|
|
|
|
Jingle jingle jaunted jingling.
|
|
|
|
Coin rang. Clock clacked.
|
|
|
|
Avowal. SONNEZ. I could. Rebound of garter. Not leave thee. Smack. LA
|
|
CLOCHE! Thigh smack. Avowal. Warm. Sweetheart, goodbye!
|
|
|
|
Jingle. Bloo.
|
|
|
|
Boomed crashing chords. When love absorbs. War! War! The tympanum.
|
|
|
|
A sail! A veil awave upon the waves.
|
|
|
|
Lost. Throstle fluted. All is lost now.
|
|
|
|
Horn. Hawhorn.
|
|
|
|
When first he saw. Alas!
|
|
|
|
Full tup. Full throb.
|
|
|
|
Warbling. Ah, lure! Alluring.
|
|
|
|
Martha! Come!
|
|
|
|
Clapclap. Clipclap. Clappyclap.
|
|
|
|
Goodgod henev erheard inall.
|
|
|
|
Deaf bald Pat brought pad knife took up.
|
|
|
|
A moonlit nightcall: far, far.
|
|
|
|
I feel so sad. P. S. So lonely blooming.
|
|
|
|
Listen!
|
|
|
|
The spiked and winding cold seahorn. Have you the? Each, and for other,
|
|
plash and silent roar.
|
|
|
|
Pearls: when she. Liszt's rhapsodies. Hissss.
|
|
|
|
You don't?
|
|
|
|
Did not: no, no: believe: Lidlyd. With a cock with a carra.
|
|
|
|
Black. Deepsounding. Do, Ben, do.
|
|
|
|
Wait while you wait. Hee hee. Wait while you hee.
|
|
|
|
But wait!
|
|
|
|
Low in dark middle earth. Embedded ore.
|
|
|
|
Naminedamine. Preacher is he:
|
|
|
|
All gone. All fallen.
|
|
|
|
Tiny, her tremulous fernfoils of maidenhair.
|
|
|
|
Amen! He gnashed in fury.
|
|
|
|
Fro. To, fro. A baton cool protruding.
|
|
|
|
Bronzelydia by Minagold.
|
|
|
|
By bronze, by gold, in oceangreen of shadow. Bloom. Old Bloom.
|
|
|
|
One rapped, one tapped, with a carra, with a cock.
|
|
|
|
Pray for him! Pray, good people!
|
|
|
|
His gouty fingers nakkering.
|
|
|
|
Big Benaben. Big Benben.
|
|
|
|
Last rose Castile of summer left bloom I feel so sad alone.
|
|
|
|
Pwee! Little wind piped wee.
|
|
|
|
True men. Lid Ker Cow De and Doll. Ay, ay. Like you men. Will lift your
|
|
tschink with tschunk.
|
|
|
|
Fff! Oo!
|
|
|
|
Where bronze from anear? Where gold from afar? Where hoofs?
|
|
|
|
Rrrpr. Kraa. Kraandl.
|
|
|
|
Then not till then. My eppripfftaph. Be pfrwritt.
|
|
|
|
Done.
|
|
|
|
Begin!
|
|
|
|
Bronze by gold, miss Douce's head by miss Kennedy's head, over the
|
|
crossblind of the Ormond bar heard the viceregal hoofs go by, ringing
|
|
steel.
|
|
|
|
--Is that her? asked miss Kennedy.
|
|
|
|
Miss Douce said yes, sitting with his ex, pearl grey and EAU DE NIL.
|
|
|
|
--Exquisite contrast, miss Kennedy said.
|
|
|
|
|
|
When all agog miss Douce said eagerly:
|
|
|
|
--Look at the fellow in the tall silk.
|
|
|
|
--Who? Where? gold asked more eagerly.
|
|
|
|
--In the second carriage, miss Douce's wet lips said, laughing in the sun.
|
|
|
|
He's looking. Mind till I see.
|
|
|
|
She darted, bronze, to the backmost corner, flattening her face
|
|
against the pane in a halo of hurried breath.
|
|
|
|
Her wet lips tittered:
|
|
|
|
--He's killed looking back.
|
|
|
|
She laughed:
|
|
|
|
--O wept! Aren't men frightful idiots?
|
|
|
|
With sadness.
|
|
|
|
Miss Kennedy sauntered sadly from bright light, twining a loose hair
|
|
behind an ear. Sauntering sadly, gold no more, she twisted twined a hair.
|
|
|
|
Sadly she twined in sauntering gold hair behind a curving ear.
|
|
|
|
--It's them has the fine times, sadly then she said.
|
|
|
|
A man.
|
|
|
|
Bloowho went by by Moulang's pipes bearing in his breast the sweets
|
|
of sin, by Wine's antiques, in memory bearing sweet sinful words, by
|
|
Carroll's dusky battered plate, for Raoul.
|
|
|
|
The boots to them, them in the bar, them barmaids came. For them
|
|
unheeding him he banged on the counter his tray of chattering china. And
|
|
|
|
--There's your teas, he said.
|
|
|
|
Miss Kennedy with manners transposed the teatray down to an
|
|
upturned lithia crate, safe from eyes, low.
|
|
|
|
--What is it? loud boots unmannerly asked.
|
|
|
|
--Find out, miss Douce retorted, leaving her spyingpoint.
|
|
|
|
--Your BEAU, is it?
|
|
|
|
A haughty bronze replied:
|
|
|
|
--I'll complain to Mrs de Massey on you if I hear any more of your
|
|
impertinent insolence.
|
|
|
|
--Imperthnthn thnthnthn, bootssnout sniffed rudely, as he retreated as she
|
|
threatened as he had come.
|
|
|
|
Bloom.
|
|
|
|
On her flower frowning miss Douce said:
|
|
|
|
--Most aggravating that young brat is. If he doesn't conduct himself I'll
|
|
wring his ear for him a yard long.
|
|
|
|
Ladylike in exquisite contrast.
|
|
|
|
--Take no notice, miss Kennedy rejoined.
|
|
|
|
She poured in a teacup tea, then back in the teapot tea. They cowered
|
|
under their reef of counter, waiting on footstools, crates upturned,
|
|
waiting for their teas to draw. They pawed their blouses, both of black
|
|
satin, two and nine a yard, waiting for their teas to draw, and two and
|
|
seven.
|
|
|
|
Yes, bronze from anear, by gold from afar, heard steel from anear,
|
|
hoofs ring from afar, and heard steelhoofs ringhoof ringsteel.
|
|
|
|
--Am I awfully sunburnt?
|
|
|
|
Miss bronze unbloused her neck.
|
|
|
|
--No, said miss Kennedy. It gets brown after. Did you try the borax with
|
|
the cherry laurel water?
|
|
|
|
Miss Douce halfstood to see her skin askance in the barmirror
|
|
gildedlettered where hock and claret glasses shimmered and in their midst
|
|
a shell.
|
|
|
|
--And leave it to my hands, she said.
|
|
|
|
--Try it with the glycerine, miss Kennedy advised.
|
|
|
|
Bidding her neck and hands adieu miss Douce
|
|
|
|
--Those things only bring out a rash, replied, reseated. I asked that old
|
|
fogey in Boyd's for something for my skin.
|
|
|
|
Miss Kennedy, pouring now a fulldrawn tea, grimaced and prayed:
|
|
|
|
--O, don't remind me of him for mercy' sake!
|
|
|
|
--But wait till I tell you, miss Douce entreated.
|
|
|
|
Sweet tea miss Kennedy having poured with milk plugged both two
|
|
ears with little fingers.
|
|
|
|
--No, don't, she cried.
|
|
|
|
--I won't listen, she cried.
|
|
|
|
But Bloom?
|
|
|
|
Miss Douce grunted in snuffy fogey's tone:
|
|
|
|
--For your what? says he.
|
|
|
|
Miss Kennedy unplugged her ears to hear, to speak: but said, but
|
|
prayed again:
|
|
|
|
--Don't let me think of him or I'll expire. The hideous old wretch! That
|
|
night in the Antient Concert Rooms.
|
|
|
|
She sipped distastefully her brew, hot tea, a sip, sipped, sweet tea.
|
|
|
|
--Here he was, miss Douce said, cocking her bronze head three quarters,
|
|
ruffling her nosewings. Hufa! Hufa!
|
|
|
|
Shrill shriek of laughter sprang from miss Kennedy's throat. Miss
|
|
Douce huffed and snorted down her nostrils that quivered imperthnthn like
|
|
a snout in quest.
|
|
|
|
--O! shrieking, miss Kennedy cried. Will you ever forget his goggle eye?
|
|
|
|
Miss Douce chimed in in deep bronze laughter, shouting:
|
|
|
|
--And your other eye!
|
|
|
|
Bloowhose dark eye read Aaron Figatner's name. Why do I always
|
|
think Figather? Gathering figs, I think. And Prosper Lore's huguenot name.
|
|
By Bassi's blessed virgins Bloom's dark eyes went by. Bluerobed, white
|
|
under, come to me. God they believe she is: or goddess. Those today. I
|
|
could not see. That fellow spoke. A student. After with Dedalus' son. He
|
|
might be Mulligan. All comely virgins. That brings those rakes of fellows
|
|
in: her white.
|
|
|
|
By went his eyes. The sweets of sin. Sweet are the sweets.
|
|
|
|
Of sin.
|
|
|
|
In a giggling peal young goldbronze voices blended, Douce with
|
|
Kennedy your other eye. They threw young heads back, bronze gigglegold,
|
|
to let freefly their laughter, screaming, your other, signals to each
|
|
other, high piercing notes.
|
|
|
|
Ah, panting, sighing, sighing, ah, fordone, their mirth died down.
|
|
|
|
Miss Kennedy lipped her cup again, raised, drank a sip and
|
|
gigglegiggled. Miss Douce, bending over the teatray, ruffled again her
|
|
nose and rolled droll fattened eyes. Again Kennygiggles, stooping, her
|
|
fair pinnacles of hair, stooping, her tortoise napecomb showed, spluttered
|
|
out of her mouth her tea, choking in tea and laughter, coughing with
|
|
choking, crying:
|
|
|
|
--O greasy eyes! Imagine being married to a man like that! she cried. With
|
|
his bit of beard!
|
|
|
|
Douce gave full vent to a splendid yell, a full yell of full woman,
|
|
delight, joy, indignation.
|
|
|
|
--Married to the greasy nose! she yelled.
|
|
|
|
Shrill, with deep laughter, after, gold after bronze, they urged each
|
|
each to peal after peal, ringing in changes, bronzegold, goldbronze,
|
|
shrilldeep, to laughter after laughter. And then laughed more. Greasy I
|
|
knows. Exhausted, breathless, their shaken heads they laid, braided and
|
|
pinnacled by glossycombed, against the counterledge. All flushed (O!),
|
|
panting, sweating (O!), all breathless.
|
|
|
|
Married to Bloom, to greaseabloom.
|
|
|
|
--O saints above! miss Douce said, sighed above her jumping rose. I wished
|
|
|
|
I hadn't laughed so much. I feel all wet.
|
|
|
|
--O, miss Douce! miss Kennedy protested. You horrid thing!
|
|
|
|
And flushed yet more (you horrid!), more goldenly.
|
|
|
|
By Cantwell's offices roved Greaseabloom, by Ceppi's virgins, bright
|
|
of their oils. Nannetti's father hawked those things about, wheedling at
|
|
doors as I. Religion pays. Must see him for that par. Eat first. I want.
|
|
Not yet. At four, she said. Time ever passing. Clockhands turning. On.
|
|
Where eat? The Clarence, Dolphin. On. For Raoul. Eat. If I net five
|
|
guineas with those ads. The violet silk petticoats. Not yet. The sweets
|
|
of sin.
|
|
|
|
Flushed less, still less, goldenly paled.
|
|
|
|
Into their bar strolled Mr Dedalus. Chips, picking chips off one of his
|
|
rocky thumbnails. Chips. He strolled.
|
|
|
|
--O, welcome back, miss Douce.
|
|
|
|
He held her hand. Enjoyed her holidays?
|
|
|
|
--Tiptop.
|
|
|
|
He hoped she had nice weather in Rostrevor.
|
|
|
|
--Gorgeous, she said. Look at the holy show I am. Lying out on the strand
|
|
all day.
|
|
|
|
Bronze whiteness.
|
|
|
|
--That was exceedingly naughty of you, Mr Dedalus told her and pressed
|
|
her hand indulgently. Tempting poor simple males.
|
|
|
|
Miss Douce of satin douced her arm away.
|
|
|
|
--O go away! she said. You're very simple, I don't think.
|
|
|
|
He was.
|
|
|
|
--Well now I am, he mused. I looked so simple in the cradle they christened
|
|
me simple Simon.
|
|
|
|
--You must have been a doaty, miss Douce made answer. And what did the
|
|
doctor order today?
|
|
|
|
--Well now, he mused, whatever you say yourself. I think I'll trouble you
|
|
for some fresh water and a half glass of whisky.
|
|
|
|
Jingle.
|
|
|
|
--With the greatest alacrity, miss Douce agreed.
|
|
|
|
With grace of alacrity towards the mirror gilt Cantrell and
|
|
Cochrane's she turned herself. With grace she tapped a measure of gold
|
|
whisky from her crystal keg. Forth from the skirt of his coat Mr Dedalus
|
|
brought pouch and pipe. Alacrity she served. He blew through the flue two
|
|
husky fifenotes.
|
|
|
|
--By Jove, he mused, I often wanted to see the Mourne mountains. Must be
|
|
a great tonic in the air down there. But a long threatening comes at last,
|
|
they say. Yes. Yes.
|
|
|
|
Yes. He fingered shreds of hair, her maidenhair, her mermaid's, into
|
|
the bowl. Chips. Shreds. Musing. Mute.
|
|
|
|
None nought said nothing. Yes.
|
|
|
|
Gaily miss Douce polished a tumbler, trilling:
|
|
|
|
--O, IDOLORES, QUEEN OF THE EASTERN SEAS!
|
|
|
|
--Was Mr Lidwell in today?
|
|
|
|
In came Lenehan. Round him peered Lenehan. Mr Bloom reached Essex bridge.
|
|
Yes, Mr Bloom crossed bridge of Yessex. To Martha I must write. Buy paper.
|
|
Daly's. Girl there civil. Bloom. Old Bloom. Blue bloom is on the rye.
|
|
|
|
--He was in at lunchtime, miss Douce said.
|
|
|
|
Lenehan came forward.
|
|
|
|
--Was Mr Boylan looking for me?
|
|
|
|
He asked. She answered:
|
|
|
|
--Miss Kennedy, was Mr Boylan in while I was upstairs?
|
|
|
|
She asked. Miss voice of Kennedy answered, a second teacup poised,
|
|
her gaze upon a page:
|
|
|
|
--No. He was not.
|
|
|
|
Miss gaze of Kennedy, heard, not seen, read on. Lenehan round the
|
|
sandwichbell wound his round body round.
|
|
|
|
--Peep! Who's in the corner?
|
|
|
|
No glance of Kennedy rewarding him he yet made overtures. To mind
|
|
her stops. To read only the black ones: round o and crooked ess.
|
|
|
|
Jingle jaunty jingle.
|
|
|
|
Girlgold she read and did not glance. Take no notice. She took no
|
|
notice while he read by rote a solfa fable for her, plappering flatly:
|
|
|
|
--Ah fox met ah stork. Said thee fox too thee stork: Will you put your
|
|
bill down inn my troath and pull upp ah bone?
|
|
|
|
He droned in vain. Miss Douce turned to her tea aside.
|
|
|
|
He sighed aside:
|
|
|
|
--Ah me! O my!
|
|
|
|
He greeted Mr Dedalus and got a nod.
|
|
|
|
--Greetings from the famous son of a famous father.
|
|
|
|
--Who may he be? Mr Dedalus asked.
|
|
|
|
Lenehan opened most genial arms. Who?
|
|
|
|
--Who may he be? he asked. Can you ask? Stephen, the youthful bard.
|
|
|
|
Dry.
|
|
|
|
Mr Dedalus, famous father, laid by his dry filled pipe.
|
|
|
|
--I see, he said. I didn't recognise him for the moment. I hear he is
|
|
keeping very select company. Have you seen him lately?
|
|
|
|
He had.
|
|
|
|
--I quaffed the nectarbowl with him this very day, said Lenehan. In
|
|
Mooney's EN VILLE and in Mooney's SUR MER. He had received the rhino for
|
|
the labour of his muse.
|
|
|
|
He smiled at bronze's teabathed lips, at listening lips and eyes:
|
|
|
|
--The ELITE of Erin hung upon his lips. The ponderous pundit, Hugh
|
|
|
|
MacHugh, Dublin's most brilliant scribe and editor and that minstrel boy
|
|
of the wild wet west who is known by the euphonious appellation of the
|
|
O'Madden Burke.
|
|
|
|
After an interval Mr Dedalus raised his grog and
|
|
|
|
--That must have been highly diverting, said he. I see.
|
|
|
|
He see. He drank. With faraway mourning mountain eye. Set down
|
|
his glass.
|
|
|
|
He looked towards the saloon door.
|
|
|
|
--I see you have moved the piano.
|
|
|
|
--The tuner was in today, miss Douce replied, tuning it for the smoking
|
|
concert and I never heard such an exquisite player.
|
|
|
|
--Is that a fact?
|
|
|
|
--Didn't he, miss Kennedy? The real classical, you know. And blind too,
|
|
poor fellow. Not twenty I'm sure he was.
|
|
|
|
--Is that a fact? Mr Dedalus said.
|
|
|
|
He drank and strayed away.
|
|
|
|
--So sad to look at his face, miss Douce condoled.
|
|
|
|
God's curse on bitch's bastard.
|
|
|
|
Tink to her pity cried a diner's bell. To the door of the bar and
|
|
diningroom came bald Pat, came bothered Pat, came Pat, waiter of
|
|
Ormond. Lager for diner. Lager without alacrity she served.
|
|
|
|
With patience Lenehan waited for Boylan with impatience, for
|
|
jinglejaunty blazes boy.
|
|
|
|
Upholding the lid he (who?) gazed in the coffin (coffin?) at the
|
|
oblique triple (piano!) wires. He pressed (the same who pressed
|
|
indulgently her hand), soft pedalling, a triple of keys to see the
|
|
thicknesses of felt advancing, to hear the muffled hammerfall in action.
|
|
|
|
Two sheets cream vellum paper one reserve two envelopes when I was
|
|
in Wisdom Hely's wise Bloom in Daly's Henry Flower bought. Are you not
|
|
happy in your home? Flower to console me and a pin cuts lo. Means
|
|
something, language of flow. Was it a daisy? Innocence that is.
|
|
Respectable girl meet after mass. Thanks awfully muchly. Wise Bloom eyed
|
|
on the door a poster, a swaying mermaid smoking mid nice waves. Smoke
|
|
mermaids, coolest whiff of all. Hair streaming: lovelorn. For some man.
|
|
For Raoul. He eyed and saw afar on Essex bridge a gay hat riding on a
|
|
jaunting car. It is. Again. Third time. Coincidence.
|
|
|
|
Jingling on supple rubbers it jaunted from the bridge to Ormond
|
|
quay. Follow. Risk it. Go quick. At four. Near now. Out.
|
|
|
|
--Twopence, sir, the shopgirl dared to say.
|
|
|
|
--Aha ... I was forgetting ... Excuse ...
|
|
|
|
--And four.
|
|
|
|
At four she. Winsomely she on Bloohimwhom smiled. Bloo smi qui
|
|
go. Ternoon. Think you're the only pebble on the beach? Does that to all.
|
|
|
|
For men.
|
|
|
|
In drowsy silence gold bent on her page.
|
|
|
|
From the saloon a call came, long in dying. That was a tuningfork the
|
|
tuner had that he forgot that he now struck. A call again. That he now
|
|
poised that it now throbbed. You hear? It throbbed, pure, purer, softly
|
|
and softlier, its buzzing prongs. Longer in dying call.
|
|
|
|
Pat paid for diner's popcorked bottle: and over tumbler, tray and
|
|
popcorked bottle ere he went he whispered, bald and bothered, with miss
|
|
|
|
Douce.
|
|
|
|
--THE BRIGHT STARS FADE ...
|
|
|
|
A voiceless song sang from within, singing:
|
|
|
|
-- ... THE MORN IS BREAKING.
|
|
|
|
A duodene of birdnotes chirruped bright treble answer under sensitive
|
|
hands. Brightly the keys, all twinkling, linked, all harpsichording,
|
|
called to a voice to sing the strain of dewy morn, of youth, of love's
|
|
leavetaking, life's, love's morn.
|
|
|
|
--THE DEWDROPS PEARL ...
|
|
|
|
Lenehan's lips over the counter lisped a low whistle of decoy.
|
|
|
|
--But look this way, he said, rose of Castile.
|
|
|
|
Jingle jaunted by the curb and stopped.
|
|
|
|
She rose and closed her reading, rose of Castile: fretted, forlorn,
|
|
dreamily rose.
|
|
|
|
--Did she fall or was she pushed? he asked her.
|
|
|
|
She answered, slighting:
|
|
|
|
--Ask no questions and you'll hear no lies.
|
|
|
|
Like lady, ladylike.
|
|
|
|
Blazes Boylan's smart tan shoes creaked on the barfloor where he
|
|
strode. Yes, gold from anear by bronze from afar. Lenehan heard and knew
|
|
and hailed him:
|
|
|
|
--See the conquering hero comes.
|
|
|
|
Between the car and window, warily walking, went Bloom,
|
|
unconquered hero. See me he might. The seat he sat on: warm. Black wary
|
|
hecat walked towards Richie Goulding's legal bag, lifted aloft, saluting.
|
|
|
|
--AND I FROM THEE ...
|
|
|
|
--I heard you were round, said Blazes Boylan.
|
|
|
|
He touched to fair miss Kennedy a rim of his slanted straw. She
|
|
smiled on him. But sister bronze outsmiled her, preening for him her
|
|
richer hair, a bosom and a rose.
|
|
|
|
Smart Boylan bespoke potions.
|
|
|
|
--What's your cry? Glass of bitter? Glass of bitter, please, and a sloegin
|
|
for me. Wire in yet?
|
|
|
|
Not yet. At four she. Who said four?
|
|
|
|
Cowley's red lugs and bulging apple in the door of the sheriff's office.
|
|
|
|
Avoid. Goulding a chance. What is he doing in the Ormond? Car waiting.
|
|
|
|
Wait.
|
|
|
|
Hello. Where off to? Something to eat? I too was just. In here. What,
|
|
Ormond? Best value in Dublin. Is that so? Diningroom. Sit tight there.
|
|
See, not be seen. I think I'll join you. Come on. Richie led on. Bloom
|
|
followed bag. Dinner fit for a prince.
|
|
|
|
Miss Douce reached high to take a flagon, stretching her satin arm,
|
|
her bust, that all but burst, so high.
|
|
|
|
--O! O! jerked Lenehan, gasping at each stretch. O!
|
|
|
|
But easily she seized her prey and led it low in triumph.
|
|
|
|
--Why don't you grow? asked Blazes Boylan.
|
|
|
|
Shebronze, dealing from her oblique jar thick syrupy liquor for his
|
|
lips, looked as it flowed (flower in his coat: who gave him?), and
|
|
syrupped with her voice:
|
|
|
|
--Fine goods in small parcels.
|
|
|
|
That is to say she. Neatly she poured slowsyrupy sloe.
|
|
|
|
--Here's fortune, Blazes said.
|
|
|
|
He pitched a broad coin down. Coin rang.
|
|
|
|
--Hold on, said Lenehan, till I ...
|
|
|
|
--Fortune, he wished, lifting his bubbled ale.
|
|
|
|
--Sceptre will win in a canter, he said.
|
|
|
|
--I plunged a bit, said Boylan winking and drinking. Not on my own, you
|
|
know. Fancy of a friend of mine.
|
|
|
|
Lenehan still drank and grinned at his tilted ale and at miss Douce's
|
|
lips that all but hummed, not shut, the oceansong her lips had trilled.
|
|
|
|
Idolores. The eastern seas.
|
|
|
|
Clock whirred. Miss Kennedy passed their way (flower, wonder who
|
|
gave), bearing away teatray. Clock clacked.
|
|
|
|
Miss Douce took Boylan's coin, struck boldly the cashregister. It
|
|
clanged. Clock clacked. Fair one of Egypt teased and sorted in the till
|
|
and hummed and handed coins in change. Look to the west. A clack. For me.
|
|
|
|
--What time is that? asked Blazes Boylan. Four?
|
|
|
|
O'clock.
|
|
|
|
Lenehan, small eyes ahunger on her humming, bust ahumming,
|
|
tugged Blazes Boylan's elbowsleeve.
|
|
|
|
--Let's hear the time, he said.
|
|
|
|
|
|
The bag of Goulding, Collis, Ward led Bloom by ryebloom flowered
|
|
tables. Aimless he chose with agitated aim, bald Pat attending, a table
|
|
near the door. Be near. At four. Has he forgotten? Perhaps a trick. Not
|
|
come: whet appetite. I couldn't do. Wait, wait. Pat, waiter, waited.
|
|
|
|
Sparkling bronze azure eyed Blazure's skyblue bow and eyes.
|
|
|
|
--Go on, pressed Lenehan. There's no-one. He never heard.
|
|
|
|
-- ... TO FLORA'S LIPS DID HIE.
|
|
|
|
High, a high note pealed in the treble clear.
|
|
|
|
Bronzedouce communing with her rose that sank and rose sought
|
|
|
|
Blazes Boylan's flower and eyes.
|
|
|
|
--Please, please.
|
|
|
|
He pleaded over returning phrases of avowal.
|
|
|
|
--I COULD NOT LEAVE THEE ...
|
|
|
|
--Afterwits, miss Douce promised coyly.
|
|
|
|
--No, now, urged Lenehan. SONNEZLACLOCHE! O do! There's no-one.
|
|
|
|
She looked. Quick. Miss Kenn out of earshot. Sudden bent. Two
|
|
kindling faces watched her bend.
|
|
|
|
Quavering the chords strayed from the air, found it again, lost chord,
|
|
and lost and found it, faltering.
|
|
|
|
--Go on! Do! SONNEZ!
|
|
|
|
Bending, she nipped a peak of skirt above her knee. Delayed. Taunted
|
|
them still, bending, suspending, with wilful eyes.
|
|
|
|
--SONNEZ!
|
|
|
|
Smack. She set free sudden in rebound her nipped elastic garter
|
|
smackwarm against her smackable a woman's warmhosed thigh.
|
|
|
|
--LA CLOCHE! cried gleeful Lenehan. Trained by owner. No sawdust there.
|
|
|
|
She smilesmirked supercilious (wept! aren't men?), but, lightward
|
|
gliding, mild she smiled on Boylan.
|
|
|
|
--You're the essence of vulgarity, she in gliding said.
|
|
|
|
Boylan, eyed, eyed. Tossed to fat lips his chalice, drank off his chalice
|
|
tiny, sucking the last fat violet syrupy drops. His spellbound eyes went
|
|
after, after her gliding head as it went down the bar by mirrors, gilded
|
|
arch for ginger ale, hock and claret glasses shimmering, a spiky shell,
|
|
where it concerted, mirrored, bronze with sunnier bronze.
|
|
|
|
Yes, bronze from anearby.
|
|
|
|
-- ... SWEETHEART, GOODBYE!
|
|
|
|
--I'm off, said Boylan with impatience.
|
|
|
|
He slid his chalice brisk away, grasped his change.
|
|
|
|
--Wait a shake, begged Lenehan, drinking quickly. I wanted to tell you.
|
|
|
|
Tom Rochford ...
|
|
|
|
--Come on to blazes, said Blazes Boylan, going.
|
|
|
|
Lenehan gulped to go.
|
|
|
|
--Got the horn or what? he said. Wait. I'm coming.
|
|
|
|
He followed the hasty creaking shoes but stood by nimbly by the
|
|
threshold, saluting forms, a bulky with a slender.
|
|
|
|
--How do you do, Mr Dollard?
|
|
|
|
--Eh? How do? How do? Ben Dollard's vague bass answered, turning an
|
|
instant from Father Cowley's woe. He won't give you any trouble, Bob. Alf
|
|
Bergan will speak to the long fellow. We'll put a barleystraw in that
|
|
Judas Iscariot's ear this time.
|
|
|
|
Sighing Mr Dedalus came through the saloon, a finger soothing an
|
|
eyelid.
|
|
|
|
--Hoho, we will, Ben Dollard yodled jollily. Come on, Simon. Give us a
|
|
ditty. We heard the piano.
|
|
|
|
Bald Pat, bothered waiter, waited for drink orders. Power for Richie.
|
|
And Bloom? Let me see. Not make him walk twice. His corns. Four now.
|
|
How warm this black is. Course nerves a bit. Refracts (is it?) heat. Let
|
|
me see. Cider. Yes, bottle of cider.
|
|
|
|
--What's that? Mr Dedalus said. I was only vamping, man.
|
|
|
|
--Come on, come on, Ben Dollard called. Begone dull care. Come, Bob.
|
|
|
|
He ambled Dollard, bulky slops, before them (hold that fellow with
|
|
the: hold him now) into the saloon. He plumped him Dollard on the stool.
|
|
His gouty paws plumped chords. Plumped, stopped abrupt.
|
|
|
|
Bald Pat in the doorway met tealess gold returning. Bothered, he
|
|
wanted Power and cider. Bronze by the window, watched, bronze from
|
|
afar.
|
|
|
|
Jingle a tinkle jaunted.
|
|
|
|
Bloom heard a jing, a little sound. He's off. Light sob of breath Bloom
|
|
sighed on the silent bluehued flowers. Jingling. He's gone. Jingle. Hear.
|
|
|
|
--Love and War, Ben, Mr Dedalus said. God be with old times.
|
|
|
|
Miss Douce's brave eyes, unregarded, turned from the crossblind,
|
|
smitten by sunlight. Gone. Pensive (who knows?), smitten (the smiting
|
|
light), she lowered the dropblind with a sliding cord. She drew down
|
|
pensive (why did he go so quick when I?) about her bronze, over the bar
|
|
where bald stood by sister gold, inexquisite contrast, contrast
|
|
inexquisite nonexquisite, slow cool dim seagreen sliding depth of shadow,
|
|
EAU DE NIL.
|
|
|
|
--Poor old Goodwin was the pianist that night, Father Cowley reminded
|
|
them. There was a slight difference of opinion between himself and the
|
|
Collard grand.
|
|
|
|
There was.
|
|
|
|
--A symposium all his own, Mr Dedalus said. The devil wouldn't stop him.
|
|
He was a crotchety old fellow in the primary stage of drink.
|
|
|
|
--God, do you remember? Ben bulky Dollard said, turning from the
|
|
punished keyboard. And by Japers I had no wedding garment.
|
|
|
|
They laughed all three. He had no wed. All trio laughed. No wedding
|
|
garment.
|
|
|
|
--Our friend Bloom turned in handy that night, Mr Dedalus said. Where's
|
|
my pipe, by the way?
|
|
|
|
He wandered back to the bar to the lost chord pipe. Bald Pat carried
|
|
two diners' drinks, Richie and Poldy. And Father Cowley laughed again.
|
|
|
|
--I saved the situation, Ben, I think.
|
|
|
|
--You did, averred Ben Dollard. I remember those tight trousers too. That
|
|
was a brilliant idea, Bob.
|
|
|
|
Father Cowley blushed to his brilliant purply lobes. He saved the
|
|
situa. Tight trou. Brilliant ide.
|
|
|
|
--I knew he was on the rocks, he said. The wife was playing the piano in
|
|
the coffee palace on Saturdays for a very trifling consideration and who
|
|
was it gave me the wheeze she was doing the other business? Do you
|
|
remember? We had to search all Holles street to find them till the chap in
|
|
Keogh's gave us the number. Remember? Ben remembered, his broad visage
|
|
wondering.
|
|
|
|
--By God, she had some luxurious operacloaks and things there.
|
|
|
|
Mr Dedalus wandered back, pipe in hand.
|
|
|
|
--Merrion square style. Balldresses, by God, and court dresses. He
|
|
wouldn't take any money either. What? Any God's quantity of cocked hats
|
|
and boleros and trunkhose. What?
|
|
|
|
--Ay, ay, Mr Dedalus nodded. Mrs Marion Bloom has left off clothes of all
|
|
descriptions.
|
|
|
|
Jingle jaunted down the quays. Blazes sprawled on bounding tyres.
|
|
|
|
Liver and bacon. Steak and kidney pie. Right, sir. Right, Pat.
|
|
|
|
Mrs Marion. Met him pike hoses. Smell of burn. Of Paul de Kock. Nice
|
|
name he.
|
|
|
|
--What's this her name was? A buxom lassy. Marion ...
|
|
|
|
--Tweedy.
|
|
|
|
--Yes. Is she alive?
|
|
|
|
--And kicking.
|
|
|
|
--She was a daughter of ...
|
|
|
|
--Daughter of the regiment.
|
|
|
|
--Yes, begad. I remember the old drummajor.
|
|
|
|
Mr Dedalus struck, whizzed, lit, puffed savoury puff after
|
|
|
|
--Irish? I don't know, faith. Is she, Simon?
|
|
|
|
Puff after stiff, a puff, strong, savoury, crackling.
|
|
|
|
--Buccinator muscle is ... What? ... Bit rusty ... O, she is ... My
|
|
Irish Molly, O.
|
|
|
|
He puffed a pungent plumy blast.
|
|
|
|
--From the rock of Gibraltar... all the way.
|
|
|
|
They pined in depth of ocean shadow, gold by the beerpull, bronze by
|
|
maraschino, thoughtful all two. Mina Kennedy, 4 Lismore terrace,
|
|
Drumcondra with Idolores, a queen, Dolores, silent.
|
|
|
|
Pat served, uncovered dishes. Leopold cut liverslices. As said before he
|
|
ate with relish the inner organs, nutty gizzards, fried cods' roes while
|
|
Richie Goulding, Collis, Ward ate steak and kidney, steak then kidney,
|
|
bite by bite of pie he ate Bloom ate they ate.
|
|
|
|
Bloom with Goulding, married in silence, ate. Dinners fit for princes.
|
|
|
|
By Bachelor's walk jogjaunty jingled Blazes Boylan, bachelor, in sun
|
|
in heat, mare's glossy rump atrot, with flick of whip, on bounding tyres:
|
|
sprawled, warmseated, Boylan impatience, ardentbold. Horn. Have you
|
|
the? Horn. Have you the? Haw haw horn.
|
|
|
|
Over their voices Dollard bassooned attack, booming over bombarding
|
|
chords:
|
|
|
|
--WHEN LOVE ABSORBS MY ARDENT SOUL ...
|
|
|
|
Roll of Bensoulbenjamin rolled to the quivery loveshivery roofpanes.
|
|
|
|
--War! War! cried Father Cowley. You're the warrior.
|
|
|
|
--So I am, Ben Warrior laughed. I was thinking of your landlord. Love or
|
|
money.
|
|
|
|
He stopped. He wagged huge beard, huge face over his blunder huge.
|
|
|
|
--Sure, you'd burst the tympanum of her ear, man, Mr Dedalus said
|
|
through smoke aroma, with an organ like yours.
|
|
|
|
In bearded abundant laughter Dollard shook upon the keyboard. He
|
|
would.
|
|
|
|
--Not to mention another membrane, Father Cowley added. Half time,
|
|
Ben. AMOROSO MA NON TROPPO. Let me there.
|
|
|
|
Miss Kennedy served two gentlemen with tankards of cool stout. She
|
|
passed a remark. It was indeed, first gentleman said, beautiful weather.
|
|
They drank cool stout. Did she know where the lord lieutenant was going?
|
|
And heard steelhoofs ringhoof ring. No, she couldn't say. But it would be
|
|
in the paper. O, she need not trouble. No trouble. She waved about her
|
|
outspread INDEPENDENT, searching, the lord lieutenant, her pinnacles of
|
|
hair slowmoving, lord lieuten. Too much trouble, first gentleman said. O,
|
|
not in the least. Way he looked that. Lord lieutenant. Gold by bronze
|
|
heard iron steel.
|
|
|
|
-- ............ MY ARDENT SOUL
|
|
I CARE NOT FOROR THE MORROW.
|
|
|
|
In liver gravy Bloom mashed mashed potatoes. Love and War
|
|
someone is. Ben Dollard's famous. Night he ran round to us to borrow a
|
|
dress suit for that concert. Trousers tight as a drum on him. Musical
|
|
porkers. Molly did laugh when he went out. Threw herself back across the
|
|
bed, screaming, kicking. With all his belongings on show. O saints above,
|
|
I'm drenched! O, the women in the front row! O, I never laughed so many!
|
|
Well, of course that's what gives him the base barreltone. For instance
|
|
eunuchs. Wonder who's playing. Nice touch. Must be Cowley. Musical.
|
|
Knows whatever note you play. Bad breath he has, poor chap. Stopped.
|
|
|
|
Miss Douce, engaging, Lydia Douce, bowed to suave solicitor, George
|
|
Lidwell, gentleman, entering. Good afternoon. She gave her moist
|
|
(a lady's) hand to his firm clasp. Afternoon. Yes, she was back. To the
|
|
old dingdong again.
|
|
|
|
--Your friends are inside, Mr Lidwell.
|
|
|
|
George Lidwell, suave, solicited, held a lydiahand.
|
|
|
|
Bloom ate liv as said before. Clean here at least. That chap in the
|
|
Burton, gummy with gristle. No-one here: Goulding and I. Clean tables,
|
|
flowers, mitres of napkins. Pat to and fro. Bald Pat. Nothing to do. Best
|
|
value in Dub.
|
|
|
|
Piano again. Cowley it is. Way he sits in to it, like one together,
|
|
mutual understanding. Tiresome shapers scraping fiddles, eye on the
|
|
bowend, sawing the cello, remind you of toothache. Her high long snore.
|
|
Night we were in the box. Trombone under blowing like a grampus,
|
|
between the acts, other brass chap unscrewing, emptying spittle.
|
|
Conductor's legs too, bagstrousers, jiggedy jiggedy. Do right to hide
|
|
them.
|
|
|
|
Jiggedy jingle jaunty jaunty.
|
|
|
|
Only the harp. Lovely. Gold glowering light. Girl touched it. Poop of
|
|
a lovely. Gravy's rather good fit for a. Golden ship. Erin. The harp that
|
|
once or twice. Cool hands. Ben Howth, the rhododendrons. We are their
|
|
harps. I. He. Old. Young.
|
|
|
|
--Ah, I couldn't, man, Mr Dedalus said, shy, listless.
|
|
|
|
Strongly.
|
|
|
|
--Go on, blast you! Ben Dollard growled. Get it out in bits.
|
|
|
|
--M'APPARI, Simon, Father Cowley said.
|
|
|
|
Down stage he strode some paces, grave, tall in affliction, his long
|
|
arms outheld. Hoarsely the apple of his throat hoarsed softly. Softly he
|
|
sang to a dusty seascape there: A LAST FAREWELL. A headland, a ship, a
|
|
sail upon the billows. Farewell. A lovely girl, her veil awave upon the
|
|
wind upon the headland, wind around her.
|
|
|
|
Cowley sang:
|
|
|
|
|
|
--M'APPARI TUTT'AMOR:
|
|
IL MIO SGUARDO L'INCONTR ...
|
|
|
|
|
|
She waved, unhearing Cowley, her veil, to one departing, dear one, to
|
|
wind, love, speeding sail, return.
|
|
|
|
--Go on, Simon.
|
|
|
|
--Ah, sure, my dancing days are done, Ben ... Well ...
|
|
|
|
Mr Dedalus laid his pipe to rest beside the tuningfork and, sitting,
|
|
touched the obedient keys.
|
|
|
|
--No, Simon, Father Cowley turned. Play it in the original. One flat.
|
|
|
|
The keys, obedient, rose higher, told, faltered, confessed, confused.
|
|
|
|
Up stage strode Father Cowley.
|
|
|
|
--Here, Simon, I'll accompany you, he said. Get up.
|
|
|
|
By Graham Lemon's pineapple rock, by Elvery's elephant jingly
|
|
jogged. Steak, kidney, liver, mashed, at meat fit for princes sat princes
|
|
Bloom and Goulding. Princes at meat they raised and drank, Power and
|
|
cider.
|
|
|
|
Most beautiful tenor air ever written, Richie said: SONNAMBULA. He
|
|
heard Joe Maas sing that one night. Ah, what M'Guckin! Yes. In his way.
|
|
Choirboy style. Maas was the boy. Massboy. A lyrical tenor if you like.
|
|
Never forget it. Never.
|
|
|
|
Tenderly Bloom over liverless bacon saw the tightened features strain.
|
|
Backache he. Bright's bright eye. Next item on the programme. Paying the
|
|
piper. Pills, pounded bread, worth a guinea a box. Stave it off awhile.
|
|
Sings too: DOWN AMONG THE DEAD MEN. Appropriate. Kidney pie. Sweets to
|
|
the. Not making much hand of it. Best value in. Characteristic of him.
|
|
Power. Particular about his drink. Flaw in the glass, fresh Vartry water.
|
|
Fecking matches from counters to save. Then squander a sovereign in dribs
|
|
and drabs. And when he's wanted not a farthing. Screwed refusing to pay
|
|
his fare. Curious types.
|
|
|
|
Never would Richie forget that night. As long as he lived: never. In
|
|
the gods of the old Royal with little Peake. And when the first note.
|
|
|
|
Speech paused on Richie's lips.
|
|
|
|
Coming out with a whopper now. Rhapsodies about damn all.
|
|
|
|
Believes his own lies. Does really. Wonderful liar. But want a good
|
|
memory.
|
|
|
|
--Which air is that? asked Leopold Bloom.
|
|
|
|
--ALL IS LOST NOW.
|
|
|
|
Richie cocked his lips apout. A low incipient note sweet banshee murmured:
|
|
all. A thrush. A throstle. His breath, birdsweet, good teeth he's
|
|
proud of, fluted with plaintive woe. Is lost. Rich sound. Two notes in one
|
|
there. Blackbird I heard in the hawthorn valley. Taking my motives he
|
|
twined and turned them. All most too new call is lost in all. Echo. How
|
|
sweet the answer. How is that done? All lost now. Mournful he whistled.
|
|
Fall, surrender, lost.
|
|
|
|
Bloom bent leopold ear, turning a fringe of doyley down under the
|
|
vase. Order. Yes, I remember. Lovely air. In sleep she went to him.
|
|
Innocence in the moon. Brave. Don't know their danger. Still hold her
|
|
back. Call name. Touch water. Jingle jaunty. Too late. She longed to go.
|
|
That's why. Woman. As easy stop the sea. Yes: all is lost.
|
|
|
|
--A beautiful air, said Bloom lost Leopold. I know it well.
|
|
|
|
Never in all his life had Richie Goulding.
|
|
|
|
He knows it well too. Or he feels. Still harping on his daughter. Wise
|
|
child that knows her father, Dedalus said. Me?
|
|
|
|
Bloom askance over liverless saw. Face of the all is lost. Rollicking
|
|
Richie once. Jokes old stale now. Wagging his ear. Napkinring in his eye.
|
|
Now begging letters he sends his son with. Crosseyed Walter sir I did sir.
|
|
Wouldn't trouble only I was expecting some money. Apologise.
|
|
|
|
Piano again. Sounds better than last time I heard. Tuned probably.
|
|
Stopped again.
|
|
|
|
Dollard and Cowley still urged the lingering singer out with it.
|
|
|
|
--With it, Simon.
|
|
|
|
--It, Simon.
|
|
|
|
--Ladies and gentlemen, I am most deeply obliged by your kind
|
|
solicitations.
|
|
|
|
--It, Simon.
|
|
|
|
--I have no money but if you will lend me your attention I shall endeavour
|
|
to sing to you of a heart bowed down.
|
|
|
|
By the sandwichbell in screening shadow Lydia, her bronze and rose,
|
|
a lady's grace, gave and withheld: as in cool glaucous EAU DE NIL Mina
|
|
to tankards two her pinnacles of gold.
|
|
|
|
The harping chords of prelude closed. A chord, longdrawn, expectant,
|
|
drew a voice away.
|
|
|
|
--WHEN FIRST I SAW THAT FORM ENDEARING ...
|
|
|
|
Richie turned.
|
|
|
|
--Si Dedalus' voice, he said.
|
|
|
|
Braintipped, cheek touched with flame, they listened feeling that flow
|
|
endearing flow over skin limbs human heart soul spine. Bloom signed to
|
|
Pat, bald Pat is a waiter hard of hearing, to set ajar the door of the
|
|
bar. The door of the bar. So. That will do. Pat, waiter, waited, waiting
|
|
to hear, for he was hard of hear by the door.
|
|
|
|
--SORROW FROM ME SEEMED TO DEPART.
|
|
|
|
Through the hush of air a voice sang to them, low, not rain, not leaves
|
|
in murmur, like no voice of strings or reeds or whatdoyoucallthem
|
|
dulcimers touching their still ears with words, still hearts of their each
|
|
his remembered lives. Good, good to hear: sorrow from them each seemed to
|
|
from both depart when first they heard. When first they saw, lost Richie
|
|
Poldy, mercy of beauty, heard from a person wouldn't expect it in the
|
|
least, her first merciful lovesoft oftloved word.
|
|
|
|
Love that is singing: love's old sweet song. Bloom unwound slowly
|
|
the elastic band of his packet. Love's old sweet SONNEZ LA gold. Bloom
|
|
wound a skein round four forkfingers, stretched it, relaxed, and wound it
|
|
round his troubled double, fourfold, in octave, gyved them fast.
|
|
|
|
--FULL OF HOPE AND ALL DELIGHTED ...
|
|
|
|
Tenors get women by the score. Increase their flow. Throw flower at
|
|
his feet. When will we meet? My head it simply. Jingle all delighted. He
|
|
can't sing for tall hats. Your head it simply swurls. Perfumed for him.
|
|
What perfume does your wife? I want to know. Jing. Stop. Knock. Last look
|
|
at mirror always before she answers the door. The hall. There? How do you?
|
|
I do well. There? What? Or? Phial of cachous, kissing comfits, in her
|
|
satchel. Yes? Hands felt for the opulent.
|
|
|
|
Alas the voice rose, sighing, changed: loud, full, shining, proud.
|
|
|
|
--BUT ALAS, 'TWAS IDLE DREAMING ...
|
|
|
|
Glorious tone he has still. Cork air softer also their brogue. Silly man!
|
|
Could have made oceans of money. Singing wrong words. Wore out his
|
|
wife: now sings. But hard to tell. Only the two themselves. If he doesn't
|
|
break down. Keep a trot for the avenue. His hands and feet sing too.
|
|
Drink. Nerves overstrung. Must be abstemious to sing. Jenny Lind soup:
|
|
stock, sage, raw eggs, half pint of cream. For creamy dreamy.
|
|
|
|
Tenderness it welled: slow, swelling, full it throbbed. That's the chat.
|
|
Ha, give! Take! Throb, a throb, a pulsing proud erect.
|
|
|
|
Words? Music? No: it's what's behind.
|
|
|
|
Bloom looped, unlooped, noded, disnoded.
|
|
|
|
Bloom. Flood of warm jamjam lickitup secretness flowed to flow in
|
|
music out, in desire, dark to lick flow invading. Tipping her tepping her
|
|
tapping her topping her. Tup. Pores to dilate dilating. Tup. The joy the
|
|
feel the warm the. Tup. To pour o'er sluices pouring gushes. Flood, gush,
|
|
flow, joygush, tupthrob. Now! Language of love.
|
|
|
|
-- ... RAY OF HOPE IS ...
|
|
|
|
Beaming. Lydia for Lidwell squeak scarcely hear so ladylike the muse
|
|
unsqueaked a ray of hopk.
|
|
|
|
MARTHA it is. Coincidence. Just going to write. Lionel's song. Lovely
|
|
name you have. Can't write. Accept my little pres. Play on her
|
|
heartstrings pursestrings too. She's a. I called you naughty boy. Still
|
|
the name: Martha. How strange! Today.
|
|
|
|
The voice of Lionel returned, weaker but unwearied. It sang again to
|
|
Richie Poldy Lydia Lidwell also sang to Pat open mouth ear waiting to
|
|
wait. How first he saw that form endearing, how sorrow seemed to part,
|
|
how look, form, word charmed him Gould Lidwell, won Pat Bloom's heart.
|
|
|
|
Wish I could see his face, though. Explain better. Why the barber in
|
|
Drago's always looked my face when I spoke his face in the glass. Still
|
|
hear it better here than in the bar though farther.
|
|
|
|
--EACH GRACEFUL LOOK ...
|
|
|
|
First night when first I saw her at Mat Dillon's in Terenure. Yellow,
|
|
black lace she wore. Musical chairs. We two the last. Fate. After her.
|
|
Fate.
|
|
|
|
Round and round slow. Quick round. We two. All looked. Halt. Down she
|
|
sat. All ousted looked. Lips laughing. Yellow knees.
|
|
|
|
--CHARMED MY EYE ...
|
|
|
|
Singing. WAITING she sang. I turned her music. Full voice of perfume
|
|
of what perfume does your lilactrees. Bosom I saw, both full, throat
|
|
warbling. First I saw. She thanked me. Why did she me? Fate. Spanishy
|
|
eyes. Under a peartree alone patio this hour in old Madrid one side in
|
|
shadow Dolores shedolores. At me. Luring. Ah, alluring.
|
|
|
|
--MARTHA! AH, MARTHA!
|
|
|
|
Quitting all languor Lionel cried in grief, in cry of passion dominant
|
|
to love to return with deepening yet with rising chords of harmony. In cry
|
|
of lionel loneliness that she should know, must martha feel. For only her
|
|
he waited. Where? Here there try there here all try where. Somewhere.
|
|
|
|
--CO-OME, THOU LOST ONE!
|
|
CO-OME, THOU DEAR ONE!
|
|
|
|
Alone. One love. One hope. One comfort me. Martha, chestnote, return!
|
|
|
|
--COME!
|
|
|
|
It soared, a bird, it held its flight, a swift pure cry, soar silver orb
|
|
it leaped serene, speeding, sustained, to come, don't spin it out too long
|
|
long breath he breath long life, soaring high, high resplendent, aflame,
|
|
crowned, high in the effulgence symbolistic, high, of the etherial bosom,
|
|
high, of the high vast irradiation everywhere all soaring all around about
|
|
the all, the endlessnessnessness ...
|
|
|
|
--TO ME!
|
|
|
|
Siopold!
|
|
|
|
Consumed.
|
|
|
|
Come. Well sung. All clapped. She ought to. Come. To me, to him, to
|
|
her, you too, me, us.
|
|
|
|
--Bravo! Clapclap. Good man, Simon. Clappyclapclap. Encore!
|
|
Clapclipclap clap. Sound as a bell. Bravo, Simon! Clapclopclap. Encore,
|
|
enclap, said, cried, clapped all, Ben Dollard, Lydia Douce, George
|
|
Lidwell, Pat, Mina Kennedy, two gentlemen with two tankards, Cowley,
|
|
first gent with tank and bronze miss Douce and gold MJiss Mina.
|
|
|
|
Blazes Boylan's smart tan shoes creaked on the barfloor, said before.
|
|
Jingle by monuments of sir John Gray, Horatio onehandled Nelson,
|
|
reverend father Theobald Mathew, jaunted, as said before just now. Atrot,
|
|
in heat, heatseated. CLOCHE. SONNEZ LA. CLOCHE. SONNEZ LA. Slower the mare
|
|
went up the hill by the Rotunda, Rutland square. Too slow for Boylan,
|
|
blazes Boylan, impatience Boylan, joggled the mare.
|
|
|
|
An afterclang of Cowley's chords closed, died on the air made richer.
|
|
|
|
And Richie Goulding drank his Power and Leopold Bloom his cider
|
|
drank, Lidwell his Guinness, second gentleman said they would partake of
|
|
two more tankards if she did not mind. Miss Kennedy smirked, disserving,
|
|
coral lips, at first, at second. She did not mind.
|
|
|
|
--Seven days in jail, Ben Dollard said, on bread and water. Then you'd
|
|
sing, Simon, like a garden thrush.
|
|
|
|
Lionel Simon, singer, laughed. Father Bob Cowley played. Mina
|
|
Kennedy served. Second gentleman paid. Tom Kernan strutted in. Lydia,
|
|
admired, admired. But Bloom sang dumb.
|
|
|
|
Admiring.
|
|
|
|
Richie, admiring, descanted on that man's glorious voice. He
|
|
remembered one night long ago. Never forget that night. Si sang 'TWAS
|
|
RANK AND FAME: in Ned Lambert's 'twas. Good God he never heard in all his
|
|
life a note like that he never did THEN FALSE ONE WE HAD BETTER PART so
|
|
clear so God he never heard SINCE LOVE LIVES NOT a clinking voice lives
|
|
not ask Lambert he can tell you too.
|
|
|
|
Goulding, a flush struggling in his pale, told Mr Bloom, face of the
|
|
night, Si in Ned Lambert's, Dedalus house, sang 'TWAS RANK AND FAME.
|
|
|
|
He, Mr Bloom, listened while he, Richie Goulding, told him, Mr
|
|
Bloom, of the night he, Richie, heard him, Si Dedalus, sing 'TWAS RANK AND
|
|
FAME in his, Ned Lambert's, house.
|
|
|
|
Brothers-in-law: relations. We never speak as we pass by. Rift in the
|
|
lute I think. Treats him with scorn. See. He admires him all the more. The
|
|
night Si sang. The human voice, two tiny silky chords, wonderful, more
|
|
than all others.
|
|
|
|
That voice was a lamentation. Calmer now. It's in the silence after
|
|
you feel you hear. Vibrations. Now silent air.
|
|
|
|
Bloom ungyved his crisscrossed hands and with slack fingers plucked
|
|
the slender catgut thong. He drew and plucked. It buzz, it twanged. While
|
|
Goulding talked of Barraclough's voice production, while Tom Kernan,
|
|
harking back in a retrospective sort of arrangement talked to listening
|
|
Father Cowley, who played a voluntary, who nodded as he played. While
|
|
big Ben Dollard talked with Simon Dedalus, lighting, who nodded as he
|
|
smoked, who smoked.
|
|
|
|
Thou lost one. All songs on that theme. Yet more Bloom stretched his
|
|
string. Cruel it seems. Let people get fond of each other: lure them on.
|
|
Then tear asunder. Death. Explos. Knock on the head. Outtohelloutofthat.
|
|
Human life. Dignam. Ugh, that rat's tail wriggling! Five bob I gave.
|
|
CORPUS PARADISUM. Corncrake croaker: belly like a poisoned pup. Gone.
|
|
They sing. Forgotten. I too; And one day she with. Leave her: get tired.
|
|
Suffer then. Snivel. Big spanishy eyes goggling at nothing. Her
|
|
wavyavyeavyheavyeavyevyevyhair un comb:'d.
|
|
|
|
Yet too much happy bores. He stretched more, more. Are you not
|
|
happy in your? Twang. It snapped.
|
|
|
|
Jingle into Dorset street.
|
|
|
|
Miss Douce withdrew her satiny arm, reproachful, pleased.
|
|
|
|
--Don't make half so free, said she, till we are better acquainted.
|
|
|
|
George Lidwell told her really and truly: but she did not believe.
|
|
|
|
First gentleman told Mina that was so. She asked him was that so.
|
|
And second tankard told her so. That that was so.
|
|
|
|
Miss Douce, miss Lydia, did not believe: miss Kennedy, Mina, did not
|
|
believe: George Lidwell, no: miss Dou did not: the first, the first: gent
|
|
with the tank: believe, no, no: did not, miss Kenn: Lidlydiawell: the
|
|
tank.
|
|
|
|
Better write it here. Quills in the postoffice chewed and twisted.
|
|
|
|
Bald Pat at a sign drew nigh. A pen and ink. He went. A pad. He
|
|
went. A pad to blot. He heard, deaf Pat.
|
|
|
|
--Yes, Mr Bloom said, teasing the curling catgut line. It certainly is.
|
|
Few lines will do. My present. All that Italian florid music is. Who is
|
|
this wrote? Know the name you know better. Take out sheet notepaper,
|
|
envelope: unconcerned. It's so characteristic.
|
|
|
|
--Grandest number in the whole opera, Goulding said.
|
|
|
|
--It is, Bloom said.
|
|
|
|
Numbers it is. All music when you come to think. Two multiplied by two
|
|
divided by half is twice one. Vibrations: chords those are. One plus two
|
|
plus six is seven. Do anything you like with figures juggling. Always find
|
|
out this equal to that. Symmetry under a cemetery wall. He doesn't see my
|
|
mourning. Callous: all for his own gut. Musemathematics. And you think
|
|
you're listening to the etherial. But suppose you said it like: Martha,
|
|
seven times nine minus x is thirtyfive thousand. Fall quite flat. It's on
|
|
account of the sounds it is.
|
|
|
|
Instance he's playing now. Improvising. Might be what you like, till
|
|
you hear the words. Want to listen sharp. Hard. Begin all right: then hear
|
|
chords a bit off: feel lost a bit. In and out of sacks, over barrels,
|
|
through wirefences, obstacle race. Time makes the tune. Question of mood
|
|
you're in. Still always nice to hear. Except scales up and down, girls
|
|
learning. Two together nextdoor neighbours. Ought to invent dummy pianos
|
|
for that. BLUMENLIED I bought for her. The name. Playing it slow, a girl,
|
|
night I came home, the girl. Door of the stables near Cecilia street.
|
|
Milly no taste. Queer because we both, I mean.
|
|
|
|
Bald deaf Pat brought quite flat pad ink. Pat set with ink pen quite
|
|
flat pad. Pat took plate dish knife fork. Pat went.
|
|
|
|
It was the only language Mr Dedalus said to Ben. He heard them as a
|
|
boy in Ringabella, Crosshaven, Ringabella, singing their barcaroles.
|
|
Queenstown harbour full of Italian ships. Walking, you know, Ben, in the
|
|
moonlight with those earthquake hats. Blending their voices. God, such
|
|
music, Ben. Heard as a boy. Cross Ringabella haven mooncarole.
|
|
|
|
Sour pipe removed he held a shield of hand beside his lips that cooed
|
|
a moonlight nightcall, clear from anear, a call from afar, replying.
|
|
|
|
Down the edge of his FREEMAN baton ranged Bloom's, your other eye,
|
|
scanning for where did I see that. Callan, Coleman, Dignam Patrick.
|
|
Heigho! Heigho! Fawcett. Aha! Just I was looking ...
|
|
|
|
Hope he's not looking, cute as a rat. He held unfurled his FREEMAN.
|
|
Can't see now. Remember write Greek ees. Bloom dipped, Bloo mur: dear
|
|
sir. Dear Henry wrote: dear Mady. Got your lett and flow. Hell did I put?
|
|
Some pock or oth. It is utterl imposs. Underline IMPOSS. To write today.
|
|
|
|
Bore this. Bored Bloom tambourined gently with I am just reflecting
|
|
fingers on flat pad Pat brought.
|
|
|
|
On. Know what I mean. No, change that ee. Accep my poor litt pres
|
|
enclos. Ask her no answ. Hold on. Five Dig. Two about here. Penny the
|
|
gulls. Elijah is com. Seven Davy Byrne's. Is eight about. Say half a
|
|
crown. My poor little pres: p. o. two and six. Write me a long. Do you
|
|
despise? Jingle, have you the? So excited. Why do you call me naught?
|
|
You naughty too? O, Mairy lost the string of her. Bye for today. Yes, yes,
|
|
will tell you. Want to. To keep it up. Call me that other. Other world she
|
|
wrote. My patience are exhaust. To keep it up. You must believe. Believe.
|
|
The tank. It. Is. True.
|
|
|
|
Folly am I writing? Husbands don't. That's marriage does, their
|
|
wives. Because I'm away from. Suppose. But how? She must. Keep young.
|
|
If she found out. Card in my high grade ha. No, not tell all. Useless
|
|
pain. If they don't see. Woman. Sauce for the gander.
|
|
|
|
A hackney car, number three hundred and twentyfour, driver Barton James of
|
|
number one Harmony avenue, Donnybrook, on which sat a fare, a young
|
|
gentleman, stylishly dressed in an indigoblue serge suit made by
|
|
George Robert Mesias, tailor and cutter, of number five Eden quay, and
|
|
wearing a straw hat very dressy, bought of John Plasto of number one
|
|
Great Brunswick street, hatter. Eh? This is the jingle that joggled and
|
|
jingled. By Dlugacz' porkshop bright tubes of Agendath trotted a
|
|
gallantbuttocked mare.
|
|
|
|
--Answering an ad? keen Richie's eyes asked Bloom.
|
|
|
|
--Yes, Mr Bloom said. Town traveller. Nothing doing, I expect.
|
|
|
|
Bloom mur: best references. But Henry wrote: it will excite me. You
|
|
know how. In haste. Henry. Greek ee. Better add postscript. What is he
|
|
playing now? Improvising. Intermezzo. P. S. The rum tum tum. How will
|
|
you pun? You punish me? Crooked skirt swinging, whack by. Tell me I want
|
|
to. Know. O. Course if I didn't I wouldn't ask. La la la ree. Trails off
|
|
there sad in minor. Why minor sad? Sign H. They like sad tail at end.
|
|
P. P. S. La la la ree. I feel so sad today. La ree. So lonely. Dee.
|
|
|
|
He blotted quick on pad of Pat. Envel. Address. Just copy out of
|
|
paper. Murmured: Messrs Callan, Coleman and Co, limited. Henry wrote:
|
|
|
|
|
|
Miss Martha Clifford
|
|
c/o P. O.
|
|
Dolphin's Barn Lane
|
|
Dublin
|
|
|
|
|
|
Blot over the other so he can't read. There. Right. Idea prize titbit.
|
|
Something detective read off blottingpad. Payment at the rate of guinea
|
|
per col. Matcham often thinks the laughing witch. Poor Mrs Purefoy. U. P:
|
|
up.
|
|
|
|
Too poetical that about the sad. Music did that. Music hath charms.
|
|
Shakespeare said. Quotations every day in the year. To be or not to be.
|
|
Wisdom while you wait.
|
|
|
|
In Gerard's rosery of Fetter lane he walks, greyedauburn. One life is
|
|
all. One body. Do. But do.
|
|
|
|
Done anyhow. Postal order, stamp. Postoffice lower down. Walk
|
|
now. Enough. Barney Kiernan's I promised to meet them. Dislike that job.
|
|
|
|
House of mourning. Walk. Pat! Doesn't hear. Deaf beetle he is.
|
|
|
|
Car near there now. Talk. Talk. Pat! Doesn't. Settling those napkins.
|
|
Lot of ground he must cover in the day. Paint face behind on him then he'd
|
|
be two. Wish they'd sing more. Keep my mind off.
|
|
|
|
Bald Pat who is bothered mitred the napkins. Pat is a waiter hard of
|
|
his hearing. Pat is a waiter who waits while you wait. Hee hee hee hee. He
|
|
waits while you wait. Hee hee. A waiter is he. Hee hee hee hee. He waits
|
|
while you wait. While you wait if you wait he will wait while you wait.
|
|
Hee hee hee hee. Hoh. Wait while you wait.
|
|
|
|
Douce now. Douce Lydia. Bronze and rose.
|
|
|
|
She had a gorgeous, simply gorgeous, time. And look at the lovely
|
|
shell she brought.
|
|
|
|
To the end of the bar to him she bore lightly the spiked and winding
|
|
seahorn that he, George Lidwell, solicitor, might hear.
|
|
|
|
--Listen! she bade him.
|
|
|
|
Under Tom Kernan's ginhot words the accompanist wove music slow.
|
|
Authentic fact. How Walter Bapty lost his voice. Well, sir, the husband
|
|
took him by the throat. SCOUNDREL, said he, YOU'LL SING NO MORE LOVESONGS.
|
|
He did, faith, sir Tom. Bob Cowley wove. Tenors get wom. Cowley lay back.
|
|
|
|
Ah, now he heard, she holding it to his ear. Hear! He heard.
|
|
|
|
Wonderful. She held it to her own. And through the sifted light pale gold
|
|
in contrast glided. To hear.
|
|
|
|
Tap.
|
|
|
|
Bloom through the bardoor saw a shell held at their ears. He heard
|
|
more faintly that that they heard, each for herself alone, then each for
|
|
other, hearing the plash of waves, loudly, a silent roar.
|
|
|
|
Bronze by a weary gold, anear, afar, they listened.
|
|
|
|
Her ear too is a shell, the peeping lobe there. Been to the seaside.
|
|
Lovely seaside girls. Skin tanned raw. Should have put on coldcream first
|
|
make it brown. Buttered toast. O and that lotion mustn't forget. Fever
|
|
near her mouth. Your head it simply. Hair braided over: shell with
|
|
seaweed. Why do they hide their ears with seaweed hair? And Turks the
|
|
mouth, why? Her eyes over the sheet. Yashmak. Find the way in. A cave. No
|
|
admittance except on business.
|
|
|
|
The sea they think they hear. Singing. A roar. The blood it is. Souse
|
|
in the ear sometimes. Well, it's a sea. Corpuscle islands.
|
|
|
|
Wonderful really. So distinct. Again. George Lidwell held its murmur,
|
|
hearing: then laid it by, gently.
|
|
|
|
--What are the wild waves saying? he asked her, smiled.
|
|
|
|
Charming, seasmiling and unanswering Lydia on Lidwell smiled.
|
|
|
|
Tap.
|
|
|
|
By Larry O'Rourke's, by Larry, bold Larry O', Boylan swayed and
|
|
Boylan turned.
|
|
|
|
From the forsaken shell miss Mina glided to her tankards waiting.
|
|
No, she was not so lonely archly miss Douce's head let Mr Lidwell know.
|
|
Walks in the moonlight by the sea. No, not alone. With whom? She nobly
|
|
answered: with a gentleman friend.
|
|
|
|
Bob Cowley's twinkling fingers in the treble played again. The
|
|
landlord has the prior. A little time. Long John. Big Ben. Lightly he
|
|
played a light bright tinkling measure for tripping ladies, arch and
|
|
smiling, and for their gallants, gentlemen friends. One: one, one, one,
|
|
one, one: two, one, three, four.
|
|
|
|
Sea, wind, leaves, thunder, waters, cows lowing, the cattlemarket,
|
|
cocks, hens don't crow, snakes hissss. There's music everywhere.
|
|
Ruttledge's door: ee creaking. No, that's noise. Minuet of DON GIOVANNI
|
|
he's playing now. Court dresses of all descriptions in castle chambers
|
|
dancing. Misery. Peasants outside. Green starving faces eating
|
|
dockleaves. Nice that is. Look: look, look, look, look, look: you
|
|
look at us.
|
|
|
|
That's joyful I can feel. Never have written it. Why? My joy is other
|
|
joy. But both are joys. Yes, joy it must be. Mere fact of music shows you
|
|
are. Often thought she was in the dumps till she began to lilt. Then
|
|
know.
|
|
|
|
M'Coy valise. My wife and your wife. Squealing cat. Like tearing silk.
|
|
Tongue when she talks like the clapper of a bellows. They can't manage
|
|
men's intervals. Gap in their voices too. Fill me. I'm warm, dark, open.
|
|
Molly IN QUIS EST HOMO: Mercadante. My ear against the wall to hear. Want
|
|
a woman who can deliver the goods.
|
|
|
|
Jog jig jogged stopped. Dandy tan shoe of dandy Boylan socks
|
|
skyblue clocks came light to earth.
|
|
|
|
O, look we are so! Chamber music. Could make a kind of pun on
|
|
that. It is a kind of music I often thought when she. Acoustics that is.
|
|
Tinkling. Empty vessels make most noise. Because the acoustics, the
|
|
resonance changes according as the weight of the water is equal to the law
|
|
of falling water. Like those rhapsodies of Liszt's, Hungarian, gipsyeyed.
|
|
Pearls. Drops. Rain. Diddleiddle addleaddle ooddleooddle. Hissss. Now.
|
|
Maybe now. Before.
|
|
|
|
One rapped on a door, one tapped with a knock, did he knock Paul
|
|
de Kock with a loud proud knocker with a cock carracarracarra cock.
|
|
Cockcock.
|
|
|
|
Tap.
|
|
|
|
--QUI SDEGNO, Ben, said Father Cowley.
|
|
|
|
--No, Ben, Tom Kernan interfered. The Croppy Boy. Our native Doric.
|
|
|
|
--Ay do, Ben, Mr Dedalus said. Good men and true.
|
|
|
|
--Do, do, they begged in one.
|
|
|
|
I'll go. Here, Pat, return. Come. He came, he came, he did not stay.
|
|
To me. How much?
|
|
|
|
--What key? Six sharps?
|
|
|
|
--F sharp major, Ben Dollard said.
|
|
|
|
Bob Cowley's outstretched talons griped the black deepsounding chords.
|
|
|
|
Must go prince Bloom told Richie prince. No, Richie said. Yes, must.
|
|
Got money somewhere. He's on for a razzle backache spree. Much? He
|
|
seehears lipspeech. One and nine. Penny for yourself. Here. Give him
|
|
twopence tip. Deaf, bothered. But perhaps he has wife and family waiting,
|
|
waiting Patty come home. Hee hee hee hee. Deaf wait while they wait.
|
|
|
|
But wait. But hear. Chords dark. Lugugugubrious. Low. In a cave of
|
|
the dark middle earth. Embedded ore. Lumpmusic.
|
|
|
|
The voice of dark age, of unlove, earth's fatigue made grave approach
|
|
and painful, come from afar, from hoary mountains, called on good men
|
|
and true. The priest he sought. With him would he speak a word.
|
|
|
|
Tap.
|
|
|
|
Ben Dollard's voice. Base barreltone. Doing his level best to say it.
|
|
Croak of vast manless moonless womoonless marsh. Other comedown. Big
|
|
ships' chandler's business he did once. Remember: rosiny ropes, ships'
|
|
lanterns. Failed to the tune of ten thousand pounds. Now in the Iveagh
|
|
home. Cubicle number so and so. Number one Bass did that for him.
|
|
|
|
The priest's at home. A false priest's servant bade him welcome. Step
|
|
in. The holy father. With bows a traitor servant. Curlycues of chords.
|
|
|
|
Ruin them. Wreck their lives. Then build them cubicles to end their
|
|
days in. Hushaby. Lullaby. Die, dog. Little dog, die.
|
|
|
|
The voice of warning, solemn warning, told them the youth had
|
|
entered a lonely hall, told them how solemn fell his footsteps there, told
|
|
them the gloomy chamber, the vested priest sitting to shrive.
|
|
|
|
Decent soul. Bit addled now. Thinks he'll win in ANSWERS, poets'
|
|
picture puzzle. We hand you crisp five pound note. Bird sitting hatching
|
|
in a nest. Lay of the last minstrel he thought it was. See blank tee what
|
|
domestic animal? Tee dash ar most courageous mariner. Good voice he has
|
|
still. No eunuch yet with all his belongings.
|
|
|
|
Listen. Bloom listened. Richie Goulding listened. And by the door
|
|
deaf Pat, bald Pat, tipped Pat, listened. The chords harped slower.
|
|
|
|
The voice of penance and of grief came slow, embellished, tremulous.
|
|
Ben's contrite beard confessed. IN NOMINE DOMINI, in God's name he knelt.
|
|
He beat his hand upon his breast, confessing: MEA CULPA.
|
|
|
|
Latin again. That holds them like birdlime. Priest with the
|
|
communion corpus for those women. Chap in the mortuary, coffin or
|
|
coffey, CORPUSNOMINE. Wonder where that rat is by now. Scrape.
|
|
|
|
Tap.
|
|
|
|
They listened. Tankards and miss Kennedy. George Lidwell, eyelid
|
|
well expressive, fullbusted satin. Kernan. Si.
|
|
|
|
The sighing voice of sorrow sang. His sins. Since Easter he had
|
|
cursed three times. You bitch's bast. And once at masstime he had gone to
|
|
play. Once by the churchyard he had passed and for his mother's rest he
|
|
had not prayed. A boy. A croppy boy.
|
|
|
|
Bronze, listening, by the beerpull gazed far away. Soulfully. Doesn't
|
|
half know I'm. Molly great dab at seeing anyone looking.
|
|
|
|
Bronze gazed far sideways. Mirror there. Is that best side of her face?
|
|
They always know. Knock at the door. Last tip to titivate.
|
|
|
|
Cockcarracarra.
|
|
|
|
What do they think when they hear music? Way to catch rattlesnakes.
|
|
Night Michael Gunn gave us the box. Tuning up. Shah of Persia liked that
|
|
best. Remind him of home sweet home. Wiped his nose in curtain too.
|
|
Custom his country perhaps. That's music too. Not as bad as it sounds.
|
|
Tootling. Brasses braying asses through uptrunks. Doublebasses helpless,
|
|
gashes in their sides. Woodwinds mooing cows. Semigrand open crocodile
|
|
music hath jaws. Woodwind like Goodwin's name.
|
|
|
|
She looked fine. Her crocus dress she wore lowcut, belongings on
|
|
show. Clove her breath was always in theatre when she bent to ask a
|
|
question. Told her what Spinoza says in that book of poor papa's.
|
|
Hypnotised, listening. Eyes like that. She bent. Chap in dresscircle
|
|
staring down into her with his operaglass for all he was worth. Beauty
|
|
of music you must hear twice. Nature woman half a look. God made the
|
|
country man the tune. Met him pike hoses. Philosophy. O rocks!
|
|
|
|
All gone. All fallen. At the siege of Ross his father, at Gorey all his
|
|
brothers fell. To Wexford, we are the boys of Wexford, he would. Last of
|
|
his name and race.
|
|
|
|
I too. Last of my race. Milly young student. Well, my fault perhaps.
|
|
No son. Rudy. Too late now. Or if not? If not? If still?
|
|
|
|
He bore no hate.
|
|
|
|
Hate. Love. Those are names. Rudy. Soon I am old. Big Ben his voice
|
|
unfolded. Great voice Richie Goulding said, a flush struggling in his
|
|
pale, to Bloom soon old. But when was young?
|
|
|
|
Ireland comes now. My country above the king. She listens. Who
|
|
fears to speak of nineteen four? Time to be shoving. Looked enough.
|
|
|
|
--BLESS ME, FATHER, Dollard the croppy cried. BLESS ME AND LET ME GO.
|
|
|
|
Tap.
|
|
|
|
Bloom looked, unblessed to go. Got up to kill: on eighteen bob a
|
|
week. Fellows shell out the dibs. Want to keep your weathereye open. Those
|
|
girls, those lovely. By the sad sea waves. Chorusgirl's romance. Letters
|
|
read out for breach of promise. From Chickabiddy's owny Mumpsypum.
|
|
Laughter in court. Henry. I never signed it. The lovely name you.
|
|
|
|
Low sank the music, air and words. Then hastened. The false priest
|
|
rustling soldier from his cassock. A yeoman captain. They know it all by
|
|
heart. The thrill they itch for. Yeoman cap.
|
|
|
|
Tap. Tap.
|
|
|
|
Thrilled she listened, bending in sympathy to hear.
|
|
|
|
Blank face. Virgin should say: or fingered only. Write something on
|
|
it: page. If not what becomes of them? Decline, despair. Keeps them young.
|
|
Even admire themselves. See. Play on her. Lip blow. Body of white woman,
|
|
a flute alive. Blow gentle. Loud. Three holes, all women. Goddess I didn't
|
|
see. They want it. Not too much polite. That's why he gets them. Gold in
|
|
your pocket, brass in your face. Say something. Make her hear. With look
|
|
to look. Songs without words. Molly, that hurdygurdy boy. She knew he
|
|
meant the monkey was sick. Or because so like the Spanish. Understand
|
|
animals too that way. Solomon did. Gift of nature.
|
|
|
|
Ventriloquise. My lips closed. Think in my stom. What?
|
|
|
|
Will? You? I. Want. You. To.
|
|
|
|
With hoarse rude fury the yeoman cursed, swelling in apoplectic
|
|
bitch's bastard. A good thought, boy, to come. One hour's your time to
|
|
live, your last.
|
|
|
|
Tap. Tap.
|
|
|
|
Thrill now. Pity they feel. To wipe away a tear for martyrs that want
|
|
to, dying to, die. For all things dying, for all things born. Poor Mrs
|
|
Purefoy. Hope she's over. Because their wombs.
|
|
|
|
A liquid of womb of woman eyeball gazed under a fence of lashes,
|
|
calmly, hearing. See real beauty of the eye when she not speaks. On yonder
|
|
river. At each slow satiny heaving bosom's wave (her heaving embon) red
|
|
rose rose slowly sank red rose. Heartbeats: her breath: breath that is
|
|
life. And all the tiny tiny fernfoils trembled of maidenhair.
|
|
|
|
But look. The bright stars fade. O rose! Castile. The morn. Ha.
|
|
Lidwell. For him then not for. Infatuated. I like that? See her
|
|
from here though. Popped corks, splashes of beerfroth, stacks of empties.
|
|
|
|
On the smooth jutting beerpull laid Lydia hand, lightly, plumply, leave
|
|
it to my hands. All lost in pity for croppy. Fro, to: to, fro: over the
|
|
polished knob (she knows his eyes, my eyes, her eyes) her thumb and finger
|
|
passed in pity: passed, reposed and, gently touching, then slid so
|
|
smoothly, slowly down, a cool firm white enamel baton protruding through
|
|
their sliding ring.
|
|
|
|
With a cock with a carra.
|
|
|
|
Tap. Tap. Tap.
|
|
|
|
I hold this house. Amen. He gnashed in fury. Traitors swing.
|
|
|
|
The chords consented. Very sad thing. But had to be. Get out before
|
|
the end. Thanks, that was heavenly. Where's my hat. Pass by her. Can
|
|
leave that Freeman. Letter I have. Suppose she were the? No. Walk,
|
|
walk, walk. Like Cashel Boylo Connoro Coylo Tisdall Maurice Tisntdall
|
|
Farrell. Waaaaaaalk.
|
|
|
|
Well, I must be. Are you off? Yrfmstbyes. Blmstup. O'er ryehigh blue.
|
|
Ow. Bloom stood up. Soap feeling rather sticky behind. Must have
|
|
sweated: music. That lotion, remember. Well, so long. High grade. Card
|
|
inside. Yes.
|
|
|
|
By deaf Pat in the doorway straining ear Bloom passed.
|
|
|
|
At Geneva barrack that young man died. At Passage was his body
|
|
laid. Dolor! O, he dolores! The voice of the mournful chanter called to
|
|
dolorous prayer.
|
|
|
|
By rose, by satiny bosom, by the fondling hand, by slops, by empties,
|
|
by popped corks, greeting in going, past eyes and maidenhair, bronze and
|
|
faint gold in deepseashadow, went Bloom, soft Bloom, I feel so lonely
|
|
Bloom.
|
|
|
|
Tap. Tap. Tap.
|
|
|
|
Pray for him, prayed the bass of Dollard. You who hear in peace. Breathe
|
|
a prayer, drop a tear, good men, good people. He was the croppy boy.
|
|
|
|
Scaring eavesdropping boots croppy bootsboy Bloom in the Ormond
|
|
hallway heard the growls and roars of bravo, fat backslapping, their boots
|
|
all treading, boots not the boots the boy. General chorus off for a swill
|
|
to wash it down. Glad I avoided.
|
|
|
|
--Come on, Ben, Simon Dedalus cried. By God, you're as good as ever you
|
|
were.
|
|
|
|
--Better, said Tomgin Kernan. Most trenchant rendition of that ballad,
|
|
upon my soul and honour It is.
|
|
|
|
--Lablache, said Father Cowley.
|
|
|
|
Ben Dollard bulkily cachuchad towards the bar, mightily praisefed and all
|
|
big roseate, on heavyfooted feet, his gouty fingers nakkering castagnettes
|
|
in the air.
|
|
|
|
Big Benaben Dollard. Big Benben. Big Benben.
|
|
|
|
Rrr.
|
|
|
|
And deepmoved all, Simon trumping compassion from foghorn nose,
|
|
all laughing they brought him forth, Ben Dollard, in right good cheer.
|
|
|
|
--You're looking rubicund, George Lidwell said.
|
|
|
|
Miss Douce composed her rose to wait.
|
|
|
|
--Ben machree, said Mr Dedalus, clapping Ben's fat back shoulderblade.
|
|
Fit as a fiddle only he has a lot of adipose tissue concealed about his
|
|
person.
|
|
|
|
Rrrrrrrsss.
|
|
|
|
--Fat of death, Simon, Ben Dollard growled.
|
|
|
|
Richie rift in the lute alone sat: Goulding, Collis, Ward. Uncertainly
|
|
he waited. Unpaid Pat too.
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
Miss Mina Kennedy brought near her lips to ear of tankard one.
|
|
|
|
--Mr Dollard, they murmured low.
|
|
|
|
--Dollard, murmured tankard.
|
|
|
|
Tank one believed: miss Kenn when she: that doll he was: she doll:
|
|
the tank.
|
|
|
|
He murmured that he knew the name. The name was familiar to him,
|
|
that is to say. That was to say he had heard the name of. Dollard, was it?
|
|
Dollard, yes.
|
|
|
|
Yes, her lips said more loudly, Mr Dollard. He sang that song lovely,
|
|
murmured Mina. Mr Dollard. And THE LAST ROSE OF SUMMER was a lovely
|
|
song. Mina loved that song. Tankard loved the song that Mina.
|
|
|
|
'Tis the last rose of summer dollard left bloom felt wind wound round
|
|
inside.
|
|
|
|
Gassy thing that cider: binding too. Wait. Postoffice near Reuben J's
|
|
one and eightpence too. Get shut of it. Dodge round by Greek street. Wish
|
|
I hadn't promised to meet. Freer in air. Music. Gets on your nerves.
|
|
Beerpull. Her hand that rocks the cradle rules the. Ben Howth. That rules
|
|
the world.
|
|
|
|
Far. Far. Far. Far.
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
Up the quay went Lionelleopold, naughty Henry with letter for
|
|
Mady, with sweets of sin with frillies for Raoul with met him pike hoses
|
|
went Poldy on.
|
|
|
|
Tap blind walked tapping by the tap the curbstone tapping, tap by tap.
|
|
|
|
Cowley, he stuns himself with it: kind of drunkenness. Better give
|
|
way only half way the way of a man with a maid. Instance enthusiasts. All
|
|
ears. Not lose a demisemiquaver. Eyes shut. Head nodding in time. Dotty.
|
|
You daren't budge. Thinking strictly prohibited. Always talking shop.
|
|
Fiddlefaddle about notes.
|
|
|
|
All a kind of attempt to talk. Unpleasant when it stops because you
|
|
never know exac. Organ in Gardiner street. Old Glynn fifty quid a year.
|
|
Queer up there in the cockloft, alone, with stops and locks and keys.
|
|
Seated all day at the organ. Maunder on for hours, talking to himself or
|
|
the other fellow blowing the bellows. Growl angry, then shriek cursing
|
|
(want to have wadding or something in his no don't she cried), then all of
|
|
a soft sudden wee little wee little pipy wind.
|
|
|
|
Pwee! A wee little wind piped eeee. In Bloom's little wee.
|
|
|
|
--Was he? Mr Dedalus said, returning with fetched pipe. I was with him
|
|
this morning at poor little Paddy Dignam's ...
|
|
|
|
--Ay, the Lord have mercy on him.
|
|
|
|
--By the bye there's a tuningfork in there on the ...
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
--The wife has a fine voice. Or had. What? Lidwell asked.
|
|
|
|
--O, that must be the tuner, Lydia said to Simonlionel first I saw, forgot
|
|
it when he was here.
|
|
|
|
Blind he was she told George Lidwell second I saw. And played so
|
|
exquisitely, treat to hear. Exquisite contrast: bronzelid, minagold.
|
|
|
|
--Shout! Ben Dollard shouted, pouring. Sing out!
|
|
|
|
--'lldo! cried Father Cowley.
|
|
|
|
Rrrrrr.
|
|
|
|
I feel I want ...
|
|
|
|
Tap. Tap. Tap. Tap. Tap
|
|
|
|
--Very, Mr Dedalus said, staring hard at a headless sardine.
|
|
|
|
Under the sandwichbell lay on a bier of bread one last, one lonely, last
|
|
sardine of summer. Bloom alone.
|
|
|
|
--Very, he stared. The lower register, for choice.
|
|
|
|
Tap. Tap. Tap. Tap. Tap. Tap. Tap. Tap.
|
|
|
|
Bloom went by Barry's. Wish I could. Wait. That wonderworker if I
|
|
had. Twentyfour solicitors in that one house. Counted them. Litigation.
|
|
Love one another. Piles of parchment. Messrs Pick and Pocket have power
|
|
of attorney. Goulding, Collis, Ward.
|
|
|
|
But for example the chap that wallops the big drum. His vocation:
|
|
Mickey Rooney's band. Wonder how it first struck him. Sitting at home
|
|
after pig's cheek and cabbage nursing it in the armchair. Rehearsing his
|
|
band part. Pom. Pompedy. Jolly for the wife. Asses' skins. Welt them
|
|
through life, then wallop after death. Pom. Wallop. Seems to be what you
|
|
call yashmak or I mean kismet. Fate.
|
|
|
|
Tap. Tap. A stripling, blind, with a tapping cane came taptaptapping
|
|
by Daly's window where a mermaid hair all streaming (but he couldn't see)
|
|
blew whiffs of a mermaid (blind couldn't), mermaid, coolest whiff of all.
|
|
|
|
Instruments. A blade of grass, shell of her hands, then blow. Even
|
|
comb and tissuepaper you can knock a tune out of. Molly in her shift in
|
|
Lombard street west, hair down. I suppose each kind of trade made its own,
|
|
don't you see? Hunter with a horn. Haw. Have you the? CLOCHE. SONNEZ LA.
|
|
Shepherd his pipe. Pwee little wee. Policeman a whistle. Locks and keys!
|
|
Sweep! Four o'clock's all's well! Sleep! All is lost now. Drum? Pompedy.
|
|
Wait. I know. Towncrier, bumbailiff. Long John. Waken the dead. Pom.
|
|
Dignam. Poor little NOMINEDOMINE. Pom. It is music. I mean of course it's
|
|
all pom pom pom very much what they call DA CAPO. Still you can hear. As
|
|
we march, we march along, march along. Pom.
|
|
|
|
I must really. Fff. Now if I did that at a banquet. Just a question of
|
|
custom shah of Persia. Breathe a prayer, drop a tear. All the same he must
|
|
have been a bit of a natural not to see it was a yeoman cap. Muffled up.
|
|
Wonder who was that chap at the grave in the brown macin. O, the whore
|
|
of the lane!
|
|
|
|
A frowsy whore with black straw sailor hat askew came glazily in the
|
|
day along the quay towards Mr Bloom. When first he saw that form
|
|
endearing? Yes, it is. I feel so lonely. Wet night in the lane. Horn. Who
|
|
had the? Heehaw shesaw. Off her beat here. What is she? Hope she. Psst!
|
|
Any chance of your wash. Knew Molly. Had me decked. Stout lady does be
|
|
with you in the brown costume. Put you off your stroke, that. Appointment
|
|
we made knowing we'd never, well hardly ever. Too dear too near to home
|
|
sweet home. Sees me, does she? Looks a fright in the day. Face like dip.
|
|
Damn her. O, well, she has to live like the rest. Look in here.
|
|
|
|
In Lionel Marks's antique saleshop window haughty Henry Lionel
|
|
Leopold dear Henry Flower earnestly Mr Leopold Bloom envisaged
|
|
battered candlesticks melodeon oozing maggoty blowbags. Bargain: six bob.
|
|
Might learn to play. Cheap. Let her pass. Course everything is dear if
|
|
you don't want it. That's what good salesman is. Make you buy what he
|
|
wants to sell. Chap sold me the Swedish razor he shaved me with. Wanted
|
|
to charge me for the edge he gave it. She's passing now. Six bob.
|
|
|
|
Must be the cider or perhaps the burgund.
|
|
|
|
Near bronze from anear near gold from afar they chinked their clinking
|
|
glasses all, brighteyed and gallant, before bronze Lydia's tempting
|
|
last rose of summer, rose of Castile. First Lid, De, Cow, Ker, Doll, a
|
|
fifth: Lidwell, Si Dedalus, Bob Cowley, Kernan and big Ben Dollard.
|
|
|
|
Tap. A youth entered a lonely Ormond hall.
|
|
|
|
Bloom viewed a gallant pictured hero in Lionel Marks's window. Robert
|
|
Emmet's last words. Seven last words. Of Meyerbeer that is.
|
|
|
|
--True men like you men.
|
|
|
|
--Ay, ay, Ben.
|
|
|
|
--Will lift your glass with us.
|
|
|
|
They lifted.
|
|
|
|
Tschink. Tschunk.
|
|
|
|
Tip. An unseeing stripling stood in the door. He saw not bronze. He
|
|
saw not gold. Nor Ben nor Bob nor Tom nor Si nor George nor tanks nor
|
|
Richie nor Pat. Hee hee hee hee. He did not see.
|
|
|
|
Seabloom, greaseabloom viewed last words. Softly. WHEN MY COUNTRY
|
|
TAKES HER PLACE AMONG.
|
|
|
|
Prrprr.
|
|
|
|
Must be the bur.
|
|
|
|
Fff! Oo. Rrpr.
|
|
|
|
NATIONS OF THE EARTH. No-one behind. She's passed. THEN AND NOT TILL
|
|
THEN. Tram kran kran kran. Good oppor. Coming. Krandlkrankran. I'm
|
|
sure it's the burgund. Yes. One, two. LET MY EPITAPH BE. Kraaaaaa.
|
|
WRITTEN. I HAVE.
|
|
|
|
Pprrpffrrppffff.
|
|
|
|
DONE.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
I was just passing the time of day with old Troy of the D. M. P. at the
|
|
corner of Arbour hill there and be damned but a bloody sweep came along
|
|
and he near drove his gear into my eye. I turned around to let him have
|
|
the weight of my tongue when who should I see dodging along Stony Batter
|
|
only Joe Hynes.
|
|
|
|
--Lo, Joe, says I. How are you blowing? Did you see that bloody
|
|
chimneysweep near shove my eye out with his brush?
|
|
|
|
--Soot's luck, says Joe. Who's the old ballocks you were talking to?
|
|
|
|
--Old Troy, says I, was in the force. I'm on two minds not to give that
|
|
fellow in charge for obstructing the thoroughfare with his brooms and
|
|
ladders.
|
|
|
|
--What are you doing round those parts? says Joe.
|
|
|
|
--Devil a much, says I. There's a bloody big foxy thief beyond by the
|
|
garrison church at the corner of Chicken lane--old Troy was just giving
|
|
me a wrinkle about him--lifted any God's quantity of tea and sugar to pay
|
|
three bob a week said he had a farm in the county Down off a
|
|
hop-of-my-thumb by the name of Moses Herzog over there near Heytesbury
|
|
street.
|
|
|
|
--Circumcised? says Joe.
|
|
|
|
--Ay, says I. A bit off the top. An old plumber named Geraghty. I'm
|
|
hanging on to his taw now for the past fortnight and I can't get a penny
|
|
out of him.
|
|
|
|
--That the lay you're on now? says Joe.
|
|
|
|
--Ay, says I. How are the mighty fallen! Collector of bad and doubtful
|
|
debts. But that's the most notorious bloody robber you'd meet in a day's
|
|
walk and the face on him all pockmarks would hold a shower of rain. TELL
|
|
HIM, says he, I DARE HIM, says he, AND I DOUBLEDARE HIM TO SEND YOU ROUND
|
|
HERE AGAIN OR IF HE DOES, says he, I'LL HAVE HIM SUMMONSED UP BEFORE THE
|
|
COURT, SO I WILL, FOR TRADING WITHOUT A LICENCE. And he after stuffing
|
|
himself till he's fit to burst. Jesus, I had to laugh at the little jewy
|
|
getting his shirt out. HE DRINK ME MY TEAS. HE EAT ME MY SUGARS. BECAUSE
|
|
HE NO PAY ME MY MONEYS?
|
|
|
|
For nonperishable goods bought of Moses Herzog, of 13 Saint
|
|
Kevin's parade in the city of Dublin, Wood quay ward, merchant,
|
|
hereinafter called the vendor, and sold and delivered to Michael E.
|
|
Geraghty, esquire, of 29 Arbour hill in the city of Dublin, Arran quay
|
|
ward, gentleman, hereinafter called the purchaser, videlicet, five pounds
|
|
avoirdupois of first choice tea at three shillings and no pence per pound
|
|
avoirdupois and three stone avoirdupois of sugar, crushed crystal, at
|
|
threepence per pound avoirdupois, the said purchaser debtor to the said
|
|
vendor of one pound five shillings and sixpence sterling for value
|
|
received which amount shall be paid by said purchaser to said vendor in
|
|
weekly instalments every seven calendar days of three shillings and no
|
|
pence sterling: and the said nonperishable goods shall not be pawned or
|
|
pledged or sold or otherwise alienated by the said purchaser but shall be
|
|
and remain and be held to be the sole and exclusive property of the said
|
|
vendor to be disposed of at his good will and pleasure until the said
|
|
amount shall have been duly paid by the said purchaser to the said vendor
|
|
in the manner herein set forth as this day hereby agreed between the said
|
|
vendor, his heirs, successors, trustees and assigns of the one part and
|
|
the said purchaser, his heirs, successors, trustees and assigns of the
|
|
other part.
|
|
|
|
--Are you a strict t.t.? says Joe.
|
|
|
|
--Not taking anything between drinks, says I.
|
|
|
|
--What about paying our respects to our friend? says Joe.
|
|
|
|
--Who? says I. Sure, he's out in John of God's off his head, poor man.
|
|
|
|
--Drinking his own stuff? says Joe.
|
|
|
|
--Ay, says I. Whisky and water on the brain.
|
|
|
|
--Come around to Barney Kiernan's, says Joe. I want to see the citizen.
|
|
|
|
--Barney mavourneen's be it, says I. Anything strange or wonderful, Joe?
|
|
|
|
--Not a word, says Joe. I was up at that meeting in the City Arms.
|
|
|
|
---What was that, Joe? says I.
|
|
|
|
--Cattle traders, says Joe, about the foot and mouth disease. I want to
|
|
give the citizen the hard word about it.
|
|
|
|
So we went around by the Linenhall barracks and the back of the
|
|
courthouse talking of one thing or another. Decent fellow Joe when he has
|
|
it but sure like that he never has it. Jesus, I couldn't get over that
|
|
bloody foxy Geraghty, the daylight robber. For trading without a licence,
|
|
says he.
|
|
|
|
In Inisfail the fair there lies a land, the land of holy Michan. There
|
|
rises a watchtower beheld of men afar. There sleep the mighty dead as in
|
|
life they slept, warriors and princes of high renown. A pleasant land it
|
|
is in sooth of murmuring waters, fishful streams where sport the gurnard,
|
|
the plaice, the roach, the halibut, the gibbed haddock, the grilse,
|
|
the dab, the brill, the flounder, the pollock, the mixed coarse fish
|
|
generally and other denizens of the aqueous kingdom too numerous to be
|
|
enumerated. In the mild breezes of the west and of the east the lofty
|
|
trees wave in different directions their firstclass foliage, the wafty
|
|
sycamore, the Lebanonian cedar, the exalted planetree, the eugenic
|
|
eucalyptus and other ornaments of the arboreal world with which that
|
|
region is thoroughly well supplied. Lovely maidens sit in close proximity
|
|
to the roots of the lovely trees singing the most lovely songs while they
|
|
play with all kinds of lovely objects as for example golden ingots,
|
|
silvery fishes, crans of herrings, drafts of eels, codlings, creels of
|
|
fingerlings, purple seagems and playful insects. And heroes voyage from
|
|
afar to woo them, from Eblana to Slievemargy, the peerless princes of
|
|
unfettered Munster and of Connacht the just and of smooth sleek Leinster
|
|
and of Cruahan's land and of Armagh the splendid and of the noble district
|
|
of Boyle, princes, the sons of kings.
|
|
|
|
And there rises a shining palace whose crystal glittering roof is seen by
|
|
mariners who traverse the extensive sea in barks built expressly for that
|
|
purpose, and thither come all herds and fatlings and firstfruits of that
|
|
land for O'Connell Fitzsimon takes toll of them, a chieftain descended
|
|
from chieftains. Thither the extremely large wains bring foison of the
|
|
fields, flaskets of cauliflowers, floats of spinach, pineapple chunks,
|
|
Rangoon beans, strikes of tomatoes, drums of figs, drills of Swedes,
|
|
spherical potatoes and tallies of iridescent kale, York and Savoy, and
|
|
trays of onions, pearls of the earth, and punnets of mushrooms and
|
|
custard marrows and fat vetches and bere and rape and red green yellow
|
|
brown russet sweet big bitter ripe pomellated apples and chips of
|
|
strawberries and sieves of gooseberries, pulpy and pelurious, and
|
|
strawberries fit for princes and raspberries from their canes.
|
|
|
|
I dare him, says he, and I doubledare him. Come out here, Geraghty,
|
|
you notorious bloody hill and dale robber!
|
|
|
|
And by that way wend the herds innumerable of bellwethers and
|
|
flushed ewes and shearling rams and lambs and stubble geese and medium
|
|
steers and roaring mares and polled calves and longwoods and storesheep
|
|
and Cuffe's prime springers and culls and sowpigs and baconhogs and the
|
|
various different varieties of highly distinguished swine and Angus
|
|
heifers and polly bulllocks of immaculate pedigree together with prime
|
|
premiated milchcows and beeves: and there is ever heard a trampling,
|
|
cackling, roaring, lowing, bleating, bellowing, rumbling, grunting,
|
|
champing, chewing, of sheep and pigs and heavyhooved kine from
|
|
pasturelands of Lusk and Rush and Carrickmines and from the streamy vales
|
|
of Thomond, from the M'Gillicuddy's reeks the inaccessible and lordly
|
|
Shannon the unfathomable, and from the gentle declivities of the place of
|
|
the race of Kiar, their udders distended with superabundance of milk and
|
|
butts of butter and rennets of cheese and farmer's firkins and targets of
|
|
lamb and crannocks of corn and oblong eggs in great hundreds, various in
|
|
size, the agate with this dun.
|
|
|
|
So we turned into Barney Kiernan's and there, sure enough, was the citizen
|
|
up in the corner having a great confab with himself and that bloody
|
|
mangy mongrel, Garryowen, and he waiting for what the sky would drop
|
|
in the way of drink.
|
|
|
|
--There he is, says I, in his gloryhole, with his cruiskeen lawn and his
|
|
load of papers, working for the cause.
|
|
|
|
The bloody mongrel let a grouse out of him would give you the creeps. Be
|
|
a corporal work of mercy if someone would take the life of that
|
|
bloody dog. I'm told for a fact he ate a good part of the breeches off a
|
|
constabulary man in Santry that came round one time with a blue paper
|
|
about a licence.
|
|
|
|
--Stand and deliver, says he.
|
|
|
|
--That's all right, citizen, says Joe. Friends here.
|
|
|
|
--Pass, friends, says he.
|
|
|
|
Then he rubs his hand in his eye and says he:
|
|
|
|
--What's your opinion of the times?
|
|
|
|
Doing the rapparee and Rory of the hill. But, begob, Joe was equal to
|
|
the occasion.
|
|
|
|
--I think the markets are on a rise, says he, sliding his hand down his
|
|
fork.
|
|
|
|
So begob the citizen claps his paw on his knee and he says:
|
|
|
|
--Foreign wars is the cause of it.
|
|
|
|
And says Joe, sticking his thumb in his pocket:
|
|
|
|
--It's the Russians wish to tyrannise.
|
|
|
|
--Arrah, give over your bloody codding, Joe, says I. I've a thirst on me I
|
|
wouldn't sell for half a crown.
|
|
|
|
--Give it a name, citizen, says Joe.
|
|
|
|
--Wine of the country, says he.
|
|
|
|
--What's yours? says Joe.
|
|
|
|
--Ditto MacAnaspey, says I.
|
|
|
|
--Three pints, Terry, says Joe. And how's the old heart, citizen? says he.
|
|
|
|
--Never better, A CHARA, says he. What Garry? Are we going to win? Eh?
|
|
|
|
And with that he took the bloody old towser by the scruff of the neck
|
|
and, by Jesus, he near throttled him.
|
|
|
|
The figure seated on a large boulder at the foot of a round tower
|
|
was that of a broadshouldered deepchested stronglimbed frankeyed
|
|
redhaired freelyfreckled shaggybearded widemouthed largenosed
|
|
longheaded deepvoiced barekneed brawnyhanded hairylegged ruddyfaced
|
|
sinewyarmed hero. From shoulder to shoulder he measured several ells and
|
|
his rocklike mountainous knees were covered, as was likewise the rest of
|
|
his body wherever visible, with a strong growth of tawny prickly hair in
|
|
hue and toughness similar to the mountain gorse (ULEX EUROPEUS). The
|
|
widewinged nostrils, from which bristles of the same tawny hue projected,
|
|
were of such capaciousness that within their cavernous obscurity the
|
|
fieldlark might easily have lodged her nest. The eyes in which a tear and
|
|
a smile strove ever for the mastery were of the dimensions of a goodsized
|
|
cauliflower. A powerful current of warm breath issued at regular intervals
|
|
from the profound cavity of his mouth while in rhythmic resonance the
|
|
loud strong hale reverberations of his formidable heart thundered
|
|
rumblingly causing the ground, the summit of the lofty tower and the still
|
|
loftier walls of the cave to vibrate and tremble.
|
|
|
|
He wore a long unsleeved garment of recently flayed oxhide reaching to the
|
|
knees in a loose kilt and this was bound about his middle by a girdle of
|
|
plaited straw and rushes. Beneath this he wore trews of deerskin, roughly
|
|
stitched with gut. His nether extremities were encased in high Balbriggan
|
|
buskins dyed in lichen purple, the feet being shod with brogues of salted
|
|
cowhide laced with the windpipe of the same beast. From his girdle hung a
|
|
row of seastones which jangled at every movement of his portentous frame
|
|
and on these were graven with rude yet striking art the tribal images of
|
|
many Irish heroes and heroines of antiquity, Cuchulin, Conn of hundred
|
|
battles, Niall of nine hostages, Brian of Kincora, the ardri Malachi, Art
|
|
MacMurragh, Shane O'Neill, Father John Murphy, Owen Roe, Patrick
|
|
Sarsfield, Red Hugh O'Donnell, Red Jim MacDermott, Soggarth Eoghan
|
|
O'Growney, Michael Dwyer, Francy Higgins, Henry Joy M'Cracken,
|
|
Goliath, Horace Wheatley, Thomas Conneff, Peg Woffington, the Village
|
|
Blacksmith, Captain Moonlight, Captain Boycott, Dante Alighieri,
|
|
Christopher Columbus, S. Fursa, S. Brendan, Marshal MacMahon,
|
|
Charlemagne, Theobald Wolfe Tone, the Mother of the Maccabees, the Last
|
|
of the Mohicans, the Rose of Castile, the Man for Galway, The Man that
|
|
Broke the Bank at Monte Carlo, The Man in the Gap, The Woman Who
|
|
Didn't, Benjamin Franklin, Napoleon Bonaparte, John L. Sullivan,
|
|
Cleopatra, Savourneen Deelish, Julius Caesar, Paracelsus, sir Thomas
|
|
Lipton, William Tell, Michelangelo Hayes, Muhammad, the Bride of
|
|
Lammermoor, Peter the Hermit, Peter the Packer, Dark Rosaleen, Patrick
|
|
W. Shakespeare, Brian Confucius, Murtagh Gutenberg, Patricio
|
|
Velasquez, Captain Nemo, Tristan and Isolde, the first Prince of Wales,
|
|
Thomas Cook and Son, the Bold Soldier Boy, Arrah na Pogue, Dick
|
|
Turpin, Ludwig Beethoven, the Colleen Bawn, Waddler Healy, Angus the
|
|
Culdee, Dolly Mount, Sidney Parade, Ben Howth, Valentine Greatrakes,
|
|
Adam and Eve, Arthur Wellesley, Boss Croker, Herodotus, Jack the
|
|
Giantkiller, Gautama Buddha, Lady Godiva, The Lily of Killarney, Balor
|
|
of the Evil Eye, the Queen of Sheba, Acky Nagle, Joe Nagle, Alessandro
|
|
Volta, Jeremiah O'Donovan Rossa, Don Philip O'Sullivan Beare. A
|
|
couched spear of acuminated granite rested by him while at his feet
|
|
reposed a savage animal of the canine tribe whose stertorous gasps
|
|
announced that he was sunk in uneasy slumber, a supposition confirmed by
|
|
hoarse growls and spasmodic movements which his master repressed from time
|
|
to time by tranquilising blows of a mighty cudgel rudely fashioned out of
|
|
paleolithic stone.
|
|
|
|
So anyhow Terry brought the three pints Joe was standing and begob
|
|
the sight nearly left my eyes when I saw him land out a quid O, as true as
|
|
I'm telling you. A goodlooking sovereign.
|
|
|
|
--And there's more where that came from, says he.
|
|
|
|
--Were you robbing the poorbox, Joe? says I.
|
|
|
|
--Sweat of my brow, says Joe. 'Twas the prudent member gave me the wheeze.
|
|
|
|
--I saw him before I met you, says I, sloping around by Pill lane and
|
|
Greek street with his cod's eye counting up all the guts of the fish.
|
|
|
|
Who comes through Michan's land, bedight in sable armour? O'Bloom,
|
|
the son of Rory: it is he. Impervious to fear is Rory's son: he
|
|
of the prudent soul.
|
|
|
|
--For the old woman of Prince's street, says the citizen, the subsidised
|
|
organ. The pledgebound party on the floor of the house. And look at this
|
|
blasted rag, says he. Look at this, says he. THE IRISH INDEPENDENT, if you
|
|
please, founded by Parnell to be the workingman's friend. Listen to the
|
|
births and deaths in the IRISH ALL FOR IRELAND INDEPENDENT, and I'll thank
|
|
you and the marriages.
|
|
|
|
And he starts reading them out:
|
|
|
|
--Gordon, Barnfield crescent, Exeter; Redmayne of Iffley, Saint Anne's on
|
|
Sea: the wife of William T Redmayne of a son. How's that, eh? Wright and
|
|
Flint, Vincent and Gillett to Rotha Marion daughter of Rosa and the late
|
|
George Alfred Gillett, 179 Clapham road, Stockwell, Playwood and
|
|
Ridsdale at Saint Jude's, Kensington by the very reverend Dr Forrest, dean
|
|
of Worcester. Eh? Deaths. Bristow, at Whitehall lane, London: Carr, Stoke
|
|
Newington, of gastritis and heart disease: Cockburn, at the Moat house,
|
|
Chepstow ...
|
|
|
|
--I know that fellow, says Joe, from bitter experience.
|
|
|
|
--Cockburn. Dimsey, wife of David Dimsey, late of the admiralty: Miller,
|
|
Tottenham, aged eightyfive: Welsh, June 12, at 35 Canning street,
|
|
Liverpool, Isabella Helen. How's that for a national press, eh, my brown
|
|
son! How's that for Martin Murphy, the Bantry jobber?
|
|
|
|
--Ah, well, says Joe, handing round the boose. Thanks be to God they had
|
|
the start of us. Drink that, citizen.
|
|
|
|
--I will, says he, honourable person.
|
|
|
|
--Health, Joe, says I. And all down the form.
|
|
|
|
Ah! Ow! Don't be talking! I was blue mouldy for the want of that
|
|
pint. Declare to God I could hear it hit the pit of my stomach with a
|
|
click.
|
|
|
|
And lo, as they quaffed their cup of joy, a godlike messenger came
|
|
swiftly in, radiant as the eye of heaven, a comely youth and behind him
|
|
there passed an elder of noble gait and countenance, bearing the sacred
|
|
scrolls of law and with him his lady wife a dame of peerless lineage,
|
|
fairest of her race.
|
|
|
|
Little Alf Bergan popped in round the door and hid behind Barney's
|
|
snug, squeezed up with the laughing. And who was sitting up there in the
|
|
corner that I hadn't seen snoring drunk blind to the world only Bob Doran.
|
|
I didn't know what was up and Alf kept making signs out of the door. And
|
|
begob what was it only that bloody old pantaloon Denis Breen in his
|
|
bathslippers with two bloody big books tucked under his oxter and the wife
|
|
hotfoot after him, unfortunate wretched woman, trotting like a poodle. I
|
|
thought Alf would split.
|
|
|
|
--Look at him, says he. Breen. He's traipsing all round Dublin with a
|
|
postcard someone sent him with U. p: up on it to take a li ...
|
|
|
|
And he doubled up.
|
|
|
|
--Take a what? says I.
|
|
|
|
--Libel action, says he, for ten thousand pounds.
|
|
|
|
--O hell! says I.
|
|
|
|
The bloody mongrel began to growl that'd put the fear of God in you
|
|
seeing something was up but the citizen gave him a kick in the ribs.
|
|
|
|
--BI I DHO HUSHT, says he.
|
|
|
|
--Who? says Joe.
|
|
|
|
--Breen, says Alf. He was in John Henry Menton's and then he went round
|
|
to Collis and Ward's and then Tom Rochford met him and sent him round
|
|
to the subsheriff's for a lark. O God, I've a pain laughing. U. p: up. The
|
|
long fellow gave him an eye as good as a process and now the bloody old
|
|
lunatic is gone round to Green street to look for a G man.
|
|
|
|
--When is long John going to hang that fellow in Mountjoy? says Joe.
|
|
|
|
--Bergan, says Bob Doran, waking up. Is that Alf Bergan?
|
|
|
|
--Yes, says Alf. Hanging? Wait till I show you. Here, Terry, give us a
|
|
pony. That bloody old fool! Ten thousand pounds. You should have seen long
|
|
John's eye. U. p ...
|
|
|
|
And he started laughing.
|
|
|
|
--Who are you laughing at? says Bob Doran. Is that Bergan?
|
|
|
|
--Hurry up, Terry boy, says Alf.
|
|
|
|
Terence O'Ryan heard him and straightway brought him a crystal
|
|
cup full of the foamy ebon ale which the noble twin brothers Bungiveagh
|
|
and Bungardilaun brew ever in their divine alevats, cunning as the sons of
|
|
deathless Leda. For they garner the succulent berries of the hop and mass
|
|
and sift and bruise and brew them and they mix therewith sour juices and
|
|
bring the must to the sacred fire and cease not night or day from their
|
|
toil, those cunning brothers, lords of the vat.
|
|
|
|
|
|
Then did you, chivalrous Terence, hand forth, as to the manner born,
|
|
that nectarous beverage and you offered the crystal cup to him that
|
|
thirsted, the soul of chivalry, in beauty akin to the immortals.
|
|
|
|
But he, the young chief of the O'Bergan's, could ill brook to be outdone
|
|
in generous deeds but gave therefor with gracious gesture a testoon
|
|
of costliest bronze. Thereon embossed in excellent smithwork was seen the
|
|
image of a queen of regal port, scion of the house of Brunswick, Victoria
|
|
her name, Her Most Excellent Majesty, by grace of God of the United
|
|
Kingdom of Great Britain and Ireland and of the British dominions beyond
|
|
the sea, queen, defender of the faith, Empress of India, even she, who
|
|
bore rule, a victress over many peoples, the wellbeloved, for they knew
|
|
and loved her from the rising of the sun to the going down thereof, the
|
|
pale, the dark, the ruddy and the ethiop.
|
|
|
|
--What's that bloody freemason doing, says the citizen, prowling up and
|
|
down outside?
|
|
|
|
--What's that? says Joe.
|
|
|
|
--Here you are, says Alf, chucking out the rhino. Talking about hanging,
|
|
I'll show you something you never saw. Hangmen's letters. Look at here.
|
|
|
|
So he took a bundle of wisps of letters and envelopes out of his pocket.
|
|
|
|
--Are you codding? says I.
|
|
|
|
--Honest injun, says Alf. Read them.
|
|
|
|
So Joe took up the letters.
|
|
|
|
--Who are you laughing at? says Bob Doran.
|
|
|
|
So I saw there was going to be a bit of a dust Bob's a queer chap
|
|
when the porter's up in him so says I just to make talk:
|
|
|
|
--How's Willy Murray those times, Alf?
|
|
|
|
--I don't know, says Alf I saw him just now in Capel street with Paddy
|
|
Dignam. Only I was running after that ...
|
|
|
|
--You what? says Joe, throwing down the letters. With who?
|
|
|
|
--With Dignam, says Alf.
|
|
|
|
--Is it Paddy? says Joe.
|
|
|
|
--Yes, says Alf. Why?
|
|
|
|
--Don't you know he's dead? says Joe.
|
|
|
|
--Paddy Dignam dead! says Alf.
|
|
|
|
--Ay, says Joe.
|
|
|
|
--Sure I'm after seeing him not five minutes ago, says Alf, as plain as a
|
|
pikestaff.
|
|
|
|
--Who's dead? says Bob Doran.
|
|
|
|
--You saw his ghost then, says Joe, God between us and harm.
|
|
|
|
--What? says Alf. Good Christ, only five ... What? ... And Willy Murray
|
|
with him, the two of them there near whatdoyoucallhim's ... What?
|
|
Dignam dead?
|
|
|
|
--What about Dignam? says Bob Doran. Who's talking about ...?
|
|
|
|
--Dead! says Alf. He's no more dead than you are.
|
|
|
|
--Maybe so, says Joe. They took the liberty of burying him this morning
|
|
anyhow.
|
|
|
|
--Paddy? says Alf.
|
|
|
|
--Ay, says Joe. He paid the debt of nature, God be merciful to him.
|
|
|
|
--Good Christ! says Alf.
|
|
|
|
Begob he was what you might call flabbergasted.
|
|
|
|
In the darkness spirit hands were felt to flutter and when prayer by
|
|
tantras had been directed to the proper quarter a faint but increasing
|
|
luminosity of ruby light became gradually visible, the apparition of the
|
|
etheric double being particularly lifelike owing to the discharge of jivic
|
|
rays from the crown of the head and face. Communication was effected
|
|
through the pituitary body and also by means of the orangefiery and
|
|
scarlet rays emanating from the sacral region and solar plexus. Questioned
|
|
by his earthname as to his whereabouts in the heavenworld he stated that
|
|
he was now on the path of pr l ya or return but was still submitted to
|
|
trial at the hands of certain bloodthirsty entities on the lower astral
|
|
levels. In reply to a question as to his first sensations in the great
|
|
divide beyond he stated that previously he had seen as in a glass darkly
|
|
but that those who had passed over had summit possibilities of atmic
|
|
development opened up to them. Interrogated as to whether life there
|
|
resembled our experience in the flesh he stated that he had heard from
|
|
more favoured beings now in the spirit that their abodes were equipped
|
|
with every modern home comfort such as talafana, alavatar, hatakalda,
|
|
wataklasat and that the highest adepts were steeped in waves of volupcy
|
|
of the very purest nature. Having requested a quart of buttermilk this was
|
|
brought and evidently afforded relief. Asked if he had any message
|
|
for the living he exhorted all who were still at the wrong side of Maya
|
|
to acknowledge the true path for it was reported in devanic circles that
|
|
Mars and Jupiter were out for mischief on the eastern angle where the
|
|
ram has power. It was then queried whether there were any special
|
|
desires on the part of the defunct and the reply was: WE GREET YOU,
|
|
FRIENDS OF EARTH, WHO ARE STILL IN THE BODY. MIND C. K. DOESN'T PILE IT
|
|
ON. It was ascertained that the reference was to Mr Cornelius Kelleher,
|
|
manager of Messrs H. J. O'Neill's popular funeral establishment, a
|
|
personal friend of the defunct, who had been responsible for the carrying
|
|
out of the interment arrangements. Before departing he requested that it
|
|
should be told to his dear son Patsy that the other boot which he had been
|
|
looking for was at present under the commode in the return room and that
|
|
the pair should be sent to Cullen's to be soled only as the heels were
|
|
still good. He stated that this had greatly perturbed his peace of mind in
|
|
the other region and earnestly requested that his desire should be made
|
|
known.
|
|
|
|
Assurances were given that the matter would be attended to and it was
|
|
intimated that this had given satisfaction.
|
|
|
|
He is gone from mortal haunts: O'Dignam, sun of our morning. Fleet
|
|
was his foot on the bracken: Patrick of the beamy brow. Wail, Banba, with
|
|
your wind: and wail, O ocean, with your whirlwind.
|
|
|
|
--There he is again, says the citizen, staring out.
|
|
|
|
--Who? says I.
|
|
|
|
--Bloom, says he. He's on point duty up and down there for the last ten
|
|
minutes.
|
|
|
|
And, begob, I saw his physog do a peep in and then slidder off again.
|
|
|
|
Little Alf was knocked bawways. Faith, he was.
|
|
|
|
--Good Christ! says he. I could have sworn it was him.
|
|
|
|
And says Bob Doran, with the hat on the back of his poll, lowest
|
|
blackguard in Dublin when he's under the influence:
|
|
|
|
--Who said Christ is good?
|
|
|
|
--I beg your parsnips, says Alf.
|
|
|
|
--Is that a good Christ, says Bob Doran, to take away poor little Willy
|
|
Dignam?
|
|
|
|
--Ah, well, says Alf, trying to pass it off. He's over all his troubles.
|
|
|
|
But Bob Doran shouts out of him.
|
|
|
|
--He's a bloody ruffian, I say, to take away poor little Willy Dignam.
|
|
|
|
Terry came down and tipped him the wink to keep quiet, that they
|
|
didn't want that kind of talk in a respectable licensed premises. And Bob
|
|
Doran starts doing the weeps about Paddy Dignam, true as you're there.
|
|
|
|
--The finest man, says he, snivelling, the finest purest character.
|
|
|
|
The tear is bloody near your eye. Talking through his bloody hat.
|
|
Fitter for him go home to the little sleepwalking bitch he married,
|
|
Mooney, the bumbailiff's daughter, mother kept a kip in Hardwicke street,
|
|
that used to be stravaging about the landings Bantam Lyons told me that
|
|
was stopping there at two in the morning without a stitch on her, exposing
|
|
her person, open to all comers, fair field and no favour.
|
|
|
|
--The noblest, the truest, says he. And he's gone, poor little Willy, poor
|
|
little Paddy Dignam.
|
|
|
|
And mournful and with a heavy heart he bewept the extinction of that
|
|
beam of heaven.
|
|
|
|
Old Garryowen started growling again at Bloom that was skeezing
|
|
round the door.
|
|
|
|
--Come in, come on, he won't eat you, says the citizen.
|
|
|
|
So Bloom slopes in with his cod's eye on the dog and he asks Terry
|
|
was Martin Cunningham there.
|
|
|
|
--O, Christ M'Keown, says Joe, reading one of the letters. Listen to this,
|
|
will you?
|
|
|
|
And he starts reading out one.
|
|
|
|
|
|
7 HUNTER STREET, LIVERPOOL.
|
|
TO THE HIGH SHERIFF OF DUBLIN, DUBLIN.
|
|
|
|
HONOURED SIR I BEG TO OFFER MY SERVICES IN THE ABOVEMENTIONED PAINFUL
|
|
CASE I HANGED JOE GANN IN BOOTLE JAIL ON THE 12 OF FEBUARY 1900 AND I
|
|
HANGED ...
|
|
|
|
--Show us, Joe, says I.
|
|
|
|
-- ... PRIVATE ARTHUR CHACE FOR FOWL MURDER OF JESSIE TILSIT IN
|
|
PENTONVILLE PRISON AND I WAS ASSISTANT WHEN ...
|
|
|
|
--Jesus, says I.
|
|
|
|
-- ... BILLINGTON EXECUTED THE AWFUL MURDERER TOAD SMITH ...
|
|
|
|
The citizen made a grab at the letter.
|
|
|
|
--Hold hard, says Joe, I HAVE A SPECIAL NACK OF PUTTING THE NOOSE ONCE IN
|
|
HE CAN'T GET OUT HOPING TO BE FAVOURED I REMAIN, HONOURED SIR, MY TERMS IS
|
|
FIVE GINNEES.
|
|
|
|
H. RUMBOLD,
|
|
MASTER BARBER.
|
|
|
|
|
|
--And a barbarous bloody barbarian he is too, says the citizen.
|
|
|
|
--And the dirty scrawl of the wretch, says Joe. Here, says he, take them
|
|
to hell out of my sight, Alf. Hello, Bloom, says he, what will you have?
|
|
|
|
So they started arguing about the point, Bloom saying he wouldn't
|
|
and he couldn't and excuse him no offence and all to that and then he said
|
|
well he'd just take a cigar. Gob, he's a prudent member and no mistake.
|
|
|
|
--Give us one of your prime stinkers, Terry, says Joe.
|
|
|
|
And Alf was telling us there was one chap sent in a mourning card
|
|
with a black border round it.
|
|
|
|
--They're all barbers, says he, from the black country that would hang
|
|
their own fathers for five quid down and travelling expenses.
|
|
|
|
And he was telling us there's two fellows waiting below to pull his
|
|
heels down when he gets the drop and choke him properly and then they
|
|
chop up the rope after and sell the bits for a few bob a skull.
|
|
|
|
In the dark land they bide, the vengeful knights of the razor. Their
|
|
deadly coil they grasp: yea, and therein they lead to Erebus whatsoever
|
|
wight hath done a deed of blood for I will on nowise suffer it even so
|
|
saith the Lord.
|
|
|
|
So they started talking about capital punishment and of course Bloom
|
|
comes out with the why and the wherefore and all the codology of the
|
|
business and the old dog smelling him all the time I'm told those jewies
|
|
does have a sort of a queer odour coming off them for dogs about I don't
|
|
know what all deterrent effect and so forth and so on.
|
|
|
|
--There's one thing it hasn't a deterrent effect on, says Alf.
|
|
|
|
--What's that? says Joe.
|
|
|
|
--The poor bugger's tool that's being hanged, says Alf.
|
|
|
|
--That so? says Joe.
|
|
|
|
--God's truth, says Alf. I heard that from the head warder that was in
|
|
|
|
Kilmainham when they hanged Joe Brady, the invincible. He told me when
|
|
they cut him down after the drop it was standing up in their faces like a
|
|
poker.
|
|
|
|
--Ruling passion strong in death, says Joe, as someone said.
|
|
|
|
--That can be explained by science, says Bloom. It's only a natural
|
|
phenomenon, don't you see, because on account of the ...
|
|
|
|
And then he starts with his jawbreakers about phenomenon and
|
|
science and this phenomenon and the other phenomenon.
|
|
|
|
The distinguished scientist Herr Professor Luitpold Blumenduft
|
|
tendered medical evidence to the effect that the instantaneous fracture of
|
|
the cervical vertebrae and consequent scission of the spinal cord would,
|
|
according to the best approved tradition of medical science, be calculated
|
|
to inevitably produce in the human subject a violent ganglionic stimulus
|
|
of the nerve centres of the genital apparatus, thereby causing the elastic
|
|
pores of the CORPORA CAVERNOSA to rapidly dilate in such a way as to
|
|
instantaneously facilitate the flow of blood to that part of the human
|
|
anatomy known as the penis or male organ resulting in the phenomenon which
|
|
has been denominated by the faculty a morbid upwards and outwards
|
|
philoprogenitive erection IN ARTICULO MORTIS PER DIMINUTIONEM CAPITIS.
|
|
|
|
So of course the citizen was only waiting for the wink of the word and
|
|
he starts gassing out of him about the invincibles and the old guard and
|
|
the men of sixtyseven and who fears to speak of ninetyeight and Joe with
|
|
him about all the fellows that were hanged, drawn and transported for the
|
|
cause by drumhead courtmartial and a new Ireland and new this, that and
|
|
the other. Talking about new Ireland he ought to go and get a new dog so
|
|
he ought. Mangy ravenous brute sniffing and sneezing all round the place
|
|
and scratching his scabs. And round he goes to Bob Doran that was
|
|
standing Alf a half one sucking up for what he could get. So of course Bob
|
|
Doran starts doing the bloody fool with him:
|
|
|
|
--Give us the paw! Give the paw, doggy! Good old doggy! Give the paw
|
|
here! Give us the paw!
|
|
|
|
Arrah, bloody end to the paw he'd paw and Alf trying to keep him
|
|
from tumbling off the bloody stool atop of the bloody old dog and he
|
|
talking all kinds of drivel about training by kindness and thoroughbred
|
|
dog and intelligent dog: give you the bloody pip. Then he starts scraping
|
|
a few bits of old biscuit out of the bottom of a Jacobs' tin he told Terry
|
|
to bring. Gob, he golloped it down like old boots and his tongue hanging
|
|
out of him a yard long for more. Near ate the tin and all, hungry bloody
|
|
mongrel.
|
|
|
|
And the citizen and Bloom having an argument about the point, the
|
|
brothers Sheares and Wolfe Tone beyond on Arbour Hill and Robert
|
|
Emmet and die for your country, the Tommy Moore touch about Sara
|
|
Curran and she's far from the land. And Bloom, of course, with his
|
|
knockmedown cigar putting on swank with his lardy face. Phenomenon!
|
|
The fat heap he married is a nice old phenomenon with a back on her like a
|
|
ballalley. Time they were stopping up in the CITY ARMS pisser Burke told
|
|
me there was an old one there with a cracked loodheramaun of a nephew and
|
|
Bloom trying to get the soft side of her doing the mollycoddle playing
|
|
bezique to come in for a bit of the wampum in her will and not eating meat
|
|
of a Friday because the old one was always thumping her craw and taking
|
|
the lout out for a walk. And one time he led him the rounds of Dublin and,
|
|
by the holy farmer, he never cried crack till he brought him home as drunk
|
|
as a boiled owl and he said he did it to teach him the evils of alcohol
|
|
and by herrings, if the three women didn't near roast him, it's a queer
|
|
story, the old one, Bloom's wife and Mrs O'Dowd that kept the hotel.
|
|
Jesus, I had to laugh at pisser Burke taking them off chewing the fat.
|
|
And Bloom with his BUT DON'T YOU SEE? and BUT ON THE OTHER HAND. And sure,
|
|
more be token, the lout I'm told was in Power's after, the blender's,
|
|
round in Cope street going home footless in a cab five times in the week
|
|
after drinking his way through all the samples in the bloody
|
|
establishment. Phenomenon!
|
|
|
|
--The memory of the dead, says the citizen taking up his pintglass and
|
|
glaring at Bloom.
|
|
|
|
--Ay, ay, says Joe.
|
|
|
|
--You don't grasp my point, says Bloom. What I mean is ...
|
|
|
|
--SINN FEIN! says the citizen. SINN FEIN AMHAIN! The friends we love are
|
|
by our side and the foes we hate before us.
|
|
|
|
The last farewell was affecting in the extreme. From the belfries far
|
|
and near the funereal deathbell tolled unceasingly while all around the
|
|
gloomy precincts rolled the ominous warning of a hundred muffled drums
|
|
punctuated by the hollow booming of pieces of ordnance. The deafening
|
|
claps of thunder and the dazzling flashes of lightning which lit up the
|
|
ghastly scene testified that the artillery of heaven had lent its
|
|
supernatural pomp to the already gruesome spectacle. A torrential rain
|
|
poured down from the floodgates of the angry heavens upon the bared heads
|
|
of the assembled multitude which numbered at the lowest computation five
|
|
hundred thousand persons. A posse of Dublin Metropolitan police
|
|
superintended by the Chief Commissioner in person maintained order in
|
|
the vast throng for whom the York street brass and reed band whiled away
|
|
the intervening time by admirably rendering on their blackdraped
|
|
instruments the matchless melody endeared to us from the cradle by
|
|
Speranza's plaintive muse. Special quick excursion trains and upholstered
|
|
charabancs had been provided for the comfort of our country cousins of
|
|
whom there were large contingents. Considerable amusement was caused
|
|
by the favourite Dublin streetsingers L-n-h-n and M-ll-g-n who sang The
|
|
NIGHT BEFORE LARRY WAS STRETCHED in their usual mirth-provoking fashion.
|
|
Our two inimitable drolls did a roaring trade with their broadsheets among
|
|
lovers of the comedy element and nobody who has a corner in his heart for
|
|
real Irish fun without vulgarity will grudge them their hardearned
|
|
pennies. The children of the Male and Female Foundling Hospital who
|
|
thronged the windows overlooking the scene were delighted with this
|
|
unexpected addition to the day's entertainment and a word of praise is due
|
|
to the Little Sisters of the Poor for their excellent idea of affording
|
|
the poor fatherless and motherless children a genuinely instructive treat.
|
|
The viceregal houseparty which included many wellknown ladies was
|
|
chaperoned by Their Excellencies to the most favourable positions on the
|
|
grandstand while the picturesque foreign delegation known as the Friends
|
|
of the Emerald Isle was accommodated on a tribune directly opposite.
|
|
The delegation, present in full force, consisted of Commendatore
|
|
Bacibaci Beninobenone (the semiparalysed DOYEN of the party who had
|
|
to be assisted to his seat by the aid of a powerful steam crane),
|
|
Monsieur Pierrepaul Petitepatant, the Grandjoker Vladinmire
|
|
Pokethankertscheff, the Archjoker Leopold Rudolph von
|
|
Schwanzenbad-Hodenthaler, Countess Marha Viraga Kisaszony Putrapesthi,
|
|
Hiram Y. Bomboost, Count Athanatos Karamelopulos, Ali Baba Backsheesh
|
|
Rahat Lokum Effendi, Senor Hidalgo Caballero Don Pecadillo y
|
|
Palabras y Paternoster de la Malora de la Malaria, Hokopoko Harakiri,
|
|
Hi Hung Chang, Olaf Kobberkeddelsen, Mynheer Trik van Trumps,
|
|
Pan Poleaxe Paddyrisky, Goosepond Prhklstr Kratchinabritchisitch,
|
|
Borus Hupinkoff, Herr Hurhausdirektorpresident Hans Chuechli-Steuerli,
|
|
Nationalgymnasiummuseumsanatoriumandsuspensoriumsordinaryprivatdocent-
|
|
generalhistoryspecialprofessordoctor Kriegfried Ueberallgemein.
|
|
All the delegates without exception expressed themselves in the
|
|
strongest possible heterogeneous terms concerning the nameless
|
|
barbarity which they had been called upon to witness. An animated
|
|
altercation (in which all took part) ensued among the F. O. T. E. I.
|
|
as to whether the eighth or the ninth of March was the correct
|
|
date of the birth of Ireland's patron saint. In the course of the
|
|
argument cannonballs, scimitars, boomerangs, blunderbusses, stinkpots,
|
|
meatchoppers, umbrellas, catapults, knuckledusters, sandbags, lumps of pig
|
|
iron were resorted to and blows were freely exchanged. The baby
|
|
policeman, Constable MacFadden, summoned by special courier from
|
|
Booterstown, quickly restored order and with lightning promptitude
|
|
proposed the seventeenth of the month as a solution equally honourable for
|
|
both contending parties. The readywitted ninefooter's suggestion at once
|
|
appealed to all and was unanimously accepted. Constable MacFadden was
|
|
heartily congratulated by all the F.O.T.E.I., several of whom were
|
|
bleeding profusely. Commendatore Beninobenone having been extricated
|
|
from underneath the presidential armchair, it was explained by his legal
|
|
adviser Avvocato Pagamimi that the various articles secreted in his
|
|
thirtytwo pockets had been abstracted by him during the affray from the
|
|
pockets of his junior colleagues in the hope of bringing them to their
|
|
senses. The objects (which included several hundred ladies' and
|
|
gentlemen's gold and silver watches) were promptly restored to their
|
|
rightful owners and general harmony reigned supreme.
|
|
|
|
Quietly, unassumingly Rumbold stepped on to the scaffold in faultless
|
|
morning dress and wearing his favourite flower, the GLADIOLUS CRUENTUS.
|
|
He announced his presence by that gentle Rumboldian cough which so
|
|
many have tried (unsuccessfully) to imitate--short, painstaking yet withal
|
|
so characteristic of the man. The arrival of the worldrenowned headsman
|
|
was greeted by a roar of acclamation from the huge concourse, the
|
|
viceregal ladies waving their handkerchiefs in their excitement while the
|
|
even more excitable foreign delegates cheered vociferously in a medley of
|
|
cries, HOCH, BANZAI, ELJEN, ZIVIO, CHINCHIN, POLLA KRONIA, HIPHIP, VIVE,
|
|
ALLAH, amid which the ringing evviva of the delegate of the land of song
|
|
(a high double F recalling those piercingly lovely notes with which the
|
|
eunuch Catalani beglamoured our greatgreatgrandmothers) was easily
|
|
distinguishable. It was exactly seventeen o'clock. The signal for prayer
|
|
was then promptly given by megaphone and in an instant all heads were
|
|
bared, the commendatore's patriarchal sombrero, which has been in the
|
|
possession of his family since the revolution of Rienzi, being removed by
|
|
his medical adviser in attendance, Dr Pippi. The learned prelate who
|
|
administered the last comforts of holy religion to the hero martyr when
|
|
about to pay the death penalty knelt in a most christian spirit in a pool
|
|
of rainwater, his cassock above his hoary head, and offered up to the
|
|
throne of grace fervent prayers of supplication. Hand by the block stood
|
|
the grim figure of the executioner, his visage being concealed in a
|
|
tengallon pot with two circular perforated apertures through which
|
|
his eyes glowered furiously. As he awaited the fatal signal he
|
|
tested the edge of his horrible weapon by honing it upon his
|
|
brawny forearm or decapitated in rapid succession a flock of
|
|
sheep which had been provided by the admirers of his fell but necessary
|
|
office. On a handsome mahogany table near him were neatly arranged the
|
|
quartering knife, the various finely tempered disembowelling appliances
|
|
(specially supplied by the worldfamous firm of cutlers, Messrs John Round
|
|
and Sons, Sheffield), a terra cotta saucepan for the reception of the
|
|
duodenum, colon, blind intestine and appendix etc when successfully
|
|
extracted and two commodious milkjugs destined to receive the most
|
|
precious blood of the most precious victim. The housesteward of the
|
|
amalgamated cats' and dogs' home was in attendance to convey these
|
|
vessels when replenished to that beneficent institution. Quite an
|
|
excellent repast consisting of rashers and eggs, fried steak and onions,
|
|
done to a nicety, delicious hot breakfast rolls and invigorating tea had
|
|
been considerately provided by the authorities for the consumption
|
|
of the central figure of the tragedy who was in capital spirits
|
|
when prepared for death and evinced the keenest interest in the
|
|
proceedings from beginning to end but he, with an abnegation rare
|
|
in these our times, rose nobly to the occasion and expressed the
|
|
dying wish (immediately acceded to) that the meal should be
|
|
divided in aliquot parts among the members of the sick and indigent
|
|
roomkeepers' association as a token of his regard and esteem. The NEC and
|
|
NON PLUS ULTRA of emotion were reached when the blushing bride elect burst
|
|
her way through the serried ranks of the bystanders and flung herself upon
|
|
the muscular bosom of him who was about to be launched into eternity for
|
|
her sake. The hero folded her willowy form in a loving embrace murmuring
|
|
fondly SHEILA, MY OWN. Encouraged by this use of her christian name she
|
|
kissed passionately all the various suitable areas of his person which the
|
|
decencies of prison garb permitted her ardour to reach. She swore to him
|
|
as they mingled the salt streams of their tears that she would ever
|
|
cherish his memory, that she would never forget her hero boy who went to
|
|
his death with a song on his lips as if he were but going to a hurling
|
|
match in Clonturk park. She brought back to his recollection the happy
|
|
days of blissful childhood together on the banks of Anna Liffey when they
|
|
had indulged in the innocent pastimes of the young and, oblivious of the
|
|
dreadful present, they both laughed heartily, all the spectators,
|
|
including the venerable pastor, joining in the general merriment. That
|
|
monster audience simply rocked with delight. But anon they were overcome
|
|
with grief and clasped their hands for the last time. A fresh torrent of
|
|
tears burst from their lachrymal ducts and the vast concourse of people,
|
|
touched to the inmost core, broke into heartrending sobs, not the least
|
|
affected being the aged prebendary himself. Big strong men, officers of
|
|
the peace and genial giants of the royal Irish constabulary,
|
|
were making frank use of their handkerchiefs and it is safe to say
|
|
that there was not a dry eye in that record assemblage. A most
|
|
romantic incident occurred when a handsome young Oxford graduate,
|
|
noted for his chivalry towards the fair sex, stepped forward and,
|
|
presenting his visiting card, bankbook and genealogical tree,
|
|
solicited the hand of the hapless young lady, requesting her to
|
|
name the day, and was accepted on the spot. Every lady in the
|
|
audience was presented with a tasteful souvenir of the occasion
|
|
in the shape of a skull and crossbones brooch, a timely and generous
|
|
act which evoked a fresh outburst of emotion: and when the gallant
|
|
young Oxonian (the bearer, by the way, of one of the most timehonoured
|
|
names in Albion's history) placed on the finger of his blushing FIANCEE
|
|
an expensive engagement ring with emeralds set in the form of a
|
|
fourleaved shamrock the excitement knew no bounds. Nay, even the ster
|
|
provostmarshal, lieutenantcolonel Tomkin-Maxwell ffrenchmullan Tomlinson,
|
|
who presided on the sad occasion, he who had blown a considerable number
|
|
of sepoys from the cannonmouth without flinching, could not now restrain
|
|
his natural emotion. With his mailed gauntlet he brushed away a furtive
|
|
tear and was overheard, by those privileged burghers who happened to be
|
|
in his immediate ENTOURAGE, to murmur to himself in a faltering undertone:
|
|
|
|
--God blimey if she aint a clinker, that there bleeding tart. Blimey it
|
|
makes me kind of bleeding cry, straight, it does, when I sees her cause I
|
|
thinks of my old mashtub what's waiting for me down Limehouse way.
|
|
|
|
So then the citizen begins talking about the Irish language and the
|
|
corporation meeting and all to that and the shoneens that can't speak
|
|
their own language and Joe chipping in because he stuck someone for
|
|
a quid and Bloom putting in his old goo with his twopenny stump that
|
|
he cadged off of Joe and talking about the Gaelic league and the
|
|
antitreating league and drink, the curse of Ireland. Antitreating
|
|
is about the size of it. Gob, he'd let you pour all manner of drink
|
|
down his throat till the Lord would call him before you'd ever
|
|
see the froth of his pint. And one night I went in with a fellow
|
|
into one of their musical evenings, song and dance about she could
|
|
get up on a truss of hay she could my Maureen Lay and there was a fellow
|
|
with a Ballyhooly blue ribbon badge spiffing out of him in Irish and a lot
|
|
of colleen bawns going about with temperance beverages and selling medals
|
|
and oranges and lemonade and a few old dry buns, gob, flahoolagh
|
|
entertainment, don't be talking. Ireland sober is Ireland free. And then
|
|
an old fellow starts blowing into his bagpipes and all the gougers
|
|
shuffling their feet to the tune the old cow died of. And one or two sky
|
|
pilots having an eye around that there was no goings on with the females,
|
|
hitting below the belt.
|
|
|
|
So howandever, as I was saying, the old dog seeing the tin was empty
|
|
starts mousing around by Joe and me. I'd train him by kindness, so I
|
|
would, if he was my dog. Give him a rousing fine kick now and again where
|
|
it wouldn't blind him.
|
|
|
|
--Afraid he'll bite you? says the citizen, jeering.
|
|
|
|
--No, says I. But he might take my leg for a lamppost.
|
|
|
|
So he calls the old dog over.
|
|
|
|
--What's on you, Garry? says he.
|
|
|
|
Then he starts hauling and mauling and talking to him in Irish and
|
|
the old towser growling, letting on to answer, like a duet in the opera.
|
|
Such growling you never heard as they let off between them. Someone that
|
|
has nothing better to do ought to write a letter PRO BONO PUBLICO to the
|
|
papers about the muzzling order for a dog the like of that. Growling and
|
|
grousing and his eye all bloodshot from the drouth is in it and the
|
|
hydrophobia dropping out of his jaws.
|
|
|
|
All those who are interested in the spread of human culture among
|
|
the lower animals (and their name is legion) should make a point of not
|
|
missing the really marvellous exhibition of cynanthropy given by the
|
|
famous old Irish red setter wolfdog formerly known by the SOBRIQUET of
|
|
Garryowen and recently rechristened by his large circle of friends and
|
|
acquaintances Owen Garry. The exhibition, which is the result of years of
|
|
training by kindness and a carefully thoughtout dietary system, comprises,
|
|
among other achievements, the recitation of verse. Our greatest living
|
|
phonetic expert (wild horses shall not drag it from us!) has left no stone
|
|
unturned in his efforts to delucidate and compare the verse recited and has
|
|
found it bears a STRIKING resemblance (the italics are ours) to the ranns
|
|
of ancient Celtic bards. We are not speaking so much of those delightful
|
|
lovesongs with which the writer who conceals his identity under the
|
|
graceful pseudonym of the Little Sweet Branch has familiarised the
|
|
bookloving world but rather (as a contributor D. O. C. points out in an
|
|
interesting communication published by an evening contemporary) of the
|
|
harsher and more personal note which is found in the satirical effusions
|
|
of the famous Raftery and of Donal MacConsidine to say nothing of a more
|
|
modern lyrist at present very much in the public eye. We subjoin a
|
|
specimen which has been rendered into English by an eminent scholar
|
|
whose name for the moment we are not at liberty to disclose though
|
|
we believe that our readers will find the topical allusion rather
|
|
more than an indication. The metrical system of the canine original,
|
|
which recalls the intricate alliterative and isosyllabic rules of
|
|
the Welsh englyn, is infinitely more complicated but we believe our
|
|
readers will agree that the spirit has been well caught. Perhaps
|
|
it should be added that the effect is greatly increased if Owen's
|
|
verse be spoken somewhat slowly and indistinctly in a tone suggestive
|
|
of suppressed rancour.
|
|
|
|
|
|
THE CURSE OF MY CURSES
|
|
SEVEN DAYS EVERY DAY
|
|
AND SEVEN DRY THURSDAYS
|
|
ON YOU, BARNEY KIERNAN,
|
|
HAS NO SUP OF WATER
|
|
TO COOL MY COURAGE,
|
|
AND MY GUTS RED ROARING
|
|
AFTER LOWRY'S LIGHTS.
|
|
|
|
|
|
So he told Terry to bring some water for the dog and, gob, you could
|
|
hear him lapping it up a mile off. And Joe asked him would he have
|
|
another.
|
|
|
|
--I will, says he, A CHARA, to show there's no ill feeling.
|
|
|
|
Gob, he's not as green as he's cabbagelooking. Arsing around from
|
|
one pub to another, leaving it to your own honour, with old Giltrap's dog
|
|
and getting fed up by the ratepayers and corporators. Entertainment for
|
|
man and beast. And says Joe:
|
|
|
|
--Could you make a hole in another pint?
|
|
|
|
--Could a swim duck? says I.
|
|
|
|
--Same again, Terry, says Joe. Are you sure you won't have anything in the
|
|
way of liquid refreshment? says he.
|
|
|
|
--Thank you, no, says Bloom. As a matter of fact I just wanted to meet
|
|
Martin Cunningham, don't you see, about this insurance of poor Dignam's.
|
|
Martin asked me to go to the house. You see, he, Dignam, I mean, didn't
|
|
serve any notice of the assignment on the company at the time and
|
|
nominally under the act the mortgagee can't recover on the policy.
|
|
|
|
--Holy Wars, says Joe, laughing, that's a good one if old Shylock is
|
|
landed. So the wife comes out top dog, what?
|
|
|
|
--Well, that's a point, says Bloom, for the wife's admirers.
|
|
|
|
--Whose admirers? says Joe.
|
|
|
|
--The wife's advisers, I mean, says Bloom.
|
|
|
|
Then he starts all confused mucking it up about mortgagor under the act
|
|
like the lord chancellor giving it out on the bench and for the benefit of
|
|
the wife and that a trust is created but on the other hand that Dignam
|
|
owed Bridgeman the money and if now the wife or the widow contested the
|
|
mortgagee's right till he near had the head of me addled with his
|
|
mortgagor under the act. He was bloody safe he wasn't run in himself under
|
|
the act that time as a rogue and vagabond only he had a friend in court.
|
|
Selling bazaar tickets or what do you call it royal Hungarian privileged
|
|
lottery. True as you're there. O, commend me to an israelite! Royal and
|
|
privileged Hungarian robbery.
|
|
|
|
So Bob Doran comes lurching around asking Bloom to tell Mrs
|
|
Dignam he was sorry for her trouble and he was very sorry about the
|
|
funeral and to tell her that he said and everyone who knew him said that
|
|
there was never a truer, a finer than poor little Willy that's dead to tell
|
|
her. Choking with bloody foolery. And shaking Bloom's hand doing the
|
|
tragic to tell her that. Shake hands, brother. You're a rogue and I'm
|
|
another.
|
|
|
|
--Let me, said he, so far presume upon our acquaintance which, however
|
|
slight it may appear if judged by the standard of mere time, is founded,
|
|
as I hope and believe, on a sentiment of mutual esteem as to request of
|
|
you this favour. But, should I have overstepped the limits of reserve
|
|
let the sincerity of my feelings be the excuse for my boldness.
|
|
|
|
--No, rejoined the other, I appreciate to the full the motives which
|
|
actuate your conduct and I shall discharge the office you entrust
|
|
to me consoled by the reflection that, though the errand be one of
|
|
sorrow, this proof of your confidence sweetens in some measure the
|
|
bitterness of the cup.
|
|
|
|
--Then suffer me to take your hand, said he. The goodness of your heart, I
|
|
feel sure, will dictate to you better than my inadequate words the
|
|
expressions which are most suitable to convey an emotion whose
|
|
poignancy, were I to give vent to my feelings, would deprive me even of
|
|
speech.
|
|
|
|
And off with him and out trying to walk straight. Boosed at five
|
|
o'clock. Night he was near being lagged only Paddy Leonard knew the bobby,
|
|
14A. Blind to the world up in a shebeen in Bride street after closing
|
|
time, fornicating with two shawls and a bully on guard, drinking porter
|
|
out of teacups. And calling himself a Frenchy for the shawls, Joseph
|
|
Manuo, and talking against the Catholic religion, and he serving mass in
|
|
Adam and Eve's when he was young with his eyes shut, who wrote the new
|
|
testament, and the old testament, and hugging and smugging. And the two
|
|
shawls killed with the laughing, picking his pockets, the bloody
|
|
fool and he spilling the porter all over the bed and the two shawls
|
|
screeching laughing at one another. HOW IS YOUR TESTAMENT? HAVE YOU
|
|
GOT AN OLD TESTAMENT? Only Paddy was passing there, I tell you what.
|
|
Then see him of a Sunday with his little concubine of a wife, and
|
|
she wagging her tail up the aisle of the chapel with her patent boots
|
|
on her, no less, and her violets, nice as pie, doing the little lady.
|
|
Jack Mooney's sister. And the old prostitute of a mother
|
|
procuring rooms to street couples. Gob, Jack made him toe the line. Told
|
|
him if he didn't patch up the pot, Jesus, he'd kick the shite out of him.
|
|
|
|
So Terry brought the three pints.
|
|
|
|
--Here, says Joe, doing the honours. Here, citizen.
|
|
|
|
--SLAN LEAT, says he.
|
|
|
|
--Fortune, Joe, says I. Good health, citizen.
|
|
|
|
Gob, he had his mouth half way down the tumbler already. Want a
|
|
small fortune to keep him in drinks.
|
|
|
|
--Who is the long fellow running for the mayoralty, Alf? says Joe.
|
|
|
|
--Friend of yours, says Alf.
|
|
|
|
--Nannan? says Joe. The mimber?
|
|
|
|
--I won't mention any names, says Alf.
|
|
|
|
--I thought so, says Joe. I saw him up at that meeting now with William
|
|
Field, M. P., the cattle traders.
|
|
|
|
--Hairy Iopas, says the citizen, that exploded volcano, the darling of all
|
|
countries and the idol of his own.
|
|
|
|
So Joe starts telling the citizen about the foot and mouth disease and
|
|
the cattle traders and taking action in the matter and the citizen sending
|
|
them all to the rightabout and Bloom coming out with his sheepdip for the
|
|
scab and a hoose drench for coughing calves and the guaranteed remedy
|
|
for timber tongue. Because he was up one time in a knacker's yard.
|
|
Walking about with his book and pencil here's my head and my heels are
|
|
coming till Joe Cuffe gave him the order of the boot for giving lip to a
|
|
grazier. Mister Knowall. Teach your grandmother how to milk ducks.
|
|
Pisser Burke was telling me in the hotel the wife used to be in rivers of
|
|
tears some times with Mrs O'Dowd crying her eyes out with her eight inches
|
|
of fat all over her. Couldn't loosen her farting strings but old cod's eye
|
|
was waltzing around her showing her how to do it. What's your programme
|
|
today? Ay. Humane methods. Because the poor animals suffer and experts
|
|
say and the best known remedy that doesn't cause pain to the animal and
|
|
on the sore spot administer gently. Gob, he'd have a soft hand under a
|
|
hen.
|
|
|
|
Ga Ga Gara. Klook Klook Klook. Black Liz is our hen. She lays eggs
|
|
for us. When she lays her egg she is so glad. Gara. Klook Klook Klook.
|
|
Then comes good uncle Leo. He puts his hand under black Liz and takes
|
|
her fresh egg. Ga ga ga ga Gara. Klook Klook Klook.
|
|
|
|
--Anyhow, says Joe, Field and Nannetti are going over tonight to London
|
|
to ask about it on the floor of the house of commons.
|
|
|
|
--Are you sure, says Bloom, the councillor is going? I wanted to see him,
|
|
as it happens.
|
|
|
|
--Well, he's going off by the mailboat, says Joe, tonight.
|
|
|
|
--That's too bad, says Bloom. I wanted particularly. Perhaps only Mr Field
|
|
is going. I couldn't phone. No. You're sure?
|
|
|
|
--Nannan's going too, says Joe. The league told him to ask a question
|
|
tomorrow about the commissioner of police forbidding Irish games in the
|
|
park. What do you think of that, citizen? THE SLUAGH NA H-EIREANN.
|
|
|
|
Mr Cowe Conacre (Multifarnham. Nat.): Arising out of the question of my
|
|
honourable friend, the member for Shillelagh, may I ask the right
|
|
honourable gentleman whether the government has issued orders that these
|
|
animals shall be slaughtered though no medical evidence is forthcoming as
|
|
to their pathological condition?
|
|
|
|
Mr Allfours (Tamoshant. Con.): Honourable members are already in
|
|
possession of the evidence produced before a committee of the whole house.
|
|
I feel I cannot usefully add anything to that. The answer to the
|
|
honourable member's question is in the affirmative.
|
|
|
|
Mr Orelli O'Reilly (Montenotte. Nat.): Have similar orders been issued for
|
|
the slaughter of human animals who dare to play Irish games in the
|
|
Phoenix park?
|
|
|
|
Mr Allfours: The answer is in the negative.
|
|
|
|
Mr Cowe Conacre: Has the right honourable gentleman's famous
|
|
Mitchelstown telegram inspired the policy of gentlemen on the Treasury
|
|
bench? (O! O!)
|
|
|
|
Mr Allfours: I must have notice of that question.
|
|
|
|
Mr Staylewit (Buncombe. Ind.): Don't hesitate to shoot.
|
|
|
|
(Ironical opposition cheers.)
|
|
|
|
The speaker: Order! Order!
|
|
|
|
(The house rises. Cheers.)
|
|
|
|
--There's the man, says Joe, that made the Gaelic sports revival. There he
|
|
is sitting there. The man that got away James Stephens. The champion of
|
|
all Ireland at putting the sixteen pound shot. What was your best throw,
|
|
citizen?
|
|
|
|
--NA BACLEIS , says the citizen, letting on to be modest. There was a time
|
|
I was as good as the next fellow anyhow.
|
|
|
|
--Put it there, citizen, says Joe. You were and a bloody sight better.
|
|
|
|
--Is that really a fact? says Alf.
|
|
|
|
--Yes, says Bloom. That's well known. Did you not know that?
|
|
|
|
So off they started about Irish sports and shoneen games the like of lawn
|
|
tennis and about hurley and putting the stone and racy of the soil and
|
|
building up a nation once again and all to that. And of course Bloom had
|
|
to have his say too about if a fellow had a rower's heart violent
|
|
exercise was bad. I declare to my antimacassar if you took up a
|
|
straw from the bloody floor and if you said to Bloom: LOOK AT, BLOOM.
|
|
DO YOU SEE THAT STRAW? THAT'S A STRAW. Declare to my aunt he'd talk
|
|
about it for an hour so he would and talk steady.
|
|
|
|
A most interesting discussion took place in the ancient hall of BRIAN
|
|
O'CIARNAIN'S in SRAID NA BRETAINE BHEAG, under the auspices of SLUAGH NA
|
|
H-EIREANN, on the revival of ancient Gaelic sports and the importance of
|
|
physical culture, as understood in ancient Greece and ancient Rome and
|
|
ancient Ireland, for the development of the race. The venerable president
|
|
of the noble order was in the chair and the attendance was of large
|
|
dimensions. After an instructive discourse by the chairman, a magnificent
|
|
oration eloquently and forcibly expressed, a most interesting and
|
|
instructive discussion of the usual high standard of excellence
|
|
ensued as to the desirability of the revivability of the ancient
|
|
games and sports of our ancient Panceltic forefathers. The
|
|
wellknown and highly respected worker in the cause of our old
|
|
tongue, Mr Joseph M'Carthy Hynes, made an eloquent appeal for
|
|
the resuscitation of the ancient Gaelic sports and pastimes,
|
|
practised morning and evening by Finn MacCool, as calculated to revive the
|
|
best traditions of manly strength and prowess handed down to us from
|
|
ancient ages. L. Bloom, who met with a mixed reception of applause and
|
|
hisses, having espoused the negative the vocalist chairman brought the
|
|
discussion to a close, in response to repeated requests and hearty
|
|
plaudits from all parts of a bumper house, by a remarkably noteworthy
|
|
rendering of the immortal Thomas Osborne Davis' evergreen verses (happily
|
|
too familiar to need recalling here) A NATION ONCE AGAIN in the execution
|
|
of which the veteran patriot champion may be said without fear of
|
|
contradiction to have fairly excelled himself. The Irish Caruso-Garibaldi
|
|
was in superlative form and his stentorian notes were heard to the
|
|
greatest advantage in the timehonoured anthem sung as only our citizen
|
|
can sing it. His superb highclass vocalism, which by its superquality
|
|
greatly enhanced his already international reputation, was vociferously
|
|
applauded by the large audience among which were to be noticed many
|
|
prominent members of the clergy as well as representatives of the press
|
|
and the bar and the other learned professions. The proceedings then
|
|
terminated.
|
|
|
|
Amongst the clergy present were the very rev. William Delany, S. J.,
|
|
L. L. D.; the rt rev. Gerald Molloy, D. D.; the rev. P. J. Kavanagh,
|
|
C. S. Sp.; the rev. T. Waters, C. C.; the rev. John M. Ivers, P. P.; the
|
|
rev. P. J. Cleary, O. S. F.; the rev. L. J. Hickey, O. P.; the very rev.
|
|
Fr. Nicholas, O. S. F. C.; the very rev. B. Gorman, O. D. C.; the rev. T.
|
|
Maher, S. J.; the very rev. James Murphy, S. J.; the rev. John Lavery,
|
|
V. F.; the very rev. William Doherty, D. D.; the rev. Peter Fagan, O. M.;
|
|
the rev. T. Brangan, O. S. A.; the rev. J. Flavin, C. C.; the rev. M. A.
|
|
Hackett, C. C.; the rev. W. Hurley, C. C.; the rt rev. Mgr M'Manus,
|
|
V. G.; the rev. B. R. Slattery, O. M. I.; the very rev. M. D. Scally, P.
|
|
P.; the rev. F. T. Purcell, O. P.; the very rev. Timothy canon Gorman,
|
|
P. P.; the rev. J. Flanagan, C. C. The laity included P. Fay, T. Quirke,
|
|
etc., etc.
|
|
|
|
--Talking about violent exercise, says Alf, were you at that Keogh-Bennett
|
|
match?
|
|
|
|
--No, says Joe.
|
|
|
|
--I heard So and So made a cool hundred quid over it, says Alf.
|
|
|
|
--Who? Blazes? says Joe.
|
|
|
|
And says Bloom:
|
|
|
|
--What I meant about tennis, for example, is the agility and training the
|
|
eye.
|
|
|
|
--Ay, Blazes, says Alf. He let out that Myler was on the beer to run up
|
|
the odds and he swatting all the time.
|
|
|
|
--We know him, says the citizen. The traitor's son. We know what put
|
|
English gold in his pocket.
|
|
|
|
---True for you, says Joe.
|
|
|
|
And Bloom cuts in again about lawn tennis and the circulation of the
|
|
blood, asking Alf:
|
|
|
|
--Now, don't you think, Bergan?
|
|
|
|
--Myler dusted the floor with him, says Alf. Heenan and Sayers was only a
|
|
bloody fool to it. Handed him the father and mother of a beating. See the
|
|
little kipper not up to his navel and the big fellow swiping. God, he gave
|
|
him one last puck in the wind, Queensberry rules and all, made him puke
|
|
what he never ate.
|
|
|
|
It was a historic and a hefty battle when Myler and Percy were
|
|
scheduled to don the gloves for the purse of fifty sovereigns. Handicapped
|
|
as he was by lack of poundage, Dublin's pet lamb made up for it by
|
|
superlative skill in ringcraft. The final bout of fireworks was a
|
|
gruelling for both champions. The welterweight sergeantmajor had
|
|
tapped some lively claret in the previous mixup during which Keogh
|
|
had been receivergeneral of rights and lefts, the artilleryman
|
|
putting in some neat work on the pet's nose, and Myler came on
|
|
looking groggy. The soldier got to business, leading off with a
|
|
powerful left jab to which the Irish gladiator retaliated by shooting
|
|
out a stiff one flush to the point of Bennett's jaw. The redcoat
|
|
ducked but the Dubliner lifted him with a left hook, the body punch being
|
|
a fine one. The men came to handigrips. Myler quickly became busy and got
|
|
his man under, the bout ending with the bulkier man on the ropes, Myler
|
|
punishing him. The Englishman, whose right eye was nearly closed, took
|
|
his corner where he was liberally drenched with water and when the bell
|
|
went came on gamey and brimful of pluck, confident of knocking out the
|
|
fistic Eblanite in jigtime. It was a fight to a finish and the best man
|
|
for it. The two fought like tigers and excitement ran fever high. The
|
|
referee twice cautioned Pucking Percy for holding but the pet was tricky
|
|
and his footwork a treat to watch. After a brisk exchange of courtesies
|
|
during which a smart upper cut of the military man brought blood freely
|
|
from his opponent's mouth the lamb suddenly waded in all over his man and
|
|
landed a terrific left to Battling Bennett's stomach, flooring him flat.
|
|
It was a knockout clean and clever. Amid tense expectation the Portobello
|
|
bruiser was being counted out when Bennett's second Ole Pfotts Wettstein
|
|
threw in the towel and the Santry boy was declared victor to the frenzied
|
|
cheers of the public who broke through the ringropes and fairly mobbed him
|
|
with delight.
|
|
|
|
--He knows which side his bread is buttered, says Alf. I hear he's running
|
|
a concert tour now up in the north.
|
|
|
|
--He is, says Joe. Isn't he?
|
|
|
|
--Who? says Bloom. Ah, yes. That's quite true. Yes, a kind of summer tour,
|
|
you see. Just a holiday.
|
|
|
|
--Mrs B. is the bright particular star, isn't she? says Joe.
|
|
|
|
--My wife? says Bloom. She's singing, yes. I think it will be a success
|
|
too.
|
|
|
|
He's an excellent man to organise. Excellent.
|
|
|
|
Hoho begob says I to myself says I. That explains the milk in the cocoanut
|
|
and absence of hair on the animal's chest. Blazes doing the tootle on the
|
|
flute. Concert tour. Dirty Dan the dodger's son off Island bridge that
|
|
sold the same horses twice over to the government to fight the Boers. Old
|
|
Whatwhat. I called about the poor and water rate, Mr Boylan. You what?
|
|
The water rate, Mr Boylan. You whatwhat? That's the bucko that'll
|
|
organise her, take my tip. 'Twixt me and you Caddareesh.
|
|
|
|
Pride of Calpe's rocky mount, the ravenhaired daughter of Tweedy.
|
|
There grew she to peerless beauty where loquat and almond scent the air.
|
|
The gardens of Alameda knew her step: the garths of olives knew and
|
|
bowed. The chaste spouse of Leopold is she: Marion of the bountiful
|
|
bosoms.
|
|
|
|
And lo, there entered one of the clan of the O'Molloy's, a comely hero
|
|
of white face yet withal somewhat ruddy, his majesty's counsel learned in
|
|
the law, and with him the prince and heir of the noble line of Lambert.
|
|
|
|
--Hello, Ned.
|
|
|
|
--Hello, Alf.
|
|
|
|
--Hello, Jack.
|
|
|
|
--Hello, Joe.
|
|
|
|
--God save you, says the citizen.
|
|
|
|
--Save you kindly, says J. J. What'll it be, Ned?
|
|
|
|
--Half one, says Ned.
|
|
|
|
So J. J. ordered the drinks.
|
|
|
|
--Were you round at the court? says Joe.
|
|
|
|
--Yes, says J. J. He'll square that, Ned, says he.
|
|
|
|
--Hope so, says Ned.
|
|
|
|
Now what were those two at? J. J. getting him off the grand jury list
|
|
and the other give him a leg over the stile. With his name in Stubbs's.
|
|
Playing cards, hobnobbing with flash toffs with a swank glass in their
|
|
eye, adrinking fizz and he half smothered in writs and garnishee orders.
|
|
Pawning his gold watch in Cummins of Francis street where no-one would
|
|
know him in the private office when I was there with Pisser releasing his
|
|
boots out of the pop. What's your name, sir? Dunne, says he. Ay, and done
|
|
says I. Gob, he'll come home by weeping cross one of those days, I'm
|
|
thinking.
|
|
|
|
--Did you see that bloody lunatic Breen round there? says Alf. U. p: up.
|
|
|
|
--Yes, says J. J. Looking for a private detective.
|
|
|
|
--Ay, says Ned. And he wanted right go wrong to address the court only
|
|
Corny Kelleher got round him telling him to get the handwriting examined
|
|
first.
|
|
|
|
--Ten thousand pounds, says Alf, laughing. God, I'd give anything to hear
|
|
him before a judge and jury.
|
|
|
|
--Was it you did it, Alf? says Joe. The truth, the whole truth and nothing
|
|
but the truth, so help you Jimmy Johnson.
|
|
|
|
--Me? says Alf. Don't cast your nasturtiums on my character.
|
|
|
|
--Whatever statement you make, says Joe, will be taken down in evidence
|
|
against you.
|
|
|
|
--Of course an action would lie, says J. J. It implies that he is not
|
|
COMPOS MENTIS. U. p: up.
|
|
|
|
--COMPOS your eye! says Alf, laughing. Do you know that he's balmy?
|
|
Look at his head. Do you know that some mornings he has to get his hat on
|
|
with a shoehorn.
|
|
|
|
--Yes, says J. J., but the truth of a libel is no defence to an indictment
|
|
for publishing it in the eyes of the law.
|
|
|
|
--Ha ha, Alf, says Joe.
|
|
|
|
--Still, says Bloom, on account of the poor woman, I mean his wife.
|
|
|
|
--Pity about her, says the citizen. Or any other woman marries a half and
|
|
half.
|
|
|
|
--How half and half? says Bloom. Do you mean he ...
|
|
|
|
--Half and half I mean, says the citizen. A fellow that's neither fish nor
|
|
flesh.
|
|
|
|
--Nor good red herring, says Joe.
|
|
|
|
--That what's I mean, says the citizen. A pishogue, if you know what that
|
|
is.
|
|
|
|
Begob I saw there was trouble coming. And Bloom explaining he meant on
|
|
account of it being cruel for the wife having to go round after the
|
|
old stuttering fool. Cruelty to animals so it is to let that bloody
|
|
povertystricken Breen out on grass with his beard out tripping him,
|
|
bringing down the rain. And she with her nose cockahoop after she married
|
|
him because a cousin of his old fellow's was pewopener to the pope.
|
|
Picture of him on the wall with his Smashall Sweeney's moustaches, the
|
|
signior Brini from Summerhill, the eyetallyano, papal Zouave to the Holy
|
|
Father, has left the quay and gone to Moss street. And who was he, tell
|
|
us? A nobody, two pair back and passages, at seven shillings a week, and
|
|
he covered with all kinds of breastplates bidding defiance to the world.
|
|
|
|
--And moreover, says J. J., a postcard is publication. It was held to be
|
|
sufficient evidence of malice in the testcase Sadgrove v. Hole. In my
|
|
opinion an action might lie.
|
|
|
|
Six and eightpence, please. Who wants your opinion? Let us drink
|
|
our pints in peace. Gob, we won't be let even do that much itself.
|
|
|
|
--Well, good health, Jack, says Ned.
|
|
|
|
--Good health, Ned, says J. J.
|
|
|
|
---There he is again, says Joe.
|
|
|
|
--Where? says Alf.
|
|
|
|
And begob there he was passing the door with his books under his
|
|
oxter and the wife beside him and Corny Kelleher with his wall eye looking
|
|
in as they went past, talking to him like a father, trying to sell him a
|
|
secondhand coffin.
|
|
|
|
--How did that Canada swindle case go off? says Joe.
|
|
|
|
--Remanded, says J. J.
|
|
|
|
One of the bottlenosed fraternity it was went by the name of James
|
|
Wought alias Saphiro alias Spark and Spiro, put an ad in the papers saying
|
|
he'd give a passage to Canada for twenty bob. What? Do you see any green
|
|
in the white of my eye? Course it was a bloody barney. What? Swindled
|
|
them all, skivvies and badhachs from the county Meath, ay, and his own
|
|
kidney too. J. J. was telling us there was an ancient Hebrew Zaretsky or
|
|
something weeping in the witnessbox with his hat on him, swearing by the
|
|
holy Moses he was stuck for two quid.
|
|
|
|
--Who tried the case? says Joe.
|
|
|
|
--Recorder, says Ned.
|
|
|
|
--Poor old sir Frederick, says Alf, you can cod him up to the two eyes.
|
|
|
|
--Heart as big as a lion, says Ned. Tell him a tale of woe about arrears
|
|
of rent and a sick wife and a squad of kids and, faith, he'll dissolve in
|
|
tears on the bench.
|
|
|
|
--Ay, says Alf. Reuben J was bloody lucky he didn't clap him in the dock
|
|
the other day for suing poor little Gumley that's minding stones, for the
|
|
corporation there near Butt bridge.
|
|
|
|
And he starts taking off the old recorder letting on to cry:
|
|
|
|
--A most scandalous thing! This poor hardworking man! How many
|
|
children? Ten, did you say?
|
|
|
|
--Yes, your worship. And my wife has the typhoid.
|
|
|
|
--And the wife with typhoid fever! Scandalous! Leave the court
|
|
immediately, sir. No, sir, I'll make no order for payment. How dare you,
|
|
sir, come up before me and ask me to make an order! A poor hardworking
|
|
industrious man! I dismiss the case.
|
|
|
|
And whereas on the sixteenth day of the month of the oxeyed goddess and in
|
|
the third week after the feastday of the Holy and Undivided Trinity,
|
|
the daughter of the skies, the virgin moon being then in her first
|
|
quarter, it came to pass that those learned judges repaired them to the
|
|
halls of law. There master Courtenay, sitting in his own chamber,
|
|
gave his rede and master Justice Andrews, sitting without a jury
|
|
in the probate court, weighed well and pondered the claim of the
|
|
first chargeant upon the property in the matter of the will
|
|
propounded and final testamentary disposition IN RE the real and
|
|
personal estate of the late lamented Jacob Halliday, vintner, deceased,
|
|
versus Livingstone, an infant, of unsound mind, and another. And to the
|
|
solemn court of Green street there came sir Frederick the Falconer. And he
|
|
sat him there about the hour of five o'clock to administer the law of the
|
|
brehons at the commission for all that and those parts to be holden in
|
|
and for the county of the city of Dublin. And there sat with him the high
|
|
sinhedrim of the twelve tribes of Iar, for every tribe one man, of the
|
|
tribe of Patrick and of the tribe of Hugh and of the tribe of Owen and of
|
|
the tribe of Conn and of the tribe of Oscar and of the tribe of
|
|
Fergus and of the tribe of Finn and of the tribe of Dermot and of
|
|
the tribe of Cormac and of the tribe of Kevin and of the tribe of
|
|
Caolte and of the tribe of Ossian, there being in all twelve good
|
|
men and true. And he conjured them by Him who died on rood that
|
|
they should well and truly try and true deliverance make in the
|
|
issue joined between their sovereign lord the king and the prisoner at
|
|
the bar and true verdict give according to the evidence so help them God
|
|
and kiss the book. And they rose in their seats, those twelve of Iar, and
|
|
they swore by the name of Him Who is from everlasting that they would do
|
|
His rightwiseness. And straightway the minions of the law led forth from
|
|
their donjon keep one whom the sleuthhounds of justice had apprehended in
|
|
consequence of information received. And they shackled him hand and foot
|
|
and would take of him ne bail ne mainprise but preferred a charge against
|
|
him for he was a malefactor.
|
|
|
|
--Those are nice things, says the citizen, coming over here to Ireland
|
|
filling the country with bugs.
|
|
|
|
So Bloom lets on he heard nothing and he starts talking with Joe, telling
|
|
him he needn't trouble about that little matter till the first but if he
|
|
would just say a word to Mr Crawford. And so Joe swore high and holy by
|
|
this and by that he'd do the devil and all.
|
|
|
|
--Because, you see, says Bloom, for an advertisement you must have
|
|
repetition. That's the whole secret.
|
|
|
|
--Rely on me, says Joe.
|
|
|
|
--Swindling the peasants, says the citizen, and the poor of Ireland. We
|
|
want no more strangers in our house.
|
|
|
|
--O, I'm sure that will be all right, Hynes, says Bloom. It's just that
|
|
Keyes, you see.
|
|
|
|
--Consider that done, says Joe.
|
|
|
|
--Very kind of you, says Bloom.
|
|
|
|
--The strangers, says the citizen. Our own fault. We let them come in. We
|
|
brought them in. The adulteress and her paramour brought the Saxon
|
|
robbers here.
|
|
|
|
--Decree NISI, says J. J.
|
|
|
|
And Bloom letting on to be awfully deeply interested in nothing, a
|
|
spider's web in the corner behind the barrel, and the citizen scowling
|
|
after him and the old dog at his feet looking up to know who to bite and
|
|
when.
|
|
|
|
--A dishonoured wife, says the citizen, that's what's the cause of all our
|
|
misfortunes.
|
|
|
|
--And here she is, says Alf, that was giggling over the POLICE GAZETTE
|
|
with Terry on the counter, in all her warpaint.
|
|
|
|
--Give us a squint at her, says I.
|
|
|
|
And what was it only one of the smutty yankee pictures Terry
|
|
borrows off of Corny Kelleher. Secrets for enlarging your private parts.
|
|
Misconduct of society belle. Norman W. Tupper, wealthy Chicago
|
|
contractor, finds pretty but faithless wife in lap of officer Taylor.
|
|
Belle in her bloomers misconducting herself, and her fancyman feeling for
|
|
her tickles and Norman W. Tupper bouncing in with his peashooter just in
|
|
time to be late after she doing the trick of the loop with officer Taylor.
|
|
|
|
--O jakers, Jenny, says Joe, how short your shirt is!
|
|
|
|
--There's hair, Joe, says I. Get a queer old tailend of corned beef off of
|
|
that one, what?
|
|
|
|
So anyhow in came John Wyse Nolan and Lenehan with him with a
|
|
face on him as long as a late breakfast.
|
|
|
|
--Well, says the citizen, what's the latest from the scene of action? What
|
|
did those tinkers in the city hall at their caucus meeting decide about
|
|
the Irish language?
|
|
|
|
O'Nolan, clad in shining armour, low bending made obeisance to the
|
|
puissant and high and mighty chief of all Erin and did him to wit of that
|
|
which had befallen, how that the grave elders of the most obedient city,
|
|
second of the realm, had met them in the tholsel, and there, after due
|
|
prayers to the gods who dwell in ether supernal, had taken solemn counsel
|
|
whereby they might, if so be it might be, bring once more into honour
|
|
among mortal men the winged speech of the seadivided Gael.
|
|
|
|
--It's on the march, says the citizen. To hell with the bloody brutal
|
|
Sassenachs and their PATOIS.
|
|
|
|
So J. J. puts in a word, doing the toff about one story was good till
|
|
you heard another and blinking facts and the Nelson policy, putting your
|
|
blind eye to the telescope and drawing up a bill of attainder to impeach a
|
|
nation, and Bloom trying to back him up moderation and botheration and
|
|
their colonies and their civilisation.
|
|
|
|
--Their syphilisation, you mean, says the citizen. To hell with them! The
|
|
curse of a goodfornothing God light sideways on the bloody thicklugged
|
|
sons of whores' gets! No music and no art and no literature worthy of the
|
|
name. Any civilisation they have they stole from us. Tonguetied sons of
|
|
bastards' ghosts.
|
|
|
|
--The European family, says J. J. ...
|
|
|
|
--They're not European, says the citizen. I was in Europe with Kevin Egan
|
|
of Paris. You wouldn't see a trace of them or their language anywhere in
|
|
Europe except in a CABINET D'AISANCE.
|
|
|
|
And says John Wyse:
|
|
|
|
--Full many a flower is born to blush unseen.
|
|
|
|
And says Lenehan that knows a bit of the lingo:
|
|
|
|
--CONSPUEZ LES ANGLAIS! PERFIDE ALBION!
|
|
|
|
He said and then lifted he in his rude great brawny strengthy hands
|
|
the medher of dark strong foamy ale and, uttering his tribal slogan LAMH
|
|
DEARG ABU, he drank to the undoing of his foes, a race of mighty valorous
|
|
heroes, rulers of the waves, who sit on thrones of alabaster silent as the
|
|
deathless gods.
|
|
|
|
--What's up with you, says I to Lenehan. You look like a fellow that had
|
|
lost a bob and found a tanner.
|
|
|
|
--Gold cup, says he.
|
|
|
|
--Who won, Mr Lenehan? says Terry.
|
|
|
|
--THROWAWAY, says he, at twenty to one. A rank outsider. And the rest
|
|
nowhere.
|
|
|
|
--And Bass's mare? says Terry.
|
|
|
|
--Still running, says he. We're all in a cart. Boylan plunged two quid on
|
|
my tip SCEPTRE for himself and a lady friend.
|
|
|
|
--I had half a crown myself, says Terry, on ZINFANDEL that Mr Flynn gave
|
|
me. Lord Howard de Walden's.
|
|
|
|
--Twenty to one, says Lenehan. Such is life in an outhouse. THROWAWAY,
|
|
says he. Takes the biscuit, and talking about bunions. Frailty, thy name
|
|
is SCEPTRE.
|
|
|
|
So he went over to the biscuit tin Bob Doran left to see if there was
|
|
anything he could lift on the nod, the old cur after him backing his luck
|
|
with his mangy snout up. Old Mother Hubbard went to the cupboard.
|
|
|
|
--Not there, my child, says he.
|
|
|
|
--Keep your pecker up, says Joe. She'd have won the money only for the
|
|
other dog.
|
|
|
|
And J. J. and the citizen arguing about law and history with Bloom
|
|
sticking in an odd word.
|
|
|
|
--Some people, says Bloom, can see the mote in others' eyes but they can't
|
|
see the beam in their own.
|
|
|
|
--RAIMEIS, says the citizen. There's no-one as blind as the fellow that
|
|
won't see, if you know what that means. Where are our missing
|
|
twenty millions of Irish should be here today instead of four,
|
|
our lost tribes? And our potteries and textiles, the finest in
|
|
the whole world! And our wool that was sold in Rome in the time
|
|
of Juvenal and our flax and our damask from the looms of Antrim
|
|
and our Limerick lace, our tanneries and our white flint glass
|
|
down there by Ballybough and our Huguenot poplin that we have since
|
|
Jacquard de Lyon and our woven silk and our Foxford tweeds and ivory
|
|
raised point from the Carmelite convent in New Ross, nothing like it in
|
|
the whole wide world. Where are the Greek merchants that came through the
|
|
pillars of Hercules, the Gibraltar now grabbed by the foe of mankind, with
|
|
gold and Tyrian purple to sell in Wexford at the fair of Carmen? Read
|
|
Tacitus and Ptolemy, even Giraldus Cambrensis. Wine, peltries,
|
|
Connemara marble, silver from Tipperary, second to none, our farfamed
|
|
horses even today, the Irish hobbies, with king Philip of Spain offering
|
|
to pay customs duties for the right to fish in our waters. What do the
|
|
yellowjohns of Anglia owe us for our ruined trade and our ruined hearths?
|
|
And the beds of the Barrow and Shannon they won't deepen with millions
|
|
of acres of marsh and bog to make us all die of consumption?
|
|
|
|
--As treeless as Portugal we'll be soon, says John Wyse, or Heligoland
|
|
with its one tree if something is not done to reafforest the land.
|
|
Larches, firs, all the trees of the conifer family are going fast. I was
|
|
reading a report of lord Castletown's ...
|
|
|
|
--Save them, says the citizen, the giant ash of Galway and the chieftain
|
|
elm of Kildare with a fortyfoot bole and an acre of foliage. Save the
|
|
trees of Ireland for the future men of Ireland on the fair hills of
|
|
Eire, O.
|
|
|
|
--Europe has its eyes on you, says Lenehan.
|
|
|
|
The fashionable international world attended EN MASSE this afternoon
|
|
at the wedding of the chevalier Jean Wyse de Neaulan, grand high chief
|
|
ranger of the Irish National Foresters, with Miss Fir Conifer of Pine
|
|
Valley. Lady Sylvester Elmshade, Mrs Barbara Lovebirch, Mrs Poll Ash,
|
|
Mrs Holly Hazeleyes, Miss Daphne Bays, Miss Dorothy Canebrake, Mrs
|
|
Clyde Twelvetrees, Mrs Rowan Greene, Mrs Helen Vinegadding, Miss
|
|
Virginia Creeper, Miss Gladys Beech, Miss Olive Garth, Miss Blanche
|
|
Maple, Mrs Maud Mahogany, Miss Myra Myrtle, Miss Priscilla
|
|
Elderflower, Miss Bee Honeysuckle, Miss Grace Poplar, Miss O Mimosa
|
|
San, Miss Rachel Cedarfrond, the Misses Lilian and Viola Lilac, Miss
|
|
Timidity Aspenall, Mrs Kitty Dewey-Mosse, Miss May Hawthorne, Mrs
|
|
Gloriana Palme, Mrs Liana Forrest, Mrs Arabella Blackwood and Mrs
|
|
Norma Holyoake of Oakholme Regis graced the ceremony by their
|
|
presence. The bride who was given away by her father, the M'Conifer of
|
|
the Glands, looked exquisitely charming in a creation carried out in green
|
|
mercerised silk, moulded on an underslip of gloaming grey, sashed with a
|
|
yoke of broad emerald and finished with a triple flounce of darkerhued
|
|
fringe, the scheme being relieved by bretelles and hip insertions of acorn
|
|
bronze. The maids of honour, Miss Larch Conifer and Miss Spruce Conifer,
|
|
sisters of the bride, wore very becoming costumes in the same tone, a
|
|
dainty MOTIF of plume rose being worked into the pleats in a pinstripe and
|
|
repeated capriciously in the jadegreen toques in the form of heron
|
|
feathers of paletinted coral. Senhor Enrique Flor presided at the
|
|
organ with his wellknown ability and, in addition to the prescribed
|
|
numbers of the nuptial mass, played a new and striking arrangement
|
|
of WOODMAN, SPARE THAT TREE at the conclusion of the service. On
|
|
leaving the church of Saint Fiacre IN HORTO after the papal
|
|
blessing the happy pair were subjected to a playful crossfire
|
|
of hazelnuts, beechmast, bayleaves, catkins of willow, ivytod,
|
|
hollyberries, mistletoe sprigs and quicken shoots. Mr and Mrs Wyse
|
|
Conifer Neaulan will spend a quiet honeymoon in the Black Forest.
|
|
|
|
--And our eyes are on Europe, says the citizen. We had our trade with
|
|
Spain and the French and with the Flemings before those mongrels were
|
|
pupped, Spanish ale in Galway, the winebark on the winedark waterway.
|
|
|
|
--And will again, says Joe.
|
|
|
|
--And with the help of the holy mother of God we will again, says the
|
|
citizen, clapping his thigh. our harbours that are empty will be full
|
|
again, Queenstown, Kinsale, Galway, Blacksod Bay, Ventry in the kingdom of
|
|
Kerry, Killybegs, the third largest harbour in the wide world with a fleet
|
|
of masts of the Galway Lynches and the Cavan O'Reillys and the
|
|
O'Kennedys of Dublin when the earl of Desmond could make a treaty with
|
|
the emperor Charles the Fifth himself. And will again, says he, when the
|
|
first Irish battleship is seen breasting the waves with our own flag to
|
|
the fore, none of your Henry Tudor's harps, no, the oldest flag afloat,
|
|
the flag of the province of Desmond and Thomond, three crowns on a blue
|
|
field, the three sons of Milesius.
|
|
|
|
And he took the last swig out of the pint. Moya. All wind and piss like
|
|
a tanyard cat. Cows in Connacht have long horns. As much as his bloody
|
|
life is worth to go down and address his tall talk to the assembled
|
|
multitude in Shanagolden where he daren't show his nose with the Molly
|
|
Maguires looking for him to let daylight through him for grabbing the
|
|
holding of an evicted tenant.
|
|
|
|
--Hear, hear to that, says John Wyse. What will you have?
|
|
|
|
--An imperial yeomanry, says Lenehan, to celebrate the occasion.
|
|
|
|
--Half one, Terry, says John Wyse, and a hands up. Terry! Are you asleep?
|
|
|
|
--Yes, sir, says Terry. Small whisky and bottle of Allsop. Right, sir.
|
|
|
|
Hanging over the bloody paper with Alf looking for spicy bits instead
|
|
of attending to the general public. Picture of a butting match, trying to
|
|
crack their bloody skulls, one chap going for the other with his head down
|
|
like a bull at a gate. And another one: BLACK BEAST BURNED IN OMAHA, GA.
|
|
A lot of Deadwood Dicks in slouch hats and they firing at a Sambo strung
|
|
up in a tree with his tongue out and a bonfire under him. Gob, they ought
|
|
to drown him in the sea after and electrocute and crucify him to make sure
|
|
of their job.
|
|
|
|
--But what about the fighting navy, says Ned, that keeps our foes at bay?
|
|
|
|
--I'll tell you what about it, says the citizen. Hell upon earth it is.
|
|
Read the revelations that's going on in the papers about flogging on the
|
|
training ships at Portsmouth. A fellow writes that calls himself DISGUSTED
|
|
ONE.
|
|
|
|
So he starts telling us about corporal punishment and about the crew
|
|
of tars and officers and rearadmirals drawn up in cocked hats and the
|
|
parson with his protestant bible to witness punishment and a young lad
|
|
brought out, howling for his ma, and they tie him down on the buttend of a
|
|
gun.
|
|
|
|
--A rump and dozen, says the citizen, was what that old ruffian sir John
|
|
Beresford called it but the modern God's Englishman calls it caning on the
|
|
breech.
|
|
|
|
And says John Wyse:
|
|
|
|
--'Tis a custom more honoured in the breach than in the observance.
|
|
|
|
Then he was telling us the master at arms comes along with a long
|
|
cane and he draws out and he flogs the bloody backside off of the poor lad
|
|
till he yells meila murder.
|
|
|
|
--That's your glorious British navy, says the citizen, that bosses the
|
|
earth.
|
|
|
|
The fellows that never will be slaves, with the only hereditary chamber on
|
|
the face of God's earth and their land in the hands of a dozen gamehogs
|
|
and cottonball barons. That's the great empire they boast about of drudges
|
|
and whipped serfs.
|
|
|
|
--On which the sun never rises, says Joe.
|
|
|
|
--And the tragedy of it is, says the citizen, they believe it. The
|
|
unfortunate yahoos believe it.
|
|
|
|
They believe in rod, the scourger almighty, creator of hell upon earth,
|
|
and in Jacky Tar, the son of a gun, who was conceived of unholy boast,
|
|
born of the fighting navy, suffered under rump and dozen, was scarified,
|
|
flayed and curried, yelled like bloody hell, the third day he arose again
|
|
from the bed, steered into haven, sitteth on his beamend till further
|
|
orders whence he shall come to drudge for a living and be paid.
|
|
|
|
--But, says Bloom, isn't discipline the same everywhere. I mean wouldn't
|
|
it be the same here if you put force against force?
|
|
|
|
Didn't I tell you? As true as I'm drinking this porter if he was at his
|
|
last gasp he'd try to downface you that dying was living.
|
|
|
|
--We'll put force against force, says the citizen. We have our greater
|
|
Ireland beyond the sea. They were driven out of house and home in the
|
|
black 47. Their mudcabins and their shielings by the roadside were laid
|
|
low by the batteringram and the TIMES rubbed its hands and told the
|
|
whitelivered Saxons there would soon be as few Irish in Ireland as
|
|
redskins in America. Even the Grand Turk sent us his piastres. But the
|
|
Sassenach tried to starve the nation at home while the land was full of
|
|
crops that the British hyenas bought and sold in Rio de Janeiro. Ay, they
|
|
drove out the peasants in hordes. Twenty thousand of them died in the
|
|
coffinships. But those that came to the land of the free remember the land
|
|
of bondage. And they will come again and with a vengeance, no cravens, the
|
|
sons of Granuaile, the champions of Kathleen ni Houlihan.
|
|
|
|
--Perfectly true, says Bloom. But my point was ...
|
|
|
|
--We are a long time waiting for that day, citizen, says Ned. Since the
|
|
poor old woman told us that the French were on the sea and landed at
|
|
Killala.
|
|
|
|
--Ay, says John Wyse. We fought for the royal Stuarts that reneged us
|
|
against the Williamites and they betrayed us. Remember Limerick and the
|
|
broken treatystone. We gave our best blood to France and Spain, the wild
|
|
geese. Fontenoy, eh? And Sarsfield and O'Donnell, duke of Tetuan in
|
|
Spain, and Ulysses Browne of Camus that was fieldmarshal to Maria
|
|
Teresa. But what did we ever get for it?
|
|
|
|
--The French! says the citizen. Set of dancing masters! Do you know what
|
|
it is? They were never worth a roasted fart to Ireland. Aren't they trying
|
|
to make an ENTENTE CORDIALE now at Tay Pay's dinnerparty with perfidious
|
|
Albion? Firebrands of Europe and they always were.
|
|
|
|
--CONSPUEZ LES FRANCAIS, says Lenehan, nobbling his beer.
|
|
|
|
--And as for the Prooshians and the Hanoverians, says Joe, haven't we had
|
|
enough of those sausageeating bastards on the throne from George the
|
|
elector down to the German lad and the flatulent old bitch that's dead?
|
|
|
|
Jesus, I had to laugh at the way he came out with that about the old one
|
|
with the winkers on her, blind drunk in her royal palace every night of
|
|
God, old Vic, with her jorum of mountain dew and her coachman carting
|
|
her up body and bones to roll into bed and she pulling him by the whiskers
|
|
and singing him old bits of songs about EHREN ON THE RHINE and come
|
|
where the boose is cheaper.
|
|
|
|
--Well, says J. J. We have Edward the peacemaker now.
|
|
|
|
--Tell that to a fool, says the citizen. There's a bloody sight more pox
|
|
than pax about that boyo. Edward Guelph-Wettin!
|
|
|
|
--And what do you think, says Joe, of the holy boys, the priests and
|
|
bishops of Ireland doing up his room in Maynooth in His Satanic Majesty's
|
|
racing colours and sticking up pictures of all the horses his jockeys
|
|
rode. The earl of Dublin, no less.
|
|
|
|
--They ought to have stuck up all the women he rode himself, says little Alf.
|
|
|
|
And says J. J.:
|
|
|
|
--Considerations of space influenced their lordships' decision.
|
|
|
|
--Will you try another, citizen? says Joe.
|
|
|
|
--Yes, sir, says he. I will.
|
|
|
|
--You? says Joe.
|
|
|
|
--Beholden to you, Joe, says I. May your shadow never grow less.
|
|
|
|
--Repeat that dose, says Joe.
|
|
|
|
Bloom was talking and talking with John Wyse and he quite excited
|
|
with his dunducketymudcoloured mug on him and his old plumeyes rolling
|
|
about.
|
|
|
|
--Persecution, says he, all the history of the world is full of it.
|
|
Perpetuating national hatred among nations.
|
|
|
|
--But do you know what a nation means? says John Wyse.
|
|
|
|
--Yes, says Bloom.
|
|
|
|
--What is it? says John Wyse.
|
|
|
|
--A nation? says Bloom. A nation is the same people living in the same
|
|
place.
|
|
|
|
--By God, then, says Ned, laughing, if that's so I'm a nation for I'm
|
|
living in the same place for the past five years.
|
|
|
|
So of course everyone had the laugh at Bloom and says he, trying to
|
|
muck out of it:
|
|
|
|
--Or also living in different places.
|
|
|
|
--That covers my case, says Joe.
|
|
|
|
--What is your nation if I may ask? says the citizen.
|
|
|
|
--Ireland, says Bloom. I was born here. Ireland.
|
|
|
|
The citizen said nothing only cleared the spit out of his gullet and,
|
|
gob, he spat a Red bank oyster out of him right in the corner.
|
|
|
|
--After you with the push, Joe, says he, taking out his handkerchief to
|
|
swab himself dry.
|
|
|
|
--Here you are, citizen, says Joe. Take that in your right hand and repeat
|
|
after me the following words.
|
|
|
|
The muchtreasured and intricately embroidered ancient Irish
|
|
facecloth attributed to Solomon of Droma and Manus Tomaltach og
|
|
MacDonogh, authors of the Book of Ballymote, was then carefully
|
|
produced and called forth prolonged admiration. No need to dwell on the
|
|
legendary beauty of the cornerpieces, the acme of art, wherein one can
|
|
distinctly discern each of the four evangelists in turn presenting to each
|
|
of the four masters his evangelical symbol, a bogoak sceptre, a North
|
|
American puma (a far nobler king of beasts than the British article, be it
|
|
said in passing), a Kerry calf and a golden eagle from Carrantuohill. The
|
|
scenes depicted on the emunctory field, showing our ancient duns and raths
|
|
and cromlechs and grianauns and seats of learning and maledictive stones,
|
|
are as wonderfully beautiful and the pigments as delicate as when the
|
|
Sligo illuminators gave free rein to their artistic fantasy long long ago
|
|
in the time of the Barmecides. Glendalough, the lovely lakes of Killarney,
|
|
the ruins of Clonmacnois, Cong Abbey, Glen Inagh and the Twelve Pins,
|
|
Ireland's Eye, the Green Hills of Tallaght, Croagh Patrick, the brewery of
|
|
Messrs Arthur Guinness, Son and Company (Limited), Lough Neagh's banks,
|
|
the vale of Ovoca, Isolde's tower, the Mapas obelisk, Sir Patrick Dun's
|
|
hospital, Cape Clear, the glen of Aherlow, Lynch's castle, the Scotch
|
|
house, Rathdown Union Workhouse at Loughlinstown, Tullamore jail,
|
|
Castleconnel rapids, Kilballymacshonakill, the cross at Monasterboice,
|
|
Jury's Hotel, S. Patrick's Purgatory, the Salmon Leap, Maynooth college
|
|
refectory, Curley's hole, the three birthplaces of the first duke of
|
|
Wellington, the rock of Cashel, the bog of Allen, the Henry Street
|
|
Warehouse, Fingal's Cave--all these moving scenes are still there for us
|
|
today rendered more beautiful still by the waters of sorrow which have
|
|
passed over them and by the rich incrustations of time.
|
|
|
|
--Show us over the drink, says I. Which is which?
|
|
|
|
--That's mine, says Joe, as the devil said to the dead policeman.
|
|
|
|
--And I belong to a race too, says Bloom, that is hated and persecuted.
|
|
Also now. This very moment. This very instant.
|
|
|
|
Gob, he near burnt his fingers with the butt of his old cigar.
|
|
|
|
--Robbed, says he. Plundered. Insulted. Persecuted. Taking what belongs
|
|
to us by right. At this very moment, says he, putting up his fist, sold by
|
|
auction in Morocco like slaves or cattle.
|
|
|
|
--Are you talking about the new Jerusalem? says the citizen.
|
|
|
|
--I'm talking about injustice, says Bloom.
|
|
|
|
--Right, says John Wyse. Stand up to it then with force like men.
|
|
|
|
That's an almanac picture for you. Mark for a softnosed bullet. Old
|
|
lardyface standing up to the business end of a gun. Gob, he'd adorn a
|
|
sweepingbrush, so he would, if he only had a nurse's apron on him. And
|
|
then he collapses all of a sudden, twisting around all the opposite, as
|
|
limp as a wet rag.
|
|
|
|
--But it's no use, says he. Force, hatred, history, all that. That's not
|
|
life for men and women, insult and hatred. And everybody knows that it's
|
|
the very opposite of that that is really life.
|
|
|
|
--What? says Alf.
|
|
|
|
--Love, says Bloom. I mean the opposite of hatred. I must go now, says he
|
|
to John Wyse. Just round to the court a moment to see if Martin is there.
|
|
If he comes just say I'll be back in a second. Just a moment.
|
|
|
|
Who's hindering you? And off he pops like greased lightning.
|
|
|
|
--A new apostle to the gentiles, says the citizen. Universal love.
|
|
|
|
--Well, says John Wyse. Isn't that what we're told. Love your neighbour.
|
|
|
|
--That chap? says the citizen. Beggar my neighbour is his motto. Love,
|
|
moya! He's a nice pattern of a Romeo and Juliet.
|
|
|
|
Love loves to love love. Nurse loves the new chemist. Constable 14A
|
|
loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle.
|
|
M. B. loves a fair gentleman. Li Chi Han lovey up kissy Cha Pu Chow.
|
|
Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschoyle with the
|
|
ear trumpet loves old Mrs Verschoyle with the turnedin eye. The man in the
|
|
brown macintosh loves a lady who is dead. His Majesty the King loves Her
|
|
Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love
|
|
a certain person. And this person loves that other person because
|
|
everybody loves somebody but God loves everybody.
|
|
|
|
--Well, Joe, says I, your very good health and song. More power, citizen.
|
|
|
|
--Hurrah, there, says Joe.
|
|
|
|
--The blessing of God and Mary and Patrick on you, says the citizen.
|
|
|
|
And he ups with his pint to wet his whistle.
|
|
|
|
--We know those canters, says he, preaching and picking your pocket.
|
|
What about sanctimonious Cromwell and his ironsides that put the women
|
|
and children of Drogheda to the sword with the bible text GOD IS LOVE
|
|
pasted round the mouth of his cannon? The bible! Did you read that skit in
|
|
the UNITED IRISHMAN today about that Zulu chief that's visiting England?
|
|
|
|
--What's that? says Joe.
|
|
|
|
So the citizen takes up one of his paraphernalia papers and he starts
|
|
reading out:
|
|
|
|
--A delegation of the chief cotton magnates of Manchester was presented
|
|
yesterday to His Majesty the Alaki of Abeakuta by Gold Stick in Waiting,
|
|
Lord Walkup of Walkup on Eggs, to tender to His Majesty the heartfelt
|
|
thanks of British traders for the facilities afforded them in his
|
|
dominions. The delegation partook of luncheon at the conclusion
|
|
of which the dusky potentate, in the course of a happy speech,
|
|
freely translated by the British chaplain, the reverend Ananias
|
|
Praisegod Barebones, tendered his best thanks to Massa Walkup and
|
|
emphasised the cordial relations existing between Abeakuta and the
|
|
British empire, stating that he treasured as one of his dearest
|
|
possessions an illuminated bible, the volume of the word of God
|
|
and the secret of England's greatness, graciously presented to him by
|
|
the white chief woman, the great squaw Victoria, with a personal
|
|
dedication from the august hand of the Royal Donor. The Alaki then drank a
|
|
lovingcup of firstshot usquebaugh to the toast BLACK AND WHITE from the
|
|
skull of his immediate predecessor in the dynasty Kakachakachak,
|
|
surnamed Forty Warts, after which he visited the chief factory of
|
|
Cottonopolis and signed his mark in the visitors' book, subsequently
|
|
executing a charming old Abeakutic wardance, in the course of which he
|
|
swallowed several knives and forks, amid hilarious applause from the girl
|
|
hands.
|
|
|
|
--Widow woman, says Ned. I wouldn't doubt her. Wonder did he put that
|
|
bible to the same use as I would.
|
|
|
|
--Same only more so, says Lenehan. And thereafter in that fruitful land
|
|
the broadleaved mango flourished exceedingly.
|
|
|
|
--Is that by Griffith? says John Wyse.
|
|
|
|
--No, says the citizen. It's not signed Shanganagh. It's only
|
|
initialled: P.
|
|
|
|
--And a very good initial too, says Joe.
|
|
|
|
--That's how it's worked, says the citizen. Trade follows the flag.
|
|
|
|
--Well, says J. J., if they're any worse than those Belgians in the Congo
|
|
Free State they must be bad. Did you read that report by a man what's this
|
|
his name is?
|
|
|
|
--Casement, says the citizen. He's an Irishman.
|
|
|
|
--Yes, that's the man, says J. J. Raping the women and girls and flogging
|
|
the natives on the belly to squeeze all the red rubber they can out of
|
|
them.
|
|
|
|
--I know where he's gone, says Lenehan, cracking his fingers.
|
|
|
|
--Who? says I.
|
|
|
|
--Bloom, says he. The courthouse is a blind. He had a few bob on
|
|
THROWAWAY and he's gone to gather in the shekels.
|
|
|
|
--Is it that whiteeyed kaffir? says the citizen, that never backed a horse
|
|
in anger in his life?
|
|
|
|
--That's where he's gone, says Lenehan. I met Bantam Lyons going to back
|
|
that horse only I put him off it and he told me Bloom gave him the tip.
|
|
Bet you what you like he has a hundred shillings to five on. He's the only
|
|
man in Dublin has it. A dark horse.
|
|
|
|
--He's a bloody dark horse himself, says Joe.
|
|
|
|
--Mind, Joe, says I. Show us the entrance out.
|
|
|
|
--There you are, says Terry.
|
|
|
|
Goodbye Ireland I'm going to Gort. So I just went round the back of
|
|
the yard to pumpship and begob (hundred shillings to five) while I was
|
|
letting off my (THROWAWAY twenty to) letting off my load gob says I to
|
|
myself I knew he was uneasy in his (two pints off of Joe and one in
|
|
Slattery's off) in his mind to get off the mark to (hundred shillings is
|
|
five quid) and when they were in the (dark horse) pisser Burke
|
|
was telling me card party and letting on the child was sick (gob, must
|
|
have done about a gallon) flabbyarse of a wife speaking down the tube
|
|
SHE'S BETTER or SHE'S (ow!) all a plan so he could vamoose with the
|
|
pool if he won or (Jesus, full up I was) trading without a licence (ow!)
|
|
Ireland my nation says he (hoik! phthook!) never be up to those
|
|
bloody (there's the last of it) Jerusalem (ah!) cuckoos.
|
|
|
|
So anyhow when I got back they were at it dingdong, John Wyse
|
|
saying it was Bloom gave the ideas for Sinn Fein to Griffith to put in his
|
|
paper all kinds of jerrymandering, packed juries and swindling the taxes
|
|
off of the government and appointing consuls all over the world to walk
|
|
about selling Irish industries. Robbing Peter to pay Paul. Gob, that puts
|
|
the bloody kybosh on it if old sloppy eyes is mucking up the show. Give us
|
|
a bloody chance. God save Ireland from the likes of that bloody
|
|
mouseabout. Mr Bloom with his argol bargol. And his old fellow before him
|
|
perpetrating frauds, old Methusalem Bloom, the robbing bagman, that
|
|
poisoned himself with the prussic acid after he swamping the country with
|
|
his baubles and his penny diamonds. Loans by post on easy terms. Any
|
|
amount of money advanced on note of hand. Distance no object. No security.
|
|
Gob, he's like Lanty MacHale's goat that'd go a piece of the road with
|
|
every one.
|
|
|
|
--Well, it's a fact, says John Wyse. And there's the man now that'll tell
|
|
you all about it, Martin Cunningham.
|
|
|
|
Sure enough the castle car drove up with Martin on it and Jack Power
|
|
with him and a fellow named Crofter or Crofton, pensioner out of the
|
|
collector general's, an orangeman Blackburn does have on the registration
|
|
and he drawing his pay or Crawford gallivanting around the country at the
|
|
king's expense.
|
|
|
|
Our travellers reached the rustic hostelry and alighted from their
|
|
palfreys.
|
|
|
|
--Ho, varlet! cried he, who by his mien seemed the leader of the party.
|
|
Saucy knave! To us!
|
|
|
|
So saying he knocked loudly with his swordhilt upon the open lattice.
|
|
|
|
Mine host came forth at the summons, girding him with his tabard.
|
|
|
|
--Give you good den, my masters, said he with an obsequious bow.
|
|
|
|
--Bestir thyself, sirrah! cried he who had knocked. Look to our steeds.
|
|
And for ourselves give us of your best for ifaith we need it.
|
|
|
|
--Lackaday, good masters, said the host, my poor house has but a bare
|
|
larder. I know not what to offer your lordships.
|
|
|
|
--How now, fellow? cried the second of the party, a man of pleasant
|
|
countenance, So servest thou the king's messengers, master Taptun?
|
|
|
|
An instantaneous change overspread the landlord's visage.
|
|
|
|
--Cry you mercy, gentlemen, he said humbly. An you be the king's
|
|
messengers (God shield His Majesty!) you shall not want for aught. The
|
|
king's friends (God bless His Majesty!) shall not go afasting in my house
|
|
I warrant me.
|
|
|
|
--Then about! cried the traveller who had not spoken, a lusty trencherman
|
|
by his aspect. Hast aught to give us?
|
|
|
|
Mine host bowed again as he made answer:
|
|
|
|
--What say you, good masters, to a squab pigeon pasty, some collops of
|
|
venison, a saddle of veal, widgeon with crisp hog's bacon, a boar's head
|
|
with pistachios, a bason of jolly custard, a medlar tansy and a flagon of
|
|
old Rhenish?
|
|
|
|
--Gadzooks! cried the last speaker. That likes me well. Pistachios!
|
|
|
|
--Aha! cried he of the pleasant countenance. A poor house and a bare
|
|
larder, quotha! 'Tis a merry rogue.
|
|
|
|
So in comes Martin asking where was Bloom.
|
|
|
|
--Where is he? says Lenehan. Defrauding widows and orphans.
|
|
|
|
--Isn't that a fact, says John Wyse, what I was telling the citizen about
|
|
Bloom and the Sinn Fein?
|
|
|
|
--That's so, says Martin. Or so they allege.
|
|
|
|
--Who made those allegations? says Alf.
|
|
|
|
--I, says Joe. I'm the alligator.
|
|
|
|
--And after all, says John Wyse, why can't a jew love his country like the
|
|
next fellow?
|
|
|
|
--Why not? says J. J., when he's quite sure which country it is.
|
|
|
|
--Is he a jew or a gentile or a holy Roman or a swaddler or what the hell
|
|
is he? says Ned. Or who is he? No offence, Crofton.
|
|
|
|
--Who is Junius? says J. J.
|
|
|
|
--We don't want him, says Crofter the Orangeman or presbyterian.
|
|
|
|
--He's a perverted jew, says Martin, from a place in Hungary and it was he
|
|
drew up all the plans according to the Hungarian system. We know that in
|
|
the castle.
|
|
|
|
--Isn't he a cousin of Bloom the dentist? says Jack Power.
|
|
|
|
--Not at all, says Martin. Only namesakes. His name was Virag, the
|
|
father's name that poisoned himself. He changed it by deedpoll, the father
|
|
did.
|
|
|
|
--That's the new Messiah for Ireland! says the citizen. Island of saints
|
|
and sages!
|
|
|
|
--Well, they're still waiting for their redeemer, says Martin. For that
|
|
matter so are we.
|
|
|
|
--Yes, says J. J., and every male that's born they think it may be their
|
|
Messiah. And every jew is in a tall state of excitement, I believe, till
|
|
he knows if he's a father or a mother.
|
|
|
|
--Expecting every moment will be his next, says Lenehan.
|
|
|
|
--O, by God, says Ned, you should have seen Bloom before that son of his
|
|
that died was born. I met him one day in the south city markets buying a
|
|
tin of Neave's food six weeks before the wife was delivered.
|
|
|
|
--EN VENTRE SA MERE, says J. J.
|
|
|
|
--Do you call that a man? says the citizen.
|
|
|
|
--I wonder did he ever put it out of sight, says Joe.
|
|
|
|
--Well, there were two children born anyhow, says Jack Power.
|
|
|
|
--And who does he suspect? says the citizen.
|
|
|
|
Gob, there's many a true word spoken in jest. One of those mixed
|
|
middlings he is. Lying up in the hotel Pisser was telling me once a month
|
|
with headache like a totty with her courses. Do you know what I'm telling
|
|
you? It'd be an act of God to take a hold of a fellow the like of that and
|
|
throw him in the bloody sea. Justifiable homicide, so it would. Then
|
|
sloping off with his five quid without putting up a pint of stuff like a
|
|
man. Give us your blessing. Not as much as would blind your eye.
|
|
|
|
--Charity to the neighbour, says Martin. But where is he? We can't wait.
|
|
|
|
--A wolf in sheep's clothing, says the citizen. That's what he is. Virag
|
|
from Hungary! Ahasuerus I call him. Cursed by God.
|
|
|
|
--Have you time for a brief libation, Martin? says Ned.
|
|
|
|
--Only one, says Martin. We must be quick. J. J. and S.
|
|
|
|
--You, Jack? Crofton? Three half ones, Terry.
|
|
|
|
--Saint Patrick would want to land again at Ballykinlar and convert us,
|
|
says the citizen, after allowing things like that to contaminate our
|
|
shores.
|
|
|
|
--Well, says Martin, rapping for his glass. God bless all here is my
|
|
prayer.
|
|
|
|
--Amen, says the citizen.
|
|
|
|
--And I'm sure He will, says Joe.
|
|
|
|
And at the sound of the sacring bell, headed by a crucifer with acolytes,
|
|
thurifers, boatbearers, readers, ostiarii, deacons and subdeacons,
|
|
the blessed company drew nigh of mitred abbots and priors and guardians
|
|
and monks and friars: the monks of Benedict of Spoleto, Carthusians and
|
|
Camaldolesi, Cistercians and Olivetans, Oratorians and Vallombrosans,
|
|
and the friars of Augustine, Brigittines, Premonstratensians, Servi,
|
|
Trinitarians, and the children of Peter Nolasco: and therewith from Carmel
|
|
mount the children of Elijah prophet led by Albert bishop and by Teresa of
|
|
Avila, calced and other: and friars, brown and grey, sons of poor Francis,
|
|
capuchins, cordeliers, minimes and observants and the daughters of Clara:
|
|
and the sons of Dominic, the friars preachers, and the sons of Vincent:
|
|
and the monks of S. Wolstan: and Ignatius his children: and the
|
|
confraternity of the christian brothers led by the reverend brother
|
|
Edmund Ignatius Rice. And after came all saints and martyrs,
|
|
virgins and confessors: S. Cyr and S. Isidore Arator and S. James the
|
|
Less and S. Phocas of Sinope and S. Julian Hospitator and S. Felix
|
|
de Cantalice and S. Simon Stylites and S. Stephen Protomartyr and
|
|
S. John of God and S. Ferreol and S. Leugarde and S. Theodotus and S.
|
|
Vulmar and S. Richard and S. Vincent de Paul and S. Martin of Todi
|
|
and S. Martin of Tours and S. Alfred and S. Joseph and S.
|
|
Denis and S. Cornelius and S. Leopold and S. Bernard and S. Terence and
|
|
S. Edward and S. Owen Caniculus and S. Anonymous and S. Eponymous
|
|
and S. Pseudonymous and S. Homonymous and S. Paronymous and S.
|
|
Synonymous and S. Laurence O'Toole and S. James of Dingle and
|
|
Compostella and S. Columcille and S. Columba and S. Celestine and S.
|
|
Colman and S. Kevin and S. Brendan and S. Frigidian and S. Senan and S.
|
|
Fachtna and S. Columbanus and S. Gall and S. Fursey and S. Fintan and S.
|
|
Fiacre and S. John Nepomuc and S. Thomas Aquinas and S. Ives of
|
|
Brittany and S. Michan and S. Herman-Joseph and the three patrons of
|
|
holy youth S. Aloysius Gonzaga and S. Stanislaus Kostka and S. John
|
|
Berchmans and the saints Gervasius, Servasius and Bonifacius and S. Bride
|
|
and S. Kieran and S. Canice of Kilkenny and S. Jarlath of Tuam and S.
|
|
Finbarr and S. Pappin of Ballymun and Brother Aloysius Pacificus and
|
|
Brother Louis Bellicosus and the saints Rose of Lima and of Viterbo and S.
|
|
Martha of Bethany and S. Mary of Egypt and S. Lucy and S. Brigid and S.
|
|
Attracta and S. Dympna and S. Ita and S. Marion Calpensis and the
|
|
Blessed Sister Teresa of the Child Jesus and S. Barbara and S. Scholastica
|
|
and S. Ursula with eleven thousand virgins. And all came with nimbi and
|
|
aureoles and gloriae, bearing palms and harps and swords and olive
|
|
crowns, in robes whereon were woven the blessed symbols of their
|
|
efficacies, inkhorns, arrows, loaves, cruses, fetters, axes, trees,
|
|
bridges, babes in a bathtub, shells, wallets, shears, keys, dragons,
|
|
lilies, buckshot, beards, hogs, lamps, bellows, beehives, soupladles,
|
|
stars, snakes, anvils, boxes of vaseline, bells, crutches, forceps,
|
|
stags' horns, watertight boots, hawks, millstones, eyes on a dish, wax
|
|
candles, aspergills, unicorns. And as they wended their way by Nelson's
|
|
Pillar, Henry street, Mary street, Capel street, Little Britain street
|
|
chanting the introit in EPIPHANIA DOMINI which beginneth SURGE,
|
|
ILLUMINARE and thereafter most sweetly the gradual OMNES which saith
|
|
DE SABA VENIENT they did divers wonders such as casting out devils,
|
|
raising the dead to life, multiplying fishes, healing the halt and the
|
|
blind, discovering various articles which had been mislaid, interpreting
|
|
and fulfilling the scriptures, blessing and prophesying. And last, beneath
|
|
a canopy of cloth of gold came the reverend Father O'Flynn attended by
|
|
Malachi and Patrick. And when the good fathers had reached the appointed
|
|
place, the house of Bernard Kiernan and Co, limited, 8, 9 and 10 little
|
|
Britain street, wholesale grocers, wine and brandy shippers, licensed fo
|
|
the sale of beer, wine and spirits for consumption on the premises, the
|
|
celebrant blessed the house and censed the mullioned windows and the
|
|
groynes and the vaults and the arrises and the capitals and the pediments
|
|
and the cornices and the engrailed arches and the spires and the cupolas
|
|
and sprinkled the lintels thereof with blessed water and prayed that God
|
|
might bless that house as he had blessed the house of Abraham and Isaac
|
|
and Jacob and make the angels of His light to inhabit therein. And
|
|
entering he blessed the viands and the beverages and the company of all
|
|
the blessed answered his prayers.
|
|
|
|
--ADIUTORIUM NOSTRUM IN NOMINE DOMINI.
|
|
|
|
--QUI FECIT COELUM ET TERRAM.
|
|
|
|
--DOMINUS VOBISCUM.
|
|
|
|
--ET CUM SPIRITU TUO.
|
|
|
|
And he laid his hands upon that he blessed and gave thanks and he
|
|
prayed and they all with him prayed:
|
|
|
|
--DEUS, CUIUS VERBO SANCTIFICANTUR OMNIA, BENEDICTIONEM TUAM EFFUNDE SUPER
|
|
CREATURAS ISTAS: ET PRAESTA UT QUISQUIS EIS SECUNDUM LEGEM ET VOLUNTATEM
|
|
TUAM CUM GRATIARUM ACTIONE USUS FUERIT PER INVOCATIONEM SANCTISSIMI
|
|
NOMINIS TUI CORPORIS SANITATEM ET ANIMAE TUTELAM TE AUCTORE PERCIPIAT PER
|
|
CHRISTUM DOMINUM NOSTRUM.
|
|
|
|
--And so say all of us, says Jack.
|
|
|
|
--Thousand a year, Lambert, says Crofton or Crawford.
|
|
|
|
--Right, says Ned, taking up his John Jameson. And butter for fish.
|
|
|
|
|
|
I was just looking around to see who the happy thought would strike
|
|
when be damned but in he comes again letting on to be in a hell of a
|
|
hurry.
|
|
|
|
--I was just round at the courthouse, says he, looking for you. I hope I'm
|
|
not ...
|
|
|
|
--No, says Martin, we're ready.
|
|
|
|
Courthouse my eye and your pockets hanging down with gold and silver.
|
|
Mean bloody scut. Stand us a drink itself. Devil a sweet fear! There's
|
|
a jew for you! All for number one. Cute as a shithouse rat. Hundred to
|
|
five.
|
|
|
|
--Don't tell anyone, says the citizen,
|
|
|
|
--Beg your pardon, says he.
|
|
|
|
--Come on boys, says Martin, seeing it was looking blue. Come along now.
|
|
|
|
--Don't tell anyone, says the citizen, letting a bawl out of him. It's a
|
|
secret.
|
|
|
|
And the bloody dog woke up and let a growl.
|
|
|
|
--Bye bye all, says Martin.
|
|
|
|
And he got them out as quick as he could, Jack Power and Crofton or
|
|
whatever you call him and him in the middle of them letting on to be all
|
|
at sea and up with them on the bloody jaunting car.
|
|
|
|
---Off with you, says
|
|
|
|
Martin to the jarvey.
|
|
|
|
The milkwhite dolphin tossed his mane and, rising in the golden poop
|
|
the helmsman spread the bellying sail upon the wind and stood off forward
|
|
with all sail set, the spinnaker to larboard. A many comely nymphs drew
|
|
nigh to starboard and to larboard and, clinging to the sides of the noble
|
|
bark, they linked their shining forms as doth the cunning wheelwright when
|
|
he fashions about the heart of his wheel the equidistant rays whereof each
|
|
one is sister to another and he binds them all with an outer ring and
|
|
giveth speed to the feet of men whenas they ride to a hosting or contend
|
|
for the smile of ladies fair. Even so did they come and set them, those
|
|
willing nymphs, the undying sisters. And they laughed, sporting in a
|
|
circle of their foam: and the bark clave the waves.
|
|
|
|
But begob I was just lowering the heel of the pint when I saw the
|
|
citizen getting up to waddle to the door, puffing and blowing with the
|
|
dropsy, and he cursing the curse of Cromwell on him, bell, book and candle
|
|
in Irish, spitting and spatting out of him and Joe and little Alf round
|
|
him like a leprechaun trying to peacify him.
|
|
|
|
--Let me alone, says he.
|
|
|
|
And begob he got as far as the door and they holding him and he
|
|
bawls out of him:
|
|
|
|
--Three cheers for Israel!
|
|
|
|
Arrah, sit down on the parliamentary side of your arse for Christ'
|
|
sake and don't be making a public exhibition of yourself. Jesus, there's
|
|
always some bloody clown or other kicking up a bloody murder about
|
|
bloody nothing. Gob, it'd turn the porter sour in your guts, so it would.
|
|
|
|
And all the ragamuffins and sluts of the nation round the door and Martin
|
|
telling the jarvey to drive ahead and the citizen bawling and Alf and
|
|
Joe at him to whisht and he on his high horse about the jews and the
|
|
loafers calling for a speech and Jack Power trying to get him to sit down
|
|
on the car and hold his bloody jaw and a loafer with a patch over his eye
|
|
starts singing IF THE MAN IN THE MOON WAS A JEW, JEW, JEW and a slut
|
|
shouts out of her:
|
|
|
|
--Eh, mister! Your fly is open, mister!
|
|
|
|
And says he:
|
|
|
|
--Mendelssohn was a jew and Karl Marx and Mercadante and Spinoza.
|
|
And the Saviour was a jew and his father was a jew. Your God.
|
|
|
|
--He had no father, says Martin. That'll do now. Drive ahead.
|
|
|
|
--Whose God? says the citizen.
|
|
|
|
--Well, his uncle was a jew, says he. Your God was a jew. Christ was a jew
|
|
like me.
|
|
|
|
Gob, the citizen made a plunge back into the shop.
|
|
|
|
--By Jesus, says he, I'll brain that bloody jewman for using the holy
|
|
name.
|
|
|
|
By Jesus, I'll crucify him so I will. Give us that biscuitbox here.
|
|
|
|
--Stop! Stop! says Joe.
|
|
|
|
A large and appreciative gathering of friends and acquaintances from
|
|
the metropolis and greater Dublin assembled in their thousands to bid
|
|
farewell to Nagyasagos uram Lipoti Virag, late of Messrs Alexander
|
|
Thom's, printers to His Majesty, on the occasion of his departure for the
|
|
distant clime of Szazharminczbrojugulyas-Dugulas (Meadow of
|
|
Murmuring Waters). The ceremony which went off with great ECLAT was
|
|
characterised by the most affecting cordiality. An illuminated scroll of
|
|
ancient Irish vellum, the work of Irish artists, was presented to the
|
|
distinguished phenomenologist on behalf of a large section of the
|
|
community and was accompanied by the gift of a silver casket, tastefully
|
|
executed in the style of ancient Celtic ornament, a work which reflects
|
|
every credit on the makers, Messrs Jacob AGUS Jacob. The departing guest
|
|
was the recipient of a hearty ovation, many of those who were present
|
|
being visibly moved when the select orchestra of Irish pipes struck up the
|
|
wellknown strains of COME BACK TO ERIN, followed immediately by RAKOCZSY'S
|
|
MARCH. Tarbarrels and bonfires were lighted along the coastline of the four
|
|
seas on the summits of the Hill of Howth, Three Rock Mountain, Sugarloaf,
|
|
Bray Head, the mountains of Mourne, the Galtees, the Ox and Donegal and
|
|
Sperrin peaks, the Nagles and the Bograghs, the Connemara hills, the reeks
|
|
of M Gillicuddy, Slieve Aughty, Slieve Bernagh and Slieve Bloom. Amid
|
|
cheers that rent the welkin, responded to by answering cheers from a big
|
|
muster of henchmen on the distant Cambrian and Caledonian hills, the
|
|
mastodontic pleasureship slowly moved away saluted by a final floral
|
|
tribute from the representatives of the fair sex who were present in large
|
|
numbers while, as it proceeded down the river, escorted by a flotilla of
|
|
barges, the flags of the Ballast office and Custom House were dipped in
|
|
salute as were also those of the electrical power station at the
|
|
Pigeonhouse and the Poolbeg Light. VISSZONTLATASRA, KEDVES BARATON!
|
|
VISSZONTLATASRA! Gone but not forgotten.
|
|
|
|
Gob, the devil wouldn't stop him till he got hold of the bloody tin
|
|
anyhow and out with him and little Alf hanging on to his elbow and he
|
|
shouting like a stuck pig, as good as any bloody play in the Queen's royal
|
|
theatre:
|
|
|
|
--Where is he till I murder him?
|
|
|
|
And Ned and J. J. paralysed with the laughing.
|
|
|
|
--Bloody wars, says I, I'll be in for the last gospel.
|
|
|
|
But as luck would have it the jarvey got the nag's head round the
|
|
other way and off with him.
|
|
|
|
--Hold on, citizen, says Joe. Stop!
|
|
|
|
Begob he drew his hand and made a swipe and let fly. Mercy of God the sun
|
|
was in his eyes or he'd have left him for dead. Gob, he near sent it
|
|
into the county Longford. The bloody nag took fright and the old mongrel
|
|
after the car like bloody hell and all the populace shouting and laughing
|
|
and the old tinbox clattering along the street.
|
|
|
|
The catastrophe was terrific and instantaneous in its effect. The
|
|
observatory of Dunsink registered in all eleven shocks, all of the fifth
|
|
grade of Mercalli's scale, and there is no record extant of a similar
|
|
seismic disturbance in our island since the earthquake of 1534, the
|
|
year of the rebellion of Silken Thomas. The epicentre appears to have
|
|
been that part of the metropolis which constitutes the Inn's Quay
|
|
ward and parish of Saint Michan covering a surface of fortyone acres,
|
|
two roods and one square pole or perch. All the lordly residences in
|
|
the vicinity of the palace of justice were demolished and that noble
|
|
edifice itself, in which at the time of the catastrophe important
|
|
legal debates were in progress, is literally a mass of ruins beneath
|
|
which it is to be feared all the occupants have been buried alive.
|
|
From the reports of eyewitnesses it transpires that the seismic waves
|
|
were accompanied by a violent atmospheric perturbation of cyclonic
|
|
character. An article of headgear since ascertained to belong to the much
|
|
respected clerk of the crown and peace Mr George Fottrell and a silk
|
|
umbrella with gold handle with the engraved initials, crest, coat of arms
|
|
and house number of the erudite and worshipful chairman of quarter
|
|
sessions sir Frederick Falkiner, recorder of Dublin, have been discovered
|
|
by search parties in remote parts of the island respectively, the former
|
|
on the third basaltic ridge of the giant's causeway, the latter embedded
|
|
to the extent of one foot three inches in the sandy beach of Holeopen
|
|
bay near the old head of Kinsale. Other eyewitnesses depose that they
|
|
observed an incandescent object of enormous proportions hurtling through
|
|
the atmosphere at a terrifying velocity in a trajectory directed
|
|
southwest by west. Messages of condolence and sympathy are being
|
|
hourly received from all parts of the different continents and the
|
|
sovereign pontiff has been graciously pleased to decree that a
|
|
special MISSA PRO DEFUNCTIS shall be celebrated simultaneously by
|
|
the ordinaries of each and every cathedral church of all the episcopal
|
|
dioceses subject to the spiritual authority of the Holy See in suffrage of
|
|
the souls of those faithful departed who have been so unexpectedly called
|
|
away from our midst. The work of salvage, removal of DEBRIS, human remains
|
|
etc has been entrusted to Messrs Michael Meade and Son, 159 Great
|
|
Brunswick street, and Messrs T. and C. Martin, 77, 78, 79 and 80 North
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Wall, assisted by the men and officers of the Duke of Cornwall's light
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infantry under the general supervision of H. R. H., rear admiral, the
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right honourable sir Hercules Hannibal Habeas Corpus Anderson, K. G.,
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K. P., K. T., P. C., K. C. B., M. P, J. P., M. B., D. S. O., S. O. D.,
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M. F. H., M. R. I. A., B. L., Mus. Doc., P. L. G., F. T. C. D.,
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F. R. U. I., F. R. C. P. I. and F. R. C. S. I.
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You never saw the like of it in all your born puff. Gob, if he got that
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lottery ticket on the side of his poll he'd remember the gold cup,
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he would so, but begob the citizen would have been lagged for assault
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|
and battery and Joe for aiding and abetting. The jarvey saved his life
|
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by furious driving as sure as God made Moses. What? O, Jesus, he did.
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And he let a volley of oaths after him.
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--Did I kill him, says he, or what?
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And he shouting to the bloody dog:
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--After him, Garry! After him, boy!
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And the last we saw was the bloody car rounding the corner and old
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sheepsface on it gesticulating and the bloody mongrel after it with his
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lugs back for all he was bloody well worth to tear him limb from limb.
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|
Hundred to five! Jesus, he took the value of it out of him, I promise you.
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When, lo, there came about them all a great brightness and they
|
|
beheld the chariot wherein He stood ascend to heaven. And they beheld
|
|
Him in the chariot, clothed upon in the glory of the brightness, having
|
|
raiment as of the sun, fair as the moon and terrible that for awe they
|
|
durst not look upon Him. And there came a voice out of heaven, calling:
|
|
ELIJAH! ELIJAH! And He answered with a main cry: ABBA! ADONAI! And they
|
|
beheld Him even Him, ben Bloom Elijah, amid clouds of angels ascend
|
|
to the glory of the brightness at an angle of fortyfive degrees over
|
|
Donohoe's in Little Green street like a shot off a shovel.
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* * * * * * *
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The summer evening had begun to fold the world in its mysterious
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|
embrace. Far away in the west the sun was setting and the last glow of all
|
|
too fleeting day lingered lovingly on sea and strand, on the proud
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|
promontory of dear old Howth guarding as ever the waters of the bay, on
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|
the weedgrown rocks along Sandymount shore and, last but not least, on the
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quiet church whence there streamed forth at times upon the stillness the
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|
voice of prayer to her who is in her pure radiance a beacon ever to the
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stormtossed heart of man, Mary, star of the sea.
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The three girl friends were seated on the rocks, enjoying the evening
|
|
scene and the air which was fresh but not too chilly. Many a time and oft
|
|
were they wont to come there to that favourite nook to have a cosy chat
|
|
beside the sparkling waves and discuss matters feminine, Cissy Caffrey and
|
|
Edy Boardman with the baby in the pushcar and Tommy and Jacky
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|
Caffrey, two little curlyheaded boys, dressed in sailor suits with caps to
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|
match and the name H.M.S. Belleisle printed on both. For Tommy and
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Jacky Caffrey were twins, scarce four years old and very noisy and spoiled
|
|
twins sometimes but for all that darling little fellows with bright merry
|
|
faces and endearing ways about them. They were dabbling in the sand with
|
|
their spades and buckets, building castles as children do, or playing with
|
|
their big coloured ball, happy as the day was long. And Edy Boardman was
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|
rocking the chubby baby to and fro in the pushcar while that young
|
|
gentleman fairly chuckled with delight. He was but eleven months and nine
|
|
days old and, though still a tiny toddler, was just beginning to lisp his
|
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first babyish words. Cissy Caffrey bent over to him to tease his fat
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little plucks and the dainty dimple in his chin.
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--Now, baby, Cissy Caffrey said. Say out big, big. I want a drink of
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water.
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And baby prattled after her:
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--A jink a jink a jawbo.
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Cissy Caffrey cuddled the wee chap for she was awfully fond of children,
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|
so patient with little sufferers and Tommy Caffrey could never be got to
|
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take his castor oil unless it was Cissy Caffrey that held his nose and
|
|
promised him the scatty heel of the loaf or brown bread with golden syrup
|
|
on. What a persuasive power that girl had! But to be sure baby Boardman
|
|
was as good as gold, a perfect little dote in his new fancy bib. None of
|
|
your spoilt beauties, Flora MacFlimsy sort, was Cissy Caffrey.
|
|
A truerhearted lass never drew the breath of life, always with a laugh in
|
|
her gipsylike eyes and a frolicsome word on her cherryripe red lips, a
|
|
girl lovable in the extreme. And Edy Boardman laughed too at the quaint
|
|
language of little brother.
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But just then there was a slight altercation between Master Tommy
|
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and Master Jacky. Boys will be boys and our two twins were no exception
|
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to this golden rule. The apple of discord was a certain castle of sand
|
|
which Master Jacky had built and Master Tommy would have it right go wrong
|
|
that it was to be architecturally improved by a frontdoor like the
|
|
Martello tower had. But if Master Tommy was headstrong Master Jacky was
|
|
selfwilled too and, true to the maxim that every little Irishman's house
|
|
is his castle, he fell upon his hated rival and to such purpose that the
|
|
wouldbe assailant came to grief and (alas to relate!) the coveted castle
|
|
too. Needless to say the cries of discomfited Master Tommy drew the
|
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attention of the girl friends.
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--Come here, Tommy, his sister called imperatively. At once! And you,
|
|
Jacky, for shame to throw poor Tommy in the dirty sand. Wait till I catch
|
|
you for that.
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His eyes misty with unshed tears Master Tommy came at her call for
|
|
their big sister's word was law with the twins. And in a sad plight he was
|
|
too after his misadventure. His little man-o'-war top and unmentionables
|
|
were full of sand but Cissy was a past mistress in the art of smoothing
|
|
over life's tiny troubles and very quickly not one speck of sand was
|
|
to be seen on his smart little suit. Still the blue eyes were glistening
|
|
with hot tears that would well up so she kissed away the hurtness and
|
|
shook her hand at Master Jacky the culprit and said if she was near
|
|
him she wouldn't be far from him, her eyes dancing in admonition.
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--Nasty bold Jacky! she cried.
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She put an arm round the little mariner and coaxed winningly:
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--What's your name? Butter and cream?
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--Tell us who is your sweetheart, spoke Edy Boardman. Is Cissy your
|
|
sweetheart?
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--Nao, tearful Tommy said.
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--Is Edy Boardman your sweetheart? Cissy queried.
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--Nao, Tommy said.
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--I know, Edy Boardman said none too amiably with an arch glance from
|
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her shortsighted eyes. I know who is Tommy's sweetheart. Gerty is
|
|
Tommy's sweetheart.
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--Nao, Tommy said on the verge of tears.
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Cissy's quick motherwit guessed what was amiss and she whispered
|
|
to Edy Boardman to take him there behind the pushcar where the
|
|
gentleman couldn't see and to mind he didn't wet his new tan shoes.
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|
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|
But who was Gerty?
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|
Gerty MacDowell who was seated near her companions, lost in
|
|
thought, gazing far away into the distance was, in very truth, as fair a
|
|
specimen of winsome Irish girlhood as one could wish to see. She was
|
|
pronounced beautiful by all who knew her though, as folks often said, she
|
|
was more a Giltrap than a MacDowell. Her figure was slight and graceful,
|
|
inclining even to fragility but those iron jelloids she had been taking of
|
|
late had done her a world of good much better than the Widow Welch's
|
|
female pills and she was much better of those discharges she used to get
|
|
and that tired feeling. The waxen pallor of her face was almost spiritual
|
|
in its ivorylike purity though her rosebud mouth was a genuine Cupid's
|
|
bow, Greekly perfect. Her hands were of finely veined alabaster
|
|
with tapering fingers and as white as lemonjuice and queen of ointments
|
|
could make them though it was not true that she used to wear kid gloves
|
|
in bed or take a milk footbath either. Bertha Supple told that once
|
|
to Edy Boardman, a deliberate lie, when she was black out at daggers
|
|
drawn with Gerty (the girl chums had of course their little tiffs
|
|
from time to time like the rest of mortals) and she told her not to
|
|
let on whatever she did that it was her that told her or she'd never
|
|
speak to her again. No. Honour where honour is due. There was an
|
|
innate refinement, a languid queenly HAUTEUR about Gerty which
|
|
was unmistakably evidenced in her delicate hands and higharched instep.
|
|
Had kind fate but willed her to be born a gentlewoman of high degree in
|
|
her own right and had she only received the benefit of a good education
|
|
Gerty MacDowell might easily have held her own beside any lady in the
|
|
land and have seen herself exquisitely gowned with jewels on her brow and
|
|
patrician suitors at her feet vying with one another to pay their devoirs
|
|
to her. Mayhap it was this, the love that might have been, that lent to
|
|
her softlyfeatured face at whiles a look, tense with suppressed meaning,
|
|
that imparted a strange yearning tendency to the beautiful eyes, a charm
|
|
few could resist. Why have women such eyes of witchery? Gerty's were of
|
|
the bluest Irish blue, set off by lustrous lashes and dark expressive
|
|
brows. Time was when those brows were not so silkily seductive. It was
|
|
Madame Vera Verity, directress of the Woman Beautiful page of the Princess
|
|
Novelette, who had first advised her to try eyebrowleine which gave that
|
|
haunting expression to the eyes, so becoming in leaders of fashion, and
|
|
she had never regretted it. Then there was blushing scientifically cured
|
|
and how to be tall increase your height and you have a beautiful face but
|
|
your nose? That would suit Mrs Dignam because she had a button one. But
|
|
Gerty's crowning glory was her wealth of wonderful hair. It was dark brown
|
|
with a natural wave in it. She had cut it that very morning on account
|
|
of the new moon and it nestled about her pretty head in a profusion of
|
|
luxuriant clusters and pared her nails too, Thursday for wealth. And just
|
|
now at Edy's words as a telltale flush, delicate as the faintest
|
|
rosebloom, crept into her cheeks she looked so lovely in her sweet girlish
|
|
shyness that of a surety God's fair land of Ireland did not hold
|
|
her equal.
|
|
|
|
For an instant she was silent with rather sad downcast eyes. She was
|
|
about to retort but something checked the words on her tongue. Inclination
|
|
prompted her to speak out: dignity told her to be silent. The pretty lips
|
|
pouted awhile but then she glanced up and broke out into a joyous little
|
|
laugh which had in it all the freshness of a young May morning. She knew
|
|
right well, no-one better, what made squinty Edy say that because of him
|
|
cooling in his attentions when it was simply a lovers' quarrel. As per
|
|
usual somebody's nose was out of joint about the boy that had the bicycle
|
|
off the London bridge road always riding up and down in front of her
|
|
window. Only now his father kept him in in the evenings studying
|
|
hard to get an exhibition in the intermediate that was on and he was
|
|
going to go to Trinity college to study for a doctor when he left
|
|
the high school like his brother W. E. Wylie who was racing in the
|
|
bicycle races in Trinity college university. Little recked he perhaps
|
|
for what she felt, that dull aching void in her heart sometimes,
|
|
piercing to the core. Yet he was young and perchance he might
|
|
learn to love her in time. They were protestants in his family
|
|
and of course Gerty knew Who came first and after Him the Blessed
|
|
Virgin and then Saint Joseph. But he was undeniably handsome with an
|
|
exquisite nose and he was what he looked, every inch a gentleman, the
|
|
shape of his head too at the back without his cap on that she would know
|
|
anywhere something off the common and the way he turned the bicycle at
|
|
the lamp with his hands off the bars and also the nice perfume of those
|
|
good cigarettes and besides they were both of a size too he and she and
|
|
that was why Edy Boardman thought she was so frightfully clever because
|
|
he didn't go and ride up and down in front of her bit of a garden.
|
|
|
|
Gerty was dressed simply but with the instinctive taste of a votary of
|
|
Dame Fashion for she felt that there was just a might that he might be
|
|
out. A neat blouse of electric blue selftinted by dolly dyes (because it
|
|
was expected in the LADY'S PICTORIAL that electric blue would be worn)
|
|
with a smart vee opening down to the division and kerchief pocket
|
|
(in which she always kept a piece of cottonwool scented with her
|
|
favourite perfume because the handkerchief spoiled the sit) and a
|
|
navy threequarter skirt cut to the stride showed off her slim graceful
|
|
figure to perfection. She wore a coquettish little love of a hat of
|
|
wideleaved nigger straw contrast trimmed with an underbrim of eggblue
|
|
chenille and at the side a butterfly bow of silk to tone. All Tuesday
|
|
week afternoon she was hunting to match that chenille but at last
|
|
she found what she wanted at Clery's summer sales, the very it, slightly
|
|
shopsoiled but you would never notice, seven fingers two and a penny. She
|
|
did it up all by herself and what joy was hers when she tried it on then,
|
|
smiling at the lovely reflection which the mirror gave back to her!
|
|
And when she put it on the waterjug to keep the shape she knew that that
|
|
would take the shine out of some people she knew. Her shoes were the
|
|
newest thing in footwear (Edy Boardman prided herself that she was very
|
|
PETITE but she never had a foot like Gerty MacDowell, a five, and never
|
|
would ash, oak or elm) with patent toecaps and just one smart buckle over
|
|
her higharched instep. Her wellturned ankle displayed its perfect
|
|
proportions beneath her skirt and just the proper amount and no more of
|
|
her shapely limbs encased in finespun hose with highspliced heels and wide
|
|
garter tops. As for undies they were Gerty's chief care and who that knows
|
|
the fluttering hopes and fears of sweet seventeen (though Gerty would
|
|
never see seventeen again) can find it in his heart to blame her? She had
|
|
four dinky sets with awfully pretty stitchery, three garments and
|
|
nighties extra, and each set slotted with different coloured ribbons,
|
|
rosepink, pale blue, mauve and peagreen, and she aired them herself
|
|
and blued them when they came home from the wash and ironed them
|
|
and she had a brickbat to keep the iron on because she wouldn't trust
|
|
those washerwomen as far as she'd see them scorching the things.
|
|
She was wearing the blue for luck, hoping against hope, her own
|
|
colour and lucky too for a bride to have a bit of blue somewhere
|
|
on her because the green she wore that day week brought grief because
|
|
his father brought him in to study for the intermediate exhibition
|
|
and because she thought perhaps he might be out because when she was
|
|
dressing that morning she nearly slipped up the old pair on her inside out
|
|
and that was for luck and lovers' meeting if you put those things on
|
|
inside out or if they got untied that he was thinking about you so long
|
|
as it wasn't of a Friday.
|
|
|
|
And yet and yet! That strained look on her face! A gnawing sorrow is
|
|
there all the time. Her very soul is in her eyes and she would give worlds
|
|
to be in the privacy of her own familiar chamber where, giving way to
|
|
tears, she could have a good cry and relieve her pentup feelingsthough not
|
|
too much because she knew how to cry nicely before the mirror. You are
|
|
lovely, Gerty, it said. The paly light of evening falls upon a face
|
|
infinitely sad and wistful. Gerty MacDowell yearns in vain. Yes, she had
|
|
known from the very first that her daydream of a marriage has been
|
|
arranged and the weddingbells ringing for Mrs Reggy Wylie T. C. D.
|
|
(because the one who married the elder brother would be Mrs Wylie) and in
|
|
the fashionable intelligence Mrs Gertrude Wylie was wearing a sumptuous
|
|
confection of grey trimmed with expensive blue fox was not to be. He was
|
|
too young to understand. He would not believe in love, a woman's
|
|
birthright. The night of the party long ago in Stoer's (he was still in
|
|
short trousers) when they were alone and he stole an arm round her waist
|
|
she went white to the very lips. He called her little one in a strangely
|
|
husky voice and snatched a half kiss (the first!) but it was only the end
|
|
of her nose and then he hastened from the room with a remark about
|
|
refreshments. Impetuous fellow! Strength of character had never been Reggy
|
|
Wylie's strong point and he who would woo and win Gerty MacDowell must be
|
|
a man among men. But waiting, always waiting to be asked and it was leap
|
|
year too and would soon be over. No prince charming is her beau ideal to
|
|
lay a rare and wondrous love at her feet but rather a manly man with a
|
|
strong quiet face who had not found his ideal, perhaps his hair slightly
|
|
flecked with grey, and who would understand, take her in his sheltering
|
|
arms, strain her to him in all the strength of his deep passionate nature
|
|
and comfort her with a long long kiss. It would be like heaven. For such
|
|
a one she yearns this balmy summer eve. With all the heart of her she
|
|
longs to be his only, his affianced bride for riches for poor, in sickness
|
|
in health, till death us two part, from this to this day forward.
|
|
|
|
And while Edy Boardman was with little Tommy behind the pushcar she was
|
|
just thinking would the day ever come when she could call herself his
|
|
little wife to be. Then they could talk about her till they went blue in
|
|
the face, Bertha Supple too, and Edy, little spitfire, because she would
|
|
be twentytwo in November. She would care for him with creature comforts
|
|
too for Gerty was womanly wise and knew that a mere man liked that
|
|
feeling of hominess. Her griddlecakes done to a goldenbrown hue and
|
|
queen Ann's pudding of delightful creaminess had won golden opinions from
|
|
all because she had a lucky hand also for lighting a fire, dredge in the
|
|
fine selfraising flour and always stir in the same direction, then cream
|
|
the milk and sugar and whisk well the white of eggs though she didn't like
|
|
the eating part when there were any people that made her shy and often she
|
|
wondered why you couldn't eat something poetical like violets or roses and
|
|
they would have a beautifully appointed drawingroom with pictures and
|
|
engravings and the photograph of grandpapa Giltrap's lovely dog
|
|
Garryowen that almost talked it was so human and chintz covers for the
|
|
chairs and that silver toastrack in Clery's summer jumble sales like they
|
|
have in rich houses. He would be tall with broad shoulders (she had always
|
|
admired tall men for a husband) with glistening white teeth under his
|
|
carefully trimmed sweeping moustache and they would go on the continent
|
|
for their honeymoon (three wonderful weeks!) and then, when they settled
|
|
down in a nice snug and cosy little homely house, every morning they
|
|
would both have brekky, simple but perfectly served, for their own two
|
|
selves and before he went out to business he would give his dear little
|
|
wifey a good hearty hug and gaze for a moment deep down into her eyes.
|
|
|
|
Edy Boardman asked Tommy Caffrey was he done and he said yes so
|
|
then she buttoned up his little knickerbockers for him and told him to run
|
|
off and play with Jacky and to be good now and not to fight. But Tommy
|
|
said he wanted the ball and Edy told him no that baby was playing with the
|
|
ball and if he took it there'd be wigs on the green but Tommy said it was
|
|
his ball and he wanted his ball and he pranced on the ground, if you
|
|
please. The temper of him! O, he was a man already was little Tommy
|
|
Caffrey since he was out of pinnies. Edy told him no, no and to be off now
|
|
with him and she told Cissy Caffrey not to give in to him.
|
|
|
|
--You're not my sister, naughty Tommy said. It's my ball.
|
|
|
|
But Cissy Caffrey told baby Boardman to look up, look up high at her
|
|
finger and she snatched the ball quickly and threw it along the sand and
|
|
Tommy after it in full career, having won the day.
|
|
|
|
--Anything for a quiet life, laughed Ciss.
|
|
|
|
And she tickled tiny tot's two cheeks to make him forget and played here's
|
|
the lord mayor, here's his two horses, here's his gingerbread carriage
|
|
and here he walks in, chinchopper, chinchopper, chinchopper chin. But Edy
|
|
got as cross as two sticks about him getting his own way like that from
|
|
everyone always petting him.
|
|
|
|
--I'd like to give him something, she said, so I would, where I won't say.
|
|
|
|
--On the beeoteetom, laughed Cissy merrily.
|
|
|
|
Gerty MacDowell bent down her head and crimsoned at the idea of Cissy
|
|
saying an unladylike thing like that out loud she'd be ashamed of her
|
|
life to say, flushing a deep rosy red, and Edy Boardman said she was sure
|
|
the gentleman opposite heard what she said. But not a pin cared Ciss.
|
|
|
|
--Let him! she said with a pert toss of her head and a piquant tilt of her
|
|
nose. Give it to him too on the same place as quick as I'd look at him.
|
|
|
|
Madcap Ciss with her golliwog curls. You had to laugh at her
|
|
sometimes. For instance when she asked you would you have some more
|
|
Chinese tea and jaspberry ram and when she drew the jugs too and the men's
|
|
faces on her nails with red ink make you split your sides or when she
|
|
wanted to go where you know she said she wanted to run and pay a visit to
|
|
the Miss White. That was just like Cissycums. O, and will you ever forget
|
|
her the evening she dressed up in her father's suit and hat and the burned
|
|
cork moustache and walked down Tritonville road, smoking a cigarette.
|
|
There was none to come up to her for fun. But she was sincerity itself,
|
|
one of the bravest and truest hearts heaven ever made, not one of your
|
|
twofaced things, too sweet to be wholesome.
|
|
|
|
And then there came out upon the air the sound of voices and the
|
|
pealing anthem of the organ. It was the men's temperance retreat conducted
|
|
by the missioner, the reverend John Hughes S. J., rosary, sermon and
|
|
benediction of the Most Blessed Sacrament. They were there gathered
|
|
together without distinction of social class (and a most edifying
|
|
spectacle it was to see) in that simple fane beside the waves,
|
|
after the storms of this weary world, kneeling before the feet of
|
|
the immaculate, reciting the litany of Our Lady of Loreto,
|
|
beseeching her to intercede for them, the old familiar words,
|
|
holy Mary, holy virgin of virgins. How sad to poor Gerty's ears!
|
|
Had her father only avoided the clutches of the demon drink, by
|
|
taking the pledge or those powders the drink habit cured in Pearson's
|
|
Weekly, she might now be rolling in her carriage, second to none. Over and
|
|
over had she told herself that as she mused by the dying embers in a brown
|
|
study without the lamp because she hated two lights or oftentimes gazing
|
|
out of the window dreamily by the hour at the rain falling on the rusty
|
|
bucket, thinking. But that vile decoction which has ruined so many hearths
|
|
and homes had cist its shadow over her childhood days. Nay, she had even
|
|
witnessed in the home circle deeds of violence caused by intemperance and
|
|
had seen her own father, a prey to the fumes of intoxication, forget
|
|
himself completely for if there was one thing of all things that Gerty
|
|
knew it was that the man who lifts his hand to a woman save in the way of
|
|
kindness, deserves to be branded as the lowest of the low.
|
|
|
|
And still the voices sang in supplication to the Virgin most powerful,
|
|
Virgin most merciful. And Gerty, rapt in thought, scarce saw or heard her
|
|
companions or the twins at their boyish gambols or the gentleman off
|
|
Sandymount green that Cissy Caffrey called the man that was so like
|
|
himself passing along the strand taking a short walk. You never saw him
|
|
any way screwed but still and for all that she would not like him for a
|
|
father because he was too old or something or on account of his face (it
|
|
was a palpable case of Doctor Fell) or his carbuncly nose with the pimples
|
|
on it and his sandy moustache a bit white under his nose. Poor father!
|
|
With all his faults she loved him still when he sang TELL ME, MARY, HOW TO
|
|
WOO THEE or MY LOVE AND COTTAGE NEAR ROCHELLE and they had stewed cockles
|
|
and lettuce with Lazenby's salad dressing for supper and when he sang THE
|
|
MOON HATH RAISED with Mr Dignam that died suddenly and was buried, God
|
|
have mercy on him, from a stroke. Her mother's birthday that was and
|
|
Charley was home on his holidays and Tom and Mr Dignam and Mrs and
|
|
Patsy and Freddy Dignam and they were to have had a group taken.
|
|
No-one would have thought the end was so near. Now he was laid to rest.
|
|
And her mother said to him to let that be a warning to him for the rest of
|
|
his days and he couldn't even go to the funeral on account of the gout and
|
|
she had to go into town to bring him the letters and samples from his
|
|
office about Catesby's cork lino, artistic, standard designs, fit for a
|
|
palace, gives tiptop wear and always bright and cheery in the home.
|
|
|
|
A sterling good daughter was Gerty just like a second mother in the house,
|
|
a ministering angel too with a little heart worth its weight in gold.
|
|
And when her mother had those raging splitting headaches who was it
|
|
rubbed the menthol cone on her forehead but Gerty though she didn't like
|
|
her mother's taking pinches of snuff and that was the only single thing
|
|
they ever had words about, taking snuff. Everyone thought the world of her
|
|
for her gentle ways. It was Gerty who turned off the gas at the main every
|
|
night and it was Gerty who tacked up on the wall of that place where she
|
|
never forgot every fortnight the chlorate of lime Mr Tunney the grocer's
|
|
christmas almanac, the picture of halcyon days where a young gentleman in
|
|
the costume they used to wear then with a threecornered hat was offering a
|
|
bunch of flowers to his ladylove with oldtime chivalry through her lattice
|
|
window. You could see there was a story behind it. The colours were done
|
|
something lovely. She was in a soft clinging white in a studied attitude
|
|
and the gentleman was in chocolate and he looked a thorough aristocrat.
|
|
She often looked at them dreamily when she went there for a certain
|
|
purpose and felt her own arms that were white and soft just like hers with
|
|
the sleeves back and thought about those times because she had found out
|
|
in Walker's pronouncing dictionary that belonged to grandpapa Giltrap
|
|
about the halcyon days what they meant.
|
|
|
|
The twins were now playing in the most approved brotherly fashion till at
|
|
last Master Jacky who was really as bold as brass there was no getting
|
|
behind that deliberately kicked the ball as hard as ever he could down
|
|
towards the seaweedy rocks. Needless to say poor Tommy was not slow to
|
|
voice his dismay but luckily the gentleman in black who was sitting there
|
|
by himself came gallantly to the rescue and intercepted the ball. Our two
|
|
champions claimed their plaything with lusty cries and to avoid trouble
|
|
Cissy Caffrey called to the gentleman to throw it to her please. The
|
|
gentleman aimed the ball once or twice and then threw it up the strand
|
|
towards Cissy Caffrey but it rolled down the slope and stopped right under
|
|
Gerty's skirt near the little pool by the rock. The twins clamoured again
|
|
for it and Cissy told her to kick it away and let them fight for it so
|
|
Gerty drew back her foot but she wished their stupid ball hadn't come
|
|
rolling down to her and she gave a kick but she missed and Edy and Cissy
|
|
laughed.
|
|
|
|
--If you fail try again, Edy Boardman said.
|
|
|
|
Gerty smiled assent and bit her lip. A delicate pink crept into her
|
|
pretty cheek but she was determined to let them see so she just lifted her
|
|
skirt a little but just enough and took good aim and gave the ball a jolly
|
|
good kick and it went ever so far and the two twins after it down towards
|
|
the shingle. Pure jealousy of course it was nothing else to draw attention
|
|
on account of the gentleman opposite looking. She felt the warm flush, a
|
|
danger signal always with Gerty MacDowell, surging and flaming into her
|
|
cheeks. Till then they had only exchanged glances of the most casual but
|
|
now under the brim of her new hat she ventured a look at him and the face
|
|
that met her gaze there in the twilight, wan and strangely drawn, seemed
|
|
to her the saddest she had ever seen.
|
|
|
|
Through the open window of the church the fragrant incense was wafted and
|
|
with it the fragrant names of her who was conceived without stain of
|
|
original sin, spiritual vessel, pray for us, honourable vessel, pray for
|
|
us, vessel of singular devotion, pray for us, mystical rose. And careworn
|
|
hearts were there and toilers for their daily bread and many who had erred
|
|
and wandered, their eyes wet with contrition but for all that bright with
|
|
hope for the reverend father Father Hughes had told them what the great
|
|
saint Bernard said in his famous prayer of Mary, the most pious Virgin's
|
|
intercessory power that it was not recorded in any age that those who
|
|
implored her powerful protection were ever abandoned by her.
|
|
|
|
The twins were now playing again right merrily for the troubles of
|
|
childhood are but as fleeting summer showers. Cissy Caffrey played with
|
|
baby Boardman till he crowed with glee, clapping baby hands in air. Peep
|
|
she cried behind the hood of the pushcar and Edy asked where was Cissy
|
|
gone and then Cissy popped up her head and cried ah! and, my word,
|
|
didn't the little chap enjoy that! And then she told him to say papa.
|
|
|
|
--Say papa, baby. Say pa pa pa pa pa pa pa.
|
|
|
|
And baby did his level best to say it for he was very intelligent for
|
|
eleven months everyone said and big for his age and the picture of health,
|
|
a perfect little bunch of love, and he would certainly turn out to be
|
|
something great, they said.
|
|
|
|
--Haja ja ja haja.
|
|
|
|
Cissy wiped his little mouth with the dribbling bib and wanted him to sit
|
|
up properly and say pa pa pa but when she undid the strap she cried out,
|
|
holy saint Denis, that he was possing wet and to double the half blanket
|
|
the other way under him. Of course his infant majesty was most
|
|
obstreperous at such toilet formalities and he let everyone know it:
|
|
|
|
--Habaa baaaahabaaa baaaa.
|
|
|
|
And two great big lovely big tears coursing down his cheeks. It was all no
|
|
use soothering him with no, nono, baby, no and telling him about the
|
|
geegee and where was the puffpuff but Ciss, always readywitted, gave him
|
|
in his mouth the teat of the suckingbottle and the young heathen was
|
|
quickly appeased.
|
|
|
|
Gerty wished to goodness they would take their squalling baby home out of
|
|
that and not get on her nerves, no hour to be out, and the little brats
|
|
of twins. She gazed out towards the distant sea. It was like the paintings
|
|
that man used to do on the pavement with all the coloured chalks and such
|
|
a pity too leaving them there to be all blotted out, the evening and the
|
|
clouds coming out and the Bailey light on Howth and to hear the music like
|
|
that and the perfume of those incense they burned in the church like a
|
|
kind of waft. And while she gazed her heart went pitapat. Yes, it was her
|
|
he was looking at, and there was meaning in his look. His eyes burned into
|
|
her as though they would search her through and through, read her very
|
|
soul. Wonderful eyes they were, superbly expressive, but could you trust
|
|
them? People were so queer. She could see at once by his dark eyes and his
|
|
pale intellectual face that he was a foreigner, the image of the photo she
|
|
had of Martin Harvey, the matinee idol, only for the moustache which she
|
|
preferred because she wasn't stagestruck like Winny Rippingham that
|
|
wanted they two to always dress the same on account of a play but she
|
|
could not see whether he had an aquiline nose or a slightly RETROUSSE from
|
|
where he was sitting. He was in deep mourning, she could see that, and the
|
|
story of a haunting sorrow was written on his face. She would have given
|
|
worlds to know what it was. He was looking up so intently, so still, and
|
|
he saw her kick the ball and perhaps he could see the bright steel buckles
|
|
of her shoes if she swung them like that thoughtfully with the toes down.
|
|
She was glad that something told her to put on the transparent stockings
|
|
thinking Reggy Wylie might be out but that was far away. Here was that of
|
|
which she had so often dreamed. It was he who mattered and there was joy
|
|
on her face because she wanted him because she felt instinctively that he
|
|
was like no-one else. The very heart of the girlwoman went out to him, her
|
|
dreamhusband, because she knew on the instant it was him. If he had
|
|
suffered, more sinned against than sinning, or even, even, if he had been
|
|
himself a sinner, a wicked man, she cared not. Even if he was a protestant
|
|
or methodist she could convert him easily if he truly loved her. There
|
|
were wounds that wanted healing with heartbalm. She was a womanly woman
|
|
not like other flighty girls unfeminine he had known, those cyclists
|
|
showing off what they hadn't got and she just yearned to know all, to
|
|
forgive all if she could make him fall in love with her, make him forget
|
|
the memory of the past. Then mayhap he would embrace her gently, like a
|
|
real man, crushing her soft body to him, and love her, his ownest girlie,
|
|
for herself alone.
|
|
|
|
Refuge of sinners. Comfortress of the afflicted. ORA PRO NOBIS. Well
|
|
has it been said that whosoever prays to her with faith and constancy can
|
|
never be lost or cast away: and fitly is she too a haven of refuge for the
|
|
afflicted because of the seven dolours which transpierced her own heart.
|
|
Gerty could picture the whole scene in the church, the stained glass
|
|
windows lighted up, the candles, the flowers and the blue banners of the
|
|
blessed Virgin's sodality and Father Conroy was helping Canon O'Hanlon at
|
|
the altar, carrying things in and out with his eyes cast down. He looked
|
|
almost a saint and his confessionbox was so quiet and clean and dark and
|
|
his hands were just like white wax and if ever she became a Dominican nun
|
|
in their white habit perhaps he might come to the convent for the novena
|
|
of Saint Dominic. He told her that time when she told him about that in
|
|
confession, crimsoning up to the roots of her hair for fear he could see,
|
|
not to be troubled because that was only the voice of nature and we were
|
|
all subject to nature's laws, he said, in this life and that that was no
|
|
sin because that came from the nature of woman instituted by God, he said,
|
|
and that Our Blessed Lady herself said to the archangel Gabriel be it done
|
|
unto me according to Thy Word. He was so kind and holy and often and often
|
|
she thought and thought could she work a ruched teacosy with embroidered
|
|
floral design for him as a present or a clock but they had a clock she
|
|
noticed on the mantelpiece white and gold with a canarybird that came out
|
|
of a little house to tell the time the day she went there about the
|
|
flowers for the forty hours' adoration because it was hard to know what
|
|
sort of a present to give or perhaps an album of illuminated views of
|
|
Dublin or some place.
|
|
|
|
The exasperating little brats of twins began to quarrel again and Jacky
|
|
threw the ball out towards the sea and they both ran after it. Little
|
|
monkeys common as ditchwater. Someone ought to take them and give them
|
|
a good hiding for themselves to keep them in their places, the both of
|
|
them. And Cissy and Edy shouted after them to come back because they
|
|
were afraid the tide might come in on them and be drowned.
|
|
|
|
--Jacky! Tommy!
|
|
|
|
Not they! What a great notion they had! So Cissy said it was the very
|
|
last time she'd ever bring them out. She jumped up and called them and she
|
|
ran down the slope past him, tossing her hair behind her which had a good
|
|
enough colour if there had been more of it but with all the thingamerry
|
|
she was always rubbing into it she couldn't get it to grow long because it
|
|
wasn't natural so she could just go and throw her hat at it. She ran
|
|
with long gandery strides it was a wonder she didn't rip up her skirt at
|
|
the side that was too tight on her because there was a lot of the tomboy
|
|
about Cissy Caffrey and she was a forward piece whenever she thought
|
|
she had a good opportunity to show and just because she was a good runner
|
|
she ran like that so that he could see all the end of her petticoat
|
|
running and her skinny shanks up as far as possible. It would have
|
|
served her just right if she had tripped up over something accidentally
|
|
on purpose with her high crooked French heels on her to make her look
|
|
tall and got a fine tumble. TABLEAU! That would have been a very charming
|
|
expose for a gentleman like that to witness.
|
|
|
|
Queen of angels, queen of patriarchs, queen of prophets, of all saints,
|
|
they prayed, queen of the most holy rosary and then Father Conroy handed
|
|
the thurible to Canon O'Hanlon and he put in the incense and censed the
|
|
Blessed Sacrament and Cissy Caffrey caught the two twins and she was
|
|
itching to give them a ringing good clip on the ear but she didn't because
|
|
she thought he might be watching but she never made a bigger mistake in
|
|
all her life because Gerty could see without looking that he never
|
|
took his eyes off of her and then Canon O'Hanlon handed the thurible
|
|
back to Father Conroy and knelt down looking up at the Blessed Sacrament
|
|
and the choir began to sing the TANTUM ERGO and she just swung her foot
|
|
in and out in time as the music rose and fell to the TANTUMER GOSA
|
|
CRAMEN TUM. Three and eleven she paid for those stockings in Sparrow's
|
|
of George's street on the Tuesday, no the Monday before Easter and there
|
|
wasn't a brack on them and that was what he was looking at, transparent,
|
|
and not at her insignificant ones that had neither shape nor form
|
|
(the cheek of her!) because he had eyes in his head to see the difference
|
|
for himself.
|
|
|
|
Cissy came up along the strand with the two twins and their ball with
|
|
her hat anyhow on her to one side after her run and she did look a streel
|
|
tugging the two kids along with the flimsy blouse she bought only a
|
|
fortnight before like a rag on her back and a bit of her petticoat hanging
|
|
like a caricature. Gerty just took off her hat for a moment to settle her
|
|
hair and a prettier, a daintier head of nutbrown tresses was never seen on
|
|
a girl's shoulders--a radiant little vision, in sooth, almost maddening in
|
|
its sweetness. You would have to travel many a long mile before you found
|
|
a head of hair the like of that. She could almost see the swift answering
|
|
flash of admiration in his eyes that set her tingling in every nerve.
|
|
She put on her hat so that she could see from underneath the brim and
|
|
swung her buckled shoe faster for her breath caught as she caught the
|
|
expression in his eyes. He was eying her as a snake eyes its prey. Her
|
|
woman's instinct told her that she had raised the devil in him and at the
|
|
thought a burning scarlet swept from throat to brow till the lovely colour
|
|
of her face became a glorious rose.
|
|
|
|
Edy Boardman was noticing it too because she was squinting at Gerty,
|
|
half smiling, with her specs like an old maid, pretending to nurse the
|
|
baby. Irritable little gnat she was and always would be and that was why
|
|
no-one could get on with her poking her nose into what was no concern of
|
|
hers. And she said to Gerty:
|
|
|
|
--A penny for your thoughts.
|
|
|
|
--What? replied Gerty with a smile reinforced by the whitest of teeth.
|
|
I was only wondering was it late.
|
|
|
|
Because she wished to goodness they'd take the snottynosed twins and their
|
|
babby home to the mischief out of that so that was why she just gave a
|
|
gentle hint about its being late. And when Cissy came up Edy asked her the
|
|
time and Miss Cissy, as glib as you like, said it was half past kissing
|
|
time, time to kiss again. But Edy wanted to know because they were told to
|
|
be in early.
|
|
|
|
--Wait, said Cissy, I'll run ask my uncle Peter over there what's the time
|
|
by his conundrum.
|
|
|
|
So over she went and when he saw her coming she could see him take his
|
|
hand out of his pocket, getting nervous, and beginning to play with his
|
|
watchchain, looking up at the church. Passionate nature though he was
|
|
Gerty could see that he had enormous control over himself. One moment he
|
|
had been there, fascinated by a loveliness that made him gaze, and the
|
|
next moment it was the quiet gravefaced gentleman, selfcontrol expressed
|
|
in every line of his distinguishedlooking figure.
|
|
|
|
Cissy said to excuse her would he mind please telling her what was the
|
|
right time and Gerty could see him taking out his watch, listening to it
|
|
and looking up and clearing his throat and he said he was very sorry his
|
|
watch was stopped but he thought it must be after eight because the sun
|
|
was set. His voice had a cultured ring in it and though he spoke in
|
|
measured accents there was a suspicion of a quiver in the mellow tones.
|
|
Cissy said thanks and came back with her tongue out and said uncle said
|
|
his waterworks were out of order.
|
|
|
|
Then they sang the second verse of the TANTUM ERGO and Canon
|
|
O'Hanlon got up again and censed the Blessed Sacrament and knelt down and
|
|
he told Father Conroy that one of the candles was just going to set fire
|
|
to the flowers and Father Conroy got up and settled it all right and she
|
|
could see the gentleman winding his watch and listening to the works and
|
|
she swung her leg more in and out in time. It was getting darker but he
|
|
could see and he was looking all the time that he was winding the watch or
|
|
whatever he was doing to it and then he put it back and put his hands back
|
|
into his pockets. She felt a kind of a sensation rushing all over her and
|
|
she knew by the feel of her scalp and that irritation against her stays
|
|
that that thing must be coming on because the last time too was when she
|
|
clipped her hair on account of the moon. His dark eyes fixed themselves
|
|
on her again drinking in her every contour, literally worshipping at her
|
|
shrine. If ever there was undisguised admiration in a man's passionate
|
|
gaze it was there plain to be seen on that man's face. It is for you,
|
|
Gertrude MacDowell, and you know it.
|
|
|
|
Edy began to get ready to go and it was high time for her and Gerty
|
|
noticed that that little hint she gave had had the desired effect because
|
|
it was a long way along the strand to where there was the place to push up
|
|
the pushcar and Cissy took off the twins' caps and tidied their hair to
|
|
make herself attractive of course and Canon O'Hanlon stood up with his
|
|
cope poking up at his neck and Father Conroy handed him the card to read
|
|
off and he read out PANEM DE COELO PRAESTITISTI EIS and Edy and Cissy were
|
|
talking about the time all the time and asking her but Gerty could pay
|
|
them back in their own coin and she just answered with scathing politeness
|
|
when Edy asked her was she heartbroken about her best boy throwing her
|
|
over. Gerty winced sharply. A brief cold blaze shone from her eyes that
|
|
spoke volumes of scorn immeasurable. It hurt--O yes, it cut deep because
|
|
Edy had her own quiet way of saying things like that she knew would wound
|
|
like the confounded little cat she was. Gerty's lips parted swiftly to
|
|
frame the word but she fought back the sob that rose to her throat,
|
|
so slim, so flawless, so beautifully moulded it seemed one an artist
|
|
might have dreamed of. She had loved him better than he knew.
|
|
Lighthearted deceiver and fickle like all his sex he would never
|
|
understand what he had meant to her and for an instant there was
|
|
in the blue eyes a quick stinging of tears. Their eyes were
|
|
probing her mercilessly but with a brave effort she sparkled back in
|
|
sympathy as she glanced at her new conquest for them to see.
|
|
|
|
--O, responded Gerty, quick as lightning, laughing, and the proud head
|
|
flashed up. I can throw my cap at who I like because it's leap year.
|
|
|
|
Her words rang out crystalclear, more musical than the cooing of the
|
|
ringdove, but they cut the silence icily. There was that in her young
|
|
voice that told that she was not a one to be lightly trifled with.
|
|
As for Mr Reggy with his swank and his bit of money she could just
|
|
chuck him aside as if he was so much filth and never again would she
|
|
cast as much as a second thought on him and tear his silly postcard
|
|
into a dozen pieces. And if ever after he dared to presume she
|
|
could give him one look of measured scorn that would make him
|
|
shrivel up on the spot. Miss puny little Edy's countenance fell to
|
|
no slight extent and Gerty could see by her looking as black as
|
|
thunder that she was simply in a towering rage though she hid it, the
|
|
little kinnatt, because that shaft had struck home for her petty jealousy
|
|
and they both knew that she was something aloof, apart, in another sphere,
|
|
that she was not of them and never would be and there was somebody else
|
|
too that knew it and saw it so they could put that in their pipe
|
|
and smoke it.
|
|
|
|
Edy straightened up baby Boardman to get ready to go and Cissy
|
|
tucked in the ball and the spades and buckets and it was high time too
|
|
because the sandman was on his way for Master Boardman junior. And
|
|
Cissy told him too that billy winks was coming and that baby was to go
|
|
deedaw and baby looked just too ducky, laughing up out of his gleeful
|
|
eyes, and Cissy poked him like that out of fun in his wee fat tummy and
|
|
baby, without as much as by your leave, sent up his compliments to all
|
|
and sundry on to his brandnew dribbling bib.
|
|
|
|
--O my! Puddeny pie! protested Ciss. He has his bib destroyed.
|
|
|
|
The slight CONTRETEMPS claimed her attention but in two twos she set
|
|
that little matter to rights.
|
|
|
|
Gerty stifled a smothered exclamation and gave a nervous cough and
|
|
Edy asked what and she was just going to tell her to catch it while it was
|
|
flying but she was ever ladylike in her deportment so she simply passed it
|
|
off with consummate tact by saying that that was the benediction because
|
|
just then the bell rang out from the steeple over the quiet seashore
|
|
because Canon O'Hanlon was up on the altar with the veil that Father
|
|
Conroy put round his shoulders giving the benediction with the Blessed
|
|
Sacrament in his hands.
|
|
|
|
How moving the scene there in the gathering twilight, the last glimpse of
|
|
Erin, the touching chime of those evening bells and at the same time a bat
|
|
flew forth from the ivied belfry through the dusk, hither, thither, with a
|
|
tiny lost cry. And she could see far away the lights of the lighthouses so
|
|
picturesque she would have loved to do with a box of paints because it was
|
|
easier than to make a man and soon the lamplighter would be going his
|
|
rounds past the presbyterian church grounds and along by shady
|
|
Tritonville avenue where the couples walked and lighting the lamp near her
|
|
window where Reggy Wylie used to turn his freewheel like she read in that
|
|
book THE LAMPLIGHTER by Miss Cummins, author of MABEL VAUGHAN and
|
|
other tales. For Gerty had her dreams that no-one knew of. She loved to
|
|
read poetry and when she got a keepsake from Bertha Supple of that lovely
|
|
confession album with the coralpink cover to write her thoughts in she
|
|
laid it in the drawer of her toilettable which, though it did not err
|
|
on the side of luxury, was scrupulously neat and clean. It was there
|
|
she kept her girlish treasure trove, the tortoiseshell combs, her
|
|
child of Mary badge, the whiterose scent, the eyebrowleine, her
|
|
alabaster pouncetbox and the ribbons to change when her things came
|
|
home from the wash and there were some beautiful thoughts written
|
|
in it in violet ink that she bought in Hely's of Dame Street for
|
|
she felt that she too could write poetry if she could only express
|
|
herself like that poem that appealed to her so deeply that she had
|
|
copied out of the newspaper she found one evening round the potherbs. ART
|
|
THOU REAL, MY IDEAL? it was called by Louis J Walsh, Magherafelt, and
|
|
after there was something about TWILIGHT, WILT THOU EVER? and ofttimes
|
|
the beauty of poetry, so sad in its transient loveliness, had misted
|
|
her eyes with silent tears for she felt that the years were slipping
|
|
by for her, one by one, and but for that one shortcoming she knew she
|
|
need fear no competition and that was an accident coming down Dalkey
|
|
hill and she always tried to conceal it. But it must end, she felt.
|
|
If she saw that magic lure in his eyes there would be no holding
|
|
back for her. Love laughs at locksmiths. She would make the great
|
|
sacrifice. Her every effort would be to share his thoughts. Dearer than
|
|
the whole world would she be to him and gild his days with happiness.
|
|
There was the allimportant question and she was dying to know was he a
|
|
married man or a widower who had lost his wife or some tragedy like the
|
|
nobleman with the foreign name from the land of song had to have her put
|
|
into a madhouse, cruel only to be kind. But even if--what then? Would it
|
|
make a very great difference? From everything in the least indelicate her
|
|
finebred nature instinctively recoiled. She loathed that sort of person,
|
|
the fallen women off the accommodation walk beside the Dodder that went
|
|
with the soldiers and coarse men with no respect for a girl's honour,
|
|
degrading the sex and being taken up to the police station. No, no: not
|
|
that. They would be just good friends like a big brother and sister
|
|
without all that other in spite of the conventions of Society with a big
|
|
ess. Perhaps it was an old flame he was in mourning for from the days
|
|
beyond recall. She thought she understood. She would try to understand
|
|
him because men were so different. The old love was waiting, waiting
|
|
with little white hands stretched out, with blue appealing eyes. Heart
|
|
of mine! She would follow, her dream of love, the dictates of her heart
|
|
that told her he was her all in all, the only man in all the world
|
|
for her for love was the master guide. Nothing else mattered. Come what
|
|
might she would be wild, untrammelled, free.
|
|
|
|
Canon O'Hanlon put the Blessed Sacrament back into the tabernacle
|
|
and genuflected and the choir sang LAUDATE DOMINUM OMNES GENTES and
|
|
then he locked the tabernacle door because the benediction was over and
|
|
Father Conroy handed him his hat to put on and crosscat Edy asked wasn't
|
|
she coming but Jacky Caffrey called out:
|
|
|
|
--O, look, Cissy!
|
|
|
|
And they all looked was it sheet lightning but Tommy saw it too over
|
|
the trees beside the church, blue and then green and purple.
|
|
|
|
--It's fireworks, Cissy Caffrey said.
|
|
|
|
And they all ran down the strand to see over the houses and the
|
|
church, helterskelter, Edy with the pushcar with baby Boardman in it and
|
|
Cissy holding Tommy and Jacky by the hand so they wouldn't fall running.
|
|
|
|
--Come on, Gerty, Cissy called. It's the bazaar fireworks.
|
|
|
|
But Gerty was adamant. She had no intention of being at their beck and
|
|
call. If they could run like rossies she could sit so she said she could
|
|
see from where she was. The eyes that were fastened upon her set
|
|
her pulses tingling. She looked at him a moment, meeting his glance,
|
|
and a light broke in upon her. Whitehot passion was in that face, passion
|
|
silent as the grave, and it had made her his. At last they were left
|
|
alone without the others to pry and pass remarks and she knew he
|
|
could be trusted to the death, steadfast, a sterling man, a man of
|
|
inflexible honour to his fingertips. His hands and face were working
|
|
and a tremour went over her. She leaned back far to look up where
|
|
the fireworks were and she caught her knee in her hands so as not
|
|
to fall back looking up and there was no-one to see only him and
|
|
her when she revealed all her graceful beautifully shaped legs like that,
|
|
supply soft and delicately rounded, and she seemed to hear the panting
|
|
of his heart, his hoarse breathing, because she knew too about the passion
|
|
of men like that, hotblooded, because Bertha Supple told her once in dead
|
|
secret and made her swear she'd never about the gentleman lodger that was
|
|
staying with them out of the Congested Districts Board that had pictures
|
|
cut out of papers of those skirtdancers and highkickers and she said he
|
|
used to do something not very nice that you could imagine sometimes in
|
|
the bed. But this was altogether different from a thing like that
|
|
because there was all the difference because she could almost feel
|
|
him draw her face to his and the first quick hot touch of his
|
|
handsome lips. Besides there was absolution so long as you didn't
|
|
do the other thing before being married and there ought to be
|
|
women priests that would understand without your telling out and
|
|
Cissy Caffrey too sometimes had that dreamy kind of dreamy look
|
|
in her eyes so that she too, my dear, and Winny Rippingham so mad
|
|
about actors' photographs and besides it was on account of that other
|
|
thing coming on the way it did.
|
|
|
|
And Jacky Caffrey shouted to look, there was another and she leaned back
|
|
and the garters were blue to match on account of the transparent and they
|
|
all saw it and they all shouted to look, look, there it was and she leaned
|
|
back ever so far to see the fireworks and something queer was flying
|
|
through the air, a soft thing, to and fro, dark. And she saw a long Roman
|
|
candle going up over the trees, up, up, and, in the tense hush,
|
|
they were all breathless with excitement as it went higher and higher
|
|
and she had to lean back more and more to look up after it, high,
|
|
high, almost out of sight, and her face was suffused with a divine,
|
|
an entrancing blush from straining back and he could see her other
|
|
things too, nainsook knickers, the fabric that caresses the skin,
|
|
better than those other pettiwidth, the green, four and eleven,
|
|
on account of being white and she let him and she saw that he saw and then
|
|
it went so high it went out of sight a moment and she was trembling in
|
|
every limb from being bent so far back that he had a full view
|
|
high up above her knee where no-one ever not even on the swing or wading
|
|
and she wasn't ashamed and he wasn't either to look in that immodest way
|
|
like that because he couldn't resist the sight of the wondrous revealment
|
|
half offered like those skirtdancers behaving so immodest before gentlemen
|
|
looking and he kept on looking, looking. She would fain have cried to him
|
|
chokingly, held out her snowy slender arms to him to come, to feel his
|
|
lips laid on her white brow, the cry of a young girl's love, a little
|
|
strangled cry, wrung from her, that cry that has rung through the ages.
|
|
And then a rocket sprang and bang shot blind blank and O! then the Roman
|
|
candle burst and it was like a sigh of O! and everyone cried O! O! in
|
|
raptures and it gushed out of it a stream of rain gold hair threads and
|
|
they shed and ah! they were all greeny dewy stars falling with golden,
|
|
O so lovely, O, soft, sweet, soft!
|
|
|
|
Then all melted away dewily in the grey air: all was silent. Ah! She
|
|
glanced at him as she bent forward quickly, a pathetic little glance of
|
|
piteous protest, of shy reproach under which he coloured like a girl
|
|
He was leaning back against the rock behind. Leopold Bloom (for it is he)
|
|
stands silent, with bowed head before those young guileless eyes. What a
|
|
brute he had been! At it again? A fair unsullied soul had called to him
|
|
and, wretch that he was, how had he answered? An utter cad he had been!
|
|
He of all men! But there was an infinite store of mercy in those eyes,
|
|
for him too a word of pardon even though he had erred and sinned and
|
|
wandered. Should a girl tell? No, a thousand times no. That was their
|
|
secret, only theirs, alone in the hiding twilight and there was none to
|
|
know or tell save the little bat that flew so softly through the evening
|
|
to and fro and little bats don't tell.
|
|
|
|
Cissy Caffrey whistled, imitating the boys in the football field to show
|
|
what a great person she was: and then she cried:
|
|
|
|
--Gerty! Gerty! We're going. Come on. We can see from farther up.
|
|
|
|
Gerty had an idea, one of love's little ruses. She slipped a hand into
|
|
her kerchief pocket and took out the wadding and waved in reply of course
|
|
without letting him and then slipped it back. Wonder if he's too far to.
|
|
She rose. Was it goodbye? No. She had to go but they would meet again,
|
|
there, and she would dream of that till then, tomorrow, of her dream of
|
|
yester eve. She drew herself up to her full height. Their souls met in a
|
|
last lingering glance and the eyes that reached her heart, full of a
|
|
strange shining, hung enraptured on her sweet flowerlike face. She half
|
|
smiled at him wanly, a sweet forgiving smile, a smile that verged on
|
|
tears, and then they parted.
|
|
|
|
Slowly, without looking back she went down the uneven strand to
|
|
Cissy, to Edy to Jacky and Tommy Caffrey, to little baby Boardman. It was
|
|
darker now and there were stones and bits of wood on the strand and slippy
|
|
seaweed. She walked with a certain quiet dignity characteristic of her but
|
|
with care and very slowly because--because Gerty MacDowell was ...
|
|
|
|
Tight boots? No. She's lame! O!
|
|
|
|
Mr Bloom watched her as she limped away. Poor girl! That's why she's left
|
|
on the shelf and the others did a sprint. Thought something was wrong by
|
|
the cut of her jib. Jilted beauty. A defect is ten times worse in a woman.
|
|
But makes them polite. Glad I didn't know it when she was on show. Hot
|
|
little devil all the same. I wouldn't mind. Curiosity like a nun or a
|
|
negress or a girl with glasses. That squinty one is delicate. Near her
|
|
monthlies, I expect, makes them feel ticklish. I have such a bad headache
|
|
today. Where did I put the letter? Yes, all right. All kinds of crazy
|
|
longings. Licking pennies. Girl in Tranquilla convent that nun told
|
|
me liked to smell rock oil. Virgins go mad in the end I suppose.
|
|
Sister? How many women in Dublin have it today? Martha, she. Something
|
|
in the air. That's the moon. But then why don't all women menstruate
|
|
at the same time with the same moon, I mean? Depends on the time
|
|
they were born I suppose. Or all start scratch then get out of step.
|
|
Sometimes Molly and Milly together. Anyhow I got the best of that.
|
|
Damned glad I didn't do it in the bath this morning over her silly
|
|
I will punish you letter. Made up for that tramdriver this morning.
|
|
That gouger M'Coy stopping me to say nothing. And his wife
|
|
engagement in the country valise, voice like a pickaxe. Thankful for small
|
|
mercies. Cheap too. Yours for the asking. Because they want it themselves.
|
|
Their natural craving. Shoals of them every evening poured out of offices.
|
|
Reserve better. Don't want it they throw it at you. Catch em alive, O.
|
|
Pity they can't see themselves. A dream of wellfilled hose. Where was
|
|
that? Ah, yes. Mutoscope pictures in Capel street: for men only. Peeping
|
|
Tom. Willy's hat and what the girls did with it. Do they snapshot
|
|
those girls or is it all a fake? LINGERIE does it. Felt for the
|
|
curves inside her DESHABILLE. Excites them also when they're. I'm all
|
|
clean come and dirty me. And they like dressing one another for the
|
|
sacrifice. Milly delighted with Molly's new blouse. At first.
|
|
Put them all on to take them all off. Molly. Why I bought her the violet
|
|
garters. Us too: the tie he wore, his lovely socks and turnedup trousers.
|
|
He wore a pair of gaiters the night that first we met. His lovely
|
|
shirt was shining beneath his what? of jet. Say a woman loses a charm with
|
|
every pin she takes out. Pinned together. O, Mairy lost the pin of her.
|
|
Dressed up to the nines for somebody. Fashion part of their charm. Just
|
|
changes when you're on the track of the secret. Except the east: Mary,
|
|
Martha: now as then. No reasonable offer refused. She wasn't in a hurry
|
|
either. Always off to a fellow when they are. They never forget an
|
|
appointment. Out on spec probably. They believe in chance because like
|
|
themselves. And the others inclined to give her an odd dig. Girl friends
|
|
at school, arms round each other's necks or with ten fingers locked,
|
|
kissing and whispering secrets about nothing in the convent garden. Nuns
|
|
with whitewashed faces, cool coifs and their rosaries going up and down,
|
|
vindictive too for what they can't get. Barbed wire. Be sure now and write
|
|
to me. And I'll write to you. Now won't you? Molly and Josie Powell. Till
|
|
Mr Right comes along, then meet once in a blue moon. TABLEAU! O, look
|
|
who it is for the love of God! How are you at all? What have you been
|
|
doing with yourself? Kiss and delighted to, kiss, to see you. Picking
|
|
holes in each other's appearance. You're looking splendid. Sister souls.
|
|
Showing their teeth at one another. How many have you left? Wouldn't lend
|
|
each other a pinch of salt.
|
|
|
|
Ah!
|
|
|
|
Devils they are when that's coming on them. Dark devilish appearance.
|
|
Molly often told me feel things a ton weight. Scratch the sole of
|
|
my foot. O that way! O, that's exquisite! Feel it myself too. Good to rest
|
|
once in a way. Wonder if it's bad to go with them then. Safe in one way.
|
|
Turns milk, makes fiddlestrings snap. Something about withering plants I
|
|
read in a garden. Besides they say if the flower withers she wears she's a
|
|
flirt. All are. Daresay she felt 1. When you feel like that you often meet
|
|
what you feel. Liked me or what? Dress they look at. Always know a fellow
|
|
courting: collars and cuffs. Well cocks and lions do the same and stags.
|
|
Same time might prefer a tie undone or something. Trousers? Suppose I
|
|
when I was? No. Gently does it. Dislike rough and tumble. Kiss in the dark
|
|
and never tell. Saw something in me. Wonder what. Sooner have me as I am
|
|
than some poet chap with bearsgrease plastery hair, lovelock over his
|
|
dexter optic. To aid gentleman in literary. Ought to attend to my
|
|
appearance my age. Didn't let her see me in profile. Still, you
|
|
never know. Pretty girls and ugly men marrying. Beauty and the
|
|
beast. Besides I can't be so if Molly. Took off her hat to show
|
|
her hair. Wide brim. Bought to hide her face, meeting someone might
|
|
know her, bend down or carry a bunch of flowers to smell. Hair
|
|
strong in rut. Ten bob I got for Molly's combings when we were on
|
|
the rocks in Holles street. Why not? Suppose he gave her money.
|
|
Why not? All a prejudice. She's worth ten, fifteen, more, a pound. What? I
|
|
think so. All that for nothing. Bold hand: Mrs Marion. Did I forget to
|
|
write address on that letter like the postcard I sent to Flynn? And the
|
|
day I went to Drimmie's without a necktie. Wrangle with Molly it was put
|
|
me off. No, I remember. Richie Goulding: he's another. Weighs on his mind.
|
|
Funny my watch stopped at half past four. Dust. Shark liver oil they use
|
|
to clean. Could do it myself. Save. Was that just when he, she?
|
|
|
|
O, he did. Into her. She did. Done.
|
|
|
|
Ah!
|
|
|
|
Mr Bloom with careful hand recomposed his wet shirt. O Lord, that little
|
|
limping devil. Begins to feel cold and clammy. Aftereffect not pleasant.
|
|
Still you have to get rid of it someway. They don't care. Complimented
|
|
perhaps. Go home to nicey bread and milky and say night prayers with the
|
|
kiddies. Well, aren't they? See her as she is spoil all. Must have the
|
|
stage setting, the rouge, costume, position, music. The name too. AMOURS
|
|
of actresses. Nell Gwynn, Mrs Bracegirdle, Maud Branscombe. Curtain up.
|
|
Moonlight silver effulgence. Maiden discovered with pensive bosom. Little
|
|
sweetheart come and kiss me. Still, I feel. The strength it gives a man.
|
|
That's the secret of it. Good job I let off there behind the wall coming
|
|
out of Dignam's. Cider that was. Otherwise I couldn't have. Makes you want
|
|
to sing after. LACAUS ESANT TARATARA. Suppose I spoke to her. What about?
|
|
Bad plan however if you don't know how to end the conversation. Ask them a
|
|
question they ask you another. Good idea if you're stuck. Gain time. But
|
|
then you're in a cart. Wonderful of course if you say: good evening, and
|
|
you see she's on for it: good evening. O but the dark evening in the
|
|
Appian way I nearly spoke to Mrs Clinch O thinking she was. Whew! Girl in
|
|
Meath street that night. All the dirty things I made her say. All wrong of
|
|
course. My arks she called it. It's so hard to find one who. Aho! If you
|
|
don't answer when they solicit must be horrible for them till they harden.
|
|
And kissed my hand when I gave her the extra two shillings. Parrots. Press
|
|
the button and the bird will squeak. Wish she hadn't called me sir. O, her
|
|
mouth in the dark! And you a married man with a single girl! That's what
|
|
they enjoy. Taking a man from another woman. Or even hear of it.
|
|
Different with me. Glad to get away from other chap's wife. Eating off his
|
|
cold plate. Chap in the Burton today spitting back gumchewed gristle.
|
|
French letter still in my pocketbook. Cause of half the trouble. But might
|
|
happen sometime, I don't think. Come in, all is prepared. I dreamt. What?
|
|
Worst is beginning. How they change the venue when it's not what they
|
|
like. Ask you do you like mushrooms because she once knew a gentleman
|
|
who. Or ask you what someone was going to say when he changed his
|
|
mind and stopped. Yet if I went the whole hog, say: I want to, something
|
|
like that. Because I did. She too. Offend her. Then make it up. Pretend to
|
|
want something awfully, then cry off for her sake. Flatters them. She must
|
|
have been thinking of someone else all the time. What harm? Must since she
|
|
came to the use of reason, he, he and he. First kiss does the trick. The
|
|
propitious moment. Something inside them goes pop. Mushy like, tell by
|
|
their eye, on the sly. First thoughts are best. Remember that till their
|
|
dying day. Molly, lieutenant Mulvey that kissed her under the Moorish wall
|
|
beside the gardens. Fifteen she told me. But her breasts were developed.
|
|
Fell asleep then. After Glencree dinner that was when we drove home.
|
|
Featherbed mountain. Gnashing her teeth in sleep. Lord mayor had his eye
|
|
on her too. Val Dillon. Apoplectic.
|
|
|
|
There she is with them down there for the fireworks. My fireworks.
|
|
Up like a rocket, down like a stick. And the children, twins they must be,
|
|
waiting for something to happen. Want to be grownups. Dressing in
|
|
mother's clothes. Time enough, understand all the ways of the world. And
|
|
the dark one with the mop head and the nigger mouth. I knew she could
|
|
whistle. Mouth made for that. Like Molly. Why that highclass whore in
|
|
Jammet's wore her veil only to her nose. Would you mind, please, telling
|
|
me the right time? I'll tell you the right time up a dark lane. Say prunes
|
|
and prisms forty times every morning, cure for fat lips. Caressing the
|
|
little boy too. Onlookers see most of the game. Of course they understand
|
|
birds, animals, babies. In their line.
|
|
|
|
Didn't look back when she was going down the strand. Wouldn't give that
|
|
satisfaction. Those girls, those girls, those lovely seaside girls. Fine
|
|
eyes she had, clear. It's the white of the eye brings that out not so much
|
|
the pupil. Did she know what I? Course. Like a cat sitting beyond a dog's
|
|
jump. Women never meet one like that Wilkins in the high school drawing a
|
|
picture of Venus with all his belongings on show. Call that innocence?
|
|
Poor idiot! His wife has her work cut out for her. Never see them sit
|
|
on a bench marked WET PAINT. Eyes all over them. Look under the bed
|
|
for what's not there. Longing to get the fright of their lives.
|
|
Sharp as needles they are. When I said to Molly the man at the corner
|
|
of Cuffe street was goodlooking, thought she might like, twigged at
|
|
once he had a false arm. Had, too. Where do they get that? Typist
|
|
going up Roger Greene's stairs two at a time to show her understandings.
|
|
Handed down from father to, mother to daughter, I mean. Bred in the
|
|
bone. Milly for example drying her handkerchief on the mirror to
|
|
save the ironing. Best place for an ad to catch a woman's eye on a
|
|
mirror. And when I sent her for Molly's Paisley shawl to Prescott's
|
|
by the way that ad I must, carrying home the change in her stocking!
|
|
Clever little minx. I never told her. Neat way she carries parcels
|
|
too. Attract men, small thing like that. Holding up her hand, shaking it,
|
|
to let the blood flow back when it was red. Who did you learn that from?
|
|
Nobody. Something the nurse taught me. O, don't they know! Three years
|
|
old she was in front of Molly's dressingtable, just before we left Lombard
|
|
street west. Me have a nice pace. Mullingar. Who knows? Ways of the
|
|
world. Young student. Straight on her pins anyway not like the other.
|
|
Still she was game. Lord, I am wet. Devil you are. Swell of her calf.
|
|
Transparent stockings, stretched to breaking point. Not like that frump
|
|
today. A. E. Rumpled stockings. Or the one in Grafton street. White. Wow!
|
|
Beef to the heel.
|
|
|
|
A monkey puzzle rocket burst, spluttering in darting crackles. Zrads
|
|
and zrads, zrads, zrads. And Cissy and Tommy and Jacky ran out to see
|
|
and Edy after with the pushcar and then Gerty beyond the curve of the
|
|
rocks. Will she? Watch! Watch! See! Looked round. She smelt an onion.
|
|
Darling, I saw, your. I saw all.
|
|
|
|
Lord!
|
|
|
|
Did me good all the same. Off colour after Kiernan's, Dignam's. For
|
|
this relief much thanks. In HAMLET, that is. Lord! It was all things
|
|
combined. Excitement. When she leaned back, felt an ache at the butt of my
|
|
tongue. Your head it simply swirls. He's right. Might have made a worse
|
|
fool of myself however. Instead of talking about nothing. Then I will tell
|
|
you all. Still it was a kind of language between us. It couldn't be? No,
|
|
Gerty they called her. Might be false name however like my name and the
|
|
address Dolphin's barn a blind.
|
|
|
|
|
|
HER MAIDEN NAME WAS JEMINA BROWN
|
|
AND SHE LIVED WITH HER MOTHER IN IRISHTOWN.
|
|
|
|
|
|
Place made me think of that I suppose. All tarred with the same brush
|
|
Wiping pens in their stockings. But the ball rolled down to her as if it
|
|
understood. Every bullet has its billet. Course I never could throw
|
|
anything straight at school. Crooked as a ram's horn. Sad however because
|
|
it lasts only a few years till they settle down to potwalloping and papa's
|
|
pants will soon fit Willy and fuller's earth for the baby when they hold
|
|
him out to do ah ah. No soft job. Saves them. Keeps them out of harm's
|
|
way. Nature. Washing child, washing corpse. Dignam. Children's hands
|
|
always round them. Cocoanut skulls, monkeys, not even closed at first,
|
|
sour milk in their swaddles and tainted curds. Oughtn't to have given
|
|
that child an empty teat to suck. Fill it up with wind. Mrs Beaufoy,
|
|
Purefoy. Must call to the hospital. Wonder is nurse Callan there still.
|
|
She used to look over some nights when Molly was in the Coffee Palace.
|
|
That young doctor O'Hare I noticed her brushing his coat. And Mrs Breen
|
|
and Mrs Dignam once like that too, marriageable. Worst of all at night
|
|
Mrs Duggan told me in the City Arms. Husband rolling in drunk, stink of
|
|
pub off him like a polecat. Have that in your nose in the dark,
|
|
whiff of stale boose. Then ask in the morning: was I drunk last
|
|
night? Bad policy however to fault the husband. Chickens come
|
|
home to roost. They stick by one another like glue. Maybe the
|
|
women's fault also. That's where Molly can knock spots off them. It's the
|
|
blood of the south. Moorish. Also the form, the figure. Hands felt for the
|
|
opulent. Just compare for instance those others. Wife locked up at home,
|
|
skeleton in the cupboard. Allow me to introduce my. Then they trot you out
|
|
some kind of a nondescript, wouldn't know what to call her. Always see a
|
|
fellow's weak point in his wife. Still there's destiny in it, falling in
|
|
love. Have their own secrets between them. Chaps that would go to the dogs
|
|
if some woman didn't take them in hand. Then little chits of girls,
|
|
height of a shilling in coppers, with little hubbies. As God made them he
|
|
matched them. Sometimes children turn out well enough. Twice nought makes
|
|
one. Or old rich chap of seventy and blushing bride. Marry in May and
|
|
repent in December. This wet is very unpleasant. Stuck. Well the foreskin
|
|
is not back. Better detach.
|
|
|
|
Ow!
|
|
|
|
Other hand a sixfooter with a wifey up to his watchpocket. Long and
|
|
the short of it. Big he and little she. Very strange about my watch.
|
|
Wristwatches are always going wrong. Wonder is there any magnetic
|
|
influence between the person because that was about the time he. Yes, I
|
|
suppose, at once. Cat's away, the mice will play. I remember looking in
|
|
Pill lane. Also that now is magnetism. Back of everything magnetism. Earth
|
|
for instance pulling this and being pulled. That causes movement. And
|
|
time, well that's the time the movement takes. Then if one thing stopped
|
|
the whole ghesabo would stop bit by bit. Because it's all arranged.
|
|
Magnetic needle tells you what's going on in the sun, the stars. Little
|
|
piece of steel iron. When you hold out the fork. Come. Come. Tip. Woman
|
|
and man that is. Fork and steel. Molly, he. Dress up and look and suggest
|
|
and let you see and see more and defy you if you're a man to see that and,
|
|
like a sneeze coming, legs, look, look and if you have any guts in you.
|
|
Tip. Have to let fly.
|
|
|
|
Wonder how is she feeling in that region. Shame all put on before
|
|
third person. More put out about a hole in her stocking. Molly, her
|
|
underjaw stuck out, head back, about the farmer in the ridingboots and
|
|
spurs at the horse show. And when the painters were in Lombard street
|
|
west. Fine voice that fellow had. How Giuglini began. Smell that I did.
|
|
Like flowers. It was too. Violets. Came from the turpentine probably in
|
|
the paint. Make their own use of everything. Same time doing it scraped
|
|
her slipper on the floor so they wouldn't hear. But lots of them can't
|
|
kick the beam, I think. Keep that thing up for hours. Kind of a general
|
|
all round over me and half down my back.
|
|
|
|
Wait. Hm. Hm. Yes. That's her perfume. Why she waved her hand. I
|
|
leave you this to think of me when I'm far away on the pillow. What is it?
|
|
Heliotrope? No. Hyacinth? Hm. Roses, I think. She'd like scent of that
|
|
kind. Sweet and cheap: soon sour. Why Molly likes opoponax. Suits her,
|
|
with a little jessamine mixed. Her high notes and her low notes. At the
|
|
dance night she met him, dance of the hours. Heat brought it out. She was
|
|
wearing her black and it had the perfume of the time before. Good
|
|
conductor, is it? Or bad? Light too. Suppose there's some connection. For
|
|
instance if you go into a cellar where it's dark. Mysterious thing too.
|
|
Why did I smell it only now? Took its time in coming like herself, slow
|
|
but sure. Suppose it's ever so many millions of tiny grains blown across.
|
|
Yes, it is. Because those spice islands, Cinghalese this morning, smell
|
|
them leagues off. Tell you what it is. It's like a fine fine veil or web
|
|
they have all over the skin, fine like what do you call it gossamer, and
|
|
they're always spinning it out of them, fine as anything, like rainbow
|
|
colours without knowing it. Clings to everything she takes off. Vamp of
|
|
her stockings. Warm shoe. Stays. Drawers: little kick, taking them off.
|
|
Byby till next time. Also the cat likes to sniff in her shift on
|
|
the bed. Know her smell in a thousand. Bathwater too. Reminds me of
|
|
strawberries and cream. Wonder where it is really. There or the armpits
|
|
or under the neck. Because you get it out of all holes and corners.
|
|
Hyacinth perfume made of oil of ether or something. Muskrat.
|
|
Bag under their tails. One grain pour off odour for years. Dogs at
|
|
each other behind. Good evening. Evening. How do you sniff? Hm. Hm.
|
|
Very well, thank you. Animals go by that. Yes now, look at it that way.
|
|
We're the same. Some women, instance, warn you off when they have their
|
|
period. Come near. Then get a hogo you could hang your hat on. Like
|
|
what? Potted herrings gone stale or. Boof! Please keep off the grass.
|
|
|
|
Perhaps they get a man smell off us. What though? Cigary gloves long
|
|
John had on his desk the other day. Breath? What you eat and drink gives
|
|
that. No. Mansmell, I mean. Must be connected with that because priests
|
|
that are supposed to be are different. Women buzz round it like flies
|
|
round treacle. Railed off the altar get on to it at any cost. The tree
|
|
of forbidden priest. O, father, will you? Let me be the first to.
|
|
That diffuses itself all through the body, permeates. Source of life.
|
|
And it's extremely curious the smell. Celery sauce. Let me.
|
|
|
|
Mr Bloom inserted his nose. Hm. Into the. Hm. Opening of his
|
|
waistcoat. Almonds or. No. Lemons it is. Ah no, that's the soap.
|
|
|
|
O by the by that lotion. I knew there was something on my mind.
|
|
Never went back and the soap not paid. Dislike carrying bottles like that
|
|
hag this morning. Hynes might have paid me that three shillings. I could
|
|
mention Meagher's just to remind him. Still if he works that paragraph.
|
|
Two and nine. Bad opinion of me he'll have. Call tomorrow. How much do
|
|
I owe you? Three and nine? Two and nine, sir. Ah. Might stop him giving
|
|
credit another time. Lose your customers that way. Pubs do. Fellows run up
|
|
a bill on the slate and then slinking around the back streets into
|
|
somewhere else.
|
|
|
|
Here's this nobleman passed before. Blown in from the bay. Just went
|
|
as far as turn back. Always at home at dinnertime. Looks mangled out: had
|
|
a good tuck in. Enjoying nature now. Grace after meals. After supper walk
|
|
a mile. Sure he has a small bank balance somewhere, government sit. Walk
|
|
after him now make him awkward like those newsboys me today. Still you
|
|
learn something. See ourselves as others see us. So long as women don't
|
|
mock what matter? That's the way to find out. Ask yourself who is he now.
|
|
THE MYSTERY MAN ON THE BEACH, prize titbit story by Mr Leopold Bloom.
|
|
Payment at the rate of one guinea per column. And that fellow today at the
|
|
graveside in the brown macintosh. Corns on his kismet however. Healthy
|
|
perhaps absorb all the. Whistle brings rain they say. Must be some
|
|
somewhere. Salt in the Ormond damp. The body feels the atmosphere. Old
|
|
Betty's joints are on the rack. Mother Shipton's prophecy that is about
|
|
ships around they fly in the twinkling. No. Signs of rain it is. The royal
|
|
reader. And distant hills seem coming nigh.
|
|
|
|
Howth. Bailey light. Two, four, six, eight, nine. See. Has to change or
|
|
they might think it a house. Wreckers. Grace Darling. People afraid of the
|
|
dark. Also glowworms, cyclists: lightingup time. Jewels diamonds flash
|
|
better. Women. Light is a kind of reassuring. Not going to hurt you.
|
|
Better now of course than long ago. Country roads. Run you through the
|
|
small guts for nothing. Still two types there are you bob against.
|
|
Scowl or smile. Pardon! Not at all. Best time to spray plants too in the
|
|
shade after the sun. Some light still. Red rays are longest. Roygbiv
|
|
Vance taught us: red, orange, yellow, green, blue, indigo, violet.
|
|
A star I see. Venus? Can't tell yet. Two. When three it's night. Were
|
|
those nightclouds there all the time? Looks like a phantom ship. No.
|
|
Wait. Trees are they? An optical illusion. Mirage. Land of the setting
|
|
sun this. Homerule sun setting in the southeast. My native land,
|
|
goodnight.
|
|
|
|
Dew falling. Bad for you, dear, to sit on that stone. Brings on white
|
|
fluxions. Never have little baby then less he was big strong fight his way
|
|
up through. Might get piles myself. Sticks too like a summer cold, sore on
|
|
the mouth. Cut with grass or paper worst. Friction of the position.
|
|
Like to be that rock she sat on. O sweet little, you don't know how nice
|
|
you looked. I begin to like them at that age. Green apples. Grab at all
|
|
that offer. Suppose it's the only time we cross legs, seated. Also the
|
|
library today: those girl graduates. Happy chairs under them. But it's
|
|
the evening influence. They feel all that. Open like flowers, know
|
|
their hours, sunflowers, Jerusalem artichokes, in ballrooms, chandeliers,
|
|
avenues under the lamps. Nightstock in Mat Dillon's garden where I kissed
|
|
her shoulder. Wish I had a full length oilpainting of her then. June
|
|
that was too I wooed. The year returns. History repeats itself.
|
|
Ye crags and peaks I'm with you once again. Life, love, voyage round
|
|
your own little world. And now? Sad about her lame of course but must
|
|
be on your guard not to feel too much pity. They take advantage.
|
|
|
|
All quiet on Howth now. The distant hills seem. Where we. The
|
|
rhododendrons. I am a fool perhaps. He gets the plums, and I the
|
|
plumstones. Where I come in. All that old hill has seen. Names change:
|
|
that's all. Lovers: yum yum.
|
|
|
|
Tired I feel now. Will I get up? O wait. Drained all the manhood out
|
|
of me, little wretch. She kissed me. Never again. My youth. Only once it
|
|
comes. Or hers. Take the train there tomorrow. No. Returning not the
|
|
same. Like kids your second visit to a house. The new I want. Nothing new
|
|
under the sun. Care of P. O. Dolphin's Barn. Are you not happy in your?
|
|
Naughty darling. At Dolphin's barn charades in Luke Doyle's house. Mat
|
|
Dillon and his bevy of daughters: Tiny, Atty, Floey, Maimy, Louy, Hetty.
|
|
Molly too. Eightyseven that was. Year before we. And the old major,
|
|
partial to his drop of spirits. Curious she an only child, I an only
|
|
child. So it returns. Think you're escaping and run into yourself. Longest
|
|
way round is the shortest way home. And just when he and she. Circus horse
|
|
walking in a ring. Rip van Winkle we played. Rip: tear in Henny Doyle's
|
|
overcoat. Van: breadvan delivering. Winkle: cockles and periwinkles. Then
|
|
I did Rip van Winkle coming back. She leaned on the sideboard watching.
|
|
Moorish eyes. Twenty years asleep in Sleepy Hollow. All changed.
|
|
Forgotten. The young are old. His gun rusty from the dew.
|
|
|
|
Ba. What is that flying about? Swallow? Bat probably. Thinks I'm a tree,
|
|
so blind. Have birds no smell? Metempsychosis. They believed you could be
|
|
changed into a tree from grief. Weeping willow. Ba. There he goes.
|
|
Funny little beggar. Wonder where he lives. Belfry up there. Very likely.
|
|
Hanging by his heels in the odour of sanctity. Bell scared him out, I
|
|
suppose. Mass seems to be over. Could hear them all at it. Pray for us.
|
|
And pray for us. And pray for us. Good idea the repetition. Same
|
|
thing with ads. Buy from us. And buy from us. Yes, there's the light
|
|
in the priest's house. Their frugal meal. Remember about the mistake
|
|
in the valuation when I was in Thom's. Twentyeight it is. Two houses
|
|
they have. Gabriel Conroy's brother is curate. Ba. Again. Wonder why
|
|
they come out at night like mice. They're a mixed breed. Birds are
|
|
like hopping mice. What frightens them, light or noise? Better sit still.
|
|
All instinct like the bird in drouth got water out of the end of a
|
|
jar by throwing in pebbles. Like a little man in a cloak he is with tiny
|
|
hands. Weeny bones. Almost see them shimmering, kind of a bluey white.
|
|
Colours depend on the light you see. Stare the sun for example
|
|
like the eagle then look at a shoe see a blotch blob yellowish. Wants to
|
|
stamp his trademark on everything. Instance, that cat this morning on the
|
|
staircase. Colour of brown turf. Say you never see them with three
|
|
colours. Not true. That half tabbywhite tortoiseshell in the CITY ARMS
|
|
with the letter em on her forehead. Body fifty different colours. Howth
|
|
a while ago amethyst. Glass flashing. That's how that wise man what's his
|
|
name with the burning glass. Then the heather goes on fire. It can't be
|
|
tourists' matches. What? Perhaps the sticks dry rub together in the wind
|
|
and light. Or broken bottles in the furze act as a burning glass in the
|
|
sun. Archimedes. I have it! My memory's not so bad.
|
|
|
|
Ba. Who knows what they're always flying for. Insects? That bee last week
|
|
got into the room playing with his shadow on the ceiling. Might be the
|
|
one bit me, come back to see. Birds too. Never find out. Or what they say.
|
|
Like our small talk. And says she and says he. Nerve they have to fly over
|
|
the ocean and back. Lots must be killed in storms, telegraph wires.
|
|
Dreadful life sailors have too. Big brutes of oceangoing steamers
|
|
floundering along in the dark, lowing out like seacows. FAUGH A BALLAGH!
|
|
Out of that, bloody curse to you! Others in vessels, bit of a handkerchief
|
|
sail, pitched about like snuff at a wake when the stormy winds do blow.
|
|
Married too. Sometimes away for years at the ends of the earth somewhere.
|
|
No ends really because it's round. Wife in every port they say. She has a
|
|
good job if she minds it till Johnny comes marching home again. If ever he
|
|
does. Smelling the tail end of ports. How can they like the sea? Yet they
|
|
do. The anchor's weighed. Off he sails with a scapular or a medal
|
|
on him for luck. Well. And the tephilim no what's this they call it poor
|
|
papa's father had on his door to touch. That brought us out of the land
|
|
of Egypt and into the house of bondage. Something in all those
|
|
superstitions because when you go out never know what dangers. Hanging
|
|
on to a plank or astride of a beam for grim life, lifebelt round him,
|
|
gulping salt water, and that's the last of his nibs till the sharks
|
|
catch hold of him. Do fish ever get seasick?
|
|
|
|
Then you have a beautiful calm without a cloud, smooth sea, placid,
|
|
crew and cargo in smithereens, Davy Jones' locker, moon looking down so
|
|
peaceful. Not my fault, old cockalorum.
|
|
|
|
A last lonely candle wandered up the sky from Mirus bazaar in search
|
|
of funds for Mercer's hospital and broke, drooping, and shed a cluster of
|
|
violet but one white stars. They floated, fell: they faded. The shepherd's
|
|
hour: the hour of folding: hour of tryst. From house to house, giving his
|
|
everwelcome double knock, went the nine o'clock postman, the
|
|
glowworm's lamp at his belt gleaming here and there through the laurel
|
|
hedges. And among the five young trees a hoisted lintstock lit the lamp at
|
|
Leahy's terrace. By screens of lighted windows, by equal gardens a shrill
|
|
voice went crying, wailing: EVENING TELEGRAPH, STOP PRESS EDITION! RESULT
|
|
OF THE GOLD CUP RACE! and from the door of Dignam's house a boy ran out
|
|
and called. Twittering the bat flew here, flew there. Far out over the
|
|
sands the coming surf crept, grey. Howth settled for slumber, tired of
|
|
long days, of yumyum rhododendrons (he was old) and felt gladly the night
|
|
breeze lift, ruffle his fell of ferns. He lay but opened a red eye
|
|
unsleeping, deep and slowly breathing, slumberous but awake. And far on
|
|
Kish bank the anchored lightship twinkled, winked at Mr Bloom.
|
|
|
|
Life those chaps out there must have, stuck in the same spot. Irish
|
|
Lights board. Penance for their sins. Coastguards too. Rocket and breeches
|
|
buoy and lifeboat. Day we went out for the pleasure cruise in the Erin's
|
|
King, throwing them the sack of old papers. Bears in the zoo. Filthy trip.
|
|
Drunkards out to shake up their livers. Puking overboard to feed the
|
|
herrings. Nausea. And the women, fear of God in their faces. Milly,
|
|
no sign of funk. Her blue scarf loose, laughing. Don't know what death
|
|
is at that age. And then their stomachs clean. But being lost they fear.
|
|
When we hid behind the tree at Crumlin. I didn't want to. Mamma! Mamma!
|
|
Babes in the wood. Frightening them with masks too. Throwing them up
|
|
in the air to catch them. I'll murder you. Is it only half fun?
|
|
Or children playing battle. Whole earnest. How can people aim guns at
|
|
each other. Sometimes they go off. Poor kids! Only troubles wildfire
|
|
and nettlerash. Calomel purge I got her for that. After getting better
|
|
asleep with Molly. Very same teeth she has. What do they love?
|
|
Another themselves? But the morning she chased her with the umbrella.
|
|
Perhaps so as not to hurt. I felt her pulse. Ticking. Little hand
|
|
it was: now big. Dearest Papli. All that the hand says when you
|
|
touch. Loved to count my waistcoat buttons. Her first stays I
|
|
remember. Made me laugh to see. Little paps to begin with. Left one
|
|
is more sensitive, I think. Mine too. Nearer the heart? Padding
|
|
themselves out if fat is in fashion. Her growing pains at night, calling,
|
|
wakening me. Frightened she was when her nature came on her first.
|
|
Poor child! Strange moment for the mother too. Brings back her girlhood.
|
|
Gibraltar. Looking from Buena Vista. O'Hara's tower. The seabirds
|
|
screaming. Old Barbary ape that gobbled all his family. Sundown,
|
|
gunfire for the men to cross the lines. Looking out over the sea she
|
|
told me. Evening like this, but clear, no clouds. I always thought I'd
|
|
marry a lord or a rich gentleman coming with a private yacht. BUENAS
|
|
NOCHES, SENORITA. EL HOMBRE AMA LA MUCHACHA HERMOSA. Why me? Because
|
|
you were so foreign from the others.
|
|
|
|
Better not stick here all night like a limpet. This weather makes you
|
|
dull. Must be getting on for nine by the light. Go home. Too late for LEAH,
|
|
LILY OF KILLARNEY. No. Might be still up. Call to the hospital to see.
|
|
Hope she's over. Long day I've had. Martha, the bath, funeral, house of
|
|
Keyes, museum with those goddesses, Dedalus' song. Then that bawler in
|
|
Barney Kiernan's. Got my own back there. Drunken ranters what I said about
|
|
his God made him wince. Mistake to hit back. Or? No. Ought to go home and
|
|
laugh at themselves. Always want to be swilling in company. Afraid to be
|
|
alone like a child of two. Suppose he hit me. Look at it other way round.
|
|
Not so bad then. Perhaps not to hurt he meant. Three cheers for Israel.
|
|
Three cheers for the sister-in-law he hawked about, three fangs in her
|
|
mouth. Same style of beauty. Particularly nice old party for a cup of tea.
|
|
The sister of the wife of the wild man of Borneo has just come to town.
|
|
Imagine that in the early morning at close range. Everyone to his taste as
|
|
Morris said when he kissed the cow. But Dignam's put the boots on it.
|
|
Houses of mourning so depressing because you never know. Anyhow she
|
|
wants the money. Must call to those Scottish Widows as I promised. Strange
|
|
name. Takes it for granted we're going to pop off first. That widow
|
|
on Monday was it outside Cramer's that looked at me. Buried the poor
|
|
husband but progressing favourably on the premium. Her widow's mite.
|
|
Well? What do you expect her to do? Must wheedle her way along.
|
|
Widower I hate to see. Looks so forlorn. Poor man O'Connor wife and five
|
|
children poisoned by mussels here. The sewage. Hopeless. Some good
|
|
matronly woman in a porkpie hat to mother him. Take him in tow, platter
|
|
face and a large apron. Ladies' grey flannelette bloomers, three shillings
|
|
a pair, astonishing bargain. Plain and loved, loved for ever, they say.
|
|
Ugly: no woman thinks she is. Love, lie and be handsome for tomorrow we
|
|
die. See him sometimes walking about trying to find out who played the
|
|
trick. U. p: up. Fate that is. He, not me. Also a shop often noticed.
|
|
Curse seems to dog it. Dreamt last night? Wait. Something confused. She
|
|
had red slippers on. Turkish. Wore the breeches. Suppose she does? Would
|
|
I like her in pyjamas? Damned hard to answer. Nannetti's gone. Mailboat.
|
|
Near Holyhead by now. Must nail that ad of Keyes's. Work Hynes and
|
|
Crawford. Petticoats for Molly. She has something to put in them. What's
|
|
that? Might be money.
|
|
|
|
Mr Bloom stooped and turned over a piece of paper on the strand. He
|
|
brought it near his eyes and peered. Letter? No. Can't read. Better go.
|
|
Better. I'm tired to move. Page of an old copybook. All those holes and
|
|
pebbles. Who could count them? Never know what you find. Bottle with
|
|
story of a treasure in it, thrown from a wreck. Parcels post. Children
|
|
always want to throw things in the sea. Trust? Bread cast on the waters.
|
|
What's this? Bit of stick.
|
|
|
|
O! Exhausted that female has me. Not so young now. Will she come
|
|
here tomorrow? Wait for her somewhere for ever. Must come back.
|
|
Murderers do. Will I?
|
|
|
|
Mr Bloom with his stick gently vexed the thick sand at his foot. Write
|
|
a message for her. Might remain. What?
|
|
|
|
I.
|
|
|
|
Some flatfoot tramp on it in the morning. Useless. Washed away. Tide comes
|
|
here. Saw a pool near her foot. Bend, see my face there, dark mirror,
|
|
breathe on it, stirs. All these rocks with lines and scars and letters. O,
|
|
those transparent! Besides they don't know. What is the meaning of that
|
|
other world. I called you naughty boy because I do not like.
|
|
|
|
AM. A.
|
|
|
|
No room. Let it go.
|
|
|
|
Mr Bloom effaced the letters with his slow boot. Hopeless thing sand.
|
|
Nothing grows in it. All fades. No fear of big vessels coming up here.
|
|
Except Guinness's barges. Round the Kish in eighty days. Done half by
|
|
design.
|
|
|
|
He flung his wooden pen away. The stick fell in silted sand, stuck.
|
|
Now if you were trying to do that for a week on end you couldn't. Chance.
|
|
We'll never meet again. But it was lovely. Goodbye, dear. Thanks. Made me
|
|
feel so young.
|
|
|
|
Short snooze now if I had. Must be near nine. Liverpool boat long
|
|
gone.. Not even the smoke. And she can do the other. Did too. And Belfast.
|
|
I won't go. Race there, race back to Ennis. Let him. Just close my eyes a
|
|
moment. Won't sleep, though. Half dream. It never comes the same. Bat
|
|
again. No harm in him. Just a few.
|
|
|
|
O sweety all your little girlwhite up I saw dirty bracegirdle made me
|
|
do love sticky we two naughty Grace darling she him half past the bed met
|
|
him pike hoses frillies for Raoul de perfume your wife black hair heave
|
|
under embon SENORITA young eyes Mulvey plump bubs me breadvan Winkle
|
|
red slippers she rusty sleep wander years of dreams return tail end
|
|
Agendath swoony lovey showed me her next year in drawers return next in
|
|
her next her next.
|
|
|
|
A bat flew. Here. There. Here. Far in the grey a bell chimed. Mr
|
|
Bloom with open mouth, his left boot sanded sideways, leaned, breathed.
|
|
Just for a few
|
|
|
|
|
|
CUCKOO
|
|
CUCKOO
|
|
CUCKOO.
|
|
|
|
|
|
The clock on the mantelpiece in the priest's house cooed where Canon
|
|
O'Hanlon and Father Conroy and the reverend John Hughes S. J. were
|
|
taking tea and sodabread and butter and fried mutton chops with catsup
|
|
and talking about
|
|
|
|
|
|
CUCKOO
|
|
CUCKOO
|
|
CUCKOO.
|
|
|
|
|
|
Because it was a little canarybird that came out of its little house to
|
|
tell the time that Gerty MacDowell noticed the time she was there because
|
|
she was as quick as anything about a thing like that, was Gerty MacDowell,
|
|
and she noticed at once that that foreign gentleman that was sitting on
|
|
the rocks looking was
|
|
|
|
|
|
CUCKOO
|
|
CUCKOO
|
|
CUCKOO.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Deshil Holles Eamus. Deshil Holles Eamus. Deshil Holles Eamus.
|
|
|
|
Send us bright one, light one, Horhorn, quickening and wombfruit. Send
|
|
us bright one, light one, Horhorn, quickening and wombfruit. Send us
|
|
bright one, light one, Horhorn, quickening and wombfruit.
|
|
|
|
Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa!
|
|
|
|
Universally that person's acumen is esteemed very little perceptive
|
|
concerning whatsoever matters are being held as most profitably by mortals
|
|
with sapience endowed to be studied who is ignorant of that which the most
|
|
in doctrine erudite and certainly by reason of that in them high mind's
|
|
ornament deserving of veneration constantly maintain when by general
|
|
consent they affirm that other circumstances being equal by no exterior
|
|
splendour is the prosperity of a nation more efficaciously asserted than
|
|
by the measure of how far forward may have progressed the tribute of its
|
|
solicitude for that proliferent continuance which of evils the original if
|
|
it be absent when fortunately present constitutes the certain sign of
|
|
omnipotent nature's incorrupted benefaction. For who is there who anything
|
|
of some significance has apprehended but is conscious that that exterior
|
|
splendour may be the surface of a downwardtending lutulent reality or on
|
|
the contrary anyone so is there unilluminated as not to perceive that as
|
|
no nature's boon can contend against the bounty of increase so it behoves
|
|
every most just citizen to become the exhortator and admonisher of his
|
|
semblables and to tremble lest what had in the past been by the nation
|
|
excellently commenced might be in the future not with similar excellence
|
|
accomplished if an inverecund habit shall have gradually traduced the
|
|
honourable by ancestors transmitted customs to that thither of profundity
|
|
that that one was audacious excessively who would have the hardihood to
|
|
rise affirming that no more odious offence can for anyone be than to
|
|
oblivious neglect to consign that evangel simultaneously command and
|
|
promise which on all mortals with prophecy of abundance or with
|
|
diminution's menace that exalted of reiteratedly procreating function ever
|
|
irrevocably enjoined?
|
|
|
|
It is not why therefore we shall wonder if, as the best historians relate,
|
|
among the Celts, who nothing that was not in its nature admirable admired,
|
|
the art of medicine shall have been highly honoured. Not to speak of
|
|
hostels, leperyards, sweating chambers, plaguegraves, their greatest
|
|
doctors, the O'Shiels, the O'Hickeys, the O'Lees, have sedulously set down
|
|
the divers methods by which the sick and the relapsed found again health
|
|
whether the malady had been the trembling withering or loose boyconnell
|
|
flux. Certainly in every public work which in it anything of gravity
|
|
contains preparation should be with importance commensurate and therefore
|
|
a plan was by them adopted (whether by having preconsidered or as the
|
|
maturation of experience it is difficult in being said which the
|
|
discrepant opinions of subsequent inquirers are not up to the present
|
|
congrued to render manifest) whereby maternity was so far from all
|
|
accident possibility removed that whatever care the patient in that
|
|
all hardest of woman hour chiefly required and not solely for the
|
|
copiously opulent but also for her who not being sufficiently moneyed
|
|
scarcely and often not even scarcely could subsist valiantly and for an
|
|
inconsiderable emolument was provided.
|
|
|
|
To her nothing already then and thenceforward was anyway able to be
|
|
molestful for this chiefly felt all citizens except with proliferent
|
|
mothers prosperity at all not to can be and as they had received eternity
|
|
gods mortals generation to befit them her beholding, when the case was so
|
|
hoving itself, parturient in vehicle thereward carrying desire immense
|
|
among all one another was impelling on of her to be received into that
|
|
domicile. O thing of prudent nation not merely in being seen but also
|
|
even in being related worthy of being praised that they her by
|
|
anticipation went seeing mother, that she by them suddenly to be about to
|
|
be cherished had been begun she felt!
|
|
|
|
Before born bliss babe had. Within womb won he worship. Whatever
|
|
in that one case done commodiously done was. A couch by midwives
|
|
attended with wholesome food reposeful, cleanest swaddles as though
|
|
forthbringing were now done and by wise foresight set: but to this no less
|
|
of what drugs there is need and surgical implements which are pertaining
|
|
to her case not omitting aspect of all very distracting spectacles in
|
|
various latitudes by our terrestrial orb offered together with images,
|
|
divine and human, the cogitation of which by sejunct females is to
|
|
tumescence conducive or eases issue in the high sunbright wellbuilt fair
|
|
home of mothers when, ostensibly far gone and reproductitive, it is come
|
|
by her thereto to lie in, her term up.
|
|
|
|
Some man that wayfaring was stood by housedoor at night's
|
|
oncoming. Of Israel's folk was that man that on earth wandering far had
|
|
fared. Stark ruth of man his errand that him lone led till that house.
|
|
|
|
Of that house A. Horne is lord. Seventy beds keeps he there teeming
|
|
mothers are wont that they lie for to thole and bring forth bairns hale so
|
|
God's angel to Mary quoth. Watchers tway there walk, white sisters in
|
|
ward sleepless. Smarts they still, sickness soothing: in twelve moons
|
|
thrice an hundred. Truest bedthanes they twain are, for Horne holding
|
|
wariest ward.
|
|
|
|
In ward wary the watcher hearing come that man mildhearted eft
|
|
rising with swire ywimpled to him her gate wide undid. Lo, levin leaping
|
|
lightens in eyeblink Ireland's westward welkin. Full she drad that God the
|
|
Wreaker all mankind would fordo with water for his evil sins. Christ's
|
|
rood made she on breastbone and him drew that he would rathe infare under
|
|
her thatch. That man her will wotting worthful went in Horne's house.
|
|
|
|
Loth to irk in Horne's hall hat holding the seeker stood. On her stow
|
|
he ere was living with dear wife and lovesome daughter that then over land
|
|
and seafloor nine years had long outwandered. Once her in townhithe
|
|
meeting he to her bow had not doffed. Her to forgive now he craved with
|
|
good ground of her allowed that that of him swiftseen face, hers, so young
|
|
then had looked. Light swift her eyes kindled, bloom of blushes his word
|
|
winning.
|
|
|
|
As her eyes then ongot his weeds swart therefor sorrow she feared.
|
|
Glad after she was that ere adread was. Her he asked if O'Hare Doctor
|
|
tidings sent from far coast and she with grameful sigh him answered that
|
|
O'Hare Doctor in heaven was. Sad was the man that word to hear that him
|
|
so heavied in bowels ruthful. All she there told him, ruing death for
|
|
friend so young, algate sore unwilling God's rightwiseness to withsay. She
|
|
said that he had a fair sweet death through God His goodness with
|
|
masspriest to be shriven, holy housel and sick men's oil to his limbs. The
|
|
man then right earnest asked the nun of which death the dead man was died
|
|
and the nun answered him and said that he was died in Mona Island through
|
|
bellycrab three year agone come Childermas and she prayed to God the
|
|
Allruthful to have his dear soul in his undeathliness. He heard her sad
|
|
words, in held hat sad staring. So stood they there both awhile in wanhope
|
|
sorrowing one with other.
|
|
|
|
Therefore, everyman, look to that last end that is thy death and the
|
|
dust that gripeth on every man that is born of woman for as he came naked
|
|
forth from his mother's womb so naked shall he wend him at the last for to
|
|
go as he came.
|
|
|
|
The man that was come in to the house then spoke to the
|
|
nursingwoman and he asked her how it fared with the woman that lay there
|
|
in childbed. The nursingwoman answered him and said that that woman
|
|
was in throes now full three days and that it would be a hard birth unneth
|
|
to bear but that now in a little it would be. She said thereto that she
|
|
had seen many births of women but never was none so hard as was that
|
|
woman's birth. Then she set it all forth to him for because she knew the
|
|
man that time was had lived nigh that house. The man hearkened to her
|
|
words for he felt with wonder women's woe in the travail that they have of
|
|
motherhood and he wondered to look on her face that was a fair face for
|
|
any man to see but yet was she left after long years a handmaid. Nine
|
|
twelve bloodflows chiding her childless.
|
|
|
|
And whiles they spake the door of the castle was opened and there
|
|
nighed them a mickle noise as of many that sat there at meat. And there
|
|
came against the place as they stood a young learningknight yclept Dixon.
|
|
And the traveller Leopold was couth to him sithen it had happed that they
|
|
had had ado each with other in the house of misericord where this
|
|
learningknight lay by cause the traveller Leopold came there to be healed
|
|
for he was sore wounded in his breast by a spear wherewith a horrible and
|
|
dreadful dragon was smitten him for which he did do make a salve of
|
|
volatile salt and chrism as much as he might suffice. And he said now that
|
|
he should go in to that castle for to make merry with them that were
|
|
there. And the traveller Leopold said that he should go otherwhither for
|
|
he was a man of cautels and a subtile. Also the lady was of his avis and
|
|
repreved the learningknight though she trowed well that the traveller had
|
|
said thing that was false for his subtility. But the learningknight would
|
|
not hear say nay nor do her mandement ne have him in aught contrarious to
|
|
his list and he said how it was a marvellous castle. And the traveller
|
|
Leopold went into the castle for to rest him for a space being sore of
|
|
limb after many marches environing in divers lands and sometime venery.
|
|
|
|
And in the castle was set a board that was of the birchwood of
|
|
Finlandy and it was upheld by four dwarfmen of that country but they
|
|
durst not move more for enchantment. And on this board were frightful
|
|
swords and knives that are made in a great cavern by swinking demons out
|
|
of white flames that they fix then in the horns of buffalos and stags that
|
|
there abound marvellously. And there were vessels that are wrought by
|
|
magic of Mahound out of seasand and the air by a warlock with his breath
|
|
that he blases in to them like to bubbles. And full fair cheer and rich
|
|
was on the board that no wight could devise a fuller ne richer. And there
|
|
was a vat of silver that was moved by craft to open in the which lay
|
|
strange fishes withouten heads though misbelieving men nie that this
|
|
be possible thing without they see it natheless they are so. And these
|
|
fishes lie in an oily water brought there from Portugal land because
|
|
of the fatness that therein is like to the juices of the olivepress.
|
|
And also it was a marvel to see in that castle how by magic they make
|
|
a compost out of fecund wheatkidneys out of Chaldee that by aid of
|
|
certain angry spirits that they do in to it swells up wondrously like
|
|
to a vast mountain. And they teach the serpents there to entwine
|
|
themselves up on long sticks out of the ground and of the scales of
|
|
these serpents they brew out a brewage like to mead.
|
|
|
|
And the learning knight let pour for childe Leopold a draught and halp
|
|
thereto the while all they that were there drank every each. And childe
|
|
Leopold did up his beaver for to pleasure him and took apertly somewhat in
|
|
amity for he never drank no manner of mead which he then put by and
|
|
anon full privily he voided the more part in his neighbour glass and his
|
|
neighbour nist not of this wile. And he sat down in that castle with them
|
|
for to rest him there awhile. Thanked be Almighty God.
|
|
|
|
This meanwhile this good sister stood by the door and begged them at
|
|
the reverence of Jesu our alther liege Lord to leave their wassailing for
|
|
there was above one quick with child, a gentle dame, whose time hied fast.
|
|
Sir Leopold heard on the upfloor cry on high and he wondered what cry that
|
|
it was whether of child or woman and I marvel, said he, that it be not
|
|
come or now. Meseems it dureth overlong. And he was ware and saw a
|
|
franklin that hight Lenehan on that side the table that was older than any
|
|
of the tother and for that they both were knights virtuous in the one
|
|
emprise and eke by cause that he was elder he spoke to him full gently.
|
|
But, said he, or it be long too she will bring forth by God His bounty and
|
|
have joy of her childing for she hath waited marvellous long. And the
|
|
franklin that had drunken said, Expecting each moment to be her next.
|
|
Also he took the cup that stood tofore him for him needed never none
|
|
asking nor desiring of him to drink and, Now drink, said he, fully
|
|
delectably, and he quaffed as far as he might to their both's health
|
|
for he was a passing good man of his lustiness. And sir Leopold
|
|
that was the goodliest guest that ever sat in scholars' hall and
|
|
that was the meekest man and the kindest that ever laid husbandly
|
|
hand under hen and that was the very truest knight of the world
|
|
one that ever did minion service to lady gentle pledged him courtly in
|
|
the cup. Woman's woe with wonder pondering.
|
|
|
|
Now let us speak of that fellowship that was there to the intent to be
|
|
drunken an they might. There was a sort of scholars along either side the
|
|
board, that is to wit, Dixon yclept junior of saint Mary Merciable's with
|
|
other his fellows Lynch and Madden, scholars of medicine, and the franklin
|
|
that hight Lenehan and one from Alba Longa, one Crotthers, and young
|
|
Stephen that had mien of a frere that was at head of the board and
|
|
Costello that men clepen Punch Costello all long of a mastery of him
|
|
erewhile gested (and of all them, reserved young Stephen, he was the most
|
|
drunken that demanded still of more mead) and beside the meek sir
|
|
Leopold. But on young Malachi they waited for that he promised to
|
|
have come and such as intended to no goodness said how he had broke
|
|
his avow. And sir Leopold sat with them for he bore fast friendship
|
|
to sir Simon and to this his son young Stephen and for that his languor
|
|
becalmed him there after longest wanderings insomuch as they feasted
|
|
him for that time in the honourablest manner. Ruth red him, love led
|
|
on with will to wander, loth to leave.
|
|
|
|
For they were right witty scholars. And he heard their aresouns each
|
|
gen other as touching birth and righteousness, young Madden maintaining
|
|
that put such case it were hard the wife to die (for so it had fallen out
|
|
a matter of some year agone with a woman of Eblana in Horne's house that
|
|
now was trespassed out of this world and the self night next before her
|
|
death all leeches and pothecaries had taken counsel of her case). And they
|
|
said farther she should live because in the beginning, they said, the
|
|
woman should bring forth in pain and wherefore they that were of this
|
|
imagination affirmed how young Madden had said truth for he had conscience
|
|
to let her die. And not few and of these was young Lynch were in doubt
|
|
that the world was now right evil governed as it was never other howbeit
|
|
the mean people believed it otherwise but the law nor his judges did
|
|
provide no remedy. A redress God grant. This was scant said but all cried
|
|
with one acclaim nay, by our Virgin Mother, the wife should live and the
|
|
babe to die. In colour whereof they waxed hot upon that head what with
|
|
argument and what for their drinking but the franklin Lenehan was prompt
|
|
each when to pour them ale so that at the least way mirth might not lack.
|
|
Then young Madden showed all the whole affair and said how that she was
|
|
dead and how for holy religion sake by rede of palmer and bedesman and for
|
|
a vow he had made to Saint Ultan of Arbraccan her goodman husband would
|
|
not let her death whereby they were all wondrous grieved. To whom young
|
|
Stephen had these words following: Murmur, sirs, is eke oft among lay
|
|
folk. Both babe and parent now glorify their Maker, the one in limbo
|
|
gloom, the other in purgefire. But, gramercy, what of those Godpossibled
|
|
souls that we nightly impossibilise, which is the sin against the Holy
|
|
Ghost, Very God, Lord and Giver of Life? For, sirs, he said, our lust
|
|
is brief. We are means to those small creatures within us and nature
|
|
has other ends than we. Then said Dixon junior to Punch Costello wist
|
|
he what ends. But he had overmuch drunken and the best word he could
|
|
have of him was that he would ever dishonest a woman whoso she were
|
|
or wife or maid or leman if it so fortuned him to be delivered of his
|
|
spleen of lustihead. Whereat Crotthers of Alba Longa sang young
|
|
Malachi's praise of that beast the unicorn how once in the millennium
|
|
he cometh by his horn, the other all this while, pricked forward with
|
|
their jibes wherewith they did malice him, witnessing all and several
|
|
by saint Foutinus his engines that he was able to do any manner
|
|
of thing that lay in man to do. Thereat laughed they all right
|
|
jocundly only young Stephen and sir Leopold which never durst laugh
|
|
too open by reason of a strange humour which he would not bewray and
|
|
also for that he rued for her that bare whoso she might be or wheresoever.
|
|
Then spake young Stephen orgulous of mother Church that would cast him
|
|
out of her bosom, of law of canons, of Lilith, patron of abortions, of bigness
|
|
wrought by wind of seeds of brightness or by potency of vampires mouth to
|
|
mouth or, as Virgilius saith, by the influence of the occident or by the reek
|
|
of moonflower or an she lie with a woman which her man has but lain with,
|
|
EFFECTU SECUTO, or peradventure in her bath according to the opinions of
|
|
Averroes and Moses Maimonides. He said also how at the end of the second
|
|
month a human soul was infused and how in all our holy mother foldeth
|
|
ever souls for God's greater glory whereas that earthly mother which was
|
|
but a dam to bear beastly should die by canon for so saith he that holdeth
|
|
the fisherman's seal, even that blessed Peter on which rock was holy church
|
|
for all ages founded. All they bachelors then asked of sir Leopold would he
|
|
in like case so jeopard her person as risk life to save life. A wariness of
|
|
mind he would answer as fitted all and, laying hand to jaw, he said
|
|
dissembling, as his wont was, that as it was informed him, who had ever
|
|
loved the art of physic as might a layman, and agreeing also with his
|
|
experience of so seldomseen an accident it was good for that mother Church
|
|
belike at one blow had birth and death pence and in such sort deliverly he
|
|
scaped their questions. That is truth, pardy, said Dixon, and, or I err,
|
|
a pregnant word. Which hearing young Stephen was a marvellous glad man and
|
|
he averred that he who stealeth from the poor lendeth to the Lord for he
|
|
was of a wild manner when he was drunken and that he was now in that
|
|
taking it appeared eftsoons.
|
|
|
|
But sir Leopold was passing grave maugre his word by cause he still
|
|
had pity of the terrorcausing shrieking of shrill women in their labour
|
|
and as he was minded of his good lady Marion that had borne him an only
|
|
manchild which on his eleventh day on live had died and no man of art
|
|
could save so dark is destiny. And she was wondrous stricken of heart for
|
|
that evil hap and for his burial did him on a fair corselet of lamb's
|
|
wool, the flower of the flock, lest he might perish utterly and lie
|
|
akeled (for it was then about the midst of the winter) and now Sir
|
|
Leopold that had of his body no manchild for an heir looked upon him his
|
|
friend's son and was shut up in sorrow for his forepassed happiness and
|
|
as sad as he was that him failed a son of such gentle courage (for all
|
|
accounted him of real parts) so grieved he also in no less measure for
|
|
young Stephen for that he lived riotously with those wastrels and
|
|
murdered his goods with whores.
|
|
|
|
About that present time young Stephen filled all cups that stood empty
|
|
so as there remained but little mo if the prudenter had not shadowed their
|
|
approach from him that still plied it very busily who, praying for the
|
|
intentions of the sovereign pontiff, he gave them for a pledge the vicar
|
|
of Christ which also as he said is vicar of Bray. Now drink we, quod he,
|
|
of this mazer and quaff ye this mead which is not indeed parcel of my body
|
|
but my soul's bodiment. Leave ye fraction of bread to them that live by
|
|
bread alone. Be not afeard neither for any want for this will comfort more
|
|
than the other will dismay. See ye here. And he showed them glistering
|
|
coins of the tribute and goldsmith notes the worth of two pound nineteen
|
|
shilling that he had, he said, for a song which he writ. They all admired
|
|
to see the foresaid riches in such dearth of money as was herebefore. His
|
|
words were then these as followeth: Know all men, he said, time's ruins
|
|
build eternity's mansions. What means this? Desire's wind blasts the
|
|
thorntree but after it becomes from a bramblebush to be a rose upon the
|
|
rood of time. Mark me now. In woman's womb word is made flesh but in the
|
|
spirit of the maker all flesh that passes becomes the word that shall not
|
|
pass away. This is the postcreation. OMNIS CARO AD TE VENIET. No question
|
|
but her name is puissant who aventried the dear corse of our Agenbuyer,
|
|
Healer and Herd, our mighty mother and mother most venerable and
|
|
Bernardus saith aptly that She hath an OMNIPOTENTIAM DEIPARAE SUPPLICEM,
|
|
that is to wit, an almightiness of petition because she is the second Eve
|
|
and she won us, saith Augustine too, whereas that other, our grandam,
|
|
which we are linked up with by successive anastomosis of navelcords
|
|
sold us all, seed, breed and generation, for a penny pippin. But here
|
|
is the matter now. Or she knew him, that second I say, and was but
|
|
creature of her creature, VERGINE MADRE, FIGLIA DI TUO FIGLIO, or she
|
|
knew him not and then stands she in the one denial or ignorancy with
|
|
Peter Piscator who lives in the house that Jack built and with Joseph
|
|
the joiner patron of the happy demise of all unhappy marriages, PARCEQUE
|
|
M. LEO TAXIL NOUS A DIT QUE QUI L'AVAIT MISE DANS CETTE FICHUE POSITION
|
|
C'ETAIT LE SACRE PIGEON, VENTRE DE DIEU! ENTWEDER transubstantiality ODER
|
|
consubstantiality but in no case subsubstantiality. And all cried out
|
|
upon it for a very scurvy word. A pregnancy without joy, he said,
|
|
a birth without pangs, a body without blemish, a belly without bigness.
|
|
Let the lewd with faith and fervour worship. With will will we withstand,
|
|
withsay.
|
|
|
|
Hereupon Punch Costello dinged with his fist upon the board and
|
|
would sing a bawdy catch STABOO STABELLA about a wench that was put in
|
|
pod of a jolly swashbuckler in Almany which he did straightways now
|
|
attack: THE FIRST THREE MONTHS SHE WAS NOT WELL, STABOO, when
|
|
here nurse Quigley from the door angerly bid them hist ye should
|
|
shame you nor was it not meet as she remembered them being her mind was
|
|
to have all orderly against lord Andrew came for because she was jealous
|
|
that no gasteful turmoil might shorten the honour of her guard. It was an
|
|
ancient and a sad matron of a sedate look and christian walking, in habit
|
|
dun beseeming her megrims and wrinkled visage, nor did her hortative want
|
|
of it effect for incontinently Punch Costello was of them all embraided
|
|
and they reclaimed the churl with civil rudeness some and shaked him with
|
|
menace of blandishments others whiles they all chode with him, a murrain
|
|
seize the dolt, what a devil he would be at, thou chuff, thou puny, thou
|
|
got in peasestraw, thou losel, thou chitterling, thou spawn of a rebel,
|
|
thou dykedropt, thou abortion thou, to shut up his drunken drool out
|
|
of that like a curse of God ape, the good sir Leopold that had for his
|
|
cognisance the flower of quiet, margerain gentle, advising also the
|
|
time's occasion as most sacred and most worthy to be most sacred.
|
|
In Horne's house rest should reign.
|
|
|
|
To be short this passage was scarce by when Master Dixon of Mary in
|
|
Eccles, goodly grinning, asked young Stephen what was the reason why he
|
|
had not cided to take friar's vows and he answered him obedience in the
|
|
womb, chastity in the tomb but involuntary poverty all his days. Master
|
|
Lenehan at this made return that he had heard of those nefarious deeds and
|
|
how, as he heard hereof counted, he had besmirched the lily virtue of a
|
|
confiding female which was corruption of minors and they all intershowed
|
|
it too, waxing merry and toasting to his fathership. But he said very
|
|
entirely it was clean contrary to their suppose for he was the eternal
|
|
son and ever virgin. Thereat mirth grew in them the more and they
|
|
rehearsed to him his curious rite of wedlock for the disrobing and
|
|
deflowering of spouses, as the priests use in Madagascar island, she
|
|
to be in guise of white and saffron, her groom in white and grain, with
|
|
burning of nard and tapers, on a bridebed while clerks sung kyries
|
|
and the anthem UT NOVETUR SEXUS OMNIS CORPORIS MYSTERIUM till she was
|
|
there unmaided. He gave them then a much admirable hymen minim by those
|
|
delicate poets Master John Fletcher and Master Francis Beaumont that is
|
|
in their MAID'S TRAGEDY that was writ for a like twining of lovers: TO
|
|
BED, TO BED was the burden of it to be played with accompanable
|
|
concent upon the virginals. An exquisite dulcet epithalame of
|
|
most mollificative suadency for juveniles amatory whom the odoriferous
|
|
flambeaus of the paranymphs have escorted to the quadrupedal proscenium
|
|
of connubial communion. Well met they were, said Master Dixon, joyed,
|
|
but, harkee, young sir, better were they named Beau Mount and Lecher for,
|
|
by my troth, of such a mingling much might come. Young Stephen said
|
|
indeed to his best remembrance they had but the one doxy between them and
|
|
she of the stews to make shift with in delights amorous for life ran very
|
|
high in those days and the custom of the country approved with it. Greater
|
|
love than this, he said, no man hath that a man lay down his wife for his
|
|
friend. Go thou and do likewise. Thus, or words to that effect, saith
|
|
Zarathustra, sometime regius professor of French letters to the university
|
|
of Oxtail nor breathed there ever that man to whom mankind was more
|
|
beholden. Bring a stranger within thy tower it will go hard but thou wilt
|
|
have the secondbest bed. ORATE, FRATRES, PRO MEMETIPSO. And all the people
|
|
shall say, Amen. Remember, Erin, thy generations and thy days of old, how
|
|
thou settedst little by me and by my word and broughtedst in a stranger to
|
|
my gates to commit fornication in my sight and to wax fat and kick like
|
|
Jeshurum. Therefore hast thou sinned against my light and hast made me,
|
|
thy lord, to be the slave of servants. Return, return, Clan Milly: forget
|
|
me not, O Milesian. Why hast thou done this abomination before me that
|
|
thou didst spurn me for a merchant of jalaps and didst deny me to the
|
|
Roman and to the Indian of dark speech with whom thy daughters did lie
|
|
luxuriously? Look forth now, my people, upon the land of behest, even
|
|
from Horeb and from Nebo and from Pisgah and from the Horns of
|
|
Hatten unto a land flowing with milk and money. But thou hast suckled me
|
|
with a bitter milk: my moon and my sun thou hast quenched for ever. And
|
|
thou hast left me alone for ever in the dark ways of my bitterness: and
|
|
with a kiss of ashes hast thou kissed my mouth. This tenebrosity of
|
|
the interior, he proceeded to say, hath not been illumined by the
|
|
wit of the septuagint nor so much as mentioned for the Orient from
|
|
on high Which brake hell's gates visited a darkness that was foraneous.
|
|
Assuefaction minorates atrocities (as Tully saith of his darling Stoics)
|
|
and Hamlet his father showeth the prince no blister of combustion.
|
|
The adiaphane in the noon of life is an Egypt's plague which in the
|
|
nights of prenativity and postmortemity is their most proper UBI and
|
|
QUOMODO. And as the ends and ultimates of all things accord in some
|
|
mean and measure with their inceptions and originals, that same
|
|
multiplicit concordance which leads forth growth from birth accomplishing
|
|
by a retrogressive metamorphosis that minishing and ablation towards
|
|
the final which is agreeable unto nature so is it with our subsolar
|
|
being. The aged sisters draw us into life: we wail, batten, sport, clip,
|
|
clasp, sunder, dwindle, die: over us dead they bend. First, saved from
|
|
waters of old Nile, among bulrushes, a bed of fasciated wattles: at last
|
|
the cavity of a mountain, an occulted sepulchre amid the conclamation
|
|
of the hillcat and the ossifrage. And as no man knows the ubicity
|
|
of his tumulus nor to what processes we shall thereby be ushered nor
|
|
whether to Tophet or to Edenville in the like way is all hidden when we
|
|
would backward see from what region of remoteness the whatness of our
|
|
whoness hath fetched his whenceness.
|
|
|
|
Thereto Punch Costello roared out mainly ETIENNE CHANSON but he
|
|
loudly bid them, lo, wisdom hath built herself a house, this vast majestic
|
|
longstablished vault, the crystal palace of the Creator, all in applepie
|
|
order, a penny for him who finds the pea.
|
|
|
|
|
|
BEHOLD THE MANSION REARED BY DEDAL JACK
|
|
SEE THE MALT STORED IN MANY A REFLUENT SACK,
|
|
IN THE PROUD CIRQUE OF JACKJOHN'S BIVOUAC.
|
|
|
|
|
|
A black crack of noise in the street here, alack, bawled back. Loud on
|
|
left Thor thundered: in anger awful the hammerhurler. Came now the
|
|
storm that hist his heart. And Master Lynch bade him have a care to flout
|
|
and witwanton as the god self was angered for his hellprate and paganry.
|
|
And he that had erst challenged to be so doughty waxed wan as they might
|
|
all mark and shrank together and his pitch that was before so haught
|
|
uplift was now of a sudden quite plucked down and his heart shook within
|
|
the cage of his breast as he tasted the rumour of that storm. Then did
|
|
some mock and some jeer and Punch Costello fell hard again to his yale
|
|
which Master Lenehan vowed he would do after and he was indeed but a word
|
|
and a blow on any the least colour. But the braggart boaster cried that an
|
|
old Nobodaddy was in his cups it was muchwhat indifferent and he would
|
|
not lag behind his lead. But this was only to dye his desperation as cowed
|
|
he crouched in Horne's hall. He drank indeed at one draught to pluck up a
|
|
heart of any grace for it thundered long rumblingly over all the heavens
|
|
so that Master Madden, being godly certain whiles, knocked him on his ribs
|
|
upon that crack of doom and Master Bloom, at the braggart's side, spoke to
|
|
him calming words to slumber his great fear, advertising how it was no
|
|
other thing but a hubbub noise that he heard, the discharge of fluid from
|
|
the thunderhead, look you, having taken place, and all of the order of a
|
|
natural phenomenon.
|
|
|
|
But was young Boasthard's fear vanquished by Calmer's words? No,
|
|
for he had in his bosom a spike named Bitterness which could not by words
|
|
be done away. And was he then neither calm like the one nor godly like the
|
|
other? He was neither as much as he would have liked to be either. But
|
|
could he not have endeavoured to have found again as in his youth the
|
|
bottle Holiness that then he lived withal? Indeed no for Grace was not
|
|
there to find that bottle. Heard he then in that clap the voice of the god
|
|
Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard? Why,
|
|
he could not but hear unless he had plugged him up the tube Understanding
|
|
(which he had not done). For through that tube he saw that he was in the
|
|
land of Phenomenon where he must for a certain one day die as he was like
|
|
the rest too a passing show. And would he not accept to die like the rest
|
|
and pass away? By no means would he though he must nor would he make
|
|
more shows according as men do with wives which Phenomenon has
|
|
commanded them to do by the book Law. Then wotted he nought of that other
|
|
land which is called Believe-on-Me, that is the land of promise which
|
|
behoves to the king Delightful and shall be for ever where there is no
|
|
death and no birth neither wiving nor mothering at which all shall come as
|
|
many as believe on it? Yes, Pious had told him of that land and Chaste had
|
|
pointed him to the way but the reason was that in the way he fell in with
|
|
a certain whore of an eyepleasing exterior whose name, she said, is
|
|
Bird-in-the-Hand and she beguiled him wrongways from the true path by
|
|
her flatteries that she said to him as, Ho, you pretty man, turn aside
|
|
hither and I will show you a brave place, and she lay at him so
|
|
flatteringly that she had him in her grot which is named Two-in-the-Bush
|
|
or, by some learned, Carnal Concupiscence.
|
|
|
|
This was it what all that company that sat there at commons in Manse
|
|
of Mothers the most lusted after and if they met with this whore
|
|
Bird-in-the-Hand (which was within all foul plagues, monsters and a
|
|
wicked devil) they would strain the last but they would make at her and
|
|
know her. For regarding Believe-on-Me they said it was nought else but
|
|
notion and they could conceive no thought of it for, first,
|
|
Two-in-the-Bush whither she ticed them was the very goodliest grot and
|
|
in it were four pillows on which were four tickets with these words
|
|
printed on them, Pickaback and Topsyturvy and Shameface and Cheek
|
|
by Jowl and, second, for that foul plague Allpox and the monsters
|
|
they cared not for them for Preservative had given them a stout
|
|
shield of oxengut and, third, that they might take no hurt neither
|
|
from Offspring that was that wicked devil by virtue of this same
|
|
shield which was named Killchild. So were they all in their blind
|
|
fancy, Mr Cavil and Mr Sometimes Godly, Mr Ape Swillale, Mr False
|
|
Franklin, Mr Dainty Dixon, Young Boasthard and Mr Cautious Calmer.
|
|
Wherein, O wretched company, were ye all deceived for that was the voice
|
|
of the god that was in a very grievous rage that he would presently lift
|
|
his arm up and spill their souls for their abuses and their spillings done
|
|
by them contrariwise to his word which forth to bring brenningly biddeth.
|
|
|
|
So Thursday sixteenth June Patk. Dignam laid in clay of an apoplexy
|
|
and after hard drought, please God, rained, a bargeman coming in by water
|
|
a fifty mile or thereabout with turf saying the seed won't sprout, fields
|
|
athirst, very sadcoloured and stunk mightily, the quags and tofts too.
|
|
Hard to breathe and all the young quicks clean consumed without sprinkle
|
|
this long while back as no man remembered to be without. The rosy buds all
|
|
gone brown and spread out blobs and on the hills nought but dry flag and
|
|
faggots that would catch at first fire. All the world saying, for aught
|
|
they knew, the big wind of last February a year that did havoc the land so
|
|
pitifully a small thing beside this barrenness. But by and by, as said,
|
|
this evening after sundown, the wind sitting in the west, biggish swollen
|
|
clouds to be seen as the night increased and the weatherwise poring
|
|
up at them and some sheet lightnings at first and after, past ten of
|
|
the clock, one great stroke with a long thunder and in a brace of shakes
|
|
all scamper pellmell within door for the smoking shower, the men making
|
|
shelter for their straws with a clout or kerchief, womenfolk
|
|
skipping off with kirtles catched up soon as the pour came. In Ely place,
|
|
Baggot street, Duke's lawn, thence through Merrion green up to Holles
|
|
street a swash of water flowing that was before bonedry and not one
|
|
chair or coach or fiacre seen about but no more crack after that first.
|
|
Over against the Rt. Hon. Mr Justice Fitzgibbon's door (that is
|
|
to sit with Mr Healy the lawyer upon the college lands) Mal. Mulligan
|
|
a gentleman's gentleman that had but come from Mr Moore's the
|
|
writer's (that was a papish but is now, folk say, a good Williamite)
|
|
chanced against Alec. Bannon in a cut bob (which are now in with dance
|
|
cloaks of Kendal green) that was new got to town from Mullingar with
|
|
the stage where his coz and Mal M's brother will stay a month yet till
|
|
Saint Swithin and asks what in the earth he does there, he bound home and
|
|
he to Andrew Horne's being stayed for to crush a cup of wine, so he said,
|
|
but would tell him of a skittish heifer, big of her age and beef to the
|
|
heel, and all this while poured with rain and so both together on to
|
|
Horne's. There Leop. Bloom of Crawford's journal sitting snug with a covey
|
|
of wags, likely brangling fellows, Dixon jun., scholar of my lady of
|
|
Mercy's, Vin. Lynch, a Scots fellow, Will. Madden, T. Lenehan, very sad
|
|
about a racer he fancied and Stephen D. Leop. Bloom there for a languor he
|
|
had but was now better, be having dreamed tonight a strange fancy of his
|
|
dame Mrs Moll with red slippers on in a pair of Turkey trunks which is
|
|
thought by those in ken to be for a change and Mistress Purefoy there,
|
|
that got in through pleading her belly, and now on the stools, poor body,
|
|
two days past her term, the midwives sore put to it and can't deliver,
|
|
she queasy for a bowl of riceslop that is a shrewd drier up of the
|
|
insides and her breath very heavy more than good and should be a
|
|
bullyboy from the knocks, they say, but God give her soon issue.
|
|
'Tis her ninth chick to live, I hear, and Lady day bit off her last
|
|
chick's nails that was then a twelvemonth and with other three
|
|
all breastfed that died written out in a fair hand in the king's
|
|
bible. Her hub fifty odd and a methodist but takes the sacrament and is to
|
|
be seen any fair sabbath with a pair of his boys off Bullock harbour
|
|
dapping on the sound with a heavybraked reel or in a punt he has trailing
|
|
for flounder and pollock and catches a fine bag, I hear. In sum an
|
|
infinite great fall of rain and all refreshed and will much increase the
|
|
harvest yet those in ken say after wind and water fire shall come for a
|
|
prognostication of Malachi's almanac (and I hear that Mr Russell has done
|
|
a prophetical charm of the same gist out of the Hindustanish for his
|
|
farmer's gazette) to have three things in all but this a mere fetch
|
|
without bottom of reason for old crones and bairns yet sometimes they are
|
|
found in the right guess with their queerities no telling how.
|
|
|
|
With this came up Lenehan to the feet of the table to say how the
|
|
letter was in that night's gazette and he made a show to find it about him
|
|
(for he swore with an oath that he had been at pains about it) but on
|
|
Stephen's persuasion he gave over the search and was bidden to sit near by
|
|
which he did mighty brisk. He was a kind of sport gentleman that went for
|
|
a merryandrew or honest pickle and what belonged of women, horseflesh or
|
|
hot scandal he had it pat. To tell the truth he was mean in fortunes and
|
|
for the most part hankered about the coffeehouses and low taverns with
|
|
crimps, ostlers, bookies, Paul's men, runners, flatcaps, waistcoateers,
|
|
ladies of the bagnio and other rogues of the game or with a chanceable
|
|
catchpole or a tipstaff often at nights till broad day of whom he picked
|
|
up between his sackpossets much loose gossip. He took his ordinary at a
|
|
boilingcook's and if he had but gotten into him a mess of broken victuals
|
|
or a platter of tripes with a bare tester in his purse he could always
|
|
bring himself off with his tongue, some randy quip he had from a punk or
|
|
whatnot that every mother's son of them would burst their sides.
|
|
The other, Costello that is, hearing this talk asked was it poetry
|
|
or a tale. Faith, no, he says, Frank (that was his name), 'tis all
|
|
about Kerry cows that are to be butchered along of the plague.
|
|
But they can go hang, says he with a wink, for me with their bully beef,
|
|
a pox on it. There's as good fish in this tin as ever came out of it and
|
|
very friendly he offered to take of some salty sprats that stood by which
|
|
he had eyed wishly in the meantime and found the place which was indeed
|
|
the chief design of his embassy as he was sharpset. MORT AUX VACHES, says
|
|
Frank then in the French language that had been indentured to a
|
|
brandyshipper that has a winelodge in Bordeaux and he spoke French like a
|
|
gentleman too. From a child this Frank had been a donought that his
|
|
father, a headborough, who could ill keep him to school to learn his
|
|
letters and the use of the globes, matriculated at the university to study
|
|
the mechanics but he took the bit between his teeth like a raw colt and
|
|
was more familiar with the justiciary and the parish beadle than with his
|
|
volumes. One time he would be a playactor, then a sutler or a welsher,
|
|
then nought would keep him from the bearpit and the cocking main, then he
|
|
was for the ocean sea or to hoof it on the roads with the romany folk,
|
|
kidnapping a squire's heir by favour of moonlight or fecking maids' linen
|
|
or choking chicken behind a hedge. He had been off as many times as a cat
|
|
has lives and back again with naked pockets as many more to his father the
|
|
headborough who shed a pint of tears as often as he saw him. What, says
|
|
Mr Leopold with his hands across, that was earnest to know the drift of
|
|
it, will they slaughter all? I protest I saw them but this day morning
|
|
going to the Liverpool boats, says he. I can scarce believe 'tis so bad,
|
|
says he. And he had experience of the like brood beasts and of springers,
|
|
greasy hoggets and wether wool, having been some years before actuary for
|
|
Mr Joseph Cuffe, a worthy salesmaster that drove his trade for live stock
|
|
and meadow auctions hard by Mr Gavin Low's yard in Prussia street.
|
|
I question with you there, says he. More like 'tis the hoose or
|
|
the timber tongue. Mr Stephen, a little moved but very handsomely
|
|
told him no such matter and that he had dispatches from the emperor's
|
|
chief tailtickler thanking him for the hospitality, that was
|
|
sending over Doctor Rinderpest, the bestquoted cowcatcher in all
|
|
Muscovy, with a bolus or two of physic to take the bull by
|
|
the horns. Come, come, says Mr Vincent, plain dealing. He'll find himself
|
|
on the horns of a dilemma if he meddles with a bull that's Irish, says he.
|
|
Irish by name and irish by nature, says Mr Stephen, and he sent the ale
|
|
purling about, an Irish bull in an English chinashop. I conceive you, says
|
|
Mr Dixon. It is that same bull that was sent to our island by farmer
|
|
Nicholas, the bravest cattlebreeder of them all, with an emerald
|
|
ring in his nose. True for you, says Mr Vincent cross the table,
|
|
and a bullseye into the bargain, says he, and a plumper and a portlier
|
|
bull, says he, never shit on shamrock. He had horns galore, a coat of
|
|
cloth of gold and a sweet smoky breath coming out of his nostrils so
|
|
that the women of our island, leaving doughballs and rollingpins,
|
|
followed after him hanging his bulliness in daisychains.
|
|
What for that, says Mr Dixon, but before he came over farmer
|
|
Nicholas that was a eunuch had him properly gelded by a college of doctors
|
|
who were no better off than himself. So be off now, says he, and do all my
|
|
cousin german the lord Harry tells you and take a farmer's blessing, and
|
|
with that he slapped his posteriors very soundly. But the slap and the
|
|
blessing stood him friend, says Mr Vincent, for to make up he taught him a
|
|
trick worth two of the other so that maid, wife, abbess and widow to this
|
|
day affirm that they would rather any time of the month whisper in his ear
|
|
in the dark of a cowhouse or get a lick on the nape from his long holy
|
|
tongue than lie with the finest strapping young ravisher in the four
|
|
fields of all Ireland. Another then put in his word: And they dressed him,
|
|
says he, in a point shift and petticoat with a tippet and girdle and
|
|
ruffles on his wrists and clipped his forelock and rubbed him all over
|
|
with spermacetic oil and built stables for him at every turn of the
|
|
road with a gold manger in each full of the best hay in the market
|
|
so that he could doss and dung to his heart's content. By this time
|
|
the father of the faithful (for so they called him) was grown so
|
|
heavy that he could scarce walk to pasture. To remedy which our
|
|
cozening dames and damsels brought him his fodder in their apronlaps
|
|
and as soon as his belly was full he would rear up on his hind uarters
|
|
to show their ladyships a mystery and roar and bellow out of him in bulls'
|
|
language and they all after him. Ay, says another, and so pampered was he
|
|
that he would suffer nought to grow in all the land but green grass for
|
|
himself (for that was the only colour to his mind) and there was a board
|
|
put up on a hillock in the middle of the island with a printed notice,
|
|
saying: By the Lord Harry, Green is the grass that grows on the ground.
|
|
And, says Mr Dixon, if ever he got scent of a cattleraider in Roscommon
|
|
or the wilds of Connemara or a husbandman in Sligo that was sowing
|
|
as much as a handful of mustard or a bag of rapeseed out he'd run
|
|
amok over half the countryside rooting up with his horns whatever
|
|
was planted and all by lord Harry's orders. There was bad blood between
|
|
them at first, says Mr Vincent, and the lord Harry called farmer
|
|
Nicholas all the old Nicks in the world and an old whoremaster that
|
|
kept seven trulls in his house and I'll meddle in his matters,
|
|
says he. I'll make that animal smell hell, says he, with the help
|
|
of that good pizzle my father left me. But one evening, says Mr
|
|
Dixon, when the lord Harry was cleaning his royal pelt to go to dinner
|
|
after winning a boatrace (he had spade oars for himself but the first rule
|
|
of the course was that the others were to row with pitchforks)
|
|
he discovered in himself a wonderful likeness to a bull and on picking
|
|
up a blackthumbed chapbook that he kept in the pantry he found sure
|
|
enough that he was a lefthanded descendant of the famous champion bull
|
|
of the Romans, BOS BOVUM, which is good bog Latin for boss of the
|
|
show. After that, says Mr Vincent, the lord Harry put his head into
|
|
a cow's drinkingtrough in the presence of all his courtiers and
|
|
pulling it out again told them all his new name. Then, with the water
|
|
running off him, he got into an old smock and skirt that had
|
|
belonged to his grandmother and bought a grammar of the bulls'
|
|
language to study but he could never learn a word of it except the first
|
|
personal pronoun which he copied out big and got off by heart and if ever
|
|
he went out for a walk he filled his pockets with chalk to write it upon
|
|
what took his fancy, the side of a rock or a teahouse table or a bale of
|
|
cotton or a corkfloat. In short, he and the bull of Ireland were soon as
|
|
fast friends as an arse and a shirt. They were, says Mr Stephen, and the
|
|
end was that the men of the island seeing no help was toward, as the
|
|
ungrate women were all of one mind, made a wherry raft, loaded themselves
|
|
and their bundles of chattels on shipboard, set all masts erect, manned
|
|
the yards, sprang their luff, heaved to, spread three sheets in the wind,
|
|
put her head between wind and water, weighed anchor, ported her helm, ran
|
|
up the jolly Roger, gave three times three, let the bullgine run, pushed
|
|
off in their bumboat and put to sea to recover the main of America.
|
|
Which was the occasion, says Mr Vincent, of the composing by a boatswain
|
|
of that rollicking chanty:
|
|
|
|
|
|
--POPE PETER'S BUT A PISSABED.
|
|
MAN'S A MAN FOR A' THAT.
|
|
|
|
|
|
Our worthy acquaintance Mr Malachi Mulligan now appeared in the doorway
|
|
as the students were finishing their apologue accompanied with a friend
|
|
whom he had just rencountered, a young gentleman, his name Alec Bannon,
|
|
who had late come to town, it being his intention to buy a colour or a
|
|
cornetcy in the fencibles and list for the wars. Mr Mulligan was civil
|
|
enough to express some relish of it all the more as it jumped with a
|
|
project of his own for the cure of the very evil that had been touched on.
|
|
Whereat he handed round to the company a set of pasteboard cards which he
|
|
had had printed that day at Mr Quinnell's bearing a legend printed in fair
|
|
italics: MR MALACHI MULLIGAN. FERTILISER AND INCUBATOR. LAMBAY ISLAND. His
|
|
project, as he went on to expound, was to withdraw from the round of idle
|
|
pleasures such as form the chief business of sir Fopling Popinjay and sir
|
|
Milksop Quidnunc in town and to devote himself to the noblest task for
|
|
which our bodily organism has been framed. Well, let us hear of it, good
|
|
my friend, said Mr Dixon. I make no doubt it smacks of wenching. Come, be
|
|
seated, both. 'Tis as cheap sitting as standing. Mr Mulligan accepted of
|
|
the invitation and, expatiating upon his design, told his hearers that he
|
|
had been led into this thought by a consideration of the causes of
|
|
sterility, both the inhibitory and the prohibitory, whether the inhibition
|
|
in its turn were due to conjugal vexations or to a parsimony of the
|
|
balance as well as whether the prohibition proceeded from defects
|
|
congenital or from proclivities acquired. It grieved him plaguily, he
|
|
said, to see the nuptial couch defrauded of its dearest pledges: and to
|
|
reflect upon so many agreeable females with rich jointures, a prey to the
|
|
vilest bonzes, who hide their flambeau under a bushel in an uncongenial
|
|
cloister or lose their womanly bloom in the embraces of some unaccountable
|
|
muskin when they might multiply the inlets of happiness, sacrificing the
|
|
inestimable jewel of their sex when a hundred pretty fellows were
|
|
at hand to caress, this, he assured them, made his heart weep.
|
|
To curb this inconvenient (which he concluded due to a suppression
|
|
of latent heat), having advised with certain counsellors of worth
|
|
and inspected into this matter, he had resolved to purchase in fee
|
|
simple for ever the freehold of Lambay island from its holder,
|
|
lord Talbot de Malahide, a Tory gentleman of note much in favour with our
|
|
ascendancy party. He proposed to set up there a national fertilising farm
|
|
to be named OMPHALOS with an obelisk hewn and erected after the fashion of
|
|
Egypt and to offer his dutiful yeoman services for the fecundation of any
|
|
female of what grade of life soever who should there direct to him with
|
|
the desire of fulfilling the functions of her natural. Money was no
|
|
object, he said, nor would he take a penny for his pains. The poorest
|
|
kitchenwench no less than the opulent lady of fashion, if so be their
|
|
constructions and their tempers were warm persuaders for their petitions,
|
|
would find in him their man. For his nutriment he shewed how he would
|
|
feed himself exclusively upon a diet of savoury tubercles and fish and
|
|
coneys there, the flesh of these latter prolific rodents being highly
|
|
recommended for his purpose, both broiled and stewed with a blade of
|
|
mace and a pod or two of capsicum chillies. After this homily which he
|
|
delivered with much warmth of asseveration Mr Mulligan in a trice put off
|
|
from his hat a kerchief with which he had shielded it. They both, it
|
|
seems, had been overtaken by the rain and for all their mending their pace
|
|
had taken water, as might be observed by Mr Mulligan's smallclothes of a
|
|
hodden grey which was now somewhat piebald. His project meanwhile was
|
|
very favourably entertained by his auditors and won hearty eulogies from
|
|
all though Mr Dixon of Mary's excepted to it, asking with a finicking air
|
|
did he purpose also to carry coals to Newcastle. Mr Mulligan however made
|
|
court to the scholarly by an apt quotation from the classics which, as
|
|
it dwelt upon his memory, seemed to him a sound and tasteful support of
|
|
his contention: TALIS AC TANTA DEPRAVATIO HUJUS SECULI, O QUIRITES, UT
|
|
MATRESFAMILIARUM NOSTRAE LASCIVAS CUJUSLIBET SEMIVIRI LIBICI TITILLATIONES
|
|
TESTIBUS PONDEROSIS ATQUE EXCELSIS ERECTIONIBUS CENTURIONUM ROMANORUM
|
|
MAGNOPERE ANTEPONUNT, while for those of ruder wit he drove home his
|
|
point by analogies of the animal kingdom more suitable to their stomach,
|
|
the buck and doe of the forest glade, the farmyard drake and duck.
|
|
|
|
Valuing himself not a little upon his elegance, being indeed a proper
|
|
man of person, this talkative now applied himself to his dress with
|
|
animadversions of some heat upon the sudden whimsy of the atmospherics
|
|
while the company lavished their encomiums upon the project he had
|
|
advanced. The young gentleman, his friend, overjoyed as he was at a
|
|
passage that had late befallen him, could not forbear to tell it
|
|
his nearest neighbour. Mr Mulligan, now perceiving the table, asked for
|
|
whom were those loaves and fishes and, seeing the stranger, he made him
|
|
a civil bow and said, Pray, sir, was you in need of any professional
|
|
assistance we could give? Who, upon his offer, thanked him very heartily,
|
|
though preserving his proper distance, and replied that he was come
|
|
there about a lady, now an inmate of Horne's house, that was in an
|
|
interesting condition, poor body, from woman's woe (and here he fetched
|
|
a deep sigh) to know if her happiness had yet taken place. Mr Dixon,
|
|
to turn the table, took on to ask of Mr Mulligan himself whether his
|
|
incipient ventripotence, upon which he rallied him, betokened an
|
|
ovoblastic gestation in the prostatic utricle or male womb or was due,
|
|
as with the noted physician, Mr Austin Meldon, to a wolf in the stomach.
|
|
For answer Mr Mulligan, in a gale of laughter at his smalls,
|
|
smote himself bravely below the diaphragm, exclaiming with an
|
|
admirable droll mimic of Mother Grogan (the most excellent creature of her
|
|
sex though 'tis pity she's a trollop): There's a belly that never bore a
|
|
bastard. This was so happy a conceit that it renewed the storm of mirth
|
|
and threw the whole room into the most violent agitations of delight. The
|
|
spry rattle had run on in the same vein of mimicry but for some larum
|
|
in the antechamber.
|
|
|
|
Here the listener who was none other than the Scotch student, a little
|
|
fume of a fellow, blond as tow, congratulated in the liveliest fashion with
|
|
the young gentleman and, interrupting the narrative at a salient point,
|
|
having desired his visavis with a polite beck to have the obligingness to pass
|
|
him a flagon of cordial waters at the same time by a questioning poise of the
|
|
head (a whole century of polite breeding had not achieved so nice a gesture)
|
|
to which was united an equivalent but contrary balance of the bottle asked
|
|
the narrator as plainly as was ever done in words if he might treat him with
|
|
a cup of it. MAIS BIEN SUR, noble stranger, said he cheerily, ET MILLE
|
|
COMPLIMENTS. That you may and very opportunely. There wanted nothing
|
|
but this cup to crown my felicity. But, gracious heaven, was I left with but a
|
|
crust in my wallet and a cupful of water from the well, my God, I would
|
|
accept of them and find it in my heart to kneel down upon the ground and
|
|
give thanks to the powers above for the happiness vouchsafed me by the
|
|
Giver of good things. With these words he approached the goblet to his lips,
|
|
took a complacent draught of the cordial, slicked his hair and, opening his
|
|
bosom, out popped a locket that hung from a silk riband, that very picture
|
|
which he had cherished ever since her hand had wrote therein. Gazing
|
|
upon those features with a world of tenderness, Ah, Monsieur, he said, had
|
|
you but beheld her as I did with these eyes at that affecting instant with her
|
|
dainty tucker and her new coquette cap (a gift for her feastday as she told
|
|
me prettily) in such an artless disorder, of so melting a tenderness, 'pon my
|
|
conscience, even you, Monsieur, had been impelled by generous nature to
|
|
deliver yourself wholly into the hands of such an enemy or to quit the field
|
|
for ever. I declare, I was never so touched in all my life. God, I thank thee,
|
|
as the Author of my days! Thrice happy will he be whom so amiable a
|
|
creature will bless with her favours. A sigh of affection gave eloquence to
|
|
these words and, having replaced the locket in his bosom, he wiped his eye
|
|
and sighed again. Beneficent Disseminator of blessings to all Thy creatures,
|
|
how great and universal must be that sweetest of Thy tyrannies which can
|
|
hold in thrall the free and the bond, the simple swain and the polished
|
|
coxcomb, the lover in the heyday of reckless passion and the husband of
|
|
maturer years. But indeed, sir, I wander from the point. How mingled and
|
|
imperfect are all our sublunary joys. Maledicity! he exclaimed in anguish.
|
|
Would to God that foresight had but remembered me to take my cloak
|
|
along! I could weep to think of it. Then, though it had poured seven
|
|
showers, we were neither of us a penny the worse. But beshrew me, he
|
|
cried, clapping hand to his forehead, tomorrow will be a new day and,
|
|
thousand thunders, I know of a MARCHAND DE CAPOTES, Monsieur Poyntz,
|
|
from whom I can have for a livre as snug a cloak of the French fashion as
|
|
ever kept a lady from wetting. Tut, tut! cries Le Fecondateur, tripping in,
|
|
my friend Monsieur Moore, that most accomplished traveller (I have just
|
|
cracked a half bottle AVEC LUI in a circle of the best wits of the town),
|
|
is my authority that in Cape Horn, VENTRE BICHE, they have a rain that will
|
|
wet through any, even the stoutest cloak. A drenching of that violence, he
|
|
tells me, SANS BLAGUE, has sent more than one luckless fellow in good earnest
|
|
posthaste to another world. Pooh! A LIVRE! cries Monsieur Lynch. The
|
|
clumsy things are dear at a sou. One umbrella, were it no bigger than a
|
|
fairy mushroom, is worth ten such stopgaps. No woman of any wit would
|
|
wear one. My dear Kitty told me today that she would dance in a deluge
|
|
before ever she would starve in such an ark of salvation for, as she
|
|
reminded me (blushing piquantly and whispering in my ear though there
|
|
was none to snap her words but giddy butterflies), dame Nature, by the
|
|
divine blessing, has implanted it in our hearts and it has become a
|
|
household word that IL Y A DEUX CHOSES for which the innocence of our
|
|
original garb, in other circumstances a breach of the proprieties, is the
|
|
fittest, nay, the only garment. The first, said she (and here my pretty
|
|
philosopher, as I handed her to her tilbury, to fix my attention, gently
|
|
tipped with her tongue the outer chamber of my ear), the first is a
|
|
bath ... But at this point a bell tinkling in the hall cut short a
|
|
discourse which promised so bravely for the enrichment of our store of
|
|
knowledge.
|
|
|
|
Amid the general vacant hilarity of the assembly a bell rang and,
|
|
while all were conjecturing what might be the cause, Miss Callan entered
|
|
and, having spoken a few words in a low tone to young Mr Dixon, retired
|
|
with a profound bow to the company. The presence even for a moment
|
|
among a party of debauchees of a woman endued with every quality of
|
|
modesty and not less severe than beautiful refrained the humourous sallies
|
|
even of the most licentious but her departure was the signal for an outbreak
|
|
of ribaldry. Strike me silly, said Costello, a low fellow who was fuddled. A
|
|
monstrous fine bit of cowflesh! I'll be sworn she has rendezvoused you.
|
|
What, you dog? Have you a way with them? Gad's bud, immensely so, said
|
|
Mr Lynch. The bedside manner it is that they use in the Mater hospice.
|
|
Demme, does not Doctor O'Gargle chuck the nuns there under the chin. As
|
|
I look to be saved I had it from my Kitty who has been wardmaid there any
|
|
time these seven months. Lawksamercy, doctor, cried the young blood in
|
|
the primrose vest, feigning a womanish simper and with immodest
|
|
squirmings of his body, how you do tease a body! Drat the man! Bless me,
|
|
I'm all of a wibbly wobbly. Why, you're as bad as dear little Father
|
|
Cantekissem, that you are! May this pot of four half choke me, cried
|
|
Costello, if she aint in the family way. I knows a lady what's got a white
|
|
swelling quick as I claps eyes on her. The young surgeon, however, rose
|
|
and begged the company to excuse his retreat as the nurse had just then
|
|
informed him that he was needed in the ward. Merciful providence had
|
|
been pleased to put a period to the sufferings of the lady who was ENCEINTE
|
|
which she had borne with a laudable fortitude and she had given birth to a
|
|
bouncing boy. I want patience, said he, with those who, without wit to
|
|
enliven or learning to instruct, revile an ennobling profession which, saving
|
|
the reverence due to the Deity, is the greatest power for happiness upon the
|
|
earth. I am positive when I say that if need were I could produce a cloud of
|
|
witnesses to the excellence of her noble exercitations which, so far from
|
|
being a byword, should be a glorious incentive in the human breast. I
|
|
cannot away with them. What? Malign such an one, the amiable Miss
|
|
Callan, who is the lustre of her own sex and the astonishment of ours? And
|
|
at an instant the most momentous that can befall a puny child of clay?
|
|
Perish the thought! I shudder to think of the future of a race where the
|
|
seeds of such malice have been sown and where no right reverence is
|
|
rendered to mother and maid in house of Horne. Having delivered himself
|
|
of this rebuke he saluted those present on the by and repaired to the door.
|
|
A murmur of approval arose from all and some were for ejecting the low
|
|
soaker without more ado, a design which would have been effected nor
|
|
would he have received more than his bare deserts had he not abridged his
|
|
transgression by affirming with a horrid imprecation (for he swore a round
|
|
hand) that he was as good a son of the true fold as ever drew breath. Stap
|
|
my vitals, said he, them was always the sentiments of honest Frank Costello
|
|
which I was bred up most particular to honour thy father and thy mother
|
|
that had the best hand to a rolypoly or a hasty pudding as you ever see what
|
|
I always looks back on with a loving heart.
|
|
|
|
To revert to Mr Bloom who, after his first entry, had been conscious
|
|
of some impudent mocks which he however had borne with as being the
|
|
fruits of that age upon which it is commonly charged that it knows not pity.
|
|
The young sparks, it is true, were as full of extravagancies as overgrown
|
|
children: the words of their tumultuary discussions were difficultly
|
|
understood and not often nice: their testiness and outrageous MOTS were
|
|
such that his intellects resiled from: nor were they scrupulously sensible of
|
|
the proprieties though their fund of strong animal spirits spoke in their
|
|
behalf. But the word of Mr Costello was an unwelcome language for him
|
|
for he nauseated the wretch that seemed to him a cropeared creature of a
|
|
misshapen gibbosity, born out of wedlock and thrust like a crookback
|
|
toothed and feet first into the world, which the dint of the surgeon's pliers
|
|
in his skull lent indeed a colour to, so as to put him in thought of that
|
|
missing link of creation's chain desiderated by the late ingenious Mr
|
|
Darwin. It was now for more than the middle span of our allotted years
|
|
that he had passed through the thousand vicissitudes of existence and, being
|
|
of a wary ascendancy and self a man of rare forecast, he had enjoined his
|
|
heart to repress all motions of a rising choler and, by intercepting them with
|
|
the readiest precaution, foster within his breast that plenitude of sufferance
|
|
which base minds jeer at, rash judgers scorn and all find tolerable and but
|
|
tolerable. To those who create themselves wits at the cost of feminine
|
|
delicacy (a habit of mind which he never did hold with) to them he would
|
|
concede neither to bear the name nor to herit the tradition of a proper
|
|
breeding: while for such that, having lost all forbearance, can lose no more,
|
|
there remained the sharp antidote of experience to cause their insolency to
|
|
beat a precipitate and inglorious retreat. Not but what he could feel with
|
|
mettlesome youth which, caring nought for the mows of dotards or the
|
|
gruntlings of the severe, is ever (as the chaste fancy of the Holy Writer
|
|
expresses it) for eating of the tree forbid it yet not so far forth as to
|
|
pretermit humanity upon any condition soever towards a gentlewoman
|
|
when she was about her lawful occasions. To conclude, while from the
|
|
sister's words he had reckoned upon a speedy delivery he was, however, it
|
|
must be owned, not a little alleviated by the intelligence that the issue so
|
|
auspicated after an ordeal of such duress now testified once more to the
|
|
mercy as well as to the bounty of the Supreme Being.
|
|
|
|
Accordingly he broke his mind to his neighbour, saying that, to
|
|
express his notion of the thing, his opinion (who ought not perchance to
|
|
express one) was that one must have a cold constitution and a frigid genius
|
|
not to be rejoiced by this freshest news of the fruition of her confinement
|
|
since she had been in such pain through no fault of hers. The dressy young
|
|
blade said it was her husband's that put her in that expectation or at least
|
|
it ought to be unless she were another Ephesian matron. I must acquaint you,
|
|
said Mr Crotthers, clapping on the table so as to evoke a resonant comment
|
|
of emphasis, old Glory Allelujurum was round again today, an elderly man
|
|
with dundrearies, preferring through his nose a request to have word of
|
|
Wilhelmina, my life, as he calls her. I bade him hold himself in readiness for
|
|
that the event would burst anon. 'Slife, I'll be round with you. I cannot but
|
|
extol the virile potency of the old bucko that could still knock another child
|
|
out of her. All fell to praising of it, each after his own fashion, though the
|
|
same young blade held with his former view that another than her conjugial
|
|
had been the man in the gap, a clerk in orders, a linkboy (virtuous) or an
|
|
itinerant vendor of articles needed in every household. Singular, communed
|
|
the guest with himself, the wonderfully unequal faculty of metempsychosis
|
|
possessed by them, that the puerperal dormitory and the dissecting theatre
|
|
should be the seminaries of such frivolity, that the mere acquisition of
|
|
academic titles should suffice to transform in a pinch of time these votaries
|
|
of levity into exemplary practitioners of an art which most men anywise
|
|
eminent have esteemed the noblest. But, he further added, it is mayhap to
|
|
relieve the pentup feelings that in common oppress them for I have more
|
|
than once observed that birds of a feather laugh together.
|
|
|
|
But with what fitness, let it be asked of the noble lord, his patron, has
|
|
this alien, whom the concession of a gracious prince has admitted to civic
|
|
rights, constituted himself the lord paramount of our internal polity? Where
|
|
is now that gratitude which loyalty should have counselled? During the
|
|
recent war whenever the enemy had a temporary advantage with his
|
|
granados did this traitor to his kind not seize that moment to discharge his
|
|
piece against the empire of which he is a tenant at will while he trembled for
|
|
the security of his four per cents? Has he forgotten this as he forgets all
|
|
benefits received? Or is it that from being a deluder of others he has become
|
|
at last his own dupe as he is, if report belie him not, his own and his only
|
|
enjoyer? Far be it from candour to violate the bedchamber of a respectable
|
|
lady, the daughter of a gallant major, or to cast the most distant reflections
|
|
upon her virtue but if he challenges attention there (as it was indeed highly
|
|
his interest not to have done) then be it so. Unhappy woman, she has been
|
|
too long and too persistently denied her legitimate prerogative to listen to
|
|
his objurgations with any other feeling than the derision of the desperate.
|
|
He says this, a censor of morals, a very pelican in his piety, who did not
|
|
scruple, oblivious of the ties of nature, to attempt illicit intercourse with
|
|
a female domestic drawn from the lowest strata of society! Nay, had the
|
|
hussy's scouringbrush not been her tutelary angel, it had gone with her as
|
|
hard as with Hagar, the Egyptian! In the question of the grazing lands his
|
|
peevish asperity is notorious and in Mr Cuffe's hearing brought upon him
|
|
from an indignant rancher a scathing retort couched in terms as
|
|
straightforward as they were bucolic. It ill becomes him to preach that
|
|
gospel. Has he not nearer home a seedfield that lies fallow for the want of
|
|
the ploughshare? A habit reprehensible at puberty is second nature and an
|
|
opprobrium in middle life. If he must dispense his balm of Gilead in
|
|
nostrums and apothegms of dubious taste to restore to health a generation
|
|
of unfledged profligates let his practice consist better with the doctrines
|
|
that now engross him. His marital breast is the repository of secrets which
|
|
decorum is reluctant to adduce. The lewd suggestions of some faded beauty
|
|
may console him for a consort neglected and debauched but this new
|
|
exponent of morals and healer of ills is at his best an exotic tree which,
|
|
when rooted in its native orient, throve and flourished and was abundant in
|
|
balm but, transplanted to a clime more temperate, its roots have lost their
|
|
quondam vigour while the stuff that comes away from it is stagnant, acid
|
|
and inoperative.
|
|
|
|
The news was imparted with a circumspection recalling the
|
|
ceremonial usage of the Sublime Porte by the second female infirmarian to
|
|
the junior medical officer in residence, who in his turn announced to the
|
|
delegation that an heir had been born, When he had betaken himself to the
|
|
women's apartment to assist at the prescribed ceremony of the afterbirth in
|
|
the presence of the secretary of state for domestic affairs and the members
|
|
of the privy council, silent in unanimous exhaustion and approbation the
|
|
delegates, chafing under the length and solemnity of their vigil and hoping
|
|
that the joyful occurrence would palliate a licence which the simultaneous
|
|
absence of abigail and obstetrician rendered the easier, broke out at once
|
|
into a strife of tongues. In vain the voice of Mr Canvasser Bloom was heard
|
|
endeavouring to urge, to mollify, to refrain. The moment was too propitious
|
|
for the display of that discursiveness which seemed the only bond of union
|
|
among tempers so divergent. Every phase of the situation was successively
|
|
eviscerated: the prenatal repugnance of uterine brothers, the Caesarean
|
|
section, posthumity with respect to the father and, that rarer form, with
|
|
respect to the mother, the fratricidal case known as the Childs Murder and
|
|
rendered memorable by the impassioned plea of Mr Advocate Bushe which
|
|
secured the acquittal of the wrongfully accused, the rights of primogeniture
|
|
and king's bounty touching twins and triplets, miscarriages and
|
|
infanticides, simulated or dissimulated, the acardiac FOETUS IN FOETU and
|
|
aprosopia due to a congestion, the agnathia of certain chinless Chinamen
|
|
(cited by Mr Candidate Mulligan) in consequence of defective reunion of
|
|
the maxillary knobs along the medial line so that (as he said) one ear could
|
|
hear what the other spoke, the benefits of anesthesia or twilight sleep, the
|
|
prolongation of labour pains in advanced gravidancy by reason of pressure
|
|
on the vein, the premature relentment of the amniotic fluid (as exemplified
|
|
in the actual case) with consequent peril of sepsis to the matrix, artificial
|
|
insemination by means of syringes, involution of the womb consequent
|
|
upon the menopause, the problem of the perpetration of the species in the
|
|
case of females impregnated by delinquent rape, that distressing manner of
|
|
delivery called by the Brandenburghers STURZGEBURT, the recorded instances
|
|
of multiseminal, twikindled and monstrous births conceived during the
|
|
catamenic period or of consanguineous parents--in a word all the cases of
|
|
human nativity which Aristotle has classified in his masterpiece with
|
|
chromolithographic illustrations. The gravest problems of obstetrics and
|
|
forensic medicine were examined with as much animation as the most
|
|
popular beliefs on the state of pregnancy such as the forbidding to a gravid
|
|
woman to step over a countrystile lest, by her movement, the navelcord
|
|
should strangle her creature and the injunction upon her in the event of a
|
|
yearning, ardently and ineffectually entertained, to place her hand against
|
|
that part of her person which long usage has consecrated as the seat of
|
|
castigation. The abnormalities of harelip, breastmole, supernumerary digits,
|
|
negro's inkle, strawberry mark and portwine stain were alleged by one as a
|
|
PRIMA FACIE and natural hypothetical explanation of those swineheaded (the
|
|
case of Madame Grissel Steevens was not forgotten) or doghaired infants
|
|
occasionally born. The hypothesis of a plasmic memory, advanced by the
|
|
Caledonian envoy and worthy of the metaphysical traditions of the land he
|
|
stood for, envisaged in such cases an arrest of embryonic development at
|
|
some stage antecedent to the human. An outlandish delegate sustained
|
|
against both these views, with such heat as almost carried conviction, the
|
|
theory of copulation between women and the males of brutes, his authority
|
|
being his own avouchment in support of fables such as that of the Minotaur
|
|
which the genius of the elegant Latin poet has handed down to us in the
|
|
pages of his Metamorphoses. The impression made by his words was
|
|
immediate but shortlived. It was effaced as easily as it had been evoked by
|
|
an allocution from Mr Candidate Mulligan in that vein of pleasantry which
|
|
none better than he knew how to affect, postulating as the supremest object
|
|
of desire a nice clean old man. Contemporaneously, a heated argument
|
|
having arisen between Mr Delegate Madden and Mr Candidate Lynch
|
|
regarding the juridical and theological dilemma created in the event of one
|
|
Siamese twin predeceasing the other, the difficulty by mutual consent was
|
|
referred to Mr Canvasser Bloom for instant submittal to Mr Coadjutor
|
|
Deacon Dedalus. Hitherto silent, whether the better to show by
|
|
preternatural gravity that curious dignity of the garb with which he was
|
|
invested or in obedience to an inward voice, he delivered briefly and, as
|
|
some thought, perfunctorily the ecclesiastical ordinance forbidding man to
|
|
put asunder what God has joined.
|
|
|
|
But Malachias' tale began to freeze them with horror. He conjured up the
|
|
scene before them. The secret panel beside the chimney slid back and in
|
|
the recess appeared ... Haines! Which of us did not feel his flesh creep!
|
|
He had a portfolio full of Celtic literature in one hand, in the other a
|
|
phial marked POISON. Surprise, horror, loathing were depicted on
|
|
all faces while he eyed them with a ghostly grin. I anticipated
|
|
some such reception, he began with an eldritch laugh, for which,
|
|
it seems, history is to blame. Yes, it is true. I am the murderer of
|
|
Samuel Childs. And how I am punished! The inferno has no terrors
|
|
for me. This is the appearance is on me. Tare and ages, what way would
|
|
I be resting at all, he muttered thickly, and I tramping Dublin this
|
|
while back with my share of songs and himself after me the like of
|
|
a soulth or a bullawurrus? My hell, and Ireland's, is in this life.
|
|
It is what I tried to obliterate my crime. Distractions, rookshooting,
|
|
the Erse language (he recited some), laudanum (he raised the phial to his
|
|
lips), camping out. In vain! His spectre stalks me. Dope is my only
|
|
hope ... Ah! Destruction! The black panther! With a cry he suddenly
|
|
vanished and the panel slid back. An instant later his head appeared
|
|
in the door opposite and said: Meet me at Westland Row station at
|
|
ten past eleven. He was gone. Tears gushed from the eyes of the
|
|
dissipated host. The seer raised his hand to heaven, murmuring:
|
|
The vendetta of Mananaun! The sage repeated: LEX TALIONIS. The
|
|
sentimentalist is he who would enjoy without incurring the immense
|
|
debtorship for a thing done. Malachias, overcome by emotion, ceased.
|
|
The mystery was unveiled. Haines was the third brother. His real
|
|
name was Childs. The black panther was himself the ghost of his own
|
|
father. He drank drugs to obliterate. For this relief much thanks. The
|
|
lonely house by the graveyard is uninhabited. No soul will live there. The
|
|
spider pitches her web in the solitude. The nocturnal rat peers from his
|
|
hole. A curse is on it. It is haunted. Murderer's ground.
|
|
|
|
What is the age of the soul of man? As she hath the virtue of the
|
|
chameleon to change her hue at every new approach, to be gay with the
|
|
merry and mournful with the downcast, so too is her age changeable as her
|
|
mood. No longer is Leopold, as he sits there, ruminating, chewing the cud
|
|
of reminiscence, that staid agent of publicity and holder of a modest
|
|
substance in the funds. A score of years are blown away. He is young
|
|
Leopold. There, as in a retrospective arrangement, a mirror within a mirror
|
|
(hey, presto!), he beholdeth himself. That young figure of then is seen,
|
|
precociously manly, walking on a nipping morning from the old house in
|
|
Clanbrassil street to the high school, his booksatchel on him bandolierwise,
|
|
and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the
|
|
same figure, a year or so gone over, in his first hard hat (ah, that was a
|
|
day!), already on the road, a fullfledged traveller for the family firm,
|
|
equipped with an orderbook, a scented handkerchief (not for show only),
|
|
his case of bright trinketware (alas! a thing now of the past!) and a
|
|
quiverful of compliant smiles for this or that halfwon housewife reckoning
|
|
it out upon her fingertips or for a budding virgin, shyly acknowledging (but
|
|
the heart? tell me!) his studied baisemoins. The scent, the smile, but, more
|
|
than these, the dark eyes and oleaginous address, brought home at duskfall
|
|
many a commission to the head of the firm, seated with Jacob's pipe after
|
|
like labours in the paternal ingle (a meal of noodles, you may be sure, is
|
|
aheating), reading through round horned spectacles some paper from the
|
|
Europe of a month before. But hey, presto, the mirror is breathed on and
|
|
the young knighterrant recedes, shrivels, dwindles to a tiny speck within the
|
|
mist. Now he is himself paternal and these about him might be his sons.
|
|
Who can say? The wise father knows his own child. He thinks of a
|
|
drizzling night in Hatch street, hard by the bonded stores there, the first.
|
|
Together (she is a poor waif, a child of shame, yours and mine and of all for
|
|
a bare shilling and her luckpenny), together they hear the heavy tread of the
|
|
watch as two raincaped shadows pass the new royal university. Bridie!
|
|
Bridie Kelly! He will never forget the name, ever remember the night: first
|
|
night, the bridenight. They are entwined in nethermost darkness, the willer
|
|
with the willed, and in an instant (FIAT!) light shall flood the world. Did
|
|
heart leap to heart? Nay, fair reader. In a breath 'twas done but--hold!
|
|
Back! It must not be! In terror the poor girl flees away through the murk.
|
|
She is the bride of darkness, a daughter of night. She dare not bear the
|
|
sunnygolden babe of day. No, Leopold. Name and memory solace thee not.
|
|
That youthful illusion of thy strength was taken from thee--and in vain.
|
|
No son of thy loins is by thee. There is none now to be for Leopold, what
|
|
Leopold was for Rudolph.
|
|
|
|
The voices blend and fuse in clouded silence: silence that is the
|
|
infinite of space: and swiftly, silently the soul is wafted over regions of
|
|
cycles of generations that have lived. A region where grey twilight ever
|
|
descends, never falls on wide sagegreen pasturefields, shedding her dusk,
|
|
scattering a perennial dew of stars. She follows her mother with ungainly
|
|
steps, a mare leading her fillyfoal. Twilight phantoms are they, yet moulded
|
|
in prophetic grace of structure, slim shapely haunches, a supple tendonous
|
|
neck, the meek apprehensive skull. They fade, sad phantoms: all is gone.
|
|
Agendath is a waste land, a home of screechowls and the sandblind upupa.
|
|
Netaim, the golden, is no more. And on the highway of the clouds they
|
|
come, muttering thunder of rebellion, the ghosts of beasts. Huuh! Hark!
|
|
Huuh! Parallax stalks behind and goads them, the lancinating lightnings of
|
|
whose brow are scorpions. Elk and yak, the bulls of Bashan and of
|
|
Babylon, mammoth and mastodon, they come trooping to the sunken sea,
|
|
LACUS MORTIS. Ominous revengeful zodiacal host! They moan, passing upon
|
|
the clouds, horned and capricorned, the trumpeted with the tusked, the
|
|
lionmaned, the giantantlered, snouter and crawler, rodent, ruminant and
|
|
pachyderm, all their moving moaning multitude, murderers of the sun.
|
|
|
|
Onward to the dead sea they tramp to drink, unslaked and with horrible
|
|
gulpings, the salt somnolent inexhaustible flood. And the equine portent
|
|
grows again, magnified in the deserted heavens, nay to heaven's own
|
|
magnitude, till it looms, vast, over the house of Virgo. And lo, wonder
|
|
of metempsychosis, it is she, the everlasting bride, harbinger of the
|
|
daystar, the bride, ever virgin. It is she, Martha, thou lost one,
|
|
Millicent, the young, the dear, the radiant. How serene does she now
|
|
arise, a queen among the Pleiades, in the penultimate antelucan hour,
|
|
shod in sandals of bright gold, coifed with a veil of what do you
|
|
call it gossamer. It floats, it flows about her starborn flesh and
|
|
loose it streams, emerald, sapphire, mauve and heliotrope, sustained
|
|
on currents of the cold interstellar wind, winding, coiling, simply
|
|
swirling, writhing in the skies a mysterious writing till, after
|
|
a myriad metamorphoses of symbol, it blazes, Alpha, a ruby and triangled
|
|
sign upon the forehead of Taurus.
|
|
|
|
Francis was reminding Stephen of years before when they had been at
|
|
school together in Conmee's time. He asked about Glaucon, Alcibiades,
|
|
Pisistratus. Where were they now? Neither knew. You have spoken of the
|
|
past and its phantoms, Stephen said. Why think of them? If I call them
|
|
into life across the waters of Lethe will not the poor ghosts troop to
|
|
my call? Who supposes it? I, Bous Stephanoumenos, bullockbefriending
|
|
bard, am lord and giver of their life. He encircled his gadding hair
|
|
with a coronal of vineleaves, smiling at Vincent. That answer and those
|
|
leaves, Vincent said to him, will adorn you more fitly when something
|
|
more, and greatly more, than a capful of light odes can call your
|
|
genius father. All who wish you well hope this for you. All desire
|
|
to see you bring forth the work you meditate, to acclaim you
|
|
Stephaneforos. I heartily wish you may not fail them. O no, Vincent
|
|
Lenehan said, laying a hand on the shoulder near him. Have no fear.
|
|
He could not leave his mother an orphan. The young man's face
|
|
grew dark. All could see how hard it was for him to be reminded of his
|
|
promise and of his recent loss. He would have withdrawn from the feast
|
|
had not the noise of voices allayed the smart. Madden had lost five
|
|
drachmas on Sceptre for a whim of the rider's name: Lenehan as much
|
|
more. He told them of the race. The flag fell and, huuh! off, scamper, the
|
|
mare ran out freshly with 0. Madden up. She was leading the field. All
|
|
hearts were beating. Even Phyllis could not contain herself. She waved her
|
|
scarf and cried: Huzzah! Sceptre wins! But in the straight on the run home
|
|
when all were in close order the dark horse Throwaway drew level, reached,
|
|
outstripped her. All was lost now. Phyllis was silent: her eyes were
|
|
sad anemones. Juno, she cried, I am undone. But her lover consoled her and
|
|
brought her a bright casket of gold in which lay some oval sugarplums
|
|
which she partook. A tear fell: one only. A whacking fine whip, said
|
|
Lenehan, is W. Lane. Four winners yesterday and three today. What rider is
|
|
like him? Mount him on the camel or the boisterous buffalo the victory in
|
|
a hack canter is still his. But let us bear it as was the ancient wont.
|
|
Mercy on the luckless! Poor Sceptre! he said with a light sigh.
|
|
She is not the filly that she was. Never, by this hand, shall we
|
|
behold such another. By gad, sir, a queen of them. Do you remember
|
|
her, Vincent? I wish you could have seen my queen today, Vincent
|
|
said. How young she was and radiant (Lalage were scarce fair
|
|
beside her) in her yellow shoes and frock of muslin, I do not know the
|
|
right name of it. The chestnuts that shaded us were in bloom: the air
|
|
drooped with their persuasive odour and with pollen floating by us. In the
|
|
sunny patches one might easily have cooked on a stone a batch of those
|
|
buns with Corinth fruit in them that Periplipomenes sells in his booth
|
|
near the bridge. But she had nought for her teeth but the arm with which I
|
|
held her and in that she nibbled mischievously when I pressed too close. A
|
|
week ago she lay ill, four days on the couch, but today she was free,
|
|
blithe, mocked at peril. She is more taking then. Her posies tool Mad
|
|
romp that she is, she had pulled her fill as we reclined together. And in
|
|
your ear, my friend, you will not think who met us as we left the field.
|
|
Conmee himself! He was walking by the hedge, reading, I think a brevier
|
|
book with, I doubt not, a witty letter in it from Glycera or Chloe to
|
|
keep the page. The sweet creature turned all colours in her confusion,
|
|
feigning to reprove a slight disorder in her dress: a slip of underwood
|
|
clung there for the very trees adore her. When Conmee had passed she
|
|
glanced at her lovely echo in that little mirror she carries. But he had
|
|
been kind. In going by he had blessed us. The gods too are ever kind,
|
|
Lenehan said. If I had poor luck with Bass's mare perhaps this draught
|
|
of his may serve me more propensely. He was laying his hand upon
|
|
a winejar: Malachi saw it and withheld his act, pointing to the
|
|
stranger and to the scarlet label. Warily, Malachi whispered, preserve
|
|
a druid silence. His soul is far away. It is as painful perhaps to be
|
|
awakened from a vision as to be born. Any object, intensely regarded, may
|
|
be a gate of access to the incorruptible eon of the gods. Do you not think
|
|
it, Stephen? Theosophos told me so, Stephen answered, whom in a previous
|
|
existence Egyptian priests initiated into the mysteries of karmic law. The
|
|
lords of the moon, Theosophos told me, an orangefiery shipload from
|
|
planet Alpha of the lunar chain would not assume the etheric doubles and
|
|
these were therefore incarnated by the rubycoloured egos from the second
|
|
constellation.
|
|
|
|
However, as a matter of fact though, the preposterous surmise about him
|
|
being in some description of a doldrums or other or mesmerised which was.
|
|
entirely due to a misconception of the shallowest character, was not the
|
|
case at all. The individual whose visual organs while the above was going
|
|
on were at this juncture commencing to exhibit symptoms of animation was
|
|
as astute if not astuter than any man living and anybody that conjectured
|
|
the contrary would have found themselves pretty speedily in the wrong
|
|
shop. During the past four minutes or thereabouts he had been staring hard
|
|
at a certain amount of number one Bass bottled by Messrs Bass and Co at
|
|
Burton-on-Trent which happened to be situated amongst a lot of others
|
|
right opposite to where he was and which was certainly calculated to
|
|
attract anyone's remark on account of its scarlet appearance. He was
|
|
simply and solely, as it subsequently transpired for reasons best known
|
|
to himself, which put quite an altogether different complexion on
|
|
the proceedings, after the moment before's observations about boyhood
|
|
days and the turf, recollecting two or three private transactions of
|
|
his own which the other two were as mutually innocent of as the babe
|
|
unborn. Eventually, however, both their eyes met and as soon as
|
|
it began to dawn on him that the other was endeavouring to help
|
|
himself to the thing he involuntarily determined to help him himself
|
|
and so he accordingly took hold of the neck of the mediumsized glass
|
|
recipient which contained the fluid sought after and made a capacious
|
|
hole in it by pouring a lot of it out with, also at the same time,
|
|
however, a considerable degree of attentiveness in order not to upset
|
|
any of the beer that was in it about the place.
|
|
|
|
The debate which ensued was in its scope and progress an epitome of
|
|
the course of life. Neither place nor council was lacking in dignity. The
|
|
debaters were the keenest in the land, the theme they were engaged on the
|
|
loftiest and most vital. The high hall of Horne's house had never beheld an
|
|
assembly so representative and so varied nor had the old rafters of that
|
|
establishment ever listened to a language so encyclopaedic. A gallant scene
|
|
in truth it made. Crotthers was there at the foot of the table in his
|
|
striking Highland garb, his face glowing from the briny airs of the Mull
|
|
of Galloway. There too, opposite to him, was Lynch whose countenance bore
|
|
already the stigmata of early depravity and premature wisdom. Next the
|
|
Scotchman was the place assigned to Costello, the eccentric, while at his
|
|
side was seated in stolid repose the squat form of Madden. The chair of the
|
|
resident indeed stood vacant before the hearth but on either flank of it
|
|
the figure of Bannon in explorer's kit of tweed shorts and salted cowhide
|
|
brogues contrasted sharply with the primrose elegance and townbred
|
|
manners of Malachi Roland St John Mulligan. Lastly at the head of the
|
|
board was the young poet who found a refuge from his labours of
|
|
pedagogy and metaphysical inquisition in the convivial atmosphere of
|
|
Socratic discussion, while to right and left of him were accommodated the
|
|
flippant prognosticator, fresh from the hippodrome, and that vigilant
|
|
wanderer, soiled by the dust of travel and combat and stained by the mire of
|
|
an indelible dishonour, but from whose steadfast and constant heart no lure
|
|
or peril or threat or degradation could ever efface the image of that
|
|
voluptuous loveliness which the inspired pencil of Lafayette has limned for
|
|
ages yet to come.
|
|
|
|
It had better be stated here and now at the outset that the perverted
|
|
transcendentalism to which Mr S. Dedalus' (Div. Scep.) contentions would
|
|
appear to prove him pretty badly addicted runs directly counter to accepted
|
|
scientific methods. Science, it cannot be too often repeated, deals with
|
|
tangible phenomena. The man of science like the man in the street has to
|
|
face hardheaded facts that cannot be blinked and explain them as best he
|
|
can. There may be, it is true, some questions which science cannot
|
|
answer--at present--such as the first problem submitted by Mr L. Bloom (Pubb.
|
|
Canv.) regarding the future determination of sex. Must we accept the view
|
|
of Empedocles of Trinacria that the right ovary (the postmenstrual period,
|
|
assert others) is responsible for the birth of males or are the too long
|
|
neglected spermatozoa or nemasperms the differentiating factors or is it, as
|
|
most embryologists incline to opine, such as Culpepper, Spallanzani,
|
|
Blumenbach, Lusk, Hertwig, Leopold and Valenti, a mixture of both? This
|
|
would be tantamount to a cooperation (one of nature's favourite devices)
|
|
between the NISUS FORMATIVUS of the nemasperm on the one hand and on the
|
|
other a happily chosen position, SUCCUBITUS FELIX of the passive element. The
|
|
other problem raised by the same inquirer is scarcely less vital: infant
|
|
mortality. It is interesting because, as he pertinently remarks, we are all
|
|
born in the same way but we all die in different ways. Mr M. Mulligan
|
|
(Hyg. et Eug. Doc.) blames the sanitary conditions in which our
|
|
greylunged citizens contract adenoids, pulmonary complaints etc. by
|
|
inhaling the bacteria which lurk in dust. These factors, he alleged, and the
|
|
revolting spectacles offered by our streets, hideous publicity posters,
|
|
religious ministers of all denominations, mutilated soldiers and sailors,
|
|
exposed scorbutic cardrivers, the suspended carcases of dead animals,
|
|
paranoic bachelors and unfructified duennas--these, he said, were
|
|
accountable for any and every fallingoff in the calibre of the race.
|
|
Kalipedia, he prophesied, would soon be generally adopted and all the
|
|
graces of life, genuinely good music, agreeable literature, light philosophy,
|
|
instructive pictures, plastercast reproductions of the classical statues such
|
|
as Venus and Apollo, artistic coloured photographs of prize babies, all these
|
|
little attentions would enable ladies who were in a particular condition to
|
|
pass the intervening months in a most enjoyable manner. Mr J. Crotthers
|
|
(Disc. Bacc.) attributes some of these demises to abdominal trauma in the
|
|
case of women workers subjected to heavy labours in the workshop and to
|
|
marital discipline in the home but by far the vast majority to neglect,
|
|
private or official, culminating in the exposure of newborn infants,
|
|
the practice of criminal abortion or in the atrocious crime of
|
|
infanticide. Although the former (we are thinking of neglect) is
|
|
undoubtedly only too true the case he cites of nurses forgetting to
|
|
count the sponges in the peritoneal cavity is too rare to be
|
|
normative. In fact when one comes to look into it the wonder is
|
|
that so many pregnancies and deliveries go off so well as they do, all things
|
|
considered and in spite of our human shortcomings which often baulk
|
|
nature in her intentions. An ingenious suggestion is that thrown out by Mr
|
|
V. Lynch (Bacc. Arith.) that both natality and mortality, as well as all other
|
|
phenomena of evolution, tidal movements, lunar phases, blood
|
|
temperatures, diseases in general, everything, in fine, in nature's vast
|
|
workshop from the extinction of some remote sun to the blossoming of one
|
|
of the countless flowers which beautify our public parks is subject to a law
|
|
of numeration as yet unascertained. Still the plain straightforward question
|
|
why a child of normally healthy parents and seemingly a healthy child and
|
|
properly looked after succumbs unaccountably in early childhood (though
|
|
other children of the same marriage do not) must certainly, in the poet's
|
|
words, give us pause. Nature, we may rest assured, has her own good and
|
|
cogent reasons for whatever she does and in all probability such deaths are
|
|
due to some law of anticipation by which organisms in which morbous
|
|
germs have taken up their residence (modern science has conclusively
|
|
shown that only the plasmic substance can be said to be immortal) tend to
|
|
disappear at an increasingly earlier stage of development, an arrangement
|
|
which, though productive of pain to some of our feelings (notably the
|
|
maternal), is nevertheless, some of us think, in the long run beneficial to
|
|
the race in general in securing thereby the survival of the fittest.
|
|
Mr S. Dedalus' (Div. Scep.) remark (or should it be called an interruption?)
|
|
that an omnivorous being which can masticate, deglute, digest and apparently
|
|
pass through the ordinary channel with pluterperfect imperturbability such
|
|
multifarious aliments as cancrenous females emaciated by parturition,
|
|
corpulent professional gentlemen, not to speak of jaundiced politicians and
|
|
chlorotic nuns, might possibly find gastric relief in an innocent collation of
|
|
staggering bob, reveals as nought else could and in a very unsavoury light
|
|
the tendency above alluded to. For the enlightenment of those who are not
|
|
so intimately acquainted with the minutiae of the municipal abattoir as this
|
|
morbidminded esthete and embryo philosopher who for all his overweening
|
|
bumptiousness in things scientific can scarcely distinguish an acid from an
|
|
alkali prides himself on being, it should perhaps be stated that staggering
|
|
bob in the vile parlance of our lowerclass licensed victuallers signifies the
|
|
cookable and eatable flesh of a calf newly dropped from its mother. In a
|
|
recent public controversy with Mr L. Bloom (Pubb. Canv.) which took
|
|
place in the commons' hall of the National Maternity Hospital, 29, 30 and
|
|
31 Holles street, of which, as is well known, Dr A. Horne (Lic. in Midw.,
|
|
F. K. Q. C. P. I.) is the able and popular master, he is reported by
|
|
eyewitnesses as having stated that once a woman has let the cat into the bag
|
|
(an esthete's allusion, presumably, to one of the most complicated and
|
|
marvellous of all nature's processes--the act of sexual congress) she must
|
|
let it out again or give it life, as he phrased it, to save her own. At the
|
|
risk of her own, was the telling rejoinder of his interlocutor, none the less
|
|
effective for the moderate and measured tone in which it was delivered.
|
|
|
|
Meanwhile the skill and patience of the physician had brought about
|
|
a happy ACCOUCHEMENT. It had been a weary weary while both for patient
|
|
and doctor. All that surgical skill could do was done and the brave woman
|
|
had manfully helped. She had. She had fought the good fight and now she
|
|
was very very happy. Those who have passed on, who have gone before, are
|
|
happy too as they gaze down and smile upon the touching scene. Reverently
|
|
look at her as she reclines there with the motherlight in her eyes, that
|
|
longing hunger for baby fingers (a pretty sight it is to see), in the first
|
|
bloom of her new motherhood, breathing a silent prayer of thanksgiving to One
|
|
above, the Universal Husband. And as her loving eyes behold her babe she
|
|
wishes only one blessing more, to have her dear Doady there with her to
|
|
share her joy, to lay in his arms that mite of God's clay, the fruit of their
|
|
lawful embraces. He is older now (you and I may whisper it) and a trifle
|
|
stooped in the shoulders yet in the whirligig of years a grave dignity has
|
|
come to the conscientious second accountant of the Ulster bank, College
|
|
Green branch. O Doady, loved one of old, faithful lifemate now, it may
|
|
never be again, that faroff time of the roses! With the old shake of her
|
|
pretty head she recalls those days. God! How beautiful now across the mist
|
|
of years! But their children are grouped in her imagination about the
|
|
bedside, hers and his, Charley, Mary Alice, Frederick Albert (if he had
|
|
lived), Mamy, Budgy (Victoria Frances), Tom, Violet Constance Louisa,
|
|
darling little Bobsy (called after our famous hero of the South African war,
|
|
lord Bobs of Waterford and Candahar) and now this last pledge of their
|
|
union, a Purefoy if ever there was one, with the true Purefoy nose. Young
|
|
hopeful will be christened Mortimer Edward after the influential third
|
|
cousin of Mr Purefoy in the Treasury Remembrancer's office, Dublin
|
|
Castle. And so time wags on: but father Cronion has dealt lightly here. No,
|
|
let no sigh break from that bosom, dear gentle Mina. And Doady, knock
|
|
the ashes from your pipe, the seasoned briar you still fancy when the curfew
|
|
rings for you (may it be the distant day!) and dout the light whereby you
|
|
read in the Sacred Book for the oil too has run low, and so with a tranquil
|
|
heart to bed, to rest. He knows and will call in His own good time. You too
|
|
have fought the good fight and played loyally your man's part. Sir, to you
|
|
my hand. Well done, thou good and faithful servant!
|
|
|
|
There are sins or (let us call them as the world calls them) evil
|
|
memories which are hidden away by man in the darkest places of the heart
|
|
but they abide there and wait. He may suffer their memory to grow dim, let
|
|
them be as though they had not been and all but persuade himself that they
|
|
were not or at least were otherwise. Yet a chance word will call them forth
|
|
suddenly and they will rise up to confront him in the most various
|
|
circumstances, a vision or a dream, or while timbrel and harp soothe his
|
|
senses or amid the cool silver tranquility of the evening or at the feast, at
|
|
midnight, when he is now filled with wine. Not to insult over him will the
|
|
vision come as over one that lies under her wrath, not for vengeance to cut
|
|
him off from the living but shrouded in the piteous vesture of the past,
|
|
silent, remote, reproachful.
|
|
|
|
The stranger still regarded on the face before him a slow recession of
|
|
that false calm there, imposed, as it seemed, by habit or some studied trick,
|
|
upon words so embittered as to accuse in their speaker an unhealthiness, a
|
|
FLAIR, for the cruder things of life. A scene disengages itself in the
|
|
observer's memory, evoked, it would seem, by a word of so natural a
|
|
homeliness as if those days were really present there (as some thought)
|
|
with their immediate pleasures. A shaven space of lawn one soft May
|
|
evening, the wellremembered grove of lilacs at Roundtown, purple and
|
|
white, fragrant slender spectators of the game but with much real interest
|
|
in the pellets as they run slowly forward over the sward or collide and stop,
|
|
one by its fellow, with a brief alert shock. And yonder about that grey urn
|
|
where the water moves at times in thoughtful irrigation you saw another as
|
|
fragrant sisterhood, Floey, Atty, Tiny and their darker friend with I know not
|
|
what of arresting in her pose then, Our Lady of the Cherries, a comely brace
|
|
of them pendent from an ear, bringing out the foreign warmth of the skin so
|
|
daintily against the cool ardent fruit. A lad of four or five in linseywoolsey
|
|
(blossomtime but there will be cheer in the kindly hearth when ere long the
|
|
bowls are gathered and hutched) is standing on the urn secured by that
|
|
circle of girlish fond hands. He frowns a little just as this young man does
|
|
now with a perhaps too conscious enjoyment of the danger but must needs
|
|
glance at whiles towards where his mother watches from the PIAZZETTA
|
|
giving upon the flowerclose with a faint shadow of remoteness or of
|
|
reproach (ALLES VERGANGLICHE) in her glad look.
|
|
|
|
Mark this farther and remember. The end comes suddenly. Enter that
|
|
antechamber of birth where the studious are assembled and note their faces.
|
|
Nothing, as it seems, there of rash or violent. Quietude of custody, rather,
|
|
befitting their station in that house, the vigilant watch of shepherds and of
|
|
angels about a crib in Bethlehem of Juda long ago. But as before the
|
|
lightning the serried stormclouds, heavy with preponderant excess of
|
|
moisture, in swollen masses turgidly distended, compass earth and sky in
|
|
one vast slumber, impending above parched field and drowsy oxen and
|
|
blighted growth of shrub and verdure till in an instant a flash rives their
|
|
centres and with the reverberation of the thunder the cloudburst pours its
|
|
torrent, so and not otherwise was the transformation, violent and
|
|
instantaneous, upon the utterance of the word.
|
|
|
|
Burke's! outflings my lord Stephen, giving the cry, and a tag and
|
|
bobtail of all them after, cockerel, jackanapes, welsher, pilldoctor, punctual
|
|
Bloom at heels with a universal grabbing at headgear, ashplants, bilbos,
|
|
Panama hats and scabbards, Zermatt alpenstocks and what not. A dedale of
|
|
lusty youth, noble every student there. Nurse Callan taken aback in the
|
|
hallway cannot stay them nor smiling surgeon coming downstairs with
|
|
news of placentation ended, a full pound if a milligramme. They hark him
|
|
on. The door! It is open? Ha! They are out, tumultuously, off for a
|
|
minute's race, all bravely legging it, Burke's of Denzille and Holles their
|
|
ulterior goal. Dixon follows giving them sharp language but raps out an
|
|
oath, he too, and on. Bloom stays with nurse a thought to send a kind word
|
|
to happy mother and nurseling up there. Doctor Diet and Doctor Quiet.
|
|
Looks she too not other now? Ward of watching in Horne's house has told
|
|
its tale in that washedout pallor. Then all being gone, a glance of motherwit
|
|
helping, he whispers close in going: Madam, when comes the storkbird for
|
|
thee?
|
|
|
|
The air without is impregnated with raindew moisture, life essence
|
|
celestial, glistening on Dublin stone there under starshiny COELUM. God's
|
|
air, the Allfather's air, scintillant circumambient cessile air. Breathe it
|
|
deep into thee. By heaven, Theodore Purefoy, thou hast done a doughty deed
|
|
and no botch! Thou art, I vow, the remarkablest progenitor barring none in
|
|
this chaffering allincluding most farraginous chronicle. Astounding! In her
|
|
lay a Godframed Godgiven preformed possibility which thou hast fructified
|
|
with thy modicum of man's work. Cleave to her! Serve! Toil on, labour like
|
|
a very bandog and let scholarment and all Malthusiasts go hang. Thou art
|
|
all their daddies, Theodore. Art drooping under thy load, bemoiled with
|
|
butcher's bills at home and ingots (not thine!) in the countinghouse? Head
|
|
up! For every newbegotten thou shalt gather thy homer of ripe wheat. See,
|
|
thy fleece is drenched. Dost envy Darby Dullman there with his Joan? A
|
|
canting jay and a rheumeyed curdog is all their progeny. Pshaw, I tell thee!
|
|
He is a mule, a dead gasteropod, without vim or stamina, not worth a
|
|
cracked kreutzer. Copulation without population! No, say I! Herod's
|
|
slaughter of the innocents were the truer name. Vegetables, forsooth, and
|
|
sterile cohabitation! Give her beefsteaks, red, raw, bleeding! She is a hoary
|
|
pandemonium of ills, enlarged glands, mumps, quinsy, bunions, hayfever,
|
|
bedsores, ringworm, floating kidney, Derbyshire neck, warts, bilious attacks,
|
|
gallstones, cold feet, varicose veins. A truce to threnes and trentals
|
|
and jeremies and all such congenital defunctive music! Twenty years of it,
|
|
regret them not. With thee it was not as with many that will and would and
|
|
wait and never--do. Thou sawest thy America, thy lifetask, and didst
|
|
charge to cover like the transpontine bison. How saith Zarathustra? DEINE
|
|
KUH TRUBSAL MELKEST DU. NUN TRINKST DU DIE SUSSE MILCH DES EUTERS. See! it
|
|
displodes for thee in abundance. Drink, man, an udderful! Mother's milk,
|
|
Purefoy, the milk of human kin, milk too of those burgeoning stars
|
|
overhead rutilant in thin rainvapour, punch milk, such as those rioters will
|
|
quaff in their guzzling den, milk of madness, the honeymilk of Canaan's
|
|
land. Thy cow's dug was tough, what? Ay, but her milk is hot and sweet
|
|
and fattening. No dollop this but thick rich bonnyclaber. To her, old
|
|
patriarch! Pap! PER DEAM PARTULAM ET PERTUNDAM NUNC EST BIBENDUM!
|
|
|
|
All off for a buster, armstrong, hollering down the street. Bonafides.
|
|
Where you slep las nigh? Timothy of the battered naggin. Like ole Billyo.
|
|
Any brollies or gumboots in the fambly? Where the Henry Nevil's
|
|
sawbones and ole clo? Sorra one o' me knows. Hurrah there, Dix! Forward
|
|
to the ribbon counter. Where's Punch? All serene. Jay, look at the drunken
|
|
minister coming out of the maternity hospal! BENEDICAT VOS OMNIPOTENS
|
|
DEUS, PATER ET FILIUS. A make, mister. The Denzille lane boys. Hell, blast ye!
|
|
Scoot. Righto, Isaacs, shove em out of the bleeding limelight. Yous join uz,
|
|
dear sir? No hentrusion in life. Lou heap good man. Allee samee dis bunch.
|
|
EN AVANT, MES ENFANTS! Fire away number one on the gun. Burke's!
|
|
Burke's! Thence they advanced five parasangs. Slattery's mounted foot.
|
|
Where's that bleeding awfur? Parson Steve, apostates' creed! No, no,
|
|
Mulligan! Abaft there! Shove ahead. Keep a watch on the clock.
|
|
Chuckingout time. Mullee! What's on you? MA MERE M'A MARIEE. British
|
|
Beatitudes! RETAMPLATAN DIGIDI BOUMBOUM. Ayes have it. To be printed and
|
|
bound at the Druiddrum press by two designing females. Calf covers of
|
|
pissedon green. Last word in art shades. Most beautiful book come out of
|
|
Ireland my time. SILENTIUM! Get a spurt on. Tention. Proceed to nearest
|
|
canteen and there annex liquor stores. March! Tramp, tramp, tramp, the
|
|
boys are (atitudes!) parching. Beer, beef, business, bibles, bulldogs
|
|
battleships, buggery and bishops. Whether on the scaffold high. Beer, beef,
|
|
trample the bibles. When for Irelandear. Trample the trampellers.
|
|
Thunderation! Keep the durned millingtary step. We fall. Bishops
|
|
boosebox. Halt! Heave to. Rugger. Scrum in. No touch kicking. Wow, my
|
|
tootsies! You hurt? Most amazingly sorry!
|
|
|
|
Query. Who's astanding this here do? Proud possessor of damnall.
|
|
Declare misery. Bet to the ropes. Me nantee saltee. Not a red at me this
|
|
week gone. Yours? Mead of our fathers for the UBERMENSCH. Dittoh. Five
|
|
number ones. You, sir? Ginger cordial. Chase me, the cabby's caudle.
|
|
Stimulate the caloric. Winding of his ticker. Stopped short never to go
|
|
again when the old. Absinthe for me, savvy? CARAMBA! Have an eggnog or
|
|
a prairie oyster. Enemy? Avuncular's got my timepiece. Ten to. Obligated
|
|
awful. Don't mention it. Got a pectoral trauma, eh, Dix? Pos fact. Got bet
|
|
be a boomblebee whenever he wus settin sleepin in hes bit garten. Digs up
|
|
near the Mater. Buckled he is. Know his dona? Yup, sartin I do. Full of a
|
|
dure. See her in her dishybilly. Peels off a credit. Lovey lovekin. None of
|
|
your lean kine, not much. Pull down the blind, love. Two Ardilauns. Same here.
|
|
Look slippery. If you fall don't wait to get up. Five, seven, nine. Fine!
|
|
Got a prime pair of mincepies, no kid. And her take me to rests and her
|
|
anker of rum. Must be seen to be believed. Your starving eyes and
|
|
allbeplastered neck you stole my heart, O gluepot. Sir? Spud again the
|
|
rheumatiz? All poppycock, you'll scuse me saying. For the hoi polloi. I vear
|
|
thee beest a gert vool. Well, doc? Back fro Lapland? Your corporosity
|
|
sagaciating O K? How's the squaws and papooses? Womanbody after
|
|
going on the straw? Stand and deliver. Password. There's hair. Ours the
|
|
white death and the ruddy birth. Hi! Spit in your own eye, boss!
|
|
Mummer's wire. Cribbed out of Meredith. Jesified, orchidised, polycimical
|
|
jesuit! Aunty mine's writing Pa Kinch. Baddybad Stephen lead astray
|
|
goodygood Malachi.
|
|
|
|
Hurroo! Collar the leather, youngun. Roun wi the nappy. Here, Jock
|
|
braw Hielentman's your barleybree. Lang may your lum reek and your
|
|
kailpot boil! My tipple. MERCI. Here's to us. How's that? Leg before wicket.
|
|
Don't stain my brandnew sitinems. Give's a shake of peppe, you there.
|
|
Catch aholt. Caraway seed to carry away. Twig? Shrieks of silence. Every
|
|
cove to his gentry mort. Venus Pandemos. LES PETITES FEMMES. Bold bad girl
|
|
from the town of Mullingar. Tell her I was axing at her. Hauding Sara by
|
|
the wame. On the road to Malahide. Me? If she who seduced me had left
|
|
but the name. What do you want for ninepence? Machree, macruiskeen.
|
|
Smutty Moll for a mattress jig. And a pull all together. EX!
|
|
|
|
Waiting, guvnor? Most deciduously. Bet your boots on. Stunned like,
|
|
seeing as how no shiners is acoming. Underconstumble? He've got the
|
|
chink AD LIB. Seed near free poun on un a spell ago a said war hisn. Us
|
|
come right in on your invite, see? Up to you, matey. Out with the oof. Two
|
|
bar and a wing. You larn that go off of they there Frenchy bilks? Won't
|
|
wash here for nuts nohow. Lil chile velly solly. Ise de cutest colour coon
|
|
down our side. Gawds teruth, Chawley. We are nae fou. We're nae tha fou.
|
|
Au reservoir, mossoo. Tanks you.
|
|
|
|
'Tis, sure. What say? In the speakeasy. Tight. I shee you, shir.
|
|
Bantam, two days teetee. Bowsing nowt but claretwine. Garn! Have a glint,
|
|
do. Gum, I'm jiggered. And been to barber he have. Too full for words.
|
|
With a railway bloke. How come you so? Opera he'd like? Rose of Castile.
|
|
Rows of cast. Police! Some H2O for a gent fainted. Look at Bantam's
|
|
flowers. Gemini. He's going to holler. The colleen bawn. My colleen bawn.
|
|
O, cheese it! Shut his blurry Dutch oven with a firm hand. Had the winner
|
|
today till I tipped him a dead cert. The ruffin cly the nab of Stephen Hand
|
|
as give me the jady coppaleen. He strike a telegramboy paddock wire big
|
|
bug Bass to the depot. Shove him a joey and grahamise. Mare on form hot
|
|
order. Guinea to a goosegog. Tell a cram, that. Gospeltrue. Criminal
|
|
diversion? I think that yes. Sure thing. Land him in chokeechokee if the
|
|
harman beck copped the game. Madden back Madden's a maddening back.
|
|
O lust our refuge and our strength. Decamping. Must you go? Off to
|
|
mammy. Stand by. Hide my blushes someone. All in if he spots me. Come
|
|
ahome, our Bantam. Horryvar, mong vioo. Dinna forget the cowslips for
|
|
hersel. Cornfide. Wha gev ye thon colt? Pal to pal. Jannock. Of John
|
|
Thomas, her spouse. No fake, old man Leo. S'elp me, honest injun. Shiver
|
|
my timbers if I had. There's a great big holy friar. Vyfor you no me tell?
|
|
Vel, I ses, if that aint a sheeny nachez, vel, I vil get misha mishinnah.
|
|
Through yerd our lord, Amen.
|
|
|
|
You move a motion? Steve boy, you're going it some. More bluggy
|
|
drunkables? Will immensely splendiferous stander permit one stooder of
|
|
most extreme poverty and one largesize grandacious thirst to terminate one
|
|
expensive inaugurated libation? Give's a breather. Landlord, landlord, have
|
|
you good wine, staboo? Hoots, mon, a wee drap to pree. Cut and come
|
|
again. Right. Boniface! Absinthe the lot. NOS OMNES BIBERIMUS VIRIDUM
|
|
TOXICUM DIABOLUS CAPIAT POSTERIORIA NOSTRIA. Closingtime, gents. Eh? Rome
|
|
boose for the Bloom toff. I hear you say onions? Bloo? Cadges ads. Photo's
|
|
papli, by all that's gorgeous. Play low, pardner. Slide. BONSOIR LA COMPAGNIE.
|
|
And snares of the poxfiend. Where's the buck and Namby Amby?
|
|
Skunked? Leg bail. Aweel, ye maun e'en gang yer gates. Checkmate. King
|
|
to tower. Kind Kristyann wil yu help yung man hoose frend tuk bungellow
|
|
kee tu find plais whear tu lay crown of his hed 2 night. Crickey, I'm about
|
|
sprung. Tarnally dog gone my shins if this beent the bestest puttiest
|
|
longbreak yet. Item, curate, couple of cookies for this child. Cot's plood
|
|
and prandypalls, none! Not a pite of sheeses? Thrust syphilis down to hell
|
|
and with him those other licensed spirits. Time, gents! Who wander
|
|
through the world. Health all! A LA VOTRE!
|
|
|
|
Golly, whatten tunket's yon guy in the mackintosh? Dusty Rhodes.
|
|
Peep at his wearables. By mighty! What's he got? Jubilee mutton. Bovril, by
|
|
James. Wants it real bad. D'ye ken bare socks? Seedy cuss in the
|
|
Richmond? Rawthere! Thought he had a deposit of lead in his penis.
|
|
Trumpery insanity. Bartle the Bread we calls him. That, sir, was once a
|
|
prosperous cit. Man all tattered and torn that married a maiden all forlorn.
|
|
Slung her hook, she did. Here see lost love. Walking Mackintosh of lonely
|
|
canyon. Tuck and turn in. Schedule time. Nix for the hornies. Pardon?
|
|
Seen him today at a runefal? Chum o' yourn passed in his checks?
|
|
Ludamassy! Pore piccaninnies! Thou'll no be telling me thot, Pold veg! Did
|
|
ums blubble bigsplash crytears cos fren Padney was took off in black bag?
|
|
Of all de darkies Massa Pat was verra best. I never see the like since I was
|
|
born. TIENS, TIENS, but it is well sad, that, my faith, yes. O, get, rev on a
|
|
gradient one in nine. Live axle drives are souped. Lay you two to one
|
|
Jenatzy licks him ruddy well hollow. Jappies? High angle fire, inyah! Sunk
|
|
by war specials. Be worse for him, says he, nor any Rooshian. Time all.
|
|
There's eleven of them. Get ye gone. Forward, woozy wobblers! Night.
|
|
Night. May Allah the Excellent One your soul this night ever tremendously
|
|
conserve.
|
|
|
|
Your attention! We're nae tha fou. The Leith police dismisseth us. The
|
|
least tholice. Ware hawks for the chap puking. Unwell in his abominable
|
|
regions. Yooka. Night. Mona, my true love. Yook. Mona, my own love.
|
|
Ook.
|
|
|
|
Hark! Shut your obstropolos. Pflaap! Pflaap! Blaze on. There she
|
|
goes. Brigade! Bout ship. Mount street way. Cut up! Pflaap! Tally ho. You
|
|
not come? Run, skelter, race. Pflaaaap!
|
|
|
|
Lynch! Hey? Sign on long o' me. Denzille lane this way. Change here
|
|
for Bawdyhouse. We two, she said, will seek the kips where shady Mary is.
|
|
Righto, any old time. LAETABUNTUR IN CUBILIBUS SUIS. You coming long?
|
|
Whisper, who the sooty hell's the johnny in the black duds? Hush! Sinned
|
|
against the light and even now that day is at hand when he shall come to
|
|
judge the world by fire. Pflaap! UT IMPLERENTUR SCRIPTURAE. Strike up a
|
|
ballad. Then outspake medical Dick to his comrade medical Davy.
|
|
Christicle, who's this excrement yellow gospeller on the Merrion hall?
|
|
Elijah is coming! Washed in the blood of the Lamb. Come on you
|
|
winefizzling, ginsizzling, booseguzzling existences! Come on, you
|
|
dog-gone, bullnecked, beetlebrowed, hogjowled, peanutbrained, weaseleyed
|
|
fourflushers, false alarms and excess baggage! Come on, you triple extract
|
|
of infamy! Alexander J Christ Dowie, that's my name, that's yanked to
|
|
glory most half this planet from Frisco beach to Vladivostok. The Deity
|
|
aint no nickel dime bumshow. I put it to you that He's on the square and a
|
|
corking fine business proposition. He's the grandest thing yet and don't
|
|
you forget it. Shout salvation in King Jesus. You'll need to rise precious
|
|
early you sinner there, if you want to diddle the Almighty God. Pflaaaap!
|
|
Not half. He's got a coughmixture with a punch in it for you, my friend,
|
|
in his back pocket. Just you try it on.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
THE MABBOT STREET ENTRANCE OF NIGHTTOWN, BEFORE WHICH STRETCHES
|
|
AN UNCOBBLED TRAMSIDING SET WITH SKELETON TRACKS, RED AND GREEN
|
|
WILL-O'-THE-WISPS AND DANGER SIGNALS. ROWS OF GRIMY HOUSES WITH
|
|
GAPING DOORS. RARE LAMPS WITH FAINT RAINBOW FINS. ROUND
|
|
RABAIOTTI'S HALTED ICE GONDOLA STUNTED MEN AND WOMEN SQUABBLE.
|
|
THEY GRAB WAFERS BETWEEN WHICH ARE WEDGED LUMPS OF CORAL AND
|
|
COPPER SNOW. SUCKING, THEY SCATTER SLOWLY, CHILDREN. THE SWANCOMB
|
|
OF THE GONDOLA, HIGHREARED, FORGES ON THROUGH THE MURK, WHITE AND
|
|
BLUE UNDER A LIGHTHOUSE. WHISTLES CALL AND ANSWER.
|
|
|
|
THE CALLS: Wait, my love, and I'll be with you.
|
|
|
|
THE ANSWERS: Round behind the stable.
|
|
|
|
(A DEAFMUTE IDIOT WITH GOGGLE EYES, HIS SHAPELESS MOUTH DRIBBLING,
|
|
JERKS PAST, SHAKEN IN SAINT VITUS' DANCE. A CHAIN OF CHILDREN 'S HANDS
|
|
IMPRISONS HIM.)
|
|
|
|
THE CHILDREN: Kithogue! Salute!
|
|
|
|
THE IDIOT: (LIFTS A PALSIED LEFT ARM AND GURGLES) Grhahute!
|
|
|
|
THE CHILDREN: Where's the great light?
|
|
|
|
THE IDIOT: (GOBBING) Ghaghahest.
|
|
|
|
(THEY RELEASE HIM. HE JERKS ON. A PIGMY WOMAN SWINGS ON A ROPE
|
|
SLUNG BETWEEN TWO RAILINGS, COUNTING. A FORM SPRAWLED AGAINST A
|
|
DUSTBIN AND MUFFLED BY ITS ARM AND HAT SNORES, GROANS, GRINDING
|
|
GROWLING TEETH, AND SNORES AGAIN. ON A STEP A GNOME TOTTING AMONG
|
|
A RUBBISHTIP CROUCHES TO SHOULDER A SACK OF RAGS AND BONES. A CRONE
|
|
STANDING BY WITH A SMOKY OILLAMP RAMS HER LAST BOTTLE IN THE MAW OF
|
|
HIS SACK. HE HEAVES HIS BOOTY, TUGS ASKEW HIS PEAKED CAP AND
|
|
HOBBLES OFF MUTELY. THE CRONE MAKES BACK FOR HER LAIR, SWAYING HER
|
|
LAMP. A BANDY CHILD, ASQUAT ON THE DOORSTEP WITH A PAPER
|
|
SHUTTLECOCK, CRAWLS SIDLING AFTER HER IN SPURTS, CLUTCHES HER SKIRT,
|
|
SCRAMBLES UP. A DRUNKEN NAVVY GRIPS WITH BOTH HANDS THE RAILINGS
|
|
OF AN AREA, LURCHING HEAVILY. AT A COMER TWO NIGHT WATCH IN
|
|
SHOULDERCAPES, THEIR HANDS UPON THEIR STAFFHOLSTERS, LOOM TALL. A
|
|
PLATE CRASHES: A WOMAN SCREAMS: A CHILD WAILS. OATHS OF A MAN
|
|
ROAR, MUTTER, CEASE. FIGURES WANDER, LURK, PEER FROM WARRENS. IN A
|
|
ROOM LIT BY A CANDLE STUCK IN A BOTTLENECK A SLUT COMBS OUT THE TATTS
|
|
FROM THE HAIR OF A SCROFULOUS CHILD. CISSY CAFFREY'S VOICE, STILL
|
|
YOUNG, SINGS SHRILL FROM A LANE.)
|
|
|
|
CISSY CAFFREY:
|
|
|
|
|
|
I GAVE IT TO MOLLY
|
|
BECAUSE SHE WAS JOLLY,
|
|
THE LEG OF THE DUCK,
|
|
THE LEG OF THE DUCK.
|
|
|
|
|
|
(PRIVATE CARR AND PRIVATE COMPTON, SWAGGERSTICKS TIGHT IN THEIR
|
|
OXTERS, AS THEY MARCH UNSTEADILY RIGHTABOUTFACE AND BURST TOGETHER
|
|
FROM THEIR MOUTHS A VOLLEYED FART. LAUGHTER OF MEN FROM THE LANE. A
|
|
HOARSE VIRAGO RETORTS.)
|
|
|
|
THE VIRAGO: Signs on you, hairy arse. More power the Cavan girl.
|
|
|
|
CISSY CAFFREY: More luck to me. Cavan, Cootehill and Belturbet.
|
|
(SHE SINGS)
|
|
|
|
|
|
I GAVE IT TO NELLY
|
|
TO STICK IN HER BELLY,
|
|
THE LEG OF THE DUCK,
|
|
THE LEG OF THE DUCK.
|
|
|
|
|
|
(PRIVATE CARR AND PRIVATE COMPTON TURN AND COUNTERRETORT, THEIR
|
|
TUNICS BLOODBRIGHT IN A LAMPGLOW, BLACK SOCKETS OF CAPS ON THEIR
|
|
BLOND CROPPED POLLS. STEPHEN DEDALUS AND LYNCH PASS THROUGH THE
|
|
CROWD CLOSE TO THE REDCOATS.)
|
|
|
|
PRIVATE COMPTON: (JERKS HIS FINGER) Way for the parson.
|
|
|
|
PRIVATE CARR: (TURNS AND CALLS) What ho, parson!
|
|
|
|
CISSY CAFFREY: (HER VOICE SOARING HIGHER)
|
|
|
|
|
|
SHE HAS IT, SHE GOT IT,
|
|
WHEREVER SHE PUT IT,
|
|
THE LEG OF THE DUCK.
|
|
|
|
|
|
(STEPHEN, FLOURISHING THE ASHPLANT IN HIS LEFT HAND, CHANTS WITH JOY
|
|
THE INTROIT FOR PASCHAL TIME. LYNCH, HIS JOCKEYCAP LOW ON HIS BROW,
|
|
ATTENDS HIM, A SNEER OF DISCONTENT WRINKLING HIS FACE.)
|
|
|
|
STEPHEN: VIDI AQUAM EGREDIENTEM DE TEMPLO A LATERE DEXTRO. ALLELUIA.
|
|
|
|
(THE FAMISHED SNAGGLETUSKS OF AN ELDERLY BAWD PROTRUDE FROM A DOORWAY.)
|
|
|
|
THE BAWD: (HER VOICE WHISPERING HUSKILY) Sst! Come here till I tell you.
|
|
Maidenhead inside. Sst!
|
|
|
|
STEPHEN: (ALTIUS ALIQUANTULUM) ET OMNES AD QUOS PERVENIT AQUA ISTA.
|
|
|
|
THE BAWD: (SPITS IN THEIR TRAIL HER JET OF VENOM) Trinity medicals.
|
|
Fallopian tube. All prick and no pence.
|
|
|
|
(EDY BOARDMAN, SNIFFLING, CROUCHED WITH BERTHA SUPPLE, DRAWS HER
|
|
SHAWL ACROSS HER NOSTRILS.)
|
|
|
|
EDY BOARDMAN: (BICKERING) And says the one: I seen you up Faithful place
|
|
with your squarepusher, the greaser off the railway, in his cometobed
|
|
hat. Did you, says I. That's not for you to say, says I. You never
|
|
seen me in the mantrap with a married highlander, says I. The likes
|
|
of her! Stag that one is! Stubborn as a mule! And her walking with two
|
|
fellows the one time, Kilbride, the enginedriver, and lancecorporal
|
|
Oliphant.
|
|
|
|
STEPHEN: (TRIUMPHALITER) SALVI FACTI SUNT.
|
|
|
|
(HE FLOURISHES HIS ASHPLANT, SHIVERING THE LAMP IMAGE, SHATTERING
|
|
LIGHT OVER THE WORLD. A LIVER AND WHITE SPANIEL ON THE PROWL SLINKS
|
|
AFTER HIM, GROWLING. LYNCH SCARES IT WITH A KICK.)
|
|
|
|
LYNCH: So that?
|
|
|
|
STEPHEN: (LOOKS BEHIND) So that gesture, not music not odour, would be a
|
|
universal language, the gift of tongues rendering visible not the lay
|
|
sense but the first entelechy, the structural rhythm.
|
|
|
|
LYNCH: Pornosophical philotheology. Metaphysics in Mecklenburgh street!
|
|
|
|
STEPHEN: We have shrewridden Shakespeare and henpecked Socrates. Even the
|
|
allwisest Stagyrite was bitted, bridled and mounted by a light of love.
|
|
|
|
LYNCH: Ba!
|
|
|
|
STEPHEN: Anyway, who wants two gestures to illustrate a loaf and a jug?
|
|
This movement illustrates the loaf and jug of bread or wine in Omar.
|
|
Hold my stick.
|
|
|
|
LYNCH: Damn your yellow stick. Where are we going?
|
|
|
|
STEPHEN: Lecherous lynx, TO LA BELLE DAME SANS MERCI, GEORGINA JOHNSON,
|
|
AD DEAM QUI LAETIFICAT IUVENTUTEM MEAM.
|
|
|
|
(STEPHEN THRUSTS THE ASHPLANT ON HIM AND SLOWLY HOLDS OUT HIS
|
|
HANDS, HIS HEAD GOING BACK TILL BOTH HANDS ARE A SPAN FROM HIS
|
|
BREAST, DOWN TURNED, IN PLANES INTERSECTING, THE FINGERS ABOUT TO
|
|
PART, THE LEFT BEING HIGHER.)
|
|
|
|
LYNCH: Which is the jug of bread? It skills not. That or the customhouse.
|
|
Illustrate thou. Here take your crutch and walk.
|
|
|
|
(THEY PASS. TOMMY CAFFREY SCRAMBLES TO A GASLAMP AND, CLASPING,
|
|
CLIMBS IN SPASMS. FROM THE TOP SPUR HE SLIDES DOWN. JACKY CAFFREY
|
|
CLASPS TO CLIMB. THE NAVVY LURCHES AGAINST THE LAMP. THE TWINS
|
|
SCUTTLE OFF IN THE DARK. THE NAVVY, SWAYING, PRESSES A FOREFINGER
|
|
AGAINST A WING OF HIS NOSE AND EJECTS FROM THE FARTHER NOSTRIL A LONG
|
|
LIQUID JET OF SNOT. SHOULDERING THE LAMP HE STAGGERS AWAY THROUGH
|
|
THE CROWD WITH HIS FLARING CRESSET.
|
|
|
|
SNAKES OF RIVER FOG CREEP SLOWLY. FROM DRAINS, CLEFTS, CESSPOOLS,
|
|
MIDDENS ARISE ON ALL SIDES STAGNANT FUMES. A GLOW LEAPS IN THE SOUTH
|
|
BEYOND THE SEAWARD REACHES OF THE RIVER. THE NAVVY, STAGGERING
|
|
FORWARD, CLEAVES THE CROWD AND LURCHES TOWARDS THE TRAMSIDING ON
|
|
THE FARTHER SIDE UNDER THE RAILWAY BRIDGE BLOOM APPEARS, FLUSHED,
|
|
PANTING, CRAMMING BREAD AND CHOCOLATE INTO A SIDEPOCKET. FROM
|
|
GILLEN'S HAIRDRESSER'S WINDOW A COMPOSITE PORTRAIT SHOWS HIM
|
|
GALLANT NELSON 'S IMAGE. A CONCAVE MIRROR AT THE SIDE PRESENTS TO HIM
|
|
LOVELORN LONGLOST LUGUBRU BOOLOOHOOM. GRAVE GLADSTONE SEES HIM
|
|
LEVEL, BLOOM FOR BLOOM. HE PASSES, STRUCK BY THE STARE OF TRUCULENT
|
|
WELLINGTON, BUT IN THE CONVEX MIRROR GRIN UNSTRUCK THE BONHAM EYES
|
|
AND FATCHUCK CHEEKCHOPS OF JOLLYPOLDY THE RIXDIX DOLDY.
|
|
|
|
AT ANTONIO PABAIOTTI'S DOOR BLOOM HALTS, SWEATED UNDER THE BRIGHT
|
|
ARCLAMP. HE DISAPPEARS. IN A MOMENT HE REAPPEARS AND HURRIES
|
|
ON.)
|
|
|
|
BLOOM: Fish and taters. N. g. Ah!
|
|
|
|
(HE DISAPPEARS INTO OLHAUSEN'S, THE PORKBUTCHER'S, UNDER THE
|
|
DOWNCOMING ROLLSHUTTER. A FEW MOMENTS LATER HE EMERGES FROM
|
|
UNDER THE SHUTTER, PUFFING POLDY, BLOWING BLOOHOOM. IN EACH HAND
|
|
HE HOLDS A PARCEL, ONE CONTAINING A LUKEWARM PIG'S CRUBEEN, THE
|
|
OTHER A COLD SHEEP'S TROTTER, SPRINKLED WITH WHOLEPEPPER. HE GASPS,
|
|
STANDING UPRIGHT. THEN BENDING TO ONE SIDE HE PRESSES A PARCEL
|
|
AGAINST HIS RIBS AND GROANS.)
|
|
|
|
BLOOM: Stitch in my side. Why did I run?
|
|
|
|
(HE TAKES BREATH WITH CARE AND GOES FORWARD SLOWLY TOWARDS THE
|
|
LAMPSET SIDING THE GLOW LEAPS AGAIN.)
|
|
|
|
BLOOM: What is that? A flasher? Searchlight.
|
|
|
|
(HE STANDS AT CORMACK'S CORNER, WATCHING)
|
|
|
|
BLOOM: Aurora borealis or a steel foundry? Ah, the brigade, of course. South
|
|
side anyhow. Big blaze. Might be his house. Beggar's bush. We're safe. (HE
|
|
HUMS CHEERFULLY) London's burning, London's burning! On fire, on fire!
|
|
(HE CATCHES SIGHT OF THE NAVVY LURCHING THROUGH THE CROWD AT THE FARTHER
|
|
SIDE OF TALBOT STREET) I'll miss him. Run. Quick. Better cross here.
|
|
|
|
(HE DARTS TO CROSS THE ROAD. URCHINS SHOUT.)
|
|
|
|
THE URCHINS: Mind out, mister! (TWO CYCLISTS, WITH LIGHTED PAPER LANTERNS
|
|
ASWING, SWIM BY HIM, GRAZING HIM, THEIR BELLS RATTLING)
|
|
|
|
THE BELLS: Haltyaltyaltyall.
|
|
|
|
BLOOM: (HALTS ERECT, STUNG BY A SPASM) Ow!
|
|
|
|
(HE LOOKS ROUND, DARTS FORWARD SUDDENLY. THROUGH RISING FOG A
|
|
DRAGON SANDSTREWER, TRAVELLING AT CAUTION, SLEWS HEAVILY DOWN UPON
|
|
HIM, ITS HUGE RED HEADLIGHT WINKING, ITS TROLLEY HISSING ON THE WIRE.
|
|
THE MOTORMAN BANGS HIS FOOTGONG.)
|
|
|
|
THE GONG: Bang Bang Bla Bak Blud Bugg Bloo.
|
|
|
|
(THE BRAKE CRACKS VIOLENTLY. BLOOM, RAISING A POLICEMAN'S
|
|
WHITEGLOVED HAND, BLUNDERS STIFFLEGGED OUT OF THE TRACK. THE
|
|
MOTORMAN, THROWN FORWARD, PUGNOSED, ON THE GUIDEWHEEL, YELLS AS
|
|
HE SLIDES PAST OVER CHAINS AND KEYS.)
|
|
|
|
THE MOTORMAN: Hey, shitbreeches, are you doing the hat trick?
|
|
|
|
BLOOM: (BLOOM TRICKLEAPS TO THE CURBSTONE AND HALTS AGAIN. HE BRUSHES A
|
|
MUDFLAKE FROM HIS CHEEK WITH A PARCELLED HAND.) No thoroughfare. Close
|
|
shave that but cured the stitch. Must take up Sandow's exercises
|
|
again. On the hands down. Insure against street accident too.
|
|
The Providential. (HE FEELS HIS TROUSER POCKET) Poor mamma's
|
|
panacea. Heel easily catch in track or bootlace in a cog. Day the
|
|
wheel of the black Maria peeled off my shoe at Leonard's corner. Third
|
|
time is the charm. Shoe trick. Insolent driver. I ought to report him.
|
|
Tension makes them nervous. Might be the fellow balked me this morning
|
|
with that horsey woman. Same style of beauty. Quick of him all the same.
|
|
The stiff walk. True word spoken in jest. That awful cramp in Lad lane.
|
|
Something poisonous I ate. Emblem of luck. Why? Probably lost cattle.
|
|
Mark of the beast. (HE CLOSES HIS EYES AN INSTANT) Bit light in the head.
|
|
Monthly or effect of the other. Brainfogfag. That tired feeling. Too much
|
|
for me now. Ow!
|
|
|
|
(A SINISTER FIGURE LEANS ON PLAITED LEGS AGAINST O'BEIRNE'S WALL, A
|
|
VISAGE UNKNOWN, INJECTED WITH DARK MERCURY. FROM UNDER A
|
|
WIDELEAVED SOMBRERO THE FIGURE REGARDS HIM WITH EVIL EYE.)
|
|
|
|
BLOOM: BUENAS NOCHES, SENORITA BLANCA. QUE CALLE ES ESTA?
|
|
|
|
THE FIGURE: (IMPASSIVE, RAISES A SIGNAL ARM) Password. SRAID MABBOT.
|
|
|
|
BLOOM: Haha. MERCI. Esperanto. SLAN LEATH. (HE MUTTERS) Gaelic league spy,
|
|
sent by that fireeater.
|
|
|
|
(HE STEPS FORWARD. A SACKSHOULDERED RAGMAN BARS HIS PATH. HE STEPS LEFT,
|
|
RAGSACKMAN LEFT.)
|
|
|
|
BLOOM: I beg. (HE SWERVES, SIDLES, STEPASIDE, SLIPS PAST AND ON.)
|
|
|
|
BLOOM: Keep to the right, right, right. If there is a signpost planted by the
|
|
Touring Club at Stepaside who procured that public boon? I who lost my way
|
|
and contributed to the columns of the IRISH CYCLIST the letter headed IN
|
|
DARKEST STEPASIDE. Keep, keep, keep to the right. Rags and bones at
|
|
midnight. A fence more likely. First place murderer makes for. Wash off
|
|
his sins of the world.
|
|
|
|
(JACKY CAFFREY, HUNTED BY TOMMY CAFFREY, RUNS FULL TILT AGAINST BLOOM.)
|
|
|
|
BLOOM: O
|
|
|
|
(SHOCKED, ON WEAK HAMS, HE HALTS. TOMMY AND JACKY VANISH THERE,
|
|
THERE. BLOOM PATS WITH PARCELLED HANDS WATCH FOBPOCKET, BOOKPOCKET,
|
|
PURSEPOKET, SWEETS OF SIN, POTATO SOAP.)
|
|
|
|
BLOOM: Beware of pickpockets. Old thieves' dodge. Collide. Then snatch your
|
|
purse.
|
|
|
|
(THE RETRIEVER APPROACHES SNIFFING, NOSE TO THE GROUND. A SPRAWLED
|
|
FORM SNEEZES. A STOOPED BEARDED FIGURE APPEARS GARBED IN THE LONG
|
|
CAFTAN OF AN ELDER IN ZION AND A SMOKINGCAP WITH MAGENTA TASSELS.
|
|
HORNED SPECTACLES HANG DOWN AT THE WINGS OF THE NOSE. YELLOW
|
|
POISON STREAKS ARE ON THE DRAWN FACE.)
|
|
|
|
RUDOLPH: Second halfcrown waste money today. I told you not go with drunken
|
|
goy ever. So you catch no money.
|
|
|
|
BLOOM: (HIDES THE CRUBEEN AND TROTTER BEHIND HIS BACK AND, CRESTFALLEN, FEELS
|
|
WARM AND COLD FEETMEAT) JA, ICH WEISS, PAPACHI.
|
|
|
|
RUDOLPH: What you making down this place? Have you no soul? (WITH FEEBLE
|
|
VULTURE TALONS HE FEELS THE SILENT FACE OF BLOOM) Are you not my son Leopold,
|
|
the grandson of Leopold? Are you not my dear son Leopold who left the house
|
|
of his father and left the god of his fathers Abraham and Jacob?
|
|
|
|
BLOOM: (WITH PRECAUTION) I suppose so, father. Mosenthal. All that's left of
|
|
him.
|
|
|
|
RUDOLPH: (SEVERELY) One night they bring you home drunk as dog after spend
|
|
your good money. What you call them running chaps?
|
|
|
|
BLOOM: (IN YOUTH'S SMART BLUE OXFORD SUIT WITH WHITE VESTSLIPS,
|
|
NARROWSHOULDERED, IN BROWN ALPINE HAT, WEARING GENT'S STERLING SILVER
|
|
WATERBURY KEYLESS WATCH AND DOUBLE CURB ALBERT WITH SEAL ATTACHED, ONE
|
|
SIDE OF HIM COATED WITH STIFFENING MUD) Harriers, father. Only that once.
|
|
|
|
RUDOLPH: Once! Mud head to foot. Cut your hand open. Lockjaw. They make you
|
|
kaputt, Leopoldleben. You watch them chaps.
|
|
|
|
BLOOM: (WEAKLY) They challenged me to a sprint. It was muddy. I slipped.
|
|
|
|
RUDOLPH: (WITH CONTEMPT) GOIM NACHEZ! Nice spectacles for your poor mother!
|
|
|
|
BLOOM: Mamma!
|
|
|
|
ELLEN BLOOM: (IN PANTOMIME DAME'S STRINGED MOBCAP, WIDOW TWANKEY'S CRINOLINE
|
|
AND BUSTLE, BLOUSE WITH MUTTONLEG SLEEVES BUTTONED BEHIND, GREY MITTENS AND
|
|
CAMEO BROOCH, HER PLAITED HAIR IN A CRISPINE NET, APPEARS OVER THE
|
|
STAIRCASE BANISTERS, A SLANTED CANDLESTICK IN HER HAND, AND CRIES OUT IN
|
|
SHRILL ALARM) O blessed Redeemer, what have they done to him! My smelling
|
|
salts! (SHE HAULS UP A REEF OF SKIRT AND RANSACKS THE POUCH OF HER STRIPED
|
|
BLAY PETTICOAT A PHIAL, AN AGNUS DEI, A SHRIVELLED POTATO AND A CELLULOID
|
|
DOLL FALL OUT) Sacred Heart of Mary, where were you at all at all?
|
|
|
|
(BLOOM, MUMBLING, HIS EYES DOWNCAST, BEGINS TO BESTOW HIS PARCELS
|
|
IN HIS FILLED POCKETS BUT DESISTS, MUTTERING.)
|
|
|
|
A VOICE: (SHARPLY) Poldy!
|
|
|
|
BLOOM: Who? (HE DUCKS AND WARDS OFF A BLOW CLUMSILY) At your service.
|
|
|
|
(HE LOOKS UP. BESIDE HER MIRAGE OF DATEPALMS A HANDSOME WOMAN
|
|
IN TURKISH COSTUME STANDS BEFORE HIM. OPULENT CURVES FILL OUT HER
|
|
SCARLET TROUSERS AND JACKET, SLASHED WITH GOLD. A WIDE YELLOW
|
|
CUMMERBUND GIRDLES HER. A WHITE YASHMAK, VIOLET IN THE NIGHT,
|
|
COVERS HER FACE, LEAVING FREE ONLY HER LARGE DARK EYES AND RAVEN
|
|
HAIR.)
|
|
|
|
BLOOM: Molly!
|
|
|
|
MARION: Welly? Mrs Marion from this out, my dear man, when you speak to me.
|
|
(SATIRICALLY) Has poor little hubby cold feet waiting so long?
|
|
|
|
BLOOM: (SHIFTS FROM FOOT TO FOOT) No, no. Not the least little bit.
|
|
|
|
(HE BREATHES IN DEEP AGITATION, SWALLOWING GULPS OF AIR, QUESTIONS,
|
|
HOPES, CRUBEENS FOR HER SUPPER, THINGS TO TELL HER, EXCUSE, DESIRE,
|
|
SPELLBOUND. A COIN GLEAMS ON HER FOREHEAD. ON HER FEET ARE JEWELLED
|
|
TOERINGS. HER ANKLES ARE LINKED BY A SLENDER FETTERCHAIN. BESIDE HER A
|
|
CAMEL, HOODED WITH A TURRETING TURBAN, WAITS. A SILK LADDER OF
|
|
INNUMERABLE RUNGS CLIMBS TO HIS BOBBING HOWDAH. HE AMBLES NEAR
|
|
WITH DISGRUNTLED HINDQUARTERS. FIERCELY SHE SLAPS HIS HAUNCH, HER
|
|
GOLDCURB WRISTBANGLES ANGRILING, SCOLDING HIM IN MOORISH.)
|
|
|
|
MARION: Nebrakada! Femininum!
|
|
|
|
(THE CAMEL, LIFTING A FORELEG, PLUCKS FROM A TREE A LARGE MANGO FRUIT,
|
|
OFFERS IT TO HIS MISTRESS, BLINKING, IN HIS CLOVEN HOOF, THEN DROOPS HIS
|
|
HEAD AND, GRUNTING, WITH UPLIFTED NECK, FUMBLES TO KNEEL. BLOOM
|
|
STOOPS HIS BACK FOR LEAPFROG.)
|
|
|
|
BLOOM: I can give you ... I mean as your business menagerer ... Mrs
|
|
Marion ... if you ...
|
|
|
|
MARION: So you notice some change? (HER HANDS PASSING SLOWLY OVER HER
|
|
TRINKETED STOMACHER, A SLOW FRIENDLY MOCKERY IN HER EYES) O Poldy, Poldy,
|
|
you are a poor old stick in the mud! Go and see life. See the wide world.
|
|
|
|
BLOOM: I was just going back for that lotion whitewax, orangeflower water.
|
|
Shop closes early on Thursday. But the first thing in the morning. (HE PATS
|
|
DIVERS POCKETS) This moving kidney. Ah!
|
|
|
|
(HE POINTS TO THE SOUTH, THEN TO THE EAST. A CAKE OF NEW CLEAN LEMON
|
|
SOAP ARISES, DIFFUSING LIGHT AND PERFUME.)
|
|
|
|
THE SOAP:
|
|
|
|
|
|
We're a capital couple are Bloom and I.
|
|
He brightens the earth. I polish the sky.
|
|
|
|
|
|
(THE FRECKLED FACE OF SWENY, THE DRUGGIST, APPEARS IN THE DISC OF THE
|
|
SOAPSUN.)
|
|
|
|
SWENY: Three and a penny, please.
|
|
|
|
BLOOM: Yes. For my wife. Mrs Marion. Special recipe.
|
|
|
|
MARION: (SOFTLY) Poldy!
|
|
|
|
BLOOM: Yes, ma'am?
|
|
|
|
MARION: TI TREMA UN POCO IL CUORE?
|
|
|
|
(IN DISDAIN SHE SAUNTERS AWAY, PLUMP AS A PAMPERED POUTER PIGEON,
|
|
HUMMING THE DUET FROM Don Giovanni.)
|
|
|
|
BLOOM: Are you sure about that VOGLIO? I mean the pronunciati ...
|
|
|
|
(HE FOLLOWS, FOLLOWED BY THE SNIFFING TERRIER. THE ELDERLY BAWD
|
|
SEIZES HIS SLEEVE, THE BRISTLES OF HER CHINMOLE GLITTERING.)
|
|
|
|
THE BAWD: Ten shillings a maidenhead. Fresh thing was never touched.
|
|
Fifteen. There's no-one in it only her old father that's dead drunk.
|
|
|
|
(SHE POINTS. IN THE GAP OF HER DARK DEN FURTIVE, RAINBEDRAGGLED,
|
|
BRIDIE KELLY STANDS.)
|
|
|
|
BRIDIE: Hatch street. Any good in your mind?
|
|
|
|
(WITH A SQUEAK SHE FLAPS HER BAT SHAWL AND RUNS. A BURLY ROUGH
|
|
PURSUES WITH BOOTED STRIDES. HE STUMBLES ON THE STEPS, RECOVERS,
|
|
PLUNGES INTO GLOOM. WEAK SQUEAKS OF LAUGHTER ARE HEARD, WEAKER.)
|
|
|
|
THE BAWD: (HER WOLFEYES SHINING) He's getting his pleasure. You won't get
|
|
a virgin in the flash houses. Ten shillings. Don't be all night before the
|
|
polis in plain clothes sees us. Sixtyseven is a bitch.
|
|
|
|
(LEERING, GERTY MACDOWELL LIMPS FORWARD. SHE DRAWS FROM BEHIND,
|
|
OGLING, AND SHOWS COYLY HER BLOODIED CLOUT.)
|
|
|
|
GERTY: With all my worldly goods I thee and thou. (SHE MURMURS) You did
|
|
that. I hate you.
|
|
|
|
BLOOM: I? When? You're dreaming. I never saw you.
|
|
|
|
THE BAWD: Leave the gentleman alone, you cheat. Writing the gentleman
|
|
false letters. Streetwalking and soliciting. Better for your mother take
|
|
the strap to you at the bedpost, hussy like you.
|
|
|
|
GERTY: (TO BLOOM) When you saw all the secrets of my bottom drawer.
|
|
(SHE PAWS HIS SLEEVE, SLOBBERING) Dirty married man! I love you for doing
|
|
that to me.
|
|
|
|
(SHE GLIDES AWAY CROOKEDLY. MRS BREEN IN MAN'S FRIEZE OVERCOAT
|
|
WITH LOOSE BELLOWS POCKETS, STANDS IN THE CAUSEWAY, HER ROGUISH EYES
|
|
WIDEOPEN, SMILING IN ALL HER HERBIVOROUS BUCKTEETH.)
|
|
|
|
MRS BREEN: Mr ...
|
|
|
|
BLOOM: (COUGHS GRAVELY) Madam, when we last had this pleasure by letter
|
|
dated the sixteenth instant ...
|
|
|
|
MRS BREEN: Mr Bloom! You down here in the haunts of sin! I caught you
|
|
nicely! Scamp!
|
|
|
|
BLOOM: (HURRIEDLY) Not so loud my name. Whatever do you think of me? Don't
|
|
give me away. Walls have ears. How do you do? It's ages since I. You're
|
|
looking splendid. Absolutely it. Seasonable weather we are having this
|
|
time of year. Black refracts heat. Short cut home here. Interesting
|
|
quarter. Rescue of fallen women. Magdalen asylum. I am the secretary ...
|
|
|
|
MRS BREEN: (HOLDS UP A FINGER) Now, don't tell a big fib! I know somebody
|
|
won't like that. O just wait till I see Molly! (slily) Account for
|
|
yourself this very sminute or woe betide you!
|
|
|
|
BLOOM: (LOOKS BEHIND) She often said she'd like to visit. Slumming.
|
|
The exotic, you see. Negro servants in livery too if she had money.
|
|
Othello black brute. Eugene Stratton. Even the bones and cornerman at the
|
|
Livermore christies. Bohee brothers. Sweep for that matter.
|
|
|
|
(TOM AND SAM BOHEE, COLOURED COONS IN WHITE DUCK SUITS, SCARLET
|
|
SOCKS, UPSTARCHED SAMBO CHOKERS AND LARGE SCARLET ASTERS IN THEIR
|
|
BUTTONHOLES, LEAP OUT EACH HAS HIS BANJO SLUNG THEIR PALER SMALLER
|
|
NEGROID HANDS JINGLE THE TWINGTWANG WIRES. FLASHING WHITE KAFFIR
|
|
EYES AND TUSKS THEY RATTLE THROUGH A BREAKDOWN IN CLUMSY CLOGS,
|
|
TWINGING, SINGING, BACK TO BACK, TOE HEEL, HEEL TOE, WITH
|
|
SMACKFATCLACKING NIGGER LIPS.)
|
|
|
|
TOM AND SAM:
|
|
|
|
|
|
There's someone in the house with Dina
|
|
There's someone in the house, I know,
|
|
There's someone in the house with Dina
|
|
Playing on the old banjo.
|
|
|
|
|
|
(THEY WHISK BLACK MASKS FROM RAW BABBY FACES: THEN, CHUCKLING,
|
|
CHORTLING, TRUMMING, TWANGING, THEY DIDDLE DIDDLE CAKEWALK DANCE
|
|
AWAY.)
|
|
|
|
BLOOM: (WITH A SOUR TENDERISH SMILE) A little frivol, shall we, if you are so
|
|
inclined? Would you like me perhaps to embrace you just for a fraction
|
|
of a second?
|
|
|
|
MRS BREEN: (SCREAMS GAILY) O, you ruck! You ought to see yourself!
|
|
|
|
BLOOM: For old sake' sake. I only meant a square party, a mixed marriage
|
|
mingling of our different little conjugials. You know I had a soft corner
|
|
for you. (GLOOMILY) 'Twas I sent you that valentine of the dear gazelle.
|
|
|
|
MRS BREEN: Glory Alice, you do look a holy show! Killing simply.
|
|
(SHE PUTS OUT HER HAND INQUISITIVELY) What are you hiding behind your
|
|
back? Tell us, there's a dear.
|
|
|
|
BLOOM: (SEIZES HER WRIST WITH HIS FREE HAND) Josie Powell that was,
|
|
prettiest deb in Dublin. How time flies by! Do you remember, harking back
|
|
in a retrospective arrangement, Old Christmas night, Georgina Simpson's
|
|
housewarming while they were playing the Irving Bishop game, finding the
|
|
pin blindfold and thoughtreading? Subject, what is in this snuffbox?
|
|
|
|
MRS BREEN: You were the lion of the night with your seriocomic recitation
|
|
and you looked the part. You were always a favourite with the ladies.
|
|
|
|
BLOOM: (SQUIRE OF DAMES, IN DINNER JACKET WITH WATEREDSILK FACINGS, BLUE
|
|
MASONIC BADGE IN HIS BUTTONHOLE, BLACK BOW AND MOTHER-OF-PEARL STUDS,
|
|
A PRISMATIC CHAMPAGNE GLASS TILTED IN HIS HAND) Ladies and gentlemen,
|
|
I give you Ireland, home and beauty.
|
|
|
|
MRS BREEN: The dear dead days beyond recall. Love's old sweet song.
|
|
|
|
BLOOM: (MEANINGFULLY DROPPING HIS VOICE) I confess I'm teapot with
|
|
curiosity to find out whether some person's something is a little teapot
|
|
at present.
|
|
|
|
MRS BREEN: (GUSHINGLY) Tremendously teapot! London's teapot and I'm simply
|
|
teapot all over me! (SHE RUBS SIDES WITH HIM) After the parlour mystery
|
|
games and the crackers from the tree we sat on the staircase ottoman.
|
|
Under the mistletoe. Two is company.
|
|
|
|
BLOOM: (WEARING A PURPLE NAPOLEON HAT WITH AN AMBER HALFMOON, HIS FINGERS
|
|
AND THUMB PASSING SLOWLY DOWN TO HER SOFT MOIST MEATY PALM WHICH SHE
|
|
SURRENDERS GENTLY) The witching hour of night. I took the splinter out of
|
|
this hand, carefully, slowly. (TENDERLY, AS HE SLIPS ON HER FINGER A RUBY
|
|
RING) LA CI DAREM LA MANO.
|
|
|
|
MRS BREEN: (IN A ONEPIECE EVENING FROCK EXECUTED IN MOONLIGHT BLUE, A
|
|
TINSEL SYLPH'S DIADEM ON HER BROW WITH HER DANCECARD FALLEN BESIDE HER
|
|
MOONBLUE SATIN SLIPPER, CURVES HER PALM SOFTLY, BREATHING QUICKLY) VOGLIO
|
|
E NON. You're hot! You're scalding! The left hand nearest the heart.
|
|
|
|
BLOOM: When you made your present choice they said it was beauty and the
|
|
beast. I can never forgive you for that. (HIS CLENCHED FIST AT HIS BROW)
|
|
Think what it means. All you meant to me then. (HOARSELY) Woman, it's
|
|
breaking me!
|
|
|
|
(DENIS BREEN, WHITETALLHATTED, WITH WISDOM HELY'S SANDWICH-
|
|
BOARDS, SHUFFLES PAST THEM IN CARPET SLIPPERS, HIS DULL BEARD
|
|
THRUST OUT, MUTTERING TO RIGHT AND LEFT. LITTLE ALF BERGAN, CLOAKED IN
|
|
THE PALL OF THE ACE OF SPADES, DOGS HIM TO LEFT AND RIGHT, DOUBLED IN
|
|
LAUGHTER.)
|
|
|
|
ALF BERGAN: (POINTS JEERING AT THE SANDWICHBOARDS) U. p: Up.
|
|
|
|
MRS BREEN: (TO BLOOM) High jinks below stairs. (SHE GIVES HIM THE GLAD EYE)
|
|
Why didn't you kiss the spot to make it well? You wanted to.
|
|
|
|
BLOOM: (SHOCKED) Molly's best friend! Could you?
|
|
|
|
MRS BREEN: (HER PULPY TONGUE BETWEEN HER LIPS, OFFERS A PIGEON KISS) Hnhn.
|
|
The answer is a lemon. Have you a little present for me there?
|
|
|
|
BLOOM: (OFFHANDEDLY) Kosher. A snack for supper. The home without potted
|
|
meat is incomplete. I was at LEAH. Mrs Bandmann Palmer. Trenchant exponent
|
|
of Shakespeare. Unfortunately threw away the programme. Rattling good
|
|
place round there for pigs' feet. Feel.
|
|
|
|
(RICHIE GOULDING, THREE LADIES' HATS PINNED ON HIS HEAD, APPEARS
|
|
WEIGHTED TO ONE SIDE BY THE BLACK LEGAL BAG OF COLLIS AND WARD ON
|
|
WHICH A SKULL AND CROSSBONES ARE PAINTED IN WHITE LIMEWASH. HE
|
|
OPENS IT AND SHOWS IT FULL OF POLONIES, KIPPERED HERRINGS, FINDON
|
|
HADDIES AND TIGHTPACKED PILLS.)
|
|
|
|
RICHIE: Best value in Dub.
|
|
|
|
(BALD PAT, BOTHERED BEETLE, STANDS ON THE CURBSTONE, FOLDING HIS
|
|
NAPKIN, WAITING TO WAIT.)
|
|
|
|
PAT: (ADVANCES WITH A TILTED DISH OF SPILLSPILLING GRAVY) Steak and
|
|
kidney. Bottle of lager. Hee hee hee. Wait till I wait.
|
|
|
|
RICHIE: Goodgod. Inev erate inall ...
|
|
|
|
(WITH HANGING HEAD HE MARCHES DOGGEDLY FORWARD THE NAVVY,
|
|
LURCHING BY, GORES HIM WITH HIS FLAMING PRONGHORN.)
|
|
|
|
RICHIE: (WITH A CRY OF PAIN, HIS HAND TO HIS BACK) Ah! Bright's! Lights!
|
|
|
|
BLOOM: (POINTS TO THE NAVVY) A spy. Don't attract attention. I hate stupid
|
|
crowds. I am not on pleasure bent. I am in a grave predicament.
|
|
|
|
MRS BREEN: Humbugging and deluthering as per usual with your cock and
|
|
bull story.
|
|
|
|
BLOOM: I want to tell you a little secret about how I came to be here.
|
|
But you must never tell. Not even Molly. I have a most particular reason.
|
|
|
|
MRS BREEN: (ALL AGOG) O, not for worlds.
|
|
|
|
BLOOM: Let's walk on. Shall us?
|
|
|
|
MRS BREEN: Let's.
|
|
|
|
(THE BAWD MAKES AN UNHEEDED SIGN. BLOOM WALKS ON WITH MRS
|
|
BREEN. THE TERRIER FOLLOWS, WHINING PITEOUSLY, WAGGING HIS TAIL.)
|
|
|
|
THE BAWD: Jewman's melt!
|
|
|
|
BLOOM: (IN AN OATMEAL SPORTING SUIT, A SPRIG OF WOODBINE IN THE LAPEL,
|
|
TONY BUFF SHIRT, SHEPHERD'S PLAID SAINT ANDREW'S CROSS SCARFTIE, WHITE
|
|
SPATS, FAWN DUSTCOAT ON HIS ARM, TAWNY RED BROGUES, FIELDGLASSES IN
|
|
BANDOLIER AND A GREY BILLYCOCK HAT) Do you remember a long long time,
|
|
years and years ago, just after Milly, Marionette we called her, was
|
|
weaned when we all went together to Fairyhouse races, was it?
|
|
|
|
MRS BREEN: (IN SMART SAXE TAILORMADE, WHITE VELOURS HAT AND SPIDER VEIL)
|
|
Leopardstown.
|
|
|
|
BLOOM: I mean, Leopardstown. And Molly won seven shillings on a three year
|
|
old named Nevertell and coming home along by Foxrock in that old
|
|
fiveseater shanderadan of a waggonette you were in your heyday then and
|
|
you had on that new hat of white velours with a surround of molefur that
|
|
Mrs Hayes advised you to buy because it was marked down to nineteen and
|
|
eleven, a bit of wire and an old rag of velveteen, and I'll lay you what
|
|
you like she did it on purpose ...
|
|
|
|
MRS BREEN: She did, of course, the cat! Don't tell me! Nice adviser!
|
|
|
|
BLOOM: Because it didn't suit you one quarter as well as the other ducky
|
|
little tammy toque with the bird of paradise wing in it that I admired on
|
|
you and you honestly looked just too fetching in it though it was a pity
|
|
to kill it, you cruel naughty creature, little mite of a thing with a
|
|
heart the size of a fullstop.
|
|
|
|
MRS BREEN: (SQUEEZES HIS ARM, SIMPERS) Naughty cruel I was!
|
|
|
|
BLOOM: (LOW, SECRETLY, EVER MORE RAPIDLY) And Molly was eating a sandwich of
|
|
spiced beef out of Mrs Joe Gallaher's lunch basket. Frankly, though she
|
|
had her advisers or admirers, I never cared much for her style.
|
|
She was ...
|
|
|
|
MRS BREEN: Too ...
|
|
|
|
BLOOM: Yes. And Molly was laughing because Rogers and Maggot O'Reilly were
|
|
mimicking a cock as we passed a farmhouse and Marcus Tertius Moses, the
|
|
tea merchant, drove past us in a gig with his daughter, Dancer Moses was
|
|
her name, and the poodle in her lap bridled up and you asked me if I ever
|
|
heard or read or knew or came across ...
|
|
|
|
MRS BREEN: (EAGERLY) Yes, yes, yes, yes, yes, yes, yes.
|
|
|
|
(SHE FADES FROM HIS SIDE. FOLLOWED BY THE WHINING DOG HE WALKS ON
|
|
TOWARDS HELLSGATES. IN AN ARCHWAY A STANDING WOMAN, BENT FORWARD,
|
|
HER FEET APART, PISSES COWILY. OUTSIDE A SHUTTERED PUB A BUNCH OF
|
|
LOITERERS LISTEN TO A TALE WHICH THEIR BROKENSNOUTED GAFFER RASPS OUT
|
|
WITH RAUCOUS HUMOUR. AN ARMLESS PAIR OF THEM FLOP WRESTLING,
|
|
GROWLING, IN MAIMED SODDEN PLAYFIGHT.)
|
|
|
|
THE GAFFER: (CROUCHES, HIS VOICE TWISTED IN HIS SNOUT) And when Cairns
|
|
came down from the scaffolding in Beaver street what was he after doing
|
|
it into only into the bucket of porter that was there waiting on the
|
|
shavings for Derwan's plasterers.
|
|
|
|
THE LOITERERS: (GUFFAW WITH CLEFT PALATES) O jays!
|
|
|
|
(THEIR PAINTSPECKLED HATS WAG. SPATTERED WITH SIZE AND LIME OF THEIR
|
|
LODGES THEY FRISK LIMBLESSLY ABOUT HIM.)
|
|
|
|
BLOOM: Coincidence too. They think it funny. Anything but that. Broad
|
|
daylight. Trying to walk. Lucky no woman.
|
|
|
|
THE LOITERERS: Jays, that's a good one. Glauber salts. O jays, into the
|
|
men's porter.
|
|
|
|
(BLOOM PASSES. CHEAP WHORES, SINGLY, COUPLED, SHAWLED, DISHEVELLED,
|
|
CALL FROM LANES, DOORS, CORNERS.)
|
|
|
|
THE WHORES:
|
|
|
|
Are you going far, queer fellow?
|
|
How's your middle leg?
|
|
Got a match on you?
|
|
Eh, come here till I stiffen it for you.
|
|
|
|
(HE PLODGES THROUGH THEIR SUMP TOWARDS THE LIGHTED STREET BEYOND.
|
|
FROM A BULGE OF WINDOW CURTAINS A GRAMOPHONE REARS A BATTERED
|
|
BRAZEN TRUNK. IN THE SHADOW A SHEBEENKEEPER HAGGLES WITH THE
|
|
NAVVY AND THE TWO REDCOATS.)
|
|
|
|
THE NAVVY: (BELCHING) Where's the bloody house?
|
|
|
|
THE SHEBEENKEEPER: Purdon street. Shilling a bottle of stout. Respectable
|
|
woman.
|
|
|
|
THE NAVVY: (GRIPPING THE TWO REDCOATS, STAGGERS FORWARD WITH THEM)
|
|
Come on, you British army!
|
|
|
|
PRIVATE CARR: (BEHIND HIS BACK) He aint half balmy.
|
|
|
|
PRIVATE COMPTON: (LAUGHS) What ho!
|
|
|
|
PRIVATE CARR: (TO THE NAVVY) Portobello barracks canteen. You ask for
|
|
Carr. Just Carr.
|
|
|
|
THE NAVVY: (SHOUTS)
|
|
|
|
We are the boys. Of Wexford.
|
|
|
|
PRIVATE COMPTON: Say! What price the sergeantmajor?
|
|
|
|
PRIVATE CARR: Bennett? He's my pal. I love old Bennett.
|
|
|
|
THE NAVVY: (SHOUTS)
|
|
|
|
The galling chain.
|
|
And free our native land.
|
|
|
|
(HE STAGGERS FORWARD, DRAGGING THEM WITH HIM. BLOOM STOPS, AT
|
|
FAULT. THE DOG APPROACHES, HIS TONGUE OUTLOLLING, PANTING)
|
|
|
|
BLOOM: Wildgoose chase this. Disorderly houses. Lord knows where they are
|
|
gone. Drunks cover distance double quick. Nice mixup. Scene at Westland
|
|
row. Then jump in first class with third ticket. Then too far. Train with
|
|
engine behind. Might have taken me to Malahide or a siding for the night
|
|
or collision. Second drink does it. Once is a dose. What am I following
|
|
him for? Still, he's the best of that lot. If I hadn't heard about
|
|
Mrs Beaufoy Purefoy I wouldn't have gone and wouldn't have met. Kismet.
|
|
He'll lose that cash. Relieving office here. Good biz for cheapjacks,
|
|
organs. What do ye lack? Soon got, soon gone. Might have lost my
|
|
life too with that mangongwheeltracktrolleyglarejuggernaut only
|
|
for presence of mind. Can't always save you, though. If I had passed
|
|
Truelock's window that day two minutes later would have been shot.
|
|
Absence of body. Still if bullet only went through my coat get
|
|
damages for shock, five hundred pounds. What was he? Kildare street
|
|
club toff. God help his gamekeeper.
|
|
|
|
(HE GAZES AHEAD, READING ON THE WALL A SCRAWLED CHALK LEGEND Wet Dream
|
|
AND A PHALLIC DESIGN.) Odd! Molly drawing on the frosted carriagepane at
|
|
Kingstown. What's that like? (GAUDY DOLLWOMEN LOLL IN THE LIGHTED
|
|
DOORWAYS, IN WINDOW EMBRASURES, SMOKING BIRDSEYE CIGARETTES. THE ODOUR
|
|
OF THE SICKSWEET WEED FLOATS TOWARDS HIM IN SLOW ROUND OVALLING WREATHS.)
|
|
|
|
THE WREATHS: Sweet are the sweets. Sweets of sin.
|
|
|
|
BLOOM: My spine's a bit limp. Go or turn? And this food? Eat it and get
|
|
all pigsticky. Absurd I am. Waste of money. One and eightpence too much.
|
|
(THE RETRIEVER DRIVES A COLD SNIVELLING MUZZLE AGAINST HIS HAND, WAGGING
|
|
HIS TAIL.) Strange how they take to me. Even that brute today. Better
|
|
speak to him first. Like women they like RENCONTRES. Stinks like a
|
|
polecat. CHACUN SON GOUT. He might be mad. Dogdays. Uncertain in his
|
|
movements. Good fellow! Fido! Good fellow! Garryowen! (THE WOLFDOG SPRAWLS
|
|
ON HIS BACK, WRIGGLING OBSCENELY WITH BEGGING PAWS, HIS LONG BLACK TONGUE
|
|
LOLLING OUT.) Influence of his surroundings. Give and have done with it.
|
|
Provided nobody. (CALLING ENCOURAGING WORDS HE SHAMBLES BACK WITH A
|
|
FURTIVE POACHER'S TREAD, DOGGED BY THE SETTER INTO A DARK STALESTUNK
|
|
CORNER. HE UNROLLS ONE PARCEL AND GOES TO DUMP THE CRUBEEN SOFTLY BUT
|
|
HOLDS BACK AND FEELS THE TROTTER.) Sizeable for threepence. But then I
|
|
have it in my left hand. Calls for more effort. Why? Smaller from want
|
|
of use. O, let it slide. Two and six.
|
|
|
|
(WITH REGRET HE LETS THE UNROLLED CRUBEEN AND TROTTER SLIDE. THE
|
|
MASTIFF MAULS THE BUNDLE CLUMSILY AND GLUTS HIMSELF WITH GROWLING
|
|
GREED, CRUNCHING THE BONES. TWO RAINCAPED WATCH APPROACH, SILENT,
|
|
VIGILANT. THEY MURMUR TOGETHER.)
|
|
|
|
THE WATCH: Bloom. Of Bloom. For Bloom. Bloom.
|
|
|
|
(EACH LAYS HAND ON BLOOM'S SHOULDER.)
|
|
|
|
FIRST WATCH: Caught in the act. Commit no nuisance.
|
|
|
|
BLOOM: (STAMMERS) I am doing good to others.
|
|
|
|
(A COVEY OF GULLS, STORM PETRELS, RISES HUNGRILY FROM LIFFEY SLIME
|
|
WITH BANBURY CAKES IN THEIR BEAKS.)
|
|
|
|
THE GULLS: Kaw kave kankury kake.
|
|
|
|
BLOOM: The friend of man. Trained by kindness.
|
|
|
|
(HE POINTS. BOB DORAN, TOPPLING FROM A HIGH BARSTOOL, SWAYS OVER
|
|
THE MUNCHING SPANIEL.)
|
|
|
|
BOB DORAN: Towser. Give us the paw. Give the paw.
|
|
|
|
(THE BULLDOG GROWLS, HIS SCRUFF STANDING, A GOBBET OF PIG'S KNUCKLE
|
|
BETWEEN HIS MOLARS THROUGH WHICH RABID SCUMSPITTLE DRIBBLES BOB
|
|
DORAN FILLS SILENTLY INTO AN AREA.)
|
|
|
|
SECOND WATCH: Prevention of cruelty to animals.
|
|
|
|
BLOOM: (ENTHUSIASTICALLY) A noble work! I scolded that tramdriver on
|
|
Harold's cross bridge for illusing the poor horse with his harness scab.
|
|
Bad French I got for my pains. Of course it was frosty and the last tram.
|
|
All tales of circus life are highly demoralising.
|
|
|
|
(SIGNOR MAFFEI, PASSIONPALE, IN LIONTAMER'S COSTUME WITH DIAMOND
|
|
STUDS IN HIS SHIRTFRONT, STEPS FORWARD, HOLDING A CIRCUS PAPERHOOP, A
|
|
CURLING CARRIAGEWHIP AND A REVOLVER WITH WHICH HE COVERS THE
|
|
GORGING BOARHOUND.)
|
|
|
|
SIGNOR MAFFEI: (WITH A SINISTER SMILE) Ladies and gentlemen, my educated
|
|
greyhound. It was I broke in the bucking broncho Ajax with my patent
|
|
spiked saddle for carnivores. Lash under the belly with a knotted thong.
|
|
Block tackle and a strangling pulley will bring your lion to heel, no
|
|
matter how fractious, even LEO FEROX there, the Libyan maneater. A redhot
|
|
crowbar and some liniment rubbing on the burning part produced Fritz of
|
|
Amsterdam, the thinking hyena. (HE GLARES) I possess the Indian sign.
|
|
The glint of my eye does it with these breastsparklers. (WITH A BEWITCHING
|
|
SMILE) I now introduce Mademoiselle Ruby, the pride of the ring.
|
|
|
|
FIRST WATCH: Come. Name and address.
|
|
|
|
BLOOM: I have forgotten for the moment. Ah, yes! (HE TAKES OFF HIS HIGH
|
|
GRADE HAT, SALUTING) Dr Bloom, Leopold, dental surgeon. You have heard of
|
|
von Blum Pasha. Umpteen millions. DONNERWETTER! Owns half Austria. Egypt.
|
|
Cousin.
|
|
|
|
FIRST WATCH: Proof.
|
|
|
|
(A CARD FALLS FROM INSIDE THE LEATHER HEADBAND OF BLOOM'S HAT.)
|
|
|
|
BLOOM: (IN RED FEZ, CADI'S DRESS COAT WITH BROAD GREEN SASH, WEARING A
|
|
FALSE BADGE OF THE LEGION OF HONOUR, PICKS UP THE CARD HASTILY AND OFFERS
|
|
IT) Allow me. My club is the Junior Army and Navy. Solicitors: Messrs John
|
|
Henry Menton, 27 Bachelor's Walk.
|
|
|
|
FIRST WATCH: (READS) Henry Flower. No fixed abode. Unlawfully watching and
|
|
besetting.
|
|
|
|
SECOND WATCH: An alibi. You are cautioned.
|
|
|
|
BLOOM: (PRODUCES FROM HIS HEARTPOCKET A CRUMPLED YELLOW FLOWER) This is the
|
|
flower in question. It was given me by a man I don't know his name.
|
|
(PLAUSIBLY) You know that old joke, rose of Castile. Bloom. The change of
|
|
name. Virag. (HE MURMURS PRIVATELY AND CONFIDENTIALLY) We are engaged
|
|
you see, sergeant. Lady in the case. Love entanglement. (HE SHOULDERS THE
|
|
SECOND WATCH GENTLY) Dash it all. It's a way we gallants have in the navy.
|
|
Uniform that does it. (he turns gravely to the first watch) Still, of
|
|
course, you do get your Waterloo sometimes. Drop in some evening and have
|
|
a glass of old Burgundy. (TO THE SECOND WATCH GAILY) I'll introduce you,
|
|
inspector. She's game. Do it in the shake of a lamb's tail.
|
|
|
|
(A DARK MERCURIALISED FACE APPEARS, LEADING A VEILED FIGURE.)
|
|
|
|
THE DARK MERCURY: The Castle is looking for him. He was drummed out of
|
|
the army.
|
|
|
|
MARTHA: (THICKVEILED, A CRIMSON HALTER ROUND HER NECK, A COPY OF THE
|
|
IRISH TIMES IN HER HAND, IN TONE OF REPROACH, POINTING) Henry! Leopold!
|
|
Lionel, thou lost one! Clear my name.
|
|
|
|
FIRST WATCH: (STERNLY) Come to the station.
|
|
|
|
BLOOM: (SCARED, HATS HIMSELF, STEPS BACK, THEN, PLUCKING AT HIS HEART AND
|
|
LIFTING HIS RIGHT FOREARM ON THE SQUARE, HE GIVES THE SIGN AND DUEGUARD OF
|
|
FELLOWCRAFT) No, no, worshipful master, light of love. Mistaken identity.
|
|
The Lyons mail. Lesurques and Dubosc. You remember the Childs fratricide
|
|
case. We medical men. By striking him dead with a hatchet. I am wrongfully
|
|
accused. Better one guilty escape than ninetynine wrongfully condemned.
|
|
|
|
MARTHA: (SOBBING BEHIND HER VEIL) Breach of promise. My real name is Peggy
|
|
Griffin. He wrote to me that he was miserable. I'll tell my brother, the
|
|
Bective rugger fullback, on you, heartless flirt.
|
|
|
|
BLOOM: (BEHIND HIS HAND) She's drunk. The woman is inebriated. (HE MURMURS
|
|
VAGUELY THE PASS OF EPHRAIM) Shitbroleeth.
|
|
|
|
SECOND WATCH: (TEARS IN HIS EYES, TO BLOOM) You ought to be thoroughly
|
|
well ashamed of yourself.
|
|
|
|
BLOOM: Gentlemen of the jury, let me explain. A pure mare's nest. I am a
|
|
man misunderstood. I am being made a scapegoat of. I am a respectable
|
|
married man, without a stain on my character. I live in Eccles street.
|
|
My wife, I am the daughter of a most distinguished commander, a gallant
|
|
upstanding gentleman, what do you call him, Majorgeneral Brian Tweedy,
|
|
one of Britain's fighting men who helped to win our battles. Got his
|
|
majority for the heroic defence of Rorke's Drift.
|
|
|
|
FIRST WATCH: Regiment.
|
|
|
|
BLOOM: (TURNS TO THE GALLERY) The royal Dublins, boys, the salt of the
|
|
earth, known the world over. I think I see some old comrades in arms up
|
|
there among you. The R. D. F., with our own Metropolitan police, guardians
|
|
of our homes, the pluckiest lads and the finest body of men, as physique,
|
|
in the service of our sovereign.
|
|
|
|
A VOICE: Turncoat! Up the Boers! Who booed Joe Chamberlain?
|
|
|
|
BLOOM: (HIS HAND ON THE SHOULDER OF THE FIRST WATCH) My old dad too was a
|
|
J. P. I'm as staunch a Britisher as you are, sir. I fought with the
|
|
colours for king and country in the absentminded war under general Gough
|
|
in the park and was disabled at Spion Kop and Bloemfontein, was mentioned
|
|
in dispatches. I did all a white man could. (WITH QUIET FEELING) Jim
|
|
Bludso. Hold her nozzle again the bank.
|
|
|
|
FIRST WATCH: Profession or trade.
|
|
|
|
BLOOM: Well, I follow a literary occupation, author-journalist. In fact we
|
|
are just bringing out a collection of prize stories of which I am the
|
|
inventor, something that is an entirely new departure. I am connected
|
|
with the British and Irish press. If you ring up ...
|
|
|
|
(MYLES CRAWFORD STRIDES OUT JERKILY, A QUILL BETWEEN HIS TEETH. HIS
|
|
SCARLET BEAK BLAZES WITHIN THE AUREOLE OF HIS STRAW HAT HE DANGLES A
|
|
HANK OF SPANISH ONIONS IN ONE HAND AND HOLDS WITH THE OTHER HAND
|
|
A TELEPHONE RECEIVER NOZZLE TO HIS EAR.)
|
|
|
|
MYLES CRAWFORD: (HIS COCK'S WATTLES WAGGING) Hello, seventyseven
|
|
eightfour. Hello. FREEMAN'S URINAL and WEEKLY ARSEWIPE here. Paralyse
|
|
Europe. You which? Bluebags? Who writes? Is it Bloom?
|
|
|
|
(MR PHILIP BEAUFOY, PALEFACED, STANDS IN THE WITNESSBOX, IN ACCURATE
|
|
MORNING DRESS, OUTBREAST POCKET WITH PEAK OF HANDKERCHIEF
|
|
SHOWING, CREASED LAVENDER TROUSERS AND PATENT BOOTS. HE CARRIES A
|
|
LARGE PORTFOLIO LABELLED Matcham's Masterstrokes.)
|
|
|
|
BEAUFOY: (DRAWLS) No, you aren't. Not by a long shot if I know it. I don't
|
|
see it that's all. No born gentleman, no-one with the most rudimentary
|
|
promptings of a gentleman would stoop to such particularly loathsome
|
|
conduct. One of those, my lord. A plagiarist. A soapy sneak masquerading
|
|
as a litterateur. It's perfectly obvious that with the most inherent
|
|
baseness he has cribbed some of my bestselling copy, really gorgeous
|
|
stuff, a perfect gem, the love passages in which are beneath suspicion.
|
|
The Beaufoy books of love and great possessions, with which your lordship
|
|
is doubtless familiar, are a household word throughout the kingdom.
|
|
|
|
BLOOM: (MURMURS WITH HANGDOG MEEKNESS GLUM) That bit about the laughing
|
|
witch hand in hand I take exception to, if I may ...
|
|
|
|
BEAUFOY: (HIS LIP UPCURLED, SMILES SUPERCILIOUSLY ON THE COURT) You funny
|
|
ass, you! You're too beastly awfully weird for words! I don't think you
|
|
need over excessively disincommodate yourself in that regard. My literary
|
|
agent Mr J. B. Pinker is in attendance. I presume, my lord, we shall
|
|
receive the usual witnesses' fees, shan't we? We are considerably out of
|
|
pocket over this bally pressman johnny, this jackdaw of Rheims, who has
|
|
not even been to a university.
|
|
|
|
BLOOM: (INDISTINCTLY) University of life. Bad art.
|
|
|
|
BEAUFOY: (SHOUTS) It's a damnably foul lie, showing the moral rottenness
|
|
of the man! (HE EXTENDS HIS PORTFOLIO) We have here damning evidence, the
|
|
corpus delicti, my lord, a specimen of my maturer work disfigured by the
|
|
hallmark of the beast.
|
|
|
|
A VOICE FROM THE GALLERY:
|
|
|
|
Moses, Moses, king of the jews,
|
|
Wiped his arse in the Daily News.
|
|
|
|
BLOOM: (BRAVELY) Overdrawn.
|
|
|
|
BEAUFOY: You low cad! You ought to be ducked in the horsepond, you rotter!
|
|
(TO THE COURT) Why, look at the man's private life! Leading a quadruple
|
|
existence! Street angel and house devil. Not fit to be mentioned in mixed
|
|
society! The archconspirator of the age!
|
|
|
|
BLOOM: (TO THE COURT) And he, a bachelor, how ...
|
|
|
|
FIRST WATCH: The King versus Bloom. Call the woman Driscoll.
|
|
|
|
THE CRIER: Mary Driscoll, scullerymaid!
|
|
|
|
(MARY DRISCOLL, A SLIPSHOD SERVANT GIRL, APPROACHES. SHE HAS A
|
|
BUCKET ON THE CROOK OF HER ARM AND A SCOURINGBRUSH IN HER HAND.)
|
|
|
|
SECOND WATCH: Another! Are you of the unfortunate class?
|
|
|
|
MARY DRISCOLL: (INDIGNANTLY) I'm not a bad one. I bear a respectable
|
|
character and was four months in my last place. I was in a situation,
|
|
six pounds a year and my chances with Fridays out and I had to leave owing
|
|
to his carryings on.
|
|
|
|
FIRST WATCH: What do you tax him with?
|
|
|
|
MARY DRISCOLL: He made a certain suggestion but I thought more of myself
|
|
as poor as I am.
|
|
|
|
BLOOM: (IN HOUSEJACKET OF RIPPLECLOTH, FLANNEL TROUSERS, HEELLESS SLIPPERS,
|
|
UNSHAVEN, HIS HAIR RUMPLED: SOFTLY) I treated you white. I gave you
|
|
mementos, smart emerald garters far above your station. Incautiously I
|
|
took your part when you were accused of pilfering. There's a medium in all
|
|
things. Play cricket.
|
|
|
|
MARY DRISCOLL: (EXCITEDLY) As God is looking down on me this night if ever
|
|
I laid a hand to them oysters!
|
|
|
|
FIRST WATCH: The offence complained of? Did something happen?
|
|
|
|
MARY DRISCOLL: He surprised me in the rere of the premises, Your honour,
|
|
when the missus was out shopping one morning with a request for a safety pin.
|
|
He held me and I was discoloured in four places as a result. And he
|
|
interfered twict with my clothing.
|
|
|
|
BLOOM: She counterassaulted.
|
|
|
|
MARY DRISCOLL: (SCORNFULLY) I had more respect for the scouringbrush, so I
|
|
had. I remonstrated with him, Your lord, and he remarked: keep it quiet.
|
|
|
|
(GENERAL LAUGHTER.)
|
|
|
|
GEORGE FOTTRELL: (CLERK OF THE CROWN AND PEACE, RESONANTLY) Order in
|
|
court! The accused will now make a bogus statement.
|
|
|
|
(BLOOM, PLEADING NOT GUILTY AND HOLDING A FULLBLOWN WATERLILY,
|
|
BEGINS A LONG UNINTELLIGIBLE SPEECH. THEY WOULD HEAR WHAT COUNSEL
|
|
HAD TO SAY IN HIS STIRRING ADDRESS TO THE GRAND JURY. HE WAS DOWN
|
|
AND OUT BUT, THOUGH BRANDED AS A BLACK SHEEP, IF HE MIGHT SAY SO, HE
|
|
MEANT TO REFORM, TO RETRIEVE THE MEMORY OF THE PAST IN A PURELY
|
|
SISTERLY WAY AND RETURN TO NATURE AS A PURELY DOMESTIC ANIMAL. A
|
|
SEVENMONTHS' CHILD, HE HAD BEEN CAREFULLY BROUGHT UP AND NURTURED
|
|
BY AN AGED BEDRIDDEN PARENT. THERE MIGHT HAVE BEEN LAPSES OF AN
|
|
ERRING FATHER BUT HE WANTED TO TURN OVER A NEW LEAF AND NOW, WHEN
|
|
AT LONG LAST IN SIGHT OF THE WHIPPING POST, TO LEAD A HOMELY LIFE IN THE
|
|
EVENING OF HIS DAYS, PERMEATED BY THE AFFECTIONATE SURROUNDINGS OF
|
|
THE HEAVING BOSOM OF THE FAMILY. AN ACCLIMATISED BRITISHER, HE HAD
|
|
SEEN THAT SUMMER EVE FROM THE FOOTPLATE OF AN ENGINE CAB OF THE
|
|
LOOP LINE RAILWAY COMPANY WHILE THE RAIN REFRAINED FROM FALLING
|
|
GLIMPSES, AS IT WERE, THROUGH THE WINDOWS OF LOVEFUL HOUSEHOLDS IN
|
|
DUBLIN CITY AND URBAN DISTRICT OF SCENES TRULY RURAL OF HAPPINESS OF
|
|
THE BETTER LAND WITH DOCKRELL'S WALLPAPER AT ONE AND NINEPENCE A
|
|
DOZEN, INNOCENT BRITISHBORN BAIRNS LISPING PRAYERS TO THE SACRED
|
|
INFANT, YOUTHFUL SCHOLARS GRAPPLING WITH THEIR PENSUMS OR MODEL
|
|
YOUNG LADIES PLAYING ON THE PIANOFORTE OR ANON ALL WITH FERVOUR
|
|
RECITING THE FAMILY ROSARY ROUND THE CRACKLING YULELOG WHILE IN THE
|
|
BOREENS AND GREEN LANES THE COLLEENS WITH THEIR SWAINS STROLLED WHAT
|
|
TIMES THE STRAINS OF THE ORGANTONED MELODEON BRITANNIAMETALBOUND
|
|
WITH FOUR ACTING STOPS AND TWELVEFOLD BELLOWS, A SACRIFICE, GREATEST
|
|
BARGAIN EVER ...
|
|
|
|
(RENEWED LAUGHTER. HE MUMBLES INCOHERENTLY. REPORTERS COMPLAIN
|
|
THAT THEY CANNOT HEAR.)
|
|
|
|
LONGHAND AND SHORTHAND: (WITHOUT LOOKING UP FROM THEIR NOTEBOOKS)
|
|
Loosen his boots.
|
|
|
|
PROFESSOR MACHUGH: (FROM THE PRESSTABLE, COUGHS AND CALLS) Cough it up,
|
|
man. Get it out in bits.
|
|
|
|
(THE CROSSEXAMINATION PROCEEDS RE BLOOM AND THE BUCKET. A LARGE
|
|
BUCKET. BLOOM HIMSELF. BOWEL TROUBLE. IN BEAVER STREET GRIPE, YES.
|
|
QUITE BAD. A PLASTERER'S BUCKET. BY WALKING STIFFLEGGED. SUFFERED
|
|
UNTOLD MISERY. DEADLY AGONY. ABOUT NOON. LOVE OR BURGUNDY. YES,
|
|
SOME SPINACH. CRUCIAL MOMENT. HE DID NOT LOOK IN THE BUCKET
|
|
NOBODY. RATHER A MESS. NOT COMPLETELY. A Titbits BACK NUMBER.)
|
|
|
|
|
|
UPROAR AND CATCALLS. BLOOM IN A TORN FROCKCOAT STAINED WITH
|
|
WHITEWASH, DINGED SILK HAT SIDEWAYS ON HIS HEAD, A STRIP OF
|
|
STICKINGPLASTER ACROSS HIS NOSE, TALKS INAUDIBLY.)
|
|
|
|
J. J. O'MOLLOY: (IN BARRISTER'S GREY WIG AND STUFFGOWN, SPEAKING WITH A
|
|
VOICE OF PAINED PROTEST) This is no place for indecent levity at the
|
|
expense of an erring mortal disguised in liquor. We are not in a beargarden
|
|
nor at an Oxford rag nor is this a travesty of justice. My client is an
|
|
infant, a poor foreign immigrant who started scratch as a stowaway and is
|
|
now trying to turn an honest penny. The trumped up misdemeanour was due to
|
|
a momentary aberration of heredity, brought on by hallucination, such
|
|
familiarities as the alleged guilty occurrence being quite permitted in my
|
|
client's native place, the land of the Pharaoh. PRIMA FACIE, I put it to
|
|
you that there was no attempt at carnally knowing. Intimacy did not occur
|
|
and the offence complained of by Driscoll, that her virtue was solicited,
|
|
was not repeated. I would deal in especial with atavism. There have been
|
|
cases of shipwreck and somnambulism in my client's family. If the accused
|
|
could speak he could a tale unfold--one of the strangest that have ever been
|
|
narrated between the covers of a book. He himself, my lord, is a physical
|
|
wreck from cobbler's weak chest. His submission is that he is of Mongolian
|
|
extraction and irresponsible for his actions. Not all there, in fact.
|
|
|
|
BLOOM: (BAREFOOT, PIGEONBREASTED, IN LASCAR'S VEST AND TROUSERS, APOLOGETIC
|
|
TOES TURNED IN, OPENS HIS TINY MOLE'S EYES AND LOOKS ABOUT HIM DAZEDLY,
|
|
PASSING A SLOW HAND ACROSS HIS FOREHEAD. THEN HE HITCHES HIS BELT SAILOR
|
|
FASHION AND WITH A SHRUG OF ORIENTAL OBEISANCE SALUTES THE COURT, POINTING
|
|
ONE THUMB HEAVENWARD.) Him makee velly muchee fine night. (HE BEGINS TO
|
|
LILT SIMPLY)
|
|
|
|
Li li poo lil chile
|
|
Blingee pigfoot evly night
|
|
Payee two shilly ...
|
|
|
|
(HE IS HOWLED DOWN.)
|
|
|
|
J. J. O'MOLLOY: (HOTLY TO THE POPULACE) This is a lonehand fight. By Hades,
|
|
I will not have any client of mine gagged and badgered in this fashion by
|
|
a pack of curs and laughing hyenas. The Mosaic code has superseded the law
|
|
of the jungle. I say it and I say it emphatically, without wishing for one
|
|
moment to defeat the ends of justice, accused was not accessory before the
|
|
act and prosecutrix has not been tampered with. The young person was treated
|
|
by defendant as if she were his very own daughter. (BLOOM TAKES J. J.
|
|
O'MOLLOY'S HAND AND RAISES IT TO HIS LIPS.) I shall call rebutting evidence
|
|
to prove up to the hilt that the hidden hand is again at its old game.
|
|
When in doubt persecute Bloom. My client, an innately bashful man, would
|
|
be the last man in the world to do anything ungentlemanly which injured
|
|
modesty could object to or cast a stone at a girl who took the wrong
|
|
turning when some dastard, responsible for her condition, had worked his
|
|
own sweet will on her. He wants to go straight. I regard him as the
|
|
whitest man I know. He is down on his luck at present owing to the
|
|
mortgaging of his extensive property at Agendath Netaim in faraway Asia
|
|
Minor, slides of which will now be shown. (to Bloom) I suggest that you
|
|
will do the handsome thing.
|
|
|
|
BLOOM: A penny in the pound.
|
|
|
|
(THE IMAGE OF THE LAKE OF KINNERETH WITH BLURRED CATTLE CROPPING IN
|
|
SILVER HAZE IS PROJECTED ON THE WALL. MOSES DLUGACZ, FERRETEYED
|
|
ALBINO, IN BLUE DUNGAREES, STANDS UP IN THE GALLERY, HOLDING IN EACH
|
|
HAND AN ORANGE CITRON AND A PORK KIDNEY.)
|
|
|
|
DLUGACZ: (HOARSELY) Bleibtreustrasse, Berlin, W.13.
|
|
|
|
(J. J. O'MOLLOY STEPS ON TO A LOW PLINTH AND HOLDS THE LAPEL OF HIS
|
|
COAT WITH SOLEMNITY. HIS FACE LENGTHENS, GROWS PALE AND BEARDED,
|
|
WITH SUNKEN EYES, THE BLOTCHES OF PHTHISIS AND HECTIC CHEEKBONES OF
|
|
JOHN F. TAYLOR. HE APPLIES HIS HANDKERCHIEF TO HIS MOUTH AND
|
|
SCRUTINISES THE GALLOPING TIDE OF ROSEPINK BLOOD.)
|
|
|
|
J.J.O'MOLLOY: (ALMOST VOICELESSLY) Excuse me. I am suffering from a severe
|
|
chill, have recently come from a sickbed. A few wellchosen words.
|
|
(HE ASSUMES THE AVINE HEAD, FOXY MOUSTACHE AND PROBOSCIDAL ELOQUENCE OF
|
|
SEYMOUR BUSHE.) When the angel's book comes to be opened if aught that
|
|
the pensive bosom has inaugurated of soultransfigured and of
|
|
soultransfiguring deserves to live I say accord the prisoner at the bar
|
|
the sacred benefit of the doubt. (A PAPER WITH SOMETHING WRITTEN ON IT IS
|
|
HANDED INTO COURT.)
|
|
|
|
BLOOM: (IN COURT DRESS) Can give best references. Messrs Callan, Coleman.
|
|
Mr Wisdom Hely J. P. My old chief Joe Cuffe. Mr V. B. Dillon, ex lord mayor
|
|
of Dublin. I have moved in the charmed circle of the highest ... Queens
|
|
of Dublin society. (CARELESSLY) I was just chatting this afternoon at the
|
|
viceregal lodge to my old pals, sir Robert and lady Ball, astronomer royal
|
|
at the levee. Sir Bob, I said ...
|
|
|
|
MRS YELVERTON BARRY: (IN LOWCORSAGED OPAL BALLDRESS AND ELBOWLENGTH IVORY
|
|
GLOVES, WEARING A SABLETRIMMED BRICKQUILTED DOLMAN, A COMB OF BRILLIANTS
|
|
AND PANACHE OF OSPREY IN HER HAIR) Arrest him, constable. He wrote me an
|
|
anonymous letter in prentice backhand when my husband was in the North
|
|
Riding of Tipperary on the Munster circuit, signed James Lovebirch. He said
|
|
that he had seen from the gods my peerless globes as I sat in a box of the
|
|
THEATRE ROYAL at a command performance of LA CIGALE. I deeply inflamed him,
|
|
he said. He made improper overtures to me to misconduct myself at half past
|
|
four p.m. on the following Thursday, Dunsink time. He offered to send me
|
|
through the post a work of fiction by Monsieur Paul de Kock, entitled The
|
|
GIRL WITH THE THREE PAIRS OF STAYS.
|
|
|
|
MRS BELLINGHAM: (IN CAP AND SEAL CONEY MANTLE, WRAPPED UP TO THE NOSE,
|
|
STEPS OUT OF HER BROUGHAM AND SCANS THROUGH TORTOISESHELL QUIZZING-GLASSES
|
|
WHICH SHE TAKES FROM INSIDE HER HUGE OPOSSUM MUFF) Also to me. Yes, I
|
|
believe it is the same objectionable person. Because he closed my carriage
|
|
door outside sir Thornley Stoker's one sleety day during the cold snap of
|
|
February ninetythree when even the grid of the wastepipe and the ballstop
|
|
in my bath cistern were frozen. Subsequently he enclosed a bloom of edelweiss
|
|
culled on the heights, as he said, in my honour. I had it examined
|
|
by a botanical expert and elicited the information that it was ablossom of
|
|
the homegrown potato plant purloined from a forcingcase of the model farm.
|
|
|
|
MRS YELVERTON BARRY: Shame on him!
|
|
|
|
(A CROWD OF SLUTS AND RAGAMUFFINS SURGES FORWARD)
|
|
|
|
THE SLUTS AND RAGAMUFFINS: (SCREAMING) Stop thief! Hurrah there,
|
|
Bluebeard! Three cheers for Ikey Mo!
|
|
|
|
SECOND WATCH: (PRODUCES HANDCUFFS) Here are the darbies.
|
|
|
|
MRS BELLINGHAM: He addressed me in several handwritings with fulsome
|
|
compliments as a Venus in furs and alleged profound pity for my frostbound
|
|
coachman Palmer while in the same breath he expressed himself as envious of
|
|
his earflaps and fleecy sheepskins and of his fortunate proximity to my
|
|
person, when standing behind my chair wearing my livery and the armorial
|
|
bearings of the Bellingham escutcheon garnished sable, a buck's head
|
|
couped or. He lauded almost extravagantly my nether extremities, my
|
|
swelling calves in silk hose drawn up to the limit, and eulogised glowingly
|
|
my other hidden treasures in priceless lace which, he said, he could conjure
|
|
up. He urged me (stating that he felt it his mission in life to urge me) to
|
|
defile the marriage bed, to commit adultery at the earliest possible
|
|
opportunity.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: (IN AMAZON COSTUME, HARD HAT, JACKBOOTS
|
|
COCKSPURRED, VERMILION WAISTCOAT, FAWN MUSKETEER GAUNTLETS WITH
|
|
BRAIDED DRUMS, LONG TRAIN HELD UP AND HUNTING CROP WITH WHICH
|
|
SHE STRIKES HER WELT CONSTANTLY) Also me. Because he saw me on
|
|
the polo ground of the Phoenix park at the match All Ireland versus
|
|
the Rest of Ireland. My eyes, I know, shone divinely as I watched
|
|
Captain Slogger Dennehy of the Inniskillings win the final chukkar on his
|
|
darling cob CENTAUR. This plebeian Don Juan observed me from behind a
|
|
hackney car and sent me in double envelopes an obscene photograph, such
|
|
as are sold after dark on Paris boulevards, insulting to any lady. I have it
|
|
still. It represents a partially nude senorita, frail and lovely (HIS WIFE,
|
|
AS HE SOLEMNLY ASSURED ME, TAKEN BY HIM FROM NATURE), practising illicit
|
|
intercourse with a muscular torero, evidently a blackguard. He urged me to
|
|
do likewise, to misbehave, to sin with officers of the garrison. He implored
|
|
me to soil his letter in an unspeakable manner, to chastise him as he richly
|
|
deserves, to bestride and ride him, to give him a most vicious
|
|
horsewhipping.
|
|
|
|
MRS BELLINGHAM: Me too.
|
|
|
|
MRS YELVERTON BARRY: Me too.
|
|
|
|
(SEVERAL HIGHLY RESPECTABLE DUBLIN LADIES HOLD UP IMPROPER LETTERS
|
|
RECEIVED FROM BLOOM.)
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: (STAMPS HER JINGLING SPURS IN A SUDDEN
|
|
PAROXYSM OF FURY) I will, by the God above me. I'll scourge the
|
|
pigeonlivered cur as long as I can stand over him. I'll flay him alive.
|
|
|
|
BLOOM: (his eyes closing, quails expectantly) Here? (HE SQUIRMS) Again!
|
|
(HE PANTS CRINGING) I love the danger.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: Very much so! I'll make it hot for you.
|
|
I'll make you dance Jack Latten for that.
|
|
|
|
MRS BELLINGHAM: Tan his breech well, the upstart! Write the stars and
|
|
stripes on it!
|
|
|
|
MRS YELVERTON BARRY: Disgraceful! There's no excuse for him! A married man!
|
|
|
|
BLOOM: All these people. I meant only the spanking idea. A warm tingling
|
|
glow without effusion. Refined birching to stimulate the circulation.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: (LAUGHS DERISIVELY) O, did you, my fine
|
|
fellow? Well, by the living God, you'll get the surprise of your life now,
|
|
believe me, the most unmerciful hiding a man ever bargained for. You have
|
|
lashed the dormant tigress in my nature into fury.
|
|
|
|
MRS BELLINGHAM: (SHAKES HER MUFF AND QUIZZING-GLASSES VINDICTIVELY) Make
|
|
him smart, Hanna dear. Give him ginger. Thrash the mongrel within an inch
|
|
of his life. The cat-o'-nine-tails. Geld him. Vivisect him.
|
|
|
|
BLOOM: (SHUDDERING, SHRINKING, JOINS HIS HANDS: WITH HANGDOG MIEN) O cold!
|
|
O shivery! It was your ambrosial beauty. Forget, forgive. Kismet. Let me off
|
|
this once. (HE OFFERS THE OTHER CHEEK)
|
|
|
|
MRS YELVERTON BARRY: (SEVERELY) Don't do so on any account, Mrs Talboys!
|
|
He should be soundly trounced!
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: (UNBUTTONING HER GAUNTLET VIOLENTLY)
|
|
I'll do no such thing. Pigdog and always was ever since he was pupped!
|
|
To dare address me! I'll flog him black and blue in the public streets.
|
|
I'll dig my spurs in him up to the rowel. He is a wellknown cuckold.
|
|
(SHE SWISHES HER HUNTINGCROP SAVAGELY IN THE AIR) Take down his trousers
|
|
without loss of time. Come here, sir! Quick! Ready?
|
|
|
|
BLOOM: (TREMBLING, BEGINNING TO OBEY) The weather has been so warm.
|
|
|
|
(DAVY STEPHENS, RINGLETTED, PASSES WITH A BEVY OF BAREFOOT NEWSBOYS.)
|
|
|
|
DAVY STEPHENS: MESSENGER OF THE SACRED HEART and EVENING TELEGRAPH with
|
|
Saint Patrick's Day supplement. Containing the new addresses of all the
|
|
cuckolds in Dublin.
|
|
|
|
(THE VERY REVEREND CANON O'HANLON IN CLOTH OF GOLD COPE ELEVATES
|
|
AND EXPOSES A MARBLE TIMEPIECE. BEFORE HIM FATHER CONROY AND THE
|
|
REVEREND JOHN HUGHES S.J. BEND LOW.)
|
|
|
|
THE TIMEPIECE: (UNPORTALLING)
|
|
|
|
|
|
Cuckoo.
|
|
Cuckoo.
|
|
Cuckoo.
|
|
|
|
|
|
(THE BRASS QUOITS OF A BED ARE HEARD TO JINGLE.)
|
|
|
|
THE QUOITS: Jigjag. Jigajiga. Jigjag.
|
|
|
|
(A PANEL OF FOG ROLLS BACK RAPIDLY, REVEALING RAPIDLY IN THE JURYBOX
|
|
THE FACES OF MARTIN CUNNINGHAM, FOREMAN, SILKHATTED, JACK POWER,
|
|
SIMON DEDALUS, TOM KERNAN, NED LAMBERT, JOHN HENRY MENTON
|
|
MYLES CRAWFORD, LENEHAN, PADDY LEONARD, NOSEY FLYNN, M'COY
|
|
AND THE FEATURELESS FACE OF A NAMELESS ONE.)
|
|
|
|
THE NAMELESS ONE: Bareback riding. Weight for age. Gob, he organised her.
|
|
|
|
THE JURORS: (ALL THEIR HEADS TURNED TO HIS VOICE) Really?
|
|
|
|
THE NAMELESS ONE: (SNARLS) Arse over tip. Hundred shillings to five.
|
|
|
|
THE JURORS: (ALL THEIR HEADS LOWERED IN ASSENT) Most of us thought as much.
|
|
|
|
FIRST WATCH: He is a marked man. Another girl's plait cut. Wanted:
|
|
Jack the Ripper. A thousand pounds reward.
|
|
|
|
SECOND WATCH: (AWED, WHISPERS) And in black. A mormon. Anarchist.
|
|
|
|
THE CRIER: (LOUDLY) Whereas Leopold Bloom of no fixed abode is a wellknown
|
|
dynamitard, forger, bigamist, bawd and cuckold and a public nuisance to
|
|
the citizens of Dublin and whereas at this commission of assizes the most
|
|
honourable ...
|
|
|
|
(HIS HONOUR, SIR FREDERICK FALKINER, RECORDER OF DUBLIN, IN JUDICIAL
|
|
GARB OF GREY STONE RISES FROM THE BENCH, STONEBEARDED. HE BEARS IN
|
|
HIS ARMS AN UMBRELLA SCEPTRE. FROM HIS FOREHEAD ARISE STARKLY THE
|
|
MOSAIC RAMSHORNS.)
|
|
|
|
THE RECORDER: I will put an end to this white slave traffic and rid Dublin
|
|
of this odious pest. Scandalous! (HE DONS THE BLACK CAP) Let him be taken,
|
|
Mr Subsheriff, from the dock where he now stands and detained in custody
|
|
in Mountjoy prison during His Majesty's pleasure and there be hanged by
|
|
the neck until he is dead and therein fail not at your peril or may the
|
|
Lord have mercy on your soul. Remove him. (A BLACK SKULLCAP DESCENDS UPON
|
|
HIS HEAD.)
|
|
|
|
(THE SUBSHERIFF LONG JOHN FANNING APPEARS, SMOKING A PUNGENT HENRY CLAY.)
|
|
|
|
LONG JOHN FANNING: (SCOWLS AND CALLS WITH RICH ROLLING UTTERANCE) Who'll
|
|
hang Judas Iscariot?
|
|
|
|
(H. RUMBOLD, MASTER BARBER, IN A BLOODCOLOURED JERKIN AND
|
|
TANNER'S APRON, A ROPE COILED OVER HIS SHOULDER, MOUNTS THE BLOCK. A
|
|
LIFE PRESERVER AND A NAILSTUDDED BLUDGEON ARE STUCK IN HIS BELT HE
|
|
RUBS GRIMLY HIS GRAPPLING HANDS, KNOBBED WITH KNUCKLEDUSTERS.)
|
|
|
|
RUMBOLD: (TO THE RECORDER WITH SINISTER FAMILIARITY) Hanging Harry, your
|
|
Majesty, the Mersey terror. Five guineas a jugular. Neck or nothing.
|
|
|
|
(THE BELLS OF GEORGE'S CHURCH TOLL SLOWLY, LOUD DARK IRON.)
|
|
|
|
THE BELLS: Heigho! Heigho!
|
|
|
|
BLOOM: (DESPERATELY) Wait. Stop. Gulls. Good heart. I saw. Innocence. Girl
|
|
in the monkeyhouse. Zoo. Lewd chimpanzee. (BREATHLESSLY) Pelvic basin. Her
|
|
artless blush unmanned me. (OVERCOME WITH EMOTION) I left the precincts.
|
|
(HE TURNS TO A FIGURE IN THE CROWD, APPEALING) Hynes, may I speak to you?
|
|
You know me. That three shillings you can keep. If you want a little
|
|
more ...
|
|
|
|
HYNES: (COLDLY) You are a perfect stranger.
|
|
|
|
SECOND WATCH: (POINTS TO THE CORNER) The bomb is here.
|
|
|
|
FIRST WATCH: Infernal machine with a time fuse.
|
|
|
|
BLOOM: No, no. Pig's feet. I was at a funeral.
|
|
|
|
FIRST WATCH: (DRAWS HIS TRUNCHEON) Liar!
|
|
|
|
(THE BEAGLE LIFTS HIS SNOUT, SHOWING THE GREY SCORBUTIC FACE OF
|
|
PADDY DIGNAM. HE HAS GNAWED ALL. HE EXHALES A PUTRID CARCASEFED
|
|
BREATH. HE GROWS TO HUMAN SIZE AND SHAPE. HIS DACHSHUND COAT
|
|
BECOMES A BROWN MORTUARY HABIT HIS GREEN EYE FLASHES BLOODSHOT
|
|
HALF OF ONE EAR, ALL THE NOSE AND BOTH THUMBS ARE GHOULEATEN.)
|
|
|
|
PADDY DIGNAM: (IN A HOLLOW VOICE) It is true. It was my funeral. Doctor
|
|
Finucane pronounced life extinct when I succumbed to the disease from
|
|
natural causes.
|
|
|
|
(HE LIFTS HIS MUTILATED ASHEN FACE MOONWARDS AND BAYS LUGUBRIOUSLY.)
|
|
|
|
BLOOM: (IN TRIUMPH) You hear?
|
|
|
|
PADDY DIGNAM: Bloom, I am Paddy Dignam's spirit. List, list, O list!
|
|
|
|
BLOOM: The voice is the voice of Esau.
|
|
|
|
SECOND WATCH: (BLESSES HIMSELF) How is that possible?
|
|
|
|
FIRST WATCH: It is not in the penny catechism.
|
|
|
|
PADDY DIGNAM: By metempsychosis. Spooks.
|
|
|
|
A VOICE: O rocks.
|
|
|
|
PADDY DIGNAM: (EARNESTLY) Once I was in the employ of Mr J. H. Menton,
|
|
solicitor, commissioner for oaths and affidavits, of 27 Bachelor's Walk.
|
|
Now I am defunct, the wall of the heart hypertrophied. Hard lines. The
|
|
poor wife was awfully cut up. How is she bearing it? Keep her off that
|
|
bottle of sherry. (HE LOOKS ROUND HIM) A lamp. I must satisfy an animal
|
|
need. That buttermilk didn't agree with me.
|
|
|
|
(THE PORTLY FIGURE OF JOHN O'CONNELL, CARETAKER, STANDS FORTH,
|
|
HOLDING A BUNCH OF KEYS TIED WITH CRAPE. BESIDE HIM STANDS FATHER
|
|
COFFEY, CHAPLAIN, TOADBELLIED, WRYNECKED, IN A SURPLICE AND
|
|
BANDANNA NIGHTCAP, HOLDING SLEEPILY A STAFF TWISTED POPPIES.)
|
|
|
|
FATHER COFFEY: (YAWNS, THEN CHANTS WITH A HOARSE CROAK) Namine. Jacobs.
|
|
Vobiscuits. Amen.
|
|
|
|
JOHN O'CONNELL: (FOGHORNS STORMILY THROUGH HIS MEGAPHONE) Dignam,
|
|
Patrick T, deceased.
|
|
|
|
PADDY DIGNAM: (WITH PRICKED UP EARS, WINCES) Overtones. (HE WRIGGLES
|
|
FORWARD AND PLACES AN EAR TO THE GROUND) My master's voice!
|
|
|
|
JOHN O'CONNELL: Burial docket letter number U. P. eightyfive thousand.
|
|
Field seventeen. House of Keys. Plot, one hundred and one.
|
|
|
|
(PADDY DIGNAM LISTENS WITH VISIBLE EFFORT, THINKING, HIS TAIL
|
|
STIFFPOINTCD, HIS EARS COCKED.)
|
|
|
|
PADDY DIGNAM: Pray for the repose of his soul.
|
|
|
|
(HE WORMS DOWN THROUGH A COALHOLE, HIS BROWN HABIT TRAILING ITS
|
|
TETHER OVER RATTLING PEBBLES. AFTER HIM TODDLES AN OBESE GRANDFATHER
|
|
RAT ON FUNGUS TURTLE PAWS UNDER A GREY CARAPACE. DIGNAM'S VOICE,
|
|
MUFFLED, IS HEARD BAYING UNDER GROUND: Dignam's dead and gone
|
|
below. TOM ROCHFORD, ROBINREDBREASTED, IN CAP AND BREECHES,
|
|
JUMPS FROM HIS TWOCOLUMNED MACHINE.)
|
|
|
|
TOM ROCHFORD: (A HAND TO HIS BREASTBONE, BOWS) Reuben J. A florin I find
|
|
him. (HE FIXES THE MANHOLE WITH A RESOLUTE STARE) My turn now on. Follow
|
|
me up to Carlow.
|
|
|
|
(HE EXECUTES A DAREDEVIL SALMON LEAP IN THE AIR AND IS ENGULFED IN
|
|
THE COALHOLE. TWO DISCS ON THE COLUMNS WOBBLE, EYES OF NOUGHT ALL
|
|
RECEDES. BLOOM PLODGES FORWARD AGAIN THROUGH THE SUMP. KISSES
|
|
CHIRP AMID THE RIFTS OF FOG A PIANO SOUNDS. HE STANDS BEFORE A
|
|
LIGHTED HOUSE, LISTENING. THE KISSES, WINGING FROM THEIR BOWERS FLY
|
|
ABOUT HIM, TWITTERING, WARBLING, COOING.)
|
|
|
|
THE KISSES: (WARBLING) Leo! (TWITTERING) Icky licky micky sticky for Leo!
|
|
(COOING) Coo coocoo! Yummyyum, Womwom! (WARBLING) Big comebig! Pirouette!
|
|
Leopopold! (TWITTERING) Leeolee! (WARBLING) O Leo!
|
|
|
|
(THEY RUSTLE, FLUTTER UPON HIS GARMENTS, ALIGHT, BRIGHT GIDDY FLECKS,
|
|
SILVERY SEQUINS.)
|
|
|
|
BLOOM: A man's touch. Sad music. Church music. Perhaps here.
|
|
|
|
(ZOE HIGGINS, A YOUNG WHORE IN A SAPPHIRE SLIP, CLOSED WITH THREE
|
|
BRONZE BUCKLES, A SLIM BLACK VELVET FILLET ROUND HER THROAT, NODS,
|
|
TRIPS DOWN THE STEPS AND ACCOSTS HIM.)
|
|
|
|
ZOE: Are you looking for someone? He's inside with his friend.
|
|
|
|
BLOOM: Is this Mrs Mack's?
|
|
|
|
ZOE: No, eightyone. Mrs Cohen's. You might go farther and fare worse. Mother
|
|
Slipperslapper. (FAMILIARLY) She's on the job herself tonight with the vet
|
|
her tipster that gives her all the winners and pays for her son in Oxford.
|
|
Working overtime but her luck's turned today. (SUSPICIOUSLY) You're not
|
|
his father, are you?
|
|
|
|
BLOOM: Not I!
|
|
|
|
ZOE: You both in black. Has little mousey any tickles tonight?
|
|
|
|
(HIS SKIN, ALERT, FEELS HER FINGERTIPS APPROACH. A HAND GLIDES OVER
|
|
HIS LEFT THIGH.)
|
|
|
|
ZOE: How's the nuts?
|
|
|
|
BLOOM: Off side. Curiously they are on the right. Heavier, I suppose.
|
|
One in a million my tailor, Mesias, says.
|
|
|
|
ZOE: (IN SUDDEN ALARM) You've a hard chancre.
|
|
|
|
BLOOM: Not likely.
|
|
|
|
ZOE: I feel it.
|
|
|
|
(HER HAND SLIDES INTO HIS LEFT TROUSER POCKET AND BRINGS OUT A HARD
|
|
BLACK SHRIVELLED POTATO. SHE REGARDS IT AND BLOOM WITH DUMB MOIST
|
|
LIPS.)
|
|
|
|
BLOOM: A talisman. Heirloom.
|
|
|
|
ZOE: For Zoe? For keeps? For being so nice, eh?
|
|
|
|
(SHE PUTS THE POTATO GREEDILY INTO A POCKET THEN LINKS HIS ARM,
|
|
CUDDLING HIM WITH SUPPLE WARMTH. HE SMILES UNEASILY. SLOWLY, NOTE
|
|
BY NOTE, ORIENTAL MUSIC IS PLAYED. HE GAZES IN THE TAWNY CRYSTAL OF
|
|
HER EYES, RINGED WITH KOHOL. HIS SMILE SOFTENS.)
|
|
|
|
ZOE: You'll know me the next time.
|
|
|
|
BLOOM: (FORLORNLY) I never loved a dear gazelle but it was sure to ...
|
|
|
|
(GAZELLES ARE LEAPING, FEEDING ON THE MOUNTAINS. NEAR ARE LAKES.
|
|
ROUND THEIR SHORES FILE SHADOWS BLACK OF CEDARGROVES. AROMA RISES,
|
|
A STRONG HAIRGROWTH OF RESIN. IT BURNS, THE ORIENT, A SKY OF SAPPHIRE,
|
|
CLEFT BY THE BRONZE FLIGHT OF EAGLES. UNDER IT LIES THE WOMANCITY
|
|
NUDE, WHITE, STILL, COOL, IN LUXURY. A FOUNTAIN MURMURS AMONG
|
|
DAMASK ROSES. MAMMOTH ROSES MURMUR OF SCARLET WINEGRAPES. A
|
|
WINE OF SHAME, LUST, BLOOD EXUDES, STRANGELY MURMURING.)
|
|
|
|
ZOE: (MURMURING SINGSONG WITH THE MUSIC, HER ODALISK LIPS LUSCIOUSLY
|
|
SMEARED WITH SALVE OF SWINEFAT AND ROSEWATER) SCHORACH ANI WENOWACH,
|
|
BENOITH HIERUSHALOIM.
|
|
|
|
BLOOM: (FASCINATED) I thought you were of good stock by your accent.
|
|
|
|
ZOE: And you know what thought did?
|
|
|
|
(SHE BITES HIS EAR GENTLY WITH LITTLE GOLDSTOPPED TEETH, SENDING ON
|
|
HIM A CLOYING BREATH OF STALE GARLIC THE ROSES DRAW APART, DISCLOSE A
|
|
SEPULCHRE OF THE GOLD OF KINGS AND THEIR MOULDERING BONES.)
|
|
|
|
BLOOM: (DRAWS BACK, MECHANICALLY CARESSING HER RIGHT BUB WITH A FLAT
|
|
AWKWARD HAND) Are you a Dublin girl?
|
|
|
|
ZOE: (CATCHES A STRAY HAIR DEFTLY AND TWISTS IT TO HER COIL)
|
|
No bloody fear. I'm English. Have you a swaggerroot?
|
|
|
|
BLOOM: (AS BEFORE) Rarely smoke, dear. Cigar now and then. Childish
|
|
device. (LEWDLY) The mouth can be better engaged than with a cylinder of
|
|
rank weed.
|
|
|
|
ZOE: Go on. Make a stump speech out of it.
|
|
|
|
BLOOM: (IN WORKMAN'S CORDUROY OVERALLS, BLACK GANSY WITH RED FLOATING TIE
|
|
AND APACHE CAP) Mankind is incorrigible. Sir Walter Ralegh brought from the
|
|
new world that potato and that weed, the one a killer of pestilence by
|
|
absorption, the other a poisoner of the ear, eye, heart, memory, will
|
|
understanding, all. That is to say he brought the poison a hundred years
|
|
before another person whose name I forget brought the food. Suicide. Lies.
|
|
All our habits. Why, look at our public life!
|
|
|
|
(MIDNIGHT CHIMES FROM DISTANT STEEPLES.)
|
|
|
|
THE CHIMES: Turn again, Leopold! Lord mayor of Dublin!
|
|
|
|
BLOOM: (IN ALDERMAN'S GOWN AND CHAIN) Electors of Arran Quay, Inns Quay,
|
|
Rotunda, Mountjoy and North Dock, better run a tramline, I say, from the
|
|
cattlemarket to the river. That's the music of the future. That's my
|
|
programme. CUI BONO? But our bucaneering Vanderdeckens in their
|
|
phantom ship of finance ...
|
|
|
|
AN ELECTOR: Three times three for our future chief magistrate!
|
|
|
|
(THE AURORA BOREALIS OF THE TORCHLIGHT PROCESSION LEAPS.)
|
|
|
|
THE TORCHBEARERS: Hooray!
|
|
|
|
(SEVERAL WELLKNOWN BURGESSES, CITY MAGNATES AND FREEMEN OF THE
|
|
CITY SHAKE HANDS WITH BLOOM AND CONGRATULATE HIM. TIMOTHY
|
|
HARRINGTON, LATE THRICE LORD MAYOR OF DUBLIN, IMPOSING IN MAYORAL
|
|
SCARLET, GOLD CHAIN AND WHITE SILK TIE, CONFERS WITH COUNCILLOR LORCAN
|
|
SHERLOCK, LOCUM TENENS. THEY NOD VIGOROUSLY IN AGREEMENT.)
|
|
|
|
LATE LORD MAYOR HARRINGTON: (IN SCARLET ROBE WITH MACE, GOLD MAYORAL CHAIN
|
|
AND LARGE WHITE SILK SCARF) That alderman sir Leo Bloom's speech be
|
|
printed at the expense of the ratepayers. That the house in which he was
|
|
born be ornamented with a commemorative tablet and that the thoroughfare
|
|
hitherto known as Cow Parlour off Cork street be henceforth designated
|
|
Boulevard Bloom.
|
|
|
|
COUNCILLOR LORCAN SHERLOCK: Carried unanimously.
|
|
|
|
BLOOM: (IMPASSIONEDLY) These flying Dutchmen or lying Dutchmen as they
|
|
recline in their upholstered poop, casting dice, what reck they? Machines
|
|
is their cry, their chimera, their panacea. Laboursaving apparatuses,
|
|
supplanters, bugbears, manufactured monsters for mutual murder, hideous
|
|
hobgoblins produced by a horde of capitalistic lusts upon our prostituted
|
|
labour. The poor man starves while they are grassing their royal mountain
|
|
stags or shooting peasants and phartridges in their purblind pomp of pelf
|
|
and power. But their reign is rover for rever and ever and ev ...
|
|
|
|
(PROLONGED APPLAUSE. VENETIAN MASTS, MAYPOLES AND FESTAL ARCHES
|
|
SPRING UP. A STREAMER BEARING THE LEGENDS Cead Mile Failte AND
|
|
Mah Ttob Melek Israel SPANS THE STREET ALL THE WINDOWS ARE
|
|
THRONGED WITH SIGHTSEERS, CHIEFLY LADIES. ALONG THE ROUTE THE
|
|
REGIMENTS OF THE ROYAL DUBLIN FUSILIERS, THE KING'S OWN SCOTTISH
|
|
BORDERERS, THE CAMERON HIGHLANDERS AND THE WELSH FUSILIERS
|
|
STANDING TO ATTENTION, KEEP BACK THE CROWD. BOYS FROM HIGH SCHOOL
|
|
ARE PERCHED ON THE LAMPPOSTS, TELEGRAPH POLES, WINDOWSILLS,
|
|
CORNICES, GUTTERS, CHIMNEYPOTS, RAILINGS, RAINSPOUTS, WHISTLING AND
|
|
CHEERING THE PILLAR OF THE CLOUD APPEARS. A FIFE AND DRUM BAND IS
|
|
HEARD IN THE DISTANCE PLAYING THE KOL NIDRE. THE BEATERS APPROACH
|
|
WITH IMPERIAL EAGLES HOISTED, TRAILING BANNERS AND WAVING ORIENTAL
|
|
PALMS. THE CHRYSELEPHANTINE PAPAL STANDARD RISES HIGH, SURROUNDED
|
|
BY PENNONS OF THE CIVIC FLAG. THE VAN OF THE PROCESSION APPEARS
|
|
HEADED BY JOHN HOWARD PARNELL, CITY MARSHAL, IN A CHESSBOARD
|
|
TABARD, THE ATHLONE POURSUIVANT AND ULSTER KING OF ARMS. THEY ARE
|
|
FOLLOWED BY THE RIGHT HONOURABLE JOSEPH HUTCHINSON, LORD MAYOR
|
|
OF DUBLIN, HIS LORDSHIP THE LORD MAYOR OF CORK, THEIR WORSHIPS THE
|
|
MAYORS OF LIMERICK, GALWAY, SLIGO AND WATERFORD, TWENTYEIGHT
|
|
IRISH REPRESENTATIVE PEERS, SIRDARS, GRANDEES AND MAHARAJAHS BEARING
|
|
THE CLOTH OF ESTATE, THE DUBLIN METROPOLITAN FIRE BRIGADE, THE
|
|
CHAPTER OF THE SAINTS OF FINANCE IN THEIR PLUTOCRATIC ORDER OF
|
|
PRECEDENCE, THE BISHOP OF DOWN AND CONNOR, HIS EMINENCE
|
|
MICHAEL CARDINAL LOGUE, ARCHBISHOP OF ARMAGH, PRIMATE OF ALL
|
|
IRELAND, HIS GRACE, THE MOST REVEREND DR WILLIAM ALEXANDER,
|
|
ARCHBISHOP OF ARMAGH, PRIMATE OF ALL IRELAND, THE CHIEF RABBI, THE
|
|
PRESBYTERIAN MODERATOR, THE HEADS OF THE BAPTIST, ANABAPTIST,
|
|
METHODIST AND MORAVIAN CHAPELS AND THE HONORARY SECRETARY OF THE
|
|
SOCIETY OF FRIENDS. AFTER THEM MARCH THE GUILDS AND TRADES AND
|
|
TRAINBANDS WITH FLYING COLOURS: COOPERS, BIRD FANCIERS, MILLWRIGHTS,
|
|
NEWSPAPER CANVASSERS, LAW SCRIVENERS, MASSEURS, VINTNERS,
|
|
TRUSSMAKERS, CHIMNEYSWEEPS, LARD REFINERS, TABINET AND POPLIN
|
|
WEAVERS, FARRIERS, ITALIAN WAREHOUSEMEN, CHURCH DECORATORS,
|
|
BOOTJACK MANUFACTURERS, UNDERTAKERS, SILK MERCERS, LAPIDARIES,
|
|
SALESMASTERS, CORKCUTTERS, ASSESSORS OF FIRE LOSSES, DYERS AND CLEANERS,
|
|
EXPORT BOTTLERS, FELLMONGERS, TICKETWRITERS, HERALDIC SEAL ENGRAVERS,
|
|
HORSE REPOSITORY HANDS, BULLION BROKERS, CRICKET AND ARCHERY
|
|
OUTFITTERS, RIDDLEMAKERS, EGG AND POTATO FACTORS, HOSIERS AND GLOVERS,
|
|
PLUMBING CONTRACTORS. AFTER THEM MARCH GENTLEMEN OF THE
|
|
BEDCHAMBER, BLACK ROD, DEPUTY GARTER, GOLD STICK, THE MASTER OF
|
|
HORSE, THE LORD GREAT CHAMBERLAIN, THE EARL MARSHAL, THE HIGH
|
|
CONSTABLE CARRYING THE SWORD OF STATE, SAINT STEPHEN'S IRON CROWN,
|
|
THE CHALICE AND BIBLE. FOUR BUGLERS ON FOOT BLOW A SENNET. BEEFEATERS
|
|
REPLY, WINDING CLARIONS OF WELCOME. UNDER AN ARCH OF TRIUMPH
|
|
BLOOM APPEARS, BAREHEADED, IN A CRIMSON VELVET MANTLE TRIMMED
|
|
WITH ERMINE, BEARING SAINT EDWARD'S STAFF THE ORB AND SCEPTRE WITH
|
|
THE DOVE, THE CURTANA. HE IS SEATED ON A MILKWHITE HORSE WITH LONG
|
|
FLOWING CRIMSON TAIL, RICHLY CAPARISONED, WITH GOLDEN HEADSTALL. WILD
|
|
EXCITEMENT. THE LADIES FROM THEIR BALCONIES THROW DOWN ROSEPETALS.
|
|
THE AIR IS PERFUMED WITH ESSENCES. THE MEN CHEER. BLOOM'S BOYS
|
|
RUN AMID THE BYSTANDERS WITH BRANCHES OF HAWTHORN AND WRENBUSHES.)
|
|
|
|
BLOOM'S BOYS:
|
|
|
|
|
|
The wren, the wren,
|
|
The king of all birds,
|
|
Saint Stephen's his day
|
|
Was caught in the furze.
|
|
|
|
|
|
A BLACKSMITH: (MURMURS) For the honour of God! And is that Bloom? He
|
|
scarcely looks thirtyone.
|
|
|
|
A PAVIOR AND FLAGGER: That's the famous Bloom now, the world's greatest
|
|
reformer. Hats off!
|
|
|
|
(ALL UNCOVER THEIR HEADS. WOMEN WHISPER EAGERLY.)
|
|
|
|
A MILLIONAIRESS: (RICHLY) Isn't he simply wonderful?
|
|
|
|
A NOBLEWOMAN: (NOBLY) All that man has seen!
|
|
|
|
A FEMINIST: (MASCULINELY) And done!
|
|
|
|
A BELLHANGER: A classic face! He has the forehead of a thinker.
|
|
|
|
(BLOOM'S WEATHER. A SUNBURST APPEARS IN THE NORTHWEST.)
|
|
|
|
THE BISHOP OF DOWN AND CONNOR: I here present your undoubted
|
|
emperor-president and king-chairman, the most serene and potent and very
|
|
puissant ruler of this realm. God save Leopold the First!
|
|
|
|
ALL: God save Leopold the First!
|
|
|
|
BLOOM: (IN DALMATIC AND PURPLE MANTLE, TO THE BISHOP OF DOWN AND CONNOR,
|
|
WITH DIGNITY) Thanks, somewhat eminent sir.
|
|
|
|
WILLIAM, ARCHBISHOP OF ARMAGH: (IN PURPLE STOCK AND SHOVEL HAT) Will you
|
|
to your power cause law and mercy to be executed in all your judgments in
|
|
Ireland and territories thereunto belonging?
|
|
|
|
BLOOM: (PLACING HIS RIGHT HAND ON HIS TESTICLES, SWEARS) So may the
|
|
Creator deal with me. All this I promise to do.
|
|
|
|
MICHAEL, ARCHBISHOP OF ARMAGH: (POURS A CRUSE OF HAIROIL OVER BLOOM'S
|
|
HEAD) GAUDIUM MAGNUM ANNUNTIO VOBIS. HABEMUS CARNEFICEM. Leopold, Patrick,
|
|
Andrew, David, George, be thou anointed!
|
|
|
|
(BLOOM ASSUMES A MANTLE OF CLOTH OF GOLD AND PUTS ON A RUBY RING.
|
|
HE ASCENDS AND STANDS ON THE STONE OF DESTINY. THE REPRESENTATIVE
|
|
PEERS PUT ON AT THE SAME TIME THEIR TWENTYEIGHT CROWNS. JOYBELLS RING
|
|
IN CHRIST CHURCH, SAINT PATRICK'S, GEORGE'S AND GAY MALAHIDE. MIRUS
|
|
BAZAAR FIREWORKS GO UP FROM ALL SIDES WITH SYMBOLICAL PHALLOPYROTECHNIC
|
|
DESIGNS. THE PEERS DO HOMAGE, ONE BY ONE, APPROACHING AND GENUFLECTING.)
|
|
|
|
THE PEERS: I do become your liege man of life and limb to earthly worship.
|
|
|
|
(BLOOM HOLDS UP HIS RIGHT HAND ON WHICH SPARKLES THE KOH-I-NOOR
|
|
DIAMOND. HIS PALFREY NEIGHS. IMMEDIATE SILENCE. WIRELESS
|
|
INTERCONTINENTAL AND INTERPLANETARY TRANSMITTERS ARE SET FOR RECEPTION
|
|
OF MESSAGE.)
|
|
|
|
BLOOM: My subjects! We hereby nominate our faithful charger Copula Felix
|
|
hereditary Grand Vizier and announce that we have this day repudiated
|
|
our former spouse and have bestowed our royal hand upon the princess
|
|
Selene, the splendour of night.
|
|
|
|
(THE FORMER MORGANATIC SPOUSE OF BLOOM IS HASTILY REMOVED IN THE
|
|
BLACK MARIA. THE PRINCESS SELENE, IN MOONBLUE ROBES, A SILVER
|
|
CRESCENT ON HER HEAD, DESCENDS FROM A SEDAN CHAIR, BORNE BY TWO
|
|
GIANTS. AN OUTBURST OF CHEERING.)
|
|
|
|
JOHN HOWARD PARNELL: (RAISES THE ROYAL STANDARD) Illustrious Bloom!
|
|
Successor to my famous brother!
|
|
|
|
BLOOM: (EMBRACES JOHN HOWARD PARNELL) We thank you from our heart, John,
|
|
for this right royal welcome to green Erin, the promised land of our common
|
|
ancestors.
|
|
|
|
(THE FREEDOM OF THE CITY IS PRESENTED TO HIM EMBODIED IN A CHARTER.
|
|
THE KEYS OF DUBLIN, CROSSED ON A CRIMSON CUSHION, ARE GIVEN TO HIM.
|
|
HE SHOWS ALL THAT HE IS WEARING GREEN SOCKS.)
|
|
|
|
TOM KERNAN: You deserve it, your honour.
|
|
|
|
BLOOM: On this day twenty years ago we overcame the hereditary enemy at
|
|
Ladysmith. Our howitzers and camel swivel guns played on his lines with
|
|
telling effect. Half a league onward! They charge! All is lost now! Do we
|
|
yield? No! We drive them headlong! Lo! We charge! Deploying to the left
|
|
our light horse swept across the heights of Plevna and, uttering their
|
|
warcry BONAFIDE SABAOTH, sabred the Saracen gunners to a man.
|
|
|
|
THE CHAPEL OF FREEMAN TYPESETTERS: Hear! Hear!
|
|
|
|
JOHN WYSE NOLAN: There's the man that got away James Stephens.
|
|
|
|
A BLUECOAT SCHOOLBOY: Bravo!
|
|
|
|
AN OLD RESIDENT: You're a credit to your country, sir, that's what you are.
|
|
|
|
AN APPLEWOMAN: He's a man like Ireland wants.
|
|
|
|
BLOOM: My beloved subjects, a new era is about to dawn. I, Bloom, tell you
|
|
verily it is even now at hand. Yea, on the word of a Bloom, ye shall ere long
|
|
enter into the golden city which is to be, the new Bloomusalem in the Nova
|
|
Hibernia of the future.
|
|
|
|
(THIRTYTWO WORKMEN, WEARING ROSETTES, FROM ALL THE COUNTIES OF
|
|
IRELAND, UNDER THE GUIDANCE OF DERWAN THE BUILDER, CONSTRUCT THE
|
|
NEW BLOOMUSALEM. IT IS A COLOSSAL EDIFICE WITH CRYSTAL ROOF, BUILT IN
|
|
THE SHAPE OF A HUGE PORK KIDNEY, CONTAINING FORTY THOUSAND ROOMS.
|
|
IN THE COURSE OF ITS EXTENSION SEVERAL BUILDINGS AND MONUMENTS ARE
|
|
DEMOLISHED. GOVERNMENT OFFICES ARE TEMPORARILY TRANSFERRED TO
|
|
RAILWAY SHEDS. NUMEROUS HOUSES ARE RAZED TO THE GROUND. THE
|
|
INHABITANTS ARE LODGED IN BARRELS AND BOXES, ALL MARKED IN RED WITH
|
|
THE LETTERS: L. B. SEVERAL PAUPERS FILL FROM A LADDER. A PART OF THE
|
|
WALLS OF DUBLIN, CROWDED WITH LOYAL SIGHTSEERS, COLLAPSES.)
|
|
|
|
THE SIGHTSEERS: (DYING) MORITURI TE SALUTANT. (THEY DIE)
|
|
|
|
(A MAN IN A BROWN MACINTOSH SPRINGS UP THROUGH A TRAPDOOR. HE
|
|
POINTS AN ELONGATED FINGER AT BLOOM.)
|
|
|
|
THE MAN IN THE MACINTOSH: Don't you believe a word he says. That man is
|
|
Leopold M'Intosh, the notorious fireraiser. His real name is Higgins.
|
|
|
|
BLOOM: Shoot him! Dog of a christian! So much for M'Intosh!
|
|
|
|
(A CANNONSHOT. THE MAN IN THE MACINTOSH DISAPPEARS. BLOOM WITH
|
|
HIS SCEPTRE STRIKES DOWN POPPIES. THE INSTANTANEOUS DEATHS OF MANY
|
|
POWERFUL ENEMIES, GRAZIERS, MEMBERS OF PARLIAMENT, MEMBERS OF
|
|
STANDING COMMITTEES, ARE REPORTED. BLOOM'S BODYGUARD DISTRIBUTE
|
|
MAUNDY MONEY, COMMEMORATION MEDALS, LOAVES AND FISHES,
|
|
TEMPERANCE BADGES, EXPENSIVE HENRY CLAY CIGARS, FREE COWBONES FOR
|
|
SOUP, RUBBER PRESERVATIVES IN SEALED ENVELOPES TIED WITH GOLD THREAD,
|
|
BUTTER SCOTCH, PINEAPPLE ROCK, BILLETS DOUX IN THE FORM OF COCKED
|
|
HATS, READYMADE SUITS, PORRINGERS OF TOAD IN THE HOLE, BOTTLES OF
|
|
JEYES' FLUID, PURCHASE STAMPS, 40 DAYS' INDULGENCES, SPURIOUS COINS,
|
|
DAIRYFED PORK SAUSAGES, THEATRE PASSES, SEASON TICKETS AVAILABLE FOR
|
|
ALL TRAMLINES, COUPONS OF THE ROYAL AND PRIVILEGED HUNGARIAN
|
|
LOTTERY, PENNY DINNER COUNTERS, CHEAP REPRINTS OF THE WORLD'S TWELVE
|
|
WORST BOOKS: FROGGY AND FRITZ (POLITIC), CARE OF THE BABY
|
|
(INFANTILIC), SO MEALS FOR 7/6 (CULINIC), WAS JESUS A SUN MYTH?
|
|
(HISTORIC), EXPEL THAT PAIN (MEDIC), INFANT'S COMPENDIUM OF THE
|
|
UNIVERSE (COSMIC), LET'S ALL CHORTLE (HILARIC), CANVASSER'S VADE
|
|
MECUM (JOURNALIC), LOVELETTERS OF MOTHER ASSISTANT (EROTIC), WHO'S
|
|
WHO IN SPACE (ASTRIC), SONGS THAT REACHED OUR HEART (MELODIC),
|
|
PENNYWISE'S WAY TO WEALTH (PARSIMONIC). A GENERAL RUSH AND
|
|
SCRAMBLE. WOMEN PRESS FORWARD TO TOUCH THE HEM OF BLOOM'S ROBE.
|
|
THE LADY GWENDOLEN DUBEDAT BURSTS THROUGH THE THRONG, LEAPS ON
|
|
HIS HORSE AND KISSES HIM ON BOTH CHEEKS AMID GREAT ACCLAMATION. A
|
|
MAGNESIUM FLASHLIGHT PHOTOGRAPH IS TAKEN. BABES AND SUCKLINGS ARE
|
|
HELD UP.)
|
|
|
|
THE WOMEN: Little father! Little father!
|
|
|
|
THE BABES AND SUCKLINGS:
|
|
|
|
|
|
Clap clap hands till Poldy comes home,
|
|
Cakes in his pocket for Leo alone.
|
|
|
|
|
|
(BLOOM, BENDING DOWN, POKES BABY BOARDMAN GENTLY IN THE STOMACH.)
|
|
|
|
BABY BOARDMAN: (HICCUPS, CURDLED MILK FLOWING FROM HIS MOUTH) Hajajaja.
|
|
|
|
BLOOM: (SHAKING HANDS WITH A BLIND STRIPLING) My more than Brother!
|
|
(PLACING HIS ARMS ROUND THE SHOULDERS OF AN OLD COUPLE) Dear old friends!
|
|
(HE PLAYS PUSSY FOURCORNERS WITH RAGGED BOYS AND GIRLS) Peep! Bopeep! (HE
|
|
WHEELS TWINS IN A PERAMBULATOR) Ticktacktwo wouldyousetashoe? (HE PERFORMS
|
|
JUGGLER'S TRICKS, DRAWS RED, ORANGE, YELLOW, GREEN, BLUE, INDIGO AND
|
|
VIOLET SILK HANDKERCHIEFS FROM HIS MOUTH) Roygbiv. 32 feet per second. (HE
|
|
CONSOLES A WIDOW) Absence makes the heart grow younger. (HE DANCES THE
|
|
HIGHLAND FLING WITH GROTESQUE ANTICS) Leg it, ye devils! (HE KISSES THE
|
|
BEDSORES OF A PALSIED VETERAN) Honourable wounds! (HE TRIPS UP A FIT
|
|
POLICEMAN) U. p: up. U. p: up. (HE WHISPERS IN THE EAR OF A BLUSHING
|
|
WAITRESS AND LAUGHS KINDLY) Ah, naughty, naughty! (HE EATS A RAW TURNIP
|
|
OFFERED HIM BY MAURICE BUTTERLY, FARMER) Fine! Splendid! (HE REFUSES TO
|
|
ACCEPT THREE SHILLINGS OFFERED HIM BY JOSEPH HYNES, JOURNALIST) My dear
|
|
fellow, not at all! (HE GIVES HIS COAT TO A BEGGAR) Please accept.
|
|
(HE TAKES PART IN A STOMACH RACE WITH ELDERLY MALE AND FEMALE CRIPPLES)
|
|
Come on, boys! Wriggle it, girls!
|
|
|
|
THE CITIZEN: (CHOKED WITH EMOTION, BRUSHES ASIDE A TEAR IN HIS EMERALD
|
|
MUFFLER) May the good God bless him!
|
|
|
|
(THE RAMS' HORNS SOUND FOR SILENCE. THE STANDARD OF ZION IS HOISTED.)
|
|
|
|
BLOOM: (UNCLOAKS IMPRESSIVELY, REVEALING OBESITY, UNROLLS A PAPER AND
|
|
READS SOLEMNLY) Aleph Beth Ghimel Daleth Hagadah Tephilim Kosher Yom
|
|
Kippur Hanukah Roschaschana Beni Brith Bar Mitzvah Mazzoth
|
|
Askenazim Meshuggah Talith.
|
|
|
|
(AN OFFICIAL TRANSLATION IS READ BY JIMMY HENRY, ASSISTANT TOWN CLERK.)
|
|
|
|
JIMMY HENRY: The Court of Conscience is now open. His Most Catholic
|
|
Majesty will now administer open air justice. Free medical and legal
|
|
advice, solution of doubles and other problems. All cordially invited.
|
|
Given at this our loyal city of Dublin in the year I of the Paradisiacal
|
|
Era.
|
|
|
|
PADDY LEONARD: What am I to do about my rates and taxes?
|
|
|
|
BLOOM: Pay them, my friend.
|
|
|
|
PADDY LEONARD: Thank you.
|
|
|
|
NOSEY FLYNN: Can I raise a mortgage on my fire insurance?
|
|
|
|
BLOOM: (OBDURATELY) Sirs, take notice that by the law of torts you are
|
|
bound over in your own recognisances for six months in the sum of five
|
|
pounds.
|
|
|
|
J. J. O'MOLLOY: A Daniel did I say? Nay! A Peter O'Brien!
|
|
|
|
NOSEY FLYNN: Where do I draw the five pounds?
|
|
|
|
PISSER BURKE: For bladder trouble?
|
|
|
|
BLOOM:
|
|
|
|
ACID. NIT. HYDROCHLOR. DIL., 20 MINIMS
|
|
TINCT. NUX VOM., 5 MINIMS
|
|
EXTR. TARAXEL. IIQ., 30 MINIMS.
|
|
AQ. DIS. TER IN DIE.
|
|
|
|
|
|
CHRIS CALLINAN: What is the parallax of the subsolar ecliptic of Aldebaran?
|
|
|
|
BLOOM: Pleased to hear from you, Chris. K. II.
|
|
|
|
JOE HYNES: Why aren't you in uniform?
|
|
|
|
BLOOM: When my progenitor of sainted memory wore the uniform of the
|
|
Austrian despot in a dank prison where was yours?
|
|
|
|
BEN DOLLARD: Pansies?
|
|
|
|
BLOOM: Embellish (beautify) suburban gardens.
|
|
|
|
BEN DOLLARD: When twins arrive?
|
|
|
|
BLOOM: Father (pater, dad) starts thinking.
|
|
|
|
LARRY O'ROURKE: An eightday licence for my new premises. You remember me,
|
|
sir Leo, when you were in number seven. I'm sending around a dozen of
|
|
stout for the missus.
|
|
|
|
BLOOM: (COLDLY) You have the advantage of me. Lady Bloom accepts no
|
|
presents.
|
|
|
|
CROFTON: This is indeed a festivity.
|
|
|
|
BLOOM: (SOLEMNLY) You call it a festivity. I call it a sacrament.
|
|
|
|
ALEXANDER KEYES: When will we have our own house of keys?
|
|
|
|
BLOOM: I stand for the reform of municipal morals and the plain ten
|
|
commandments. New worlds for old. Union of all, jew, moslem and gentile.
|
|
Three acres and a cow for all children of nature. Saloon motor hearses.
|
|
Compulsory manual labour for all. All parks open to the public day and
|
|
night. Electric dishscrubbers. Tuberculosis, lunacy, war and mendicancy
|
|
must now cease. General amnesty, weekly carnival with masked licence,
|
|
bonuses for all, esperanto the universal language with universal
|
|
brotherhood. No more patriotism of barspongers and dropsical impostors.
|
|
Free money, free rent, free love and a free lay church in a free
|
|
lay state.
|
|
|
|
O'MADDEN BURKE: Free fox in a free henroost.
|
|
|
|
DAVY BYRNE: (YAWNING) Iiiiiiiiiaaaaaaach!
|
|
|
|
BLOOM: Mixed races and mixed marriage.
|
|
|
|
LENEHAN: What about mixed bathing?
|
|
|
|
(BLOOM EXPLAINS TO THOSE NEAR HIM HIS SCHEMES FOR SOCIAL
|
|
REGENERATION. ALL AGREE WITH HIM. THE KEEPER OF THE KILDARE STREET
|
|
MUSEUM APPEARS, DRAGGING A LORRY ON WHICH ARE THE SHAKING STATUES
|
|
OF SEVERAL NAKED GODDESSES, VENUS CALLIPYGE, VENUS PANDEMOS,
|
|
VENUS METEMPSYCHOSIS, AND PLASTER FIGURES, ALSO NAKED, REPRESENTING
|
|
THE NEW NINE MUSES, COMMERCE, OPERATIC MUSIC, AMOR, PUBLICITY,
|
|
MANUFACTURE, LIBERTY OF SPEECH, PLURAL VOTING, GASTRONOMY,
|
|
PRIVATE HYGIENE, SEASIDE CONCERT ENTERTAINMENTS, PAINLESS
|
|
OBSTETRICS AND ASTRONOMY FOR THE PEOPLE.)
|
|
|
|
FATHER FARLEY: He is an episcopalian, an agnostic, an anythingarian
|
|
seeking to overthrow our holy faith.
|
|
|
|
MRS RIORDAN: (TEARS UP HER WILL) I'm disappointed in you! You bad man!
|
|
|
|
MOTHER GROGAN: (REMOVES HER BOOT TO THROW IT AT BLOOM) You beast!
|
|
You abominable person!
|
|
|
|
NOSEY FLYNN: Give us a tune, Bloom. One of the old sweet songs.
|
|
|
|
BLOOM: (WITH ROLLICKING HUMOUR)
|
|
|
|
|
|
I vowed that I never would leave her,
|
|
She turned out a cruel deceiver.
|
|
With my tooraloom tooraloom tooraloom tooraloom.
|
|
|
|
|
|
HOPPY HOLOHAN: Good old Bloom! There's nobody like him after all.
|
|
|
|
PADDY LEONARD: Stage Irishman!
|
|
|
|
BLOOM: What railway opera is like a tramline in Gibraltar? The Rows of
|
|
Casteele.
|
|
|
|
(LAUGHTER.)
|
|
|
|
LENEHAN: Plagiarist! Down with Bloom!
|
|
|
|
THE VEILED SIBYL: (ENTHUSIASTICALLY) I'm a Bloomite and I glory in it.
|
|
I believe in him in spite of all. I'd give my life for him, the funniest
|
|
man on earth.
|
|
|
|
BLOOM: (WINKS AT THE BYSTANDERS) I bet she's a bonny lassie.
|
|
|
|
THEODORE PUREFOY: (IN FISHINGCAP AND OILSKIN JACKET) He employs a
|
|
mechanical device to frustrate the sacred ends of nature.
|
|
|
|
THE VEILED SIBYL: (STABS HERSELF) My hero god! (SHE DIES)
|
|
|
|
(MANY MOST ATTRACTIVE AND ENTHUSIASTIC WOMEN ALSO COMMIT SUICIDE
|
|
BY STABBING, DROWNING, DRINKING PRUSSIC ACID, ACONITE, ARSENIC,
|
|
OPENING THEIR VEINS, REFUSING FOOD, CASTING THEMSELVES UNDER
|
|
STEAMROLLERS, FROM THE TOP OF NELSON'S PILLAR, INTO THE GREAT VAT OF
|
|
GUINNESS'S BREWERY, ASPHYXIATING THEMSELVES BY PLACING THEIR HEADS
|
|
IN GASOVENS, HANGING THEMSELVES IN STYLISH GARTERS, LEAPING FROM
|
|
WINDOWS OF DIFFERENT STOREYS.)
|
|
|
|
ALEXANDER J DOWIE: (VIOLENTLY) Fellowchristians and antiBloomites, the man
|
|
called Bloom is from the roots of hell, a disgrace to christian men.
|
|
A fiendish libertine from his earliest years this stinking goat of Mendes
|
|
gave precocious signs of infantile debauchery, recalling the cities of the
|
|
plain, with a dissolute granddam. This vile hypocrite, bronzed with infamy,
|
|
is the white bull mentioned in the Apocalypse. A worshipper of the Scarlet
|
|
Woman, intrigue is the very breath of his nostrils. The stake faggots and
|
|
the caldron of boiling oil are for him. Caliban!
|
|
|
|
THE MOB: Lynch him! Roast him! He's as bad as Parnell was. Mr Fox!
|
|
|
|
(MOTHER GROGAN THROWS HER BOOT AT BLOOM. SEVERAL SHOPKEEPERS
|
|
FROM UPPER AND LOWER DORSET STREET THROW OBJECTS OF LITTLE OR NO
|
|
COMMERCIAL VALUE, HAMBONES, CONDENSED MILK TINS, UNSALEABLE
|
|
CABBAGE, STALE BREAD, SHEEP'S TAILS, ODD PIECES OF FAT.)
|
|
|
|
BLOOM: (EXCITEDLY) This is midsummer madness, some ghastly joke again. By
|
|
heaven, I am guiltless as the unsunned snow! It was my brother Henry. He
|
|
is my double. He lives in number 2 Dolphin's Barn. Slander, the viper, has
|
|
wrongfully accused me. Fellowcountrymen, SGENL INN BAN BATA COISDE GAN
|
|
CAPALL. I call on my old friend, Dr Malachi Mulligan, sex specialist, to
|
|
give medical testimony on my behalf.
|
|
|
|
DR MULLIGAN: (IN MOTOR JERKIN, GREEN MOTORGOGGLES ON HIS BROW) Dr Bloom is
|
|
bisexually abnormal. He has recently escaped from Dr Eustace's private
|
|
asylum for demented gentlemen. Born out of bedlock hereditary epilepsy is
|
|
present, the consequence of unbridled lust. Traces of elephantiasis have been
|
|
discovered among his ascendants. There are marked symptoms of chronic
|
|
exhibitionism. Ambidexterity is also latent. He is prematurely bald from
|
|
selfabuse, perversely idealistic in consequence, a reformed rake, and has
|
|
metal teeth. In consequence of a family complex he has temporarily lost
|
|
his memory and I believe him to be more sinned against than sinning. I
|
|
have made a pervaginal examination and, after application of the acid test
|
|
to 5427 anal, axillary, pectoral and pubic hairs, I declare him to be
|
|
VIRGO INTACTA.
|
|
|
|
(BLOOM HOLDS HIS HIGH GRADE HAT OVER HIS GENITAL ORGANS.)
|
|
|
|
DR MADDEN: Hypsospadia is also marked. In the interest of coming
|
|
generations I suggest that the parts affected should be preserved in
|
|
spirits of wine in the national teratological museum.
|
|
|
|
DR CROTTHERS: I have examined the patient's urine. It is albuminoid.
|
|
Salivation is insufficient, the patellar reflex intermittent.
|
|
|
|
DR PUNCH COSTELLO: The FETOR JUDAICUS is most perceptible.
|
|
|
|
DR DIXON: (READS A BILL OF HEALTH) Professor Bloom is a finished example of
|
|
the new womanly man. His moral nature is simple and lovable. Many have found
|
|
him a dear man, a dear person. He is a rather quaint fellow on the whole,
|
|
coy though not feebleminded in the medical sense. He has written a really
|
|
beautiful letter, a poem in itself, to the court missionary of the
|
|
Reformed Priests' Protection Society which clears up everything. He is
|
|
practically a total abstainer and I can affirm that he sleeps on a straw
|
|
litter and eats the most Spartan food, cold dried grocer's peas. He wears
|
|
a hairshirt of pure Irish manufacture winter and summer and scourges
|
|
himself every Saturday. He was, I understand, at one time a firstclass
|
|
misdemeanant in Glencree reformatory. Another report states that he was a
|
|
very posthumous child. I appeal for clemency in the name of the most
|
|
sacred word our vocal organs have ever been called upon to speak. He is
|
|
about to have a baby.
|
|
|
|
(GENERAL COMMOTION AND COMPASSION. WOMEN FAINT. A WEALTHY
|
|
AMERICAN MAKES A STREET COLLECTION FOR BLOOM. GOLD AND SILVER
|
|
COINS, BLANK CHEQUES, BANKNOTES, JEWELS, TREASURY BONDS, MATURING
|
|
BILLS OF EXCHANGE, I. O. U'S, WEDDING RINGS, WATCHCHAINS, LOCKETS,
|
|
NECKLACES AND BRACELETS ARE RAPIDLY COLLECTED.)
|
|
|
|
BLOOM: O, I so want to be a mother.
|
|
|
|
MRS THORNTON: (IN NURSETENDER'S GOWN) Embrace me tight, dear.
|
|
You'll be soon over it. Tight, dear.
|
|
|
|
(BLOOM EMBRACES HER TIGHTLY AND BEARS EIGHT MALE YELLOW AND WHITE
|
|
CHILDREN. THEY APPEAR ON A REDCARPETED STAIRCASE ADORNED WITH
|
|
EXPENSIVE PLANTS. ALL THE OCTUPLETS ARE HANDSOME, WITH VALUABLE
|
|
METALLIC FACES, WELLMADE, RESPECTABLY DRESSED AND WELLCONDUCTED,
|
|
SPEAKING FIVE MODERN LANGUAGES FLUENTLY AND INTERESTED IN VARIOUS
|
|
ARTS AND SCIENCES. EACH HAS HIS NAME PRINTED IN LEGIBLE LETTERS ON HIS
|
|
SHIRTFRONT: NASODORO, GOLDFINGER, CHRYSOSTOMOS, MAINDOREE,
|
|
SILVERSMILE, SILBERSELBER, VIFARGENT, PANARGYROS. THEY ARE
|
|
IMMEDIATELY APPOINTED TO POSITIONS OF HIGH PUBLIC TRUST IN SEVERAL
|
|
DIFFERENT COUNTRIES AS MANAGING DIRECTORS OF BANKS, TRAFFIC MANAGERS
|
|
OF RAILWAYS, CHAIRMEN OF LIMITED LIABILITY COMPANIES, VICECHAIRMEN
|
|
OF HOTEL SYNDICATES.)
|
|
|
|
A VOICE: Bloom, are you the Messiah ben Joseph or ben David?
|
|
|
|
BLOOM: (DARKLY) You have said it.
|
|
|
|
BROTHER BUZZ: Then perform a miracle like Father Charles.
|
|
|
|
BANTAM LYONS: Prophesy who will win the Saint Leger.
|
|
|
|
(BLOOM WALKS ON A NET, COVERS HIS LEFT EYE WITH HIS LEFT EAR, PASSES
|
|
THROUGH SEVERAL WALLS, CLIMBS NELSON'S PILLAR, HANGS FROM THE TOP
|
|
LEDGE BY HIS EYELIDS, EATS TWELVE DOZEN OYSTERS (SHELLS INCLUDED),
|
|
HEALS SEVERAL SUFFERERS FROM KING'S EVIL, CONTRACTS HIS FACE SO AS TO
|
|
RESEMBLE MANY HISTORICAL PERSONAGES, LORD BEACONSFIELD, LORD
|
|
BYRON, WAT TYLER, MOSES OF EGYPT, MOSES MAIMONIDES, MOSES
|
|
MENDELSSOHN, HENRY IRVING, RIP VAN WINKLE, KOSSUTH, JEAN JACQUES
|
|
ROUSSEAU, BARON LEOPOLD ROTHSCHILD, ROBINSON CRUSOE, SHERLOCK
|
|
HOLMES, PASTEUR, TURNS EACH FOOT SIMULTANEOUSLY IN DIFFERENT
|
|
DIRECTIONS, BIDS THE TIDE TURN BACK, ECLIPSES THE SUN BY EXTENDING HIS
|
|
LITTLE FINGER.)
|
|
|
|
BRINI, PAPAL NUNCIO: (IN PAPAL ZOUAVE'S UNIFORM, STEEL CUIRASSES AS
|
|
BREASTPLATE, ARMPLATES, THIGHPLATES, LEGPLATES, LARGE PROFANE MOUSTACHES
|
|
AND BROWN PAPER MITRE) LEOPOLDI AUTEM GENERATIO. Moses begat Noah and Noah
|
|
begat Eunuch and Eunuch begat O'Halloran and O'Halloran begat Guggenheim
|
|
and Guggenheim begat Agendath and Agendath begat Netaim and Netaim
|
|
begat Le Hirsch and Le Hirsch begat Jesurum and Jesurum begat MacKay
|
|
and MacKay begat Ostrolopsky and Ostrolopsky begat Smerdoz and
|
|
Smerdoz begat Weiss and Weiss begat Schwarz and Schwarz begat
|
|
Adrianopoli and Adrianopoli begat Aranjuez and Aranjuez begat Lewy
|
|
Lawson and Lewy Lawson begat Ichabudonosor and Ichabudonosor begat
|
|
O'Donnell Magnus and O'Donnell Magnus begat Christbaum and
|
|
Christbaum begat ben Maimun and ben Maimun begat Dusty Rhodes and
|
|
Dusty Rhodes begat Benamor and Benamor begat Jones-Smith and
|
|
Jones-Smith begat Savorgnanovich and Savorgnanovich begat Jasperstone
|
|
and Jasperstone begat Vingtetunieme and Vingtetunieme begat
|
|
Szombathely and Szombathely begat Virag and Virag begat Bloom ET
|
|
VOCABITUR NOMEN EIUS EMMANUEL.
|
|
|
|
A DEADHAND: (WRITES ON THE WALL) Bloom is a cod.
|
|
|
|
CRAB: (IN BUSHRANGER'S KIT) What did you do in the cattlecreep behind
|
|
Kilbarrack?
|
|
|
|
A FEMALE INFANT: (SHAKES A RATTLE) And under Ballybough bridge?
|
|
|
|
A HOLLYBUSH: And in the devil's glen?
|
|
|
|
BLOOM: (BLUSHES FURIOUSLY ALL OVER FROM FRONS TO NATES, THREE TEARS
|
|
FILLING FROM HIS LEFT EYE) Spare my past.
|
|
|
|
THE IRISH EVICTED TENANTS: (IN BODYCOATS, KNEEBREECHES, WITH DONNYBROOK
|
|
FAIR SHILLELAGHS) Sjambok him!
|
|
|
|
(BLOOM WITH ASSES' EARS SEATS HIMSELF IN THE PILLORY WITH CROSSED
|
|
ARMS, HIS FEET PROTRUDING. HE WHISTLES Don Giovanni, a cenar teco.
|
|
ARTANE ORPHANS, JOINING HANDS, CAPER ROUND HIM. GIRLS OF THE PRISON
|
|
GATE MISSION, JOINING HANDS, CAPER ROUND IN THE OPPOSITE DIRECTION.)
|
|
|
|
THE ARTANE ORPHANS:
|
|
|
|
|
|
You hig, you hog, you dirty dog!
|
|
You think the ladies love you!
|
|
|
|
|
|
THE PRISON GATE GIRLS:
|
|
|
|
|
|
If you see Kay
|
|
Tell him he may
|
|
See you in tea
|
|
Tell him from me.
|
|
|
|
|
|
HORNBLOWER: (IN EPHOD AND HUNTINGCAP, ANNOUNCES) And he shall carry the
|
|
sins of the people to Azazel, the spirit which is in the wilderness, and
|
|
to Lilith, the nighthag. And they shall stone him and defile him, yea, all
|
|
from Agendath Netaim and from Mizraim, the land of Ham.
|
|
|
|
(ALL THE PEOPLE CAST SOFT PANTOMIME STONES AT BLOOM. MANY BONAFIDE
|
|
TRAVELLERS AND OWNERLESS DOGS COME NEAR HIM AND DEFILE HIM.
|
|
MASTIANSKY AND CITRON APPROACH IN GABERDINES, WEARING LONG
|
|
EARLOCKS. THEY WAG THEIR BEARDS AT BLOOM.)
|
|
|
|
MASTIANSKY AND CITRON: Belial! Laemlein of Istria, the false Messiah!
|
|
Abulafia! Recant!
|
|
|
|
(GEORGE R MESIAS, BLOOM'S TAILOR, APPEARS, A TAILOR'S GOOSE UNDER
|
|
HIS ARM, PRESENTING A BILL)
|
|
|
|
MESIAS: To alteration one pair trousers eleven shillings.
|
|
|
|
BLOOM: (RUBS HIS HANDS CHEERFULLY) Just like old times. Poor Bloom!
|
|
|
|
(REUBEN J DODD, BLACKBEARDED ISCARIOT, BAD SHEPHERD, BEARING ON
|
|
HIS SHOULDERS THE DROWNED CORPSE OF HIS SON, APPROACHES THE
|
|
PILLORY.)
|
|
|
|
REUBEN J: (WHISPERS HOARSELY) The squeak is out. A split is gone for the
|
|
flatties. Nip the first rattler.
|
|
|
|
THE FIRE BRIGADE: Pflaap!
|
|
|
|
BROTHER BUZZ: (INVESTS BLOOM IN A YELLOW HABIT WITH EMBROIDERY OF PAINTED
|
|
FLAMES AND HIGH POINTED HAT HE PLACES A BAG OF GUNPOWDER ROUND HIS NECK
|
|
AND HANDS HIM OVER TO THE CIVIL POWER, SAYING) Forgive him his trespasses.
|
|
|
|
(LIEUTENANT MYERS OF THE DUBLIN FIRE BRIGADE BY GENERAL REQUEST
|
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SETS FIRE TO BLOOM. LAMENTATIONS.)
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THE CITIZEN: Thank heaven!
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BLOOM: (IN A SEAMLESS GARMENT MARKED I. H. S. STANDS UPRIGHT AMID PHOENIX
|
|
FLAMES) Weep not for me, O daughters of Erin.
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(HE EXHIBITS TO DUBLIN REPORTERS TRACES OF BURNING. THE DAUGHTERS OF ERIN,
|
|
IN BLACK GARMENTS, WITH LARGE PRAYERBOOKS AND LONG LIGHTED CANDLES IN
|
|
THEIR HANDS, KNEEL DOWN AND PRAY.)
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THE DAUGHTERS OF ERIN:
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Kidney of Bloom, pray for us
|
|
Flower of the Bath, pray for us
|
|
Mentor of Menton, pray for us
|
|
Canvasser for the Freeman, pray for us
|
|
Charitable Mason, pray for us
|
|
Wandering Soap, pray for us
|
|
Sweets of Sin, pray for us
|
|
Music without Words, pray for us
|
|
Reprover of the Citizen, pray for us
|
|
Friend of all Frillies, pray for us
|
|
Midwife Most Merciful, pray for us
|
|
Potato Preservative against Plague and Pestilence, pray for us.
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|
(A CHOIR OF SIX HUNDRED VOICES, CONDUCTED BY VINCENT O'BRIEN,
|
|
SINGS THE CHORUS FROM HANDEL'S MESSIAH ALLELUIA FOR THE LORD GOD
|
|
OMNIPOTENT REIGNETH, ACCOMPANIED ON THE ORGAN BY JOSEPH GLYNN.
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|
BLOOM BECOMES MUTE, SHRUNKEN, CARBONISED.)
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ZOE: Talk away till you're black in the face.
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|
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BLOOM: (IN CAUBEEN WITH CLAY PIPE STUCK IN THE BAND, DUSTY BROGUES, AN
|
|
EMIGRANT'S RED HANDKERCHIEF BUNDLE IN HIS HAND, LEADING A BLACK BOGOAK PIG
|
|
BY A SUGAUN, WITH A SMILE IN HIS EYE) Let me be going now, woman of the
|
|
house, for by all the goats in Connemara I'm after having the father and
|
|
mother of a bating. (WITH A TEAR IN HIS EYE) All insanity. Patriotism,
|
|
sorrow for the dead, music, future of the race. To be or not to be. Life's
|
|
dream is o'er. End it peacefully. They can live on. (HE GAZES FAR AWAY
|
|
MOURNFULLY) I am ruined. A few pastilles of aconite. The blinds drawn.
|
|
A letter. Then lie back to rest. (HE BREATHES SOFTLY) No more. I have
|
|
lived. Fare. Farewell.
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|
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|
ZOE: (STIFFLY, HER FINGER IN HER NECKFILLET) Honest? Till the next time.
|
|
(SHE SNEERS) Suppose you got up the wrong side of the bed or came too
|
|
quick with your best girl. O, I can read your thoughts!
|
|
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|
BLOOM: (BITTERLY) Man and woman, love, what is it? A cork and bottle.
|
|
I'm sick of it. Let everything rip.
|
|
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ZOE: (IN SUDDEN SULKS) I hate a rotter that's insincere. Give a bleeding
|
|
whore a chance.
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|
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BLOOM: (REPENTANTLY) I am very disagreeable. You are a necessary evil.
|
|
Where are you from? London?
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|
ZOE: (GLIBLY) Hog's Norton where the pigs plays the organs. I'm Yorkshire
|
|
born. (SHE HOLDS HIS HAND WHICH IS FEELING FOR HER NIPPLE) I say, Tommy
|
|
Tittlemouse. Stop that and begin worse. Have you cash for a short time?
|
|
Ten shillings?
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BLOOM: (SMILES, NODS SLOWLY) More, houri, more.
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ZOE: And more's mother? (SHE PATS HIM OFFHANDEDLY WITH VELVET PAWS) Are you
|
|
coming into the musicroom to see our new pianola? Come and I'll peel off.
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|
BLOOM: (FEELING HIS OCCIPUT DUBIOUSLY WITH THE UNPARALLELED EMBARRASSMENT
|
|
OF A HARASSED PEDLAR GAUGING THE SYMMETRY OF HER PEELED PEARS) Somebody
|
|
would be dreadfully jealous if she knew. The greeneyed monster.
|
|
(EARNESTLY) You know how difficult it is. I needn't tell you.
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ZOE: (FLATTERED) What the eye can't see the heart can't grieve for.
|
|
(SHE PATS HIM) Come.
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BLOOM: Laughing witch! The hand that rocks the cradle.
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ZOE: Babby!
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|
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BLOOM: (IN BABYLINEN AND PELISSE, BIGHEADED, WITH A CAUL OF DARK HAIR,
|
|
FIXES BIG EYES ON HER FLUID SLIP AND COUNTS ITS BRONZE BUCKLES WITH A
|
|
CHUBBY FINGER, HIS MOIST TONGUE LOLLING AND LISPING) One two tlee: tlee
|
|
tlwo tlone.
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|
|
THE BUCKLES: Love me. Love me not. Love me.
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|
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|
ZOE: Silent means consent. (WITH LITTLE PARTED TALONS SHE CAPTURES HIS
|
|
HAND, HER FOREFINGER GIVING TO HIS PALM THE PASSTOUCH OF SECRET MONITOR,
|
|
LURING HIM TO DOOM.) Hot hands cold gizzard.
|
|
|
|
(HE HESITATES AMID SCENTS, MUSIC, TEMPTATIONS. SHE LEADS HIM
|
|
TOWARDS THE STEPS, DRAWING HIM BY THE ODOUR OF HER ARMPITS, THE VICE
|
|
OF HER PAINTED EYES, THE RUSTLE OF HER SLIP IN WHOSE SINUOUS FOLDS
|
|
LURKS THE LION REEK OF ALL THE MALE BRUTES THAT HAVE POSSESSED HER.)
|
|
|
|
THE MALE BRUTES: (EXHALING SULPHUR OF RUT AND DUNG AND RAMPING IN THEIR
|
|
LOOSEBOX, FAINTLY ROARING, THEIR DRUGGED HEADS SWAYING TO AND FRO) Good!
|
|
|
|
(ZOE AND BLOOM REACH THE DOORWAY WHERE TWO SISTER WHORES ARE
|
|
SEATED. THEY EXAMINE HIM CURIOUSLY FROM UNDER THEIR PENCILLED
|
|
BROWS AND SMILE TO HIS HASTY BOW. HE TRIPS AWKWARDLY.)
|
|
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|
ZOE: (HER LUCKY HAND INSTANTLY SAVING HIM) Hoopsa! Don't fall upstairs.
|
|
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|
BLOOM: The just man falls seven times. (HE STANDS ASIDE AT THE THRESHOLD)
|
|
After you is good manners.
|
|
|
|
ZOE: Ladies first, gentlemen after.
|
|
|
|
(SHE CROSSES THE THRESHOLD. HE HESITATES. SHE TURNS AND, HOLDING OUT
|
|
HER HANDS, DRAWS HIM OVER. HE HOPS. ON THE ANTLERED RACK OF THE
|
|
HALL HANG A MAN 'S HAT AND WATERPROOF. BLOOM UNCOVERS HIMSELF BUT,
|
|
SEEING THEM, FROWNS, THEN SMILES, PREOCCUPIED. A DOOR ON THE RETURN
|
|
LANDING IS FLUNG OPEN. A MAN IN PURPLE SHIRT AND GREY TROUSERS,
|
|
BROWNSOCKED, PASSES WITH AN APE'S GAIT, HIS BALD HEAD AND GOATEE
|
|
BEARD UPHELD, HUGGING A FULL WATERJUGJAR, HIS TWOTAILED BLACK BRACES
|
|
DANGLING AT HEELS. AVERTING HIS FACE QUICKLY BLOOM BENDS TO EXAMINE
|
|
ON THE HALLTABLE THE SPANIEL EYES OF A RUNNING FOX: THEN, HIS LIFTED
|
|
HEAD SNIFFING, FOLLOWS ZOE INTO THE MUSICROOM. A SHADE OF MAUVE
|
|
TISSUEPAPER DIMS THE LIGHT OF THE CHANDELIER. ROUND AND ROUND A
|
|
MOTH FLIES, COLLIDING, ESCAPING. THE FLOOR IS COVERED WITH AN OILCLOTH
|
|
MOSAIC OF JADE AND AZURE AND CINNABAR RHOMBOIDS. FOOTMARKS ARE
|
|
STAMPED OVER IT IN ALL SENSES, HEEL TO HEEL, HEEL TO HOLLOW, TOE TO TOE,
|
|
FEET LOCKED, A MORRIS OF SHUFFLING FEET WITHOUT BODY PHANTOMS, ALL IN
|
|
A SCRIMMAGE HIGGLEDYPIGGLEDY. THE WALLS ARE TAPESTRIED WITH A PAPER
|
|
OF YEWFRONDS AND CLEAR GLADES. IN THE GRATE IS SPREAD A SCREEN OF
|
|
PEACOCK FEATHERS. LYNCH SQUATS CROSSLEGGED ON THE HEARTHRUG OF
|
|
MATTED HAIR, HIS CAP BACK TO THE FRONT. WITH A WAND HE BEATS TIME
|
|
SLOWLY. KITTY RICKETTS, A BONY PALLID WHORE IN NAVY COSTUME,
|
|
DOESKIN GLOVES ROLLED BACK FROM A CORAL WRISTLET, A CHAIN PURSE IN HER
|
|
HAND, SITS PERCHED ON THE EDGE OF THE TABLE SWINGING HER LEG AND
|
|
GLANCING AT HERSELF IN THE GILT MIRROR OVER THE MANTELPIECE. A TAG OF
|
|
HER CORSETLACE HANGS SLIGHTLY BELOW HER JACKET LYNCH INDICATES
|
|
MOCKINGLY THE COUPLE AT THE PIANO.)
|
|
|
|
KITTY: (COUGHS BEHIND HER HAND) She's a bit imbecillic. (SHE SIGNS WITH A
|
|
WAGGLING FOREFINGER) Blemblem. (LYNCH LIFTS UP HER SKIRT AND WHITE PETTICOAT
|
|
WITH HIS WAND SHE SETTLES THEM DOWN QUICKLY.) Respect yourself. (SHE HICCUPS,
|
|
THEN BENDS QUICKLY HER SAILOR HAT UNDER WHICH HER HAIR GLOWS, RED WITH HENNA)
|
|
O, excuse!
|
|
|
|
ZOE: More limelight, Charley. (SHE GOES TO THE CHANDELIER AND TURNS THE
|
|
GAS FULL COCK)
|
|
|
|
KITTY: (PEERS AT THE GASJET) What ails it tonight?
|
|
|
|
LYNCH: (DEEPLY) Enter a ghost and hobgoblins.
|
|
|
|
ZOE: Clap on the back for Zoe.
|
|
|
|
(THE WAND IN LYNCH'S HAND FLASHES: A BRASS POKER. STEPHEN STANDS
|
|
AT THE PIANOLA ON WHICH SPRAWL HIS HAT AND ASHPLANT. WITH TWO
|
|
FINGERS HE REPEATS ONCE MORE THE SERIES OF EMPTY FIFTHS. FLORRY
|
|
TALBOT, A BLOND FEEBLE GOOSEFAT WHORE IN A TATTERDEMALION GOWN OF
|
|
MILDEWED STRAWBERRY, LOLLS SPREADEAGLE IN THE SOFACORNER, HER LIMP
|
|
FOREARM PENDENT OVER THE BOLSTER, LISTENING. A HEAVY STYE DROOPS
|
|
OVER HER SLEEPY EYELID.)
|
|
|
|
KITTY: (HICCUPS AGAIN WITH A KICK OF HER HORSED FOOT) O, excuse!
|
|
|
|
ZOE: (PROMPTLY) Your boy's thinking of you. Tie a knot on your shift.
|
|
|
|
(KITTY RICKETTS BENDS HER HEAD. HER BOA UNCOILS, SLIDES, GLIDES OVER
|
|
HER SHOULDER, BACK, ARM, CHAIR TO THE GROUND. LYNCH LIFTS THE CURLED
|
|
CATERPILLAR ON HIS WAND. SHE SNAKES HER NECK, NESTLING. STEPHEN
|
|
GLANCES BEHIND AT THE SQUATTED FIGURE WITH ITS CAP BACK TO THE FRONT.)
|
|
|
|
STEPHEN: As a matter of fact it is of no importance whether Benedetto
|
|
Marcello found it or made it. The rite is the poet's rest. It may be an
|
|
old hymn to Demeter or also illustrate COELA ENARRANT GLORIAM DOMINI.
|
|
It is susceptible of nodes or modes as far apart as hyperphrygian and
|
|
mixolydian and of texts so divergent as priests haihooping round David's
|
|
that is Circe's or what am I saying Ceres' altar and David's tip from the
|
|
stable to his chief bassoonist about the alrightness of his almightiness.
|
|
MAIS NOM DE NOM, that is another pair of trousers. JETEZ LA GOURME.
|
|
FAUT QUE JEUNESSE SE PASSE. (HE STOPS, POINTS AT LYNCH'S CAP, SMILES,
|
|
LAUGHS) Which side is your knowledge bump?
|
|
|
|
THE CAP: (WITH SATURNINE SPLEEN) Bah! It is because it is. Woman's reason.
|
|
Jewgreek is greekjew. Extremes meet. Death is the highest form of life. Bah!
|
|
|
|
STEPHEN: You remember fairly accurately all my errors, boasts, mistakes.
|
|
How long shall I continue to close my eyes to disloyalty? Whetstone!
|
|
|
|
THE CAP: Bah!
|
|
|
|
STEPHEN: Here's another for you. (HE FROWNS) The reason is because the
|
|
fundamental and the dominant are separated by the greatest possible
|
|
interval which ...
|
|
|
|
THE CAP: Which? Finish. You can't.
|
|
|
|
STEPHEN: (WITH AN EFFORT) Interval which. Is the greatest possible ellipse.
|
|
Consistent with. The ultimate return. The octave. Which.
|
|
|
|
THE CAP: Which?
|
|
|
|
(OUTSIDE THE GRAMOPHONE BEGINS TO BLARE The Holy City.)
|
|
|
|
STEPHEN: (ABRUPTLY) What went forth to the ends of the world to traverse
|
|
not itself, God, the sun, Shakespeare, a commercial traveller, having
|
|
itself traversed in reality itself becomes that self. Wait a moment. Wait
|
|
a second. Damn that fellow's noise in the street. Self which it itself was
|
|
ineluctably preconditioned to become. ECCO!
|
|
|
|
LYNCH: (WITH A MOCKING WHINNY OF LAUGHTER GRINS AT BLOOM AND ZOE HIGGINS)
|
|
What a learned speech, eh?
|
|
|
|
ZOE: (BRISKLY) God help your head, he knows more than you have forgotten.
|
|
|
|
(WITH OBESE STUPIDITY FLORRY TALBOT REGARDS STEPHEN.)
|
|
|
|
FLORRY: They say the last day is coming this summer.
|
|
|
|
KITTY: No!
|
|
|
|
ZOE: (EXPLODES IN LAUGHTER) Great unjust God!
|
|
|
|
FLORRY: (OFFENDED) Well, it was in the papers about Antichrist. O,
|
|
my foot's tickling.
|
|
|
|
(RAGGED BAREFOOT NEWSBOYS, JOGGING A WAGTAIL KITE, PATTER PAST,
|
|
YELLING.)
|
|
|
|
THE NEWSBOYS: Stop press edition. Result of the rockinghorse races.
|
|
Sea serpent in the royal canal. Safe arrival of Antichrist.
|
|
|
|
(STEPHEN TURNS AND SEES BLOOM.)
|
|
|
|
STEPHEN: A time, times and half a time.
|
|
|
|
(REUBEN I ANTICHRIST, WANDERING JEW, A CLUTCHING HAND OPEN ON HIS
|
|
SPINE, STUMPS FORWARD. ACROSS HIS LOINS IS SLUNG A PILGRIM'S WALLET
|
|
FROM WHICH PROTRUDE PROMISSORY NOTES AND DISHONOURED BILLS. ALOFT
|
|
OVER HIS SHOULDER HE BEARS A LONG BOATPOLE FROM THE HOOK OF WHICH
|
|
THE SODDEN HUDDLED MASS OF HIS ONLY SON, SAVED FROM LIFFEY WATERS,
|
|
HANGS FROM THE SLACK OF ITS BREECHES. A HOBGOBLIN IN THE IMAGE OF
|
|
PUNCH COSTELLO, HIPSHOT, CROOKBACKED, HYDROCEPHALIC, PROGNATHIC
|
|
WITH RECEDING FOREHEAD AND ALLY SLOPER NOSE, TUMBLES IN
|
|
SOMERSAULTS THROUGH THE GATHERING DARKNESS.)
|
|
|
|
ALL: What?
|
|
|
|
THE HOBGOBLIN: (HIS JAWS CHATTERING, CAPERS TO AND FRO, GOGGLING HIS EYES,
|
|
SQUEAKING, KANGAROOHOPPING WITH OUTSTRETCHED CLUTCHING ARMS, THEN ALL AT
|
|
ONCE THRUSTS HIS LIPLESS FACE THROUGH THE FORK OF HIS THIGHS) IL VIENT!
|
|
C'EST MOI! L'HOMME QUI RIT! L'HOMME PRIMIGENE! (HE WHIRLS ROUND AND ROUND
|
|
WITH DERVISH HOWLS) SIEURS ET DAMES, FAITES VOS JEUX! (HE CROUCHES JUGGLING
|
|
TINY ROULETTE PLANETS FLY FROM HIS HANDS.) LES JEUX SONT FAITS! (THE PLANETS
|
|
RUSH TOGETHER, UTTERING CREPITANT CRACKS) RIEN VA PLUS! (THE PLANETS,
|
|
BUOYANT BALLOONS, SAIL SWOLLEN UP AND AWAY. HE SPRINGS OFF INTO VACUUM.)
|
|
|
|
FLORRY: (SINKING INTO TORPOR, CROSSING HERSELF SECRETLY) The end of
|
|
the world!
|
|
|
|
(A FEMALE TEPID EFFLUVIUM LEAKS OUT FROM HER. NEBULOUS OBSCURITY
|
|
OCCUPIES SPACE. THROUGH THE DRIFTING FOG WITHOUT THE GRAMOPHONE
|
|
BLARES OVER COUGHS AND FEETSHUFFLING.)
|
|
|
|
THE GRAMOPHONE: Jerusalem!
|
|
|
|
Open your gates and sing
|
|
|
|
Hosanna ...
|
|
|
|
(A ROCKET RUSHES UP THE SKY AND BURSTS. A WHITE STAR FILLS FROM IT,
|
|
PROCLAIMING THE CONSUMMATION OF ALL THINGS AND SECOND COMING OF
|
|
ELIJAH. ALONG AN INFINITE INVISIBLE TIGHTROPE TAUT FROM ZENITH TO NADIR
|
|
THE END OF THE WORLD, A TWOHEADED OCTOPUS IN GILLIE'S KILTS, BUSBY
|
|
AND TARTAN FILIBEGS, WHIRLS THROUGH THE MURK, HEAD OVER HEELS, IN THE
|
|
FORM OF THE THREE LEGS OF MAN.)
|
|
|
|
THE END OF THE WORLD: (WITH A SCOTCH ACCENT) Wha'll dance the keel row,
|
|
the keel row, the keel row?
|
|
|
|
(OVER THE POSSING DRIFT AND CHOKING BREATHCOUGHS, ELIJAH'S VOICE,
|
|
HARSH AS A CORNCRAKE'S, JARS ON HIGH. PERSPIRING IN A LOOSE LAWN
|
|
SURPLICE WITH FUNNEL SLEEVES HE IS SEEN, VERGERFACED, ABOVE A ROSTRUM
|
|
ABOUT WHICH THE BANNER OF OLD GLORY IS DRAPED. HE THUMPS THE
|
|
PARAPET.)
|
|
|
|
ELIJAH: No yapping, if you please, in this booth. Jake Crane, Creole Sue,
|
|
Dove Campbell, Abe Kirschner, do your coughing with your mouths shut. Say, I
|
|
am operating all this trunk line. Boys, do it now. God's time is 12.25. Tell
|
|
mother you'll be there. Rush your order and you play a slick ace. Join on
|
|
right here. Book through to eternity junction, the nonstop run. Just one
|
|
word more. Are you a god or a doggone clod? If the second advent came to
|
|
Coney Island are we ready? Florry Christ, Stephen Christ, Zoe Christ,
|
|
Bloom Christ, Kitty Christ, Lynch Christ, it's up to you to sense that cosmic
|
|
force. Have we cold feet about the cosmos? No. Be on the side of the
|
|
angels. Be a prism. You have that something within, the higher self. You can
|
|
rub shoulders with a Jesus, a Gautama, an Ingersoll. Are you all in this
|
|
vibration? I say you are. You once nobble that, congregation, and a buck
|
|
joyride to heaven becomes a back number. You got me? It's a lifebrightener,
|
|
sure. The hottest stuff ever was. It's the whole pie with jam in. It's just
|
|
the cutest snappiest line out. It is immense, supersumptuous. It restores. It
|
|
vibrates. I know and I am some vibrator. Joking apart and, getting down to
|
|
bedrock, A. J. Christ Dowie and the harmonial philosophy, have you got
|
|
that? O. K. Seventyseven west sixtyninth street. Got me? That's it. You call
|
|
me up by sunphone any old time. Bumboosers, save your stamps. (HE SHOUTS)
|
|
Now then our glory song. All join heartily in the singing. Encore!
|
|
(HE SINGS) Jeru ...
|
|
|
|
THE GRAMOPHONE: (DROWNING HIS VOICE) Whorusalaminyourhighhohhhh ... (THE
|
|
DISC RASPS GRATINGLY AGAINST THE NEEDLE)
|
|
|
|
THE THREE WHORES: (COVERING THEIR EARS, SQUAWK) Ahhkkk!
|
|
|
|
ELIJAH: (IN ROLLEDUP SHIRTSLEEVES, BLACK IN THE FACE, SHOUTS AT THE TOP OF
|
|
HIS VOICE, HIS ARMS UPLIFTED) Big Brother up there, Mr President, you hear
|
|
what I done just been saying to you. Certainly, I sort of believe strong
|
|
in you, Mr President. I certainly am thinking now Miss Higgins and Miss
|
|
Ricketts got religion way inside them. Certainly seems to me I don't never
|
|
see no wusser scared female than the way you been, Miss Florry, just now
|
|
as I done seed you. Mr President, you come long and help me save our
|
|
sisters dear. (HE WINKS AT HIS AUDIENCE) Our Mr President, he twig the
|
|
whole lot and he aint saying nothing.
|
|
|
|
KITTY-KATE: I forgot myself. In a weak moment I erred and did what I did on
|
|
Constitution hill. I was confirmed by the bishop and enrolled in the brown
|
|
scapular. My mother's sister married a Montmorency. It was a working
|
|
plumber was my ruination when I was pure.
|
|
|
|
ZOE-FANNY: I let him larrup it into me for the fun of it.
|
|
|
|
FLORRY-TERESA: It was in consequence of a portwine beverage on top of
|
|
Hennessy's three star. I was guilty with Whelan when he slipped into
|
|
the bed.
|
|
|
|
STEPHEN: In the beginning was the word, in the end the world without end.
|
|
Blessed be the eight beatitudes.
|
|
|
|
(THE BEATITUDES, DIXON, MADDEN, CROTTHERS, COSTELLO, LENEHAN,
|
|
BANNON, MULLIGAN AND LYNCH IN WHITE SURGICAL STUDENTS' GOWNS,
|
|
FOUR ABREAST, GOOSESTEPPING, TRAMP FIST PAST IN NOISY MARCHING)
|
|
|
|
THE BEATITUDES: (INCOHERENTLY) Beer beef battledog buybull businum barnum
|
|
buggerum bishop.
|
|
|
|
LYSTER: (IN QUAKERGREY KNEEBREECHES AND BROADBRIMMED HAT, SAYS DISCREETLY)
|
|
He is our friend. I need not mention names. Seek thou the light.
|
|
|
|
(HE CORANTOS BY. BEST ENTERS IN HAIRDRESSER'S ATTIRE, SHINILY
|
|
LAUNDERED, HIS LOCKS IN CURLPAPERS. HE LEADS JOHN EGLINTON WHO
|
|
WEARS A MANDARIN'S KIMONO OF NANKEEN YELLOW, LIZARDLETTERED, AND
|
|
A HIGH PAGODA HAT.)
|
|
|
|
BEST: (SMILING, LIFTS THE HAT AND DISPLAYS A SHAVEN POLL FROM THE CROWN OF
|
|
WHICH BRISTLES A PIGTAIL TOUPEE TIED WITH AN ORANGE TOPKNOT) I was just
|
|
beautifying him, don't you know. A thing of beauty, don't you know, Yeats
|
|
says, or I mean, Keats says.
|
|
|
|
JOHN EGLINTON: (PRODUCES A GREENCAPPED DARK LANTERN AND FLASHES IT TOWARDS
|
|
A CORNER: WITH CARPING ACCENT) Esthetics and cosmetics are for the
|
|
boudoir. I am out for truth. Plain truth for a plain man. Tanderagee wants
|
|
the facts and means to get them.
|
|
|
|
(IN THE CONE OF THE SEARCHLIGHT BEHIND THE COALSCUTTLE, OLLAVE,
|
|
HOLYEYED, THE BEARDED FIGURE OF MANANAUN MACLIR BROODS, CHIN ON
|
|
KNEES. HE RISES SLOWLY. A COLD SEAWIND BLOWS FROM HIS DRUID MOUTH.
|
|
ABOUT HIS HEAD WRITHE EELS AND ELVERS. HE IS ENCRUSTED WITH WEEDS
|
|
AND SHELLS. HIS RIGHT HAND HOLDS A BICYCLE PUMP. HIS LEFT HAND
|
|
GRASPS A HUGE CRAYFISH BY ITS TWO TALONS.)
|
|
|
|
MANANAUN MACLIR: (WITH A VOICE OF WAVES) Aum! Hek! Wal! Ak! Lub! Mor! Ma!
|
|
White yoghin of the gods. Occult pimander of Hermes Trismegistos. (WITH A
|
|
VOICE OF WHISTLING SEAWIND) Punarjanam patsypunjaub! I won't have my leg
|
|
pulled. It has been said by one: beware the left, the cult of Shakti. (WITH
|
|
A CRY OF STORMBIRDS) Shakti Shiva, darkhidden Father! (HE SMITES WITH HIS
|
|
BICYCLE PUMP THE CRAYFISH IN HIS LEFT HAND. ON ITS COOPERATIVE DIAL GLOW THE
|
|
TWELVE SIGNS OF THE ZODIAC. HE WAILS WITH THE VEHEMENCE OF THE OCEAN.)
|
|
Aum! Baum! Pyjaum! I am the light of the homestead! I am the dreamery
|
|
creamery butter.
|
|
|
|
(A SKELETON JUDASHAND STRANGLES THE LIGHT. THE GREEN LIGHT WANES TO
|
|
MAUVE. THE GASJET WAILS WHISTLING.)
|
|
|
|
THE GASJET: Pooah! Pfuiiiiiii!
|
|
|
|
(ZOE RUNS TO THE CHANDELIER AND, CROOKING HER LEG, ADJUSTS THE MANTLE.)
|
|
|
|
ZOE: Who has a fag as I'm here?
|
|
|
|
LYNCH: (TOSSING A CIGARETTE ON TO THE TABLE) Here.
|
|
|
|
ZOE: (HER HEAD PERCHED ASIDE IN MOCK PRIDE) Is that the way to hand the POT
|
|
to a lady? (SHE STRETCHES UP TO LIGHT THE CIGARETTE OVER THE FLAME,
|
|
TWIRLING IT SLOWLY, SHOWING THE BROWN TUFTS OF HER ARMPITS. LYNCH WITH HIS
|
|
POKER LIFTS BOLDLY A SIDE OF HER SLIP. BARE FROM HER GARTERS UP HER FLESH
|
|
APPEARS UNDER THE SAPPHIRE A NIXIE'S GREEN. SHE PUFFS CALMLY AT HER
|
|
CIGARETTE.) Can you see the beautyspot of my behind?
|
|
|
|
LYNCH: I'm not looking
|
|
|
|
ZOE: (MAKES SHEEP'S EYES) No? You wouldn't do a less thing. Would you
|
|
suck a lemon?
|
|
|
|
(SQUINTING IN MOCK SHAME SHE GLANCES WITH SIDELONG MEANING AT
|
|
BLOOM, THEN TWISTS ROUND TOWARDS HIM, PULLING HER SLIP FREE OF THE
|
|
POKER. BLUE FLUID AGAIN FLOWS OVER HER FLESH. BLOOM STANDS, SMILING
|
|
DESIROUSLY, TWIRLING HIS THUMBS. KITTY RICKETTS LICKS HER MIDDLE
|
|
FINGER WITH HER SPITTLE AND, GAZING IN THE MIRROR, SMOOTHS BOTH
|
|
EYEBROWS. LIPOTI VIRAG, BASILICOGRAMMATE, CHUTES RAPIDLY DOWN
|
|
THROUGH THE CHIMNEYFLUE AND STRUTS TWO STEPS TO THE LEFT ON GAWKY
|
|
PINK STILTS. HE IS SAUSAGED INTO SEVERAL OVERCOATS AND WEARS A BROWN
|
|
MACINTOSH UNDER WHICH HE HOLDS A ROLL OF PARCHMENT. IN HIS LEFT EYE
|
|
FLASHES THE MONOCLE OF CASHEL BOYLE O'CONNOR FITZMAURICE TISDALL
|
|
FARRELL. ON HIS HEAD IS PERCHED AN EGYPTIAN PSHENT TWO QUILLS
|
|
PROJECT OVER HIS EARS.)
|
|
|
|
VIRAG: (HEELS TOGETHER, BOWS) My name is Virag Lipoti, of Szombathely. (HE
|
|
COUGHS THOUGHTFULLY, DRILY) Promiscuous nakedness is much in evidence
|
|
hereabouts, eh? Inadvertently her backview revealed the fact that she is not
|
|
wearing those rather intimate garments of which you are a particular
|
|
devotee. The injection mark on the thigh I hope you perceived? Good.
|
|
|
|
BLOOM: Granpapachi. But ...
|
|
|
|
VIRAG: Number two on the other hand, she of the cherry rouge and coiffeuse
|
|
white, whose hair owes not a little to our tribal elixir of gopherwood, is
|
|
in walking costume and tightly staysed by her sit, I should opine. Backbone
|
|
in front, so to say. Correct me but I always understood that the act so
|
|
performed by skittish humans with glimpses of lingerie appealed to you in
|
|
virtue of its exhibitionististicicity. In a word. Hippogriff. Am I right?
|
|
|
|
BLOOM: She is rather lean.
|
|
|
|
VIRAG: (NOT UNPLEASANTLY) Absolutely! Well observed and those pannier
|
|
pockets of the skirt and slightly pegtop effect are devised to suggest
|
|
bunchiness of hip. A new purchase at some monster sale for which a gull
|
|
has been mulcted. Meretricious finery to deceive the eye. Observe the
|
|
attention to details of dustspecks. Never put on you tomorrow what you can
|
|
wear today. Parallax! (WITH A NERVOUS TWITCH OF HIS HEAD) Did you hear my
|
|
brain go snap? Pollysyllabax!
|
|
|
|
BLOOM: (AN ELBOW RESTING IN A HAND, A FOREFINGER AGAINST HIS CHEEK)
|
|
She seems sad.
|
|
|
|
VIRAG: (CYNICALLY, HIS WEASEL TEETH BARED YELLOW, DRAWS DOWN HIS LEFT EYE
|
|
WITH A FINGER AND BARKS HOARSELY) Hoax! Beware of the flapper and bogus
|
|
mournful. Lily of the alley. All possess bachelor's button discovered by
|
|
Rualdus Columbus. Tumble her. Columble her. Chameleon. (MORE
|
|
GENIALLY) Well then, permit me to draw your attention to item number three.
|
|
There is plenty of her visible to the naked eye. Observe the mass of
|
|
oxygenated vegetable matter on her skull. What ho, she bumps! The ugly
|
|
duckling of the party, longcasted and deep in keel.
|
|
|
|
BLOOM: (REGRETFULLY) When you come out without your gun.
|
|
|
|
VIRAG: We can do you all brands, mild, medium and strong. Pay your money,
|
|
take your choice. How happy could you be with either ...
|
|
|
|
BLOOM: With ...?
|
|
|
|
VIRAG: (HIS TONGUE UPCURLING) Lyum! Look. Her beam is broad. She is coated
|
|
with quite a considerable layer of fat. Obviously mammal in weight of bosom
|
|
you remark that she has in front well to the fore two protuberances of very
|
|
respectable dimensions, inclined to fall in the noonday soupplate, while on
|
|
her rere lower down are two additional protuberances, suggestive of potent
|
|
rectum and tumescent for palpation, which leave nothing to be desired save
|
|
compactness. Such fleshy parts are the product of careful nurture. When
|
|
coopfattened their livers reach an elephantine size. Pellets of new bread
|
|
with fennygreek and gumbenjamin swamped down by potions of green tea
|
|
endow them during their brief existence with natural pincushions of quite
|
|
colossal blubber. That suits your book, eh? Fleshhotpots of Egypt to
|
|
hanker after. Wallow in it. Lycopodium. (HIS THROAT TWITCHES) Slapbang!
|
|
There he goes again.
|
|
|
|
BLOOM: The stye I dislike.
|
|
|
|
VIRAG: (ARCHES HIS EYEBROWS) Contact with a goldring, they say. ARGUMENTUM
|
|
AD FEMINAM, as we said in old Rome and ancient Greece in the consulship of
|
|
Diplodocus and Ichthyosauros. For the rest Eve's sovereign remedy. Not
|
|
for sale. Hire only. Huguenot. (HE TWITCHES) It is a funny sound. (HE
|
|
COUGHS ENCOURAGINGLY) But possibly it is only a wart. I presume you shall
|
|
have remembered what I will have taught you on that head? Wheatenmeal
|
|
with honey and nutmeg.
|
|
|
|
BLOOM: (REFLECTING) Wheatenmeal with lycopodium and syllabax. This searching
|
|
ordeal. It has been an unusually fatiguing day, a chapter of accidents. Wait.
|
|
I mean, wartsblood spreads warts, you said ...
|
|
|
|
VIRAG: (SEVERELY, HIS NOSE HARDHUMPED, HIS SIDE EYE WINKING) Stop twirling
|
|
your thumbs and have a good old thunk. See, you have forgotten. Exercise
|
|
your mnemotechnic. LA CAUSA E SANTA. Tara. Tara. (ASIDE) He will surely
|
|
remember.
|
|
|
|
BLOOM: Rosemary also did I understand you to say or willpower over parasitic
|
|
tissues. Then nay no I have an inkling. The touch of a deadhand cures.
|
|
Mnemo?
|
|
|
|
VIRAG: (EXCITEDLY) I say so. I say so. E'en so. Technic. (HE TAPS HIS
|
|
PARCHMENTROLL ENERGETICALLY) This book tells you how to act with all
|
|
descriptive particulars. Consult index for agitated fear of aconite,
|
|
melancholy of muriatic, priapic pulsatilla. Virag is going to talk about
|
|
amputation. Our old friend caustic. They must be starved. Snip off with
|
|
horsehair under the denned neck. But, to change the venue to the Bulgar and
|
|
the Basque, have you made up your mind whether you like or dislike women
|
|
in male habiliments? (WITH A DRY SNIGGER) You intended to devote an entire
|
|
year to the study of the religious problem and the summer months of 1886 to
|
|
square the circle and win that million. Pomegranate! From the sublime to
|
|
the ridiculous is but a step. Pyjamas, let us say? Or stockingette gussetted
|
|
knickers, closed? Or, put we the case, those complicated combinations,
|
|
camiknickers? (HE CROWS DERISIVELY) Keekeereekee!
|
|
|
|
(BLOOM SURVEYS UNCERTAINLY THE THREE WHORES THEN GAZES AT THE
|
|
VEILED MAUVE LIGHT, HEARING THE EVERFLYING MOTH.)
|
|
|
|
BLOOM: I wanted then to have now concluded. Nightdress was never. Hence
|
|
this. But tomorrow is a new day will be. Past was is today. What now is
|
|
will then morrow as now was be past yester.
|
|
|
|
VIRAG: (PROMPTS IN A PIG'S WHISPER) Insects of the day spend their brief
|
|
existence in reiterated coition, lured by the smell of the inferiorly
|
|
pulchritudinous fumale possessing extendified pudendal nerve in dorsal
|
|
region. Pretty Poll! (HIS YELLOW PARROTBEAK GABBLES NASALLY) They had a
|
|
proverb in the Carpathians in or about the year five thousand five hundred
|
|
and fifty of our era. One tablespoonful of honey will attract friend Bruin
|
|
more than half a dozen barrels of first choice malt vinegar. Bear's buzz
|
|
bothers bees. But of this apart. At another time we may resume.
|
|
We were very pleased, we others. (HE COUGHS AND, BENDING HIS BROW,
|
|
RUBS HIS NOSE THOUGHTFULLY WITH A SCOOPING HAND) You shall find
|
|
that these night insects follow the light. An illusion for remember
|
|
their complex unadjustable eye. For all these knotty points see the
|
|
seventeenth book of my Fundamentals of Sexology or the Love Passion
|
|
which Doctor L.B. says is the book sensation of the year. Some,
|
|
to example, there are again whose movements are automatic. Perceive.
|
|
That is his appropriate sun. Nightbird nightsun nighttown. Chase
|
|
me, Charley! (he blows into Bloom's ear) Buzz!
|
|
|
|
BLOOM: Bee or bluebottle too other day butting shadow on wall dazed self
|
|
then me wandered dazed down shirt good job I ...
|
|
|
|
VIRAG: (HIS FACE IMPASSIVE, LAUGHS IN A RICH FEMININE KEY) Splendid!
|
|
Spanish fly in his fly or mustard plaster on his dibble. (HE GOBBLES
|
|
GLUTTONOUSLY WITH TURKEY WATTLES) Bubbly jock! Bubbly jock! Where are we?
|
|
Open Sesame! Cometh forth! (HE UNROLLS HIS PARCHMENT RAPIDLY AND READS, HIS
|
|
GLOWWORM'S NOSE RUNNING BACKWARDS OVER THE LETTERS WHICH HE CLAWS) Stay,
|
|
good friend. I bring thee thy answer. Redbank oysters will shortly be upon
|
|
us. I'm the best o'cook. Those succulent bivalves may help us and the
|
|
truffles of Perigord, tubers dislodged through mister omnivorous porker,
|
|
were unsurpassed in cases of nervous debility or viragitis. Though they
|
|
stink yet they sting. (HE WAGS HIS HEAD WITH CACKLING RAILLERY) Jocular. With
|
|
my eyeglass in my ocular. (HE SNEEZES) Amen!
|
|
|
|
BLOOM: (ABSENTLY) Ocularly woman's bivalve case is worse. Always open
|
|
sesame. The cloven sex. Why they fear vermin, creeping things. Yet Eve and
|
|
the serpent contradicts. Not a historical fact. Obvious analogy to my idea.
|
|
Serpents too are gluttons for woman's milk. Wind their way through miles
|
|
of omnivorous forest to sucksucculent her breast dry. Like those
|
|
bubblyjocular Roman matrons one reads of in Elephantuliasis.
|
|
|
|
VIRAG: (HIS MOUTH PROJECTED IN HARD WRINKLES, EYES STONILY FORLORNLY
|
|
CLOSED, PSALMS IN OUTLANDISH MONOTONE) That the cows with their those
|
|
distended udders that they have been the the known ...
|
|
|
|
BLOOM: I am going to scream. I beg your pardon. Ah? So. (HE REPEATS)
|
|
Spontaneously to seek out the saurian's lair in order to entrust their teats
|
|
to his avid suction. Ant milks aphis. (profoundly) Instinct rules the world.
|
|
In life. In death.
|
|
|
|
VIRAG: (HEAD ASKEW, ARCHES HIS BACK AND HUNCHED WINGSHOULDERS, PEERS AT THE
|
|
MOTH OUT OF BLEAR BULGED EYES, POINTS A HORNING CLAW AND CRIES) Who's
|
|
moth moth? Who's dear Gerald? Dear Ger, that you? O dear, he is Gerald.
|
|
O, I much fear he shall be most badly burned. Will some pleashe pershon
|
|
not now impediment so catastrophics mit agitation of firstclass
|
|
tablenumpkin? (HE MEWS) Puss puss puss puss! (HE SIGHS, DRAWS BACK AND
|
|
STARES SIDEWAYS DOWN WITH DROPPING UNDERJAW) Well, well. He doth rest
|
|
anon. (he snaps his jaws suddenly on the air)
|
|
|
|
THE MOTH:
|
|
|
|
|
|
I'm a tiny tiny thing
|
|
Ever flying in the spring
|
|
Round and round a ringaring.
|
|
Long ago I was a king
|
|
Now I do this kind of thing
|
|
On the wing, on the wing!
|
|
Bing!
|
|
|
|
|
|
(HE RUSHES AGAINST THE MAUVE SHADE, FLAPPING NOISILY) Pretty pretty pretty
|
|
pretty pretty pretty petticoats.
|
|
|
|
(FROM LEFT UPPER ENTRANCE WITH TWO GLIDING STEPS HENRY FLOWER
|
|
COMES FORWARD TO LEFT FRONT CENTRE. HE WEARS A DARK MANTLE AND
|
|
DROOPING PLUMED SOMBRERO. HE CARRIES A SILVERSTRINGED INLAID
|
|
DULCIMER AND A LONGSTEMMED BAMBOO JACOB'S PIPE, ITS CLAY BOWL
|
|
FASHIONED AS A FEMALE HEAD. HE WEARS DARK VELVET HOSE AND
|
|
SILVERBUCKLED PUMPS. HE HAS THE ROMANTIC SAVIOUR'S FACE WITH
|
|
FLOWING LOCKS, THIN BEARD AND MOUSTACHE. HIS SPINDLELEGS AND
|
|
SPARROW FEET ARE THOSE OF THE TENOR MARIO, PRINCE OF CANDIA. HE
|
|
SETTLES DOWN HIS GOFFERED RUFFS AND MOISTENS HIS LIPS WITH A PASSAGE
|
|
OF HIS AMOROUS TONGUE.)
|
|
|
|
HENRY: (IN A LOW DULCET VOICE, TOUCHING THE STRINGS OF HIS GUITAR) There
|
|
is a flower that bloometh.
|
|
|
|
(VIRAG TRUCULENT, HIS JOWL SET, STARES AT THE LAMP. GRAVE BLOOM
|
|
REGARDS ZOE'S NECK. HENRY GALLANT TURNS WITH PENDANT DEWLAP TO THE PIANO.)
|
|
|
|
STEPHEN: (TO HIMSELF) Play with your eyes shut. Imitate pa. Filling my
|
|
belly with husks of swine. Too much of this. I will arise and go to my.
|
|
Expect this is the. Steve, thou art in a parlous way. Must visit old Deasy
|
|
or telegraph. Our interview of this morning has left on me a deep
|
|
impression. Though our ages. Will write fully tomorrow. I'm partially
|
|
drunk, by the way. (HE TOUCHES THE KEYS AGAIN) Minor chord comes now. Yes.
|
|
Not much however.
|
|
|
|
(ALMIDANO ARTIFONI HOLDS OUT A BATONROLL OF MUSIC WITH VIGOROUS
|
|
MOUSTACHEWORK.)
|
|
|
|
ARTIFONI: CI RIFLETTA. LEI ROVINA TUTTO.
|
|
|
|
FLORRY: Sing us something. Love's old sweet song.
|
|
|
|
STEPHEN: No voice. I am a most finished artist. Lynch, did I show you the
|
|
letter about the lute?
|
|
|
|
FLORRY: (SMIRKING) The bird that can sing and won't sing.
|
|
|
|
(THE SIAMESE TWINS, PHILIP DRUNK AND PHILIP SOBER, TWO OXFORD
|
|
DONS WITH LAWNMOWERS, APPEAR IN THE WINDOW EMBRASURE. BOTH ARE
|
|
MASKED WITH MATTHEW ARNOLD'S FACE.)
|
|
|
|
PHILIP SOBER: Take a fool's advice. All is not well. Work it out with the
|
|
buttend of a pencil, like a good young idiot. Three pounds twelve you got,
|
|
two notes, one sovereign, two crowns, if youth but knew. Mooney's en
|
|
ville, Mooney's sur mer, the Moira, Larchet's, Holles street hospital,
|
|
Burke's. Eh? I am watching you.
|
|
|
|
PHILIP DRUNK: (IMPATIENTLY) Ah, bosh, man. Go to hell! I paid my way. If I
|
|
could only find out about octaves. Reduplication of personality. Who was
|
|
it told me his name? (HIS LAWNMOWER BEGINS TO PURR) Aha, yes. ZOE MOU SAS
|
|
AGAPO. Have a notion I was here before. When was it not Atkinson his card
|
|
I have somewhere. Mac Somebody. Unmack I have it. He told me about, hold
|
|
on, Swinburne, was it, no?
|
|
|
|
FLORRY: And the song?
|
|
|
|
STEPHEN: Spirit is willing but the flesh is weak.
|
|
|
|
FLORRY: Are you out of Maynooth? You're like someone I knew once.
|
|
|
|
STEPHEN: Out of it now. (TO HIMSELF) Clever.
|
|
|
|
PHILIP DRUNK AND PHILIP SOBER: (THEIR LAWNMOWERS PURRING WITH A RIGADOON
|
|
OF GRASSHALMS) Clever ever. Out of it out of it. By the bye have you the
|
|
book, the thing, the ashplant? Yes, there it, yes. Cleverever outofitnow.
|
|
Keep in condition. Do like us.
|
|
|
|
ZOE: There was a priest down here two nights ago to do his bit of business
|
|
with his coat buttoned up. You needn't try to hide, I says to him. I know
|
|
you've a Roman collar.
|
|
|
|
VIRAG: Perfectly logical from his standpoint. Fall of man. (HARSHLY, HIS
|
|
PUPILS WAXING) To hell with the pope! Nothing new under the sun. I am the
|
|
Virag who disclosed the Sex Secrets of Monks and Maidens. Why I left the
|
|
church of Rome. Read the Priest, the Woman and the Confessional. Penrose.
|
|
Flipperty Jippert. (HE WRIGGLES) Woman, undoing with sweet pudor her belt
|
|
of rushrope, offers her allmoist yoni to man's lingam. Short time after man
|
|
presents woman with pieces of jungle meat. Woman shows joy and covers
|
|
herself with featherskins. Man loves her yoni fiercely with big lingam, the
|
|
stiff one. (HE CRIES) COACTUS VOLUI. Then giddy woman will run about.
|
|
Strong man grapses woman's wrist. Woman squeals, bites, spucks. Man,
|
|
now fierce angry, strikes woman's fat yadgana. (HE CHASES HIS TAIL)
|
|
Piffpaff! Popo! (HE STOPS, SNEEZES) Pchp! (he worries his butt) Prrrrrht!
|
|
|
|
LYNCH: I hope you gave the good father a penance. Nine glorias for
|
|
shooting a bishop.
|
|
|
|
ZOE: (SPOUTS WALRUS SMOKE THROUGH HER NOSTRILS) He couldn't get a
|
|
connection. Only, you know, sensation. A dry rush.
|
|
|
|
BLOOM: Poor man!
|
|
|
|
ZOE: (LIGHTLY) Only for what happened him.
|
|
|
|
BLOOM: How?
|
|
|
|
VIRAG: (A DIABOLIC RICTUS OF BLACK LUMINOSITY CONTRACTING HIS VISAGE,
|
|
CRANES HIS SCRAGGY NECK FORWARD. HE LIFTS A MOONCALF NOZZLE AND HOWLS.)
|
|
VERFLUCHTE GOIM! He had a father, forty fathers. He never existed.
|
|
Pig God! He had two left feet. He was Judas Iacchia, a Libyan eunuch,
|
|
the pope's bastard. (HE LEANS OUT ON TORTURED FOREPAWS, ELBOWS BENT RIGID,
|
|
HIS EYE AGONISING IN HIS FLAT SKULLNECK AND YELPS OVER THE MUTE WORLD)
|
|
A son of a whore. Apocalypse.
|
|
|
|
KITTY: And Mary Shortall that was in the lock with the pox she got from
|
|
Jimmy Pidgeon in the blue caps had a child off him that couldn't swallow
|
|
and was smothered with the convulsions in the mattress and we all
|
|
subscribed for the funeral.
|
|
|
|
PHILIP DRUNK: (GRAVELY) QUI VOUS A MIS DANS CETTE FICHUE POSITION,
|
|
PHILIPPE?
|
|
|
|
PHILIP SOBER: (GAILY) C'ETAIT LE SACRE PIGEON, PHILIPPE.
|
|
|
|
(KITTY UNPINS HER HAT AND SETS IT DOWN CALMLY, PATTING HER HENNA
|
|
HAIR. AND A PRETTIER, A DAINTIER HEAD OF WINSOME CURLS WAS NEVER SEEN
|
|
ON A WHORE'S SHOULDERS. LYNCH PUTS ON HER HAT. SHE WHIPS IT OFF.)
|
|
|
|
LYNCH: (LAUGHS) And to such delights has Metchnikoff inoculated
|
|
anthropoid apes.
|
|
|
|
FLORRY: (NODS) Locomotor ataxy.
|
|
|
|
ZOE: (GAILY) O, my dictionary.
|
|
|
|
LYNCH: Three wise virgins.
|
|
|
|
VIRAG: (AGUESHAKEN, PROFUSE YELLOW SPAWN FOAMING OVER HIS BONY EPILEPTIC
|
|
LIPS) She sold lovephiltres, whitewax, orangeflower. Panther, the Roman
|
|
centurion, polluted her with his genitories. (HE STICKS OUT A FLICKERING
|
|
PHOSPHORESCENT SCORPION TONGUE, HIS HAND ON HIS FORK) Messiah! He burst
|
|
her tympanum. (WITH GIBBERING BABOON'S CRIES HE JERKS HIS HIPS IN THE
|
|
CYNICAL SPASM) Hik! Hek! Hak! Hok! Huk! Kok! Kuk!
|
|
|
|
(BEN JUMBO DOLLARD, RUBICUND, MUSCLEBOUND, HAIRYNOSTRILLED,
|
|
HUGEBEARDED, CABBAGEEARED, SHAGGYCHESTED, SHOCKMANED, FAT-
|
|
PAPPED, STANDS FORTH, HIS LOINS AND GENITALS TIGHTENED INTO A PAIR
|
|
OF BLACK BATHING BAGSLOPS.)
|
|
|
|
BEN DOLLARD: (NAKKERING CASTANET BONES IN HIS HUGE PADDED PAWS, YODELS
|
|
JOVIALLY IN BASE BARRELTONE) When love absorbs my ardent soul.
|
|
|
|
(THE VIRGINS NURSE CALLAN AND NURSE QUIGLEY BURST THROUGH THE
|
|
RINGKEEPERS AND THE ROPES AND MOB HIM WITH OPEN ARMS.)
|
|
|
|
THE VIRGINS: (GUSHINGLY) Big Ben! Ben my Chree!
|
|
|
|
A VOICE: Hold that fellow with the bad breeches.
|
|
|
|
BEN DOLLARD: (SMITES HIS THIGH IN ABUNDANT LAUGHTER) Hold him now.
|
|
|
|
HENRY: (CARESSING ON HIS BREAST A SEVERED FEMALE HEAD, MURMURS)
|
|
Thine heart, mine love. (HE PLUCKS HIS LUTESTRINGS) When first I saw ...
|
|
|
|
VIRAG: (SLOUGHING HIS SKINS, HIS MULTITUDINOUS PLUMAGE MOULTING) Rats! (HE
|
|
YAWNS, SHOWING A COALBLACK THROAT, AND CLOSES HIS JAWS BY AN UPWARD PUSH
|
|
OF HIS PARCHMENTROLL) After having said which I took my departure.
|
|
Farewell. Fare thee well. DRECK!
|
|
|
|
(HENRY FLOWER COMBS HIS MOUSTACHE AND BEARD RAPIDLY WITH A
|
|
POCKETCOMB AND GIVES A COW'S LICK TO HIS HAIR. STEERED BY HIS RAPIER,
|
|
HE GLIDES TO THE DOOR, HIS WILD HARP SLUNG BEHIND HIM. VIRAG REACHES
|
|
THE DOOR IN TWO UNGAINLY STILTHOPS, HIS TAIL COCKED, AND DEFTLY CLAPS
|
|
SIDEWAYS ON THE WALL A PUSYELLOW FLYBILL, BUTTING IT WITH HIS HEAD.)
|
|
|
|
THE FLYBILL: K. II. Post No Bills. Strictly confidential. Dr Hy Franks.
|
|
|
|
HENRY: All is lost now.
|
|
|
|
(VIRAG UNSCREWS HIS HEAD IN A TRICE AND HOLDS IT UNDER HIS ARM.)
|
|
|
|
VIRAG'S HEAD: Quack!
|
|
|
|
(EXEUNT SEVERALLY.)
|
|
|
|
STEPHEN: (OVER HIS SHOULDER TO ZOE) You would have preferred the fighting
|
|
parson who founded the protestant error. But beware Antisthenes, the dog
|
|
sage, and the last end of Arius Heresiarchus. The agony in the closet.
|
|
|
|
LYNCH: All one and the same God to her.
|
|
|
|
STEPHEN: (DEVOUTLY) And sovereign Lord of all things.
|
|
|
|
FLORRY: (TO STEPHEN) I'm sure you're a spoiled priest. Or a monk.
|
|
|
|
LYNCH: He is. A cardinal's son.
|
|
|
|
STEPHEN: Cardinal sin. Monks of the screw.
|
|
|
|
(HIS EMINENCE SIMON STEPHEN CARDINAL DEDALUS, PRIMATE OF ALL
|
|
IRELAND, APPEARS IN THE DOORWAY, DRESSED IN RED SOUTANE, SANDALS
|
|
AND SOCKS SEVEN DWARF SIMIAN ACOLYTES, ALSO IN RED, CARDINAL SINS,
|
|
UPHOLD HIS TRAIN, PEEPING UNDER IT HE WEARS A BATTERED SILK HAT
|
|
SIDEWAYS ON HIS HEAD. HIS THUMBS ARE STUCK IN HIS ARMPITS AND HIS
|
|
PALMS OUTSPREAD. ROUND HIS NECK HANGS A ROSARY OF CORKS ENDING ON
|
|
HIS BREAST IN A CORKSCREW CROSS. RELEASING HIS THUMBS, HE INVOKES
|
|
GRACE FROM ON HIGH WITH LARGE WAVE GESTURES AND PROCLAIMS WITH
|
|
BLOATED POMP:)
|
|
|
|
THE CARDINAL:
|
|
|
|
|
|
Conservio lies captured
|
|
He lies in the lowest dungeon
|
|
With manacles and chains around his limbs
|
|
Weighing upwards of three tons.
|
|
|
|
|
|
(HE LOOKS AT ALL FOR A MOMENT, HIS RIGHT EYE CLOSED TIGHT, HIS LEFT
|
|
CHEEK PUFFED OUT THEN, UNABLE TO REPRESS HIS MERRIMENT, HE ROCKS TO
|
|
AND FRO, ARMS AKIMBO, AND SINGS WITH BROAD ROLLICKING HUMOUR:)
|
|
|
|
|
|
O, the poor little fellow
|
|
Hihihihihis legs they were yellow
|
|
He was plump, fat and heavy and brisk as a snake
|
|
But some bloody savage
|
|
To graize his white cabbage
|
|
He murdered Nell Flaherty's duckloving drake.
|
|
|
|
|
|
(A MULTITUDE OF MIDGES SWARMS WHITE OVER HIS ROBE. HE SCRATCHES
|
|
HIMSELF WITH CROSSED ARMS AT HIS RIBS, GRIMACING, AND EXCLAIMS:)
|
|
|
|
I'm suffering the agony of the damned. By the hoky fiddle, thanks be to
|
|
Jesus those funny little chaps are not unanimous. If they were they'd walk
|
|
me off the face of the bloody globe.
|
|
|
|
(HIS HEAD ASLANT HE BLESSES CURTLY WITH FORE AND MIDDLE FINGERS,
|
|
IMPARTS THE EASTER KISS AND DOUBLESHUFFLES OFF COMICALLY, SWAYING HIS
|
|
HAT FROM SIDE TO SIDE, SHRINKING QUICKLY TO THE SIZE OF HIS
|
|
TRAINBEARERS. THE DWARF ACOLYTES, GIGGLING, PEEPING, NUDGING, OGLING,
|
|
EASTERKISSING, ZIGZAG BEHIND HIM. HIS VOICE IS HEARD MELLOW FROM
|
|
AFAR, MERCIFUL MALE, MELODIOUS:)
|
|
|
|
|
|
Shall carry my heart to thee,
|
|
Shall carry my heart to thee,
|
|
And the breath of the balmy night
|
|
Shall carry my heart to thee!
|
|
|
|
|
|
(THE TRICK DOORHANDLE TURNS.)
|
|
|
|
THE DOORHANDLE: Theeee!
|
|
|
|
ZOE: The devil is in that door.
|
|
|
|
(A MALE FORM PASSES DOWN THE CREAKING STAIRCASE AND IS HEARD
|
|
TAKING THE WATERPROOF AND HAT FROM THE RACK. BLOOM STARTS FORWARD
|
|
INVOLUNTARILY AND, HALF CLOSING THE DOOR AS HE PASSES, TAKES THE
|
|
CHOCOLATE FROM HIS POCKET AND OFFERS IT NERVOUSLY TO ZOE.)
|
|
|
|
ZOE: (SNIFFS HIS HAIR BRISKLY) Hmmm! Thank your mother for the rabbits.
|
|
I'm very fond of what I like.
|
|
|
|
BLOOM: (HEARING A MALE VOICE IN TALK WITH THE WHORES ON THE DOORSTEP,
|
|
PRICKS HIS EARS) If it were he? After? Or because not? Or the double
|
|
event?
|
|
|
|
ZOE: (TEARS OPEN THE SILVERFOIL) Fingers was made before forks. (SHE BREAKS
|
|
OFF AND NIBBLES A PIECE GIVES A PIECE TO KITTY RICKETTS AND THEN TURNS
|
|
KITTENISHLY TO LYNCH) No objection to French lozenges? (HE NODS. SHE TAUNTS
|
|
HIM.) Have it now or wait till you get it? (HE OPENS HIS MOUTH, HIS HEAD
|
|
COCKED. SHE WHIRLS THE PRIZE IN LEFT CIRCLE. HIS HEAD FOLLOWS. SHE WHIRLS
|
|
IT BACK IN RIGHT CIRCLE. HE EYES HER.) Catch!
|
|
|
|
(SHE TOSSES A PIECE. WITH AN ADROIT SNAP HE CATCHES IT AND BITES IT
|
|
THROUGH WITH A CRACK.)
|
|
|
|
KITTY: (CHEWING) The engineer I was with at the bazaar does have lovely ones.
|
|
Full of the best liqueurs. And the viceroy was there with his lady. The gas
|
|
we had on the Toft's hobbyhorses. I'm giddy still.
|
|
|
|
BLOOM: (IN SVENGALI'S FUR OVERCOAT, WITH FOLDED ARMS AND NAPOLEONIC FORELOCK,
|
|
FROWNS IN VENTRILOQUIAL EXORCISM WITH PIERCING EAGLE GLANCE TOWARDS THE
|
|
DOOR. THEN RIGID WITH LEFT FOOT ADVANCED HE MAKES A SWIFT PASS WITH
|
|
IMPELLING FINGERS AND GIVES THE SIGN OF PAST MASTER, DRAWING HIS RIGHT ARM
|
|
DOWNWARDS FROM HIS LEFT SHOULDER.) Go, go, go, I conjure you, whoever you
|
|
are!
|
|
|
|
(A MALE COUGH AND TREAD ARE HEARD PASSING THROUGH THE MIST
|
|
OUTSIDE. BLOOM'S FEATURES RELAX. HE PLACES A HAND IN HIS WAISTCOAT,
|
|
POSING CALMLY. ZOE OFFERS HIM CHOCOLATE.)
|
|
|
|
BLOOM: (SOLEMNLY) Thanks.
|
|
|
|
ZOE: Do as you're bid. Here!
|
|
|
|
(A FIRM HEELCLACKING TREAD IS HEARD ON THE STAIRS.)
|
|
|
|
BLOOM: (TAKES THE CHOCOLATE) Aphrodisiac? Tansy and pennyroyal. But I bought
|
|
it. Vanilla calms or? Mnemo. Confused light confuses memory. Red influences
|
|
lupus. Colours affect women's characters, any they have. This black makes
|
|
me sad. Eat and be merry for tomorrow. (HE EATS) Influence taste too,
|
|
mauve. But it is so long since I. Seems new. Aphro. That priest. Must come.
|
|
Better late than never. Try truffles at Andrews.
|
|
|
|
(THE DOOR OPENS. BELLA COHEN, A MASSIVE WHOREMISTRESS, ENTERS. SHE
|
|
IS DRESSED IN A THREEQUARTER IVORY GOWN, FRINGED ROUND THE HEM WITH
|
|
TASSELLED SELVEDGE, AND COOLS HERSELF FLIRTING A BLACK HORN FAN LIKE
|
|
MINNIE HAUCK IN CARMEN. ON HER LEFT HAND ARE WEDDING AND
|
|
KEEPER RINGS. HER EYES ARE DEEPLY CARBONED. SHE HAS A SPROUTING
|
|
MOUSTACHE. HER OLIVE FACE IS HEAVY, SLIGHTLY SWEATED AND FULLNOSED
|
|
WITH ORANGETAINTED NOSTRILS. SHE HAS LARGE PENDANT BERYL EARDROPS.)
|
|
|
|
BELLA: My word! I'm all of a mucksweat.
|
|
|
|
(SHE GLANCES ROUND HER AT THE COUPLES THEN HER EYES REST ON BLOOM
|
|
WITH HARD INSISTENCE. HER LARGE FAN WINNOWS WIND TOWARDS HER
|
|
HEATED FACENECK AND EMBONPOINT. HER FALCON EYES GLITTER.)
|
|
|
|
THE FAN: (FLIRTING QUICKLY, THEN SLOWLY) Married, I see.
|
|
|
|
BLOOM: Yes. Partly, I have mislaid ...
|
|
|
|
THE FAN: (HALF OPENING, THEN CLOSING) And the missus is master.
|
|
Petticoat government.
|
|
|
|
BLOOM: (LOOKS DOWN WITH A SHEEPISH GRIN) That is so.
|
|
|
|
THE FAN: (FOLDING TOGETHER, RESTS AGAINST HER LEFT EARDROP) Have you
|
|
forgotten me?
|
|
|
|
BLOOM: Yes. Yo.
|
|
|
|
THE FAN: (FOLDED AKIMBO AGAINST HER WAIST) Is me her was you dreamed
|
|
before? Was then she him you us since knew? Am all them and the same
|
|
now we?
|
|
|
|
(BELLA APPROACHES, GENTLY TAPPING WITH THE FAN.)
|
|
|
|
BLOOM: (WINCING) Powerful being. In my eyes read that slumber which
|
|
women love.
|
|
|
|
THE FAN: (TAPPING) We have met. You are mine. It is fate.
|
|
|
|
BLOOM: (COWED) Exuberant female. Enormously I desiderate your domination. I
|
|
am exhausted, abandoned, no more young. I stand, so to speak, with an
|
|
unposted letter bearing the extra regulation fee before the too late box of
|
|
the general postoffice of human life. The door and window open at a right
|
|
angle cause a draught of thirtytwo feet per second according to the law of
|
|
falling bodies. I have felt this instant a twinge of sciatica in my left
|
|
glutear muscle. It runs in our family. Poor dear papa, a widower, was a
|
|
regular barometer from it. He believed in animal heat. A skin of tabby lined
|
|
his winter waistcoat. Near the end, remembering king David and the Sunamite,
|
|
he shared his bed with Athos, faithful after death. A dog's spittle as you
|
|
probably ... (HE WINCES) Ah!
|
|
|
|
RICHIE GOULDING: (BAGWEIGHTED, PASSES THE DOOR) Mocking is catch. Best
|
|
value in Dub. Fit for a prince's. Liver and kidney.
|
|
|
|
THE FAN: (TAPPING) All things end. Be mine. Now,
|
|
|
|
BLOOM: (UNDECIDED) All now? I should not have parted with my talisman. Rain,
|
|
exposure at dewfall on the searocks, a peccadillo at my time of life. Every
|
|
phenomenon has a natural cause.
|
|
|
|
THE FAN: (POINTS DOWNWARDS SLOWLY) You may.
|
|
|
|
BLOOM: (LOOKS DOWNWARDS AND PERCEIVES HER UNFASTENED BOOTLACE) We are
|
|
observed.
|
|
|
|
THE FAN: (POINTS DOWNWARDS QUICKLY) You must.
|
|
|
|
BLOOM: (WITH DESIRE, WITH RELUCTANCE) I can make a true black knot. Learned
|
|
when I served my time and worked the mail order line for Kellett's.
|
|
Experienced hand. Every knot says a lot. Let me. In courtesy. I knelt once
|
|
before today. Ah!
|
|
|
|
(BELLA RAISES HER GOWN SLIGHTLY AND, STEADYING HER POSE, LIFTS TO THE
|
|
EDGE OF A CHAIR A PLUMP BUSKINED HOOF AND A FULL PASTERN,
|
|
SILKSOCKED. BLOOM, STIFFLEGGED, AGING, BENDS OVER HER HOOF AND WITH
|
|
GENTLE FINGERS DRAWS OUT AND IN HER LACES.)
|
|
|
|
BLOOM: (MURMURS LOVINGLY) To be a shoefitter in Manfield's was my love's
|
|
young dream, the darling joys of sweet buttonhooking, to lace up
|
|
crisscrossed to kneelength the dressy kid footwear satinlined, so
|
|
incredibly impossibly small, of Clyde Road ladies. Even their wax model
|
|
Raymonde I visited daily to admire her cobweb hose and stick of rhubarb
|
|
toe, as worn in Paris.
|
|
|
|
THE HOOF: Smell my hot goathide. Feel my royal weight.
|
|
|
|
BLOOM: (CROSSLACING) Too tight?
|
|
|
|
THE HOOF: If you bungle, Handy Andy, I'll kick your football for you.
|
|
|
|
BLOOM: Not to lace the wrong eyelet as I did the night of the bazaar dance.
|
|
Bad luck. Hook in wrong tache of her ... person you mentioned. That night
|
|
she met ... Now!
|
|
|
|
(HE KNOTS THE LACE. BELLA PLACES HER FOOT ON THE FLOOR. BLOOM RAISES
|
|
HIS HEAD. HER HEAVY FACE, HER EYES STRIKE HIM IN MIDBROW. HIS EYES
|
|
GROW DULL, DARKER AND POUCHED, HIS NOSE THICKENS.)
|
|
|
|
BLOOM: (MUMBLES) Awaiting your further orders we remain, gentlemen, ...
|
|
|
|
BELLO: (WITH A HARD BASILISK STARE, IN A BARITONE VOICE) Hound of
|
|
dishonour!
|
|
|
|
BLOOM: (INFATUATED) Empress!
|
|
|
|
BELLO: (HIS HEAVY CHEEKCHOPS SAGGING) Adorer of the adulterous rump!
|
|
|
|
BLOOM: (PLAINTIVELY) Hugeness!
|
|
|
|
BELLO: Dungdevourer!
|
|
|
|
BLOOM: (WITH SINEWS SEMIFLEXED) Magmagnificence!
|
|
|
|
BELLO: Down! (HE TAPS HER ON THE SHOULDER WITH HIS FAN) Incline feet
|
|
forward! Slide left foot one pace back! You will fall. You are falling.
|
|
On the hands down!
|
|
|
|
BLOOM: (HER EYES UPTURNED IN THE SIGN OF ADMIRATION, CLOSING, YAPS)
|
|
Truffles!
|
|
|
|
(WITH A PIERCING EPILEPTIC CRY SHE SINKS ON ALL FOURS, GRUNTING,
|
|
SNUFFLING, ROOTING AT HIS FEET: THEN LIES, SHAMMING DEAD, WITH EYES
|
|
SHUT TIGHT, TREMBLING EYELIDS, BOWED UPON THE GROUND IN THE ATTITUDE
|
|
OF MOST EXCELLENT MASTER.)
|
|
|
|
BELLO: (WITH BOBBED HAIR, PURPLE GILLS, FIT MOUSTACHE RINGS ROUND HIS SHAVEN
|
|
MOUTH, IN MOUNTAINEER'S PUTTEES, GREEN SILVERBUTTONED COAT, SPORT SKIRT AND
|
|
ALPINE HAT WITH MOORCOCK'S FEATHER, HIS HANDS STUCK DEEP IN HIS BREECHES
|
|
POCKETS, PLACES HIS HEEL ON HER NECK AND GRINDS IT IN) Footstool! Feel my
|
|
entire weight. Bow, bondslave, before the throne of your despot's glorious
|
|
heels so glistening in their proud erectness.
|
|
|
|
BLOOM: (ENTHRALLED, BLEATS) I promise never to disobey.
|
|
|
|
BELLO: (LAUGHS LOUDLY) Holy smoke! You little know what's in store for you.
|
|
I'm the Tartar to settle your little lot and break you in! I'll bet Kentucky
|
|
cocktails all round I shame it out of you, old son. Cheek me, I dare you. If
|
|
you do tremble in anticipation of heel discipline to be inflicted in gym
|
|
costume.
|
|
|
|
(BLOOM CREEPS UNDER THE SOFA AND PEERS OUT THROUGH THE FRINGE.)
|
|
|
|
ZOE: (WIDENING HER SLIP TO SCREEN HER) She's not here.
|
|
|
|
BLOOM: (CLOSING HER EYES) She's not here.
|
|
|
|
FLORRY: (HIDING HER WITH HER GOWN) She didn't mean it, Mr Bello.
|
|
She'll be good, sir.
|
|
|
|
KITTY: Don't be too hard on her, Mr Bello. Sure you won't, ma'amsir.
|
|
|
|
BELLO: (COAXINGLY) Come, ducky dear, I want a word with you, darling, just to
|
|
administer correction. Just a little heart to heart talk, sweety. (BLOOM PUTS
|
|
OUT HER TIMID HEAD) There's a good girly now. (BELLO GRABS HER HAIR
|
|
VIOLENTLY AND DRAGS HER FORWARD) I only want to correct you for your own
|
|
good on a soft safe spot. How's that tender behind? O, ever so gently, pet.
|
|
Begin to get ready.
|
|
|
|
BLOOM: (FAINTING) Don't tear my ...
|
|
|
|
BELLO: (SAVAGELY) The nosering, the pliers, the bastinado, the hanging hook,
|
|
the knout I'll make you kiss while the flutes play like the Nubian slave of
|
|
old. You're in for it this time! I'll make you remember me for the balance of
|
|
your natural life. (HIS FOREHEAD VEINS SWOLLEN, HIS FACE CONGESTED) I shall
|
|
sit on your ottoman saddleback every morning after my thumping good
|
|
breakfast of Matterson's fat hamrashers and a bottle of Guinness's porter.
|
|
(HE BELCHES) And suck my thumping good Stock Exchange cigar while I
|
|
read the LICENSED VICTUALLER'S GAZETTE. Very possibly I shall have you
|
|
slaughtered and skewered in my stables and enjoy a slice of you with crisp
|
|
crackling from the baking tin basted and baked like sucking pig with rice
|
|
and lemon or currant sauce. It will hurt you. (HE TWISTS HER ARM. BLOOM
|
|
SQUEALS, TURNING TURTLE.)
|
|
|
|
BLOOM: Don't be cruel, nurse! Don't!
|
|
|
|
BELLO: (TWISTING) Another!
|
|
|
|
BLOOM: (SCREAMS) O, it's hell itself! Every nerve in my body aches
|
|
like mad!
|
|
|
|
BELLO: (SHOUTS) Good, by the rumping jumping general! That's the best bit of
|
|
news I heard these six weeks. Here, don't keep me waiting, damn you! (HE
|
|
SLAPS HER FACE)
|
|
|
|
BLOOM: (WHIMPERS) You're after hitting me. I'll tell ...
|
|
|
|
BELLO: Hold him down, girls, till I squat on him.
|
|
|
|
ZOE: Yes. Walk on him! I will.
|
|
|
|
FLORRY: I will. Don't be greedy.
|
|
|
|
KITTY: No, me. Lend him to me.
|
|
|
|
(THE BROTHEL COOK, MRS KEOGH, WRINKLED, GREYBEARDED, IN A GREASY
|
|
BIB, MEN'S GREY AND GREEN SOCKS AND BROGUES, FLOURSMEARED, A
|
|
ROLLINGPIN STUCK WITH RAW PASTRY IN HER BARE RED ARM AND HAND,
|
|
APPEARS AT THE DOOR.)
|
|
|
|
MRS KEOGH: (FEROCIOUSLY) Can I help? (THEY HOLD AND PINION BLOOM.)
|
|
|
|
BELLO: (SQUATS WITH A GRUNT ON BLOOM'S UPTURNED FACE, PUFFING CIGARSMOKE,
|
|
NURSING A FAT LEG) I see Keating Clay is elected vicechairman of the
|
|
Richmond asylum and by the by Guinness's preference shares are at sixteen
|
|
three quaffers. Curse me for a fool that didn't buy that lot Craig and
|
|
Gardner told me about. Just my infernal luck, curse it. And that
|
|
Goddamned outsider THROWAWAY at twenty to one. (HE QUENCHES HIS CIGAR
|
|
ANGRILY ON BLOOM'S EAR) Where's that Goddamned cursed ashtray?
|
|
|
|
BLOOM: (GOADED, BUTTOCKSMOTHERED) O! O! Monsters! Cruel one!
|
|
|
|
BELLO: Ask for that every ten minutes. Beg. Pray for it as you never prayed
|
|
before. (HE THRUSTS OUT A FIGGED FIST AND FOUL CIGAR) Here, kiss that. Both.
|
|
Kiss. (HE THROWS A LEG ASTRIDE AND, PRESSING WITH HORSEMAN'S KNEES, CALLS
|
|
IN A HARD VOICE) Gee up! A cockhorse to Banbury cross. I'll ride him for
|
|
the Eclipse stakes. (HE BENDS SIDEWAYS AND SQUEEZES HIS MOUNT'S TESTICLES
|
|
ROUGHLY, SHOUTING) Ho! Off we pop! I'll nurse you in proper fashion.
|
|
(HE HORSERIDES COCKHORSE, LEAPING IN THE SADDLE) The lady goes a
|
|
pace a pace and the coachman goes a trot a trot and the gentleman goes a
|
|
gallop a gallop a gallop a gallop.
|
|
|
|
FLORRY: (PULLS AT BELLO) Let me on him now. You had enough. I asked
|
|
before you.
|
|
|
|
ZOE: (PULLING AT FLORRY) Me. Me. Are you not finished with him yet,
|
|
suckeress?
|
|
|
|
BLOOM: (STIFLING) Can't.
|
|
|
|
BELLO: Well, I'm not. Wait. (HE HOLDS IN HIS BREATH) Curse it. Here. This
|
|
bung's about burst. (HE UNCORKS HIMSELF BEHIND: THEN, CONTORTING HIS
|
|
FEATURES, FARTS LOUDLY) Take that! (HE RECORKS HIMSELF) Yes, by Jingo,
|
|
sixteen three quarters.
|
|
|
|
BLOOM: (A SWEAT BREAKING OUT OVER HIM) Not man. (HE SNIFFS) Woman.
|
|
|
|
BELLO: (STANDS UP) No more blow hot and cold. What you longed for has come
|
|
to pass. Henceforth you are unmanned and mine in earnest, a thing under
|
|
the yoke. Now for your punishment frock. You will shed your male garments,
|
|
you understand, Ruby Cohen? and don the shot silk luxuriously rustling
|
|
over head and shoulders. And quickly too!
|
|
|
|
BLOOM: (SHRINKS) Silk, mistress said! O crinkly! scrapy! Must I tiptouch
|
|
it with my nails?
|
|
|
|
BELLO: (POINTS TO HIS WHORES) As they are now so will you be, wigged, singed,
|
|
perfumesprayed, ricepowdered, with smoothshaven armpits. Tape
|
|
measurements will be taken next your skin. You will be laced with cruel
|
|
force into vicelike corsets of soft dove coutille with whalebone busk to the
|
|
diamondtrimmed pelvis, the absolute outside edge, while your figure,
|
|
plumper than when at large, will be restrained in nettight frocks, pretty two
|
|
ounce petticoats and fringes and things stamped, of course, with my
|
|
houseflag, creations of lovely lingerie for Alice and nice scent for Alice.
|
|
Alice will feel the pullpull. Martha and Mary will be a little chilly at first
|
|
in such delicate thighcasing but the frilly flimsiness of lace round your bare
|
|
knees will remind you ...
|
|
|
|
BLOOM: (A CHARMING SOUBRETTE WITH DAUBY CHEEKS, MUSTARD HAIR AND LARGE MALE
|
|
HANDS AND NOSE, LEERING MOUTH) I tried her things on only twice, a small
|
|
prank, in Holles street. When we were hard up I washed them to save the
|
|
laundry bill. My own shirts I turned. It was the purest thrift.
|
|
|
|
BELLO: (JEERS) Little jobs that make mother pleased, eh? And showed off
|
|
coquettishly in your domino at the mirror behind closedrawn blinds your
|
|
unskirted thighs and hegoat's udders in various poses of surrender, eh?
|
|
Ho! ho! I have to laugh! That secondhand black operatop shift and short
|
|
trunkleg naughties all split up the stitches at her last rape that Mrs Miriam
|
|
Dandrade sold you from the Shelbourne hotel, eh?
|
|
|
|
BLOOM: Miriam. Black. Demimondaine.
|
|
|
|
BELLO: (GUFFAWS) Christ Almighty it's too tickling, this! You were a
|
|
nicelooking Miriam when you clipped off your backgate hairs and lay
|
|
swooning in the thing across the bed as Mrs Dandrade about to be violated
|
|
by lieutenant Smythe-Smythe, Mr Philip Augustus Blockwell M. P., signor
|
|
Laci Daremo, the robust tenor, blueeyed Bert, the liftboy, Henri Fleury of
|
|
Gordon Bennett fame, Sheridan, the quadroon Croesus, the varsity wetbob
|
|
eight from old Trinity, Ponto, her splendid Newfoundland and Bobs, dowager
|
|
duchess of Manorhamilton. (HE GUFFAWS AGAIN) Christ, wouldn't it make a
|
|
Siamese cat laugh?
|
|
|
|
BLOOM: (HER HANDS AND FEATURES WORKING) It was Gerald converted me to be a
|
|
true corsetlover when I was female impersonator in the High School play VICE
|
|
VERSA. It was dear Gerald. He got that kink, fascinated by sister's stays.
|
|
Now dearest Gerald uses pinky greasepaint and gilds his eyelids. Cult of
|
|
the beautiful.
|
|
|
|
BELLO: (WITH WICKED GLEE) Beautiful! Give us a breather! When you took
|
|
your seat with womanish care, lifting your billowy flounces, on the
|
|
smoothworn throne.
|
|
|
|
BLOOM: Science. To compare the various joys we each enjoy. (EARNESTLY)
|
|
And really it's better the position ... because often I used to wet ...
|
|
|
|
BELLO: (STERNLY) No insubordination! The sawdust is there in the corner
|
|
for you. I gave you strict instructions, didn't I? Do it standing, sir!
|
|
I'll teach you to behave like a jinkleman! If I catch a trace on your
|
|
swaddles. Aha! By the ass of the Dorans you'll find I'm a martinet. The
|
|
sins of your past are rising against you. Many. Hundreds.
|
|
|
|
THE SINS OF THE PAST: (IN A MEDLEY OF VOICES) He went through a form of
|
|
clandestine marriage with at least one woman in the shadow of the Black
|
|
church. Unspeakable messages he telephoned mentally to Miss Dunn at an
|
|
address in D'Olier street while he presented himself indecently to the
|
|
instrument in the callbox. By word and deed he frankly encouraged a
|
|
nocturnal strumpet to deposit fecal and other matter in an unsanitary
|
|
outhouse attached to empty premises. In five public conveniences he wrote
|
|
pencilled messages offering his nuptial partner to all strongmembered
|
|
males. And by the offensively smelling vitriol works did he not pass night
|
|
after night by loving courting couples to see if and what and how much he
|
|
could see? Did he not lie in bed, the gross boar, gloating over a nauseous
|
|
fragment of wellused toilet paper presented to him by a nasty harlot,
|
|
stimulated by gingerbread and a postal order?
|
|
|
|
BELLO: (WHISTLES LOUDLY) Say! What was the most revolting piece of
|
|
obscenity in all your career of crime? Go the whole hog. Puke it out! Be
|
|
candid for once.
|
|
|
|
(MUTE INHUMAN FACES THRONG FORWARD, LEERING, VANISHING, GIBBERING,
|
|
BOOLOOHOOM, POLDY KOCK, BOOTLACES A PENNY CASSIDY'S HAG, BLIND
|
|
STRIPLING, LARRY RHINOCEROS, THE GIRL, THE WOMAN, THE WHORE, THE
|
|
OTHER, THE ...)
|
|
|
|
BLOOM: Don't ask me! Our mutual faith. Pleasants street. I only thought
|
|
the half of the ... I swear on my sacred oath ...
|
|
|
|
BELLO: (PEREMPTORILY) Answer. Repugnant wretch! I insist on knowing. Tell
|
|
me something to amuse me, smut or a bloody good ghoststory or a line of
|
|
poetry, quick, quick, quick! Where? How? What time? With how many? I
|
|
give you just three seconds. One! Two! Thr ...
|
|
|
|
BLOOM: (DOCILE, GURGLES) I rererepugnosed in rerererepugnant
|
|
|
|
BELLO: (IMPERIOUSLY) O, get out, you skunk! Hold your tongue! Speak when
|
|
you're spoken to.
|
|
|
|
BLOOM: (BOWS) Master! Mistress! Mantamer!
|
|
|
|
(HE LIFTS HIS ARMS. HIS BANGLE BRACELETS FILL.)
|
|
|
|
BELLO: (SATIRICALLY) By day you will souse and bat our smelling
|
|
underclothes also when we ladies are unwell, and swab out our latrines
|
|
with dress pinned up and a dishclout tied to your tail. Won't that be
|
|
nice? (HE PLACES A RUBY RING ON HER FINGER) And there now! With this ring
|
|
I thee own. Say, thank you, mistress.
|
|
|
|
BLOOM: Thank you, mistress.
|
|
|
|
BELLO: You will make the beds, get my tub ready, empty the pisspots in the
|
|
different rooms, including old Mrs Keogh's the cook's, a sandy one. Ay, and
|
|
rinse the seven of them well, mind, or lap it up like champagne. Drink me
|
|
piping hot. Hop! You will dance attendance or I'll lecture you on your
|
|
misdeeds, Miss Ruby, and spank your bare bot right well, miss, with the
|
|
hairbrush. You'll be taught the error of your ways. At night your wellcreamed
|
|
braceletted hands will wear fortythreebutton gloves newpowdered with talc
|
|
and having delicately scented fingertips. For such favours knights of old
|
|
laid down their lives. (HE CHUCKLES) My boys will be no end charmed to see
|
|
you so ladylike, the colonel, above all, when they come here the night before
|
|
the wedding to fondle my new attraction in gilded heels. First I'll have a go
|
|
at you myself. A man I know on the turf named Charles Alberta Marsh (I
|
|
was in bed with him just now and another gentleman out of the Hanaper
|
|
and Petty Bag office) is on the lookout for a maid of all work at a short
|
|
knock. Swell the bust. Smile. Droop shoulders. What offers? (HE POINTS)
|
|
For that lot. Trained by owner to fetch and carry, basket in mouth. (HE
|
|
BARES HIS ARM AND PLUNGES IT ELBOWDEEP IN BLOOM'S VULVA) There's fine
|
|
depth for you! What, boys? That give you a hardon? (HE SHOVES HIS ARM IN
|
|
A BIDDER'S FACE) Here wet the deck and wipe it round!
|
|
|
|
A BIDDER: A florin.
|
|
|
|
(DILLON'S LACQUEY RINGS HIS HANDBELL.)
|
|
|
|
THE LACQUEY: Barang!
|
|
|
|
A VOICE: One and eightpence too much.
|
|
|
|
CHARLES ALBERTA MARSH: Must be virgin. Good breath. Clean.
|
|
|
|
BELLO: (GIVES A RAP WITH HIS GAVEL) Two bar. Rockbottom figure and cheap at
|
|
the price. Fourteen hands high. Touch and examine his points. Handle him.
|
|
This downy skin, these soft muscles, this tender flesh. If I had only my gold
|
|
piercer here! And quite easy to milk. Three newlaid gallons a day. A pure
|
|
stockgetter, due to lay within the hour. His sire's milk record was a
|
|
thousand gallons of whole milk in forty weeks. Whoa my jewel! Beg up!
|
|
Whoa! (HE BRANDS HIS INITIAL C ON BLOOM'S CROUP) So! Warranted Cohen!
|
|
What advance on two bob, gentlemen?
|
|
|
|
A DARKVISAGED MAN: (IN DISGUISED ACCENT) Hoondert punt sterlink.
|
|
|
|
VOICES: (SUBDUED) For the Caliph. Haroun Al Raschid.
|
|
|
|
BELLO: (GAILY) Right. Let them all come. The scanty, daringly short skirt,
|
|
riding up at the knee to show a peep of white pantalette, is a potent weapon
|
|
and transparent stockings, emeraldgartered, with the long straight seam
|
|
trailing up beyond the knee, appeal to the better instincts of the blase
|
|
man about town. Learn the smooth mincing walk on four inch Louis Quinze
|
|
heels, the Grecian bend with provoking croup, the thighs fluescent, knees
|
|
modestly kissing. Bring all your powers of fascination to bear on them.
|
|
Pander to their Gomorrahan vices.
|
|
|
|
BLOOM: (BENDS HIS BLUSHING FACE INTO HIS ARMPIT AND SIMPERS WITH FOREFINGER
|
|
IN MOUTH) O, I know what you're hinting at now!
|
|
|
|
BELLO: What else are you good for, an impotent thing like you? (HE STOOPS
|
|
AND, PEERING, POKES WITH HIS FAN RUDELY UNDER THE FAT SUET FOLDS OF BLOOM'S
|
|
HAUNCHES) Up! Up! Manx cat! What have we here? Where's your curly
|
|
teapot gone to or who docked it on you, cockyolly? Sing, birdy, sing. It's as
|
|
limp as a boy of six's doing his pooly behind a cart. Buy a bucket or sell
|
|
your pump. (LOUDLY) Can you do a man's job?
|
|
|
|
BLOOM: Eccles street ...
|
|
|
|
BELLO: (SARCASTICALLY) I wouldn't hurt your feelings for the world but
|
|
there's a man of brawn in possession there. The tables are turned, my gay
|
|
young fellow! He is something like a fullgrown outdoor man. Well for you, you
|
|
muff, if you had that weapon with knobs and lumps and warts all over it.
|
|
He shot his bolt, I can tell you! Foot to foot, knee to knee, belly to belly,
|
|
bubs to breast! He's no eunuch. A shock of red hair he has sticking out of
|
|
him behind like a furzebush! Wait for nine months, my lad! Holy ginger,
|
|
it's kicking and coughing up and down in her guts already! That makes
|
|
you wild, don't it? Touches the spot? (HE SPITS IN CONTEMPT) Spittoon!
|
|
|
|
BLOOM: I was indecently treated, I ... Inform the police. Hundred pounds.
|
|
Unmentionable. I ...
|
|
|
|
BELLO: Would if you could, lame duck. A downpour we want not your drizzle.
|
|
|
|
BLOOM: To drive me mad! Moll! I forgot! Forgive! Moll ... We ... Still ...
|
|
|
|
BELLO: (RUTHLESSLY) No, Leopold Bloom, all is changed by woman's will since
|
|
you slept horizontal in Sleepy Hollow your night of twenty years. Return and
|
|
see.
|
|
|
|
(OLD SLEEPY HOLLOW CALLS OVER THE WOLD.)
|
|
|
|
SLEEPY HOLLOW: Rip van Wink! Rip van Winkle!
|
|
|
|
BLOOM: (IN TATTERED MOCASSINS WITH A RUSTY FOWLINGPIECE, TIPTOEING,
|
|
FINGERTIPPING, HIS HAGGARD BONY BEARDED FACE PEERING THROUGH THE DIAMOND
|
|
PANES, CRIES OUT) I see her! It's she! The first night at Mat Dillon's!
|
|
But that dress, the green! And her hair is dyed gold and he ...
|
|
|
|
BELLO: (LAUGHS MOCKINGLY) That's your daughter, you owl, with a Mullingar
|
|
student.
|
|
|
|
(MILLY BLOOM, FAIRHAIRED, GREENVESTED, SLIMSANDALLED, HER BLUE SCARF
|
|
IN THE SEAWIND SIMPLY SWIRLING, BREAKS FROM THE ARMS OF HER LOVER
|
|
AND CALLS, HER YOUNG EYES WONDERWIDE.)
|
|
|
|
MILLY: My! It's Papli! But, O Papli, how old you've grown!
|
|
|
|
BELLO: Changed, eh? Our whatnot, our writingtable where we never wrote, aunt
|
|
Hegarty's armchair, our classic reprints of old masters. A man and his
|
|
menfriends are living there in clover. The CUCKOOS' REST! Why not? How
|
|
many women had you, eh, following them up dark streets, flatfoot, exciting
|
|
them by your smothered grunts, what, you male prostitute? Blameless
|
|
dames with parcels of groceries. Turn about. Sauce for the goose, my
|
|
gander O.
|
|
|
|
BLOOM: They ... I ...
|
|
|
|
BELLO: (CUTTINGLY) Their heelmarks will stamp the Brusselette carpet you
|
|
bought at Wren's auction. In their horseplay with Moll the romp to find
|
|
the buck flea in her breeches they will deface the little statue you
|
|
carried home in the rain for art for art' sake. They will violate the
|
|
secrets of your bottom drawer. Pages will be torn from your handbook of
|
|
astronomy to make them pipespills. And they will spit in your ten shilling
|
|
brass fender from Hampton Leedom's.
|
|
|
|
BLOOM: Ten and six. The act of low scoundrels. Let me go. I will return.
|
|
I will prove ...
|
|
|
|
A VOICE: Swear!
|
|
|
|
(BLOOM CLENCHES HIS FISTS AND CRAWLS FORWARD, A BOWIEKNIFE BETWEEN
|
|
HIS TEETH.)
|
|
|
|
BELLO: As a paying guest or a kept man? Too late. You have made your
|
|
secondbest bed and others must lie in it. Your epitaph is written. You are
|
|
down and out and don't you forget it, old bean.
|
|
|
|
BLOOM: Justice! All Ireland versus one! Has nobody ...?
|
|
(HE BITES HIS THUMB)
|
|
|
|
BELLO: Die and be damned to you if you have any sense of decency or grace
|
|
about you. I can give you a rare old wine that'll send you skipping to
|
|
hell and back. Sign a will and leave us any coin you have! If you have
|
|
none see you damn well get it, steal it, rob it! We'll bury you in our
|
|
shrubbery jakes where you'll be dead and dirty with old Cuck Cohen, my
|
|
stepnephew I married, the bloody old gouty procurator and sodomite with a
|
|
crick in his neck, and my other ten or eleven husbands, whatever the
|
|
buggers' names were, suffocated in the one cesspool. (HE EXPLODES IN A
|
|
LOUD PHLEGMY LAUGH) We'll manure you, Mr Flower! (HE PIPES SCOFFINGLY)
|
|
Byby, Poldy! Byby, Papli!
|
|
|
|
BLOOM: (CLASPS HIS HEAD) My willpower! Memory! I have sinned! I have
|
|
suff ...
|
|
|
|
(HE WEEPS TEARLESSLY)
|
|
|
|
BELLO: (SNEERS) Crybabby! Crocodile tears!
|
|
|
|
(BLOOM, BROKEN, CLOSELY VEILED FOR THE SACRIFICE, SOBS, HIS FACE TO THE
|
|
EARTH. THE PASSING BELL IS HEARD. DARKSHAWLED FIGURES OF THE
|
|
CIRCUMCISED, IN SACKCLOTH AND ASHES, STAND BY THE WAILING WALL, M.
|
|
SHULOMOWITZ, JOSEPH GOLDWATER, MOSES HERZOG, HARRIS
|
|
ROSENBERG, M. MOISEL, J. CITRON, MINNIE WATCHMAN, P. MASTIANSKY,
|
|
THE REVEREND LEOPOLD ABRAMOVITZ, CHAZEN. WITH SWAYING ARMS THEY
|
|
WAIL IN PNEUMA OVER THE RECREANT BLOOM.)
|
|
|
|
THE CIRCUMCISED: (IN DARK GUTTURAL CHANT AS THEY CAST DEAD SEA FRUIT UPON
|
|
HIM, NO FLOWERS) SHEMA ISRAEL ADONAI ELOHENU ADONAI ECHAD.
|
|
|
|
VOICES: (SIGHING) So he's gone. Ah yes. Yes, indeed. Bloom? Never heard of
|
|
him. No? Queer kind of chap. There's the widow. That so? Ah, yes.
|
|
|
|
(FROM THE SUTTEE PYRE THE FLAME OF GUM CAMPHIRE ASCENDS. THE PALL
|
|
OF INCENSE SMOKE SCREENS AND DISPERSES. OUT OF HER OAKFRAME A
|
|
NYMPH WITH HAIR UNBOUND, LIGHTLY CLAD IN TEABROWN ARTCOLOURS,
|
|
DESCENDS FROM HER GROTTO AND PASSING UNDER INTERLACING YEWS STANDS
|
|
OVER BLOOM.)
|
|
|
|
THE YEWS: (THEIR LEAVES WHISPERING) Sister. Our sister. Ssh!
|
|
|
|
THE NYMPH: (SOFTLY) Mortal! (KINDLY) Nay, dost not weepest!
|
|
|
|
BLOOM: (CRAWLS JELLILY FORWARD UNDER THE BOUGHS, STREAKED BY SUNLIGHT,
|
|
WITH DIGNITY) This position. I felt it was expected of me. Force of habit.
|
|
|
|
THE NYMPH: Mortal! You found me in evil company, highkickers, coster
|
|
picnicmakers, pugilists, popular generals, immoral panto boys in
|
|
fleshtights and the nifty shimmy dancers, La Aurora and Karini, musical
|
|
act, the hit of the century. I was hidden in cheap pink paper that smelt
|
|
of rock oil. I was surrounded by the stale smut of clubmen, stories to
|
|
disturb callow youth, ads for transparencies, truedup dice and bustpads,
|
|
proprietary articles and why wear a truss with testimonial from ruptured
|
|
gentleman. Useful hints to the married.
|
|
|
|
BLOOM: (LIFTS A TURTLE HEAD TOWARDS HER LAP) We have met before.
|
|
On another star.
|
|
|
|
THE NYMPH: (SADLY) Rubber goods. Neverrip brand as supplied to the
|
|
aristocracy. Corsets for men. I cure fits or money refunded. Unsolicited
|
|
testimonials for Professor Waldmann's wonderful chest exuber. My bust
|
|
developed four inches in three weeks, reports Mrs Gus Rublin with photo.
|
|
|
|
BLOOM: You mean PHOTO BITS?
|
|
|
|
THE NYMPH: I do. You bore me away, framed me in oak and tinsel, set me
|
|
above your marriage couch. Unseen, one summer eve, you kissed me in four
|
|
places. And with loving pencil you shaded my eyes, my bosom and my shame.
|
|
|
|
BLOOM: (HUMBLY KISSES HER LONG HAIR) Your classic curves, beautiful
|
|
immortal, I was glad to look on you, to praise you, a thing of beauty,
|
|
almost to pray.
|
|
|
|
THE NYMPH: During dark nights I heard your praise.
|
|
|
|
BLOOM: (QUICKLY) Yes, yes. You mean that I ... Sleep reveals the worst side
|
|
of everyone, children perhaps excepted. I know I fell out of bed or rather
|
|
was pushed. Steel wine is said to cure snoring. For the rest there is that
|
|
English invention, pamphlet of which I received some days ago, incorrectly
|
|
addressed. It claims to afford a noiseless, inoffensive vent. (HE SIGHS)
|
|
'Twas ever thus. Frailty, thy name is marriage.
|
|
|
|
THE NYMPH: (HER FINGERS IN HER EARS) And words. They are not in my
|
|
dictionary.
|
|
|
|
BLOOM: You understood them?
|
|
|
|
THE YEWS: Ssh!
|
|
|
|
THE NYMPH: (COVERS HER FACE WITH HER HANDS) What have I not seen in that
|
|
chamber? What must my eyes look down on?
|
|
|
|
BLOOM: (APOLOGETICALLY) I know. Soiled personal linen, wrong side up with
|
|
care. The quoits are loose. From Gibraltar by long sea long ago.
|
|
|
|
THE NYMPH: (BENDS HER HEAD) Worse, worse!
|
|
|
|
BLOOM: (REFLECTS PRECAUTIOUSLY) That antiquated commode. It wasn't her
|
|
weight. She scaled just eleven stone nine. She put on nine pounds after
|
|
weaning. It was a crack and want of glue. Eh? And that absurd orangekeyed
|
|
utensil which has only one handle.
|
|
|
|
(THE SOUND OF A WATERFALL IS HEARD IN BRIGHT CASCADE.)
|
|
|
|
THE WATERFALL:
|
|
|
|
Poulaphouca Poulaphouca
|
|
Poulaphouca Poulaphouca.
|
|
|
|
|
|
THE YEWS: (MINGLING THEIR BOUGHS) Listen. Whisper. She is right, our
|
|
sister. We grew by Poulaphouca waterfall. We gave shade on languorous
|
|
summer days.
|
|
|
|
JOHN WYSE NOLAN: (IN THE BACKGROUND, IN IRISH NATIONAL FORESTER'S UNIFORM,
|
|
DOFFS HIS PLUMED HAT) Prosper! Give shade on languorous days, trees of
|
|
Ireland!
|
|
|
|
THE YEWS: (MURMURING) Who came to Poulaphouca with the High School
|
|
excursion? Who left his nutquesting classmates to seek our shade?
|
|
|
|
BLOOM: (SCARED) High School of Poula? Mnemo? Not in full possession of
|
|
faculties. Concussion. Run over by tram.
|
|
|
|
THE ECHO: Sham!
|
|
|
|
BLOOM: (PIGEONBREASTED, BOTTLESHOULDERED, PADDED, IN NONDESCRIPT JUVENILE
|
|
GREY AND BLACK STRIPED SUIT, TOO SMALL FOR HIM, WHITE TENNIS SHOES, BORDERED
|
|
STOCKINGS WITH TURNOVER TOPS AND A RED SCHOOLCAP WITH BADGE) I was in my
|
|
teens, a growing boy. A little then sufficed, a jolting car, the mingling
|
|
odours of the ladies' cloakroom and lavatory, the throng penned tight on
|
|
the old Royal stairs (for they love crushes, instinct of the herd, and the
|
|
dark sexsmelling theatre unbridles vice), even a pricelist of their hosiery.
|
|
And then the heat. There were sunspots that summer. End of school. And
|
|
tipsycake. Halcyon days.
|
|
|
|
(HALCYON DAYS, HIGH SCHOOL BOYS IN BLUE AND WHITE FOOTBALL
|
|
JERSEYS AND SHORTS, MASTER DONALD TURNBULL, MASTER ABRAHAM
|
|
CHATTERTON, MASTER OWEN GOLDBERG, MASTER JACK MEREDITH, MASTER
|
|
PERCY APJOHN, STAND IN A CLEARING OF THE TREES AND SHOUT TO MASTER
|
|
LEOPOLD BLOOM.)
|
|
|
|
THE HALCYON DAYS: Mackerel! Live us again. Hurray! (THEY CHEER)
|
|
|
|
BLOOM: (HOBBLEDEHOY, WARMGLOVED, MAMMAMUFFLERED, STARRED WITH SPENT
|
|
SNOWBALLS, STRUGGLES TO RISE) Again! I feel sixteen! What a lark! Let's ring
|
|
all the bells in Montague street. (HE CHEERS FEEBLY) Hurray for the High
|
|
School!
|
|
|
|
THE ECHO: Fool!
|
|
|
|
THE YEWS: (RUSTLING) She is right, our sister. Whisper. (WHISPERED KISSES
|
|
ARE HEARD IN ALL THE WOOD. FACES OF HAMADRYADS PEEP OUT FROM THE BOLES AND
|
|
AMONG THE LEAVES AND BREAK, BLOSSOMING INTO BLOOM.) Who profaned our
|
|
silent shade?
|
|
|
|
THE NYMPH: (COYLY, THROUGH PARTING FINGERS) There? In the open air?
|
|
|
|
THE YEWS: (SWEEPING DOWNWARD) Sister, yes. And on our virgin sward.
|
|
|
|
THE WATERFALL:
|
|
|
|
|
|
Poulaphouca Poulaphouca
|
|
Phoucaphouca Phoucaphouca.
|
|
|
|
|
|
|
|
THE NYMPH: (WITH WIDE FINGERS) O, infamy!
|
|
|
|
BLOOM: I was precocious. Youth. The fauna. I sacrificed to the god of the
|
|
forest. The flowers that bloom in the spring. It was pairing time. Capillary
|
|
attraction is a natural phenomenon. Lotty Clarke, flaxenhaired, I saw at her
|
|
night toilette through illclosed curtains with poor papa's operaglasses: The
|
|
wanton ate grass wildly. She rolled downhill at Rialto bridge to tempt me
|
|
with her flow of animal spirits. She climbed their crooked tree and I ... A
|
|
saint couldn't resist it. The demon possessed me. Besides, who saw?
|
|
|
|
(STAGGERING BOB, A WHITEPOLLED CALF, THRUSTS A RUMINATING HEAD WITH
|
|
HUMID NOSTRILS THROUGH THE FOLIAGE.)
|
|
|
|
STAGGERING BOB: (LARGE TEARDROPS ROLLING FROM HIS PROMINENT EYES, SNIVELS)
|
|
Me. Me see.
|
|
|
|
BLOOM: Simply satisfying a need I ... (WITH PATHOS) No girl would when I
|
|
went girling. Too ugly. They wouldn't play ...
|
|
|
|
(HIGH ON BEN HOWTH THROUGH RHODODENDRONS A NANNYGOAT PASSES,
|
|
PLUMPUDDERED, BUTTYTAILED, DROPPING CURRANTS.)
|
|
|
|
THE NANNYGOAT: (BLEATS) Megeggaggegg! Nannannanny!
|
|
|
|
BLOOM: (HATLESS, FLUSHED, COVERED WITH BURRS OF THISTLEDOWN AND GORSESPINE)
|
|
Regularly engaged. Circumstances alter cases. (HE GAZES INTENTLY
|
|
DOWNWARDS ON THE WATER) Thirtytwo head over heels per second. Press
|
|
nightmare. Giddy Elijah. Fall from cliff. Sad end of government printer's
|
|
clerk. (THROUGH SILVERSILENT SUMMER AIR THE DUMMY OF BLOOM, ROLLED IN A
|
|
MUMMY, ROLLS ROTEATINGLY FROM THE LION'S HEAD CLIFF INTO THE PURPLE
|
|
WAITING WATERS.)
|
|
|
|
THE DUMMYMUMMY: Bbbbblllllblblblblobschbg!
|
|
|
|
(FAR OUT IN THE BAY BETWEEN BAILEY AND KISH LIGHTS THE ERIN'S KING
|
|
SAILS, SENDING A BROADENING PLUME OF COALSMOKE FROM HER FUNNEL
|
|
TOWARDS THE LAND.)
|
|
|
|
COUNCILLOR NANNETII: (ALONE ON DECK, IN DARK ALPACA, YELLOWKITEFACED, HIS
|
|
HAND IN HIS WAISTCOAT OPENING, DECLAIMS) When my country takes her place
|
|
among the nations of the earth, then, and not till then, let my epitaph be
|
|
written. I have ...
|
|
|
|
BLOOM: Done. Prff!
|
|
|
|
THE NYMPH: (LOFTILY) We immortals, as you saw today, have not such a place
|
|
and no hair there either. We are stonecold and pure. We eat electric
|
|
light. (SHE ARCHES HER BODY IN LASCIVIOUS CRISPATION, PLACING HER
|
|
FOREFINGER IN HER MOUTH) Spoke to me. Heard from behind. How then could
|
|
you ...?
|
|
|
|
BLOOM: (PAWING THE HEATHER ABJECTLY) O, I have been a perfect pig. Enemas
|
|
too I have administered. One third of a pint of quassia to which add a
|
|
tablespoonful of rocksalt. Up the fundament. With Hamilton Long's
|
|
syringe, the ladies' friend.
|
|
|
|
THE NYMPH: In my presence. The powderpuff. (SHE BLUSHES AND MAKES A KNEE)
|
|
And the rest!
|
|
|
|
BLOOM: (DEJECTED) Yes. PECCAVI! I have paid homage on that living altar
|
|
where the back changes name. (WITH SUDDEN FERVOUR) For why should the
|
|
dainty scented jewelled hand, the hand that rules ...?
|
|
|
|
(FIGURES WIND SERPENTING IN SLOW WOODLAND PATTERN AROUND THE
|
|
TREESTEMS, COOEEING)
|
|
|
|
THE VOICE OF KITTY: (IN THE THICKET) Show us one of them cushions.
|
|
|
|
THE VOICE OF FLORRY: Here.
|
|
|
|
(A GROUSE WINGS CLUMSILY THROUGH THE UNDERWOOD.)
|
|
|
|
THE VOICE OF LYNCH: (IN THE THICKET) Whew! Piping hot!
|
|
|
|
THE VOICE OF ZOE: (FROM THE THICKET) Came from a hot place.
|
|
|
|
THE VOICE OF VIRAG: (A BIRDCHIEF, BLUESTREAKED AND FEATHERED IN WAR
|
|
PANOPLY WITH HIS ASSEGAI, STRIDING THROUGH A CRACKLING CANEBRAKE OVER
|
|
BEECHMAST AND ACORNS) Hot! Hot! Ware Sitting Bull!
|
|
|
|
BLOOM: It overpowers me. The warm impress of her warm form. Even to sit
|
|
where a woman has sat, especially with divaricated thighs, as though to
|
|
grant the last favours, most especially with previously well uplifted
|
|
white sateen coatpans. So womanly, full. It fills me full.
|
|
|
|
THE WATERFALL:
|
|
|
|
|
|
Phillaphulla Poulaphouca
|
|
Poulaphouca Poulaphouca.
|
|
|
|
|
|
THE YEWS: Ssh! Sister, speak!
|
|
|
|
THE NYMPH: (EYELESS, IN NUN'S WHITE HABIT, COIF AND HUGEWINGED WIMPLE,
|
|
SOFTLY, WITH REMOTE EYES) Tranquilla convent. Sister Agatha. Mount Carmel.
|
|
The apparitions of Knock and Lourdes. No more desire. (SHE RECLINES HER
|
|
HEAD, SIGHING) Only the ethereal. Where dreamy creamy gull waves o'er the
|
|
waters dull.
|
|
|
|
(BLOOM HALF RISES. HIS BACK TROUSERBUTTON SNAPS.)
|
|
|
|
THE BUTTON: Bip!
|
|
|
|
(TWO SLUTS OF THE COOMBE DANCE RAINILY BY, SHAWLED, YELLING FLATLY.)
|
|
|
|
THE SLUTS:
|
|
|
|
|
|
O, Leopold lost the pin of his drawers
|
|
He didn't know what to do,
|
|
To keep it up,
|
|
To keep it up.
|
|
|
|
|
|
BLOOM: (COLDLY) You have broken the spell. The last straw. If there were
|
|
only ethereal where would you all be, postulants and novices? Shy but
|
|
willing like an ass pissing.
|
|
|
|
THE YEWS: (THEIR SILVERFOIL OF LEAVES PRECIPITATING, THEIR SKINNY ARMS
|
|
AGING AND SWAYING) Deciduously!
|
|
|
|
THE NYMPH: (her features hardening, gropes in the folds of her habit)
|
|
Sacrilege! To attempt my virtue! (A LARGE MOIST STAIN APPEARS ON HER ROBE)
|
|
Sully my innocence! You are not fit to touch the garment of a pure woman.
|
|
(SHE CLUTCHES AGAIN IN HER ROBE) Wait. Satan, you'll sing no more
|
|
lovesongs. Amen. Amen. Amen. Amen. (SHE DRAWS A PONIARD AND, CLAD IN THE
|
|
SHEATHMAIL OF AN ELECTED KNIGHT OF NINE, STRIKES AT HIS LOINS) Nekum!
|
|
|
|
BLOOM: (STARTS UP, SEIZES HER HAND) Hoy! Nebrakada! Cat o' nine lives!
|
|
Fair play, madam. No pruningknife. The fox and the grapes, is it? What do
|
|
you lack with your barbed wire? Crucifix not thick enough? (HE CLUTCHES
|
|
HER VEIL) A holy abbot you want or Brophy, the lame gardener, or the
|
|
spoutless statue of the watercarrier, or good mother Alphonsus,
|
|
eh Reynard?
|
|
|
|
THE NYMPH: (WITH A CRY FLEES FROM HIM UNVEILED, HER PLASTER CAST CRACKING,
|
|
A CLOUD OF STENCH ESCAPING FROM THE CRACKS) Poli ...!
|
|
|
|
BLOOM: (CALLS AFTER HER) As if you didn't get it on the double yourselves.
|
|
No jerks and multiple mucosities all over you. I tried it. Your strength
|
|
our weakness. What's our studfee? What will you pay on the nail? You fee
|
|
mendancers on the Riviera, I read. (THE FLEEING NYMPH RAISES A KEEN) Eh?
|
|
I have sixteen years of black slave labour behind me. And would a jury
|
|
give me five shillings alimony tomorrow, eh? Fool someone else, not me.
|
|
(HE SNIFFS) Rut. Onions. Stale. Sulphur. Grease.
|
|
|
|
(THE FIGURE OF BELLA COHEN STANDS BEFORE HIM.)
|
|
|
|
BELLA: You'll know me the next time.
|
|
|
|
BLOOM: (COMPOSED, REGARDS HER) Passee. Mutton dressed as lamb. Long in the
|
|
tooth and superfluous hair. A raw onion the last thing at night would
|
|
benefit your complexion. And take some double chin drill. Your eyes are as
|
|
vapid as the glasseyes of your stuffed fox. They have the dimensions of
|
|
your other features, that's all. I'm not a triple screw propeller.
|
|
|
|
BELLA: (CONTEMPTUOUSLY) You're not game, in fact. (HER SOWCUNT BARKS)
|
|
Fbhracht!
|
|
|
|
BLOOM: (CONTEMPTUOUSLY) Clean your nailless middle finger first, your
|
|
bully's cold spunk is dripping from your cockscomb. Take a handful of hay
|
|
and wipe yourself.
|
|
|
|
BELLA: I know you, canvasser! Dead cod!
|
|
|
|
BLOOM: I saw him, kipkeeper! Pox and gleet vendor!
|
|
|
|
BELLA: (TURNS TO THE PIANO) Which of you was playing the dead march from
|
|
SAUL?
|
|
|
|
ZOE: Me. Mind your cornflowers. (SHE DARTS TO THE PIANO AND BANGS CHORDS
|
|
ON IT WITH CROSSED ARMS) The cat's ramble through the slag. (SHE GLANCES
|
|
BACK) EH? WHO'S MAKING LOVE TO MY SWEETIES? (she darts back to the table)
|
|
What's yours is mine and what's mine is my own.
|
|
|
|
(KITTY, DISCONCERTED, COATS HER TEETH WITH THE SILVER PAPER. BLOOM
|
|
APPROACHES ZOE.)
|
|
|
|
BLOOM: (GENTLY) Give me back that potato, will you?
|
|
|
|
ZOE: Forfeits, a fine thing and a superfine thing.
|
|
|
|
BLOOM: (WITH FEELING) It is nothing, but still, a relic of poor mamma.
|
|
|
|
ZOE:
|
|
|
|
|
|
Give a thing and take it back
|
|
God'll ask you where is that
|
|
You'll say you don't know
|
|
God'll send you down below.
|
|
|
|
|
|
BLOOM: There is a memory attached to it. I should like to have it.
|
|
|
|
STEPHEN: To have or not to have that is the question.
|
|
|
|
ZOE: Here. (SHE HAULS UP A REEF OF HER SLIP, REVEALING HER BARE THIGH,
|
|
AND UNROLLS THE POTATO FROM THE TOP OF HER STOCKING) Those that hides
|
|
knows where to find.
|
|
|
|
BELLA: (FROWNS) Here. This isn't a musical peepshow. And don't you smash
|
|
that piano. Who's paying here?
|
|
|
|
(SHE GOES TO THE PIANOLA. STEPHEN FUMBLES IN HIS POCKET AND, TAKING
|
|
OUT A BANKNOTE BY ITS CORNER, HANDS IT TO HER.)
|
|
|
|
STEPHEN: (WITH EXAGGERATED POLITENESS) This silken purse I made out of the
|
|
sow's ear of the public. Madam, excuse me. If you allow me. (HE INDICATES
|
|
VAGUELY LYNCH AND BLOOM) We are all in the same sweepstake, Kinch and
|
|
Lynch. DANS CE BORDEL OU TENONS NOSTRE ETAT.
|
|
|
|
LYNCH: (CALLS FROM THE HEARTH) Dedalus! Give her your blessing for me.
|
|
|
|
STEPHEN: (HANDS BELLA A COIN) Gold. She has it.
|
|
|
|
BELLA: (LOOKS AT THE MONEY, THEN AT STEPHEN, THEN AT ZOE, FLORRY AND
|
|
KITTY) Do you want three girls? It's ten shillings here.
|
|
|
|
STEPHEN: (DELIGHTEDLY) A hundred thousand apologies. (HE FUMBLES AGAIN AND
|
|
TAKES OUT AND HANDS HER TWO CROWNS) Permit, brevi manu, my sight is
|
|
somewhat troubled.
|
|
|
|
(BELLA GOES TO THE TABLE TO COUNT THE MONEY WHILE STEPHEN TALKS TO
|
|
HIMSELF IN MONOSYLLABLES. ZOE BENDS OVER THE TABLE. KITTY LEANS OVER
|
|
ZOE'S NECK. LYNCH GETS UP, RIGHTS HIS CAP AND, CLASPING KITTY'S
|
|
WAIST, ADDS HIS HEAD TO THE GROUP.)
|
|
|
|
FLORRY: (STRIVES HEAVILY TO RISE) Ow! My foot's asleep. (SHE LIMPS OVER TO
|
|
THE TABLE. BLOOM APPROACHES.)
|
|
|
|
BELLA, ZOE, KITTY, LYNCH, BLOOM: (CHATTERING AND SQUABBLING) The
|
|
gentleman ... ten shillings ... paying for the three ... allow
|
|
me a moment ... this gentleman pays separate ... who's touching
|
|
it? ... ow! ... mind who you're pinching ... are you staying the
|
|
night or a short time?... who did?... you're a liar, excuse me ... the
|
|
gentleman paid down like a gentleman ... drink ... it's long after eleven.
|
|
|
|
STEPHEN: (AT THE PIANOLA, MAKING A GESTURE OF ABHORRENCE) No bottles!
|
|
What, eleven? A riddle!
|
|
|
|
ZOE: (LIFTING UP HER PETTIGOWN AND FOLDING A HALF SOVEREIGN INTO THE TOP
|
|
OF HER STOCKING) Hard earned on the flat of my back.
|
|
|
|
LYNCH: (LIFTING KITTY FROM THE TABLE) Come!
|
|
|
|
KITTY: Wait. (SHE CLUTCHES THE TWO CROWNS)
|
|
|
|
FLORRY: And me?
|
|
|
|
LYNCH: Hoopla! (HE LIFTS HER, CARRIES HER AND BUMPS HER DOWN ON THE SOFA.)
|
|
|
|
STEPHEN:
|
|
|
|
|
|
The fox crew, the cocks flew,
|
|
The bells in heaven
|
|
Were striking eleven.
|
|
'Tis time for her poor soul
|
|
To get out of heaven.
|
|
|
|
|
|
BLOOM: (QUIETLY LAYS A HALF SOVEREIGN ON THE TABLE BETWEEN BELLA AND
|
|
FLORRY) So. Allow me. (HE TAKES UP THE POUNDNOTE) Three times ten. We're
|
|
square.
|
|
|
|
BELLA: (ADMIRINGLY) You're such a slyboots, old cocky. I could kiss you.
|
|
|
|
ZOE: (POINTS) Him? Deep as a drawwell. (LYNCH BENDS KITTY BACK OVER THE
|
|
SOFA AND KISSES HER. BLOOM GOES WITH THE POUNDNOTE TO STEPHEN.)
|
|
|
|
BLOOM: This is yours.
|
|
|
|
STEPHEN: How is that? LES DISTRAIT or absentminded beggar. (HE FUMBLES
|
|
AGAIN IN HIS POCKET AND DRAWS OUT A HANDFUL OF COINS. AN OBJECT FILLS.)
|
|
That fell.
|
|
|
|
BLOOM: (STOOPING, PICKS UP AND HANDS A BOX OF MATCHES) This.
|
|
|
|
STEPHEN: Lucifer. Thanks.
|
|
|
|
BLOOM: (QUIETLY) You had better hand over that cash to me to take care of.
|
|
Why pay more?
|
|
|
|
STEPHEN: (HANDS HIM ALL HIS COINS) Be just before you are generous.
|
|
|
|
BLOOM: I will but is it wise? (HE COUNTS) One, seven, eleven, and five.
|
|
Six. Eleven. I don't answer for what you may have lost.
|
|
|
|
STEPHEN: Why striking eleven? Proparoxyton. Moment before the next Lessing
|
|
says. Thirsty fox. (HE LAUGHS LOUDLY) Burying his grandmother. Probably he
|
|
killed her.
|
|
|
|
BLOOM: That is one pound six and eleven. One pound seven, say.
|
|
|
|
STEPHEN: Doesn't matter a rambling damn.
|
|
|
|
BLOOM: No, but ...
|
|
|
|
STEPHEN: (COMES TO THE TABLE) Cigarette, please. (LYNCH TOSSES A CIGARETTE
|
|
FROM THE SOFA TO THE TABLE) And so Georgina Johnson is dead and married.
|
|
(A CIGARETTE APPEARS ON THE TABLE. STEPHEN LOOKS AT IT) Wonder. Parlour
|
|
magic. Married. Hm. (HE STRIKES A MATCH AND PROCEEDS TO LIGHT THE
|
|
CIGARETTE WITH ENIGMATIC MELANCHOLY)
|
|
|
|
LYNCH: (WATCHING HIM) You would have a better chance of lighting it if you
|
|
held the match nearer.
|
|
|
|
STEPHEN: (BRINGS THE MATCH NEAR HIS EYE) Lynx eye. Must get glasses. Broke
|
|
them yesterday. Sixteen years ago. Distance. The eye sees all flat.
|
|
(HE DRAWS THE MATCH AWAY. IT GOES OUT.) Brain thinks. Near: far.
|
|
Ineluctable modality of the visible. (HE FROWNS MYSTERIOUSLY) Hm. Sphinx.
|
|
The beast that has twobacks at midnight. Married.
|
|
|
|
ZOE: It was a commercial traveller married her and took her away with him.
|
|
|
|
FLORRY: (NODS) Mr Lambe from London.
|
|
|
|
STEPHEN: Lamb of London, who takest away the sins of our world.
|
|
|
|
LYNCH: (EMBRACING KITTY ON THE SOFA, CHANTS DEEPLY) DONA NOBIS PACEM.
|
|
|
|
(THE CIGARETTE SLIPS FROM STEPHEN 'S FINGERS. BLOOM PICKS IT UP AND
|
|
THROWS IT IN THE GRATE.)
|
|
|
|
BLOOM: Don't smoke. You ought to eat. Cursed dog I met. (TO ZOE) You have
|
|
nothing?
|
|
|
|
ZOE: Is he hungry?
|
|
|
|
STEPHEN: (EXTENDS HIS HAND TO HER SMILING AND CHANTS TO THE AIR OF THE
|
|
BLOODOATH IN THE DUSK OF THE GODS)
|
|
|
|
|
|
Hangende Hunger,
|
|
Fragende Frau,
|
|
Macht uns alle kaputt.
|
|
|
|
|
|
ZOE: (TRAGICALLY) Hamlet, I am thy father's gimlet! (SHE TAKES HIS HAND)
|
|
Blue eyes beauty I'll read your hand. (SHE POINTS TO HIS FOREHEAD) No wit,
|
|
no wrinkles. (SHE COUNTS) Two, three, Mars, that's courage. (STEPHEN
|
|
SHAKES HIS HEAD) No kid.
|
|
|
|
LYNCH: Sheet lightning courage. The youth who could not shiver and shake.
|
|
(TO ZOE) Who taught you palmistry?
|
|
|
|
ZOE: (TURNS) Ask my ballocks that I haven't got. (TO STEPHEN) I see it in
|
|
your face. The eye, like that. (SHE FROWNS WITH LOWERED HEAD)
|
|
|
|
LYNCH: (LAUGHING, SLAPS KITTY BEHIND TWICE) Like that. Pandybat.
|
|
|
|
(TWICE LOUDLY A PANDYBAT CRACKS, THE COFFIN OF THE PIANOLA FLIES OPEN,
|
|
THE BALD LITTLE ROUND JACK-IN-THE-BOX HEAD OF FATHER DOLAN SPRINGS UP.)
|
|
|
|
FATHER DOLAN: Any boy want flogging? Broke his glasses? Lazy idle little
|
|
schemer. See it in your eye.
|
|
|
|
(MILD, BENIGN, RECTORIAL, REPROVING, THE HEAD OF DON JOHN CONMEE
|
|
RISES FROM THE PIANOLA COFFIN.)
|
|
|
|
DON JOHN CONMEE: Now, Father Dolan! Now. I'm sure that Stephen is a very
|
|
good little boy!
|
|
|
|
ZOE: (EXAMINING STEPHEN'S PALM) Woman's hand.
|
|
|
|
STEPHEN: (MURMURS) Continue. Lie. Hold me. Caress. I never could read His
|
|
handwriting except His criminal thumbprint on the haddock.
|
|
|
|
ZOE: What day were you born?
|
|
|
|
STEPHEN: Thursday. Today.
|
|
|
|
ZOE: Thursday's child has far to go. (SHE TRACES LINES ON HIS HAND) Line
|
|
of fate. Influential friends.
|
|
|
|
FLORRY: (POINTING) Imagination.
|
|
|
|
ZOE: Mount of the moon. You'll meet with a ... (SHE PEERS AT HIS HANDS
|
|
ABRUPTLY) I won't tell you what's not good for you. Or do you want
|
|
to know?
|
|
|
|
BLOOM: (DETACHES HER FINGERS AND OFFERS HIS PALM) More harm than good.
|
|
Here. Read mine.
|
|
|
|
BELLA: Show. (SHE TURNS UP BLOOM'S HAND) I thought so. Knobby knuckles
|
|
for the women.
|
|
|
|
ZOE: (PEERING AT BLOOM'S PALM) Gridiron. Travels beyond the sea and marry
|
|
money.
|
|
|
|
BLOOM: Wrong.
|
|
|
|
ZOE: (QUICKLY) O, I see. Short little finger. Henpecked husband.
|
|
That wrong?
|
|
|
|
(BLACK LIZ, A HUGE ROOSTER HATCHING IN A CHALKED CIRCLE, RISES,
|
|
STRETCHES HER WINGS AND CLUCKS.)
|
|
|
|
BLACK LIZ: Gara. Klook. Klook. Klook.
|
|
|
|
(SHE SIDLES FROM HER NEWLAID EGG AND WADDLES OFF)
|
|
|
|
BLOOM: (POINTS TO HIS HAND) That weal there is an accident. Fell and cut
|
|
it twentytwo years ago. I was sixteen.
|
|
|
|
ZOE: I see, says the blind man. Tell us news.
|
|
|
|
STEPHEN: See? Moves to one great goal. I am twentytwo. Sixteen years ago
|
|
he was twentytwo too. Sixteen years ago I twentytwo tumbled. Twentytwo
|
|
years ago he sixteen fell off his hobbyhorse. (HE WINCES) Hurt my hand
|
|
somewhere. Must see a dentist. Money?
|
|
|
|
(ZOE WHISPERS TO FLORRY. THEY GIGGLE. BLOOM RELEASES HIS HAND AND
|
|
WRITES IDLY ON THE TABLE IN BACKHAND, PENCILLING SLOW CURVES.)
|
|
|
|
FLORRY: What?
|
|
|
|
(A HACKNEYCAR, NUMBER THREE HUNDRED AND TWENTYFOUR, WITH A
|
|
GALLANTBUTTOCKED MARE, DRIVEN BY JAMES BARTON, HARMONY AVENUE,
|
|
DONNYBROOK, TROTS PAST. BLAZES BOYLAN AND LENEHAN SPRAWL
|
|
SWAYING ON THE SIDESEATS. THE ORMOND BOOTS CROUCHES BEHIND ON
|
|
THE AXLE. SADLY OVER THE CROSSBLIND LYDIA DOUCE AND MINA KENNEDY
|
|
GAZE.)
|
|
|
|
THE BOOTS: (JOGGING, MOCKS THEM WITH THUMB AND WRIGGLING WORMFINGERS)
|
|
Haw haw have you the horn?
|
|
|
|
(BRONZE BY GOLD THEY WHISPER.)
|
|
|
|
ZOE: (TO FLORRY) Whisper.
|
|
|
|
(THEY WHISPER AGAIN)
|
|
|
|
(OVER THE WELL OF THE CAR BLAZES BOYLAN LEANS, HIS BOATER STRAW SET
|
|
SIDEWAYS, A RED FLOWER IN HIS MOUTH. LENEHAN IN YACHTSMAN'S CAP
|
|
AND WHITE SHOES OFFICIOUSLY DETACHES A LONG HAIR FROM BLAZES
|
|
BOYLAN'S COAT SHOULDER.)
|
|
|
|
LENEHAN: Ho! What do I here behold? Were you brushing the cobwebs off
|
|
a few quims?
|
|
|
|
BOYLAN: (SEATED, SMILES) Plucking a turkey.
|
|
|
|
LENEHAN: A good night's work.
|
|
|
|
BOYLAN: (HOLDING UP FOUR THICK BLUNTUNGULATED FINGERS, WINKS) Blazes Kate!
|
|
Up to sample or your money back. (HE HOLDS OUT A FOREFINGER) Smell that.
|
|
|
|
LENEHAN: (SMELLS GLEEFULLY) Ah! Lobster and mayonnaise. Ah!
|
|
|
|
ZOE AND FLORRY: (LAUGH TOGETHER) Ha ha ha ha.
|
|
|
|
BOYLAN: (JUMPS SURELY FROM THE CAR AND CALLS LOUDLY FOR ALL TO HEAR)
|
|
Hello, Bloom! Mrs Bloom dressed yet?
|
|
|
|
BLOOM: (IN FLUNKEY'S PRUNE PLUSH COAT AND KNEEBREECHES, BUFF STOCKINGS
|
|
AND POWDERED WIG) I'm afraid not, sir. The last articles ...
|
|
|
|
BOYLAN: (TOSSES HIM SIXPENCE) Here, to buy yourself a gin and splash.
|
|
(HE HANGS HIS HAT SMARTLY ON A PEG OF BLOOM 'S ANTLERED HEAD) Show me in.
|
|
I have a little private business with your wife, you understand?
|
|
|
|
BLOOM: Thank you, sir. Yes, sir. Madam Tweedy is in her bath, sir.
|
|
|
|
MARION: He ought to feel himself highly honoured. (SHE PLOPS SPLASHING OUT
|
|
OF THE WATER) Raoul darling, come and dry me. I'm in my pelt. Only my new
|
|
hat and a carriage sponge.
|
|
|
|
BOYLAN: (A MERRY TWINKLE IN HIS EYE) Topping!
|
|
|
|
BELLA: What? What is it?
|
|
|
|
(ZOE WHISPERS TO HER.)
|
|
|
|
MARION: Let him look, the pishogue! Pimp! And scourge himself! I'll write
|
|
to a powerful prostitute or Bartholomona, the bearded woman, to raise
|
|
weals out on him an inch thick and make him bring me back a signed and
|
|
stamped receipt.
|
|
|
|
BOYLAN: (clasps himself) Here, I can't hold this little lot much longer.
|
|
(he strides off on stiff cavalry legs)
|
|
|
|
BELLA: (LAUGHING) Ho ho ho ho.
|
|
|
|
BOYLAN: (TO BLOOM, OVER HIS SHOULDER) You can apply your eye to the
|
|
keyhole and play with yourself while I just go through her a few times.
|
|
|
|
BLOOM: Thank you, sir. I will, sir. May I bring two men chums to witness
|
|
the deed and take a snapshot? (HE HOLDS OUT AN OINTMENT JAR) Vaseline,
|
|
sir? Orangeflower ...? Lukewarm water ...?
|
|
|
|
KITTY: (FROM THE SOFA) Tell us, Florry. Tell us. What.
|
|
|
|
(FLORRY WHISPERS TO HER. WHISPERING LOVEWORDS MURMUR, LIPLAPPING
|
|
LOUDLY, POPPYSMIC PLOPSLOP.)
|
|
|
|
MINA KENNEDY: (HER EYES UPTURNED) O, it must be like the scent of
|
|
geraniums and lovely peaches! O, he simply idolises every bit of her!
|
|
Stuck together! Covered with kisses!
|
|
|
|
LYDIA DOUCE: (HER MOUTH OPENING) Yumyum. O, he's carrying her round the
|
|
room doing it! Ride a cockhorse. You could hear them in Paris and New
|
|
York. Like mouthfuls of strawberries and cream.
|
|
|
|
KITTY: (LAUGHING) Hee hee hee.
|
|
|
|
BOYLAN'S VOICE: (SWEETLY, HOARSELY, IN THE PIT OF HIS STOMACH) Ah!
|
|
Gooblazqruk brukarchkrasht!
|
|
|
|
MARION'S VOICE: (HOARSELY, SWEETLY, RISING TO HER THROAT) O!
|
|
Weeshwashtkissinapooisthnapoohuck?
|
|
|
|
BLOOM: (HIS EYES WILDLY DILATED, CLASPS HIMSELF) Show! Hide! Show!
|
|
Plough her! More! Shoot!
|
|
|
|
BELLA, ZOE, FLORRY, KITTY: Ho ho! Ha ha! Hee hee!
|
|
|
|
LYNCH: (POINTS) The mirror up to nature. (HE LAUGHS) Hu hu hu hu hu!
|
|
|
|
(STEPHEN AND BLOOM GAZE IN THE MIRROR. THE FACE OF WILLIAM
|
|
SHAKESPEARE, BEARDLESS, APPEARS THERE, RIGID IN FACIAL PARALYSIS,
|
|
CROWNED BY THE REFLECTION OF THE REINDEER ANTLERED HATRACK IN THE HALL.)
|
|
|
|
SHAKESPEARE: (IN DIGNIFIED VENTRILOQUY) 'Tis the loud laugh bespeaks the
|
|
vacant mind. (TO BLOOM) Thou thoughtest as how thou wastest invisible.
|
|
Gaze. (HE CROWS WITH A BLACK CAPON 'S LAUGH) Iagogo! How my Oldfellow
|
|
chokit his Thursdaymornun. Iagogogo!
|
|
|
|
BLOOM: (SMILES YELLOWLY AT THE THREE WHORES) When will I hear the joke?
|
|
|
|
ZOE: Before you're twice married and once a widower.
|
|
|
|
BLOOM: Lapses are condoned. Even the great Napoleon when measurements were
|
|
taken next the skin after his death ...
|
|
|
|
(MRS DIGNAM, WIDOW WOMAN, HER SNUBNOSE AND CHEEKS FLUSHED
|
|
WITH DEATHTALK, TEARS AND TUNNEY'S TAWNY SHERRY, HURRIES BY IN HER
|
|
WEEDS, HER BONNET AWRY, ROUGING AND POWDERING HER CHEEKS, LIPS
|
|
AND NOSE, A PEN CHIVVYING HER BROOD OF CYGNETS. BENEATH HER SKIRT
|
|
APPEAR HER LATE HUSBAND'S EVERYDAY TROUSERS AND TURNEDUP BOOTS,
|
|
LARGE EIGHTS. SHE HOLDS A SCOTTISH WIDOWS' INSURANCE POLICY AND A
|
|
LARGE MARQUEE UMBRELLA UNDER WHICH HER BROOD RUN WITH HER, PATSY
|
|
HOPPING ON ONE SHOD FOOT, HIS COLLAR LOOSE, A HANK OF PORKSTEAKS
|
|
DANGLING, FREDDY WHIMPERING, SUSY WITH A CRYING COD'S MOUTH,
|
|
ALICE STRUGGLING WITH THE BABY. SHE CUFFS THEM ON, HER STREAMERS
|
|
FLAUNTING ALOFT.)
|
|
|
|
FREDDY: Ah, ma, you're dragging me along!
|
|
|
|
SUSY: Mamma, the beeftea is fizzing over!
|
|
|
|
SHAKESPEARE: (WITH PARALYTIC RAGE) Weda seca whokilla farst.
|
|
|
|
(THE FACE OF MARTIN CUNNINGHAM, BEARDED, REFEATURES
|
|
SHAKESPEARE'S BEARDLESS FACE. THE MARQUEE UMBRELLA SWAYS
|
|
DRUNKENLY, THE CHILDREN RUN ASIDE. UNDER THE UMBRELLA APPEARS MRS
|
|
CUNNINGHAM IN MERRY WIDOW HAT AND KIMONO GOWN. SHE GLIDES
|
|
SIDLING AND BOWING, TWIRLING JAPANESILY.)
|
|
|
|
MRS CUNNINGHAM: (SINGS)
|
|
|
|
|
|
And they call me the jewel of Asia!
|
|
|
|
|
|
MARTIN CUNNINGHAM: (GAZES ON HER, IMPASSIVE) Immense! Most bloody awful
|
|
demirep!
|
|
|
|
STEPHEN: ET EXALTABUNTUR CORNUA IUSTI. Queens lay with prize bulls.
|
|
Remember Pasiphae for whose lust my grandoldgrossfather made the first
|
|
confessionbox. Forget not Madam Grissel Steevens nor the suine scions of
|
|
the house of Lambert. And Noah was drunk with wine. And his ark was
|
|
open.
|
|
|
|
BELLA: None of that here. Come to the wrong shop.
|
|
|
|
LYNCH: Let him alone. He's back from Paris.
|
|
|
|
ZOE: (RUNS TO STEPHEN AND LINKS HIM) O go on! Give us some parleyvoo.
|
|
|
|
(STEPHEN CLAPS HAT ON HEAD AND LEAPS OVER TO THE FIREPLACE WHERE HE
|
|
STANDS WITH SHRUGGED SHOULDERS, FINNY HANDS OUTSPREAD, A PAINTED
|
|
SMILE ON HIS FACE.)
|
|
|
|
LYNCH: (POMMELLING ON THE SOFA) Rmm Rmm Rmm Rrrrrrmmmm.
|
|
|
|
STEPHEN: (GABBLES WITH MARIONETTE JERKS) Thousand places of entertainment
|
|
to expense your evenings with lovely ladies saling gloves and other things
|
|
perhaps hers heart beerchops perfect fashionable house very eccentric
|
|
where lots cocottes beautiful dressed much about princesses like are
|
|
dancing cancan and walking there parisian clowneries extra foolish for
|
|
bachelors foreigns the same if talking a poor english how much smart they
|
|
are on things love and sensations voluptuous. Misters very selects for is
|
|
pleasure must to visit heaven and hell show with mortuary candles and they
|
|
tears silver which occur every night. Perfectly shocking terrific of
|
|
religion's things mockery seen in universal world. All chic womans which
|
|
arrive full of modesty then disrobe and squeal loud to see vampire man
|
|
debauch nun very fresh young with dessous troublants. (HE CLACKS HIS
|
|
TONGUE LOUDLY) Ho, la la! Ce pif qu'il a!
|
|
|
|
LYNCH: Vive le vampire!
|
|
|
|
THE WHORES: Bravo! Parleyvoo!
|
|
|
|
STEPHEN: (GRIMACING WITH HEAD BACK, LAUGHS LOUDLY, CLAPPING HIMSELF) Great
|
|
success of laughing. Angels much prostitutes like and holy apostles big
|
|
damn ruffians. DEMIMONDAINES nicely handsome sparkling of diamonds very
|
|
amiable costumed. Or do you are fond better what belongs they moderns
|
|
pleasure turpitude of old mans? (HE POINTS ABOUT HIM WITH GROTESQUE
|
|
GESTURES WHICH LYNCH AND THE WHORES REPLY TO) Caoutchouc statue woman
|
|
reversible or lifesize tompeeptom of virgins nudities very lesbic the kiss
|
|
five ten times. Enter, gentleman, to see in mirror every positions
|
|
trapezes all that machine there besides also if desire act awfully bestial
|
|
butcher's boy pollutes in warm veal liver or omlet on the belly PIECE DE
|
|
SHAKESPEARE.
|
|
|
|
BELLA: (CLAPPING HER BELLY SINKS BACK ON THE SOFA, WITH A SHOUT OF
|
|
LAUGHTER) An omelette on the ... Ho! ho! ho! ho! ... omelette on the ...
|
|
|
|
STEPHEN: (MINCINGLY) I love you, sir darling. Speak you englishman tongue
|
|
for DOUBLE ENTENTE CORDIALE. O yes, MON LOUP. How much cost? Waterloo.
|
|
Watercloset. (HE CEASES SUDDENLY AND HOLDS UP A FOREFINGER)
|
|
|
|
BELLA: (LAUGHING) Omelette ...
|
|
|
|
THE WHORES: (LAUGHING) Encore! Encore!
|
|
|
|
STEPHEN: Mark me. I dreamt of a watermelon.
|
|
|
|
ZOE: Go abroad and love a foreign lady.
|
|
|
|
LYNCH: Across the world for a wife.
|
|
|
|
FLORRY: Dreams goes by contraries.
|
|
|
|
STEPHEN: (EXTENDS HIS ARMS) It was here. Street of harlots. In Serpentine
|
|
avenue Beelzebub showed me her, a fubsy widow. Where's the red carpet
|
|
spread?
|
|
|
|
BLOOM: (APPROACHING STEPHEN) Look ...
|
|
|
|
STEPHEN: No, I flew. My foes beneath me. And ever shall be. World without
|
|
end. (HE CRIES) Pater! Free!
|
|
|
|
BLOOM: I say, look ...
|
|
|
|
STEPHEN: Break my spirit, will he? O MERDE ALORS! (HE CRIES, HIS VULTURE
|
|
TALONS SHARPENED) Hola! Hillyho!
|
|
|
|
(SIMON DEDALUS' VOICE HILLOES IN ANSWER, SOMEWHAT SLEEPY BUT READY.)
|
|
|
|
SIMON: That's all right. (HE SWOOPS UNCERTAINLY THROUGH THE AIR, WHEELING,
|
|
UTTERING CRIES OF HEARTENING, ON STRONG PONDEROUS BUZZARD WINGS) Ho, boy!
|
|
Are you going to win? Hoop! Pschatt! Stable with those halfcastes.
|
|
Wouldn't let them within the bawl of an ass. Head up! Keep our flag
|
|
flying! An eagle gules volant in a field argent displayed. Ulster king
|
|
at arms! Haihoop! (HE MAKES THE BEAGLE'S CALL, GIVING TONGUE) Bulbul!
|
|
Burblblburblbl! Hai, boy!
|
|
|
|
(THE FRONDS AND SPACES OF THE WALLPAPER FILE RAPIDLY ACROSS COUNTRY.
|
|
A STOUT FOX, DRAWN FROM COVERT, BRUSH POINTED, HAVING BURIED HIS
|
|
GRANDMOTHER, RUNS SWIFT FOR THE OPEN, BRIGHTEYED, SEEKING BADGER
|
|
EARTH, UNDER THE LEAVES. THE PACK OF STAGHOUNDS FOLLOWS, NOSE TO THE
|
|
GROUND, SNIFFING THEIR QUARRY, BEAGLEBAYING, BURBLBRBLING TO BE
|
|
BLOODED. WARD UNION HUNTSMEN AND HUNTSWOMEN LIVE WITH THEM,
|
|
HOT FOR A KILL. FROM SIX MILE POINT, FLATHOUSE, NINE MILE STONE
|
|
FOLLOW THE FOOTPEOPLE WITH KNOTTY STICKS, HAYFORKS, SALMONGAFFS,
|
|
LASSOS, FLOCKMASTERS WITH STOCKWHIPS, BEARBAITERS WITH TOMTOMS,
|
|
TOREADORS WITH BULLSWORDS, GREYNEGROES WAVING TORCHES. THE CROWD
|
|
BAWLS OF DICERS, CROWN AND ANCHOR PLAYERS, THIMBLERIGGERS,
|
|
BROADSMEN. CROWS AND TOUTS, HOARSE BOOKIES IN HIGH WIZARD HATS
|
|
CLAMOUR DEAFENINGLY.)
|
|
|
|
THE CROWD:
|
|
|
|
|
|
Card of the races. Racing card!
|
|
Ten to one the field!
|
|
Tommy on the clay here! Tommy on the clay!
|
|
Ten to one bar one! Ten to one bar one!
|
|
Try your luck on Spinning Jenny!
|
|
Ten to one bar one!
|
|
Sell the monkey, boys! Sell the monkey!
|
|
I'll give ten to one!
|
|
Ten to one bar one!
|
|
|
|
|
|
(A DARK HORSE, RIDERLESS, BOLTS LIKE A PHANTOM PAST THE WINNINGPOST,
|
|
HIS MANE MOONFOAMING, HIS EYEBALLS STARS. THE FIELD FOLLOWS, A
|
|
BUNCH OF BUCKING MOUNTS. SKELETON HORSES, SCEPTRE, MAXIMUM THE
|
|
SECOND, ZINFANDEL, THE DUKE OF WESTMINSTER'S SHOTOVER, REPULSE,
|
|
THE DUKE OF BEAUFORT'S CEYLON, PRIX DE PARIS. DWARFS RIDE THEM,
|
|
RUSTYARMOURED, LEAPING, LEAPING IN THEIR, IN THEIR SADDLES. LAST IN A
|
|
DRIZZLE OF RAIN ON A BROKENWINDED ISABELLE NAG, COCK OF THE NORTH,
|
|
THE FAVOURITE, HONEY CAP, GREEN JACKET, ORANGE SLEEVES, GARRETT DEASY
|
|
UP, GRIPPING THE REINS, A HOCKEYSTICK AT THE READY. HIS NAG ON
|
|
SPAVINED WHITEGAITERED FEET JOGS ALONG THE ROCKY ROAD.)
|
|
|
|
THE ORANGE LODGES: (JEERING) Get down and push, mister. Last lap!
|
|
You'll be home the night!
|
|
|
|
GARRETT DEASY: (BOLT UPRIGHT, HIS NAILSCRAPED FACE PLASTERED WITH
|
|
POSTAGESTAMPS, BRANDISHES HIS HOCKEYSTICK, HIS BLUE EYES FLASHING IN THE
|
|
PRISM OF THE CHANDELIER AS HIS MOUNT LOPES BY AT SCHOOLING GALLOP)
|
|
|
|
PER VIAS RECTAS!
|
|
|
|
(A YOKE OF BUCKETS LEOPARDS ALL OVER HIM AND HIS REARING NAG A
|
|
TORRENT OF MUTTON BROTH WITH DANCING COINS OF CARROTS, BARLEY,
|
|
ONIONS, TURNIPS, POTATOES.)
|
|
|
|
THE GREEN LODGES: Soft day, sir John! Soft day, your honour!
|
|
|
|
(PRIVATE CARR, PRIVATE COMPTON AND CISSY CAFFREY PASS BENEATH THE WINDOWS,
|
|
SINGING IN DISCORD.)
|
|
|
|
STEPHEN: Hark! Our friend noise in the street.
|
|
|
|
ZOE: (HOLDS UP HER HAND) Stop!
|
|
|
|
PRIVATE CARR, PRIVATE COMPTON AND CISSY CAFFREY:
|
|
|
|
|
|
Yet I've a sort a
|
|
Yorkshire relish for ...
|
|
|
|
|
|
ZOE: That's me. (SHE CLAPS HER HANDS) Dance! Dance! (SHE RUNS TO THE
|
|
PIANOLA) Who has twopence?
|
|
|
|
BLOOM: Who'll ...?
|
|
|
|
LYNCH: (HANDING HER COINS) Here.
|
|
|
|
STEPHEN: (CRACKING HIS FINGERS IMPATIENTLY) Quick! Quick! Where's my
|
|
augur's rod? (HE RUNS TO THE PIANO AND TAKES HIS ASHPLANT, BEATING HIS
|
|
FOOT IN TRIPUDIUM)
|
|
|
|
ZOE: (TURNS THE DRUMHANDLE) There.
|
|
|
|
(SHE DROPS TWO PENNIES IN THE SLOT. GOLD, PINK AND VIOLET LIGHTS START
|
|
FORTH. THE DRUM TURNS PURRING IN LOW HESITATION WALTZ. PROFESSOR
|
|
GOODWIN, IN A BOWKNOTTED PERIWIG, IN COURT DRESS, WEARING A
|
|
STAINED INVERNESS CAPE, BENT IN TWO FROM INCREDIBLE AGE, TOTTERS
|
|
ACROSS THE ROOM, HIS HANDS FLUTTERING. HE SITS TINILY ON THE PIANOSTOOL
|
|
AND LIFTS AND BEATS HANDLESS STICKS OF ARMS ON THE KEYBOARD, NODDING
|
|
WITH DAMSEL'S GRACE, HIS BOWKNOT BOBBING)
|
|
|
|
ZOE: (TWIRLS ROUND HERSELF, HEELTAPPING) Dance. Anybody here for there?
|
|
Who'll dance? Clear the table.
|
|
|
|
(THE PIANOLA WITH CHANGING LIGHTS PLAYS IN WALTZ TIME THE PRELUDE
|
|
OF My Girl's a Yorkshire Girl. STEPHEN THROWS HIS ASHPLANT ON THE
|
|
TABLE AND SEIZES ZOE ROUND THE WAIST. FLORRY AND BELLA PUSH THE
|
|
TABLE TOWARDS THE FIREPLACE. STEPHEN, ARMING ZOE WITH EXAGGERATED
|
|
GRACE, BEGINS TO WALTZ HER ROUND THE ROOM. BLOOM STANDS ASIDE. HER
|
|
SLEEVE FILLING FROM GRACING ARMS REVEALS A WHITE FLESHFLOWER OF
|
|
VACCINATION. BETWEEN THE CURTAINS PROFESSOR MAGINNI INSERTS A LEG
|
|
ON THE TOEPOINT OF WHICH SPINS A SILK HAT. WITH A DEFT KICK HE SENDS IT
|
|
SPINNING TO HIS CROWN AND JAUNTYHATTED SKATES IN. HE WEARS A SLATE
|
|
FROCKCOAT WITH CLARET SILK LAPELS, A GORGET OF CREAM TULLE, A GREEN
|
|
LOWCUT WAISTCOAT, STOCK COLLAR WITH WHITE KERCHIEF, TIGHT LAVENDER
|
|
TROUSERS, PATENT PUMPS AND CANARY GLOVES. IN HIS BUTTONHOLE IS AN
|
|
IMMENSE DAHLIA. HE TWIRLS IN REVERSED DIRECTIONS A CLOUDED CANE,
|
|
THEN WEDGES IT TIGHT IN HIS OXTER. HE PLACES A HAND LIGHTLY ON HIS
|
|
BREASTBONE, BOWS, AND FONDLES HIS FLOWER AND BUTTONS.)
|
|
|
|
MAGINNI: The poetry of motion, art of calisthenics. No connection with
|
|
Madam Legget Byrne's or Levenston's. Fancy dress balls arranged.
|
|
Deportment. The Katty Lanner step. So. Watch me! My terpsichorean
|
|
abilities. (HE MINUETS FORWARD THREE PACES ON TRIPPING BEE'S FEET) TOUT LE
|
|
MONDE EN AVANT! REVERENCE! TOUT LE MONDE EN PLACE!
|
|
|
|
(THE PRELUDE CEASES. PROFESSOR GOODWIN, BEATING VAGUE ARMS
|
|
SHRIVELS, SINKS, HIS LIVE CAPE FILLING ABOUT THE STOOL. THE AIR IN FIRMER
|
|
WALTZ TIME SOUNDS. STEPHEN AND ZOE CIRCLE FREELY. THE LIGHTS
|
|
CHANGE, GLOW, FIDE GOLD ROSY VIOLET.)
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
Two young fellows were talking about their girls, girls, girls,
|
|
Sweethearts they'd left behind ...
|
|
|
|
|
|
(FROM A CORNER THE MORNING HOURS RUN OUT, GOLDHAIRED,
|
|
SLIMSANDALLED, IN GIRLISH BLUE, WASPWAISTED, WITH INNOCENT HANDS.
|
|
NIMBLY THEY DANCE, TWIRLING THEIR SKIPPING ROPES. THE HOURS OF
|
|
NOON FOLLOW IN AMBER GOLD. LAUGHING, LINKED, HIGH HAIRCOMBS
|
|
FLASHING, THEY CATCH THE SUN IN MOCKING MIRRORS, LIFTING THEIR ARMS.)
|
|
|
|
MAGINNI: (CLIPCLAPS GLOVESILENT HANDS) CARRE! AVANT DEUX! Breathe evenly!
|
|
BALANCE!
|
|
|
|
(THE MORNING AND NOON HOURS WALTZ IN THEIR PLACES, TURNING,
|
|
ADVANCING TO EACH OTHER, SHAPING THEIR CURVES, BOWING VISAVIS.
|
|
CAVALIERS BEHIND THEM ARCH AND SUSPEND THEIR ARMS, WITH HANDS
|
|
DESCENDING TO, TOUCHING, RISING FROM THEIR SHOULDERS.)
|
|
|
|
HOURS: You may touch my.
|
|
|
|
CAVALIERS: May I touch your?
|
|
|
|
HOURS: O, but lightly!
|
|
|
|
CAVALIERS: O, so lightly!
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
My little shy little lass has a waist.
|
|
|
|
|
|
(ZOE AND STEPHEN TURN BOLDLY WITH LOOSER SWING. THE TWILIGHT HOURS
|
|
ADVANCE FROM LONG LANDSHADOWS, DISPERSED, LAGGING, LANGUIDEYED,
|
|
THEIR CHEEKS DELICATE WITH CIPRIA AND FALSE FAINT BLOOM. THEY ARE IN
|
|
GREY GAUZE WITH DARK BAT SLEEVES THAT FLUTTER IN THE LAND BREEZE.)
|
|
|
|
MAGINNI: AVANT HUIT! TRAVERSE! SALUT! COURS DE MAINS! CROISE!
|
|
|
|
(THE NIGHT HOURS, ONE BY ONE, STEAL TO THE LAST PLACE. MORNING, NOON
|
|
AND TWILIGHT HOURS RETREAT BEFORE THEM. THEY ARE MASKED, WITH
|
|
DAGGERED HAIR AND BRACELETS OF DULL BELLS. WEARY THEY CURCHYCURCHY
|
|
UNDER VEILS.)
|
|
|
|
THE BRACELETS: Heigho! Heigho!
|
|
|
|
ZOE: (TWIRLING, HER HAND TO HER BROW) O!
|
|
|
|
MAGINNI: LES TIROIRS! CHAINE DE DAMES! LA CORBEILLE! DOS A DOS!
|
|
|
|
(ARABESQUING WEARILY THEY WEAVE A PATTERN ON THE FLOOR, WEAVING,
|
|
UNWEAVING, CURTSEYING, TWIRLING, SIMPLY SWIRLING.)
|
|
|
|
ZOE: I'm giddy!
|
|
|
|
(SHE FREES HERSELF, DROOPS ON A CHAIR. STEPHEN SEIZES FLORRY AND
|
|
TURNS WITH HER.)
|
|
|
|
MAGINNI: BOULANGERE! LES RONDS! LES PONTS! CHEVAUX DE BOIS! ESCARGOTS!
|
|
|
|
(TWINING, RECEDING, WITH INTERCHANGING HANDS THE NIGHT HOURS LINK
|
|
EACH EACH WITH ARCHING ARMS IN A MOSAIC OF MOVEMENTS. STEPHEN
|
|
AND FLORRY TURN CUMBROUSLY.)
|
|
|
|
MAGINNI: DANSEZ AVEC VOS DAMES! CHANGEZ DE DAMES! DONNEZ LE PETIT BOUQUET
|
|
A VOTRE DAME! REMERCIEZ!
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
Best, best of all,
|
|
Baraabum!
|
|
|
|
|
|
KITTY: (JUMPS UP) O, they played that on the hobbyhorses at the Mirus
|
|
bazaar!
|
|
|
|
(SHE RUNS TO STEPHEN. HE LEAVES FLORRY BRUSQUELY AND SEIZES
|
|
KITTY. A SCREAMING BITTERN'S HARSH HIGH WHISTLE SHRIEKS.
|
|
GROANGROUSEGURGLING TOFT'S CUMBERSOME WHIRLIGIG TURNS SLOWLY THE
|
|
ROOM RIGHT ROUNDABOUT THE ROOM.)
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
My girl's a Yorkshire girl.
|
|
|
|
|
|
ZOE:
|
|
|
|
|
|
Yorkshire through and through.
|
|
|
|
|
|
Come on all!
|
|
|
|
(SHE SEIZES FLORRY AND WALTZES HER.)
|
|
|
|
STEPHEN: PAS SEUL!
|
|
|
|
(HE WHEELS KITTY INTO LYNCH'S ARMS, SNATCHES UP HIS ASHPLANT FROM
|
|
THE TABLE AND TAKES THE FLOOR. ALL WHEEL WHIRL WALTZ TWIRL BLOOMBELLA
|
|
KITTYLYNCH FLORRYZOE JUJUBY WOMEN. STEPHEN WITH HAT ASHPLANT
|
|
FROGSPLITS IN MIDDLE HIGHKICKS WITH SKYKICKING MOUTH SHUT HAND
|
|
CLASP PART UNDER THIGH. WITH CLANG TINKLE BOOMHAMMER TALLYHO
|
|
HORNBLOWER BLUE GREEN YELLOW FLASHES TOFT'S CUMBERSOME TURNS WITH
|
|
HOBBYHORSE RIDERS FROM GILDED SNAKES DANGLED, BOWELS FANDANGO
|
|
LEAPING SPURN SOIL FOOT AND FALL AGAIN.)
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
Though she's a factory lass
|
|
And wears no fancy clothes.
|
|
|
|
|
|
(CLOSECLUTCHED SWIFT SWIFTER WITH GLAREBLAREFLARE SCUDDING THEY
|
|
SCOOTLOOTSHOOT LUMBERING BY. BARAABUM!)
|
|
|
|
TUTTI: Encore! Bis! Bravo! Encore!
|
|
|
|
SIMON: Think of your mother's people!
|
|
|
|
STEPHEN: Dance of death.
|
|
|
|
(BANG FRESH BARANG BANG OF LACQUEY'S BELL, HORSE, NAG, STEER,
|
|
PIGLINGS, CONMEE ON CHRISTASS, LAME CRUTCH AND LEG SAILOR IN
|
|
COCKBOAT ARMFOLDED ROPEPULLING HITCHING STAMP HORNPIPE THROUGH
|
|
AND THROUGH. BARAABUM! ON NAGS HOGS BELLHORSES GADARENE SWINE
|
|
CORNY IN COFFIN STEEL SHARK STONE ONEHANDLED NELSON TWO TRICKIES
|
|
FRAUENZIMMER PLUMSTAINED FROM PRAM FILLING BAWLING GUM HE'S A
|
|
CHAMPION. FUSEBLUE PEER FROM BARREL REV. EVENSONG LOVE ON
|
|
HACKNEY JAUNT BLAZES BLIND CODDOUBLED BICYCLERS DILLY WITH
|
|
SNOWCAKE NO FANCY CLOTHES. THEN IN LAST SWITCHBACK LUMBERING UP
|
|
AND DOWN BUMP MASHTUB SORT OF VICEROY AND REINE RELISH FOR
|
|
TUBLUMBER BUMPSHIRE ROSE. BARAABUM!)
|
|
|
|
(THE COUPLES FALL ASIDE. STEPHEN WHIRLS GIDDILY. ROOM WHIRLS BACK.
|
|
EYES CLOSED HE TOTTERS. RED RAILS FLY SPACEWARDS. STARS ALL AROUND
|
|
SUNS TURN ROUNDABOUT. BRIGHT MIDGES DANCE ON WALLS. HE STOPS DEAD.)
|
|
|
|
STEPHEN: Ho!
|
|
|
|
(STEPHEN'S MOTHER, EMACIATED, RISES STARK THROUGH THE FLOOR, IN LEPER
|
|
GREY WITH A WREATH OF FADED ORANGEBLOSSOMS AND A TORN BRIDAL VEIL,
|
|
HER FACE WORN AND NOSELESS, GREEN WITH GRAVEMOULD. HER HAIR IS
|
|
SCANT AND LANK. SHE FIXES HER BLUECIRCLED HOLLOW EYESOCKETS ON
|
|
STEPHEN AND OPENS HER TOOTHLESS MOUTH UTTERING A SILENT WORD. A
|
|
CHOIR OF VIRGINS AND CONFESSORS SING VOICELESSLY.)
|
|
|
|
THE CHOIR:
|
|
|
|
|
|
Liliata rutilantium te confessorum ...
|
|
Iubilantium te virginum ...
|
|
|
|
|
|
(FROM THE TOP OF A TOWER BUCK MULLIGAN, IN PARTICOLOURED JESTER'S
|
|
DRESS OF PUCE AND YELLOW AND CLOWN'S CAP WITH CURLING BELL, STANDS
|
|
GAPING AT HER, A SMOKING BUTTERED SPLIT SCONE IN HIS HAND.)
|
|
|
|
BUCK MULLIGAN: She's beastly dead. The pity of it! Mulligan meets the
|
|
afflicted mother. (HE UPTURNS HIS EYES) Mercurial Malachi!
|
|
|
|
THE MOTHER: (WITH THE SUBTLE SMILE OF DEATH'S MADNESS) I was once the
|
|
beautiful May Goulding. I am dead.
|
|
|
|
STEPHEN: (HORRORSTRUCK) Lemur, who are you? No. What bogeyman's
|
|
trick is this?
|
|
|
|
BUCK MULLIGAN: (SHAKES HIS CURLING CAPBELL) The mockery of it! Kinch
|
|
dogsbody killed her bitchbody. She kicked the bucket. (TEARS OF MOLTEN
|
|
BUTTER FALL FROM HIS EYES ON TO THE SCONE) Our great sweet mother!
|
|
EPI OINOPA PONTON.
|
|
|
|
THE MOTHER: (COMES NEARER, BREATHING UPON HIM SOFTLY HER BREATH OF WETTED
|
|
ASHES) All must go through it, Stephen. More women than men in the world.
|
|
You too. Time will come.
|
|
|
|
STEPHEN: (CHOKING WITH FRIGHT, REMORSE AND HORROR) They say I killed you,
|
|
mother. He offended your memory. Cancer did it, not I. Destiny.
|
|
|
|
THE MOTHER: (A GREEN RILL OF BILE TRICKLING FROM A SIDE OF HER MOUTH)
|
|
You sang that song to me. LOVE'S BITTER MYSTERY.
|
|
|
|
STEPHEN: (EAGERLY) Tell me the word, mother, if you know now. The word
|
|
known to all men.
|
|
|
|
THE MOTHER: Who saved you the night you jumped into the train at Dalkey
|
|
with Paddy Lee? Who had pity for you when you were sad among the
|
|
strangers? Prayer is allpowerful. Prayer for the suffering souls in the
|
|
Ursuline manual and forty days' indulgence. Repent, Stephen.
|
|
|
|
STEPHEN: The ghoul! Hyena!
|
|
|
|
THE MOTHER: I pray for you in my other world. Get Dilly to make you that
|
|
boiled rice every night after your brainwork. Years and years I loved you,
|
|
O, my son, my firstborn, when you lay in my womb.
|
|
|
|
ZOE: (FANNING HERSELF WITH THE GRATE FAN) I'm melting!
|
|
|
|
FLORRY: (POINTS TO STEPHEN) Look! He's white.
|
|
|
|
BLOOM: (GOES TO THE WINDOW TO OPEN IT MORE) Giddy.
|
|
|
|
THE MOTHER: (WITH SMOULDERING EYES) Repent! O, the fire of hell!
|
|
|
|
STEPHEN: (PANTING) His noncorrosive sublimate! The corpsechewer! Raw head
|
|
and bloody bones.
|
|
|
|
THE MOTHER: (HER FACE DRAWING NEAR AND NEARER, SENDING OUT AN ASHEN
|
|
BREATH) Beware! (SHE RAISES HER BLACKENED WITHERED RIGHT ARM SLOWLY
|
|
TOWARDS STEPHEN'S BREAST WITH OUTSTRETCHED FINGER) Beware God's hand!
|
|
(A GREEN CRAB WITH MALIGNANT RED EYES STICKS DEEP ITS GRINNING CLAWS
|
|
IN STEPHEN'S HEART.)
|
|
|
|
STEPHEN: (STRANGLED WITH RAGE) Shite! (HIS FEATURES GROW DRAWN GREY
|
|
AND OLD)
|
|
|
|
BLOOM: (AT THE WINDOW) What?
|
|
|
|
STEPHEN: AH NON, PAR EXEMPLE! The intellectual imagination! With me all
|
|
or not at all. NON SERVIAM!
|
|
|
|
FLORRY: Give him some cold water. Wait. (SHE RUSHES OUT)
|
|
|
|
THE MOTHER: (WRINGS HER HANDS SLOWLY, MOANING DESPERATELY) O Sacred Heart
|
|
of Jesus, have mercy on him! Save him from hell, O Divine Sacred Heart!
|
|
|
|
STEPHEN: No! No! No! Break my spirit, all of you, if you can! I'll bring
|
|
you all to heel!
|
|
|
|
THE MOTHER: (IN THE AGONY OF HER DEATHRATTLE) Have mercy on Stephen, Lord,
|
|
for my sake! Inexpressible was my anguish when expiring with love, grief
|
|
and agony on Mount Calvary.
|
|
|
|
STEPHEN: NOTHUNG!
|
|
|
|
(HE LIFTS HIS ASHPLANT HIGH WITH BOTH HANDS AND SMASHES THE
|
|
CHANDELIER. TIME'S LIVID FINAL FLAME LEAPS AND, IN THE FOLLOWING
|
|
DARKNESS, RUIN OF ALL SPACE, SHATTERED GLASS AND TOPPLING MASONRY.)
|
|
|
|
THE GASJET: Pwfungg!
|
|
|
|
BLOOM: Stop!
|
|
|
|
LYNCH: (RUSHES FORWARD AND SEIZES STEPHEN'S HAND) Here! Hold on! Don't run
|
|
amok!
|
|
|
|
BELLA: Police!
|
|
|
|
(STEPHEN, ABANDONING HIS ASHPLANT, HIS HEAD AND ARMS THROWN BACK
|
|
STARK, BEATS THE GROUND AND FLIES FROM THE ROOM, PAST THE WHORES AT
|
|
THE DOOR.)
|
|
|
|
BELLA: (SCREAMS) After him!
|
|
|
|
(THE TWO WHORES RUSH TO THE HALLDOOR. LYNCH AND KITTY AND ZOE
|
|
STAMPEDE FROM THE ROOM. THEY TALK EXCITEDLY. BLOOM FOLLOWS,
|
|
RETURNS.)
|
|
|
|
THE WHORES: (JAMMED IN THE DOORWAY, POINTING) Down there.
|
|
|
|
ZOE: (POINTING) There. There's something up.
|
|
|
|
BELLA: Who pays for the lamp? (SHE SEIZES BLOOM'S COATTAIL) Here, you were
|
|
with him. The lamp's broken.
|
|
|
|
BLOOM: (RUSHES TO THE HALL, RUSHES BACK) What lamp, woman?
|
|
|
|
A WHORE: He tore his coat.
|
|
|
|
BELLA: (HER EYES HARD WITH ANGER AND CUPIDITY, POINTS) Who's to pay
|
|
for that? Ten shillings. You're a witness.
|
|
|
|
BLOOM: (SNATCHES UP STEPHEN'S ASHPLANT) Me? Ten shillings? Haven't you
|
|
lifted enough off him? Didn't he ...?
|
|
|
|
BELLA: (LOUDLY) Here, none of your tall talk. This isn't a brothel.
|
|
A ten shilling house.
|
|
|
|
BLOOM: (HIS HEAD UNDER THE LAMP, PULLS THE CHAIN. PULING, THE GASJET
|
|
LIGHTS UP A CRUSHED MAUVE PURPLE SHADE. HE RAISES THE ASHPLANT.) Only the
|
|
chimney's broken. Here is all he ...
|
|
|
|
BELLA: (SHRINKS BACK AND SCREAMS) Jesus! Don't!
|
|
|
|
BLOOM: (WARDING OFF A BLOW) To show you how he hit the paper. There's not
|
|
sixpenceworth of damage done. Ten shillings!
|
|
|
|
FLORRY: (WITH A GLASS OF WATER, ENTERS) Where is he?
|
|
|
|
BELLA: Do you want me to call the police?
|
|
|
|
BLOOM: O, I know. Bulldog on the premises. But he's a Trinity student.
|
|
Patrons of your establishment. Gentlemen that pay the rent. (HE MAKES A
|
|
MASONIC SIGN) Know what I mean? Nephew of the vice-chancellor. You don't
|
|
want a scandal.
|
|
|
|
BELLA: (ANGRILY) Trinity. Coming down here ragging after the boatraces and
|
|
paying nothing. Are you my commander here or? Where is he? I'll charge
|
|
him! Disgrace him, I will! (SHE SHOUTS) Zoe! Zoe!
|
|
|
|
BLOOM: (URGENTLY) And if it were your own son in Oxford? (WARNINGLY) I know.
|
|
|
|
BELLA: (ALMOST SPEECHLESS) Who are. Incog!
|
|
|
|
ZOE: (IN THE DOORWAY) There's a row on.
|
|
|
|
BLOOM: What? Where? (HE THROWS A SHILLING ON THE TABLE AND STARTS)
|
|
That's for the chimney. Where? I need mountain air.
|
|
|
|
(HE HURRIES OUT THROUGH THE HALL. THE WHORES POINT. FLORRY FOLLOWS,
|
|
SPILLING WATER FROM HER TILTED TUMBLER. ON THE DOORSTEP ALL THE
|
|
WHORES CLUSTERED TALK VOLUBLY, POINTING TO THE RIGHT WHERE THE FOG
|
|
HAS CLEARED OFF FROM THE LEFT ARRIVES A JINGLING HACKNEY CAR. IT SLOWS
|
|
TO IN FRONT OF THE HOUSE. BLOOM AT THE HALLDOOR PERCEIVES CORNY
|
|
KELLEHER WHO IS ABOUT TO DISMOUNT FROM THE CAR WITH TWO SILENT
|
|
LECHERS. HE AVERTS HIS FACE. BELLA FROM WITHIN THE HALL URGES ON HER
|
|
WHORES. THEY BLOW ICKYLICKYSTICKY YUMYUM KISSES. CORNY KELLEHER
|
|
REPLIES WITH A GHASTLY LEWD SMILE. THE SILENT LECHERS TURN TO PAY THE
|
|
JARVEY. ZOE AND KITTY STILL POINT RIGHT. BLOOM, PARTING THEM SWIFTLY,
|
|
DRAWS HIS CALIPH'S HOOD AND PONCHO AND HURRIES DOWN THE STEPS
|
|
WITH SIDEWAYS FACE. INCOG HAROUN AL RASCHID HE FLITS BEHIND THE
|
|
SILENT LECHERS AND HASTENS ON BY THE RAILINGS WITH FLEET STEP OF A PARD
|
|
STREWING THE DRAG BEHIND HIM, TORN ENVELOPES DRENCHED IN ANISEED.
|
|
THE ASHPLANT MARKS HIS STRIDE. A PACK OF BLOODHOUNDS, LED BY
|
|
HORNBLOWER OF TRINITY BRANDISHING A DOGWHIP IN TALLYHO CAP AND
|
|
AN OLD PAIR OF GREY TROUSERS, FOLLOW FROM FIR, PICKING UP THE SCENT,
|
|
NEARER, BAYING, PANTING, AT FAULT, BREAKING AWAY, THROWING THEIR
|
|
TONGUES, BITING HIS HEELS, LEAPING AT HIS TAIL HE WALKS, RUNS, ZIGZAGS,
|
|
GALLOPS, LUGS LAID BACK. HE IS PELTED WITH GRAVEL, CABBAGESTUMPS,
|
|
BISCUITBOXES, EGGS, POTATOES, DEAD CODFISH, WOMAN'S SLIPPERSLAPPERS.
|
|
AFTER HIM FRESHFOUND THE HUE AND CRY ZIGZAG GALLOPS IN HOT PURSUIT
|
|
OF FOLLOW MY LEADER: 65 C, 66 C, NIGHT WATCH, JOHN HENRY MENTON,
|
|
WISDOM HELY, VB DILLON, COUNCILLOR NANNETTI, ALEXANDER KEYES,
|
|
LARRY O'ROURKE, JOE CUFFE MRS O'DOWD, PISSER BURKE, THE
|
|
NAMELESS ONE, MRS RIORDAN, THE CITIZEN, GARRYOWEN, WHODOYOUCALLHIM,
|
|
STRANGEFACE, FELLOWTHATSOLIKE, SAWHIMBEFORE, CHAPWITHAWEN,
|
|
CHRIS CALLINAN, SIR CHARLES CAMERON, BENJAMIN DOLLARD, LENEHAN,
|
|
BARTELL D'ARCY, JOE HYNES, RED MURRAY, EDITOR BRAYDEN, T. M. HEALY,
|
|
MR JUSTICE FITZGIBBON, JOHN HOWARD PARNELL, THE REVEREND TINNED
|
|
SALMON, PROFESSOR JOLY, MRS BREEN, DENIS BREEN, THEODORE PUREFOY, MINA
|
|
PUREFOY, THE WESTLAND ROW POSTMISTRESS, C. P. M'COY, FRIEND OF LYONS,
|
|
HOPPY HOLOHAN, MANINTHESTREET, OTHERMANINTHESTREET, FOOTBALLBOOTS,
|
|
PUGNOSED DRIVER, RICH PROTESTANT LADY, DAVY BYRNE, MRS ELLEN
|
|
M'GUINNESS, MRS JOE GALLAHER, GEORGE LIDWELL, JIMMY HENRY ON CORNS,
|
|
SUPERINTENDENT LARACY, FATHER COWLEY, CROFTON OUT OF THE
|
|
COLLECTOR-GENERAL'S, DAN DAWSON, DENTAL SURGEON BLOOM WITH TWEEZERS,
|
|
MRS BOB DORAN, MRS KENNEFICK, MRS WYSE NOLAN, JOHN WYSE NOLAN,
|
|
HANDSOMEMARRIEDWOMANRUBBEDAGAINSTWIDEBEHINDINCLONSKEATRAM,
|
|
THE BOOKSELLER OF SWEETS OF SIN, MISS DUBEDATANDSHEDIDBEDAD,
|
|
MESDAMES GERALD AND STANISLAUS MORAN OF ROEBUCK, THE MANAGING
|
|
CLERK OF DRIMMIE'S, WETHERUP, COLONEL HAYES, MASTIANSKY, CITRON,
|
|
PENROSE, AARON FIGATNER, MOSES HERZOG, MICHAEL E GERAGHTY, INSPECTOR
|
|
TROY, MRS GALBRAITH, THE CONSTABLE OFF ECCLES STREET CORNER,
|
|
OLD DOCTOR BRADY WITH STETHOSCOPE, THE MYSTERY MAN ON THE BEACH,
|
|
A RETRIEVER, MRS MIRIAM DANDRADE AND ALL HER LOVERS.)
|
|
|
|
THE HUE AND CRY: (HELTERSKELTERPELTERWELTER) He's Bloom! Stop Bloom!
|
|
Stopabloom! Stopperrobber! Hi! Hi! Stophim on the corner!
|
|
|
|
(AT THE CORNER OF BEAVER STREET BENEATH THE SCAFFOLDING BLOOM
|
|
PANTING STOPS ON THE FRINGE OF THE NOISY QUARRELLING KNOT, A LOT NOT
|
|
KNOWING A JOT WHAT HI! HI! ROW AND WRANGLE ROUND THE WHOWHAT
|
|
BRAWLALTOGETHER.)
|
|
|
|
STEPHEN: (WITH ELABORATE GESTURES, BREATHING DEEPLY AND SLOWLY) You are
|
|
my guests. Uninvited. By virtue of the fifth of George and seventh of
|
|
Edward. History to blame. Fabled by mothers of memory.
|
|
|
|
PRIVATE CARR: (TO CISSY CAFFREY) Was he insulting you?
|
|
|
|
STEPHEN: Addressed her in vocative feminine. Probably neuter. Ungenitive.
|
|
|
|
VOICES: No, he didn't. I seen him. The girl there. He was in Mrs Cohen's.
|
|
What's up? Soldier and civilian.
|
|
|
|
CISSY CAFFREY: I was in company with the soldiers and they left me to
|
|
do--you know, and the young man run up behind me. But I'm faithful to the
|
|
man that's treating me though I'm only a shilling whore.
|
|
|
|
STEPHEN: (CATCHES SIGHT OF LYNCH'S AND KITTY'S HEADS) Hail, Sisyphus.
|
|
(HE POINTS TO HIMSELF AND THE OTHERS) Poetic. Uropoetic.
|
|
|
|
VOICES: Shes faithfultheman.
|
|
|
|
CISSY CAFFREY: Yes, to go with him. And me with a soldier friend.
|
|
|
|
PRIVATE COMPTON: He doesn't half want a thick ear, the blighter. Biff him
|
|
one, Harry.
|
|
|
|
PRIVATE CARR: (TO CISSY) Was he insulting you while me and him was
|
|
having a piss?
|
|
|
|
LORD TENNYSON: (GENTLEMAN POET IN UNION JACK BLAZER AND CRICKET FLANNELS,
|
|
BAREHEADED, FLOWINGBEARDED) Theirs not to reason why.
|
|
|
|
PRIVATE COMPTON: Biff him, Harry.
|
|
|
|
STEPHEN: (TO PRIVATE COMPTON) I don't know your name but you are quite
|
|
right. Doctor Swift says one man in armour will beat ten men in their
|
|
shirts. Shirt is synechdoche. Part for the whole.
|
|
|
|
CISSY CAFFREY: (TO THE CROWD) No, I was with the privates.
|
|
|
|
STEPHEN: (AMIABLY) Why not? The bold soldier boy. In my opinion every lady
|
|
for example ...
|
|
|
|
PRIVATE CARR: (HIS CAP AWRY, ADVANCES TO STEPHEN) Say, how would it be,
|
|
governor, if I was to bash in your jaw?
|
|
|
|
STEPHEN: (LOOKS UP TO THE SKY) How? Very unpleasant. Noble art of
|
|
selfpretence. Personally, I detest action. (HE WAVES HIS HAND) Hand hurts
|
|
me slightly. ENFIN CE SONT VOS OIGNONS. (TO CISSY CAFFREY) Some trouble is
|
|
on here. What is it precisely?
|
|
|
|
DOLLY GRAY: (FROM HER BALCONY WAVES HER HANDKERCHIEF, GIVING THE SIGN OF
|
|
THE HEROINE OF JERICHO) Rahab. Cook's son, goodbye. Safe home to Dolly.
|
|
Dream of the girl you left behind and she will dream of you.
|
|
|
|
(THE SOLDIERS TURN THEIR SWIMMING EYES.)
|
|
|
|
BLOOM: (ELBOWING THROUGH THE CROWD, PLUCKS STEPHEN'S SLEEVE VIGOROUSLY)
|
|
Come now, professor, that carman is waiting.
|
|
|
|
STEPHEN: (TURNS) Eh? (HE DISENGAGES HIMSELF) Why should I not speak to him
|
|
or to any human being who walks upright upon this oblate orange? (HE
|
|
POINTS HIS FINGER) I'm not afraid of what I can talk to if I see his eye.
|
|
Retaining the perpendicular.
|
|
|
|
(HE STAGGERS A PACE BACK)
|
|
|
|
BLOOM: (PROPPING HIM) Retain your own.
|
|
|
|
STEPHEN: (LAUGHS EMPTILY) My centre of gravity is displaced. I have
|
|
forgotten the trick. Let us sit down somewhere and discuss. Struggle for
|
|
life is the law of existence but but human philirenists, notably the tsar
|
|
and the king of England, have invented arbitration. (HE TAPS HIS BROW) But
|
|
in here it is I must kill the priest and the king.
|
|
|
|
BIDDY THE CLAP: Did you hear what the professor said? He's a professor out
|
|
of the college.
|
|
|
|
CUNTY KATE: I did. I heard that.
|
|
|
|
BIDDY THE CLAP: He expresses himself with such marked refinement of
|
|
phraseology.
|
|
|
|
CUNTY KATE: Indeed, yes. And at the same time with such apposite
|
|
trenchancy.
|
|
|
|
PRIVATE CARR: (PULLS HIMSELF FREE AND COMES FORWARD) What's that you're
|
|
saying about my king?
|
|
|
|
(EDWARD THE SEVENTH APPEARS IN AN ARCHWAY. HE WARS A WHITE
|
|
JERSEY ON WHICH AN IMAGE OF THE SACRED HEART IS STITCHED WITH THE
|
|
INSIGNIA OF GARTER AND THISTLE, GOLDEN FLEECE, ELEPHANT OF
|
|
DENMARK, SKINNER'S AND PROBYN'S HORSE, LINCOLN 'S INN BENCHER
|
|
AND ANCIENT AND HONOURABLE ARTILLERY COMPANY OF MASSACHUSETTS.
|
|
HE SUCKS A RED JUJUBE. HE IS ROBED AS A GRAND ELECT PERFECT AND
|
|
SUBLIME MASON WITH TROWEL AND APRON, MARKED MADE IN Germany.
|
|
IN HIS LEFT HAND HE HOLDS A PLASTERER'S BUCKET ON WHICH IS PRINTED
|
|
DEFENSE D'URINER. A ROAR OF WELCOME GREETS HIM.)
|
|
|
|
EDWARD THE SEVENTH: (SLOWLY, SOLEMNLY BUT INDISTINCTLY) Peace, perfect
|
|
peace. For identification, bucket in my hand. Cheerio, boys. (HE TURNS TO
|
|
HIS SUBJECTS) We have come here to witness a clean straight fight and we
|
|
heartily wish both men the best of good luck. Mahak makar a bak.
|
|
|
|
(HE SHAKES HANDS WITH PRIVATE CARR, PRIVATE COMPTON, STEPHEN, BLOOM AND
|
|
LYNCH. GENERAL APPLAUSE. EDWARD THE SEVENTH LIFTS HIS BUCKET GRACIOUSLY
|
|
IN ACKNOWLEDGMENT.)
|
|
|
|
PRIVATE CARR: (TO STEPHEN) Say it again.
|
|
|
|
STEPHEN: (NERVOUS, FRIENDLY, PULLS HIMSELF UP) I understand your point of
|
|
view though I have no king myself for the moment. This is the age of patent
|
|
medicines. A discussion is difficult down here. But this is the point.
|
|
You die for your country. Suppose. (HE PLACES HIS ARM ON PRIVATE CARR'S
|
|
SLEEVE) Not that I wish it for you. But I say: Let my country die for me.
|
|
Up to the present it has done so. I didn't want it to die. Damn death.
|
|
Long live life!
|
|
|
|
EDWARD THE SEVENTH: (LEVITATES OVER HEAPS OF SLAIN, IN THE GARB AND WITH
|
|
THE HALO OF JOKING JESUS, A WHITE JUJUBE IN HIS PHOSPHORESCENT FACE)
|
|
|
|
|
|
My methods are new and are causing surprise.
|
|
To make the blind see I throw dust in their eyes.
|
|
|
|
|
|
STEPHEN: Kings and unicorns! (HE FILLS BACK A PACE) Come somewhere and
|
|
we'll ... What was that girl saying? ...
|
|
|
|
PRIVATE COMPTON: Eh, Harry, give him a kick in the knackers. Stick one
|
|
into Jerry.
|
|
|
|
BLOOM: (TO THE PRIVATES, SOFTLY) He doesn't know what he's saying. Taken a
|
|
little more than is good for him. Absinthe. Greeneyed monster. I know him.
|
|
He's a gentleman, a poet. It's all right.
|
|
|
|
STEPHEN: (NODS, SMILING AND LAUGHING) Gentleman, patriot, scholar and judge of
|
|
impostors.
|
|
|
|
PRIVATE CARR: I don't give a bugger who he is.
|
|
|
|
PRIVATE COMPTON: We don't give a bugger who he is.
|
|
|
|
STEPHEN: I seem to annoy them. Green rag to a bull.
|
|
|
|
(KEVIN EGAN OF PARIS IN BLACK SPANISH TASSELLED SHIRT AND PEEP-O'-DAY
|
|
BOY'S HAT SIGNS TO STEPHEN.)
|
|
|
|
KEVIN EGAN: H'LO! BONJOUR! THE VIEILLE OGRESSE with the DENTS JAUNES.
|
|
|
|
(PATRICE EGAN PEEPS FROM BEHIND, HIS RABBITFACE NIBBLING A QUINCE LEAF.)
|
|
|
|
PATRICE: SOCIALISTE!
|
|
|
|
DON EMILE PATRIZ1O FRANZ RUPERT POPE HENNESSY: (IN MEDIEVAL HAUBERK,
|
|
TWO WILD GEESE VOLANT ON HIS HELM, WITH NOBLE INDIGNATION POINTS A MAILED
|
|
HAND AGAINST THE PRIVATES) Werf those eykes to footboden, big grand porcos
|
|
of johnyellows todos covered of gravy!
|
|
|
|
BLOOM: (TO STEPHEN) Come home. You'll get into trouble.
|
|
|
|
STEPHEN: (SWAYING) I don't avoid it. He provokes my intelligence.
|
|
|
|
BIDDY THE CLAP: One immediately observes that he is of patrician lineage.
|
|
|
|
THE VIRAGO: Green above the red, says he. Wolfe Tone.
|
|
|
|
THE BAWD: The red's as good as the green. And better. Up the soldiers!
|
|
Up King Edward!
|
|
|
|
A ROUGH: (LAUGHS) Ay! Hands up to De Wet.
|
|
|
|
THE CITIZEN: (WITH A HUGE EMERALD MUFFLER AND SHILLELAGH, CALLS)
|
|
|
|
|
|
May the God above
|
|
Send down a dove
|
|
With teeth as sharp as razors
|
|
To slit the throats
|
|
Of the English dogs
|
|
That hanged our Irish leaders.
|
|
|
|
|
|
THE CROPPY BOY: (THE ROPENOOSE ROUND HIS NECK, GRIPES IN HIS ISSUING
|
|
BOWELS WITH BOTH HANDS)
|
|
|
|
|
|
I bear no hate to a living thing,
|
|
But I love my country beyond the king.
|
|
|
|
|
|
RUMBOLD, DEMON BARBER: (ACCOMPANIED BY TWO BLACKMASKED ASSISTANTS,
|
|
ADVANCES WITH GLADSTONE BAG WHICH HE OPENS) Ladies and gents, cleaver
|
|
purchased by Mrs Pearcy to slay Mogg. Knife with which Voisin dismembered
|
|
the wife of a compatriot and hid remains in a sheet in the cellar, the
|
|
unfortunate female's throat being cut from ear to ear. Phial containing
|
|
arsenic retrieved from body of Miss Barron which sent Seddon to the
|
|
gallows.
|
|
|
|
(HE JERKS THE ROPE. THE ASSISTANTS LEAP AT THE VICTIM'S LEGS AND DRAG
|
|
HIM DOWNWARD, GRUNTING THE CROPPY BOY'S TONGUE PROTRUDES
|
|
VIOLENTLY.)
|
|
|
|
THE CROPPY BOY:
|
|
|
|
|
|
Horhot ho hray hor hother's hest.
|
|
|
|
|
|
(HE GIVES UP THE GHOST. A VIOLENT ERECTION OF THE HANGED SENDS GOUTS
|
|
OF SPERM SPOUTING THROUGH HIS DEATHCLOTHES ON TO THE COBBLESTONES.
|
|
MRS BELLINGHAM, MRS YELVERTON BARRY AND THE HONOURABLE MRS
|
|
MERVYN TALBOYS RUSH FORWARD WITH THEIR HANDKERCHIEFS TO SOP IT UP.)
|
|
|
|
RUMBOLD: I'm near it myself. (HE UNDOES THE NOOSE) Rope which hanged the
|
|
awful rebel. Ten shillings a time. As applied to Her Royal Highness.
|
|
(HE PLUNGES HIS HEAD INTO THE GAPING BELLY OF THE HANGED AND DRAWS OUT HIS
|
|
HEAD AGAIN CLOTTED WITH COILED AND SMOKING ENTRAILS) My painful duty has
|
|
now been done. God save the king!
|
|
|
|
EDWARD THE SEVENTH: (DANCES SLOWLY, SOLEMNLY, RATTLING HIS BUCKET, AND
|
|
SINGS WITH SOFT CONTENTMENT)
|
|
|
|
|
|
On coronation day, on coronation day,
|
|
O, won't we have a merry time,
|
|
Drinking whisky, beer and wine!
|
|
|
|
|
|
PRIVATE CARR: Here. What are you saying about my king?
|
|
|
|
STEPHEN: (THROWS UP HIS HANDS) O, this is too monotonous! Nothing.
|
|
He wants my money and my life, though want must be his master, for some
|
|
brutish empire of his. Money I haven't. (HE SEARCHES HIS POCKETS VAGUELY)
|
|
GAVE IT TO SOMEONE.
|
|
|
|
PRIVATE CARR: Who wants your bleeding money?
|
|
|
|
STEPHEN: (TRIES TO MOVE OFF) Will someone tell me where I am least likely
|
|
to meet these necessary evils? CA SE VOIT AUSSI A PARIS. Not that
|
|
I ... But, by Saint Patrick ...!
|
|
|
|
(THE WOMEN'S HEADS COALESCE. OLD GUMMY GRANNY IN SUGARLOAF
|
|
HAT APPEARS SEATED ON A TOADSTOOL, THE DEATHFLOWER OF THE POTATO
|
|
BLIGHT ON HER BREAST.)
|
|
|
|
STEPHEN: Aha! I know you, gammer! Hamlet, revenge! The old sow that eats
|
|
her farrow!
|
|
|
|
OLD GUMMY GRANNY: (ROCKING TO AND FRO) Ireland's sweetheart, the king of
|
|
Spain's daughter, alanna. Strangers in my house, bad manners to them!
|
|
(SHE KEENS WITH BANSHEE WOE) Ochone! Ochone! Silk of the kine! (SHE WAILS)
|
|
You met with poor old Ireland and how does she stand?
|
|
|
|
STEPHEN: How do I stand you? The hat trick! Where's the third person of
|
|
the Blessed Trinity? Soggarth Aroon? The reverend Carrion Crow.
|
|
|
|
CISSY CAFFREY: (SHRILL) Stop them from fighting!
|
|
|
|
A ROUGH: Our men retreated.
|
|
|
|
PRIVATE CARR: (TUGGING AT HIS BELT) I'll wring the neck of any fucker says
|
|
a word against my fucking king.
|
|
|
|
BLOOM: (TERRIFIED) He said nothing. Not a word. A pure misunderstanding.
|
|
|
|
THE CITIZEN: ERIN GO BRAGH!
|
|
|
|
(MAJOR TWEEDY AND THE CITIZEN EXHIBIT TO EACH OTHER MEDALS,
|
|
DECORATIONS, TROPHIES OF WAR, WOUNDS. BOTH SALUTE WITH FIERCE HOSTILITY.)
|
|
|
|
PRIVATE COMPTON: Go it, Harry. Do him one in the eye. He's a proboer.
|
|
|
|
STEPHEN: Did I? When?
|
|
|
|
BLOOM: (TO THE REDCOATS) We fought for you in South Africa, Irish missile
|
|
troops. Isn't that history? Royal Dublin Fusiliers. Honoured by our
|
|
monarch.
|
|
|
|
THE NAVVY: (STAGGERING PAST) O, yes! O God, yes! O, make the kwawr a
|
|
krowawr! O! Bo!
|
|
|
|
(CASQUED HALBERDIERS IN ARMOUR THRUST FORWARD A PENTICE OF GUTTED
|
|
SPEARPOINTS. MAJOR TWEEDY, MOUSTACHED LIKE TURKO THE TERRIBLE, IN
|
|
BEARSKIN CAP WITH HACKLEPLUME AND ACCOUTREMENTS, WITH EPAULETTES,
|
|
GILT CHEVRONS AND SABRETACHES, HIS BREAST BRIGHT WITH MEDALS, TOES
|
|
THE LINE. HE GIVES THE PILGRIM WARRIOR'S SIGN OF THE KNIGHTS
|
|
TEMPLARS.)
|
|
|
|
MAJOR TWEEDY: (GROWLS GRUFFLY) Rorke's Drift! Up, guards, and at them!
|
|
Mahar shalal hashbaz.
|
|
|
|
PRIVATE CARR: I'll do him in.
|
|
|
|
PRIVATE COMPTON: (WAVES THE CROWD BACK) Fair play, here. Make a bleeding
|
|
butcher's shop of the bugger.
|
|
|
|
(MASSED BANDS BLARE GARRYOWEN AND GOD SAVE THE KING.)
|
|
|
|
CISSY CAFFREY: They're going to fight. For me!
|
|
|
|
CUNTY KATE: The brave and the fair.
|
|
|
|
BIDDY THE CLAP: Methinks yon sable knight will joust it with the best.
|
|
|
|
CUNTY KATE: (BLUSHING DEEPLY) Nay, madam. The gules doublet and merry
|
|
saint George for me!
|
|
|
|
STEPHEN:
|
|
|
|
|
|
The harlot's cry from street to street
|
|
Shall weave Old Ireland's windingsheet.
|
|
|
|
|
|
PRIVATE CARR: (LOOSENING HIS BELT, SHOUTS) I'll wring the neck of any
|
|
fucking bastard says a word against my bleeding fucking king.
|
|
|
|
BLOOM: (SHAKES CISSY CAFFREY'S SHOULDERS) Speak, you! Are you struck dumb?
|
|
You are the link between nations and generations. Speak, woman, sacred
|
|
lifegiver!
|
|
|
|
CISSY CAFFREY: (ALARMED, SEIZES PRIVATE CARR'S SLEEVE) Amn't I with you?
|
|
Amn't I your girl? Cissy's your girl. (SHE CRIES) Police!
|
|
|
|
STEPHEN: (ECSTATICALLY, TO CISSY CAFFREY)
|
|
|
|
|
|
White thy fambles, red thy gan
|
|
And thy quarrons dainty is.
|
|
|
|
|
|
VOICES: Police!
|
|
|
|
DISTANT VOICES: Dublin's burning! Dublin's burning! On fire, on fire!
|
|
|
|
(BRIMSTONE FIRES SPRING UP. DENSE CLOUDS ROLL PAST. HEAVY GATLING
|
|
GUNS BOOM. PANDEMONIUM. TROOPS DEPLOY. GALLOP OF HOOFS.
|
|
ARTILLERY. HOARSE COMMANDS. BELLS CLANG BACKERS SHOUT. DRUNKARDS
|
|
BAWL. WHORES SCREECH. FOGHORNS HOOT. CRIES OF VALOUR. SHRIEKS OF
|
|
DYING. PIKES CLASH ON CUIRASSES. THIEVES ROB THE SLAIN. BIRDS OF PREY,
|
|
WINGING FROM THE SEA, RISING FROM MARSHLANDS, SWOOPING FROM
|
|
EYRIES, HOVER SCREAMING, GANNETS, CORMORANTS, VULTURES, GOSHAWKS,
|
|
CLIMBING WOODCOCKS, PEREGRINES, MERLINS, BLACKGROUSE, SEA EAGLES,
|
|
GULLS, ALBATROSSES, BARNACLE GEESE. THE MIDNIGHT SUN IS DARKENED.
|
|
THE EARTH TREMBLES. THE DEAD OF DUBLIN FROM PROSPECT AND MOUNT
|
|
JEROME IN WHITE SHEEPSKIN OVERCOATS AND BLACK GOATFELL CLOAKS ARISE
|
|
AND APPEAR TO MANY. A CHASM OPENS WITH A NOISELESS YAWN. TOM
|
|
ROCHFORD, WINNER, IN ATHLETE'S SINGLET AND BREECHES, ARRIVES AT THE
|
|
HEAD OF THE NATIONAL HURDLE HANDICAP AND LEAPS INTO THE VOID. HE IS
|
|
FOLLOWED BY A RACE OF RUNNERS AND LEAPERS. IN WILD ATTITUDES THEY
|
|
SPRING FROM THE BRINK. THEIR BODIES PLUNGE. FACTORY LASSES WITH
|
|
FANCY CLOTHES TOSS REDHOT YORKSHIRE BARAABOMBS. SOCIETY LADIES LIFT
|
|
THEIR SKIRTS ABOVE THEIR HEADS TO PROTECT THEMSELVES. LAUGHING
|
|
WITCHES IN RED CUTTY SARKS RIDE THROUGH THE AIR ON BROOMSTICKS.
|
|
QUAKERLYSTER PLASTERS BLISTERS. IT RAINS DRAGONS' TEETH. ARMED HEROES
|
|
SPRING UP FROM FURROWS. THEY EXCHANGE IN AMITY THE PASS OF KNIGHTS
|
|
OF THE RED CROSS AND FIGHT DUELS WITH CAVALRY SABRES: WOLFE TONE
|
|
AGAINST HENRY GRATTAN, SMITH O'BRIEN AGAINST DANIEL O'CONNELL,
|
|
MICHAEL DAVITT AGAINST ISAAC BUTT, JUSTIN M'CARTHY AGAINST PARNELL,
|
|
ARTHUR GRIFFITH AGAINST JOHN REDMOND, JOHN O'LEARY AGAINST LEAR
|
|
O'JOHNNY, LORD EDWARD FITZGERALD AGAINST LORD GERALD
|
|
FITZEDWARD, THE O'DONOGHUE OF THE GLENS AGAINST THE GLENS OF
|
|
THE O'DONOGHUE. ON AN EMINENCE, THE CENTRE OF THE EARTH, RISES THE
|
|
FELDALTAR OF SAINT BARBARA. BLACK CANDLES RISE FROM ITS GOSPEL AND
|
|
EPISTLE HORNS. FROM THE HIGH BARBACANS OF THE TOWER TWO SHAFTS OF
|
|
LIGHT FALL ON THE SMOKEPALLED ALTARSTONE. ON THE ALTARSTONE MRS MINA
|
|
PUREFOY, GODDESS OF UNREASON, LIES, NAKED, FETTERED, A CHALICE RESTING
|
|
ON HER SWOLLEN BELLY. FATHER MALACHI O'FLYNN IN A LACE PETTICOAT
|
|
AND REVERSED CHASUBLE, HIS TWO LEFT FEET BACK TO THE FRONT, CELEBRATES
|
|
CAMP MASS. THE REVEREND MR HUGH C HAINES LOVE M. A. IN A
|
|
PLAIN CASSOCK AND MORTARBOARD, HIS HEAD AND COLLAR BACK TO THE
|
|
FRONT, HOLDS OVER THE CELEBRANT'S HEAD AN OPEN UMBRELLA.)
|
|
|
|
FATHER MALACHI O'FLYNN: INTROIBO AD ALTARE DIABOLI.
|
|
|
|
THE REVEREND MR HAINES LOVE: To the devil which hath made glad my young
|
|
days.
|
|
|
|
FATHER MALACHI O'FLYNN: (TAKES FROM THE CHALICE AND ELEVATES A
|
|
BLOODDRIPPING HOST) CORPUS MEUM.
|
|
|
|
THE REVEREND MR HAINES LOVE: (RAISES HIGH BEHIND THE CELEBRANT'S
|
|
PETTICOAT, REVEALING HIS GREY BARE HAIRY BUTTOCKS BETWEEN WHICH A CARROT
|
|
IS STUCK) My body.
|
|
|
|
THE VOICE OF ALL THE DAMNED: Htengier Tnetopinmo Dog Drol eht rof,
|
|
Aiulella!
|
|
|
|
(FROM ON HIGH THE VOICE OF ADONAI CALLS.)
|
|
|
|
ADONAI: Dooooooooooog!
|
|
|
|
THE VOICE OF ALL THE BLESSED: Alleluia, for the Lord God Omnipotent
|
|
reigneth!
|
|
|
|
(FROM ON HIGH THE VOICE OF ADONAI CALLS.)
|
|
|
|
ADONAI: Goooooooooood!
|
|
|
|
(IN STRIDENT DISCORD PEASANTS AND TOWNSMEN OF ORANGE AND GREEN
|
|
FACTIONS SING Kick the Pope AND Daily, daily sing to Mary.)
|
|
|
|
PRIVATE CARR: (WITH FEROCIOUS ARTICULATION) I'll do him in, so help me
|
|
fucking Christ! I'll wring the bastard fucker's bleeding blasted fucking
|
|
windpipe!
|
|
|
|
OLD GUMMY GRANNY: (THRUSTS A DAGGER TOWARDS STEPHEN'S HAND) Remove him,
|
|
acushla. At 8.35 a.m. you will be in heaven and Ireland will be free.
|
|
(SHE PRAYS) O good God, take him!
|
|
|
|
(THE RETRIEVER, NOSING ON THE FRINGE OF THE CROWD, BARKS NOISILY.)
|
|
|
|
BLOOM: (RUNS TO LYNCH) Can't you get him away?
|
|
|
|
LYNCH: He likes dialectic, the universal language. Kitty! (TO BLOOM)
|
|
Get him away, you. He won't listen to me.
|
|
|
|
(HE DRAGS KITTY AWAY.)
|
|
|
|
STEPHEN: (POINTS) EXIT JUDAS. ET LAQUEO SE SUSPENDIT.
|
|
|
|
BLOOM: (RUNS TO STEPHEN) Come along with me now before worse happens.
|
|
Here's your stick.
|
|
|
|
STEPHEN: Stick, no. Reason. This feast of pure reason.
|
|
|
|
CISSY CAFFREY: (PULLING PRIVATE CARR) Come on, you're boosed. He insulted
|
|
me but I forgive him. (SHOUTING IN HIS EAR) I forgive him for insulting me.
|
|
|
|
BLOOM: (OVER STEPHEN'S SHOULDER) Yes, go. You see he's incapable.
|
|
|
|
PRIVATE CARR: (BREAKS LOOSE) I'll insult him.
|
|
|
|
(HE RUSHES TOWARDS STEPHEN, FIST OUTSTRETCHED, AND STRIKES HIM IN
|
|
THE FACE. STEPHEN TOTTERS, COLLAPSES, FALLS, STUNNED. HE LIES PRONE, HIS
|
|
FACE TO THE SKY, HIS HAT ROLLING TO THE WALL BLOOM FOLLOWS AND PICKS IT
|
|
UP.)
|
|
|
|
MAJOR TWEEDY: (LOUDLY) Carbine in bucket! Cease fire! Salute!
|
|
|
|
THE RETRIEVER: (BARKING FURIOUSLY) Ute ute ute ute ute ute ute ute.
|
|
|
|
THE CROWD: Let him up! Don't strike him when he's down! Air! Who? The
|
|
soldier hit him. He's a professor. Is he hurted? Don't manhandle him! He's
|
|
fainted!
|
|
|
|
A HAG: What call had the redcoat to strike the gentleman and he under the
|
|
influence. Let them go and fight the Boers!
|
|
|
|
THE BAWD: Listen to who's talking! Hasn't the soldier a right to go with
|
|
his girl? He gave him the coward's blow.
|
|
|
|
(THEY GRAB AT EACH OTHER'S HAIR, CLAW AT EACH OTHER AND SPIT)
|
|
|
|
THE RETRIEVER: (BARKING) Wow wow wow.
|
|
|
|
BLOOM: (SHOVES THEM BACK, LOUDLY) Get back, stand back!
|
|
|
|
PRIVATE COMPTON: (TUGGING HIS COMRADE) Here. Bugger off, Harry.
|
|
Here's the cops! (TWO RAINCAPED WATCH, TALL, STAND IN THE GROUP.)
|
|
|
|
FIRST WATCH: What's wrong here?
|
|
|
|
PRIVATE COMPTON: We were with this lady. And he insulted us. And assaulted
|
|
my chum. (THE RETRIEVER BARKS) Who owns the bleeding tyke?
|
|
|
|
CISSY CAFFREY: (WITH EXPECTATION) Is he bleeding!
|
|
|
|
A MAN: (RISING FROM HIS KNEES) No. Gone off. He'll come to all right.
|
|
|
|
BLOOM: (GLANCES SHARPLY AT THE MAN) Leave him to me. I can easily ...
|
|
|
|
SECOND WATCH: Who are you? Do you know him?
|
|
|
|
PRIVATE CARR: (LURCHES TOWARDS THE WATCH) He insulted my lady friend.
|
|
|
|
BLOOM: (ANGRILY) You hit him without provocation. I'm a witness.
|
|
Constable, take his regimental number.
|
|
|
|
SECOND WATCH: I don't want your instructions in the discharge of my duty.
|
|
|
|
PRIVATE COMPTON: (PULLING HIS COMRADE) Here, bugger off Harry. Or
|
|
Bennett'll shove you in the lockup.
|
|
|
|
PRIVATE CARR: (STAGGERING AS HE IS PULLED AWAY) God fuck old Bennett.
|
|
He's a whitearsed bugger. I don't give a shit for him.
|
|
|
|
FIRST WATCH: (TAKES OUT HIS NOTEBOOK) What's his name?
|
|
|
|
BLOOM: (PEERING OVER THE CROWD) I just see a car there. If you give me a
|
|
hand a second, sergeant ...
|
|
|
|
FIRST WATCH: Name and address.
|
|
|
|
(CORNY KELLEKER, WEEPERS ROUND HIS HAT, A DEATH WREATH IN HIS HAND,
|
|
APPEARS AMONG THE BYSTANDERS.)
|
|
|
|
BLOOM: (QUICKLY) O, the very man! (HE WHISPERS) Simon Dedalus' son. A bit
|
|
sprung. Get those policemen to move those loafers back.
|
|
|
|
SECOND WATCH: Night, Mr Kelleher.
|
|
|
|
CORNY KELLEHER: (TO THE WATCH, WITH DRAWLING EYE) That's all right.
|
|
I know him. Won a bit on the races. Gold cup. Throwaway. (HE LAUGHS)
|
|
Twenty to one. Do you follow me?
|
|
|
|
FIRST WATCH: (TURNS TO THE CROWD) Here, what are you all gaping at?
|
|
Move on out of that.
|
|
|
|
(THE CROWD DISPERSES SLOWLY, MUTTERING, DOWN THE LANE.)
|
|
|
|
CORNY KELLEHER: Leave it to me, sergeant. That'll be all right.
|
|
(HE LAUGHS, SHAKING HIS HEAD) We were often as bad ourselves, ay or worse.
|
|
What? Eh, what?
|
|
|
|
FIRST WATCH: (LAUGHS) I suppose so.
|
|
|
|
CORNY KELLEHER: (NUDGES THE SECOND WATCH) Come and wipe your name off the
|
|
slate. (HE LILTS, WAGGING HIS HEAD) With my tooraloom tooraloom tooraloom
|
|
tooraloom. What, eh, do you follow me?
|
|
|
|
SECOND WATCH: (GENIALLY) Ah, sure we were too.
|
|
|
|
CORNY KELLEHER: (WINKING) Boys will be boys. I've a car round there.
|
|
|
|
SECOND WATCH: All right, Mr Kelleher. Good night.
|
|
|
|
CORNY KELLEHER: I'll see to that.
|
|
|
|
BLOOM: (SHAKES HANDS WITH BOTH OF THE WATCH IN TURN) Thank you very much,
|
|
gentlemen. Thank you. (HE MUMBLES CONFIDENTIALLY) We don't want any
|
|
scandal, you understand. Father is a wellknown highly respected citizen.
|
|
Just a little wild oats, you understand.
|
|
|
|
FIRST WATCH: O. I understand, sir.
|
|
|
|
SECOND WATCH: That's all right, sir.
|
|
|
|
FIRST WATCH: It was only in case of corporal injuries I'd have to report
|
|
it at the station.
|
|
|
|
BLOOM: (NODS RAPIDLY) Naturally. Quite right. Only your bounden duty.
|
|
|
|
SECOND WATCH: It's our duty.
|
|
|
|
CORNY KELLEHER: Good night, men.
|
|
|
|
THE WATCH: (SALUTING TOGETHER) Night, gentlemen. (THEY MOVE OFF WITH
|
|
SLOW HEAVY TREAD)
|
|
|
|
BLOOM: (BLOWS) Providential you came on the scene. You have a car? ...
|
|
|
|
CORNY KELLEHER: (LAUGHS, POINTING HIS THUMB OVER HIS RIGHT SHOULDER TO THE
|
|
CAR BROUGHT UP AGAINST THE SCAFFOLDING) Two commercials that were standing
|
|
fizz in Jammet's. Like princes, faith. One of them lost two quid on the
|
|
race. Drowning his grief. And were on for a go with the jolly girls.
|
|
So I landed them up on Behan's car and down to nighttown.
|
|
|
|
BLOOM: I was just going home by Gardiner street when I happened to ...
|
|
|
|
CORNY KELLEHER: (LAUGHS) Sure they wanted me to join in with the mots.
|
|
No, by God, says I. Not for old stagers like myself and yourself.
|
|
(HE LAUGHS AGAIN AND LEERS WITH LACKLUSTRE EYE) Thanks be to God we have
|
|
it in the house, what, eh, do you follow me? Hah, hah, hah!
|
|
|
|
BLOOM: (TRIES TO LAUGH) He, he, he! Yes. Matter of fact I was just visiting
|
|
an old friend of mine there, Virag, you don't know him (poor fellow, he's
|
|
laid up for the past week) and we had a liquor together and I was just
|
|
making my way home ...
|
|
|
|
(THE HORSE NEIGHS.)
|
|
|
|
THE HORSE: Hohohohohohoh! Hohohohome!
|
|
|
|
CORNY KELLEHER: Sure it was Behan our jarvey there that told me after we
|
|
left the two commercials in Mrs Cohen's and I told him to pull up and got
|
|
off to see. (HE LAUGHS) Sober hearsedrivers a speciality. Will I give him
|
|
a lift home? Where does he hang out? Somewhere in Cabra, what?
|
|
|
|
BLOOM: No, in Sandycove, I believe, from what he let drop.
|
|
|
|
(STEPHEN, PRONE, BREATHES TO THE STARS. CORNY KELLEHER, ASQUINT,
|
|
DRAWLS AT THE HORSE. BLOOM, IN GLOOM, LOOMS DOWN.)
|
|
|
|
CORNY KELLEHER: (SCRATCHES HIS NAPE) Sandycove! (HE BENDS DOWN AND CALLS
|
|
TO STEPHEN) Eh! (HE CALLS AGAIN) Eh! He's covered with shavings anyhow.
|
|
Take care they didn't lift anything off him.
|
|
|
|
BLOOM: No, no, no. I have his money and his hat here and stick.
|
|
|
|
CORNY KELLEHER: Ah, well, he'll get over it. No bones broken. Well, I'll
|
|
shove along. (HE LAUGHS) I've a rendezvous in the morning. Burying the
|
|
dead. Safe home!
|
|
|
|
THE HORSE: (NEIGHS) Hohohohohome.
|
|
|
|
BLOOM: Good night. I'll just wait and take him along in a few ...
|
|
|
|
(CORNY KELLEHER RETURNS TO THE OUTSIDE CAR AND MOUNTS IT. THE
|
|
HORSE HARNESS JINGLES.)
|
|
|
|
CORNY KELLEHER: (FROM THE CAR, STANDING) Night.
|
|
|
|
BLOOM: Night.
|
|
|
|
(THE JARVEY CHUCKS THE REINS AND RAISES HIS WHIP ENCOURAGINGLY.
|
|
THE CAR AND HORSE BACK SLOWLY, AWKWARDLY, AND TURN. CORNY
|
|
KELLEHER ON THE SIDESEAT SWAYS HIS HEAD TO AND FRO IN SIGN OF MIRTH AT
|
|
BLOOM'S PLIGHT. THE JARVEY JOINS IN THE MUTE PANTOMIMIC MERRIMENT
|
|
NODDING FROM THE FARTHER SEAT. BLOOM SHAKES HIS HEAD IN MUTE
|
|
MIRTHFUL REPLY. WITH THUMB AND PALM CORNY KELLEHER REASSURES THAT
|
|
THE TWO BOBBIES WILL ALLOW THE SLEEP TO CONTINUE FOR WHAT ELSE IS TO BE
|
|
DONE. WITH A SLOW NOD BLOOM CONVEYS HIS GRATITUDE AS THAT IS
|
|
EXACTLY WHAT STEPHEN NEEDS. THE CAR JINGLES TOORALOOM ROUND THE
|
|
CORNER OF THE TOORALOOM LANE. CORNY KELLEHER AGAIN REASSURALOOMS
|
|
WITH HIS HAND. BLOOM WITH HIS HAND ASSURALOOMS CORNY KELLEHER
|
|
THAT HE IS REASSURALOOMTAY. THE TINKLING HOOFS AND JINGLING HARNESS
|
|
GROW FAINTER WITH THEIR TOORALOOLOO LOOLOO LAY. BLOOM, HOLDING IN
|
|
HIS HAND STEPHEN'S HAT, FESTOONED WITH SHAVINGS, AND ASHPLANT,
|
|
STANDS IRRESOLUTE. THEN HE BENDS TO HIM AND SHAKES HIM BY THE
|
|
SHOULDER.)
|
|
|
|
BLOOM: Eh! Ho! (THERE IS NO ANSWER; HE BENDS AGAIN) Mr Dedalus! (THERE IS
|
|
NO ANSWER) The name if you call. Somnambulist. (HE BENDS AGAIN AND
|
|
HESITATING, BRINGS HIS MOUTH NEAR THE FACE OF THE PROSTRATE FORM) Stephen!
|
|
(THERE IS NO ANSWER. HE CALLS AGAIN.) Stephen!
|
|
|
|
STEPHEN: (GROANS) Who? Black panther. Vampire. (HE SIGHS AND STRETCHES
|
|
HIMSELF, THEN MURMURS THICKLY WITH PROLONGED VOWELS)
|
|
|
|
|
|
Who ... drive... Fergus now
|
|
And pierce ... wood's woven shade? ...
|
|
|
|
(HE TURNS ON HIS LEFT SIDE, SIGHING, DOUBLING HIMSELF TOGETHER.)
|
|
|
|
BLOOM: Poetry. Well educated. Pity. (HE BENDS AGAIN AND UNDOES THE BUTTONS
|
|
OF STEPHEN'S WAISTCOAT) To breathe. (HE BRUSHES THE WOODSHAVINGS FROM
|
|
STEPHEN'S CLOTHES WITH LIGHT HAND AND FINGERS) One pound seven. Not hurt
|
|
anyhow. (HE LISTENS) What?
|
|
|
|
STEPHEN: (MURMURS)
|
|
|
|
|
|
... shadows ... the woods
|
|
... white breast... dim sea.
|
|
|
|
|
|
(HE STRETCHES OUT HIS ARMS, SIGHS AGAIN AND CURLS HIS BODY. BLOOM,
|
|
HOLDING THE HAT AND ASHPLANT, STANDS ERECT. A DOG BARKS IN THE
|
|
DISTANCE. BLOOM TIGHTENS AND LOOSENS HIS GRIP ON THE ASHPLANT. HE
|
|
LOOKS DOWN ON STEPHEN'S FACE AND FORM.)
|
|
|
|
BLOOM: (COMMUNES WITH THE NIGHT) Face reminds me of his poor mother. In the
|
|
shady wood. The deep white breast. Ferguson, I think I caught. A girl.
|
|
Some girl. Best thing could happen him. (HE MURMURS) ... swear that I will
|
|
always hail, ever conceal, never reveal, any part or parts, art or
|
|
arts ... (HE MURMURS) ... in the rough sands of the sea ... a cabletow's
|
|
length from the shore ... where the tide ebbs ... and flows ...
|
|
|
|
(SILENT, THOUGHTFUL, ALERT HE STANDS ON GUARD, HIS FINGERS AT HIS LIPS IN
|
|
THE ATTITUDE OF SECRET MASTER. AGAINST THE DARK WALL A FIGURE APPEARS
|
|
SLOWLY, A FAIRY BOY OF ELEVEN, A CHANGELING, KIDNAPPED, DRESSED IN AN
|
|
ETON SUIT WITH GLASS SHOES AND A LITTLE BRONZE HELMET, HOLDING A BOOK
|
|
IN HIS HAND. HE READS FROM RIGHT TO LEFT INAUDIBLY, SMILING, KISSING
|
|
THE PAGE.)
|
|
|
|
BLOOM: (WONDERSTRUCK, CALLS INAUDIBLY) Rudy!
|
|
|
|
RUDY: (GAZES, UNSEEING, INTO BLOOM'S EYES AND GOES ON READING, KISSING,
|
|
SMILING. HE HAS A DELICATE MAUVE FACE. ON HIS SUIT HE HAS DIAMOND AND RUBY
|
|
BUTTONS. IN HIS FREE LEFT HAND HE HOLDS A SLIM IVORY CANE WITH A VIOLET
|
|
BOWKNOT. A WHITE LAMBKIN PEEPS OUT OF HIS WAISTCOAT POCKET.)
|
|
|
|
|
|
-- III --
|
|
|
|
|
|
Preparatory to anything else Mr Bloom brushed off the greater bulk
|
|
of the shavings and handed Stephen the hat and ashplant and bucked him
|
|
up generally in orthodox Samaritan fashion which he very badly needed.
|
|
His (Stephen's) mind was not exactly what you would call wandering but a
|
|
bit unsteady and on his expressed desire for some beverage to drink Mr
|
|
Bloom in view of the hour it was and there being no pump of Vartry water
|
|
available for their ablutions let alone drinking purposes hit upon an
|
|
expedient by suggesting, off the reel, the propriety of the cabman's
|
|
shelter, as it was called, hardly a stonesthrow away near Butt bridge
|
|
where they might hit upon some drinkables in the shape of a milk and
|
|
soda or a mineral. But how to get there was the rub. For the nonce he was
|
|
rather nonplussed but inasmuch as the duty plainly devolved upon him to
|
|
take some measures on the subject he pondered suitable ways and means during
|
|
which Stephen repeatedly yawned. So far as he could see he was rather pale
|
|
in the face so that it occurred to him as highly advisable to get a conveyance
|
|
of some description which would answer in their then condition, both of
|
|
them being e.d.ed, particularly Stephen, always assuming that there was
|
|
such a thing to be found. Accordingly after a few such preliminaries as
|
|
brushing, in spite of his having forgotten to take up his rather soapsuddy
|
|
handkerchief after it had done yeoman service in the shaving line, they both
|
|
walked together along Beaver street or, more properly, lane as far as the
|
|
farrier's and the distinctly fetid atmosphere of the livery stables at the
|
|
corner of Montgomery street where they made tracks to the left from thence
|
|
debouching into Amiens street round by the corner of Dan Bergin's. But as
|
|
he confidently anticipated there was not a sign of a Jehu plying for hire
|
|
anywhere to be seen except a fourwheeler, probably engaged by some
|
|
fellows inside on the spree, outside the North Star hotel and there was no
|
|
symptom of its budging a quarter of an inch when Mr Bloom, who was
|
|
anything but a professional whistler, endeavoured to hail it by emitting a
|
|
kind of a whistle, holding his arms arched over his head, twice.
|
|
|
|
This was a quandary but, bringing common sense to bear on it,
|
|
evidently there was nothing for it but.put a good face on the matter and foot
|
|
it which they accordingly did. So, bevelling around by Mullett's and the
|
|
Signal House which they shortly reached, they proceeded perforce in the
|
|
direction of Amiens street railway terminus, Mr Bloom being handicapped
|
|
by the circumstance that one of the back buttons of his trousers had, to vary
|
|
the timehonoured adage, gone the way of all buttons though, entering
|
|
thoroughly into the spirit of the thing, he heroically made light of the
|
|
mischance. So as neither of them were particularly pressed for time, as it
|
|
happened, and the temperature refreshing since it cleared up after the recent
|
|
visitation of Jupiter Pluvius, they dandered along past by where the empty
|
|
vehicle was waiting without a fare or a jarvey. As it so happened a Dublin
|
|
United Tramways Company's sandstrewer happened to be returning and
|
|
the elder man recounted to his companion A PROPOS of the incident his own
|
|
truly miraculous escape of some little while back. They passed the main
|
|
entrance of the Great Northern railway station, the starting point for
|
|
Belfast, where of course all traffic was suspended at that late hour and
|
|
passing the backdoor of the morgue (a not very enticing locality, not to say
|
|
gruesome to a degree, more especially at night) ultimately gained the Dock
|
|
Tavern and in due course turned into Store street, famous for its
|
|
C division police station. Between this point and the high at present unlit
|
|
warehouses of Beresford place Stephen thought to think of Ibsen,
|
|
associated with Baird's the stonecutter's in his mind somehow in Talbot
|
|
place, first turning on the right, while the other who was acting as his fidus
|
|
Achates inhaled with internal satisfaction the smell of James Rourke's city
|
|
bakery, situated quite close to where they were, the very palatable odour
|
|
indeed of our daily bread, of all commodities of the public the primary and
|
|
most indispensable. Bread, the staff of life, earn your bread, O tell me where
|
|
is fancy bread, at Rourke's the baker's it is said.
|
|
|
|
En route to his taciturn and, not to put too fine a point on it, not yet
|
|
perfectly sober companion Mr Bloom who at all events was in complete
|
|
possession of his faculties, never more so, in fact disgustingly sober, spoke
|
|
a word of caution re the dangers of nighttown, women of ill fame and swell
|
|
mobsmen, which, barely permissible once in a while though not as a
|
|
habitual practice, was of the nature of a regular deathtrap for young
|
|
fellows of his age particularly if they had acquired drinking habits under
|
|
the influence of liquor unless you knew a little jiujitsu for every
|
|
contingency
|
|
as even a fellow on the broad of his back could administer a nasty kick if
|
|
you didn't look out. Highly providential was the appearance on the scene of
|
|
Corny Kelleher when Stephen was blissfully unconscious but for that man
|
|
in the gap turning up at the eleventh hour the finis might have been that he
|
|
might have been a candidate for the accident ward or, failing that, the
|
|
bridewell and an appearance in the court next day before Mr Tobias or, he
|
|
being the solicitor rather, old Wall, he meant to say, or Mahony which
|
|
simply spelt ruin for a chap when it got bruited about. The reason he
|
|
mentioned the fact was that a lot of those policemen, whom he cordially
|
|
disliked, were admittedly unscrupulous in the service of the Crown and, as
|
|
Mr Bloom put it, recalling a case or two in the A division in Clanbrassil
|
|
street, prepared to swear a hole through a ten gallon pot. Never on the spot
|
|
when wanted but in quiet parts of the city, Pembroke road for example, the
|
|
|
|
80
|
|
guardians of the law were well in evidence, the obvious reason being they
|
|
were paid to protect the upper classes. Another thing he commented on was
|
|
equipping soldiers with firearms or sidearms of any description liable to go
|
|
off at any time which was tantamount to inciting them against civilians
|
|
should by any chance they fall out over anything. You frittered away your
|
|
time, he very sensibly maintained, and health and also character besides
|
|
which, the squandermania of the thing, fast women of the demimonde ran
|
|
away with a lot of l s. d. into the bargain and the greatest danger of all was
|
|
|
|
*******************^~~
|
|
|
|
who you got drunk with though, touching the much vexed question of
|
|
stimulants, he relished a glass of choice old wine in season as both
|
|
|
|
90
|
|
nourishing and bloodmaking and possessing aperient virtues (notably a
|
|
good burgundy which he was a staunch believer in) still never beyond a
|
|
certain point where he invariably drew the line as it simply led to trouble
|
|
all round to say nothing of your being at the tender mercy of others
|
|
practically. Most of all he commented adversely on the desertion of Stephen
|
|
by all his pubhunting confreres but one, a most glaring piece of ratting on
|
|
the part of his brother medicos under all the circs.
|
|
|
|
--And that one was Judas, Stephen said, who up to then had said nothing
|
|
whatsoever of any kind.
|
|
|
|
Discussing these and kindred topics they made a beeline across the
|
|
back of the Customhouse and passed under the Loop Line bridge where a
|
|
brazier of coke burning in front of a sentrybox or something like one
|
|
attracted their rather lagging footsteps. Stephen of his own accord stopped
|
|
for no special reason to look at the heap of barren cobblestones and by the
|
|
light emanating from the brazier he could just make out the darker figure of
|
|
the corporation watchman inside the gloom of the sentrybox. He began to
|
|
remember that this had happened or had been mentioned as having
|
|
happened before but it cost him no small effort before he remembered that
|
|
he recognised in the sentry a quondam friend of his father's, Gumley. To
|
|
avoid a meeting he drew nearer to the pillars of the railway bridge.
|
|
|
|
--Someone saluted you, Mr Bloom said.
|
|
|
|
A figure of middle height on the prowl evidently under the arches
|
|
saluted again, calling:
|
|
|
|
--Night!
|
|
|
|
Stephen of course started rather dizzily and stopped to return the
|
|
compliment. Mr Bloom actuated by motives of inherent delicacy inasmuch
|
|
as he always believed in minding his own business moved off but
|
|
nevertheless remained on the qui vive with just a shade of anxiety though
|
|
not funkyish in the least. Though unusual in the Dublin area he knew that
|
|
it was not by any means unknown for desperadoes who had next to nothing
|
|
|
|
120
|
|
to live on to be abroad waylaying and generally terrorising peaceable
|
|
pedestrians by placing a pistol at their head in some secluded spot outside
|
|
the city proper, famished loiterers of the Thames embankment category
|
|
they might be hanging about there or simply marauders ready to decamp
|
|
with whatever boodle they could in one fell swoop at a moment's notice,
|
|
your money or your life, leaving you there to point a moral, gagged and
|
|
garrotted.
|
|
|
|
Stephen, that is when the accosting figure came to close quarters,
|
|
though he was not in an over sober state himself recognised Corley's breath
|
|
redolent of rotten cornjuice. Lord John Corley some called him and his
|
|
genealogy came about in this wise. He was the eldest son of inspector
|
|
Corley of the G division, lately deceased, who had married a certain
|
|
Katherine Brophy, the daughter of a Louth farmer. His grandfather
|
|
Patrick Michael Corley of New Ross had married the widow of a publican
|
|
there whose maiden name had been Katherine (also) Talbot. Rumour had it
|
|
(though not proved) that she descended from the house of the lords Talbot
|
|
de Malahide in whose mansion, really an unquestionably fine residence of
|
|
its kind and well worth seeing, her mother or aunt or some relative, a
|
|
woman, as the tale went, of extreme beauty, had enjoyed the distinction of
|
|
being in service in the washkitchen. This therefore was the reason why the
|
|
still comparatively young though dissolute man who now addressed
|
|
Stephen was spoken of by some with facetious proclivities as Lord John
|
|
Corley.
|
|
|
|
Taking Stephen on one side he had the customary doleful ditty to tell.
|
|
Not as much as a farthing to purchase a night's lodgings. His friends had
|
|
all deserted him. Furthermore he had a row with Lenehan and called him to
|
|
Stephen a mean bloody swab with a sprinkling of a number of other
|
|
uncalledfor expressions. He was out of a job and implored of Stephen to
|
|
tell him where on God's earth he could get something, anything at all, to do.
|
|
No, it was the daughter of the mother in the washkitchen that was
|
|
fostersister to the heir of the house or else they were connected through the
|
|
mother in some way, both occurrences happening at the same time if the
|
|
whole thing wasn't a complete fabrication from start to finish. Anyhow he
|
|
was all in.
|
|
|
|
--I wouldn't ask you only, pursued he, on my solemn oath and God knows
|
|
I'm on the rocks.
|
|
|
|
--There'll be a job tomorrow or next day, Stephen told him, in a boys'
|
|
school at Dalkey for a gentleman usher. Mr Garrett Deasy. Try it. You may
|
|
mention my name.
|
|
|
|
--Ah, God, Corley replied, sure I couldn't teach in a school, man. I was
|
|
never one of your bright ones, he added with a half laugh. I got stuck twice
|
|
in the junior at the christian brothers.
|
|
|
|
--I have no place to sleep myself, Stephen informed him.
|
|
|
|
Corley at the first go-off was inclined to suspect it was something to
|
|
do with Stephen being fired out of his digs for bringing in a bloody tart off
|
|
the street. There was a dosshouse in Marlborough street, Mrs Maloney's,
|
|
but it was only a tanner touch and full of undesirables but M'Conachie told
|
|
him you got a decent enough do in the Brazen Head over in Winetavern
|
|
street (which was distantly suggestive to the person addressed of friar
|
|
Bacon) for a bob. He was starving too though he hadn't said a word about it.
|
|
|
|
Though this sort of thing went on every other night or very near it
|
|
still Stephen's feelings got the better of him in a sense though he knew that
|
|
Corley's brandnew rigmarole on a par with the others was hardly deserving
|
|
of much credence. However haud ignarus malorum miseris succurrere disco
|
|
etcetera as the Latin poet remarks especially as luck would have it he got
|
|
paid his screw after every middle of the month on the sixteenth which was
|
|
the date of the month as a matter of fact though a good bit of the
|
|
wherewithal was demolished. But the cream of the joke was nothing would
|
|
get it out of Corley's head that he was living in affluence and hadn't a thing
|
|
to do but hand out the needful. Whereas. He put his hand in a pocket
|
|
anyhow not with the idea of finding any food there but thinking he might
|
|
lend him anything up to a bob or so in lieu so that he might endeavour at all
|
|
events and get sufficient to eat but the result was in the negative for, to
|
|
his chagrin, he found his cash missing. A few broken biscuits were all the
|
|
result of his investigation. He tried his hardest to recollect for the moment
|
|
whether he had lost as well he might have or left because in that
|
|
contingency it was not a pleasant lookout, very much the reverse in fact. He
|
|
was altogether too fagged out to institute a thorough search though he tried
|
|
to recollect. About biscuits he dimly remembered. Who now exactly gave
|
|
them he wondered or where was or did he buy. However in another pocket
|
|
he came across what he surmised in the dark were pennies, erroneously
|
|
however, as it turned out.
|
|
|
|
--Those are halfcrowns, man, Corley corrected him.
|
|
|
|
And so in point of fact they turned out to be. Stephen anyhow lent
|
|
him one of them.
|
|
|
|
--Thanks, Corley answered, you're a gentleman. I'll pay you back one
|
|
time. Who's that with you? I saw him a few times in the Bleeding Horse in
|
|
Camden street with Boylan, the billsticker. You might put in a good word
|
|
for us to get me taken on there. I'd carry a sandwichboard only the girl in
|
|
the office told me they're full up for the next three weeks, man. God, you've
|
|
to book ahead, man, you'd think it was for the Carl Rosa. I don't give a
|
|
shite anyway so long as I get a job, even as a crossing sweeper.
|
|
|
|
Subsequently being not quite so down in the mouth after the two and
|
|
six he got he informed Stephen about a fellow by the name of Bags
|
|
Comisky that he said Stephen knew well out of Fullam's, the
|
|
shipchandler's, bookkeeper there that used to be often round in Nagle's
|
|
back with O'Mara and a little chap with a stutter the name of Tighe.
|
|
Anyhow he was lagged the night before last and fined ten bob for a drunk
|
|
and disorderly and refusing to go with the constable.
|
|
|
|
|
|
210
|
|
|
|
Mr Bloom in the meanwhile kept dodging about in the vicinity of the
|
|
cobblestones near the brazier of coke in front of the corporation
|
|
watchman's sentrybox who evidently a glutton for work, it struck him, was
|
|
having a quiet forty winks for all intents and purposes on his own private
|
|
account while Dublin slept. He threw an odd eye at the same time now and
|
|
then at Stephen's anything but immaculately attired interlocutor as if he
|
|
had seen that nobleman somewhere or other though where he was not in a
|
|
position to truthfully state nor had he the remotest idea when. Being a
|
|
levelheaded individual who could give points to not a few in point of shrewd
|
|
observation he also remarked on his very dilapidated hat and slouchy
|
|
wearing apparel generally testifying to a chronic impecuniosity. Palpably he
|
|
was one of his hangerson but for the matter of that it was merely a question
|
|
of one preying on his nextdoor neighbour all round, in every deep, so to put
|
|
it, a deeper depth and for the matter of that if the man in the street chanced
|
|
to be in the dock himself penal servitude with or without the option of a fine
|
|
would be a very rara avis altogether. In any case he had a consummate
|
|
amount of cool assurance intercepting people at that hour of the night or
|
|
morning. Pretty thick that was certainly.
|
|
|
|
The pair parted company and Stephen rejoined Mr Bloom who, with
|
|
his practised eye, was not without perceiving that he had succumbed to the
|
|
blandiloquence of the other parasite. Alluding to the encounter he said,
|
|
laughingly, Stephen, that is:
|
|
|
|
--He is down on his luck. He asked me to ask you to ask somebody named
|
|
Boylan, a billsticker, to give him a job as a sandwichman.
|
|
|
|
At this intelligence, in which he seemingly evinced little interest, Mr
|
|
Bloom gazed abstractedly for the space of a half a second or so in the
|
|
direction of a bucketdredger, rejoicing in the farfamed name of Eblana,
|
|
moored alongside Customhouse quay and quite possibly out of repair,
|
|
whereupon he observed evasively:
|
|
|
|
--Everybody gets their own ration of luck, they say. Now you mention it
|
|
his face was familiar to me. But, leaving that for the moment, how much did
|
|
you part with, he queried, if I am not too inquisitive?
|
|
|
|
--Half a crown, Stephen responded. I daresay he needs it to sleep
|
|
somewhere.
|
|
|
|
--Needs! Mr Bloom ejaculated, professing not the least surprise at the
|
|
intelligence, I can quite credit the assertion and I guarantee he invariably
|
|
does. Everyone according to his needs or everyone according to his deeds.
|
|
But, talking about things in general, where, added he with a smile, will you
|
|
sleep yourself? Walking to Sandycove is out of the question. And even
|
|
supposing you did you won't get in after what occurred at Westland Row
|
|
station. Simply fag out there for nothing. I don't mean to presume to dictate
|
|
to you in the slightest degree but why did you leave your father's house?
|
|
|
|
--To seek misfortune, was Stephen's answer.
|
|
|
|
--I met your respected father on a recent occasion, Mr Bloom
|
|
diplomatically returned, today in fact, or to be strictly accurate, on
|
|
yesterday. Where does he live at present? I gathered in the course of
|
|
conversation that he had moved.
|
|
|
|
--I believe he is in Dublin somewhere, Stephen answered unconcernedly.
|
|
Why?
|
|
|
|
--A gifted man, Mr Bloom said of Mr Dedalus senior, in more respects than
|
|
one and a born raconteur if ever there was one. He takes great pride, quite
|
|
legitimate, out of you. You could go back perhaps, he hasarded, still
|
|
thinking of the very unpleasant scene at Westland Row terminus when it
|
|
was perfectly evident that the other two, Mulligan, that is, and that English
|
|
tourist friend of his, who eventually euchred their third companion, were
|
|
patently trying as if the whole bally station belonged to them to give
|
|
Stephen the slip in the confusion, which they did.
|
|
|
|
There was no response forthcoming to the suggestion however, such
|
|
as it was, Stephen's mind's eye being too busily engaged in repicturing his
|
|
family hearth the last time he saw it with his sister Dilly sitting by the
|
|
ingle, her hair hanging down, waiting for some weak Trinidad shell cocoa that
|
|
was in the sootcoated kettle to be done so that she and he could drink it
|
|
with the oatmealwater for milk after the Friday herrings they had eaten at
|
|
two a penny with an egg apiece for Maggy, Boody and Katey, the cat
|
|
meanwhile under the mangle devouring a mess of eggshells and charred fish
|
|
heads and bones on a square of brown paper, in accordance with the third
|
|
precept of the church to fast and abstain on the days commanded, it being
|
|
quarter tense or if not, ember days or something like that.
|
|
|
|
--No, Mr Bloom repeated again, I wouldn't personally repose much trust in
|
|
that boon companion of yours who contributes the humorous element, Dr
|
|
Mulligan, as a guide, philosopher and friend if I were in your shoes. He
|
|
knows which side his bread is buttered on though in all probability he never
|
|
realised what it is to be without regular meals. Of course you didn't notice
|
|
as much as I did. But it wouldn't occasion me the least surprise to learn that
|
|
a pinch of tobacco or some narcotic was put in your drink for some ulterior
|
|
object.
|
|
|
|
He understood however from all he heard that Dr Mulligan was a
|
|
versatile allround man, by no means confined to medicine only, who was
|
|
rapidly coming to the fore in his line and, if the report was verified, bade
|
|
fair to enjoy a flourishing practice in the not too distant future as a tony
|
|
medical practitioner drawing a handsome fee for his services in addition to
|
|
which professional status his rescue of that man from certain drowning by
|
|
artificial respiration and what they call first aid at Skerries, or Malahide
|
|
was it?, was, he was bound to admit, an exceedingly plucky deed which he
|
|
could not too highly praise, so that frankly he was utterly at a loss to
|
|
fathom what earthly reason could be at the back of it except he put it down
|
|
to sheer cussedness or jealousy, pure and simple.
|
|
|
|
--Except it simply amounts to one thing and he is what they call picking
|
|
your brains, he ventured to throw o.ut.
|
|
|
|
The guarded glance of half solicitude half curiosity augmented by
|
|
friendliness which he gave at Stephen's at present morose expression of
|
|
features did not throw a flood of light, none at all in fact on the problem as
|
|
to whether he had let himself be badly bamboozled to judge by two or three
|
|
lowspirited remarks he let drop or the other way about saw through the
|
|
affair and for some reason or other best known to himself allowed matters
|
|
to more or less. Grinding poverty did have that effect and he more than
|
|
conjectured that, high educational abilities though he possessed, he
|
|
experienced no little difficulty in making both ends meet.
|
|
|
|
Adjacent to the men's public urinal they perceived an icecream car
|
|
round which a group of presumably Italians in heated altercation were
|
|
getting rid of voluble expressions in their vivacious language in a
|
|
particularly animated way, there being some little differences between the
|
|
parties.
|
|
|
|
--Puttana madonna, che ci dia i quattrini! Ho ragione? Culo rotto!
|
|
|
|
--Intendiamoci. Mezzo sovrano piu ...
|
|
|
|
--Dice lui, pero!
|
|
|
|
--Mezzo.
|
|
|
|
--Farabutto! Mortacci sui!
|
|
|
|
--Ma ascolta! Cinque la testa piu ...
|
|
|
|
Mr Bloom and Stephen entered the cabman's shelter, an
|
|
unpretentious wooden structure, where, prior to then, he had rarely if ever
|
|
been before, the former having previously whispered to the latter a few
|
|
hints anent the keeper of it said to be the once famous Skin-the-Goat
|
|
Fitzharris, the invincible, though he could not vouch for the actual facts
|
|
which quite possibly there was not one vestige of truth in. A few moments
|
|
later saw our two noctambules safely seated in a discreet corner only to be
|
|
greeted by stares from the decidedly miscellaneous collection of waifs and
|
|
strays and other nondescript specimens of the genus homo already there
|
|
engaged in eating and drinking diversified by conversation for whom they
|
|
seemingly formed an object of marked curiosity.
|
|
|
|
--Now touching a cup of coffee, Mr Bloom ventured to plausibly suggest to
|
|
break the ice, it occurs to me you ought to sample something in the shape of
|
|
solid food, say, a roll of some description.
|
|
|
|
Accordingly his first act was with characteristic sangfroid to order
|
|
these commodities quietly. The hoi polloi of jarvies or stevedores or
|
|
whatever they were after a cursory examination turned their eyes
|
|
apparently dissatisfied, away though one redbearded bibulous individual
|
|
portion of whose hair was greyish, a sailor probably, still stared for some
|
|
appreciable time before transferring his rapt attention to the floor. Mr
|
|
Bloom, availing himself of the right of free speech, he having just a bowing
|
|
acquaintance with the language in dispute, though, to be sure, rather in a
|
|
quandary over voglio, remarked to his protege in an audible tone of voice a
|
|
propos of the battle royal in the street which was still raging fast and
|
|
furious:
|
|
|
|
--A beautiful language. I mean for singing purposes. Why do you not write
|
|
your poetry in that language? Bella Poetria! It is so melodious and full.
|
|
Belladonna. Voglio.
|
|
|
|
Stephen, who was trying his dead best to yawn if he could, suffering
|
|
from lassitude generally, replied:
|
|
|
|
--To fill the ear of a cow elephant. They were haggling over money.
|
|
|
|
--Is that so? Mr Bloom asked. Of course, he subjoined pensively, at the
|
|
inward reflection of there being more languages to start with than were
|
|
absolutely necessary, it may be only the southern glamour that surrounds it.
|
|
|
|
The keeper of the shelter in the middle of this tete-a-tete put a boiling
|
|
swimming cup of a choice concoction labelled coffee on the table and a
|
|
rather antediluvian specimen of a bun, or so it seemed. After which he beat
|
|
a retreat to his counter, Mr Bloom determining to have a good square look
|
|
at him later on so as not to appear to. For which reason he encouraged
|
|
Stephen to proceed with his eyes while he did the honours by surreptitiously
|
|
pushing the cup of what was temporarily supposed to be called coffee
|
|
gradually nearer him.
|
|
|
|
--Sounds are impostures, Stephen said after a pause of some little time, like
|
|
names. Cicero, Podmore. Napoleon, Mr Goodbody. Jesus, Mr Doyle.
|
|
Shakespeares were as common as Murphies. What's in a name?
|
|
|
|
--Yes, to be sure, Mr Bloom unaffectedly concurred. Of course. Our name
|
|
was changed too, he added, pushing the socalled roll across.
|
|
|
|
The redbearded sailor who had his weather eye on the newcomers
|
|
boarded Stephen, whom he had singled out for attention in particular,
|
|
squarely by asking:
|
|
|
|
--And what might your name be?
|
|
|
|
Just in the nick of time Mr Bloom touched his companion's boot but
|
|
Stephen, apparently disregarding the warm pressure from an unexpected
|
|
quarter, answered:
|
|
|
|
--Dedalus.
|
|
|
|
The sailor stared at him heavily from a pair of drowsy baggy eyes,
|
|
rather bunged up from excessive use of boose, preferably good old
|
|
Hollands and water.
|
|
|
|
--You know Simon Dedalus? he asked at length.
|
|
|
|
--I've heard of him, Stephen said.
|
|
|
|
Mr Bloom was all at sea for a moment, seeing the others evidently
|
|
eavesdropping too.
|
|
|
|
--He's Irish, the seaman bold affirmed, staring still in much the same way
|
|
and nodding. All Irish.
|
|
|
|
--All too Irish, Stephen rejoined.
|
|
|
|
As for Mr Bloom he could neither make head or tail of the whole
|
|
business and he was just asking himself what possible connection when the
|
|
sailor of his own accord turned to the other occupants of the shelter with
|
|
the remark:
|
|
|
|
--I seen him shoot two eggs off two bottles at fifty yards over his
|
|
shoulder. The lefthand dead shot.
|
|
|
|
Though he was slightly hampered by an occasional stammer and his
|
|
gestures being also clumsy as it was still he did his best to explain.
|
|
|
|
--Bottles out there, say. Fifty yards measured. Eggs on the bottles. Cocks
|
|
his gun over his shoulder. Aims.
|
|
|
|
He turned his body half round, shut up his right eye completely. Then
|
|
he screwed his features up someway sideways and glared out into the night
|
|
with an unprepossessing cast of countenance.
|
|
|
|
--Pom! he then shouted once.
|
|
|
|
The entire audience waited, anticipating an additional detonation,
|
|
there being still a further egg.
|
|
|
|
--Pom! he shouted twice.
|
|
|
|
Egg two evidently demolished, he nodded and winked, adding
|
|
bloodthirstily:
|
|
|
|
--Buffalo Bill shoots to kill,
|
|
Never missed nor he never will.
|
|
|
|
A silence ensued till Mr Bloom for agreeableness' sake just felt like
|
|
asking him whether it was for a marksmanship competition like the Bisley.
|
|
|
|
--Beg pardon, the sailor said.
|
|
|
|
--Long ago? Mr Bloom pursued without flinching a hairsbreadth.
|
|
|
|
--Why, the sailor replied, relaxing to a certain extent under the magic
|
|
influence of diamond cut diamond, it might be a matter of ten years. He
|
|
toured the wide world with Hengler's Royal Circus. I seen him do that in
|
|
Stockholm.
|
|
|
|
--Curious coincidence, Mr Bloom confided to Stephen unobtrusively.
|
|
|
|
--Murphy's my name, the sailor continued. D. B. Murphy of Carrigaloe.
|
|
Know where that is?
|
|
|
|
--Queenstown harbour, Stephen replied.
|
|
|
|
--That's right, the sailor said. Fort Camden and Fort Carlisle. That's
|
|
where I hails from. I belongs there. That's where I hails from. My little
|
|
woman's down there. She's waiting for me, I know. For England, home and
|
|
beauty. She's my own true wife I haven't seen for seven years now, sailing
|
|
about.
|
|
|
|
Mr Bloom could easily picture his advent on this scene, the
|
|
homecoming to the mariner's roadside shieling after having diddled Davy
|
|
Jones, a rainy night with a blind moon. Across the world for a wife. Quite
|
|
a number of stories there were on that particular Alice Ben Bolt topic,
|
|
Enoch Arden and Rip van Winkle and does anybody hereabouts remember Caoc
|
|
O'Leary, a favourite and most trying declamation piece by the way of poor
|
|
John Casey and a bit of perfect poetry in its own small way. Never about
|
|
the runaway wife coming back, however much devoted to the absentee. The
|
|
face at the window! Judge of his astonishment when he finally did breast
|
|
the tape and the awful truth dawned upon him anent his better half,
|
|
wrecked in his affections. You little expected me but I've come to stay
|
|
and make a fresh start. There she sits, a grasswidow, at the selfsame
|
|
fireside. Believes me dead, rocked in the cradle of the deep. And there
|
|
sits uncle Chubb or Tomkin, as the case might be, the publican of the
|
|
Crown and Anchor, in shirtsleeves, eating rumpsteak and onions. No chair
|
|
for father. Broo! The wind! Her brandnew arrival is on her knee,
|
|
postmortem child. With a high ro! and a randy ro! and my galloping
|
|
tearing tandy, O! Bow to the inevitable. Grin and bear it. I remain with
|
|
much love your brokenhearted husband D B Murphy.
|
|
|
|
The sailor, who scarcely seemed to be a Dublin resident, turned to
|
|
one of the jarvies with the request:
|
|
|
|
--You don't happen to have such a thing as a spare chaw about you?
|
|
|
|
The jarvey addressed as it happened had not but the keeper took a die
|
|
of plug from his good jacket hanging on a nail and the desired object was
|
|
passed from hand to hand.
|
|
|
|
--Thank you, the sailor said.
|
|
|
|
He deposited the quid in his gob and, chewing and with some slow
|
|
stammers, proceeded:
|
|
|
|
--We come up this morning eleven o'clock. The threemaster Rosevean
|
|
from Bridgwater with bricks. I shipped to get over. Paid off this
|
|
afternoon. There's my discharge. See? D. B. Murphy. A. B. S.
|
|
|
|
In confirmation of which statement he extricated from an inside
|
|
pocket and handed to his neighbour a not very cleanlooking folded
|
|
document.
|
|
|
|
--You must have seen a fair share of the world, the keeper remarked,
|
|
leaning on the counter.
|
|
|
|
--Why, the sailor answered upon reflection upon it, I've circumnavigated a
|
|
bit since I first joined on. I was in the Red Sea. I was in China and
|
|
North America and South America. We was chased by pirates one voyage.
|
|
I seen icebergs plenty, growlers. I was in Stockholm and the Black Sea,
|
|
the Dardanelles under Captain Dalton, the best bloody man that ever
|
|
scuttled a ship. I seen Russia. Gospodi pomilyou. That's how the
|
|
Russians prays.
|
|
|
|
--You seen queer sights, don't be talking, put in a jarvey.
|
|
|
|
--Why, the sailor said, shifting his partially chewed plug. I seen queer
|
|
things too, ups and downs. I seen a crocodile bite the fluke of an anchor
|
|
same as I chew that quid.
|
|
|
|
He took out of his mouth the pulpy quid and, lodging it between his
|
|
teeth, bit ferociously:
|
|
|
|
--Khaan! Like that. And I seen maneaters in Peru that eats corpses and the
|
|
livers of horses. Look here. Here they are. A friend of mine sent me.
|
|
|
|
He fumbled out a picture postcard from his inside pocket which
|
|
seemed to be in its way a species of repository and pushed it along the
|
|
table. The printed matter on it stated: Choza de Indios. Beni, Bolivia.
|
|
|
|
All focussed their attention at the scene exhibited, a group of savage
|
|
women in striped loincloths, squatted, blinking, suckling, frowning,
|
|
sleeping amid a swarm of infants (there must have been quite a score of
|
|
them) outside some primitive shanties of osier.
|
|
|
|
--Chews coca all day, the communicative tarpaulin added. Stomachs like
|
|
breadgraters. Cuts off their diddies when they can't bear no more
|
|
children.
|
|
|
|
See them sitting there stark ballocknaked eating a dead horse's liver raw.
|
|
|
|
His postcard proved a centre of attraction for Messrs the greenhorns
|
|
for several minutes if not more.
|
|
|
|
--Know how to keep them off? he inquired generally.
|
|
|
|
Nobody volunteering a statement he winked, saying:
|
|
|
|
--Glass. That boggles 'em. Glass.
|
|
|
|
Mr Bloom, without evincing surprise, unostentatiously turned over the card
|
|
to peruse the partially obliterated address and postmark. It ran as
|
|
follows: Tarjeta Postal, Senor A Boudin, Galeria Becche, Santiago, Chile.
|
|
There was no message evidently, as he took particular notice.
|
|
|
|
Though not an implicit believer in the lurid story narrated (or the
|
|
eggsniping transaction for that matter despite William Tell and the
|
|
Lazarillo-Don Cesar de Bazan incident depicted in Maritana on which
|
|
occasion the former's ball passed through the latter's hat) having detected a
|
|
discrepancy between his name (assuming he was the person he represented
|
|
himself to be and not sailing under false colours after having boxed the
|
|
compass on the strict q.t. somewhere) and the fictitious addressee of the
|
|
missive which made him nourish some suspicions of our friend's bona fides
|
|
nevertheless it reminded him in a way of a longcherished plan he meant to
|
|
one day realise some Wednesday or Saturday of travelling to London via
|
|
long sea not to say that he had ever travelled extensively to any great extent
|
|
but he was at heart a born adventurer though by a trick of fate he had
|
|
consistently remained a landlubber except you call going to Holyhead
|
|
which was his longest. Martin Cunningham frequently said he would work
|
|
a pass through Egan but some deuced hitch or other eternally cropped up
|
|
with the net result that the scheme fell through. But even suppose it did
|
|
come to planking down the needful and breaking Boyd's heart it was not so
|
|
dear, purse permitting, a few guineas at the outside considering the fare to
|
|
Mullingar where he figured on going was five and six, there and back. The
|
|
trip would benefit health on account of the bracing ozone and be in every
|
|
way thoroughly pleasurable, especially for a chap whose liver was out of
|
|
order, seeing the different places along the route, Plymouth, Falmouth,
|
|
Southampton and so on culminating in an instructive tour of the sights of
|
|
the great metropolis, the spectacle of our modern Babylon where doubtless
|
|
he would see the greatest improvement, tower, abbey, wealth of Park lane to
|
|
renew acquaintance with. Another thing just struck him as a by no means
|
|
bad notion was he might have a gaze around on the spot to see about trying
|
|
to make arrangements about a concert tour of summer music embracing the
|
|
most prominent pleasure resorts, Margate with mixed bathing and firstrate
|
|
hydros and spas, Eastbourne, Scarborough, Margate and so on, beautiful
|
|
Bournemouth, the Channel islands and similar bijou spots, which might
|
|
prove highly remunerative. Not, of course, with a hole and corner scratch
|
|
company or local ladies on the job, witness Mrs C P M'Coy type lend me
|
|
your valise and I'll post you the ticket. No, something top notch, an all star
|
|
Irish caste, the Tweedy-Flower grand opera company with his own legal
|
|
consort as leading lady as a sort of counterblast to the Elster Grimes and
|
|
Moody-Manners, perfectly simple matter and he was quite sanguine of
|
|
success, providing puffs in the local papers could be managed by some
|
|
fellow with a bit of bounce who could pull the indispensable wires and thus
|
|
combine business with pleasure. But who? That was the rub.Also, without being
|
|
actually positive, it struck him a great field was to
|
|
be opened up in the line of opening up new routes to keep pace with the
|
|
times apropos of the Fishguard-Rosslare route which, it was mooted, was
|
|
once more on the tapis in the circumlocution departments with the usual
|
|
quantity of red tape and dillydallying of effete fogeydom and dunderheads
|
|
generally. A great opportunity there certainly was for push and enterprise
|
|
to meet the travelling needs of the public at large, the average man, i.e.
|
|
Brown, Robinson and Co.
|
|
|
|
It was a subject of regret and absurd as well on the face of it and no
|
|
small blame to our vaunted society that the man in the street, when the
|
|
|
|
540
|
|
system really needed toning up, for the matter of a couple of paltry pounds
|
|
was debarred from seeing more of the world they lived in instead of being
|
|
always and ever cooped up since my old stick-in-the-mud took me for a
|
|
wife. After all, hang it, they had their eleven and more humdrum months of
|
|
it and merited a radical change of venue after the grind of city life in the
|
|
summertime for choice when dame Nature is at her spectacular best
|
|
constituting nothing short of a new lease of life. There were equally
|
|
excellent opportunities for vacationists in the home island, delightful sylvan
|
|
spots for rejuvenation, offering a plethora of attractions as well as a
|
|
bracing tonic for the system in and around Dublin and its picturesque
|
|
environs even, Poulaphouca to which there was a steamtram, but also farther
|
|
away from the madding crowd in Wicklow, rightly termed the garden of Ireland,
|
|
an ideal neighbourhood for elderly wheelmen so long as it didn't come
|
|
down, and in the wilds of Donegal where if report spoke true the coup d' il
|
|
was exceedingly grand though the lastnamed locality was not easily
|
|
getatable so that the influx of visitors was not as yet all that it might be
|
|
considering the signal benefits to be derived from it while Howth with its
|
|
historic associations and otherwise, Silken Thomas, Grace O'Malley,
|
|
George IV, rhododendrons several hundred feet above sealevel was a
|
|
favourite haunt with all sorts and conditions of men especially in the spring
|
|
560
|
|
when young men's fancy, though it had its own toll of deaths by falling off
|
|
the cliffs by design or accidentally, usually, by the way, on their left leg,
|
|
it being only about three quarters of an hour's run from the pillar. Because
|
|
of course uptodate tourist travelling was as yet merely in its infancy, so to
|
|
speak, and the accommodation left much to be desired. Interesting to
|
|
fathom it seemed to him from a motive of curiosity, pure and simple, was
|
|
whether it was the traffic that created the route or viceversa or the two
|
|
sides in fact. He turned back the other side of the card, picture, and passed
|
|
it along to Stephen.
|
|
|
|
--I seen a Chinese one time, related the doughty narrator, that had little
|
|
|
|
570
|
|
pills like putty and he put them in the water and they opened and every pill
|
|
was something different. One was a ship, another was a house, another was
|
|
a flower. Cooks rats in your soup, he appetisingly added, the chinks does.
|
|
|
|
Possibly perceiving an expression of dubiosity on their faces the
|
|
globetrotter went on, adhering to his adventures.
|
|
|
|
--And I seen a man killed in Trieste by an Italian chap. Knife in his back.
|
|
Knife like that.
|
|
|
|
Whilst speaking he produced a dangerouslooking claspknife quite in
|
|
keeping with his character and held it in the striking position.
|
|
|
|
--In a knockingshop it was count of a tryon between two smugglers. Fellow
|
|
hid behind a door, come up behind him. Like that. Prepare to meet your
|
|
God, says he. Chuk! It went into his back up to the butt.
|
|
|
|
His heavy glance drowsily roaming about kind of defied their further
|
|
questions even should they by any chance want to.
|
|
|
|
--That's a good bit of steel, repeated he, examining his formidable stiletto.
|
|
|
|
After which harrowing denouement sufficient to appal the stoutest he
|
|
snapped the blade to and stowed the weapon in question away as before in
|
|
his chamber of horrors, otherwise pocket.
|
|
|
|
--They're great for the cold steel, somebody who was evidently quite in the
|
|
dark said for the benefit of them all. That was why they thought the park
|
|
murders of the invincibles was done by foreigners on account of them using
|
|
knives.
|
|
|
|
At this remark passed obviously in the spirit of where ignorance is
|
|
bliss Mr B. and Stephen, each in his own particular way, both instinctively
|
|
exchanged meaning glances, in a religious silence of the strictly entre nous
|
|
variety however, towards where Skin-the-Goat, alias the keeper, not
|
|
turning a hair, was drawing spurts of liquid from his boiler affair. His
|
|
inscrutable face which was really a work of art, a perfect study in itself,
|
|
beggaring description, conveyed the impression that he didn't understand
|
|
one jot of what was going on. Funny, very!
|
|
|
|
There ensued a somewhat lengthy pause. One man was reading in fits
|
|
and starts a stained by coffee evening journal, another the card with the
|
|
natives choza de, another the seaman's discharge. Mr Bloom, so far as he
|
|
was personally concerned, was just pondering in pensive mood. He vividly
|
|
recollected when the occurrence alluded to took place as well as yesterday,
|
|
roughly some score of years previously in the days of the land troubles,
|
|
when it took the civilised world by storm, figuratively speaking, early in the
|
|
eighties, eightyone to be correct, when he was just turned fifteen.
|
|
|
|
--Ay, boss, the sailor broke in. Give us back them papers.
|
|
|
|
The request being complied with he clawed them up with a scrape.
|
|
|
|
--Have you seen the rock of Gibraltar? Mr Bloom inquired.
|
|
|
|
The sailor grimaced, chewing, in a way that might be read as yes, ay
|
|
or no.
|
|
|
|
--Ah, you've touched there too, Mr Bloom said, Europa point, thinking he
|
|
had, in the hope that the rover might possibly by some reminiscences but he
|
|
failed to do so, simply letting spirt a jet of spew into the sawdust, and
|
|
shook his head with a sort of lazy scorn.
|
|
|
|
--What year would that be about? Mr B interrogated. Can you recall the
|
|
boats?
|
|
|
|
Our soi-disant sailor munched heavily awhile hungrily before
|
|
answering:
|
|
|
|
--I'm tired of all them rocks in the sea, he said, and boats and ships. Salt
|
|
junk all the time.
|
|
|
|
Tired seemingly, he ceased. His questioner perceiving that he was not
|
|
likely to get a great deal of change out of such a wily old customer, fell to
|
|
woolgathering on the enormous dimensions of the water about the globe,
|
|
suffice it to say that, as a casual glance at the map revealed, it covered
|
|
fully three fourths of it and he fully realised accordingly what it meant to
|
|
rule the waves. On more than one occasion, a dozen at the lowest, near the
|
|
North Bull at Dollymount he had remarked a superannuated old salt, evidently
|
|
derelict, seated habitually near the not particularly redolent sea on the
|
|
wall, staring quite obliviously at it and it at him, dreaming of fresh woods
|
|
and pastures new as someone somewhere sings. And it left him wondering why.
|
|
Possibly he had tried to find out the secret for himself, floundering up and
|
|
down the antipodes and all that sort of thing and over and under, well, not
|
|
exactly under, tempting the fates. And the odds were twenty to nil there was
|
|
really no secret about it at all. Nevertheless, without going into the
|
|
minutiae of the business, the eloquent fact remained that the sea was there in
|
|
all its glory and in the natural course of things somebody or other had to
|
|
sail on it and fly in the face of providence though it merely went to show how
|
|
people usually contrived to load that sort of onus on to the other fellow like
|
|
the hell idea and the lottery and insurance which were run on identically the
|
|
same lines so that for that very reason if no other lifeboat Sunday was a
|
|
highly laudable institution to which the public at large, no matter where
|
|
living inland or seaside, as the case might be, having it brought home to them
|
|
like that should extend its gratitude also to the harbourmasters and
|
|
coastguard service who had to man the rigging and push off and out amid the
|
|
elements whatever the season when duty called Ireland expects that every man
|
|
and so on and sometimes had a terrible time of it in the wintertime not
|
|
forgetting the Irish lights, Kish and others, liable to capsize at any moment,
|
|
rounding which he once with his daughter had experienced some remarkably
|
|
choppy, not to say stormy, weather.
|
|
|
|
--There was a fellow sailed with me in the Rover, the old seadog, himself
|
|
a rover, proceeded, went ashore and took up a soft job as gentleman's
|
|
valet at six quid a month. Them are his trousers I've on me and he gave me
|
|
an oilskin and that jackknife. I'm game for that job, shaving and brushup.
|
|
I hate roaming about. There's my son now, Danny, run off to sea and his
|
|
mother got him took in a draper's in Cork where he could be drawing easy
|
|
money.
|
|
|
|
--What age is he? queried one hearer who, by the way, seen from the side,
|
|
bore a distant resemblance to Henry Campbell, the townclerk, away from
|
|
the carking cares of office, unwashed of course and in a seedy getup and a
|
|
strong suspicion of nosepaint about the nasal appendage.
|
|
|
|
--Why, the sailor answered with a slow puzzled utterance, my son, Danny?
|
|
He'd be about eighteen now, way I figure it.
|
|
|
|
The Skibbereen father hereupon tore open his grey or unclean
|
|
anyhow shirt with his two hands and scratched away at his chest on which
|
|
was to be seen an image tattooed in blue Chinese ink intended to represent
|
|
an anchor.
|
|
|
|
--There was lice in that bunk in Bridgwater, he remarked, sure as nuts. I
|
|
must get a wash tomorrow or next day. It's them black lads I objects to. I
|
|
hate those buggers. Suck your blood dry, they does.
|
|
|
|
Seeing they were all looking at his chest he accommodatingly dragged
|
|
his shirt more open so that on top of the timehonoured symbol of the
|
|
mariner's hope and rest they had a full view of the figure 16 and a young
|
|
man's sideface looking frowningly rather.
|
|
|
|
--Tattoo, the exhibitor explained. That was done when we were Iying
|
|
becalmed off Odessa in the Black Sea under Captain Dalton. Fellow, the
|
|
name of Antonio, done that. There he is himself, a Greek.
|
|
|
|
--Did it hurt much doing it? one asked the sailor.
|
|
|
|
That worthy, however, was busily engaged in collecting round the.
|
|
Someway in his. Squeezing or.
|
|
|
|
--See here, he said, showing Antonio. There he is cursing the mate. And
|
|
there he is now, he added, the same fellow, pulling the skin with his
|
|
fingers, some special knack evidently, and he laughing at a yarn.
|
|
|
|
And in point of fact the young man named Antonio's livid face did
|
|
actually look like forced smiling and the curious effect excited the
|
|
unreserved admiration of everybody including Skin-the-Goat, who this
|
|
time stretched over.
|
|
|
|
--Ay, ay, sighed the sailor, looking down on his manly chest. He's gone
|
|
too. Ate by sharks after. Ay, ay.
|
|
|
|
He let go of the skin so that the profile resumed the normal expression
|
|
of before.
|
|
|
|
--Neat bit of work, one longshoreman said.
|
|
|
|
--And what's the number for? loafer number two queried.
|
|
|
|
--Eaten alive? a third asked the sailor.
|
|
|
|
--Ay, ay, sighed again the latter personage, more cheerily this time with
|
|
some sort of a half smile for a brief duration only in the direction of
|
|
the questioner about the number. Ate. A Greek he was.
|
|
|
|
And then he added with rather gallowsbird humour considering his
|
|
alleged end:
|
|
|
|
--As bad as old Antonio,
|
|
For he left me on my ownio.
|
|
|
|
The face of a streetwalker glazed and haggard under a black straw
|
|
hat peered askew round the door of the shelter palpably reconnoitring on
|
|
her own with the object of bringing more grist to her mill. Mr Bloom,
|
|
scarcely knowing which way to look, turned away on the moment
|
|
flusterfied but outwardly calm, and, picking up from the table the pink sheet
|
|
of the Abbey street organ which the jarvey, if such he was, had laid aside,
|
|
he picked it up and looked at the pink of the paper though why pink. His
|
|
reason for so doing was he recognised on the moment round the door the
|
|
same face he had caught a fleeting glimpse of that afternoon on Ormond
|
|
quay, the partially idiotic female, namely, of the lane who knew the lady in
|
|
the brown costume does be with you (Mrs B.) and begged the chance of his
|
|
washing. Also why washing which seemed rather vague than not, your
|
|
washing. Still candour compelled him to admit he had washed his wife's
|
|
undergarments when soiled in Holles street and women would and did too
|
|
a man's similar garments initialled with Bewley and Draper's marking ink
|
|
(hers were, that is) if they really loved him, that is to say, love me, love
|
|
my dirty shirt. Still just then, being on tenterhooks, he desired the female's
|
|
room more than her company so it came as a genuine relief when the keeper
|
|
made her a rude sign to take herself off. Round the side of the Evening
|
|
Telegraph he just caught a fleeting glimpse of her face round the side of the
|
|
door with a kind of demented glassy grin showing that she was not exactly
|
|
all there, viewing with evident amusement the group of gazers round
|
|
skipper Murphy's nautical chest and then there was no more of her.
|
|
|
|
--The gunboat, the keeper said.
|
|
|
|
--It beats me, Mr Bloom confided to Stephen, medically I am speaking, how
|
|
a wretched creature like that from the Lock hospital reeking with disease
|
|
can be barefaced enough to solicit or how any man in his sober senses, if he
|
|
values his health in the least. Unfortunate creature! Of course I suppose
|
|
some man is ultimately responsible for her condition. Still no matter what
|
|
the cause is from ...
|
|
|
|
Stephen had not noticed her and shrugged his shoulders, merely
|
|
remarking:
|
|
|
|
--In this country people sell much more than she ever had and do a roaring
|
|
trade. Fear not them that sell the body but have not power to buy the soul.
|
|
She is a bad merchant. She buys dear and sells cheap.
|
|
|
|
The elder man, though not by any manner of means an old maid or a
|
|
prude, said it was nothing short of a crying scandal that ought to be put a
|
|
stop to instanter to say that women of that stamp (quite apart from any
|
|
oldmaidish squeamishness on the subject), a necessary evil, w ere not
|
|
licensed and medically inspected by the proper authorities, a thing, he could
|
|
truthfully state, he, as a paterfamilias, was a stalwart advocate of from the
|
|
very first start. Whoever embarked on a policy of the sort, he said, and
|
|
ventilated the matter thoroughly would confer a lasting boon on everybody
|
|
concerned.
|
|
|
|
--You as a good catholic, he observed, talking of body and soul, believe in
|
|
the soul. Or do you mean the intelligence, the brainpower as such, as
|
|
distinct from any outside object, the table, let us say, that cup. I believe
|
|
in that myself because it has been explained by competent men as the
|
|
convolutions of the grey matter. Otherwise we would never have such
|
|
inventions as X rays, for instance. Do you?
|
|
|
|
Thus cornered, Stephen had to make a superhuman effort of memory
|
|
to try and concentrate and remember before he could say:
|
|
|
|
--They tell me on the best authority it is a simple substance and therefore
|
|
incorruptible. It would be immortal, I understand, but for the possibility of
|
|
its annihilation by its First Cause Who, from all I can hear, is quite capable
|
|
of adding that to the number of His other practical jokes, corruptio per se
|
|
and corruptio per accidens both being excluded by court etiquette.
|
|
|
|
Mr Bloom thoroughly acquiesced in the general gist of this though the
|
|
mystical finesse involved was a bit out of his sublunary depth still he felt
|
|
bound to enter a demurrer on the head of simple, promptly rejoining:
|
|
|
|
--Simple? I shouldn't think that is the proper word. Of course, I grant you,
|
|
to concede a point, you do knock across a simple soul once in a blue moon.
|
|
But what I am anxious to arrive at is it is one thing for instance to invent
|
|
those rays Rontgen did or the telescope like Edison, though I believe it was
|
|
before his time Galileo was the man, I mean, and the same applies to the
|
|
laws, for example, of a farreaching natural phenomenon such as electricity
|
|
but it's a horse of quite another colour to say you believe in the existence
|
|
of a supernatural God.
|
|
|
|
--O that, Stephen expostulated, has been proved conclusively by several of
|
|
the bestknown passages in Holy Writ, apart from circumstantial evidence.
|
|
|
|
On this knotty point however the views of the pair, poles apart as they
|
|
were both in schooling and everything else with the marked difference in
|
|
their respective ages, clashed.
|
|
|
|
--Has been? the more experienced of the two objected, sticking to his
|
|
original point with a smile of unbelief. I'm not so sure about that. That's a
|
|
matter for everyman's opinion and, without dragging in the sectarian side
|
|
of the business, I beg to differ with you in toto there. My belief is, to tell
|
|
you the candid truth, that those bits were genuine forgeries all of them put
|
|
in by monks most probably or it's the big question of our national poet over
|
|
again, who precisely wrote them like Hamlet and Bacon, as, you who know
|
|
your Shakespeare infinitely better than I, of course I needn't tell you. Can't
|
|
you drink that coffee, by the way? Let me stir it. And take a piece of that
|
|
bun. It's like one of our skipper's bricks disguised. Still no-one can give
|
|
what he hasn't got. Try a bit.
|
|
|
|
--Couldn't, Stephen contrived to get out, his mental organs for the moment
|
|
refusing to dictate further.
|
|
|
|
Faultfinding being a proverbially bad hat Mr Bloom thought well to
|
|
stir or try to the clotted sugar from the bottom and reflected with something
|
|
approaching acrimony on the Coffee Palace and its temperance (and
|
|
lucrative) work. To be sure it was a legitimate object and beyond yea or nay
|
|
did a world of good, shelters such as the present one they were in run on
|
|
teetotal lines for vagrants at night, concerts, dramatic evenings and useful
|
|
lectures (admittance free) by qualified men for the lower orders. On the
|
|
other hand he had a distinct and painful recollection they paid his wife,
|
|
Madam Marion Tweedy who had been prominently associated with it at
|
|
one time, a very modest remuneration indeed for her pianoplaying. The
|
|
idea, he was strongly inclined to believe, was to do good and net a profit,
|
|
there being no competition to speak of. Sulphate of copper poison SO4 or
|
|
something in some dried peas he remembered reading of in a cheap
|
|
eatinghouse somewhere but he couldn't remember when it was or where.
|
|
Anyhow inspection, medical inspection, of all eatables seemed to him more
|
|
than ever necessary which possibly accounted for the vogue of Dr Tibble's
|
|
Vi-Cocoa on account of the medical analysis involved.
|
|
|
|
--Have a shot at it now, he ventured to say of the coffee after being stirred.
|
|
|
|
Thus prevailed on to at any rate taste it Stephen lifted the heavy mug
|
|
from the brown puddle it clopped out of when taken up by the handle and
|
|
took a sip of the offending beverage.
|
|
|
|
--Still it's solid food, his good genius urged, I'm a stickler for solid food,
|
|
his one and only reason being not gormandising in the least but regular
|
|
meals as the sine qua non for any kind of proper work, mental or manual.
|
|
You ought to eat more solid food. You would feel a different man.
|
|
|
|
--Liquids I can eat, Stephen said. But O, oblige me by taking away that
|
|
knife. I can't look at the point of it. It reminds me of Roman history.
|
|
|
|
Mr Bloom promptly did as suggested and removed the incriminated
|
|
article, a blunt hornhandled ordinary knife with nothing particularly
|
|
Roman or antique about it to the lay eye, observing that the point was the
|
|
least conspicuous point about it.
|
|
|
|
--Our mutual friend's stories are like himself, Mr Bloom apropos of knives
|
|
remarked to his confidante sotto voce. Do you think they are genuine? He
|
|
could spin those yarns for hours on end all night long and lie like old boots.
|
|
Look at him.
|
|
|
|
Yet still though his eyes were thick with sleep and sea air life was full
|
|
of a host of things and coincidences of a terrible nature and it was quite
|
|
within the bounds of possibility that it was not an entire fabrication though
|
|
at first blush there was not much inherent probability in all the spoof he got
|
|
off his chest being strictly accurate gospel.
|
|
|
|
He had been meantime taking stock of the individual in front of him
|
|
and Sherlockholmesing him up ever since he clapped eyes on him. Though
|
|
a wellpreserved man of no little stamina, if a trifle prone to baldness, there
|
|
was something spurious in the cut of his jib that suggested a jail delivery
|
|
and it required no violent stretch of imagination to associate such a
|
|
weirdlooking specimen with the oakum and treadmill fraternity. He might
|
|
even have done for his man supposing it was his own case he told, as people
|
|
often did about others, namely, that he killed him himself and had served
|
|
his four or five goodlooking years in durance vile to say nothing of the
|
|
Antonio personage (no relation to the dramatic personage of identical name
|
|
who sprang from the pen of our national poet) who expiated his crimes in
|
|
the melodramatic manner above described. On the other hand he might be
|
|
only bluffing, a pardonable weakness because meeting unmistakable mugs,
|
|
Dublin residents, like those jarvies waiting news from abroad would tempt
|
|
any ancient mariner who sailed the ocean seas to draw the long bow about
|
|
the schooner Hesperus and etcetera. And when all was said and done the
|
|
lies a fellow told about himself couldn't probably hold a proverbial candle
|
|
to the wholesale whoppers other fellows coined about him.
|
|
|
|
--Mind you, I'm not saying that it's all a pure invention, he resumed.
|
|
Analogous scenes are occasionally, if not often, met with. Giants, though
|
|
that is rather a far cry, you see once in a way, Marcella the midget queen. In
|
|
those waxworks in Henry street I myself saw some Aztecs, as they are
|
|
called, sitting bowlegged, they couldn't straighten their legs if you paid
|
|
them because the muscles here, you see, he proceeded, indicating on his
|
|
companion the brief outline of the sinews or whatever you like to call them
|
|
behind the right knee, were utterly powerless from sitting that way so long
|
|
cramped up, being adored as gods. There's an example again of simple
|
|
souls.
|
|
|
|
However reverting to friend Sinbad and his horrifying adventures
|
|
(who reminded him a bit of Ludwig, alias Ledwidge, when he occupied the
|
|
boards of the Gaiety when Michael Gunn was identified with the
|
|
management in the Flying Dutchman, a stupendous success, and his host of
|
|
admirers came in large numbers, everyone simply flocking to hear him
|
|
though ships of any sort, phantom or the reverse, on the stage usually fell a
|
|
bit flat as also did trains) there was nothing intrinsically incompatible
|
|
about it, he conceded. On the contrary that stab in the back touch was quite
|
|
in keeping with those italianos though candidly he was none the less free to
|
|
admit those icecreamers and friers in the fish way not to mention the chip
|
|
potato variety and so forth over in little Italy there near the Coombe were
|
|
sober thrifty hardworking fellows except perhaps a bit too given to
|
|
pothunting the harmless necessary animal of the feline persuasion of others
|
|
at night so as to have a good old succulent tuckin with garlic de rigueur off
|
|
him or her next day on the quiet and, he added, on the cheap.
|
|
|
|
--Spaniards, for instance, he continued, passionate temperaments like that,
|
|
impetuous as Old Nick, are given to taking the law into their own hands
|
|
and give you your quietus doublequick with those poignards they carry in
|
|
the abdomen. It comes from the great heat, climate generally. My wife is, so
|
|
to speak, Spanish, half that is. Point of fact she could actually claim
|
|
Spanish nationality if she wanted, having been born in (technically) Spain,
|
|
i.e. Gibraltar. She has the Spanish type. Quite dark, regular brunette, black.
|
|
I for one certainly believe climate accounts for character. That's why I
|
|
asked you if you wrote your poetry in Italian.
|
|
|
|
--The temperaments at the door, Stephen interposed with, were very
|
|
passionate about ten shillings. Roberto ruba roba sua.
|
|
|
|
--Quite so, Mr Bloom dittoed.
|
|
|
|
--Then, Stephen said staring and rambling on to himself or some unknown
|
|
listener somewhere, we have the impetuosity of Dante and the isosceles
|
|
triangle miss Portinari he fell in love with and Leonardo and san Tommaso
|
|
Mastino.
|
|
|
|
--It's in the blood, Mr Bloom acceded at once. All are washed in the blood
|
|
of the sun. Coincidence I just happened to be in the Kildare street museum 890
|
|
today, shortly prior to our meeting if I can so call it, and I was just
|
|
looking at those antique statues there. The splendid proportions of hips,
|
|
bosom. You simply don't knock against those kind of women here. An exception
|
|
here and there. Handsome yes, pretty in a way you find but what I'm
|
|
talking about is the female form. Besides they have so little taste in dress,
|
|
most of them, which greatly enhances a woman's natural beauty, no matter
|
|
what you say. Rumpled stockings, it may be, possibly is, a foible of mine but
|
|
still it's a thing I simply hate to see.
|
|
|
|
Interest, however, was starting to flag somewhat all round and then
|
|
the others got on to talking about accidents at sea, ships lost in a fog, goo
|
|
collisions with icebergs, all that sort of thing. Shipahoy of course had his
|
|
own say to say. He had doubled the cape a few odd times and weathered a
|
|
monsoon, a kind of wind, in the China seas and through all those perils of
|
|
the deep there was one thing, he declared, stood to him or words to that
|
|
effect, a pious medal he had that saved him.
|
|
|
|
So then after that they drifted on to the wreck off Daunt's rock, wreck
|
|
of that illfated Norwegian barque nobody could think of her name for the
|
|
moment till the jarvey who had really quite a look of Henry Campbell
|
|
remembered it Palme on Booterstown strand. That was the talk of the town
|
|
that year (Albert William Quill wrote a fine piece of original verse of 910
|
|
distinctive merit on the topic for the Irish Times), breakers running over
|
|
her and crowds and crowds on the shore in commotion petrified with
|
|
horror. Then someone said something about the case of the s. s. Lady
|
|
Cairns of Swansea run into by the Mona which was on an opposite tack in
|
|
rather muggyish weather and lost with all hands on deck. No aid was given.
|
|
Her master, the Mona's, said he was afraid his collision bulkhead would
|
|
give way. She had no water, it appears, in her hold.
|
|
|
|
At this stage an incident happened. It having become necessary for
|
|
him to unfurl a reef the sailor vacated his seat.
|
|
|
|
--Let me cross your bows mate, he said to his neighbour who was just
|
|
gently dropping off into a peaceful doze.
|
|
|
|
He made tracks heavily, slowly with a dumpy sort of a gait to the
|
|
door, stepped heavily down the one step there was out of the shelter and
|
|
bore due left. While he was in the act of getting his bearings Mr Bloom who
|
|
noticed when he stood up that he had two flasks of presumably ship's rum
|
|
sticking one out of each pocket for the private consumption of his burning
|
|
interior, saw him produce a bottle and uncork it or unscrew and, applying
|
|
its nozz1e to his lips, take a good old delectable swig out of it with a
|
|
gurgling noise. The irrepressible Bloom, who also had a shrewd suspicion
|
|
that the old stager went out on a manoeuvre after the counterattraction in
|
|
the shape of a female who however had disappeared to all intents and
|
|
purposes, could by straining just perceive him, when duly refreshed by his
|
|
rum puncheon exploit, gaping up at the piers and girders of the Loop line
|
|
rather out of his depth as of course it was all radically altered since his
|
|
last visit and greatly improved. Some person or persons invisible directed him
|
|
to the male urinal erected by the cleansing committee all over the place for
|
|
the purpose but after a brief space of time during which silence reigned
|
|
supreme the sailor, evidently giving it a wide berth, eased himself closer at
|
|
hand, the noise of his bilgewater some little time subsequently splashing on
|
|
the ground where it apparently awoke a horse of the cabrank. A hoof
|
|
scooped anyway for new foothold after sleep and harness jingled. Slightly
|
|
disturbed in his sentrybox by the brazier of live coke the watcher of the
|
|
corporation stones who, though now broken down and fast breaking up,
|
|
was none other in stern reality than the Gumley aforesaid, now practically
|
|
on the parish rates, given the temporary job by Pat Tobin in all human
|
|
probability from dictates of humanity knowing him before shifted about
|
|
and shuffled in his box before composing his limbs again in to the arms of
|
|
Morpheus, a truly amazing piece of hard lines in its most virulent form on a
|
|
fellow most respectably connected and familiarised with decent home
|
|
comforts all his life who came in for a cool 100 pounds a year at one time
|
|
which of course the doublebarrelled ass proceeded to make general ducks and
|
|
drakes of. And there he was at the end of his tether after having often
|
|
painted the town tolerably pink without a beggarly stiver. He drank needless
|
|
to be told and it pointed only once more a moral when he might quite easily
|
|
be in a large way of business if--a big if, however--he had contrived to cure
|
|
himself of his particular partiality.
|
|
|
|
All meantime were loudly lamenting the falling off in Irish shipping,
|
|
coastwise and foreign as well, which was all part and parcel of the same
|
|
thing. A Palgrave Murphy boat was put off the ways at Alexandra basin, the
|
|
only launch that year. Right enough the harbours were there only no ships
|
|
ever called.
|
|
|
|
There were wrecks and wreckers, the keeper said, who was evidently
|
|
au fait.
|
|
|
|
What he wanted to ascertain was why that ship ran bang against the
|
|
only rock in Galway bay when the Galway harbour scheme was mooted by
|
|
a Mr Worthington or some name like that, eh? Ask the then captain, he
|
|
advised them, how much palmoil the British government gave him for that
|
|
day's work, Captain John Lever of the Lever Line.
|
|
|
|
--Am I right, skipper? he queried of the sailor, now returning after his
|
|
private potation and the rest of his exertions.
|
|
|
|
That worthy picking up the scent of the fagend of the song or words
|
|
growled in wouldbe music but with great vim some kind of chanty or other
|
|
in seconds or thirds. Mr Bloom's sharp ears heard him then expectorate the
|
|
plug probably (which it was), so that he must have lodged it for the time
|
|
being in his fist while he did the drinking and making water jobs and found
|
|
it a bit sour after the liquid fire in question. Anyhow in he rolled after his
|
|
successful libation-cum-potation, introducing an atmosphere of drink into
|
|
the soiree, boisterously trolling, like a veritable son of a seacook:
|
|
|
|
--The biscuits was as hard as brass
|
|
And the beef as salt as Lot's wife's arse.
|
|
980
|
|
O, Johnny Lever!
|
|
Johnny Lever, O!
|
|
|
|
After which effusion the redoubtable specimen duly arrived on the
|
|
scene and regaining his seat he sank rather than sat heavily on the form
|
|
provided. Skin-the-Goat, assuming he was he, evidently with an axe to
|
|
grind, was airing his grievances in a forcible-feeble philippic anent the
|
|
natural resources of Ireland or something of that sort which he described in
|
|
his lengthy dissertation as the richest country bar none on the face of God's
|
|
earth, far and away superior to England, with coal in large quantities, six
|
|
million pounds worth of pork exported every year, ten millions between
|
|
butter and eggs and all the riches drained out of it by England levying taxes
|
|
on the poor people that paid through the nose always and gobbling up the
|
|
best meat in the market and a lot more surplus steam in the same vein. Their
|
|
conversation accordingly became general and all agreed that that was a
|
|
fact. You could grow any mortal thing in Irish soil, he stated, and there was
|
|
that colonel Everard down there in Navan growing tobacco. Where would
|
|
you find anywhere the like of Irish bacon? But a day of reckoning, he stated
|
|
crescendo with no uncertain voice, thoroughly monopolising all the
|
|
conversation, was in store for mighty England, despite her power of pelf on
|
|
account of her crimes. There would be a fall and the greatest fall in history.
|
|
The Germans and the Japs were going to have their little lookin, he
|
|
affirmed. The Boers were the beginning of the end. Brummagem England
|
|
was toppling already and her downfall would be Ireland, her Achilles heel,
|
|
which he explained to them about the vulnerable point of Achilles, the
|
|
Greek hero, a point his auditors at once seized as he completely gripped
|
|
their attention by showing the tendon referred to on his boot. His advice to
|
|
every Irishman was: stay in the land of your birth and work for Ireland
|
|
and live for Ireland. Ireland, Parnell said, could not spare a single one of
|
|
her sons.
|
|
|
|
Silence all round marked the termination of his finale. The
|
|
l o l o
|
|
impervious navigator heard these lurid tidings, undismayed.
|
|
|
|
--Take a bit of doing, boss, retaliated that rough diamond palpably a bit
|
|
peeved in response to the foregoing truism.
|
|
|
|
To which cold douche referring to downfall and so on the keeper
|
|
concurred but nevertheless held to his main view.
|
|
|
|
--Who's the best troops in the army? the grizzled old veteran irately
|
|
interrogated. And the best jumpers and racers? And the best admirals and
|
|
generals we've got? Tell me that.
|
|
|
|
--The Irish, for choice, retorted the cabby like Campbell, facial blemishes
|
|
apart.
|
|
|
|
--That's right, the old tarpaulin corroborated. The Irish catholic peasant.
|
|
He's the backbone of our empire. You know Jem Mullins?
|
|
|
|
While allowing him his individual opinions as everyman the keeper
|
|
added he cared nothing for any empire, ours or his, and considered no
|
|
Irishman worthy of his salt that served it. Then they began to have a few
|
|
irascible words when it waxed hotter, both, needless to say, appealing to the
|
|
listeners who followed the passage of arms with interest so long as they
|
|
didn't indulge in recriminations and come to blows.
|
|
|
|
From inside information extending over a series of years Mr Bloom
|
|
was rather inclined to poohpooh the suggestion as egregious balderdash
|
|
for, pending that consummation devoutly to be or not to be wished for, he
|
|
was fully cognisant of the fact that their neighbours across the channel,
|
|
unless they were much bigger fools than he took them for, rather concealed
|
|
their strength than the opposite. It was quite on a par with the quixotic idea
|
|
in certain quarters that in a hundred million years the coal seam of the
|
|
sister island would be played out and if, as time went on, that turned out to
|
|
be how the cat jumped all he could personally say on the matter was that as a
|
|
host of contingencies, equally relevant to the issue, might occur ere then it
|
|
was highly advisable in the interim to try to make the most of both countries
|
|
even though poles apart. Another little interesting point, the amours of
|
|
whores and chummies, to put it in common parlance, reminded him Irish
|
|
soldiers had as often fought for England as against her, more so, in fact.
|
|
And now, why? So the scene between the pair of them, the licensee of the
|
|
place rumoured to be or have been Fitzharris, the famous invincible, and
|
|
the other, obviously bogus, reminded him forcibly as being on all fours with
|
|
the confidence trick, supposing, that is, it was prearranged as the lookeron,
|
|
a student of the human soul if anything, the others seeing least of the game.
|
|
And as for the lessee or keeper, who probably wasn't the other person at all,
|
|
he (B.) couldn't help feeling and most properly it was better to give people
|
|
like that the goby unless you were a blithering idiot altogether and refuse to
|
|
have anything to do with them as a golden rule in private life and their
|
|
felonsetting, there always being the offchance of a Dannyman coming
|
|
forward and turning queen's evidence or king's now like Denis or Peter
|
|
Carey, an idea he utterly repudiated. Quite apart from that he disliked
|
|
those careers of wrongdoing and crime on principle. Yet, though such
|
|
criminal propensities had never been an inmate of his bosom in any shape
|
|
or form, he certainly did feel and no denying it (while inwardly remaining
|
|
what he was) a certain kind of admiration for a man who had actually
|
|
brandished a knife, cold steel, with the courage of his political convictions
|
|
(though, personally, he would never be a party to any such thing), off the
|
|
same bat as those love vendettas of the south, have her or swing for her,
|
|
when the husband frequently, after some words passed between the two
|
|
concerning her relations with the other lucky mortal (he having had the
|
|
pair watched), inflicted fatal injuries on his adored one as a result of an
|
|
alternative postnuptial liaison by plunging his knife into her, until it just
|
|
struck him that Fitz, nicknamed Skin-the, merely drove the car for the
|
|
|
|
******************************^~~
|
|
|
|
actual perpetrators of the outrage and so was not, if he was reliably
|
|
informed, actually party to the ambush which, in point of fact, was the plea
|
|
some legal luminary saved his skin on. In any case that was very ancient
|
|
history by now and as for our friend, the pseudo Skin-the-etcetera, he had
|
|
|
|
1070
|
|
transparently outlived his welcome. He ought to have either died naturally
|
|
or on the scaffold high. Like actresses, always farewell positively last
|
|
performance then come up smiling again. Generous to a fault of course,
|
|
temperamental, no economising or any idea of the sort, always snapping at
|
|
the bone for the shadow. So similarly he had a very shrewd suspicion that
|
|
Mr Johnny Lever got rid of some l s d. in the course of his perambulations
|
|
|
|
***^~~
|
|
|
|
round the docks in the congenial atmosphere of the Old Ireland tavern,
|
|
come back to Erin and so on. Then as for the other he had heard not so
|
|
long before the same identical lingo as he told Stephen how he simply but
|
|
effectually silenced the offender.
|
|
|
|
|
|
|
|
--He took umbrage at something or other, that muchinjured but on the
|
|
whole eventempered person declared, I let slip. He called me a jew and in a
|
|
heated fashion offensively. So I without deviating from plain facts in the
|
|
least told him his God, I mean Christ, was a jew too and all his family like
|
|
me though in reality I'm not. That was one for him. A soft answer turns
|
|
away wrath. He hadn't a word to say for himself as everyone saw. Am I not
|
|
right?
|
|
|
|
He turned a long you are wrong gaze on Stephen of timorous dark
|
|
pride at the soft impeachment with a glance also of entreaty for he seemed
|
|
to glean in a kind of a way that it wasn't all exactly.
|
|
|
|
|
|
|
|
|
|
|
|
1090
|
|
|
|
--Ex quibus, Stephen mumbled in a noncommittal accent, their two or four
|
|
eyes conversing, Christus or Bloom his name is or after all any other,
|
|
secundum carnem.
|
|
|
|
--Of course, Mr B. proceeded to stipulate, you must look at both sides of
|
|
the question. It is hard to lay down any hard and fast rules as to right and
|
|
wrong but room for improvement all round there certainly is though every
|
|
country, they say, our own distressful included, has the government it
|
|
deserves. But with a little goodwill all round. It's all very fine to boast of
|
|
mutual superiority but what about mutual equality. I resent violence and
|
|
intolerance in any shape or form. It never reaches anything or stops
|
|
anything. A revolution must come on the due instalments plan. It's a patent
|
|
absurdity on the face of it to hate people because they live round the corner
|
|
and speak another vernacular, in the next house so to speak.
|
|
|
|
--Memorable bloody bridge battle and seven minutes' war, Stephen
|
|
assented, between Skinner's alley and Ormond market.
|
|
|
|
Yes, Mr Bloom thoroughly agreed, entirely endorsing the remark, that
|
|
was overwhelmingly right. And the whole world was full of that sort of
|
|
thing.
|
|
|
|
--You just took the words out of my mouth, he said. A hocuspocus of
|
|
conflicting evidence that candidly you couldn't remotely ...
|
|
|
|
All those wretched quarrels, in his humble opinion, stirring up bad
|
|
blood, from some bump of combativeness or gland of some kind,
|
|
erroneously supposed to be about a punctilio of honour and a flag, were
|
|
very largely a question of the money question which was at the back of
|
|
everything greed and jealousy, people never knowing when to stop.
|
|
|
|
--They accuse, remarked he audibly.
|
|
|
|
He turned away from the others who probably and spoke nearer to,
|
|
so as the others in case they.
|
|
|
|
--Jews, he softly imparted in an aside in Stephen's ear, are accused of
|
|
ruining. Not a vestige of truth in it, I can safely say. History, would you be
|
|
surprised to learn, proves up to the hilt Spain decayed when the inquisition
|
|
hounded the jews out and England prospered when Cromwell, an
|
|
uncommonly able ruffian who in other respects has much to answer for,
|
|
imported them. Why? Because they are imbued with the proper spirit. They
|
|
are practical and are proved to be so. I don't want to indulge in any because
|
|
you know the standard works on the subject and then orthodox as you are.
|
|
But in the economic, not touching religion, domain the priest spells poverty.
|
|
Spain again, you saw in the war, compared with goahead America. Turks.
|
|
It's in the dogma. Because if they didn't believe they'd go straight to heaven
|
|
when they die they'd try to live better, at least so I think. That's the
|
|
juggle on which the p.p's raise the wind on false pretences. I'm, he resumed
|
|
with dramatic force, as good an Irishman as that rude person I told you about
|
|
at the outset and I want to see everyone, concluded he, all creeds and classes
|
|
pro rata having a comfortable tidysized income, in no niggard fashion
|
|
either, something in the neighbourhood of 300 pounds per annum. That's the
|
|
vital issue at stake and it's feasible and would be provocative of friendlier
|
|
intercourse between man and man. At least that's my idea for what it's
|
|
worth. I call that patriotism. Ubi patria, as we learned a smattering of in
|
|
our classical days in Alma Mater, vita bene. Where you can live well, the
|
|
sense is, if you work.
|
|
|
|
Over his untastable apology for a cup of coffee, listening to this
|
|
synopsis of things in general, Stephen stared at nothing in particular. He
|
|
could hear, of course, all kinds of words changing colour like those crabs
|
|
about Ringsend in the morning burrowing quickly into all colours of
|
|
different sorts of the same sand where they had a home somewhere beneath
|
|
or seemed to. Then he looked up and saw the eyes that said or didn't say the
|
|
words the voice he heard said, if you work.
|
|
|
|
--Count me out, he managed to remark, meaning work.
|
|
|
|
The eyes were surprised at this observation because as he, the person
|
|
who owned them pro tem. observed or rather his voice speaking did, all
|
|
must work, have to, together.
|
|
|
|
--I mean, of course, the other hastened to affirm, work in the widest
|
|
possible sense. Also literary labour not merely for the kudos of the thing.
|
|
Writing for the newspapers which is the readiest channel nowadays. That's
|
|
work too. Important work. After all, from the little I know of you, after all
|
|
the money expended on your education you are entitled to recoup yourself
|
|
and command your price. You have every bit as much right to live by your
|
|
pen in pursuit of your philosophy as the peasant has. What? You both
|
|
belong to Ireland, the brain and the brawn. Each is equally important.
|
|
|
|
--You suspect, Stephen retorted with a sort of a half laugh, that I may be
|
|
1160 important because I belong to the faubourg Saint Patrice called Ireland
|
|
for short.
|
|
|
|
--I would go a step farther, Mr Bloom insinuated.
|
|
|
|
--But I suspect, Stephen interrupted, that Ireland must be important
|
|
because it belongs to me.
|
|
|
|
--What belongs, queried Mr Bloom bending, fancying he was perhaps
|
|
under some misapprehension. Excuse me. Unfortunately, I didn't catch the
|
|
latter portion. What was it you ...?
|
|
|
|
Stephen, patently crosstempered, repeated and shoved aside his mug
|
|
of coffee or whatever you like to call it none too politely, adding: 1170
|
|
|
|
--We can't change the country. Let us change the subject.
|
|
|
|
At this pertinent suggestion Mr Bloom, to change the subject, looked
|
|
down but in a quandary, as he couldn't tell exactly what construction to put
|
|
on belongs to which sounded rather a far cry. The rebuke of some kind was
|
|
clearer than the other part. Needless to say the fumes of his recent orgy
|
|
spoke then with some asperity in a curious bitter way foreign to his sober
|
|
state. Probably the homelife to which Mr B attached the utmost importance
|
|
had not been all that was needful or he hadn't been familiarised with the
|
|
right sort of people. With a touch of fear for the young man beside him
|
|
whom he furtively scrutinised with an air of some consternation 1180
|
|
remembering he had just come back from Paris, the eyes more especially
|
|
reminding him forcibly of father and sister, failing to throw much light on
|
|
the subject, however, he brought to mind instances of cultured fellows that
|
|
promised so brilliantly nipped in the bud of premature decay and nobody to
|
|
blame but themselves. For instance there was the case of O'Callaghan, for
|
|
one, the halfcrazy faddist, respectably connected though of inadequate
|
|
means, with his mad vagaries among whose other gay doings when rotto
|
|
and making himself a nuisance to everybody all round he was in the habit
|
|
of ostentatiously sporting in public a suit of brown paper (a fact). And then
|
|
the usual denouement after the fun had gone on fast and furious he got 1190
|
|
landed into hot water and had to be spirited away by a few friends, after a
|
|
strong hint to a blind horse from John Mallon of Lower Castle Yard, so as
|
|
not to be made amenable under section two of the criminal law amendment
|
|
act, certain names of those subpoenaed being handed in but not divulged for
|
|
reasons which will occur to anyone with a pick of brains. Briefly, putting
|
|
two and two together, six sixteen which he pointedly turned a deaf ear to,
|
|
Antonio and so forth, jockeys and esthetes and the tattoo which was all the
|
|
go in the seventies or thereabouts even in the house of lords because early in
|
|
life the occupant of the throne, then heir apparent, the other members of the
|
|
upper ten and other high personages simply following in the footsteps of the
|
|
head of the state, he reflected about the errors of notorieties and crowned
|
|
heads running counter to morality such as the Cornwall case a number of
|
|
years before under their veneer in a way scarcely intended by nature, a
|
|
thing good Mrs Grundy, as the law stands, was terribly down on though
|
|
not for the reason they thought they were probably whatever it was except
|
|
women chiefly who were always fiddling more or less at one another it
|
|
being largely a matter of dress and all the rest of it. Ladies who like
|
|
distinctive underclothing should, and every welltailored man must, trying to
|
|
make the gap wider between them by innuendo and give more of a genuine
|
|
filip to acts of impropriety between the two, she unbuttoned his and then he
|
|
untied her, mind the pin, whereas savages in the cannibal islands, say, at
|
|
ninety degrees in the shade not caring a continental. However, reverting to
|
|
the original, there were on the other hand others who had forced their way
|
|
to the top from the lowest rung by the aid of their bootstraps. Sheer force of
|
|
natural genius, that. With brains, sir.
|
|
|
|
For which and further reasons he felt it was his interest and duty even
|
|
to wait on and profit by the unlookedfor occasion though why he could not
|
|
exactly tell being as it was already several shillings to the bad having in
|
|
fact let himself in for it. Still to cultivate the acquaintance of someone
|
|
of no uncommon calibre who could provide food for reflection would amply
|
|
repay any small. Intellectual stimulation, as such, was, he felt, from time to
|
|
time a firstrate tonic for the mind. Added to which was the coincidence of
|
|
meeting, discussion, dance, row, old salt of the here today and gone
|
|
tomorrow type, night loafers, the whole galaxy of events, all went to make
|
|
up a miniature cameo of the world we live in especially as the lives of the
|
|
submerged tenth, viz. coalminers, divers, scavengers etc., were very much
|
|
under the microscope lately. To improve the shining hour he wondered
|
|
whether he might meet with anything approaching the same luck as Mr
|
|
Philip Beaufoy if taken down in writing suppose he were to pen something
|
|
out of the common groove (as he fully intended doing) at the rate of one
|
|
guinea per column. My Experiences, let us say, in a Cabman's Shelter.
|
|
|
|
The pink edition extra sporting of the Telegraph tell a graphic lie lay,
|
|
as luck would have it, beside his elbow and as he was just puzzling again,
|
|
far from satisfied, over a country belonging to him and the preceding rebus
|
|
the vessel came from Bridgwater and the postcard was addressed A. Boudin
|
|
find the captain's age, his eyes went aimlessly over the respective captions
|
|
which came under his special province the allembracing give us this day our
|
|
daily press. First he got a bit of a start but it turned out to be only
|
|
something about somebody named H. du Boyes, agent for typewriters or
|
|
something like that. Great battle, Tokio. Lovemaking in Irish, 200 pounds
|
|
damages. Gordon Bennett. Emigration Swindle. Letter from His Grace.
|
|
William . Ascot meeting, the Gold Cup. Victory of outsider Throwaway
|
|
recalls Derby of '92 when Capt. Marshall's dark horse Sir Hugo captured
|
|
the blue ribband at long odds. New York disaster. Thousand lives lost. Foot
|
|
and Mouth. Funeral of the late Mr Patrick Dignam.
|
|
|
|
So to change the subject he read about Dignam R. I. P. which, he
|
|
reflected, was anything but a gay sendoff. Or a change of address anyway.
|
|
|
|
--This morning (Hynes put it in of course) the remains of the late Mr
|
|
Patrick Dignam were removed from his residence, no 9 Newbridge Avenue,
|
|
Sandymount, for interment in Glasnevin. The deceased gentleman was a
|
|
|
|
1250
|
|
most popular and genial personality in city life and his demise after a brief
|
|
illness came as a great shock to citizens of all classes by whom he is deeply
|
|
regretted. The obsequies, at which many friends of the deceased were present,
|
|
were carried out by (certainly Hynes wrote it with a nudge from Corny)
|
|
Messrs H. J. O'Neill and Son, 164 North Strand Road. The mourners
|
|
included: Patk. Dignam (son), Bernard Corrigan (brother-in-law), Jno.
|
|
Henry Menton, solr, Martin Cunningham, John Power, .)eatondph 1/8 ador
|
|
dorador douradora (must be where he called Monks the dayfather about
|
|
Keyes's ad) Thomas Kernan, Simon Dedalus, Stephen Dedalus B. ,4., Edw.
|
|
J. Lambert, Cornelius T. Kelleher, Joseph M'C Hynes, L. Boom, CP
|
|
|
|
1260
|
|
M'Coy,--M'lntosh and several others.
|
|
|
|
Nettled not a little by L. Boom (as it incorrectly stated) and the line
|
|
of bitched type but tickled to death simultaneously by C. P. M'Coy and
|
|
Stephen Dedalus B. A. who were conspicuous, needless to say, by their
|
|
total absence (to say nothing of M'Intosh) L. Boom pointed it out to his
|
|
companion B. A. engaged in stifling another yawn, half nervousness, not
|
|
forgetting the usual crop of nonsensical howlers of misprints.
|
|
|
|
--Is that first epistle to the Hebrews, he asked as soon as his bottom jaw
|
|
would let him, in? Text: open thy mouth and put thy foot in it.
|
|
|
|
--It is. Really, Mr Bloom said (though first he fancied he alluded to the
|
|
archbishop till he added about foot and mouth with which there could be
|
|
no possible connection) overjoyed to set his mind at rest and a bit
|
|
flabbergasted at Myles Crawford's after all managing to. There.
|
|
|
|
While the other was reading it on page two Boom (to give him for the
|
|
nonce his new misnomer) whiled away a few odd leisure moments in fits
|
|
and starts with the account of the third event at Ascot on page three, his
|
|
side. Value 1000 sovs with 3000 sovs in specie added. For entire colts and
|
|
fillies. Mr F. Alexander's Throwaway, b. h. by Rightaway-Thrale, 5 yrs,
|
|
9 st 4 lbs (W. Lane) 1, lord Howard de Walden's Zinfandel (M. Cannon)
|
|
z, Mr W. Bass's Sceptre 3. Betting 5 to 4 on Zinfandel, 20 to I Throwaway
|
|
(off). Sceptre a shade heavier, 5 to 4 on Zinfandel, 20 to I Throwaway
|
|
(off). Throwaway and Zinfandel stood close order. It was anybody's race
|
|
then the rank outsider drew to the fore, got long lead, beating lord Howard
|
|
de Walden's chestnut colt and Mr W. Bass's bay filly Sceptre on a 2 1/2 mile
|
|
course. Winner trained by Braime so that Lenehan's version of the business
|
|
was all pure buncombe. Secured the verdict cleverly by a length. 1000 sovs
|
|
with 3000 in specie. Also ran: J de Bremond's (French horse Bantam Lyons
|
|
was anxiously inquiring after not in yet but expected any minute)
|
|
Maximum II. Different ways of bringing off a coup. Lovemaking damages.
|
|
Though that halfbaked Lyons ran off at a tangent in his impetuosity to get
|
|
left. Of course gambling eminently lent itself to that sort of thing though as
|
|
the event turned out the poor fool hadn't much reason to congratulate
|
|
himself on his pick, the forlorn hope. Guesswork it reduced itself to
|
|
eventually.
|
|
|
|
--There was every indication they would arrive at that, he, Bloom, said.
|
|
|
|
--Who? the other, whose hand by the way was hurt, said.
|
|
|
|
One morning you would open the paper, the cabman affirmed, and
|
|
read: Return of Parnell. He bet them what they liked. A Dublin fusilier was
|
|
in that shelter one night and said he saw him in South Africa. Pride it was
|
|
killed him. He ought to have done away with himself or lain low for a time
|
|
after committee room no 15 until he was his old self again with no-one to
|
|
point a finger at him. Then they would all to a man have gone down on
|
|
their marrowbones to him to come back when he had recovered his senses.
|
|
Dead he wasn't. Simply absconded somewhere. The coffin they brought
|
|
over was full of stones. He changed his name to De Wet, the Boer general.
|
|
He made a mistake to fight the priests. And so forth and so on.
|
|
|
|
All the same Bloom (properly so dubbed) was rather surprised at their
|
|
memories for in nine cases out of ten it was a case of tarbarrels and not
|
|
singly but in their thousands and then complete oblivion because it was
|
|
twenty odd years. Highly unlikely of course there was even a shadow of
|
|
truth in the stones and, even supposing, he thought a return highly
|
|
inadvisable, all things considered. Something evidently riled them in his
|
|
death. Either he petered out too tamely of acute pneumonia just when his
|
|
various different political arrangements were nearing completion or
|
|
whether it transpired he owed his death to his having neglected to change
|
|
his boots and clothes-after a wetting when a cold resulted and failing to
|
|
consult a specialist he being confined to his room till he eventually died of
|
|
it amid widespread regret before a fortnight was at an end or quite possibly
|
|
they were distressed to find the job was taken out of their hands. Of course
|
|
nobody being acquainted with his movements even before there was
|
|
absolutely no clue as to his whereabouts which were decidedly of the Alice,
|
|
where art thou order even prior to his starting to go under several aliases
|
|
such as Fox and Stewart so the remark which emanated from friend cabby
|
|
might be within the bounds of possibility. Naturally then it would prey on
|
|
his mind as a born leader of men which undoubtedly he was and a
|
|
commanding figure, a sixfooter or at any rate five feet ten or eleven in his
|
|
stockinged feet, whereas Messrs So and So who, though they weren't even a
|
|
patch on the former man, ruled the roost after their redeeming features
|
|
were very few and far between. It certainly pointed a moral, the idol with
|
|
feet of clay, and then seventytwo of his trusty henchmen rounding on him
|
|
with mutual mudslinging. And the identical same with murderers. You had
|
|
to come back. That haunting sense kind of drew you. To show the
|
|
understudy in the title role how to. He saw him once on the auspicious
|
|
occasion when they broke up the type in the Insuppressible or was it United
|
|
Ireland, a privilege he keenly appreciated, and, in point of fact, handed him
|
|
his silk hat when it was knocked off and he said Thank you, excited as he
|
|
undoubtedly was under his frigid exterior notwithstanding the little
|
|
misadventure mentioned between the cup and the lip: what's bred in the
|
|
bone. Still as regards return. You were a lucky dog if they didn't set the
|
|
terrier at you directly you got back. Then a lot of shillyshally usually
|
|
followed, Tom for and Dick and Harry against. And then, number one, you
|
|
came up against the man in possession and had to produce your credentials
|
|
like the claimant in the Tichborne case, Roger Charles Tichborne, Bella
|
|
was the boat's name to the best of his recollection he, the heir, went down in
|
|
as the evidence went to show and there was a tattoo mark too in Indian ink,
|
|
lord Bellew was it, as he might very easily have picked up the details from
|
|
some pal on board ship and then, when got up to tally with the description
|
|
given, introduce himself with: Excuse me, my name is So and So or some
|
|
such commonplace remark. A more prudent course, as Bloom said to the
|
|
not over effusive, in fact like the distinguished personage under discussion
|
|
beside him, would have been to sound the lie of the land first.
|
|
|
|
--That bitch, that English whore, did for him, the shebeen proprietor
|
|
commented. She put the first nail in his coffin.
|
|
|
|
--Fine lump of a woman all the same, the soi-disant townclerk Henry
|
|
Campbell remarked, and plenty of her. She loosened many a man's thighs. I
|
|
seen her picture in a barber's. The husband was a captain or an officer.
|
|
|
|
--Ay, Skin-the-Goat amusingly added, he was and a cottonball one.
|
|
|
|
This gratuitous contribution of a humorous character occasioned a
|
|
fair amount of laughter among his entourage. As regards Bloom he,
|
|
without the faintest suspicion of a smile, merely gazed in the direction of
|
|
the 1360 door and reflected upon the historic story which had aroused
|
|
extraordinary interest at the time when the facts, to make matters worse, were
|
|
made public with the usual affectionate letters that passed between them full
|
|
of sweet nothings. First it was strictly Platonic till nature intervened and
|
|
an attachment sprang up between them till bit by bit matters came to a climax
|
|
and the matter became the talk of the town till the staggering blow came as
|
|
a welcome intelligence to not a few evildisposed, however, who were
|
|
resolved upon encompassing his downfall though the thing was public
|
|
property all along though not to anything like the sensational extent that it
|
|
subsequently blossomed into. Since their names were coupled, though, since
|
|
he was her declared favourite, where was the particular necessity to
|
|
proclaim it to the rank and file from the housetops, the fact, namely, that he
|
|
had shared her bedroom which came out in the witnessbox on oath when a
|
|
thrill went through the packed court literally electrifying everybody in the
|
|
shape of witnesses swearing to having witnessed him on such and such a
|
|
particular date in the act of scrambling out of an upstairs apartment with
|
|
the assistance of a ladder in night apparel, having gained admittance in the
|
|
same fashion, a fact the weeklies, addicted to the lubric a little, simply
|
|
coined shoals of money out of. Whereas the simple fact of the case was it
|
|
was simply a case of the husband not being up to the scratch, with nothing
|
|
in common between them beyond the name, and then a real man arriving on
|
|
the scene, strong to the verge of weakness, falling a victim to her siren
|
|
charms and forgetting home ties, the usual sequel, to bask in the loved one's
|
|
smiles. The eternal question of the life connubial, needless to say, cropped
|
|
up. Can real love, supposing there happens to be another chap in the case,
|
|
exist between married folk? Poser. Though it was no concern of theirs
|
|
absolutely if he regarded her with affection, carried away by a wave of
|
|
folly. A magnificent specimen of manhood he was truly augmented
|
|
obviously by gifts of a high order, as compared with the other military
|
|
supernumerary that is (who was just the usual everyday farewell, my
|
|
gallant captain kind of an individual in the light dragoons, the l8th hussars
|
|
to be accurate) and inflammable doubtless (the fallen leader, that is, not the
|
|
other) in his own peculiar way which she of course, woman, quickly
|
|
perceived as highly likely to carve his way to fame which he almost bid fair
|
|
to do till the priests and ministers of the gospel as a whole, his erstwhile
|
|
staunch adherents, and his beloved evicted tenants for whom he had done
|
|
yeoman service in the rural parts of the country by taking up the cudgels on
|
|
their behalf in a way that exceeded their most sanguine expectations, very
|
|
effectually cooked his matrimonial goose, thereby heaping coals of fire on
|
|
his head much in the same way as the fabled ass's kick. Looking back now
|
|
in a retrospective kind of arrangement all seemed a kind of dream. And
|
|
then coming back was the worst thing you ever did because it went without
|
|
saying you would feel out of place as things always moved with the times.
|
|
Why, as he reflected, Irishtown strand, a locality he had not been in for
|
|
quite a number of years looked different somehow since, as it happened, he
|
|
went to reside on the north side. North or south, however, it was just the
|
|
wellknown case of hot passion, pure and simple, upsetting the applecart
|
|
with a vengeance and just bore out the very thing he was saying as she also
|
|
was Spanish or half so, types that wouldn't do things by halves, passionate
|
|
abandon of the south, casting every shred of decency to the winds.
|
|
|
|
--Just bears out what I was saying, he, with glowing bosom said to Stephen,
|
|
about blood and the sun. And, if I don't greatly mistake she was Spanish
|
|
too.
|
|
|
|
--The king of Spain's daughter, Stephen answered, adding something or
|
|
other rather muddled about farewell and adieu to you Spanish onions and
|
|
the first land called the Deadman and from Ramhead to Scilly was so and
|
|
so many.
|
|
|
|
--Was she? Bloom ejaculated, surprised though not astonished by any
|
|
means, I never heard that rumour before. Possible, especially there, it was
|
|
as she lived there. So, Spain.
|
|
|
|
Carefully avoiding a book in his pocket Sweets of, which reminded
|
|
him by the by of that Cap l street library book out of date, he took out his
|
|
pocketbook and, turning over the various contents it contained rapidly
|
|
finally he.
|
|
|
|
--Do you consider, by the by, he said, thoughtfully selecting a faded photo
|
|
which he laid on the table, that a Spanish type?
|
|
|
|
Stephen, obviously addressed, looked down on the photo showing a
|
|
large sized lady with her fleshy charms on evidence in an open fashion as
|
|
she was in the full bloom of womanhood in evening dress cut ostentatiously
|
|
low for the occasion to give a liberal display of bosom, with more than
|
|
vision of breasts, her full lips parted and some perfect teeth, standing near,
|
|
ostensibly with gravity, a piano on the rest of which was In Old Madrid, a
|
|
ballad, pretty in its way, which was then all the vogue. Her (the lady's)
|
|
eyes, dark, large, looked at Stephen, about to smile about something to be
|
|
admired, Lafayette of Westmoreland street, Dublin's premier photographic
|
|
artist, being responsible for the esthetic execution.
|
|
|
|
--Mrs Bloom, my wife the prima donna Madam Marion Tweedy, Bloom
|
|
indicated. Taken a few years since. In or about ninety six. Very like her
|
|
then.
|
|
|
|
Beside the young man he looked also at the photo of the lady now his 1440
|
|
legal wife who, he intimated, was the accomplished daughter of Major
|
|
Brian Tweedy and displayed at an early age remarkable proficiency as a
|
|
singer having even made her bow to the public when her years numbered
|
|
barely sweet sixteen. As for the face it was a speaking likeness in expression
|
|
but it did not do justice to her figure which came in for a lot of notice
|
|
usually and which did not come out to the best advantage in that getup. She
|
|
could without difficulty, he said, have posed for the ensemble, not to dwell
|
|
on certain opulent curves of the. He dwelt, being a bit of an artist in his
|
|
spare time, on the female form in general developmentally because, as it so
|
|
happened, no later than that afternoon he had seen those Grecian statues, 1450
|
|
perfectly developed as works of art, in the National Museum. Marble could
|
|
give the original, shoulders, back, all the symmetry, all the rest. Yes,
|
|
puritanisme, it does though Saint Joseph's sovereign thievery alors
|
|
(Bandez!) Figne toi trop. Whereas no photo could because it simply wasn't
|
|
art in a word.
|
|
|
|
The spirit moving him he would much have liked to follow Jack Tar's
|
|
good example and leave the likeness there for a very few minutes to speak
|
|
for itself on the plea he so that the other could drink in the beauty for
|
|
himself, her stage presence being, frankly, a treat in itself which the camera
|
|
could not at all do justice to. But it was scarcely professional etiquette so.
|
|
1460
|
|
Though it was a warm pleasant sort of a night now yet wonderfully cool
|
|
for the season considering, for sunshine after storm. And he did feel a kind
|
|
of need there and then to follow suit like a kind of inward voice and satisfy
|
|
a possible need by moving a motion. Nevertheless he sat tight just viewing the
|
|
slightly soiled photo creased by opulent curves, none the worse for wear
|
|
however, and looked away thoughtfully with the intention of not further
|
|
increasing the other's possible embarrassment while gauging her symmetry
|
|
of heaving embonpoint. In fact the slight soiling was only an added charm
|
|
like the case of linen slightly soiled, good as new, much better in fact with
|
|
the starch out. Suppose she was gone when he? I looked for the lamp which
|
|
she told me came into his mind but merely as a passing fancy of his because
|
|
he then recollected the morning littered bed etcetera and the book about
|
|
Ruby with met him pike hoses (sic) in it which must have fell down
|
|
sufficiently appropriately beside the domestic chamberpot with apologies to
|
|
Lindley Murray.
|
|
|
|
The vicinity of the young man he certainly relished, educated,
|
|
distingue and impulsive into the bargain, far and away the pick of the
|
|
bunch though you wouldn't think he had it in him yet you would. Besides
|
|
he said the picture was handsome which, say what you like, it was though at
|
|
the moment she was distinctly stouter. And why not? An awful lot of
|
|
makebelieve went on about that sort of thing involving a lifelong slur with
|
|
the usual splash page of gutterpress about the same old matrimonial tangle
|
|
alleging misconduct with professional golfer or the newest stage favourite
|
|
instead of being honest and aboveboard about the whole business. How
|
|
they were fated to meet and an attachment sprang up between the two so
|
|
that their names were coupled in the public eye was told in court with letters
|
|
containing the habitual mushy and compromising expressions leaving no
|
|
loophole to show that they openly cohabited two or three times a week at
|
|
some wellknown seaside hotel and relations, when the thing ran its normal
|
|
course, became in due course intimate. Then the decree nisi and the King's
|
|
proctor tries to show cause why and, he failing to quash it, nisi was made
|
|
absolute. But as for that the two misdemeanants, wrapped up as they largely
|
|
were in one another, could safely afford to ignore it as they very largely did
|
|
till the matter was put in the hands of a solicitor who filed a petition for
|
|
the party wronged in due course. He, B, enjoyed the distinction of being close
|
|
to Erin's uncrowned king in the flesh when the thing occurred on the
|
|
historic fracas when the fallen leader's, who notoriously stuck to his guns to
|
|
the last drop even when clothed in the mantle of adultery, (leader's) trusty
|
|
henchmen to the number of ten or a dozen or possibly even more than that
|
|
penetrated into the printing works of the Insuppressible or no it was United
|
|
Ireland (a by no means by the by appropriate appellative) and broke up the
|
|
typecases with hammers or something like that all on account of some
|
|
scurrilous effusions from the facile pens of the O'Brienite scribes at the
|
|
usual mudslinging occupation reflecting on the erstwhile tribune's private
|
|
morals. Though palpably a radically altered man he was still a commanding
|
|
figure though carelessly garbed as usual with that look of settled purpose
|
|
which went a long way with the shillyshallyers till they discovered to their
|
|
vast discomfiture that their idol had feet of clay after placing him upon a
|
|
pedestal which she, however, was the first to perceive. As those were
|
|
particularly hot times in the general hullaballoo Bloom sustained a minor
|
|
injury from a nasty prod of some chap's elbow in the crowd that of course
|
|
congregated lodging some place about the pit of the stomach, fortunately
|
|
not of a grave character. His hat (Parnell's) a silk one was inadvertently
|
|
knocked off and, as a matter of strict history, Bloom was the man who
|
|
picked it up in the crush after witnessing the occurrence meaning to return
|
|
it to him (and return it to him he did with the utmost celerity) who panting
|
|
and hatless and whose thoughts were miles away from his hat at the time all
|
|
the same being a gentleman born with a stake in the country he, as a matter
|
|
of fact, having gone into it more for the kudos of the thing than anything
|
|
else, what's bred in the bone instilled into him in infancy at his mother's
|
|
knee in the shape of knowing what good form was came out at once
|
|
because he turned round to the donor and thanked him with perfect
|
|
aplomb, saying: Thank you, sir, though in a very different tone of voice
|
|
from the ornament of the legal profession whose headgear Bloom also set to
|
|
rights earlier in the course of the day, history repeating itself with a
|
|
difference, after the burial of a mutual friend when they had left him alone
|
|
in his glory after the grim task of having committed his remains to the
|
|
grave.
|
|
|
|
On the other hand what incensed him more inwardly was the blatant
|
|
jokes of the cabman and so on who passed it all off as a jest, laughing 1530
|
|
immoderately, pretending to understand everything, the why and the
|
|
wherefore, and in reality not knowing their own minds, it being a case for
|
|
the two parties themselves unless it ensued that the legitimate husband
|
|
happened to be a party to it owing to some anonymous letter from the usual
|
|
boy Jones, who happened to come across them at the crucial moment in a
|
|
loving position locked in one another's arms, drawing attention to their
|
|
illicit proceedings and leading up to a domestic rumpus and the erring fair
|
|
one begging forgiveness of her lord and master upon her knees and
|
|
promising to sever the connection and not receive his visits any more if only
|
|
the aggrieved husband would overlook the matter and let bygones be
|
|
bygones with tears in her eyes though possibly with her tongue in her fair
|
|
cheek at the same time as quite possibly there were several others. He
|
|
personally, being of a sceptical bias, believed and didn't make the smallest
|
|
bones about saying so either that man or men in the plural were always
|
|
hanging around on the waiting list about a lady, even supposing she was the
|
|
best wife in the world and they got on fairly well together for the sake of
|
|
argument, when, neglecting her duties, she chose to be tired of wedded life
|
|
and was on for a little flutter in polite debauchery to press their attentions
|
|
on her with improper intent, the upshot being that her affections centred on
|
|
another, the cause of many liaisons between still attractive married women
|
|
getting on for fair and forty and younger men, no doubt as several famous
|
|
cases of feminine infatuation proved up to the hilt.
|
|
|
|
It was a thousand pities a young fellow, blessed with an allowance of
|
|
brains as his neighbour obviously was, should waste his valuable time with
|
|
profligate women who might present him with a nice dose to last him his
|
|
lifetime. In the nature of single blessedness he would one day take unto
|
|
himself a wife when Miss Right came on the scene but in the interim ladies'
|
|
society was a conditio sine qua non though he had the gravest possible
|
|
doubts, not that he wanted in the smallest to pump Stephen about Miss
|
|
Ferguson (who was very possibly the particular lodestar who brought him
|
|
down to Irishtown so early in the morning), as to whether he would find
|
|
much satisfaction basking in the boy and girl courtship idea and the
|
|
company of smirking misses without a penny to their names bi or triweekly
|
|
with the orthodox preliminary canter of complimentplaying and walking
|
|
out leading up to fond lovers' ways and flowers and chocs. To think of him
|
|
house and homeless, rooked by some landlady worse than any stepmother,
|
|
was really too bad at his age. The queer suddenly things he popped out with
|
|
attracted the elder man who was several years the other's senior or like his
|
|
father but something substantial he certainly ought to eat even were it only
|
|
an eggflip made on unadulterated maternal nutriment or, failing that, the
|
|
homely Humpty Dumpty boiled.
|
|
|
|
--At what o'clock did you dine? he questioned of the slim form and tired
|
|
though unwrinkled face.
|
|
|
|
--Some time yesterday, Stephen said.
|
|
|
|
--Yesterday! exclaimed Bloom till he remembered it was already tomorrow
|
|
Friday. Ah, you mean it's after twelve!
|
|
|
|
--The day before yesterday, Stephen said, improving on himself.
|
|
|
|
Literally astounded at this piece of intelligence Bloom reflected.
|
|
Though they didn't see eye to eye in everything a certain analogy there
|
|
somehow was as if both their minds were travelling, so to speak, in the one
|
|
train of thought. At his age when dabbling in politics roughly some score of
|
|
years previously when he had been a quasi aspirant to parliamentary
|
|
honours in the Buckshot Foster days he too recollected in retrospect (which
|
|
was a source of keen satisfaction in itself) he had a sneaking regard for
|
|
those same ultra ideas. For instance when the evicted tenants question, then
|
|
at its first inception, bulked largely in people's mind though, it goes
|
|
without saying, not contributing a copper or pinning his faith absolutely to
|
|
its dictums, some of which wouldn't exactly hold water, he at the outset in
|
|
principle at all events was in thorough sympathy with peasant possession as
|
|
voicing the trend of modern opinion (a partiality, however, which, realising
|
|
his mistake, he was subsequently partially cured of) and even was twitted
|
|
with going a step farther than Michael Davitt in the striking views he at one
|
|
time inculcated as a backtothelander, which was one reason he strongly
|
|
resented the innuendo put upon him in so barefaced a fashion by our friend
|
|
at the gathering of the clans in Barney Kiernan's so that he, though often
|
|
considerably misunderstood and the least pugnacious of mortals, be it
|
|
repeated, departed from his customary habit to give him (metaphorically)
|
|
one in the gizzard though, so far as politics themselves were concerned, he
|
|
was only too conscious of the casualties invariably resulting from
|
|
propaganda and displays of mutual animosity and the misery and suffering
|
|
it entailed as a foregone conclusion on fine young fellows, chiefly,
|
|
destruction of the fittest, in a word.
|
|
|
|
Anyhow upon weighing up the pros and cons, getting on for one, as it
|
|
was, it was high time to be retiring for the night. The crux was it was a bit
|
|
risky to bring him home as eventualities might possibly ensue (somebody
|
|
having a temper of her own sometimes) and spoil the hash altogether as on
|
|
the night he misguidedly brought home a dog (breed unknown) with a lame
|
|
paw (not that the cases were either identical or the reverse though he had
|
|
hurt his hand too) to Ontario Terrace as he very distinctly remembered,
|
|
having been there, so to speak. On the other hand it was altogether far and
|
|
away too late for the Sandymount or Sandycove suggestion so that he was
|
|
in some perplexity as to which of the two alternatives. Everything pointed to
|
|
the fact that it behoved him to avail himself to the full of the opportunity,
|
|
all things considered. His initial impression was he was a shade standoffish
|
|
or not over effusive but it grew on him someway. For one thing he mightn't
|
|
what you call jump at the idea, if approached, and what mostly worried him
|
|
was he didn't know how to lead up to it or word it exactly, supposing he did
|
|
entertain the proposal, as it would afford him very great personal pleasure if
|
|
he would allow him to help to put coin in his way or some wardrobe, if
|
|
found suitable. At all events he wound up by concluding, eschewing for the
|
|
nonce hidebound precedent, a cup of Epps's cocoa and a shakedown for
|
|
the night plus the use of a rug or two and overcoat doubled into a pillow at
|
|
least he would be in safe hands and as warm as a toast on a trivet he failed
|
|
to perceive any very vast amount of harm in that always with the proviso no
|
|
rumpus of any sort was kicked up. A move had to be made because that
|
|
merry old soul, the grasswidower in question who appeared to be glued to
|
|
the spot, didn't appear in any particular hurry to wend his way home to his
|
|
dearly beloved Queenstown and it was highly likely some sponger's
|
|
bawdyhouse of retired beauties where age was no bar off Sheriff street
|
|
lower would be the best clue to that equivocal character's whereabouts for a
|
|
few days to come, alternately racking their feelings (the mermaids') with
|
|
sixchamber revolver anecdotes verging on the tropical calculated to freeze
|
|
the marrow of anybody's bones and mauling their largesized charms
|
|
betweenwhiles with rough and tumble gusto to the accompaniment of large
|
|
potations of potheen and the usual blarney about himself for as to who he
|
|
in reality was let x equal my right name and address, as Mr Algebra
|
|
remarks passim. At the same time he inwardly chuckled over his gentle
|
|
repartee to the blood and ouns champion about his god being a jew. People
|
|
could put up with being bitten by a wolf but what properly riled them was a
|
|
bite from a sheep. The most vulnerable point too of tender Achilles. Your
|
|
god was a jew. Because mostly they appeared to imagine he came from
|
|
Carrick-on-Shannon or somewhereabouts in the county Sligo.
|
|
|
|
--I propose, our hero eventually suggested after mature reflection while
|
|
prudently pocketing her photo, as it's rather stuffy here you just come home
|
|
with me and talk things over. My diggings are quite close in the vicinity.
|
|
You can't drink that stuff. Do you like cocoa? Wait. I'll just pay this lot.
|
|
|
|
The best plan clearly being to clear out, the remainder being plain
|
|
sailing, he beckoned, while prudently pocketing the photo, to the keeper of
|
|
the shanty who didn't seem to.
|
|
|
|
--Yes, that's the best, he assured Stephen to whom for the matter of that
|
|
Brazen Head or him or anywhere else was all more or less.
|
|
|
|
All kinds of Utopian plans were flashing through his (B's) busy brain,
|
|
education (the genuine article), literature, journalism, prize titbits, up to
|
|
date billing, concert tours in English watering resorts packed with hydros
|
|
and seaside theatres, turning money away, duets in Italian with the accent
|
|
perfectly true to nature and a quantity of other things, no necessity, of
|
|
course, to tell the world and his wife from the housetops about it, and a
|
|
slice of luck. An opening was all was wanted. Because he more than suspected
|
|
he had his father's voice to bank his hopes on which it was quite on the cards
|
|
he had so it would be just as well, by the way no harm, to trail the
|
|
conversation in the direction of that particular red herring just to.
|
|
|
|
The cabby read out of the paper he had got hold of that the former
|
|
viceroy, earl Cadogan, had presided at the cabdrivers' association dinner in
|
|
London somewhere. Silence with a yawn or two accompanied this thrilling
|
|
announcement. Then the old specimen in the corner who appeared to have
|
|
some spark of vitality left read out that sir Anthony MacDonnell had left
|
|
Euston for the chief secretary's lodge or words to that effect. To which
|
|
absorbing piece of intelligence echo answered why.
|
|
|
|
--Give us a squint at that literature, grandfather, the ancient mariner put
|
|
in, manifesting some natural impatience.
|
|
|
|
--And welcome, answered the elderly party thus addressed.
|
|
|
|
The sailor lugged out from a case he had a pair of greenish goggles
|
|
which he very slowly hooked over his nose and both ears.
|
|
|
|
--Are you bad in the eyes? the sympathetic personage like the townclerk
|
|
queried.
|
|
|
|
--Why, answered the seafarer with the tartan beard, who seemingly was a
|
|
bit of a literary cove in his own small way, staring out of seagreen portholes
|
|
as you might well describe them as, I uses goggles reading. Sand in the Red
|
|
Sea done that. One time I could read a book in the dark, manner of
|
|
speaking. The Arabian Nights Entertainment was my favourite and Red as
|
|
a Rose is She.
|
|
|
|
Hereupon he pawed the journal open and pored upon Lord only
|
|
knows what, found drowned or the exploits of King Willow, Iremonger
|
|
having made a hundred and something second wicket not out for Notts,
|
|
during which time (completely regardless of Ire) the keeper was intensely
|
|
occupied loosening an apparently new or secondhand boot which
|
|
manifestly pinched him as he muttered against whoever it was sold it, all of
|
|
them who were sufficiently awake enough to be picked out by their facial
|
|
expressions, that is to say, either simply looking on glumly or passing a
|
|
trivial remark.
|
|
|
|
To cut a long story short Bloom, grasping the situation, was the first
|
|
to rise from his seat so as not to outstay their welcome having first and
|
|
foremost, being as good as his word that he would foot the bill for the
|
|
occasion, taken the wise precaution to unobtrusively motion to mine host as
|
|
a parting shot a scarcely perceptible sign when the others were not looking
|
|
to the effect that the amount due was forthcoming, making a grand total of
|
|
fourpence (the amount he deposited unobtrusively in four coppers, literally
|
|
the last of the Mohicans), he having previously spotted on the printed
|
|
pricelist for all who ran to read opposite him in unmistakable figures, coffee
|
|
2d, confectionery do, and honestly well worth twice the money once in a
|
|
way, as Wetherup used to remark.
|
|
|
|
--Come, he counselled to close the seance.
|
|
|
|
Seeing that the ruse worked and the coast was clear they left the
|
|
shelter or shanty together and the elite society of oilskin and company
|
|
whom nothing short of an earthquake would move out of their dolce far
|
|
niente. Stephen, who confessed to still feeling poorly and fagged out,
|
|
paused at the, for a moment, the door.
|
|
|
|
--One thing I never understood, he said to be original on the spur of the
|
|
moment. Why they put tables upside down at night, I mean chairs upside
|
|
down, on the tables in cafes.
|
|
|
|
1710
|
|
|
|
To which impromptu the neverfailing Bloom replied without a
|
|
moment's hesitation, saying straight off:
|
|
|
|
--To sweep the floor in the morning.
|
|
|
|
So saying he skipped around, nimbly considering, frankly at the same
|
|
time apologetic to get on his companion's right, a habit of his, by the bye,
|
|
his right side being, in classical idiom, his tender Achilles. The night air
|
|
was certainly now a treat to breathe though Stephen was a bit weak on
|
|
his pins.
|
|
|
|
--It will (the air) do you good, Bloom said, meaning also the walk, in a
|
|
moment. The only thing is to walk then you'll feel a different man. Come.
|
|
It's not far. Lean on me.
|
|
|
|
Accordingly he passed his left arm in Stephen's right and led him on
|
|
accordingly.
|
|
|
|
--Yes, Stephen said uncertainly because he thought he felt a strange kind of
|
|
flesh of a different man approach him, sinewless and wobbly and all that.
|
|
|
|
Anyhow they passed the sentrybox with stones, brazier etc. where the
|
|
municipal supernumerary, ex Gumley, was still to all intents and purposes
|
|
wrapped in the arms of Murphy, as the adage has it, dreaming of fresh
|
|
fields and pastures new. And apropos of coffin of stones the analogy was
|
|
not at all bad as it was in fact a stoning to death on the part of seventytwo
|
|
out of eighty odd constituencies that ratted at the time of the split and
|
|
chiefly the belauded peasant class, probably the selfsame evicted tenants he
|
|
had put in their holdings.
|
|
|
|
So they turned on to chatting about music, a form of art for which
|
|
Bloom, as a pure amateur, possessed the greatest love, as they made tracks
|
|
arm in arm across Beresford place. Wagnerian music, though confessedly
|
|
grand in its way, was a bit too heavy for Bloom and hard to follow at the
|
|
first go-off but the music of Mercadante's Huguenots, Meyerbeer's Seven
|
|
Last Words on the Cross and Mozart's Twelfth Mass he simply revelled in,
|
|
the Gloria in that being, to his mind, the acme of first class music as such,
|
|
literally knocking everything else into a cocked hat. He infinitely preferred
|
|
the sacred music of the catholic church to anything the opposite shop could
|
|
offer in that line such as those Moody and Sankey hymns or Bid me to live
|
|
and I will live thy protestant to be. He also yielded to none in his
|
|
admiration of Rossini's Stabat Mater, a work simply abounding in
|
|
immortal numbers, in which his wife, Madam Marion Tweedy, made a hit, a
|
|
veritable sensation, he might safely say, greatly adding to her other laureis
|
|
and putting the others totally in the shade, in the jesuit fathers' church in
|
|
upper Gardiner street, the sacred edifice being thronged to the doors to hear
|
|
her with virtuosos, or virtuosi rather. There was the unanimous opinion
|
|
that there was none to come up to her and suffice it to say in a place of
|
|
worship for music of a sacred character there was a generally voiced desire
|
|
for an encore. On the whole though favouring preferably light opera of the
|
|
Don Giovanni description and Martha, a gem in its line, he had a penchant,
|
|
though with only a surface knowledge, for the severe classical school such
|
|
as Mendelssohn. And talking of that, taking it for granted he knew all about
|
|
the old favourites, he mentioned par excellence Lionel's air in Martha,
|
|
M'appari, which, curiously enough, he had heard or overheard, to be more
|
|
accurate, on yesterday, a privilege he keenly appreciated, from the lips of
|
|
Stephen's respected father, sung to perfection, a study of the number, in
|
|
fact, which made all the others take a back seat. Stephen, in reply to a
|
|
politely put query, said he didn't sing it but launched out into praises of
|
|
Shakespeare's songs, at least of in or about that period, the lutenist
|
|
Dowland who lived in Fetter lane near Gerard the herbalist, who annos
|
|
ludendo hausi, Doulandus, an instrument he was contemplating purchasing
|
|
from Mr Arnold Dolmetsch, whom B. did not quite recall though the name
|
|
certainly sounded familiar, for sixtyfive guineas and Farnaby and son with
|
|
their dux and comes conceits and Byrd (William) who played the virginals,
|
|
he said, in the Queen's chapel or anywhere else he found them and one
|
|
Tomkins who made toys or airs and John Bull.
|
|
|
|
On the roadway which they were approaching whilst still speaking
|
|
beyond the swingchains a horse, dragging a sweeper, paced on the paven
|
|
ground, brushing a long swathe of mire up so that with the noise Bloom
|
|
was not perfectly certain whether he had caught aright the allusion to
|
|
sixtyfive guineas and John Bull. He inquired if it was John Bull the political
|
|
celebrity of that ilk, as it struck him, the two identical names, as a
|
|
striking coincidence.
|
|
|
|
By the chains the horse slowly swerved to turn, which perceiving,
|
|
Bloom, who was keeping a sharp lookout as usual, plucked the other's
|
|
sleeve gently, jocosely remarking:
|
|
|
|
--Our lives are in peril tonight. Beware of the steamroller.
|
|
|
|
They thereupon stopped. Bloom looked at the head of a horse not
|
|
worth anything like sixtyfive guineas, suddenly in evidence in the dark quite
|
|
near so that it seemed new, a different grouping of bones and even flesh
|
|
because palpably it was a fourwalker, a hipshaker, a blackbuttocker, a
|
|
taildangler, a headhanger putting his hind foot foremost the while the lord
|
|
of his creation sat on the perch, busy with his thoughts. But such a good
|
|
poor brute he was sorry he hadn't a lump of sugar but, as he wisely
|
|
reflected, you could scarcely be prepared for every emergency that might
|
|
crop up. He was just a big nervous foolish noodly kind of a horse, without
|
|
a second care in the world. But even a dog, he reflected, take that mongrel
|
|
in Barney Kiernan's, of the same size, would be a holy horror to face. But it
|
|
was no animal's fault in particular if he was built that way like the camel,
|
|
ship of the desert, distilling grapes into potheen in his hump. Nine tenths of
|
|
them all could be caged or trained, nothing beyond the art of man barring
|
|
the bees. Whale with a harpoon hairpin, alligator tickle the small of his
|
|
back and he sees the joke, chalk a circle for a rooster, tiger my eagle eye.
|
|
These timely reflections anent the brutes of the field occupied his mind
|
|
somewhat distracted from Stephen's words while the ship of the street was
|
|
manoeuvring and Stephen went on about the highly interesting old.
|
|
|
|
--What's this I was saying? Ah, yes! My wife, he intimated, plunging in
|
|
medias res, would have the greatest of pleasure in making your
|
|
acquaintance as she is passionately attached to music of any kind.
|
|
|
|
He looked sideways in a friendly fashion at the sideface of Stephen,
|
|
image of his mother, which was not quite the same as the usual handsome
|
|
blackguard type they unquestionably had an insatiable hankering after as
|
|
he was perhaps not that way built.
|
|
|
|
Still, supposing he had his father's gift as he more than suspected, it
|
|
opened up new vistas in his mind such as Lady Fingall's Irish industries,
|
|
concert on the preceding Monday, and aristocracy in general.
|
|
|
|
Exquisite variations he was now describing on an air Youth here has
|
|
End by Jans Pieter Sweelinck, a Dutchman of Amsterdam where the frows
|
|
come from. Even more he liked an old German song of Johannes Jeep
|
|
about the clear sea and the voices of sirens, sweet murderers of men,
|
|
which boggled Bloom a bit:
|
|
|
|
Von der Sirenen Listigkeit
|
|
|
|
Tun die Poeten dichten.
|
|
|
|
These opening bars he sang and translated extempore. Bloom,
|
|
nodding, said he perfectly understood and begged him to go on by all
|
|
means which he did.
|
|
|
|
A phenomenally beautiful tenor voice like that, the rarest of boons,
|
|
which Bloom appreciated at the very first note he got out, could easily, if
|
|
properly handled by some recognised authority on voice production such as
|
|
Barraclough and being able to read music into the bargain, command its
|
|
own price where baritones were ten a penny and procure for its fortunate
|
|
possessor in the near future an entree into fashionable houses in the best
|
|
residential quarters of financial magnates in a large way of business and
|
|
titled people where with his university degree of B. A. (a huge ad in its way)
|
|
and gentlemanly bearing to all the more influence the good impression he
|
|
would infallibly score a distinct success, being blessed with brains which
|
|
also could be utilised for the purpose and other requisites, if his clothes
|
|
were properly attended to so as to the better worm his way into their good
|
|
graces as he, a youthful tyro in--society's sartorial niceties, hardly
|
|
understood how a little thing like that could militate against you. It was in
|
|
fact only a matter of months and he could easily foresee him participating
|
|
in their musical and artistic conversaziones during the festivities of the
|
|
Christmas season, for choice, causing a slight flutter in the dovecotes of the
|
|
fair sex and being made a lot of by ladies out for sensation, cases of which,
|
|
as he happened to know, were on record--in fact, without giving the show
|
|
away, he himself once upon a time, if he cared to, could easily have. Added
|
|
to which of course would be the pecuniary emolument by no mean.s to be
|
|
sneezed at, going hand in hand with his tuition fees. Not, he parenthesised,
|
|
that for the sake of filthy lucre he need necessarily embrace the lyric
|
|
platform as a walk in life for any lengthy space of time. But a step in the
|
|
required direction it was beyond yea or nay and both monetarily and
|
|
mentally it contained no reflection on his dignity in the smallest and it
|
|
often turned in uncommonly handy to be handed a cheque at a muchneeded
|
|
moment when every little helped. Besides, though taste latterly had
|
|
deteriorated to a degree, original music like that, different from the
|
|
conventional rut, would rapidly have a great vogue as it would be a decided
|
|
novelty for Dublin's musical world after the usual hackneyed run of catchy
|
|
tenor solos foisted on a confiding public by Ivan St Austell and Hilton
|
|
St Just and their genus omne. Yes, beyond a shadow of a doubt he could
|
|
with all the cards in his hand and he had a capital opening to make a name
|
|
for himself and win a high place in the city's esteem where he could
|
|
command a stiff figure and, booking ahead, give a grand concert for the
|
|
patrons of the King street house, given a backerup, if one were forthcoming
|
|
to kick him upstairs, so to speak, a big if however, with some impetus of the
|
|
goahead sort to obviate the inevitable procrastination which often tripped
|
|
-up a too much feted prince of good fellows. And it need not detract from
|
|
the other by one iota as, being his own master, he would have heaps of time
|
|
to practise literature in his spare moments when desirous of so doing
|
|
without its clashing with his vocal career or containing anything derogatory
|
|
whatsoever as it was a matter for himself alone. In fact, he had the ball at
|
|
his feet and that was the very reason why the other, possessed of a
|
|
remarkably sharp nose for smelling a rat of any sort, hung on to him at all.
|
|
|
|
The horse was just then. And later on at a propitious opportunity he
|
|
purposed (Bloom did), without anyway prying into his private affairs on the
|
|
fools step in where angels principle, advising him to sever his connection
|
|
with a certain budding practitioner who, he noticed, was prone to disparage
|
|
and even to a slight extent with some hilarious pretext when not present,
|
|
deprecate him, or whatever you like to call it which in Bloom's humble
|
|
opinion threw a nasty sidelight on that side of a person's character, no pun
|
|
intended.
|
|
|
|
The horse having reached the end of his tether, so to speak, halted
|
|
and, rearing high a proud feathering tail, added his quota by letting fall on
|
|
the floor which the brush would soon brush up and polish, three smoking
|
|
globes of turds. Slowly three times, one after another, from a full crupper he
|
|
mired. And humanely his driver waited till he (or she) had ended, patient in
|
|
his scythed car.
|
|
|
|
Side by side Bloom, profiting by the contretemps, with Stephen passed
|
|
through the gap of the chains, divided by the upright, and, stepping over a
|
|
strand of mire, went across towards Gardiner street lower, Stephen singing
|
|
more boldly, but not loudly, the end of the ballad.
|
|
|
|
Und alle Schiffe brucken.
|
|
|
|
The driver never said a word, good, bad or indifferent, but merely
|
|
watched the two figures, as he sat on his lowbacked car, both black, one
|
|
full, one lean, walk towards the railway bridge, to be married by Father
|
|
Maher. As they walked they at times stopped and walked again continuing
|
|
their tete-a-tete (which, of course, he was utterly out of) about sirens
|
|
enemies of man's reason, mingled with a number of other topics of the same
|
|
category, usurpers, historical cases of the kind while the man in the sweeper
|
|
car or you might as well call it in the sleeper car who in any case couldn't
|
|
possibly hear because they were too far simply sat in his seat near the end of
|
|
lower Gardiner street and looked after their lowbacked car.
|
|
|
|
What parallel courses did Bloom and Stephen follow returning?
|
|
|
|
Starting united both at normal walking pace from Beresford place they
|
|
followed in the order named Lower and Middle Gardiner streets and
|
|
Mountjoy square, west: then, at reduced pace, each bearing left, Gardiner's
|
|
place by an inadvertence as far as the farther corner of Temple street: then,
|
|
at reduced pace with interruptions of halt, bearing right, Temple street,
|
|
north, as far as Hardwicke place. Approaching, disparate, at relaxed
|
|
walking pace they crossed both the circus before George's church
|
|
diametrically, the chord in any circle being less than the arc which it
|
|
subtends.
|
|
|
|
Of what did the duumvirate deliberate during their itinerary?
|
|
|
|
Music, literature, Ireland, Dublin, Paris, friendship, woman, prostitution,
|
|
diet, the influence of gaslight or the light of arc and glowlamps on the
|
|
growth of adjoining paraheliotropic trees, exposed corporation emergency
|
|
dustbuckets, the Roman catholic church, ecclesiastical celibacy, the Irish
|
|
nation, jesuit education, careers, the study of medicine, the past day, the
|
|
maleficent influence of the presabbath, Stephen's collapse.
|
|
|
|
|
|
Did Bloom discover common factors of similarity between their respective
|
|
like and unlike reactions to experience?
|
|
|
|
Both were sensitive to artistic impressions, musical in preference to plastic
|
|
or pictorial. Both preferred a continental to an insular manner of life, a
|
|
cisatlantic to a transatlantic place of residence. Both indurated by early
|
|
domestic training and an inherited tenacity of heterodox resistance
|
|
professed their disbelief in many orthodox religious, national, social and
|
|
ethical doctrines. Both admitted the alternately stimulating and obtunding
|
|
influence of heterosexual magnetism.
|
|
|
|
Were their views on some points divergent?
|
|
|
|
Stephen dissented openly from Bloom's views on the importance of dietary
|
|
and civic selfhelp while Bloom dissented tacitly from Stephen's views on the
|
|
eternal affirmation of the spirit of man in literature. Bloom assented
|
|
covertly to Stephen's rectification of the anachronism involved in assigning
|
|
the date of the conversion of the Irish nation to christianity from druidism
|
|
by Patrick son of Calpornus, son of Potitus, son of Odyssus, sent by pope
|
|
Celestine I in the year 432 in the reign of Leary to the year 260 or
|
|
thereabouts in the reign of Cormac MacArt ( 266 A.D.), suffocated by
|
|
imperfect deglutition of aliment at Sletty and interred at Rossnaree. The
|
|
collapse which Bloom ascribed to gastric inanition and certain chemical
|
|
compounds of varying degrees of adulteration and alcoholic strength,
|
|
accelerated by mental exertion and the velocity of rapid circular motion in a
|
|
relaxing atmosphere, Stephen attributed to the reapparition of a matutinal
|
|
cloud (perceived by both from two different points of observation
|
|
Sandycove and Dublin) at first no bigger than a woman's hand.
|
|
|
|
Was there one point on which their views were equal and negative?
|
|
|
|
The influence of gaslight or electric light on the growth of adjoining
|
|
paraheliotropic trees.
|
|
|
|
Had Bloom discussed similar subjects during nocturnal perambulations in
|
|
the past?
|
|
|
|
In 1884 with Owen Goldberg and Cecil Turnbull at night on public
|
|
thoroughfares between Longwood avenue and Leonard's corner and
|
|
Leonard's corner and Synge street and Synge street and Bloomfield avenue.
|
|
|
|
In 1885 with Percy Apjohn in the evenings, reclined against the wall
|
|
between Gibraltar villa and Bloomfield house in Crumlin, barony of
|
|
Uppercross. In 1886 occasionally with casual acquaintances and
|
|
prospective purchasers on doorsteps, in front parlours, in third class
|
|
railway carriages of suburban lines. In 1888 frequently with major Brian
|
|
Tweedy and his daughter Miss Marion Tweedy, together and separately on
|
|
the lounge in Matthew Dillon's house in Roundtown. Once in 1892 and
|
|
once in 1893 with Julius (Juda) Mastiansky, on both occasions in the
|
|
parlour of his (Bloom's) house in Lombard street, west.
|
|
|
|
What reflection concerning the irregular sequence of dates 1884, 1885,
|
|
1886, 1888, 1892, 1893, 1904 did Bloom make before their arrival at their
|
|
destination?
|
|
|
|
He reflected that the progressive extension of the field of individual
|
|
development and experience was regressively accompanied by a restriction
|
|
of the converse domain of interindividual relations.
|
|
|
|
As in what ways?
|
|
|
|
From inexistence to existence he came to many and was as one received:
|
|
existence with existence he was with any as any with any: from existence
|
|
to nonexistence gone he would be by all as none perceived.
|
|
What act did Bloom make on their arrival at their destination?
|
|
|
|
At the housesteps of the 4th Of the equidifferent uneven numbers, number 7
|
|
Eccles street, he inserted his hand mechanically into the back pocket of
|
|
his trousers to obtain his latchkey.
|
|
|
|
Was it there?
|
|
|
|
It was in the corresponding pocket of the trousers which he had worn on
|
|
the day but one preceding.
|
|
|
|
Why was he doubly irritated?
|
|
|
|
Because he had forgotten and because he remembered that he had reminded
|
|
himself twice not to forget.
|
|
|
|
What were then the alternatives before the, premeditatedly (respectively)
|
|
and inadvertently, keyless couple?
|
|
|
|
To enter or not to enter. To knock or not to knock.
|
|
|
|
Bloom's decision?
|
|
|
|
A stratagem. Resting his feet on the dwarf wall, he climbed over the area
|
|
railings, compressed his hat on his head, grasped two points at the lower
|
|
union of rails and stiles, lowered his body gradually by its length of
|
|
five feet nine inches and a half to within two feet ten inches of the
|
|
area pavement and allowed his body to move freely in space by separating
|
|
himself from the railings and crouching in preparation for the impact of
|
|
the fall.
|
|
|
|
Did he fall?
|
|
|
|
By his body's known weight of eleven stone and four pounds in avoirdupois
|
|
measure, as certified by the graduated machine for periodical selfweighing
|
|
in the premises of Francis Froedman, pharmaceutical chemist of 19
|
|
Frederick street, north, on the last feast of the Ascension, to wit, the
|
|
twelfth day of May of the bissextile year one thousand nine hundred and
|
|
four of the christian era (jewish era five thousand six hundred and
|
|
sixtyfour, mohammadan era one thousand three hundred and twentytwo),
|
|
golden number 5, epact 13, solar cycle 9, dominical letters C B, Roman
|
|
indiction 2, Julian period 6617, MCMIV.
|
|
|
|
Did he rise uninjured by concussion?
|
|
|
|
Regaining new stable equilibrium he rose uninjured though concussed by
|
|
the impact, raised the latch of the area door by the exertion of force at its
|
|
freely moving flange and by leverage of the first kind applied at its fulcrum,
|
|
gained retarded access to the kitchen through the subadjacent scullery,
|
|
ignited a lucifer match by friction, set free inflammable coal gas by
|
|
turningon the ventcock, lit a high flame which, by regulating, he reduced to
|
|
quiescent candescence and lit finally a portable candle.
|
|
|
|
What discrete succession of images did Stephen meanwhile perceive?
|
|
|
|
Reclined against the area railings he perceived through the transparent
|
|
kitchen panes a man regulating a gasflame of 14 CP, a man lighting a
|
|
candle of 1 CP, a man removing in turn each of his two boots, a man
|
|
leaving the kitchen holding a candle.
|
|
|
|
Did the man reappear elsewhere?
|
|
|
|
After a lapse of four minutes the glimmer of his candle was discernible
|
|
through the semitransparent semicircular glass fanlight over the halldoor.
|
|
The halldoor turned gradually on its hinges. In the open space of the
|
|
doorway the man reappeared without his hat, with his candle.
|
|
|
|
Did Stephen obey his sign?
|
|
|
|
Yes, entering softly, he helped to close and chain the door and followed
|
|
softly along the hallway the man's back and listed feet and lighted candle
|
|
past a lighted crevice of doorway on the left and carefully down a turning
|
|
staircase of more than five steps into the kitchen of Bloom's house.
|
|
|
|
What did Bloom do?
|
|
|
|
He extinguished the candle by a sharp expiration of breath upon its flame,
|
|
drew two spoonseat deal chairs to the hearthstone, one for Stephen with its
|
|
back to the area window, the other for himself when necessary, knelt on one
|
|
knee, composed in the grate a pyre of crosslaid resintipped sticks and
|
|
various coloured papers and irregular polygons of best Abram coal at
|
|
twentyone shillings a ton from the yard of Messrs Flower and M'Donald of
|
|
14 D'Olier street, kindled it at three projecting points of paper with one
|
|
ignited lucifer match, thereby releasing the potential energy contained in the
|
|
fuel by allowing its carbon and hydrogen elements to enter into free union
|
|
with the oxygen of the air.
|
|
|
|
Of what similar apparitions did Stephen think?
|
|
|
|
Of others elsewhere in other times who, kneeling on one knee or on two,
|
|
had kindled fires for him, of Brother Michael in the infirmary of the college
|
|
of the Society of Jesus at Clongowes Wood, Sallins, in the county of
|
|
Kildare: of his father, Simon Dedalus, in an unfurnished room of his first
|
|
residence in Dublin, number thirteen Fitzgibbon street: of his godmother
|
|
Miss Kate Morkan in the house of her dying sister Miss Julia Morkan at 15
|
|
Usher's Island: of his aunt Sara, wife of Richie (Richard) Goulding, in the
|
|
kitchen of their lodgings at 62 Clanbrassil street: of his mother Mary, wife
|
|
of Simon Dedalus, in the kitchen of number twelve North Richmond street
|
|
on the morning of the feast of Saint Francis Xavier 1898: of the dean of
|
|
studies, Father Butt, in the physics' theatre of university College, 16
|
|
Stephen's Green, north: of his sister Dilly (Delia) in his father's house in
|
|
Cabra.
|
|
|
|
What did Stephen see on raising his gaze to the height of a yard from the
|
|
fire towards the opposite wall?
|
|
|
|
Under a row of five coiled spring housebells a curvilinear rope, stretched
|
|
between two holdfasts athwart across the recess beside the chimney pier,
|
|
from which hung four smallsized square handkerchiefs folded unattached
|
|
consecutively in adjacent rectangles and one pair of ladies' grey hose with
|
|
Lisle suspender tops and feet in their habitual position clamped by three
|
|
erect wooden pegs two at their outer extremities and the third at their point
|
|
of junction.
|
|
|
|
What did Bloom see on the range?
|
|
|
|
On the right (smaller) hob a blue enamelled saucepan: on the left (larger)
|
|
hob a black iron kettle.
|
|
|
|
What did Bloom do at the range?
|
|
|
|
He removed the saucepan to the left hob, rose and carried the iron kettle to
|
|
the sink in order to tap the current by turning the faucet to let it flow.
|
|
|
|
Did it flow?
|
|
|
|
Yes. From Roundwood reservoir in county Wicklow of a cubic capacity of
|
|
2400 million gallons, percolating through a subterranean aqueduct of filter
|
|
mains of single and double pipeage constructed at an initial plant cost of 5
|
|
pounds per linear yard by way of the Dargle, Rathdown, Glen of the Downs and
|
|
Callowhill to the 26 acre reservoir at Stillorgan, a distance of 22 statute
|
|
miles, and thence, through a system of relieving tanks, by a gradient of 250
|
|
feet to the city boundary at Eustace bridge, upper Leeson street, though
|
|
from prolonged summer drouth and daily supply of 12Šmillion gallons the
|
|
|
|
***************************************************^~~
|
|
|
|
water had fallen below the sill of the overflow weir for which reason the
|
|
borough surveyor and waterworks engineer, Mr Spencer Harty, C. E., on
|
|
the instructions of the waterworks committee had prohibited the use of
|
|
municipal water for purposes other than those of consumption (envisaging
|
|
the possibility of recourse being had to the impotable water of the Grand
|
|
and Royal canals as in 1893) particularly as the South Dublin Guardians,
|
|
notwithstanding their ration of 15 gallons per day per pauper supplied
|
|
through a 6 inch meter, had been convicted of a wastage of 20,000 gallons
|
|
per night by a reading of their meter on the affirmation of the law agent of
|
|
the corporation, Mr Ignatius Rice, solicitor, thereby acting to the detriment
|
|
of another section of the public, selfsupporting taxpayers, solvent, sound.
|
|
What in water did Bloom, waterlover, drawer of water, watercarrier,
|
|
returning to the range, admire?
|
|
|
|
Its universality: its democratic equality and constancy to its nature in
|
|
seeking its own level: its vastness in the ocean of Mercator's projection: its
|
|
unplumbed profundity in the Sundam trench of the Pacific exceeding 8000
|
|
fathoms: the restlessness of its waves and surface particles visiting in turn
|
|
all points of its seaboard: the independence of its units: the variability of
|
|
states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity
|
|
in neap and spring tides: its subsidence after devastation: its sterility in
|
|
the circumpolar icecaps, arctic and antarctic: its climatic and commercial
|
|
significance: its preponderance of 3 to 1 over the dry land of the globe: its
|
|
indisputable hegemony extending in square leagues over all the region
|
|
below the subequatorial tropic of Capricorn: the multisecular stability of its
|
|
primeval basin: its luteofulvous bed: its capacity to dissolve and hold in
|
|
solution all soluble substances including millions of tons of the most
|
|
precious metals: its slow erosions of peninsulas and islands, its persistent
|
|
formation of homothetic islands, peninsulas and downwardtending
|
|
promontories: its alluvial deposits: its weight and volume and density: its
|
|
imperturbability in lagoons and highland tarns: its gradation of colours
|
|
in the torrid and temperate and frigid zones: its vehicular ramifications in
|
|
continental lakecontained streams and confluent oceanflowing rivers with
|
|
their tributaries and transoceanic currents, gulfstream, north and south
|
|
equatorial courses: its violence in seaquakes, waterspouts, Artesian wells,
|
|
eruptions, torrents, eddies, freshets, spates, groundswells, watersheds,
|
|
waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations,
|
|
deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its
|
|
secrecy in springs and latent humidity, revealed by rhabdomantic or
|
|
hygrometric instruments and exemplified by the well by the hole in the
|
|
wall at Ashtown gate, saturation of air, distillation of dew: the
|
|
simplicity of its composition, two constituent parts of hydrogen with
|
|
one constituent part of oxygen: its healing virtues: its buoyancy
|
|
in the waters of the Dead Sea: its persevering penetrativeness
|
|
in runnels, gullies, inadequate dams, leaks on shipboard: its properties
|
|
for cleansing, quenching thirst and fire, nourishing vegetation: its
|
|
infallibility as paradigm and paragon: its metamorphoses as vapour, mist,
|
|
cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety
|
|
of forms in loughs and bays and gulfs and bights and guts and lagoons and
|
|
atolls and archipelagos and sounds and fjords and minches and tidal
|
|
estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its
|
|
docility in working hydraulic millwheels, turbines, dynamos, electric power
|
|
stations, bleachworks, tanneries, scutchmills: its utility in canals,
|
|
rivers, if navigable, floating and graving docks: its potentiality
|
|
derivable from harnessed tides or watercourses falling from level to
|
|
level: its submarine fauna and flora (anacoustic, photophobe),
|
|
numerically, if not literally, the inhabitants of the globe: its ubiquity
|
|
as constituting 90 percent of the human body: the noxiousness of its
|
|
effluvia in lacustrine marshes, pestilential fens, faded flowerwater,
|
|
stagnant pools in the waning moon.
|
|
|
|
Having set the halffilled kettle on the now burning coals, why did he
|
|
return to the stillflowing tap?
|
|
|
|
To wash his soiled hands with a partially consumed tablet of Barrington's
|
|
lemonflavoured soap, to which paper still adhered, (bought thirteen hours
|
|
previously for fourpence and still unpaid for), in fresh cold
|
|
neverchanging everchanging water and dry them, face and hands, in a long
|
|
redbordered holland cloth passed over a wooden revolving roller.
|
|
|
|
What reason did Stephen give for declining Bloom's offer?
|
|
|
|
That he was hydrophobe, hating partial contact by immersion or total by
|
|
submersion in cold water, (his last bath having taken place in the month
|
|
of October of the preceding year), disliking the aqueous substances of
|
|
glass and crystal, distrusting aquacities of thought and language.
|
|
|
|
What impeded Bloom from giving Stephen counsels of hygiene and
|
|
prophylactic to which should be added suggestions concerning a
|
|
preliminary wetting of the head and contraction of the muscles with rapid
|
|
splashing of the face and neck and thoracic and epigastric region in case of
|
|
sea or river bathing, the parts of the human anatomy most sensitive to cold
|
|
being the nape, stomach and thenar or sole of foot?
|
|
|
|
The incompatibility of aquacity with the erratic originality of genius.
|
|
|
|
What additional didactic counsels did he similarly repress?
|
|
|
|
Dietary: concerning the respective percentage of protein and caloric energy
|
|
in bacon, salt ling and butter, the absence of the former in the lastnamed
|
|
and the abundance of the latter in the firstnamed.
|
|
|
|
Which seemed to the host to be the predominant qualities of his guest?
|
|
|
|
Confidence in himself, an equal and opposite power of abandonment and
|
|
recuperation.
|
|
|
|
What concomitant phenomenon took place in the vessel of liquid by the
|
|
agency of fire?
|
|
|
|
The phenomenon of ebullition. Fanned by a constant updraught of
|
|
ventilation between the kitchen and the chimneyflue, ignition was
|
|
communicated from the faggots of precombustible fuel to polyhedral
|
|
masses of bituminous coal, containing in compressed mineral form the
|
|
foliated fossilised decidua of primeval forests which had in turn derived
|
|
their vegetative existence from the sun, primal source of heat (radiant),
|
|
transmitted through omnipresent luminiferous diathermanous ether. Heat
|
|
(convected), a mode of motion developed by such combustion, was
|
|
constantly and increasingly conveyed from the source of calorification to
|
|
the liquid contained in the vessel, being radiated through the uneven
|
|
unpolished dark surface of the metal iron, in part reflected, in part
|
|
absorbed, in part transmitted, gradually raising the temperature of the
|
|
water from normal to boiling point, a rise in temperature expressible as the
|
|
result of an expenditure of 72 thermal units needed to raise 1 pound of
|
|
water from 50 degrees to 212 degrees Fahrenheit.
|
|
|
|
What announced the accomplishment of this rise in temperature?
|
|
|
|
A double falciform ejection of water vapour from under the kettlelid at both
|
|
sides simultaneously.
|
|
|
|
For what personal purpose could Bloom have applied the water so boiled?
|
|
|
|
To shave himself.
|
|
|
|
What advantages attended shaving by night?
|
|
|
|
A softer beard: a softer brush if intentionally allowed to remain from shave
|
|
to shave in its agglutinated lather: a softer skin if unexpectedly
|
|
encountering female acquaintances in remote places at incustomary hours:
|
|
quiet reflections upon the course of the day: a cleaner sensation when
|
|
awaking after a fresher sleep since matutinal noises, premonitions and
|
|
perturbations, a clattered milkcan, a postman's double knock, a paper read,
|
|
reread while lathering, relathering the same spot, a shock, a shoot, with
|
|
thought of aught he sought though fraught with nought might cause a
|
|
faster rate of shaving and a nick on which incision plaster with precision
|
|
cut and humected and applied adhered: which was to be done.
|
|
|
|
Why did absence of light disturb him less than presence of noise?
|
|
|
|
Because of the surety of the sense of touch in his firm full masculine
|
|
feminine passive active hand.
|
|
|
|
What quality did it (his hand) possess but with what counteracting
|
|
influence?
|
|
|
|
The operative surgical quality but that he was reluctant to shed human
|
|
blood even when the end justified the means, preferring, in their natural
|
|
order, heliotherapy, psychophysicotherapeutics, osteopathic surgery.
|
|
|
|
What lay under exposure on the lower, middle and upper shelves of the
|
|
kitchen dresser, opened by Bloom?
|
|
|
|
On the lower shelf five vertical breakfast plates, six horizontal breakfast
|
|
saucers on which rested inverted breakfast cups, a moustachecup,
|
|
uninverted, and saucer of Crown Derby, four white goldrimmed eggcups,
|
|
an open shammy purse displaying coins, mostly copper, and a phial of
|
|
aromatic (violet) comfits. On the middle shelf a chipped eggcup containing
|
|
pepper, a drum of table salt, four conglomerated black olives in oleaginous
|
|
paper, an empty pot of Plumtree's potted meat, an oval wicker basket
|
|
bedded with fibre and containing one Jersey pear, a halfempty bottle of
|
|
William Gilbey and Co's white invalid port, half disrobed of its swathe of
|
|
coralpink tissue paper, a packet of Epps's soluble cocoa, five ounces of
|
|
Anne Lynch's choice tea at 2/- per lb in a crinkled leadpaper bag, a
|
|
cylindrical canister containing the best crystallised lump sugar, two onions,
|
|
one, the larger, Spanish, entire, the other, smaller, Irish, bisected with
|
|
augmented surface and more redolent, a jar of Irish Model Dairy's cream, a
|
|
jug of brown crockery containing a naggin and a quarter of soured
|
|
adulterated milk, converted by heat into water, acidulous serum and
|
|
semisolidified curds, which added to the quantity subtracted for Mr
|
|
Bloom's and Mrs Fleming's breakfasts, made one imperial pint, the total
|
|
quantity originally delivered, two cloves, a halfpenny and a small dish
|
|
containing a slice of fresh ribsteak. On the upper shelf a battery of jamjars
|
|
(empty) of various sizes and proveniences.
|
|
|
|
What attracted his attention lying on the apron of the dresser?
|
|
|
|
Four polygonal fragments of two lacerated scarlet betting tickets, numbered
|
|
8 87, 88 6.
|
|
|
|
What reminiscences temporarily corrugated his brow?
|
|
|
|
Reminiscences of coincidences, truth stranger than fiction, preindicative of
|
|
the result of the Gold Cup flat handicap, the official and definitive result
|
|
of which he had read in the Evening Telegraph, late pink edition, in the
|
|
cabman's shelter, at Butt bridge.
|
|
|
|
Where had previous intimations of the result, effected or projected, been
|
|
received by him?
|
|
|
|
In Bernard Kiernan's licensed premises 8, 9 and 10 little Britain street: in
|
|
David Byrne's licensed premises, 14 Duke street: in O'Connell street lower,
|
|
outside Graham Lemon's when a dark man had placed in his hand a
|
|
throwaway (subsequently thrown away), advertising Elijah, restorer of the
|
|
church in Zion: in Lincoln place outside the premises of F. W. Sweny and
|
|
Co (Limited), dispensing chemists, when, when Frederick M. (Bantam)
|
|
Lyons had rapidly and successively requested, perused and restituted the
|
|
copy of the current issue of the Freeman's Journal and National Press
|
|
which he had been about to throw away (subsequently thrown away), he
|
|
had proceeded towards the oriental edifice of the Turkish and Warm Baths,
|
|
11 Leinster street, with the light of inspiration shining in his countenance
|
|
and bearing in his arms the secret of the race, graven in the language of
|
|
prediction.
|
|
What qualifying considerations allayed his perturbations?
|
|
|
|
The difficulties of interpretation since the significance of any event
|
|
followed its occurrence as variably as the acoustic report followed the
|
|
electrical discharge and of counterestimating against an actual loss by
|
|
failure to interpret the total sum of possible losses proceeding
|
|
originally from a successful interpretation.
|
|
|
|
His mood?
|
|
|
|
He had not risked, he did not expect, he had not been disappointed, he was
|
|
satisfied.
|
|
|
|
What satisfied him?
|
|
|
|
To have sustained no positive loss. To have brought a positive gain to
|
|
others. Light to the gentiles.
|
|
|
|
|
|
How did Bloom prepare a collation for a gentile?
|
|
|
|
He poured into two teacups two level spoonfuls, four in all, of Epps's
|
|
soluble cocoa and proceeded according to the directions for use printed on
|
|
the label, to each adding after sufficient time for infusion the prescribed
|
|
ingredients for diffusion in the manner and in the quantity prescribed.
|
|
|
|
|
|
What supererogatory marks of special hospitality did the host show his
|
|
guest?
|
|
|
|
Relinquishing his symposiarchal right to the moustache cup of imitation
|
|
Crown Derby presented to him by his only daughter, Millicent (Milly), he
|
|
substituted a cup identical with that of his guest and served extraordinarily
|
|
to his guest and, in reduced measure, to himself the viscous cream
|
|
ordinarily reserved for the breakfast of his wife Marion (Molly).
|
|
|
|
Was the guest conscious of and did he acknowledge these marks of
|
|
hospitality?
|
|
|
|
His attention was directed to them by his host jocosely, and he accepted
|
|
them seriously as they drank in jocoserious silence Epps's massproduct, the
|
|
creature cocoa.
|
|
|
|
Were there marks of hospitality which he contemplated but suppressed,
|
|
reserving them for another and for himself on future occasions to complete
|
|
the act begun?
|
|
|
|
The reparation of a fissure of the length of 1Šinches in the right
|
|
|
|
***********************************************^~~
|
|
|
|
side of his guest's jacket. A gift to his guest of one of the four
|
|
lady's handkerchiefs, if and when ascertained to be in a presentable
|
|
condition. Who drank more quickly?
|
|
|
|
Bloom, having the advantage of ten seconds at the initiation and taking,
|
|
from the concave surface of a spoon along the handle of which a steady
|
|
flow of heat was conducted, three sips to his opponent's one, six to two,
|
|
nine to three.
|
|
|
|
What cerebration accompanied his frequentative act?
|
|
|
|
Concluding by inspection but erroneously that his silent companion was
|
|
engaged in mental composition he reflected on the pleasures derived from
|
|
literature of instruction rather than of amusement as he himself had
|
|
applied to the works of William Shakespeare more than once for the
|
|
solution of difficult problems in imaginary or real life.
|
|
|
|
Had he found their solution?
|
|
|
|
In spite of careful and repeated reading of certain classical passages,
|
|
aided by a glossary, he had derived imperfect conviction from the text,
|
|
the answers not bearing in all points.
|
|
|
|
What lines concluded his first piece of original verse written by him,
|
|
potential poet, at the age of 11 in 1877 on the occasion of the offering
|
|
of three prizes of 10/-, 5/- and 2/6 respectively for competition by the
|
|
Shamrock, a weekly newspaper?
|
|
|
|
An ambition to squint
|
|
|
|
At my verses in print
|
|
|
|
Makes me hope that for these you'll find room?.
|
|
|
|
If you so condescend
|
|
|
|
Then please place at the end
|
|
|
|
The name of yours truly, L. Bloom.
|
|
|
|
Did he find four separating forces between his temporary guest and him?
|
|
|
|
Name, age, race, creed.
|
|
|
|
What anagrams had he made on his name in youth?
|
|
|
|
Leopold Bloom
|
|
Ellpodbomool
|
|
Molldopeloob
|
|
Bollopedoom
|
|
Old Ollebo, M. P.
|
|
What acrostic upon the abbreviation of his first name had he (kinetic poet)
|
|
sent to Miss Marion (Molly) Tweedy on the 14 February 1888?
|
|
|
|
Poets oft have sung in rhyme
|
|
|
|
Of music sweet their praise divine.
|
|
|
|
Let them hymn it nine times nine.
|
|
|
|
Dearer far than song or wine.
|
|
|
|
You are mine. The world is mine.
|
|
|
|
What had prevented him from completing a topical song (music by R. G.
|
|
Johnston) on the events of the past, or fixtures for the actual, years,
|
|
entitled If Brian Boru could but come back and see old Dublin now,
|
|
commissioned by Michael Gunn, lessee of the Gaiety Theatre, 46, 47, 48, 49
|
|
South King street, and to be introduced into the sixth scene, the valley
|
|
of diamonds, of the second edition (30 January 1893) of the grand
|
|
annual Christmas pantomime Sinbad the Sailor (produced by R Shelton
|
|
26 December 1892, written by Greenleaf Whittier, scenery by
|
|
George A. Jackson and Cecil Hicks, costumes by Mrs and Miss Whelan
|
|
under the personal supervision of Mrs Michael Gunn, ballets by
|
|
Jessie Noir, harlequinade by Thomas Otto) and sung by Nelly Bouverist,
|
|
principal girl?
|
|
|
|
Firstly, oscillation between events of imperial and of local interest, the
|
|
anticipated diamond jubilee of Queen Victoria (born 1820, acceded 1837)
|
|
and the posticipated opening of the new municipal fish market: secondly,
|
|
apprehension of opposition from extreme circles on the questions of the
|
|
respective visits of Their Royal Highnesses the duke and duchess of York
|
|
(real) and of His Majesty King Brian Boru (imaginary): thirdly, a conflict
|
|
between professional etiquette and professional emulation concerning the
|
|
recent erections of the Grand Lyric Hall on Burgh Quay and the Theatre
|
|
Royal in Hawkins street: fourthly, distraction resultant from compassion
|
|
for Nelly Bouverist's non-intellectual, non-political, non-topical expression
|
|
of countenance and concupiscence caused by Nelly Bouverist's revelations
|
|
of white articles of non-intellectual, non-political, non-topical
|
|
underclothing while she (Nelly Bouverist) was in the articles: fifthly, the
|
|
difficulties of the selection of appropriate music and humorous allusions
|
|
from Everybody's Book of Jokes (1000 pages and a laugh in every one):
|
|
sixthly, the rhymes, homophonous and cacophonous, associated with the
|
|
names of the new lord mayor, Daniel Tallon, the new high sheriff, Thomas
|
|
Pile and the new solicitorgeneral, Dunbar Plunket Barton.
|
|
|
|
What relation existed between their ages?
|
|
|
|
16 years before in 1888 when Bloom was of Stephen's present age Stephen
|
|
was 6. 16 years after in 1920 when Stephen would be of Bloom's present age
|
|
Bloom would be 54. In 1936 when Bloom would be 70 and Stephen 54 their
|
|
ages initially in the ratio of 16 to 0 would be as 17Što 13Ŭ the proportion
|
|
|
|
****************************************************^~~ ^~~
|
|
|
|
increasing and the disparity diminishing according as arbitrary future years
|
|
were added, for if the proportion existing in 1883 had continued immutable,
|
|
conceiving that to be possible, till then 1904 when Stephen was 22 Bloom
|
|
would be 374 and in 1920 when Stephen would be 38, as Bloom then was,
|
|
Bloom would be 646 while in 1952 when Stephen would have attained the
|
|
maximum postdiluvian age of 70 Bloom, being 1190 years alive having been
|
|
born in the year 714, would have surpassed by 221 years the maximum
|
|
antediluvian age, that of Methusalah, 969 years, while, if Stephen would
|
|
continue to live until he would attain that age in the year 3072 A.D., Bloom
|
|
would have been obliged to have been alive 83,300 years, having been
|
|
obliged to have been born in the year 81,396 B.C.
|
|
|
|
What events might nullify these calculations?
|
|
|
|
The cessation of existence of both or either, the inauguration of a new era
|
|
or calendar, the annihilation of the world and consequent extermination of
|
|
the human species, inevitable but impredictable.
|
|
|
|
How many previous encounters proved their preexisting acquaintance?
|
|
|
|
Two. The first in the lilacgarden of Matthew Dillon's house, Medina Villa,
|
|
Kimmage road, Roundtown, in 1887, in the company of Stephen's mother,
|
|
Stephen being then of the age of 5 and reluctant to give his hand in
|
|
salutation. The second in the coffeeroom of Breslin's hotel on a rainy
|
|
Sunday in the January of 1892, in the company of Stephen's father and
|
|
Stephen's granduncle, Stephen being then 5 years older.
|
|
|
|
Did Bloom accept the invitation to dinner given then by the son and
|
|
afterwards seconded by the father?
|
|
|
|
Very gratefully, with grateful appreciation, with sincere appreciative
|
|
gratitude, in appreciatively grateful sincerity of regret, he declined.
|
|
|
|
Did their conversation on the subject of these reminiscences reveal a third
|
|
connecting link between them?
|
|
|
|
Mrs Riordan (Dante), a widow of independent means, had resided in the
|
|
house of Stephen's parents from 1 September 1888 to 29 December 1891
|
|
and had also resided during the years 1892, 1893 and 1894 in the City Arms
|
|
Hotel owned by Elizabeth O'Dowd of 54 Prussia street where, during parts
|
|
of the years 1893 and 1894, she had been a constant informant of Bloom
|
|
who resided also in the same hotel, being at that time a clerk in the
|
|
employment of Joseph Cuffe of 5 Smithfield for the superintendence of sales
|
|
in the adjacent Dublin Cattle market on the North Circular road.
|
|
|
|
Had he performed any special corporal work of mercy for her?
|
|
|
|
He had sometimes propelled her on warm summer evenings, an infirm
|
|
widow of independent, if limited, means, in her convalescent bathchair with
|
|
slow revolutions of its wheels as far as the corner of the North Circular
|
|
road opposite Mr Gavin Low's place of business where she had remained
|
|
for a certain time scanning through his onelensed binocular fieldglasses
|
|
unrecognisable citizens on tramcars, roadster bicycles equipped with
|
|
inflated pneumatic tyres, hackney carriages, tandems, private and hired
|
|
landaus, dogcarts, ponytraps and brakes passing from the city to the
|
|
Phoenix Park and vice versa.
|
|
|
|
Why could he then support that his vigil with the greater equanimity?
|
|
|
|
Because in middle youth he had often sat observing through a rondel of
|
|
bossed glass of a multicoloured pane the spectacle offered with continual
|
|
changes of the thoroughfare without, pedestrians, quadrupeds, velocipedes,
|
|
vehicles, passing slowly, quickly, evenly, round and round and round the
|
|
rim of a round and round precipitous globe.
|
|
|
|
What distinct different memories had each of her now eight years deceased?
|
|
|
|
The older, her bezique cards and counters, her Skye terrier, her
|
|
suppositious wealth, her lapses of responsiveness and incipient catarrhal
|
|
deafness: the younger, her lamp of colza oil before the statue of the
|
|
Immaculate Conception, her green and maroon brushes for Charles
|
|
Stewart Parnell and for Michael Davitt, her tissue papers.
|
|
|
|
Were there no means still remaining to him to achieve the rejuvenation
|
|
which these reminiscences divulged to a younger companion rendered the
|
|
more desirable?
|
|
|
|
The indoor exercises, formerly intermittently practised, subsequently
|
|
abandoned, prescribed in Eugen Sandow's Physical Strength and How to
|
|
Obtain It which, designed particularly for commercial men engaged in
|
|
sedentary occupations, were to be made with mental concentration in front
|
|
of a mirror so as to bring into play the various families of muscles and
|
|
produce successively a pleasant rigidity, a more pleasant relaxation and the
|
|
most pleasant repristination of juvenile agility.
|
|
|
|
Had any special agility been his in earlier youth?
|
|
|
|
Though ringweight lifting had been beyond his strength and the full circle
|
|
gyration beyond his courage yet as a High school scholar he had excelled in
|
|
his stable and protracted execution of the half lever movement on the
|
|
parallel bars in consequence of his abnormally developed abdominal
|
|
muscles.
|
|
|
|
Did either openly allude to their racial difference?
|
|
|
|
Neither.
|
|
What, reduced to their simplest reciprocal form, were Bloom's thoughts
|
|
about Stephen's thoughts about Bloom and about Stephen's thoughts about
|
|
Bloom's thoughts about Stephen?
|
|
|
|
He thought that he thought that he was a jew whereas he knew that he
|
|
knew that he knew that he was not.
|
|
|
|
What, the enclosures of reticence removed, were their respective
|
|
parentages?
|
|
|
|
Bloom, only born male transubstantial heir of Rudolf Virag (subsequently
|
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Rudolph Bloom) of Szombathely, Vienna, Budapest, Milan, London and
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Dublin and of Ellen Higgins, second daughter of Julius Higgins (born
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Karoly) and Fanny Higgins (born Hegarty). Stephen, eldest surviving male
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consubstantial heir of Simon Dedalus of Cork and Dublin and of Mary,
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daughter of Richard and Christina Goulding (born Grier).
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Had Bloom and Stephen been baptised, and where and by whom, cleric or
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layman?
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Bloom (three times), by the reverend Mr Gilmer Johnston M. A., alone, in
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the protestant church of Saint Nicholas Without, Coombe, by James
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O'Connor, Philip Gilligan and James Fitzpatrick, together, under a pump
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in the village of Swords, and by the reverend Charles Malone C. C., in the
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church of the Three Patrons, Rathgar. Stephen (once) by the reverend
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Charles Malone C. C., alone, in the church of the Three Patrons, Rathgar.
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Did they find their educational careers similar?
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Substituting Stephen for Bloom Stoom would have passed successively
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through a dame's school and the high school. Substituting Bloom for
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Stephen Blephen would have passed successively through the preparatory,
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junior, middle and senior grades of the intermediate and through the
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matriculation, first arts, second arts and arts degree courses of the
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royal university.
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Why did Bloom refrain from stating that he had frequented the university
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of life?
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Because of his fluctuating incertitude as to whether this observation had
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or had not been already made by him to Stephen or by Stephen to him.
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What two temperaments did they individually represent?
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The scientific. The artistic.
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What proofs did Bloom adduce to prove that his tendency was towards
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applied, rather than towards pure, science?
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Certain possible inventions of which he had cogitated when reclining in a
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state of supine repletion to aid digestion, stimulated by his appreciation
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of the importance of inventions now common but once revolutionary, for
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example, the aeronautic parachute, the reflecting telescope, the spiral
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corkscrew, the safety pin, the mineral water siphon, the canal lock with
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winch and sluice, the suction pump.
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Were these inventions principally intended for an improved scheme of
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kindergarten?
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Yes, rendering obsolete popguns, elastic airbladders, games of hazard,
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catapults. They comprised astronomical kaleidoscopes exhibiting the twelve
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constellations of the zodiac from Aries to Pisces, miniature mechanical
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orreries, arithmetical gelatine lozenges, geometrical to correspond with
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zoological biscuits, globemap playing balls, historically costumed dolls.
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What also stimulated him in his cogitations?
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The financial success achieved by Ephraim Marks and Charles A. James,
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the former by his 1d bazaar at 42 George's street, south, the latter at
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his 6Ƥ shop and world's fancy fair and waxwork exhibition at 30 Henry
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*****^~~
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street, admission 2d, children 1d: and the infinite possibilities hitherto
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unexploited of the modern art of advertisement if condensed in triliteral
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monoideal symbols, vertically of maximum visibility (divined),
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horizontally of maximum legibility (deciphered) and of magnetising
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efficacy to arrest involuntary attention, to interest, to convince,
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to decide.
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Such as?
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K. II. Kino's 11/- Trousers.
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House of Keys. Alexander J. Keyes.
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Such as not?
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Look at this long candle. Calculate when it burns out and you receive
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gratis 1 pair of our special non-compo boots, guaranteed 1 candle power.
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Address: Barclay and Cook, 18 Talbot street.
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Bacilikil (Insect Powder).
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Veribest (Boot Blacking).
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Uwantit (Combined pocket twoblade penknife with corkscrew, nailfile and
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pipecleaner).
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Such as never?
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What is home without Plumtree's Potted Meat?
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Incomplete.
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With it an abode of bliss.
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Manufactured by George Plumtree, 23 Merchants' quay, Dublin, put up in
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4 oz pots, and inserted by Councillor Joseph P. Nannetti, M. P., Rotunda
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Ward, 19 Hardwicke street, under the obituary notices and anniversaries of
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deceases. The name on the label is Plumtree. A plumtree in a meatpot,
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registered trade mark. Beware of imitations. Peatmot. Trumplee. Moutpat.
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Plamtroo.
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Which example did he adduce to induce Stephen to deduce that originality,
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though producing its own reward, does not invariably conduce to success?
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His own ideated and rejected project of an illuminated showcart, drawn by
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a beast of burden, in which two smartly dressed girls were to be seated
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engaged in writing.
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What suggested scene was then constructed by Stephen?
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Solitary hotel in mountain pass. Autumn. Twilight. Fire lit. In dark corner
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young man seated. Young woman enters. Restless. Solitary. She sits. She
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goes to window. She stands. She sits. Twilight. She thinks. On solitary hotel
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paper she writes. She thinks. She writes. She sighs. Wheels and hoofs. She
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hurries out. He comes from his dark corner. He seizes solitary paper. He
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holds it towards fire. Twilight. He reads. Solitary.
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What?
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In sloping, upright and backhands: Queen's Hotel, Queen's Hotel,
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Queen's Hotel. Queen's Ho...
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What suggested scene was then reconstructed by Bloom?
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The Queen's Hotel, Ennis, county Clare, where Rudolph Bloom (Rudolf
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Virag) died on the evening of the 27 June 1886, at some hour unstated, in
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consequence of an overdose of monkshood (aconite) selfadministered in the
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form of a neuralgic liniment composed of 2 parts of aconite liniment to I of
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chloroform liniment (purchased by him at 10.20 a.m. on the morning of 27
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June 1886 at the medical hall of Francis Dennehy, 17 Church street, Ennis)
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after having, though not in consequence of having, purchased at 3.15 p.m.
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on the afternoon of 27 June 1886 a new boater straw hat, extra smart (after
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having, though not in consequence of having, purchased at the hour and in
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the place aforesaid, the toxin aforesaid), at the general drapery store of
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James Cullen, 4 Main street, Ennis.
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Did he attribute this homonymity to information or coincidence or
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intuition?
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Coincidence.
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Did he depict the scene verbally for his guest to see?
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He preferred himself to see another's face and listen to another's words by
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which potential narration was realised and kinetic temperament relieved.
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Did he see only a second coincidence in the second scene narrated to him,
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described by the narrator as A Pisgah Sight of Palestine or The Parable of
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the Plums?
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It, with the preceding scene and with others unnarrated but existent by
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implication, to which add essays on various subjects or moral apothegms
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(e.g. My Favourite Hero or Procrastination is the Thief of Time) composed
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during schoolyears, seemed to him to contain in itself and in conjunction
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with the personal equation certain possibilities of financial, social,
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personal and sexual success, whether specially collected and selected as model
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pedagogic themes (of cent per cent merit) for the use of preparatory and
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junior grade students or contributed in printed form, following the
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precedent of Philip Beaufoy or Doctor Dick or Heblon's Studies in Blue, to
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a publication of certified circulation and solvency or employed verbally as
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intellectual stimulation for sympathetic auditors, tacitly appreciative of
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successful narrative and confidently augurative of successful achievement,
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during the increasingly longer nights gradually following the summer
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solstice on the day but three following, videlicet, Tuesday, 21 June (S.
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Aloysius Gonzaga), sunrise 3.33 a.m., sunset 8.29 p.m.
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Which domestic problem as much as, if not more than, any other frequently
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engaged his mind?
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What to do with our wives.
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What had been his hypothetical singular solutions?
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Parlour games (dominos, halma, tiddledywinks, spilikins, cup and ball, nap,
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spoil five, bezique, twentyfive, beggar my neighbour, draughts, chess or
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backgammon): embroidery, darning or knitting for the policeaided clothing
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society: musical duets, mandoline and guitar, piano and flute, guitar and
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piano: legal scrivenery or envelope addressing: biweekly visits to variety
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entertainments: commercial activity as pleasantly commanding and
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pleasingly obeyed mistress proprietress in a cool dairy shop or warm cigar
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divan: the clandestine satisfaction of erotic irritation in masculine
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brothels, state inspected and medically controlled: social visits, at regular
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infrequent prevented intervals and with regular frequent preventive
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superintendence, to and from female acquaintances of recognised respectability
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in the vicinity: courses of evening instruction specially designed to render
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liberal instruction agreeable.
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What instances of deficient mental development in his wife inclined him in
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favour of the lastmentioned (ninth) solution?
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In disoccupied moments she had more than once covered a sheet of paper
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with signs and hieroglyphics which she stated were Greek and Irish and
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Hebrew characters. She had interrogated constantly at varying intervals as
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to the correct method of writing the capital initial of the name of a city in
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Canada, Quebec. She understood little of political complications, internal,
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or balance of power, external. In calculating the addenda of bills she
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frequently had recourse to digital aid. After completion of laconic epistolary
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compositions she abandoned the implement of calligraphy in the encaustic
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pigment, exposed to the corrosive action of copperas, green vitriol and
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nutgall. Unusual polysyllables of foreign origin she interpreted phonetically
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or by false analogy or by both: metempsychosis (met him pike hoses), alias
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(a mendacious person mentioned in sacred scripture).
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What compensated in the false balance of her intelligence for these and
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such deficiencies of judgment regarding persons, places and things?
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The false apparent parallelism of all perpendicular arms of all balances,
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proved true by construction. The counterbalance of her proficiency of
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judgment regarding one person, proved true by experiment.
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How had he attempted to remedy this state of comparative ignorance?
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Variously. By leaving in a conspicuous place a certain book open at a
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certain page: by assuming in her, when alluding explanatorily, latent
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knowledge: by open ridicule in her presence of some absent other's
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ignorant lapse.
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With what success had he attempted direct instruction?
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She followed not all, a part of the whole, gave attention with interest
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comprehended with surprise, with care repeated, with greater difficulty
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remembered, forgot with ease, with misgiving reremembered, rerepeated
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with error.
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What system had proved more effective?
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Indirect suggestion implicating selfinterest.
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Example?
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She disliked umbrella with rain, he liked woman with umbrella, she disliked
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new hat with rain, he liked woman with new hat, he bought new hat with
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rain, she carried umbrella with new hat.
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Accepting the analogy implied in his guest's parable which examples of
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postexilic eminence did he adduce?
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Three seekers of the pure truth, Moses of Egypt, Moses Maimonides,
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author of More Nebukim (Guide of the Perplexed) and Moses Mendelssohn
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of such eminence that from Moses (of Egypt) to Moses (Mendelssohn) there
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arose none like Moses (Maimonides).
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What statement was made, under correction, by Bloom concerning a fourth
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seeker of pure truth, by name Aristotle, mentioned, with permission, by
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Stephen?
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That the seeker mentioned had been a pupil of a rabbinical philosopher,
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name uncertain.
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Were other anapocryphal illustrious sons of the law and children of a
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selected or rejected race mentioned?
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Felix Bartholdy Mendelssohn (composer), Baruch Spinoza (philosopher),
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Mendoza (pugilist), Ferdinand Lassalle (reformer, duellist).
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What fragments of verse from the ancient Hebrew and ancient Irish
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languages were cited with modulations of voice and translation of texts by
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guest to host and by host to guest?
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By Stephen: suil, suil, suil arun, suil go siocair agus suil go cuin
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(walk, walk, walk your way, walk in safety, walk with care). By Bloom:
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kifeloch, harimon rakatejch m'baad l'zamatejch (thy temple amid thy hair
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is as a slice of pomegranate).
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How was a glyphic comparison of the phonic symbols of both languages
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made in substantiation of the oral comparison?
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By juxtaposition. On the penultimate blank page of a book of inferior
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literary style, entituled Sweets of Sin (produced by Bloom and so
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manipulated that its front cover carne in contact with the surface of the
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table) with a pencil (supplied by Stephen) Stephen wrote the Irish
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characters for gee, eh, dee, em, simple and modified, and Bloom in turn
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wrote the Hebrew characters ghimel, aleph, daleth and (in the absence of
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mem) a substituted qoph, explaining their arithmetical values as ordinal
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and cardinal numbers, videlicet 3, 1, 4, and 100.
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Was the knowledge possessed by both of each of these languages, the
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extinct and the revived, theoretical or practical?
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Theoretical, being confined to certain grammatical rules of accidence and
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syntax and practically excluding vocabulary.
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What points of contact existed between these languages and between the
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peoples who spoke them?
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The presence of guttural sounds, diacritic aspirations, epenthetic and servile
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letters in both languages: their antiquity, both having been taught on the
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plain of Shinar 242 years after the deluge in the seminary instituted by
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Fenius Farsaigh, descendant of Noah, progenitor of Israel, and ascendant
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of Heber and Heremon, progenitors of Ireland: their archaeological,
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genealogical, hagiographical, exegetical, homiletic, toponomastic, historical
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and religious literatures comprising the works of rabbis and culdees, Torah,
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Talmud (Mischna and Ghemara), Massor, Pentateuch, Book of the Dun
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Cow, Book of Ballymote, Garland of Howth, Book of Kells: their dispersal,
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persecution, survival and revival: the isolation of their synagogical and
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ecclesiastical rites in ghetto (S. Mary's Abbey) and masshouse (Adam and
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Eve's tavern): the proscription of their national costumes in penal laws and
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jewish dress acts: the restoration in Chanah David of Zion and the
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possibility of Irish political autonomy or devolution.
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What anthem did Bloom chant partially in anticipation of that multiple,
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ethnically irreducible consummation?
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Kolod balejwaw pnimah
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Nefesch, jehudi, homijah.
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Why was the chant arrested at the conclusion of this first distich?
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In consequence of defective mnemotechnic.
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How did the chanter compensate for this deficiency?
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By a periphrastic version of the general text.
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In what common study did their mutual reflections merge?
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The increasing simplification traceable from the Egyptian epigraphic
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hieroglyphs to the Greek and Roman alphabets and the anticipation of
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modern stenography and telegraphic code in the cuneiform inscriptions
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(Semitic) and the virgular quinquecostate ogham writing (Celtic).
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Did the guest comply with his host's request?
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Doubly, by appending his signature in Irish and Roman characters.
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What was Stephen's auditive sensation?
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He heard in a profound ancient male unfamiliar melody the accumulation
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of the past.
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What was Bloom's visual sensation?
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He saw in a quick young male familiar form the predestination of a future.
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What were Stephen's and Bloom's quasisimultaneous volitional
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quasisensations of concealed identities?
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Visually, Stephen's: The traditional figure of hypostasis, depicted by
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Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as
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leucodermic, sesquipedalian with winedark hair.
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Auditively, Bloom's: The traditional accent of the ecstasy of catastrophe.
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What future careers had been possible for Bloom in the past and with what
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exemplars?
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In the church, Roman, Anglican or Nonconformist: exemplars, the very
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reverend John Conmee S. J., the reverend T. Salmon, D. D., provost of
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Trinity college, Dr Alexander J. Dowie. At the bar, English or Irish:
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exemplars, Seymour Bushe, K. C., Rufus Isaacs, K. C. On the stage
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modern or Shakespearean: exemplars, Charles Wyndham, high comedian
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Osmond Tearle ( 1901), exponent of Shakespeare.
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Did the host encourage his guest to chant in a modulated voice a strange
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legend on an allied theme?
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Reassuringly, their place, where none could hear them talk, being
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secluded, reassured, the decocted beverages, allowing for subsolid
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residual sediment of a mechanical mixture, water plus sugar plus cream
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plus cocoa, having been consumed.
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Recite the first (major) part of this chanted legend.
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Little Harry Hughes and his schoolfellows all
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Went out for to play ball.
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And the very first ball little Harry Hughes played
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He drove it o'er the jew's garden wall.
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And the very second ball little Harry Hughes played
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He broke the jew's windows all.
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[NOTE: for Graphic use viewer or print]
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How did the son of Rudolph receive this first part?
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With unmixed feeling. Smiling, a jew he heard with pleasure and saw the
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unbroken kitchen window.
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Recite the second part (minor) of the legend.
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Then out there came the jew's daughter
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And she all dressed in green.
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"Come back, come back,you pretty little boy,
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And play your ball again."
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"I can't come back and I won't come back
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Without my schoolfellows all.
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For if my master he did hear
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He'd make it a sorry ball."
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She took him by the lilywhite hand
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And led him along the hall
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Until she led him to a room
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Where none could hear him call.
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She took a penknife out of her pocket
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And cut off his little head.
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And now he'll play his ball no more
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For he lies among the dead.
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How did the father of Millicent receive this second part?
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With mixed feelings. Unsmiling, he heard and saw with wonder a jew's
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daughter, all dressed in green.
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Condense Stephen's commentary.
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One of all, the least of all, is the victim predestined. Once by inadvertence
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twice by design he challenges his destiny. It comes when he is abandoned
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and challenges him reluctant and, as an apparition of hope and youth, holds
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him unresisting. It leads him to a strange habitation, to a secret infidel
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apartment, and there, implacable, immolates him, consenting.
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Why was the host (victim predestined) sad?
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He wished that a tale of a deed should be told of a deed not by him should
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by him not be told.
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Why was the host (reluctant, unresisting) still?
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In accordance with the law of the conservation of energy.
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Why was the host (secret infidel) silent?
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He weighed the possible evidences for and against ritual murder: the
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incitations of the hierarchy, the superstition of the populace, the
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propagation of rumour in continued fraction of veridicity, the envy of
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opulence, the influence of retaliation, the sporadic reappearance of atavistic
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delinquency, the mitigating circumstances of fanaticism, hypnotic
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suggestion and somnambulism.
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From which (if any) of these mental or physical disorders was he not totally
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immune?
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From hypnotic suggestion: once, waking, he had not recognised his
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sleeping apartment: more than once, waking, he had been for an indefinite
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time incapable of moving or uttering sounds. From somnambulism: once,
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sleeping, his body had risen, crouched and crawled in the direction of a
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heatless fire and, having attained its destination, there, curled, unheated,
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in night attire had lain, sleeping.
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Had this latter or any cognate phenomenon declared itself in any member
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of his family?
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Twice, in Holles street and in Ontario terrace, his daughter Millicent
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(Milly) at the ages of 6 and 8 years had uttered in sleep an exclamation of
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terror and had replied to the interrogations of two figures in night attire
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with a vacant mute expression.
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What other infantile memories had he of her?
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15 June 1889. A querulous newborn female infant crying to cause and
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lessen congestion. A child renamed Padney Socks she shook with shocks
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her moneybox: counted his three free moneypenny buttons, one, tloo, tlee:
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a doll, a boy, a sailor she cast away: blond, born of two dark, she had blond
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ancestry, remote, a violation, Herr Hauptmann Hainau, Austrian army,
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proximate, a hallucination, lieutenant Mulvey, British navy.
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What endemic characteristics were present?
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Conversely the nasal and frontal formation was derived in a direct line of
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lineage which, though interrupted, would continue at distant intervals to
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more distant intervals to its most distant intervals.
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What memories had he of her adolescence?
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She relegated her hoop and skippingrope to a recess. On the duke's lawn,
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entreated by an English visitor, she declined to permit him to make and take
|
|
away her photographic image (objection not stated). On the South Circular
|
|
road in the company of Elsa Potter, followed by an individual of sinister
|
|
aspect, she went half way down Stamer street and turned abruptly back
|
|
(reason of change not stated). On the vigil of the 15th anniversary of her
|
|
birth she wrote a letter from Mullingar, county Westmeath, making a brief
|
|
allusion to a local student (faculty and year not stated).
|
|
|
|
Did that first division, portending a second division, afflict him?
|
|
|
|
Less than he had imagined, more than he had hoped.
|
|
What second departure was contemporaneously perceived by him similarly,
|
|
if differently?
|
|
|
|
A temporary departure of his cat.
|
|
|
|
Why similarly, why differently?
|
|
|
|
Similarly, because actuated by a secret purpose the quest of a new male
|
|
|
|
(Mullingar student) or of a healing herb (valerian). Differently, because of
|
|
different possible returns to the inhabitants or to the habitation.
|
|
|
|
|
|
In other respects were their differences similar?
|
|
|
|
In passivity, in economy, in the instinct of tradition, in unexpectedness.
|
|
|
|
As?
|
|
|
|
Inasmuch as leaning she sustained her blond hair for him to ribbon it for
|
|
her (cf neckarching cat). Moreover, on the free surface of the lake in
|
|
Stephen's green amid inverted reflections of trees her uncommented spit,
|
|
describing concentric circles of waterrings, indicated by the constancy of its
|
|
permanence the locus of a somnolent prostrate fish (cf mousewatching cat).
|
|
|
|
Again, in order to remember the date, combatants, issue and consequences
|
|
of a famous military engagement she pulled a plait of her hair (cf
|
|
earwashing cat). Furthermore, silly Milly, she dreamed of having had an
|
|
unspoken unremembered conversation with a horse whose name had been
|
|
Joseph to whom (which) she had offered a tumblerful of lemonade which it
|
|
(he) had appeared to have accepted (cf hearthdreaming cat). Hence, in
|
|
passivity, in economy, in the instinct of tradition, in unexpectedness, their
|
|
differences were similar.
|
|
|
|
In what way had he utilised gifts (1) an owl, 2) a clock), given as
|
|
matrimonial auguries, to interest and to instruct her?As object lessons to
|
|
explain: 1) the nature and habits of oviparous animals, the possibility of
|
|
aerial flight, certain abnormalities of vision, the secular process
|
|
of imbalsamation: 2) the principle of the pendulum, exemplified in
|
|
bob, wheelgear and regulator, the translation in terms of human or social
|
|
regulation of the various positions of clockwise moveable indicators on an
|
|
unmoving dial, the exactitude of the recurrence per hour of an instant in
|
|
each hour when the longer and the shorter indicator were at the same angle
|
|
of inclination, videlicet, 5 5/11 minutes past each hour per hour in
|
|
arithmetical progression.
|
|
|
|
In what manners did she reciprocate?
|
|
|
|
She remembered: on the 27th anniversary of his birth she presented to him a
|
|
breakfast moustachecup of imitation Crown Derby porcelain ware. She
|
|
provided: at quarter day or thereabouts if or when purchases had been
|
|
made by him not for her she showed herself attentive to his necessities,
|
|
anticipating his desires. She admired: a natural phenomenon having been
|
|
explained by him to her she expressed the immediate desire to possess
|
|
without gradual acquisition a fraction of his science, the moiety, the
|
|
quarter, a thousandth part.
|
|
|
|
What proposal did Bloom, diambulist, father of Milly, somnambulist, make
|
|
to Stephen, noctambulist?
|
|
|
|
To pass in repose the hours intervening between Thursday (proper) and
|
|
Friday (normal) on an extemporised cubicle in the apartment immediately
|
|
above the kitchen and immediately adjacent to the sleeping apartment of his
|
|
host and hostess.
|
|
|
|
What various advantages would or might have resulted from a
|
|
prolongation of such an extemporisation?
|
|
|
|
For the guest: security of domicile and seclusion of study. For the host:
|
|
rejuvenation of intelligence, vicarious satisfaction. For the hostess:
|
|
disintegration of obsession, acquisition of correct Italian pronunciation.
|
|
|
|
Why might these several provisional contingencies between a guest and a
|
|
hostess not necessarily preclude or be precluded by a permanent eventuality
|
|
of reconciliatory union between a schoolfellow and a jew's daughter?
|
|
|
|
Because the way to daughter led through mother, the way to mother
|
|
through daughter.
|
|
|
|
To what inconsequent polysyllabic question of his host did the guest return
|
|
a monosyllabic negative answer?
|
|
|
|
If he had known the late Mrs Emily Sinico, accidentally killed at Sydney
|
|
Parade railway station, 14 October 1903.
|
|
|
|
What inchoate corollary statement was consequently suppressed by the
|
|
host?
|
|
|
|
A statement explanatory of his absence on the occasion of the interment of
|
|
Mrs Mary Dedalus (born Goulding), 26 June 1903, vigil of the anniversary
|
|
of the decease of Rudolph Bloom (born Virag).
|
|
|
|
Was the proposal of asylum accepted?
|
|
|
|
Promptly, inexplicably, with amicability, gratefully it was declined.
|
|
What exchange of money took place between host and guest?
|
|
|
|
The former returned to the latter, without interest, a sum of money
|
|
(1-7-0), one pound seven shillings sterling, advanced by the latter to the
|
|
former.
|
|
|
|
What counterproposals were alternately advanced, accepted, modified,
|
|
declined, restated in other terms, reaccepted, ratified, reconfirmed?
|
|
|
|
To inaugurate a prearranged course of Italian instruction, place the
|
|
residence of the instructed. To inaugurate a course of vocal instruction,
|
|
place the residence of the instructress. To inaugurate a series of static
|
|
semistatic and peripatetic intellectual dialogues, places the residence of
|
|
both speakers (if both speakers were resident in the same place), the Ship
|
|
hotel and tavern, 6 Lower Abbey street (W. and E. Connery, proprietors),
|
|
the National Library of Ireland, 10 Kildare street, the National Maternity
|
|
Hospital, 29, 30 and 31 Holles street, a public garden, the vicinity of a
|
|
place of worship, a conjunction of two or more public thoroughfares, the
|
|
point of bisection of a right line drawn between their residences
|
|
(if both speakers were resident in different places).
|
|
|
|
What rendered problematic for Bloom the realisation of these mutually
|
|
selfexcluding propositions?
|
|
|
|
The irreparability of the past: once at a performance of Albert Hengler's
|
|
circus in the Rotunda, Rutland square, Dublin, an intuitive particoloured
|
|
clown in quest of paternity had penetrated from the ring to a place in the
|
|
auditorium where Bloom, solitary, was seated and had publicly declared to
|
|
an exhilarated audience that he (Bloom) was his (the clown's) papa. The
|
|
imprevidibility of the future: once in the summer of 1898 he (Bloom) had
|
|
marked a florin (2/-) with three notches on the milled edge and tendered it
|
|
m payment of an account due to and received by J. and T. Davy, family
|
|
grocers, 1 Charlemont Mall, Grand Canal, for circulation on the waters of
|
|
civic finance, for possible, circuitous or direct, return.
|
|
|
|
Was the clown Bloom's son?
|
|
|
|
No.
|
|
|
|
Had Bloom's coin returned?
|
|
|
|
Never.
|
|
|
|
Why would a recurrent frustration the more depress him?
|
|
|
|
Because at the critical turningpoint of human existence he desired to amend
|
|
many social conditions, the product of inequality and avarice and
|
|
international animosity.
|
|
He believed then that human life was infinitely perfectible, eliminating these
|
|
conditions?
|
|
|
|
There remained the generic conditions imposed by natural, as distinct from
|
|
human law, as integral parts of the human whole: the necessity of
|
|
destruction to procure alimentary sustenance: the painful character of the
|
|
ultimate functions of separate existence, the agonies of birth and death: the
|
|
monotonous menstruation of simian and (particularly) human females
|
|
extending from the age of puberty to the menopause: inevitable accidents at
|
|
sea, in mines and factories: certain very painful maladies and their resultant
|
|
surgical operations, innate lunacy and congenital criminality, decimating
|
|
epidemics: catastrophic cataclysms which make terror the basis of human
|
|
mentality: seismic upheavals the epicentres of which are located in densely
|
|
populated regions: the fact of vital growth, through convulsions of
|
|
metamorphosis, from infancy through maturity to decay.
|
|
|
|
Why did he desist from speculation?
|
|
|
|
Because it was a task for a superior intelligence to substitute other more
|
|
acceptable phenomena in the place of the less acceptable phenomena to be
|
|
removed.
|
|
|
|
Did Stephen participate in his dejection?
|
|
|
|
He affirmed his significance as a conscious rational animal proceeding
|
|
syllogistically from the known to the unknown and a conscious rational
|
|
reagent between a micro and a macrocosm ineluctably constructed upon the
|
|
incertitude of the void.
|
|
|
|
Was this affirmation apprehended by Bloom?
|
|
|
|
Not verbally. Substantially.
|
|
|
|
What comforted his misapprehension?
|
|
|
|
That as a competent keyless citizen he had proceeded energetically from the
|
|
unknown to the known through the incertitude of the void.
|
|
|
|
In what order of precedence, with what attendant ceremony was the exodus
|
|
from the house of bondage to the wilderness of inhabitation effected?
|
|
Lighted Candle in Stick
|
|
|
|
borne by
|
|
|
|
BLOOM
|
|
|
|
Diaconal Hat on Ashplant
|
|
|
|
borne by
|
|
|
|
STEPHEN:
|
|
|
|
With what intonation secreto of what commemorative psalm?
|
|
|
|
The 113th, modus peregrinus: In exitu Israel de Egypto: domus Jacob de
|
|
populo barbaro.
|
|
|
|
What did each do at the door of egress?
|
|
|
|
Bloom set the candlestick on the floor. Stephen put the hat on his head.
|
|
|
|
For what creature was the door of egress a door of ingress?
|
|
|
|
For a cat.
|
|
|
|
What spectacle confronted them when they, first the host, then the guest,
|
|
emerged silently, doubly dark, from obscurity by a passage from the rere of
|
|
the house into the penumbra of the garden?
|
|
|
|
The heaventree of stars hung with humid nightblue fruit.
|
|
|
|
With what meditations did Bloom accompany his demonstration to his
|
|
companion of various constellations?
|
|
|
|
Meditations of evolution increasingly vaster: of the moon invisible in
|
|
incipient lunation, approaching perigee: of the infinite lattiginous
|
|
scintillating uncondensed milky way, discernible by daylight by an observer
|
|
placed at the lower end of a cylindrical vertical shaft 5000 ft deep sunk
|
|
from the surface towards the centre of the earth: of Sirius (alpha in Canis
|
|
Maior) 10 lightyears (57,000,000,000,000 miles) distant and in volume 900
|
|
times the dimension of our planet: of Arcturus: of the precession of
|
|
equinoxes: of Orion with belt and sextuple sun theta and nebula in which
|
|
100 of our solar systems could be contained: of moribund and of nascent
|
|
new stars such as Nova in 1901: of our system plunging towards the
|
|
constellation of Hercules: of the parallax or parallactic drift of socalled
|
|
fixed stars, in reality evermoving wanderers from immeasurably remote
|
|
eons to infinitely remote futures in comparison with which the years,
|
|
threescore and ten, of allotted human life formed a parenthesis of
|
|
infinitesimal brevity.
|
|
|
|
Were there obverse meditations of involution increasingly less vast?
|
|
|
|
Of the eons of geological periods recorded in the stratifications of the
|
|
earth: of the myriad minute entomological organic existences concealed in
|
|
cavities of the earth, beneath removable stones, in hives and mounds, of
|
|
microbes, germs, bacteria, bacilli, spermatozoa: of the incalculable
|
|
trillions of billions of millions of imperceptible molecules contained by
|
|
cohesion of molecular affinity in a single pinhead: of the universe of
|
|
human serum constellated with red and white bodies, themselves universes
|
|
of void space constellated with other bodies, each, in continuity,
|
|
its universe of divisible component bodies of which each was again
|
|
divisible in divisions of redivisible component bodies, dividends and
|
|
divisors ever diminishing without actual division till, if the progress
|
|
were carried far enough, nought nowhere was never reached.
|
|
|
|
Why did he not elaborate these calculations to a more precise result?
|
|
|
|
Because some years previously in 1886 when occupied with the problem of
|
|
the quadrature of the circle he had learned of .the existence of a number
|
|
computed to a relative degree of accuracy to be of such magnitude and of so
|
|
many places, e.g., the 9th power of the 9th power of 9, that, the result
|
|
having been obtained, 33 closely printed volumes of 1000 pages each of
|
|
innumerable quires and reams of India paper would have to be
|
|
requisitioned in order to contain the complete tale of its printed integers of
|
|
units, tens, hundreds, thousands, tens of thousands, hundreds of thousands,
|
|
millions, tens of millions, hundreds of millions, billions, the nucleus of the
|
|
nebula of every digit of every series containing succinctly the potentiality
|
|
of being raised to the utmost kinetic elaboration of any power of any of its
|
|
powers.
|
|
|
|
Did he find the problems of the inhabitability of the planets and their
|
|
satellites by a race, given in species, and of the possible social and moral
|
|
redemption of said race by a redeemer, easier of solution?
|
|
|
|
Of a different order of difficulty. Conscious that the human organism,
|
|
normally capable of sustaining an atmospheric pressure of 19 tons, when
|
|
elevated to a considerable altitude in the terrestrial atmosphere suffered
|
|
with arithmetical progression of intensity, according as the line of
|
|
demarcation between troposphere and stratosphere was approximated
|
|
from nasal hemorrhage, impeded respiration and vertigo, when proposing
|
|
this problem for solution, he had conjectured as a working hypothesis
|
|
which could not be proved impossible that a more adaptable and differently
|
|
anatomically constructed race of beings might subsist otherwise under
|
|
Martian, Mercurial, Veneral, Jovian, Saturnian, Neptunian or Uranian
|
|
sufficient and equivalent conditions, though an apogean humanity of beings
|
|
created in varying forms with finite differences resulting similar to the
|
|
whole and to one another would probably there as here remain inalterably
|
|
and inalienably attached to vanities, to vanities of vanities and to all that
|
|
is vanity.
|
|
|
|
And the problem of possible redemption?
|
|
|
|
The minor was proved by the major.
|
|
|
|
Which various features of the constellations were in turn considered?
|
|
|
|
The various colours significant of various degrees of vitality (white, yellow,
|
|
crimson, vermilion, cinnabar): their degrees of brilliancy: their magnitudes
|
|
revealed up to and including the 7th: their positions: the waggoner's star:
|
|
Walsingham way: the chariot of David: the annular cinctures of Saturn:
|
|
the condensation of spiral nebulae into suns: the interdependent gyrations
|
|
of double suns: the independent synchronous discoveries of Galileo, Simon
|
|
Marius, Piazzi, Le Verrier, Herschel, Galle: the systematisations attempted
|
|
by Bode and Kepler of cubes of distances and squares of times of
|
|
revolution: the almost infinite compressibility of hirsute comets and their
|
|
vast elliptical egressive and reentrant orbits from perihelion to aphelion:
|
|
the sidereal origin of meteoric stones: the Libyan floods on Mars about the
|
|
period of the birth of the younger astroscopist: the annual recurrence of
|
|
meteoric showers about the period of the feast of S. Lawrence (martyr, lo
|
|
August): the monthly recurrence known as the new moon with the old
|
|
moon in her arms: the posited influence of celestial on human bodies: the
|
|
appearance of a star (1st magnitude) of exceeding brilliancy dominating by
|
|
night and day (a new luminous sun generated by the collision and
|
|
amalgamation in incandescence of two nonluminous exsuns) about the
|
|
period of the birth of William Shakespeare over delta in the recumbent
|
|
neversetting constellation of Cassiopeia and of a star (2nd magnitude) of
|
|
similar origin but of lesser brilliancy which had appeared in and
|
|
disappeared from the constellation of the Corona Septentrionalis about the
|
|
period of the birth of Leopold Bloom and of other stars of (presumably)
|
|
similar origin which had (effectively or presumably) appeared in and
|
|
disappeared from the constellation of Andromeda about the period of the
|
|
birth of Stephen Dedalus, and in and from the constellation of Auriga some
|
|
years after the birth and death of Rudolph Bloom, junior, and in and from
|
|
other constellations some years before or after the birth or death of other
|
|
persons: the attendant phenomena of eclipses, solar and lunar, from
|
|
immersion to emersion, abatement of wind, transit of shadow, taciturnity of
|
|
winged creatures, emergence of nocturnal or crepuscular animals,
|
|
persistence of infernal light, obscurity of terrestrial waters, pallor of
|
|
human beings.
|
|
|
|
His (Bloom's) logical conclusion, having weighed the matter and allowing
|
|
for possible error?
|
|
|
|
That it was not a heaventree, not a heavengrot, not a heavenbeast, not a
|
|
heavenman. That it was a Utopia, there being no known method from the
|
|
known to the unknown: an infinity renderable equally finite by the
|
|
suppositious apposition of one or more bodies equally of the same and of
|
|
different magnitudes: a mobility of illusory forms immobilised in space,
|
|
remobilised in air: a past which possibly had ceased to exist as a present
|
|
before its probable spectators had entered actual present existence.
|
|
Was he more convinced of the esthetic value of the spectacle?
|
|
|
|
Indubitably in consequence of the reiterated examples of poets in the
|
|
delirium of the frenzy of attachment or in the abasement of rejection
|
|
invoking ardent sympathetic constellations or the frigidity of the satellite
|
|
of their planet.
|
|
|
|
Did he then accept as an article of belief the theory of astrological
|
|
influences upon sublunary disasters?
|
|
|
|
It seemed to him as possible of proof as of confutation and the
|
|
nomenclature employed in its selenographical charts as attributable to
|
|
verifiable intuition as to fallacious analogy: the lake of dreams, the sea of
|
|
rains, the gulf of dews, the ocean of fecundity.
|
|
|
|
What special affinities appeared to him to exist between the moon and
|
|
woman?
|
|
|
|
Her antiquity in preceding and surviving successive tellurian generations:
|
|
her nocturnal predominance: her satellitic dependence: her luminary
|
|
reflection: her constancy under all her phases, rising and setting by her
|
|
appointed times, waxing and waning: the forced invariability of her aspect:
|
|
her indeterminate response to inaffirmative interrogation: her potency over
|
|
effluent and refluent waters: her power to enamour, to mortify, to invest
|
|
with beauty, to render insane, to incite to and aid delinquency: the tranquil
|
|
inscrutability of her visage: the terribility of her isolated dominant
|
|
implacable resplendent propinquity: her omens of tempest and of calm: the
|
|
stimulation of her light, her motion and her presence: the admonition of her
|
|
craters, her arid seas, her silence: her splendour, when visible: her
|
|
attraction, when invisible.
|
|
|
|
What visible luminous sign attracted Bloom's, who attracted Stephen's,
|
|
gaze?
|
|
|
|
In the second storey (rere) of his (Bloom's) house the light of a paraffin oil
|
|
lamp with oblique shade projected on a screen of roller blind supplied by
|
|
Frank O'Hara, window blind, curtain pole and revolving shutter
|
|
manufacturer, 16 Aungier street.
|
|
|
|
How did he elucidate the mystery of an invisible attractive person, his wife
|
|
Marion (Molly) Bloom, denoted by a visible splendid sign, a lamp?
|
|
|
|
With indirect and direct verbal allusions or affirmations: with subdued
|
|
affection and admiration: with description: with impediment: with
|
|
suggestion.
|
|
Both then were silent?
|
|
|
|
Silent, each contemplating the other in both mirrors of the reciprocal flesh
|
|
of theirhisnothis fellowfaces.
|
|
|
|
Were they indefinitely inactive?
|
|
|
|
At Stephen's suggestion, at Bloom's instigation both, first Stephen, then
|
|
Bloom, in penumbra urinated, their sides contiguous, their organs of
|
|
micturition reciprocally rendered invisible by manual circumposition, their
|
|
gazes, first Bloom's, then Stephen's, elevated to the projected luminous and
|
|
semiluminous shadow.
|
|
Similarly?
|
|
|
|
The trajectories of their, first sequent, then simultaneous, urinations were
|
|
dissimilar: Bloom's longer, less irruent, in the incomplete form of the
|
|
bifurcated penultimate alphabetical letter, who in his ultimate year at High
|
|
School (1880) had been capable of attaining the point of greatest altitude
|
|
against the whole concurrent strength of the institution, 210 scholars:
|
|
Stephen's higher, more sibilant, who in the ultimate hours of the previous
|
|
day had augmented by diuretic consumption an insistent vesical pressure.
|
|
|
|
|
|
What different problems presented themselves to each concerning the
|
|
invisible audible collateral organ of the other?
|
|
To Bloom: the problems of irritability, tumescence, rigidity, reactivity,
|
|
dimension, sanitariness, pilosity.
|
|
To Stephen: the problem of the sacerdotal integrity of Jesus circumcised (I
|
|
January, holiday of obligation to hear mass and abstain from unnecessary
|
|
servile work) and the problem as to whether the divine prepuce, the carnal
|
|
bridal ring of the holy Roman catholic apostolic church, conserved in
|
|
Calcata, were deserving of simple hyperduly or of the fourth degree of
|
|
latria accorded to the abscission of such divine excrescences as hair and
|
|
toenails.
|
|
|
|
What celestial sign was by both simultaneously observed?
|
|
|
|
A star precipitated with great apparent velocity across the firmament from
|
|
Vega in the Lyre above the zenith beyond the stargroup of the Tress of
|
|
Berenice towards the zodiacal sign of Leo.
|
|
|
|
How did the centripetal remainer afford egress to the centrifugal departer?
|
|
|
|
By inserting the barrel of an arruginated male key in the hole of an unstable
|
|
female lock, obtaining a purchase on the bow of the key and turning its
|
|
wards from right to left, withdrawing a bolt from its staple, pulling inward
|
|
spasmodically an obsolescent unhinged door and revealing an aperture for
|
|
free egress and free ingress.
|
|
|
|
How did they take leave, one of the other, in separation?
|
|
|
|
Standing perpendicular at the same door and on different sides of its base,
|
|
the lines of their valedictory arms, meeting at any point and forming any
|
|
angle less than the sum of two right angles.
|
|
|
|
What sound accompanied the union of their tangent, the disunion of their
|
|
(respectively) centrifugal and centripetal hands?
|
|
|
|
The sound of the peal of the hour of the night by the chime of the bells in
|
|
the church of Saint George.
|
|
|
|
What echoes of that sound were by both and each heard?
|
|
|
|
By Stephen:
|
|
|
|
Liliata rutilantium. Turma circumdet.
|
|
|
|
Iubilantium te virginum. Chorus excipiat.
|
|
|
|
By Bloom:
|
|
|
|
|
|
Heigho, heigho,
|
|
|
|
Heigho, heigho.
|
|
|
|
Where were the several members of the company which with Bloom that
|
|
day at the bidding of that peal had travelled from Sandymount in the south
|
|
to Glasnevin in the north?
|
|
|
|
Martin Cunningham (in bed), Jack Power (in bed), Simon Dedalus (in
|
|
bed), Ned Lambert (in bed), Tom Kernan (in bed), Joe Hynes (in bed),
|
|
John Henry Menton (in bed), Bernard Corrigan (in bed), Patsy Dignam (in
|
|
bed), Paddy Dignam (in the grave).
|
|
|
|
Alone, what did Bloom hear?
|
|
|
|
The double reverberation of retreating feet on the heavenborn earth, the
|
|
double vibration of a jew's harp in the resonant lane.
|
|
|
|
Alone, what did Bloom feel?
|
|
|
|
The cold of interstellar space, thousands of degrees below freezing point or
|
|
the absolute zero of Fahrenheit, Centigrade or Reaumur: the incipient
|
|
intimations of proximate dawn.
|
|
|
|
Of what did bellchime and handtouch and footstep and lonechill remind him?
|
|
|
|
Of companions now in various manners in different places defunct: Percy
|
|
Apjohn (killed in action, Modder River), Philip Gilligan (phthisis, Jervis
|
|
Street hospital), Matthew F. Kane (accidental drowning, Dublin Bay),
|
|
Philip Moisel (pyemia, Heytesbury street), Michael Hart (phthisis, Mater
|
|
Misericordiae hospital), Patrick Dignam (apoplexy, Sandymount).
|
|
|
|
What prospect of what phenomena inclined him to remain?
|
|
|
|
The disparition of three final stars, the diffusion of daybreak, the
|
|
apparition of a new solar disk.
|
|
|
|
Had he ever been a spectator of those phenomena?
|
|
|
|
Once, in 1887, after a protracted performance of charades in the house of
|
|
|
|
Luke Doyle, Kimmage, he had awaited with patience the apparition of the
|
|
diurnal phenomenon, seated on a wall, his gaze turned in the direction of
|
|
Mizrach, the east.
|
|
|
|
He remembered the initial paraphenomena?
|
|
|
|
More active air, a matutinal distant cock, ecclesiastical clocks at various
|
|
points, avine music, the isolated tread of an early wayfarer, the visible
|
|
diffusion of the light of an invisible luminous body, the first golden limb of
|
|
the resurgent sun perceptible low on the horizon.
|
|
|
|
Did he remain?
|
|
|
|
With deep inspiration he returned, retraversing the garden, reentering the
|
|
passage, reclosing the door. With brief suspiration he reassumed the candle,
|
|
reascended the stairs, reapproached the door of the front room, hallfloor,
|
|
and reentered.
|
|
|
|
What suddenly arrested his ingress?
|
|
|
|
The right temporal lobe of the hollow sphere of his cranium came into
|
|
contact with a solid timber angle where, an infinitesimal but sensible
|
|
fraction of a second later, a painful sensation was located in consequence of
|
|
antecedent sensations transmitted and registered.
|
|
|
|
Describe the alterations effected in the disposition of the articles of
|
|
furniture.
|
|
|
|
A sofa upholstered in prune plush had been translocated from opposite the
|
|
door to the ingleside near the compactly furled Union Jack (an alteration
|
|
which he had frequently intended to execute): the blue and white checker
|
|
inlaid majolicatopped table had been placed opposite the door in the place
|
|
vacated by the prune plush sofa: the walnut sideboard (a projecting angle
|
|
of which had momentarily arrested his ingress) had been moved from its
|
|
position beside the door to a more advantageous but more perilous position
|
|
in front of the door: two chairs had been moved from right and left of the
|
|
ingleside to the position originally occupied by the blue and white checker
|
|
inlaid majolicatopped table.
|
|
|
|
Describe them.
|
|
|
|
One: a squat stuffed easychair, with stout arms extended and back slanted
|
|
to the rere, which, repelled in recoil, had then upturned an irregular fringe
|
|
of a rectangular rug and now displayed on its amply upholstered seat a
|
|
centralised diffusing and diminishing discolouration. The other: a slender
|
|
splayfoot chair of glossy cane curves, placed directly opposite the former,
|
|
its frame from top to seat and from seat to base being varnished dark
|
|
brown, its seat being a bright circle of white plaited rush.
|
|
|
|
What significances attached to these two chairs?
|
|
|
|
Significances of similitude, of posture, of symbolism, of circumstantial
|
|
evidence, of testimonial supermanence.
|
|
|
|
What occupied the position originally occupied by the sideboard?
|
|
|
|
A vertical piano (Cadby) with exposed keyboard, its closed coffin
|
|
supporting a pair of long yellow ladies' gloves and an emerald ashtray
|
|
containing four consumed matches, a partly consumed cigarette and two
|
|
discoloured ends of cigarettes, its musicrest supporting the music in the key
|
|
of G natural for voice and piano of Love's Old Sweet Song (words by G.
|
|
Clifton Bingham, composed by J. L. Molloy, sung by Madam Antoinette
|
|
Sterling) open at the last page with the final indications ad libitum, forte,
|
|
pedal, animato, sustained pedal, ritirando, close.
|
|
|
|
With what sensations did Bloom contemplate in rotation these objects?
|
|
|
|
With strain, elevating a candlestick: with pain, feeling on his right temple a
|
|
contused tumescence: with attention, focussing his gaze on a large dull
|
|
passive and a slender bright active: with solicitation, bending and
|
|
downturning the upturned rugfringe: with amusement, remembering Dr
|
|
Malachi Mulligan's scheme of colour containing the gradation of green:
|
|
with pleasure, repeating the words and antecedent act and perceiving
|
|
through various channels of internal sensibility the consequent and
|
|
concomitant tepid pleasant diffusion of gradual discolouration.
|
|
|
|
His next proceeding?
|
|
|
|
From an open box on the majolicatopped table he extracted a black
|
|
diminutive cone, one inch in height, placed it on its circular base on a small
|
|
tin plate, placed his candlestick on the right corner of the mantelpiece,
|
|
produced from his waistcoat a folded page of prospectus (illustrated)
|
|
entitled Agendath Netaim, unfolded the same, examined it superficially,
|
|
rolled it into a thin cylinder, ignited it in the candleflame, applied it when
|
|
ignited to the apex of the cone till the latter reached the stage of
|
|
rutilance, placed the cylinder in the basin of the candlestick disposing
|
|
its unconsumed part in such a manner as to facilitate total combustion.
|
|
|
|
What followed this operation?
|
|
|
|
The truncated conical crater summit of the diminutive volcano emitted a
|
|
vertical and serpentine fume redolent of aromatic oriental incense.
|
|
|
|
What homothetic objects, other than the candlestick, stood on the
|
|
mantelpiece?
|
|
|
|
A timepiece of striated Connemara marble, stopped at the hour of
|
|
4.46 a.m. on the 21 March 1896, matrimonial gift of Matthew Dillon: a
|
|
dwarf tree of glacial arborescence under a transparent bellshade,
|
|
matrimonial gift of Luke and Caroline Doyle: an embalmed owl,
|
|
matrimonial gift of Alderman John Hooper.
|
|
|
|
What interchanges of looks took place between these three objects and
|
|
Bloom?
|
|
|
|
In the mirror of the giltbordered pierglass the undecorated back of the
|
|
dwarf tree regarded the upright back of the embalmed owl. Before the
|
|
mirror the matrimonial gift of Alderman John Hooper with a clear
|
|
melancholy wise bright motionless compassionate gaze regarded Bloom
|
|
while Bloom with obscure tranquil profound motionless compassionated
|
|
gaze regarded the matrimonial gift of Luke and Caroline Doyle.
|
|
|
|
What composite asymmetrical image in the mirror then attracted his
|
|
attention?
|
|
|
|
The image of a solitary (ipsorelative) mutable (aliorelative) man.
|
|
|
|
Why solitary (ipsorelative)?
|
|
|
|
|
|
Brothers and sisters had he none.
|
|
|
|
Yet that man's father was his grandfather's son.
|
|
|
|
Why mutable (aliorelative)?
|
|
|
|
From infancy to maturity he had resembled his maternal procreatrix. From
|
|
maturity to senility he would increasingly resemble his paternal
|
|
procreator.
|
|
|
|
What final visual impression was communicated to him by the mirror?
|
|
|
|
The optical reflection of several inverted volumes improperly arranged and
|
|
not in the order of their common letters with scintillating titles on the
|
|
two bookshelves opposite.
|
|
|
|
Catalogue these books.
|
|
|
|
Thom's Dublin Post Office Directory, 1886.
|
|
Denis Florence M'Carthy's Poetical Works (copper beechleaf bookmark at
|
|
p. 5).
|
|
Shakespeare's Works (dark crimson morocco, goldtooled).
|
|
The Useful Ready Reckoner (brown cloth).
|
|
The Secret History of the Court of Charles II (red cloth, tooled binding).
|
|
The Child's Guide (blue cloth).
|
|
The Beauties of Killarney (wrappers).
|
|
When We Were Boys by William O'Brien M. P. (green cloth, slightly faded,
|
|
envelope bookmark at p. 217).
|
|
Thoughts from Spinoza (maroon leather).
|
|
The Story of the Heavens by Sir Robert Ball (blue cloth).
|
|
Ellis's Three Trips to Madagascar (brown cloth, title obliterated).
|
|
The Stark-Munro Letters by A. Conan Doyle, property of the City of
|
|
|
|
Dublin Public Library, 106 Capel street, lent 21 May (Whitsun Eve)
|
|
|
|
1904, due 4 June 1904, 13 days overdue (black cloth binding, bearing
|
|
white letternumber ticket).
|
|
Voyages in China by "Viator" (recovered with brown paper, red ink title).
|
|
Philosophy of the Talmud (sewn pamphlet).
|
|
Lockhart's Life of Napoleon (cover wanting, marginal annotations,
|
|
minimising victories, aggrandising defeats of the protagonist).
|
|
Soll und Haben by Gustav Freytag (black boards, Gothic characters,
|
|
cigarette coupon bookmark at p. 24).
|
|
Hozier's History of the Russo-Turkish War (brown cloth, a volumes, with
|
|
gummed label, Garrison Library, Governor's Parade, Gibraltar, on verso
|
|
of cover).
|
|
|
|
Laurence Bloomfield in Ireland by William Allingham (second edition,
|
|
green cloth, gilt trefoil design, previous owner's name on recto of flyleaf
|
|
erased).
|
|
|
|
A Handbook of Astronomy (cover, brown leather, detached, S plates,
|
|
antique letterpress long primer, author's footnotes nonpareil, marginal
|
|
clues brevier, captions small pica).
|
|
|
|
The Hidden Life of Christ (black boards).
|
|
|
|
In the Track of the Sun (yellow cloth, titlepage missing, recurrent title
|
|
intestation).
|
|
|
|
Physical Strength and How to Obtain It by Eugen Sandow (red cloth).
|
|
|
|
Short but yet Plain Elements of Geometry written in French by F. Ignat.
|
|
|
|
Pardies and rendered into English by John Harris D. D. London, printed
|
|
for R. Knaplock at the Bifhop's Head, MDCCXI, with dedicatory epiftle
|
|
to his worthy friend Charles Cox, efquire, Member of Parliament for the
|
|
burgh of Southwark and having ink calligraphed statement on the flyleaf
|
|
certifying that the book was the property of Michael Gallagher, dated
|
|
this 10th day of May 1822 and requefting the perfon who should find it, if
|
|
the book should be loft or go aftray, to reftore it to Michael Gallagher,
|
|
carpenter, Dufery Gate, Ennifcorthy, county Wicklow, the fineft place in
|
|
the world.
|
|
|
|
What reflections occupied his mind during the process of reversion of the
|
|
inverted volumes?
|
|
|
|
The necessity of order, a place for everything and everything in its place:
|
|
the deficient appreciation of literature possessed by females: the incongruity
|
|
of an apple incuneated in a tumbler and of an umbrella inclined in a
|
|
closestool: the insecurity of hiding any secret document behind, beneath or
|
|
between the pages of a book.
|
|
|
|
Which volume was the largest in bulk?
|
|
|
|
Hozier's History of the Russo-Turkish war.
|
|
|
|
What among other data did the second volume of the work in question
|
|
contain?
|
|
|
|
The name of a decisive battle (forgotten), frequently remembered by a
|
|
decisive officer, major Brian Cooper Tweedy (remembered).Why, firstly and
|
|
secondly, did he not consult the work in question?
|
|
|
|
Firstly, in order to exercise mnemotechnic: secondly, because after an
|
|
interval of amnesia, when, seated at the central table, about to consult the
|
|
work in question, he remembered by mnemotechnic the name of the
|
|
military engagement, Plevna.
|
|
|
|
What caused him consolation in his sitting posture?
|
|
|
|
The candour, nudity, pose, tranquility, youth, grace, sex, counsel of a statue
|
|
erect in the centre of the table, an image of Narcissus purchased by auction
|
|
from P. A. Wren, 9 Bachelor's Walk.
|
|
|
|
What caused him irritation in his sitting posture?
|
|
Inhibitory pressure of collar (size 17) and waistcoat (5 buttons), two
|
|
articles of clothing superfluous in the costume of mature males and inelastic
|
|
to alterations of mass by expansion.
|
|
|
|
How was the irritation allayed?
|
|
|
|
He removed his collar, with contained black necktie and collapsible stud,
|
|
from his neck to a position on the left of the table. He unbuttoned
|
|
successively in reversed direction waistcoat, trousers, shirt and vest along
|
|
the medial line of irregular incrispated black hairs extending in triangular
|
|
convergence from the pelvic basin over the circumference of the abdomen
|
|
and umbilicular fossicle along the medial line of nodes to the intersection of
|
|
the sixth pectoral vertebrae, thence produced both ways at right angles and
|
|
terminating in circles described about two equidistant points, right and left,
|
|
on the summits of the mammary prominences. He unbraced successively
|
|
each of six minus one braced trouser buttons, arranged in pairs, of which
|
|
one incomplete.
|
|
|
|
What involuntary actions followed?
|
|
|
|
He compressed between 2 fingers the flesh circumjacent to a cicatrice in the
|
|
left infracostal region below the diaphragm resulting from a sting inflicted 2
|
|
weeks and 3 days previously (23 May 1904) by a bee. He scratched
|
|
imprecisely with his right hand, though insensible of prurition, various
|
|
points and surfaces of his partly exposed, wholly abluted skin. He inserted
|
|
his left hand into the left lower pocket of his waistcoat and extracted and
|
|
replaced a silver coin (I shilling), placed there (presumably) on the occasion
|
|
(17 October 1903) of the interment of Mrs Emily Sinico, Sydney Parade.
|
|
|
|
Compile the budget for 16 June 1904.
|
|
|
|
DEBIT CREDIT
|
|
L--s--d L--s--d
|
|
1 Pork kidney 0--0--3 Cash in Hand 0--4--9
|
|
1 Copy FREEMAN'S JOURNAL 0--0--1 Commission recd FREEMAN'S JOURNAL 1--7--6
|
|
1 Bath And Gratification 0--1--6 Loan (Stephen Dedalus) 1--7--0
|
|
Tramfare 0--0--1
|
|
1 In Memoriam
|
|
Patrick Dignam 0--5--0
|
|
2 Banbury cakes 0--0--1
|
|
1 Lunch 0--0--7
|
|
1 Renewal fee for book 0--1--0
|
|
1 Packet Notepaper
|
|
and Envelopes 0--0--2
|
|
1 Dinner
|
|
and Gratification 0--2--0
|
|
I Postal Order
|
|
and Stamp 0--2--8
|
|
Tramfare 0--0--1
|
|
1 Pig's Foot 0--0--4
|
|
1 Sheep's Trotter 0--0--3
|
|
1 Cake Fry's
|
|
Plain Chocolate 0--0--1
|
|
1 Square Soda Bread 0--0--4
|
|
1 Coffee and Bun 0--0--4
|
|
Loan (Stephen Dedalus)
|
|
refunded 1--7--0
|
|
|
|
BALANCE 0--17--5
|
|
2--19--3 2--19--3
|
|
|
|
Did the process of divestiture continue?
|
|
|
|
Sensible of a benignant persistent ache in his footsoles he extended his foot
|
|
to one side and observed the creases, protuberances and salient points
|
|
caused by foot pressure in the course of walking repeatedly in several
|
|
different directions, then, inclined, he disnoded the laceknots, unhooked
|
|
and loosened the laces, took off each of his two boots for the second time,
|
|
detached the partially moistened right sock through the fore part of which
|
|
the nail of his great toe had again effracted, raised his right foot and,
|
|
having unhooked a purple elastic sock suspender, took off his right sock,
|
|
placed his unclothed right foot on the margin of the seat of his chair, picked
|
|
at and gently lacerated the protruding part of the great toenail, raised the
|
|
part lacerated to his nostrils and inhaled the odour of the quick, then, with
|
|
satisfaction, threw away the lacerated ungual fragment.
|
|
|
|
Why with satisfaction?
|
|
|
|
Because the odour inhaled corresponded to other odours inhaled of other
|
|
ungual fragments, picked and lacerated by Master Bloom, pupil of Mrs
|
|
Ellis's juvenile school, patiently each night in the act of brief genuflection
|
|
and nocturnal prayer and ambitious meditation.
|
|
|
|
In what ultimate ambition had all concurrent and consecutive ambitions
|
|
now coalesced?
|
|
|
|
Not to inherit by right of primogeniture, gavelkind or borough English, or
|
|
possess in perpetuity an extensive demesne of a sufficient number of acres,
|
|
roods and perches, statute land measure (valuation 42 pounds), of grazing
|
|
turbary surrounding a baronial hall with gatelodge and carriage drive nor,
|
|
on the other hand, a terracehouse or semidetached villa, described as Rus in
|
|
Urbe or Qui si sana, but to purchase by private treaty in fee simple a
|
|
thatched bungalowshaped 2 storey dwellinghouse of southerly aspect,
|
|
surmounted by vane and lightning conductor, connected with the earth, with
|
|
porch covered by parasitic plants (ivy or Virginia creeper), halldoor, olive
|
|
green, with smart carriage finish and neat doorbrasses, stucco front with gilt
|
|
tracery at eaves and gable, rising, if possible, upon a gentle eminence with
|
|
agreeable prospect from balcony with stone pillar parapet over unoccupied
|
|
and unoccupyable interjacent pastures and standing in 5 or 6 acres of its
|
|
own ground, at such a distance from the nearest public thoroughfare as to
|
|
render its houselights visible at night above and through a quickset
|
|
hornbeam hedge of topiary cutting, situate at a given point not less than 1
|
|
statute mile from the periphery of the metropolis, within a time limit of not
|
|
more than 15 minutes from tram or train line (e.g., Dundrum, south, or
|
|
Sutton, north, both localities equally reported by trial to resemble the
|
|
terrestrial poles in being favourable climates for phthisical subjects), the
|
|
premises to be held under feefarm grant, lease 999 years, the messuage to
|
|
consist of 1 drawingroom with baywindow (2 lancets), thermometer
|
|
affixed, 1 sittingroom, 4 bedrooms, 2 servants' rooms, tiled kitchen with
|
|
close range and scullery, lounge hall fitted with linen wallpresses, fumed
|
|
oak sectional bookcase containing the Encyclopaedia Britannica and New
|
|
Century Dictionary, transverse obsolete medieval and oriental weapons,
|
|
dinner gong, alabaster lamp, bowl pendant, vulcanite automatic telephone
|
|
receiver with adjacent directory, handtufted Axminster carpet with cream
|
|
ground and trellis border, loo table with pillar and claw legs, hearth with
|
|
massive firebrasses and ormolu mantel chronometer clock, guaranteed
|
|
timekeeper with cathedral chime, barometer with hygrographic chart,
|
|
comfortable lounge settees and corner fitments, upholstered in ruby plush
|
|
with good springing and sunk centre, three banner Japanese screen and
|
|
cuspidors (club style, rich winecoloured leather, gloss renewable with a
|
|
minimum of labour by use of linseed oil and vinegar) and pyramidically
|
|
prismatic central chandelier lustre, bentwood perch with fingertame parrot
|
|
(expurgated language), embossed mural paper at 10/- per dozen with
|
|
transverse swags of carmine floral design and top crown frieze, staircase,
|
|
three continuous flights at successive right angles, of varnished cleargrained
|
|
oak, treads and risers, newel, balusters and handrail, with steppedup panel
|
|
dado, dressed with camphorated wax: bathroom, hot and cold supply,
|
|
reclining and shower: water closet on mezzanine provided with opaque
|
|
singlepane oblong window, tipup seat, bracket lamp, brass tierod and brace,
|
|
armrests, footstool and artistic oleograph on inner face of door: ditto,
|
|
plain: servants' apartments with separate sanitary and hygienic necessaries
|
|
for cook, general and betweenmaid (salary, rising by biennial unearned
|
|
increments of 2 pounds, with comprehensive fidelity insurance, annual bonus
|
|
(1 pound) and retiring allowance (based on the 65 system) after 30 years'
|
|
service), pantry, buttery, larder, refrigerator, outoffices, coal and wood
|
|
cellarage with winebin (still and sparkling vintages) for distinguished
|
|
guests, if entertained to dinner (evening dress), carbon monoxide gas supply
|
|
throughout.
|
|
|
|
What additional attractions might the grounds contain?
|
|
|
|
As addenda, a tennis and fives court, a shrubbery, a glass summerhouse
|
|
with tropical palms, equipped in the best botanical manner, a rockery with
|
|
waterspray, a beehive arranged on humane principles, oval flowerbeds in
|
|
rectangular grassplots set with eccentric ellipses of scarlet and chrome
|
|
tulips, blue scillas, crocuses, polyanthus, sweet William, sweet pea, lily of
|
|
the valley (bulbs obtainable from sir James W. Mackey (Limited) wholesale
|
|
and retail seed and bulb merchants and nurserymen, agents for chemical
|
|
manures, 23 Sackville street, upper), an orchard, kitchen garden and vinery
|
|
protected against illegal trespassers by glasstopped mural enclosures, a
|
|
lumbershed with padlock for various inventoried implements.
|
|
|
|
As?
|
|
|
|
Eeltraps, lobsterpots, fishingrods, hatchet, steelyard, grindstone,
|
|
clodcrusher, swatheturner, carriagesack, telescope ladder, 10 tooth rake,
|
|
washing clogs, haytedder, tumbling rake, billhook, paintpot, brush, hoe and
|
|
so on.
|
|
What improvements might be subsequently introduced?
|
|
|
|
A rabbitry and fowlrun, a dovecote, a botanical conservatory, 2 hammocks
|
|
(lady's and gentleman's), a sundial shaded and sheltered by laburnum or
|
|
lilac trees, an exotically harmonically accorded Japanese tinkle gatebell
|
|
affixed to left lateral gatepost, a capacious waterbutt, a lawnmower with
|
|
side delivery and grassbox, a lawnsprinkler with hydraulic hose.
|
|
|
|
What facilities of transit were desirable?
|
|
|
|
When citybound frequent connection by train or tram from their respective
|
|
intermediate station or terminal. When countrybound velocipedes, a
|
|
chainless freewheel roadster cycle with side basketcar attached, or draught
|
|
conveyance, a donkey with wicker trap or smart phaeton with good
|
|
working solidungular cob (roan gelding, 14 h).
|
|
|
|
What might be the name of this erigible or erected residence?
|
|
|
|
Bloom Cottage. Saint Leopold's. Flowerville.
|
|
|
|
Could Bloom of 7 Eccles street foresee Bloom of Flowerville?
|
|
|
|
In loose allwool garments with Harris tweed cap, price 8/6, and useful
|
|
garden boots with elastic gussets and wateringcan, planting aligned young
|
|
firtrees, syringing, pruning, staking, sowing hayseed, trundling a weedladen
|
|
wheelbarrow without excessive fatigue at sunset amid the scent of
|
|
newmown hay, ameliorating the soil, multiplying wisdom, achieving
|
|
longevity.
|
|
|
|
What syllabus of intellectual pursuits was simultaneously possible?
|
|
|
|
Snapshot photography, comparative study of religions, folklore relative to
|
|
various amatory and superstitious practices, contemplation of the celestial
|
|
constellations.
|
|
|
|
What lighter recreations?
|
|
|
|
Outdoor: garden and fieldwork, cycling on level macadamised causeways
|
|
ascents of moderately high hills, natation in secluded fresh water and
|
|
unmolested river boating in secure wherry or light curricle with kedge
|
|
anchor on reaches free from weirs and rapids (period of estivation),
|
|
vespertinal perambulation or equestrian circumprocession with inspection
|
|
of sterile landscape and contrastingly agreeable cottagers' fires of smoking
|
|
peat turves (period of hibernation). Indoor: discussion in tepid security of
|
|
unsolved historical and criminal problems: lecture of unexpurgated exotic
|
|
erotic masterpieces: house carpentry with toolbox containing hammer, awl
|
|
nails, screws, tintacks, gimlet, tweezers, bullnose plane and turnscrew.
|
|
Might he become a gentleman farmer of field produce and live stock?
|
|
|
|
Not impossibly, with 1 or 2 stripper cows, 1 pike of upland hay and
|
|
requisite farming implements, e.g., an end-to-end churn, a turnip pulper etc.
|
|
|
|
What would be his civic functions and social status among the county
|
|
families and landed gentry?
|
|
|
|
Arranged successively in ascending powers of hierarchical order, that of
|
|
gardener, groundsman, cultivator, breeder, and at the zenith of his career,
|
|
resident magistrate or justice of the peace with a family crest and coat of
|
|
arms and appropriate classical motto (Semper paratus), duly recorded in
|
|
the court directory (Bloom, Leopold P., M. P., P. C., K. P., L. L. D.
|
|
(honoris causa), Bloomville, Dundrum) and mentioned in court and
|
|
fashionable intelligence (Mr and Mrs Leopold Bloom have left Kingstown
|
|
for England).
|
|
|
|
What course of action did he outline for himself in such capacity?
|
|
|
|
A course that lay between undue clemency and excessive rigour: the
|
|
dispensation in a heterogeneous society of arbitrary classes, incessantly
|
|
rearranged in terms of greater and lesser social inequality, of unbiassed
|
|
homogeneous indisputable justice, tempered with mitigants of the widest
|
|
possible latitude but exactable to the uttermost farthing with confiscation of
|
|
estate, real and personal, to the crown. Loyal to the highest constituted
|
|
power in the land, actuated by an innate love of rectitude his aims would be
|
|
the strict maintenance of public order, the repression of many abuses
|
|
though not of all simultaneously (every measure of reform or retrenchment
|
|
being a preliminary solution to be contained by fluxion in the final
|
|
solution), the upholding of the letter of the law (common, statute and law
|
|
merchant) against all traversers in covin and trespassers acting in
|
|
contravention of bylaws and regulations, all resuscitators (by trespass and
|
|
petty larceny of kindlings) of venville rights, obsolete by desuetude, all
|
|
orotund instigators of international persecution, all perpetuators of
|
|
international animosities, all menial molestors of domestic conviviality, all
|
|
recalcitrant violators of domestic connubiality.
|
|
|
|
Prove that he had loved rectitude from his earliest youth.
|
|
|
|
To Master Percy Apjohn at High School in 1880 he had divulged his
|
|
disbelief in the tenets of the Irish (protestant) church (to which his father
|
|
Rudolf Virag (later Rudolph Bloom) had been converted from the Israelitic
|
|
faith and communion in 1865 by the Society for promoting Christianity
|
|
among the jews) subsequently abjured by him in favour of Roman
|
|
catholicism at the epoch of and with a view to his matrimony in 1888. To
|
|
Daniel Magrane and Francis Wade in 1882 during a juvenile friendship
|
|
(terminated by the premature emigration of the former) he had advocated
|
|
during nocturnal perambulations the political theory of colonial (e.g.
|
|
Canadian) expansion and the evolutionary theories of Charles Darwin,
|
|
expounded in The Descent of Man and The Origin of Species. In 1885 he
|
|
had publicly expressed his adherence to the collective and national
|
|
economic programme advocated by James Fintan Lalor, John Fisher
|
|
Murray, John Mitchel, J. F. X. O'Brien and others, the agrarian policy of
|
|
Michael Davitt, the constitutional agitation of Charles Stewart Parnell
|
|
(M. P. for Cork City), the programme of peace, retrenchment and reform
|
|
of William Ewart Gladstone (M. P. for Midlothian, N. B.) and, in support
|
|
of his political convictions, had climbed up into a secure position amid the
|
|
ramifications of a tree on Northumberland road to see the entrance
|
|
(2 February 1888) into the capital of a demonstrative torchlight procession
|
|
of 20,000 torchbearers, divided into 120 trade corporations, bearing 2000
|
|
torches in escort of the marquess of Ripon and (honest) John Morley.
|
|
|
|
How much and how did he propose to pay for this country residence?
|
|
|
|
As per prospectus of the Industrious Foreign Acclimatised Nationalised
|
|
Friendly Stateaided Building Society (incorporated 1874), a maximum of
|
|
60 pounds per annum, being 1/6 of an assured income, derived from giltedged
|
|
securities, representing at 5 % simple interest on capital of 1200 pounds
|
|
(estimate of price at 20 years' purchase), of which to be paid on
|
|
acquisition and the balance in the form of annual rent, viz. 800 pounds
|
|
plus 2Š% interest on the same,
|
|
|
|
******^~~
|
|
|
|
repayable quarterly in equal annual instalments until extinction by
|
|
amortisation of loan advanced for purchase within a period of 20 years,
|
|
amounting to an annual rental of 64 pounds, headrent included, the titledeeds
|
|
to remain in possession of the lender or lenders with a saving clause
|
|
envisaging forced sale, foreclosure and mutual compensation in the event of
|
|
protracted failure to pay the terms assigned, otherwise the messuage to
|
|
become the absolute property of the tenant occupier upon expiry of the
|
|
period of years stipulated.
|
|
|
|
What rapid but insecure means to opulence might facilitate immediate
|
|
purchase?
|
|
|
|
A private wireless telegraph which would transmit by dot and dash system
|
|
the result of a national equine handicap (flat or steeplechase) of I or more
|
|
miles and furlongs won by an outsider at odds of 50 to 1 at
|
|
3 hr 8 m p.m. at Ascot (Greenwich time), the message being received and
|
|
available for betting purposes in Dublin at 2.59 p.m. (Dunsink time). The
|
|
unexpected discovery of an object of great monetary value (precious stone,
|
|
valuable adhesive or impressed postage stamps (7 schilling, mauve,
|
|
imperforate, Hamburg, 1866: 4 pence, rose, blue paper, perforate, Great
|
|
Britain, 1855: 1 franc, stone, official, rouletted, diagonal surcharge,
|
|
Luxemburg, 1878), antique dynastical ring, unique relic) in unusual
|
|
repositories or by unusual means: from the air (dropped by an eagle in
|
|
flight), by fire (amid the carbonised remains of an incendiated edifice), in
|
|
the sea (amid flotsam, jetsam, lagan and derelict), on earth (in the gizzard
|
|
of a comestible fowl). A Spanish prisoner's donation of a distant treasure of
|
|
valuables or specie or bullion lodged with a solvent banking corporation
|
|
loo years previously at 5% compound interest of the collective worth of
|
|
5,000,000 pounds stg (five million pounds sterling). A contract with an
|
|
inconsiderate contractee for the delivery of 32 consignments of some given
|
|
commodity in consideration of cash payment on delivery per delivery at the
|
|
initial rate of d to be increased constantly in the geometrical progression
|
|
of 2 (d, Ƥ, 1d, 2d, 4d, 8d, 1s 4d, 2s 8d to 32 terms). A prepared scheme
|
|
|
|
******^~~several on above 2 lines
|
|
|
|
based on a study of the laws of probability to break the bank at Monte
|
|
Carlo. A solution of the secular problem of the quadrature of the circle,
|
|
government premium 1,000,000 pounds sterling.
|
|
|
|
Was vast wealth acquirable through industrial channels?
|
|
|
|
The reclamation of dunams of waste arenary soil, proposed in the
|
|
prospectus of Agendath Netaim, Bleibtreustrasse, Berlin, W. 15, by the
|
|
cultivation of orange plantations and melonfields and reafforestation. The
|
|
utilisation of waste paper, fells of sewer rodents, human excrement
|
|
possessing chemical properties, in view of the vast production of the first,
|
|
vast number of the second and immense quantity of the third, every normal
|
|
human being of average vitality and appetite producing annually, cancelling
|
|
byproducts of water, a sum total of 80 lbs. (mixed animal and vegetable
|
|
diet), to be multiplied by 4,386,035, the total population of Ireland
|
|
according to census returns of 1901.
|
|
|
|
Were there schemes of wider scope?
|
|
|
|
A scheme to be formulated and submitted for approval to the harbour
|
|
commissioners for the exploitation of white coal (hydraulic power),
|
|
obtained by hydroelectric plant at peak of tide at Dublin bar or at head of
|
|
water at Poulaphouca or Powerscourt or catchment basins of main streams
|
|
for the economic production of 500,000 W. H. P. of electricity. A scheme
|
|
to enclose the peninsular delta of the North Bull at Dollymount and erect
|
|
on the space of the foreland, used for golf links and rifle ranges, an
|
|
asphalted esplanade with casinos, booths, shooting galleries, hotels,
|
|
boardinghouses, readingrooms, establishments for mixed bathing. A
|
|
scheme for the use of dogvans and goatvans for the delivery of early
|
|
morning milk. A scheme for the development of Irish tourist traffic in and
|
|
around Dublin by means of petrolpropelled riverboats, plying in the fluvial
|
|
fairway between Island bridge and Ringsend, charabancs, narrow gauge
|
|
local railways, and pleasure steamers for coastwise navigation (10/- per
|
|
person per day, guide (trilingual) included). A scheme for the repristination
|
|
of passenger and goods traffics over Irish waterways, when freed from
|
|
weedbeds. A scheme to connect by tramline the Cattle Market (North
|
|
Circular road and Prussia street) with the quays (Sheriff street, lower, and
|
|
East Wall), parallel with the Link line railway laid (in conjunction with the
|
|
Great Southern and Western railway line) between the cattle park, Liffey
|
|
junction, and terminus of Midland Great Western Railway 43 to 45 North
|
|
|
|
Wall, in proximity to the terminal stations or Dublin branches of Great
|
|
Central Railway, Midland Railway of England, City of Dublin Steam
|
|
Packet Company, Lancashire and Yorkshire Railway Company, Dublin
|
|
and Glasgow Steam Packet Company, Glasgow, Dublin and Londonderry
|
|
Steam Packet Company (Laird line), British and Irish Steam Packet
|
|
Company, Dublin and Morecambe Steamers, London and North Western
|
|
Railway Company, Dublin Port and Docks Board Landing Sheds and
|
|
transit sheds of Palgrave, Murphy and Company, steamship owners, agents
|
|
for steamers from Mediterranean, Spain, Portugal, France, Belgium and
|
|
Holland and for Liverpool Underwriters' Association, the cost of acquired
|
|
rolling stock for animal transport and of additional mileage operated by the
|
|
Dublin United Tramways Company, limited, to be covered by graziers'
|
|
fees.
|
|
|
|
Positing what protasis would the contraction for such several schemes
|
|
become a natural and necessary apodosis?
|
|
|
|
Given a guarantee equal to the sum sought, the support, by deed of gift and
|
|
transfer vouchers during donor's lifetime or by bequest after donor's
|
|
painless extinction, of eminent financiers (Blum Pasha, Rothschild
|
|
Guggenheim, Hirsch, Montefiore, Morgan, Rockefeller) possessing
|
|
fortunes in 6 figures, amassed during a successful life, and joining capital
|
|
with opportunity the thing required was done.
|
|
|
|
What eventuality would render him independent of such wealth?
|
|
|
|
The independent discovery of a goldseam of inexhaustible ore.
|
|
|
|
For what reason did he meditate on schemes so difficult of realisation?
|
|
|
|
It was one of his axioms that similar meditations or the automatic relation
|
|
to himself of a narrative concerning himself or tranquil recollection of the
|
|
past when practised habitually before retiring for the night alleviated
|
|
fatigue and produced as a result sound repose and renovated vitality.
|
|
|
|
His justifications?
|
|
|
|
As a physicist he had learned that of the 70 years of complete human life at
|
|
least 2/7, viz. 20 years are passed in sleep. As a philosopher he knew that at
|
|
the termination of any allotted life only an infinitesimal part of any
|
|
person's desires has been realised. As a physiologist he believed in the
|
|
artificial placation of malignant agencies chiefly operative during
|
|
somnolence. What did he fear?
|
|
|
|
The committal of homicide or suicide during sleep by an aberration of the
|
|
light of reason, the incommensurable categorical intelligence situated in the
|
|
cerebral convolutions.
|
|
|
|
What were habitually his final meditations?
|
|
|
|
Of some one sole unique advertisement to cause passers to stop in wonder,
|
|
a poster novelty, with all extraneous accretions excluded, reduced to its
|
|
simplest and most efficient terms not exceeding the span of casual vision and
|
|
congruous with the velocity of modern life.
|
|
|
|
What did the first drawer unlocked contain?
|
|
|
|
A Vere Foster's handwriting copybook, property of Milly (Millicent)
|
|
Bloom, certain pages of which bore diagram drawings, marked Papli,
|
|
which showed a large globular head with 5 hairs erect, 2 eyes in profile,
|
|
the trunk full front with 3 large buttons, 1 triangular foot: 2 fading
|
|
photographs of queen Alexandra of England and of Maud Branscombe,
|
|
actress and professional beauty: a Yuletide card, bearing on it a
|
|
pictorial representation of a parasitic plant, the legend Mizpah,
|
|
the date Xmas 1892, the name of the senders: from Mr + Mrs M. Comerford,
|
|
the versicle: May this Yuletide bring to thee, Joy and peace and
|
|
welcome glee: a butt of red partly liquefied sealing wax, obtained
|
|
from the stores department of Messrs Hely's, Ltd., 89, 90, and 91 Dame
|
|
street: a box containing the remainder of a gross of gilt "J" pennibs,
|
|
obtained from same department of same firm: an old sandglass which
|
|
rolled containing sand which rolled: a sealed prophecy (never unsealed)
|
|
written by Leopold Bloom in 1886 concerning the consequences of the
|
|
passing into law of William Ewart Gladstone's Home Rule bill of 1886
|
|
(never passed into law): a bazaar ticket, no 2004, of S. Kevin's Charity
|
|
Fair, price 6d, 100 prizes: an infantile epistle, dated, small em monday,
|
|
reading: capital pee Papli comma capital aitch How are you note of
|
|
interrogation capital eye I am very well full stop new paragraph
|
|
signature with flourishes capital em Milly no stop: a cameo
|
|
brooch, property of Ellen Bloom (born Higgins), deceased: a cameo
|
|
scarfpin, property of Rudolph Bloom (born Virag), deceased: 3 typewritten
|
|
letters, addressee, Henry Flower, c/o. P. O. Westland Row, addresser,
|
|
Martha Clifford, c/o. P. O. Dolphin's Barn: the transliterated name and
|
|
address of the addresser of the 3 letters in reversed alphabetic
|
|
boustrophedonic punctated quadrilinear cryptogram (vowels suppressed)
|
|
N. IGS./WI. UU. OX/W. OKS. MH/Y. IM: a press cutting from an English
|
|
weekly periodical Modern Society, subject corporal chastisement in girls'
|
|
schools: a pink ribbon which had festooned an Easter egg in the year
|
|
1899: two partly uncoiled rubber preservatives with reserve pockets,
|
|
purchased by post from Box 32, P. O., Charing Cross, London, W. C.:
|
|
1 pack of 1 dozen creamlaid envelopes and feintruled notepaper,
|
|
watermarked, now reduced by 3: some assorted Austrian-Hungarian coins:
|
|
2 coupons of the Royal and Privileged Hungarian Lottery: a lowpower
|
|
magnifying glass: 2 erotic photocards showing a) buccal coition between
|
|
nude senorita (rere presentation, superior position) and nude torero
|
|
(fore presentation, inferior position) b) anal violation by male religious
|
|
(fully clothed, eyes abject) of female religious (partly clothed, eyes
|
|
direct), purchased by post from Box 32, P. O., Charing Cross, London,
|
|
W. C.: a press cutting of recipe for renovation of old tan boots: a Id
|
|
adhesive stamp, lavender, of the reign of Queen Victoria: a chart of the
|
|
measurements of Leopold Bloom compiled before, during and after 2 months'
|
|
consecutive use of Sandow-Whiteley's pulley exerciser (men's 15/-,
|
|
athlete's 20/-) viz. chest 28 in and 29Šin, biceps 9 in and 10 in,
|
|
|
|
**************************************^~~ in line above and below
|
|
|
|
forearm 8Šin and 9 in,thigh 10 in and 12in, calf 11in and 12in: 1
|
|
prospectus of The Wonderworker, the world's greatest remedy for rectal
|
|
complaints, direct from Wonderworker, Coventry House, South Place,
|
|
London E C, addressed (erroneously) to Mrs L. Bloom with brief
|
|
accompanying note commencing (erroneously): Dear Madam.
|
|
|
|
Quote the textual terms in which the prospectus claimed advantages for
|
|
this thaumaturgic remedy.
|
|
|
|
It heals and soothes while you sleep, in case of trouble in breaking wind,
|
|
assists nature in the most formidable way, insuring instant relief in
|
|
discharge of gases, keeping parts clean and free natural action, an initial
|
|
outlay of 7/6 making a new man of you and life worth living. Ladies find
|
|
Wonderworker especially useful, a pleasant surprise when they note
|
|
delightful result like a cool drink of fresh spring water on a sultry summer's
|
|
day. Recommend it to your lady and gentlemen friends, lasts a lifetime.
|
|
Insert long round end. Wonderworker.
|
|
|
|
Were there testimonials?
|
|
|
|
Numerous. From clergyman, British naval officer, wellknown author, city
|
|
man, hospital nurse, lady, mother of five, absentminded beggar.
|
|
|
|
How did absentminded beggar's concluding testimonial conclude?
|
|
|
|
What a pity the government did not supply our men with wonderworkers
|
|
during the South African campaign! What a relief it would have been!
|
|
|
|
What object did Bloom add to this collection of objects?
|
|
|
|
A 4th typewritten letter received by Henry Flower (let H. F. be L. B.) from
|
|
Martha Clifford (find M. C.).
|
|
What pleasant reflection accompanied this action?
|
|
|
|
The reflection that, apart from the letter in question, his magnetic face,
|
|
form and address had been favourably received during the course of the
|
|
preceding day by a wife (Mrs Josephine Breen, born Josie Powell), a nurse,
|
|
Miss Callan (Christian name unknown), a maid, Gertrude (Gerty, family
|
|
name unknown).
|
|
|
|
What possibility suggested itself?
|
|
|
|
The possibility of exercising virile power of fascination in the not immediate
|
|
future after an expensive repast in a private apartment in the company of an
|
|
elegant courtesan, of corporal beauty, moderately mercenary, variously
|
|
instructed, a lady by origin.
|
|
|
|
What did the 2nd drawer contain?
|
|
|
|
Documents: the birth certificate of Leopold Paula Bloom: an endowment
|
|
assurance policy of 500 pounds in the Scottish Widows' Assurance Society,
|
|
intestated Millicent (Milly) Bloom, coming into force at 25 years as with
|
|
profit policy of 430 pounds, 462/10/0 and 500 pounds at 60 years or death,
|
|
65 years or death and death, respectively, or with profit policy (paidup) of
|
|
299/10/0 together with cash payment of 133/10/0, at option: a bank passbook
|
|
issued by the Ulster Bank, College Green branch showing statement of
|
|
a/c for halfyear ending 31 December 1903, balance in depositor's favour:
|
|
18/14/6 (eighteen pounds, fourteen shillings and sixpence, sterling), net
|
|
personalty: certificate of possession of 900 pounds, Canadian 4 percent
|
|
(inscribed) government stock (free of stamp duty): dockets of the Catholic
|
|
Cemeteries' (Glasnevin) Committee, relative to a graveplot purchased: a
|
|
local press cutting concerning change of name by deedpoll.
|
|
|
|
Quote the textual terms of this notice.
|
|
|
|
I, Rudolph Virag, now resident at no 52 Clanbrassil street, Dublin,
|
|
formerly of Szombathely in the kingdom of Hungary, hereby give notice
|
|
that I have assumed and intend henceforth upon all occasions and at all
|
|
times to be known by the name of Rudolph Bloom.
|
|
|
|
What other objects relative to Rudolph Bloom (born Virag) were in the 2nd
|
|
drawer?
|
|
|
|
An indistinct daguerreotype of Rudolf Virag and his father Leopold Virag
|
|
executed in the year 1852 in the portrait atelier of their (respectively)
|
|
1st and 2nd cousin, Stefan Virag of Szesfehervar, Hungary. An ancient
|
|
haggadah book in which a pair of hornrimmed convex spectacles inserted
|
|
marked the passage of thanksgiving in the ritual prayers for Pessach
|
|
(Passover): a photocard of the Queen's Hotel, Ennis, proprietor, Rudolph
|
|
Bloom: an envelope addressed: To My Dear Son Leopold.
|
|
What fractions of phrases did the lecture of those five whole words evoke?
|
|
|
|
Tomorrow will be a week that I received... it is no use Leopold to
|
|
be ... with your dear mother ... that is not more to stand ... to
|
|
her ... all for me is out ... be kind to Athos, Leopold ... my dear
|
|
son ... always ... of me ... das Herz ... Gott ... dein ...
|
|
|
|
What reminiscences of a human subject suffering from progressive
|
|
melancholia did these objects evoke in Bloom?
|
|
|
|
An old man, widower, unkempt of hair, in bed, with head covered, sighing:
|
|
an infirm dog, Athos: aconite, resorted to by increasing doses of grains and
|
|
scruples as a palliative of recrudescent neuralgia: the face in death of a
|
|
septuagenarian, suicide by poison.
|
|
|
|
Why did Bloom experience a sentiment of remorse?
|
|
|
|
Because in immature impatience he had treated with disrespect certain
|
|
beliefs and practices.
|
|
|
|
As?
|
|
|
|
The prohibition of the use of fleshmeat and milk at one meal: the
|
|
hebdomadary symposium of incoordinately abstract, perfervidly concrete
|
|
mercantile coexreligionist excompatriots: the circumcision of male infants:
|
|
the supernatural character of Judaic scripture: the ineffability of the
|
|
tetragrammaton: the sanctity of the sabbath.
|
|
|
|
How did these beliefs and practices now appear to him?
|
|
|
|
Not more rational than they had then appeared, not less rational than other
|
|
beliefs and practices now appeared.
|
|
|
|
What first reminiscence had he of Rudolph Bloom (deceased)?
|
|
|
|
Rudolph Bloom (deceased) narrated to his son Leopold Bloom (aged 6) a
|
|
retrospective arrangement of migrations and settlements in and between
|
|
Dublin, London, Florence, Milan, Vienna, Budapest, Szombathely with
|
|
statements of satisfaction (his grandfather having seen Maria Theresia,
|
|
empress of Austria, queen of Hungary), with commercial advice (having
|
|
taken care of pence, the pounds having taken care of themselves). Leopold
|
|
Bloom (aged 6) had accompanied these narrations by constant consultation
|
|
of a geographical map of Europe (political) and by suggestions for the
|
|
establishment of affiliated business premises in the various centres
|
|
mentioned.
|
|
Had time equally but differently obliterated the memory of these migrations
|
|
in narrator and listener?
|
|
|
|
In narrator by the access of years and in consequence of the use of narcotic
|
|
toxin: in listener by the access of years and in consequence of the action of
|
|
distraction upon vicarious experiences.
|
|
|
|
What idiosyncracies of the narrator were concomitant products of
|
|
amnesia?
|
|
|
|
Occasionally he ate without having previously removed his hat.
|
|
Occasionally he drank voraciously the juice of gooseberry fool from an
|
|
inclined plate. Occasionally he removed from his lips the traces of food by
|
|
means of a lacerated envelope or other accessible fragment of paper.
|
|
|
|
What two phenomena of senescence were more frequent?
|
|
|
|
The myopic digital calculation of coins, eructation consequent upon
|
|
repletion.
|
|
|
|
What object offered partial consolation for these reminiscences?
|
|
|
|
The endowment policy, the bank passbook, the certificate of the possession
|
|
of scrip.
|
|
|
|
Reduce Bloom by cross multiplication of reverses of fortune, from which
|
|
these supports protected him, and by elimination of all positive values to a
|
|
negligible negative irrational unreal quantity.
|
|
|
|
Successively, in descending helotic order: Poverty: that of the outdoor
|
|
hawker of imitation jewellery, the dun for the recovery of bad and doubtful
|
|
debts, the poor rate and deputy cess collector. Mendicancy: that of the
|
|
fraudulent bankrupt with negligible assets paying d in the pound,
|
|
|
|
*******************************************************^~~
|
|
|
|
sandwichman, distributor of throwaways, nocturnal vagrant, insinuating
|
|
sycophant, maimed sailor, blind stripling, superannuated bailiffs man,
|
|
marfeast, lickplate, spoilsport, pickthank, eccentric public laughingstock
|
|
seated on bench of public park under discarded perforated umbrella.
|
|
Destitution: the inmate of Old Man's House (Royal Hospital)
|
|
Kilmainham, the inmate of Simpson's Hospital for reduced but respectable
|
|
men permanently disabled by gout or want of sight. Nadir of misery: the
|
|
aged impotent disfranchised ratesupported moribund lunatic pauper.
|
|
|
|
With which attendant indignities?
|
|
|
|
The unsympathetic indifference of previously amiable females, the contempt
|
|
of muscular males, the acceptance of fragments of bread, the simulated
|
|
ignorance of casual acquaintances, the latration of illegitimate unlicensed
|
|
vagabond dogs, the infantile discharge of decomposed vegetable missiles,
|
|
worth little or nothing, nothing or less than nothing.
|
|
|
|
By what could such a situation be precluded?
|
|
|
|
By decease (change of state): by departure (change of place).
|
|
|
|
Which preferably?
|
|
|
|
The latter, by the line of least resistance.
|
|
|
|
What considerations rendered departure not entirely undesirable?
|
|
|
|
Constant cohabitation impeding mutual toleration of personal defects. The
|
|
habit of independent purchase increasingly cultivated. The necessity to
|
|
counteract by impermanent sojourn the permanence of arrest.
|
|
|
|
What considerations rendered departure not irrational?
|
|
|
|
The parties concerned, uniting, had increased and multiplied, which being
|
|
done, offspring produced and educed to maturity, the parties, if not
|
|
disunited were obliged to reunite for increase and multiplication, which was
|
|
absurd, to form by reunion the original couple of uniting parties, which was
|
|
impossible.
|
|
|
|
What considerations rendered departure desirable?
|
|
|
|
The attractive character of certain localities in Ireland and abroad, as
|
|
represented in general geographical maps of polychrome design or in
|
|
special ordnance survey charts by employment of scale numerals and
|
|
hachures.
|
|
|
|
In Ireland?
|
|
|
|
The cliffs of Moher, the windy wilds of Connemara, lough Neagh with
|
|
submerged petrified city, the Giant's Causeway, Fort Camden and Fort
|
|
Carlisle, the Golden Vale of Tipperary, the islands of Aran, the pastures of
|
|
royal Meath, Brigid's elm in Kildare, the Queen's Island shipyard in
|
|
Belfast, the Salmon Leap, the lakes of Killarney.
|
|
|
|
Abroad?
|
|
|
|
Ceylon (with spicegardens supplying tea to Thomas Kernan, agent for
|
|
Pulbrook, Robertson and Co, 2 Mincing Lane, London, E. C., 5 Dame
|
|
street, Dublin), Jerusalem, the holy city (with mosque of Omar and gate of
|
|
Damascus, goal of aspiration), the straits of Gibraltar (the unique
|
|
birthplace of Marion Tweedy), the Parthenon (containing statues of nude
|
|
Grecian divinities), the Wall street money market (which controlled
|
|
international finance), the Plaza de Toros at La Linea, Spain (where
|
|
O'Hara of the Camerons had slain the bull), Niagara (over which no
|
|
human being had passed with impunity), the land of the Eskimos (eaters of
|
|
soap), the forbidden country of Thibet (from which no traveller returns),
|
|
the bay of Naples (to see which was to die), the Dead Sea.
|
|
|
|
Under what guidance, following what signs?
|
|
|
|
At sea, septentrional, by night the polestar, located at the point of
|
|
intersection of the right line from beta to alpha in Ursa Maior produced
|
|
and divided externally at omega and the hypotenuse of the rightangled
|
|
triangle formed by the line alpha omega so produced and the line alpha
|
|
delta of Ursa Maior. On land, meridional, a bispherical moon, revealed in
|
|
imperfect varying phases of lunation through the posterior interstice of the
|
|
imperfectly occluded skirt of a carnose negligent perambulating female, a
|
|
pillar of the cloud by day.
|
|
|
|
What public advertisement would divulge the occultation of the departed?
|
|
|
|
5 pounds reward, lost, stolen or strayed from his residence 7 Eccles street,
|
|
missing gent about 40, answering to the name of Bloom, Leopold (Poldy), height
|
|
5 ft 9Šinches, full build, olive complexion, may have since grown a beard,
|
|
|
|
****^~~
|
|
|
|
when last seen was wearing a black suit. Above sum will be paid for
|
|
information leading to his discovery.
|
|
|
|
What universal binomial denominations would be his as entity and
|
|
nonentity?
|
|
|
|
Assumed by any or known to none. Everyman or Noman.
|
|
|
|
What tributes his?
|
|
|
|
Honour and gifts of strangers, the friends of Everyman. A nymph
|
|
immortal, beauty, the bride of Noman.
|
|
|
|
Would the departed never nowhere nohow reappear?
|
|
|
|
Ever he would wander, selfcompelled, to the extreme limit of his cometary
|
|
orbit, beyond the fixed stars and variable suns and telescopic planets,
|
|
astronomical waifs and strays, to the extreme boundary of space, passing
|
|
from land to land, among peoples, amid events. Somewhere imperceptibly
|
|
he would hear and somehow reluctantly, suncompelled, obey the summons
|
|
of recall. Whence, disappearing from the constellation of the Northern
|
|
Crown he would somehow reappear reborn above delta in the constellation
|
|
of Cassiopeia and after incalculable eons of peregrination return an
|
|
estranged avenger, a wreaker of justice on malefactors, a dark crusader, a
|
|
sleeper awakened, with financial resources (by supposition) surpassing
|
|
those of Rothschild or the silver king.
|
|
What would render such return irrational?
|
|
|
|
An unsatisfactory equation between an exodus and return in time through
|
|
reversible space and an exodus and return in space through irreversible
|
|
time.
|
|
|
|
What play of forces, inducing inertia, rendered departure undesirable?
|
|
|
|
The lateness of the hour, rendering procrastinatory: the obscurity of the
|
|
night, rendering invisible: the uncertainty of thoroughfares, rendering
|
|
perilous: the necessity for repose, obviating movement: the proximity of an
|
|
occupied bed, obviating research: the anticipation of warmth (human)
|
|
tempered with coolness (linen), obviating desire and rendering desirable:
|
|
the statue of Narcissus, sound without echo, desired desire.
|
|
|
|
What advantages were possessed by an occupied, as distinct from an
|
|
unoccupied bed?
|
|
|
|
The removal of nocturnal solitude, the superior quality of human (mature
|
|
female) to inhuman (hotwaterjar) calefaction, the stimulation of matutinal
|
|
contact, the economy of mangling done on the premises in the case of
|
|
trousers accurately folded and placed lengthwise between the spring
|
|
mattress (striped) and the woollen mattress (biscuit section).
|
|
|
|
What past consecutive causes, before rising preapprehended, of
|
|
accumulated fatigue did Bloom, before rising, silently recapitulate?
|
|
|
|
The preparation of breakfast (burnt offering): intestinal congestion and
|
|
premeditative defecation (holy of holies): the bath (rite of John): the
|
|
funeral (rite of Samuel): the advertisement of Alexander Keyes (Urim and
|
|
Thummim): the unsubstantial lunch (rite of Melchisedek): the visit to
|
|
museum and national library (holy place): the bookhunt along Bedford
|
|
row, Merchants' Arch, Wellington Quay (Simchath Torah): the music in
|
|
the Ormond Hotel (Shira Shirim): the altercation with a truculent
|
|
troglodyte in Bernard Kiernan's premises (holocaust): a blank period of
|
|
time including a cardrive, a visit to a house of mourning, a leavetaking
|
|
(wilderness): the eroticism produced by feminine exhibitionism (rite of
|
|
Onan): the prolonged delivery of Mrs Mina Purefoy (heave offering): the
|
|
visit to the disorderly house of Mrs Bella Cohen, 82 Tyrone street, lower
|
|
and subsequent brawl and chance medley in Beaver street (Armageddon)-
|
|
nocturnal perambulation to and from the cabman's shelter, Butt Bridge
|
|
(atonement).
|
|
|
|
What selfimposed enigma did Bloom about to rise in order to go so as to
|
|
conclude lest he should not conclude involuntarily apprehend?
|
|
|
|
The cause of a brief sharp unforeseen heard loud lone crack emitted by the
|
|
insentient material of a strainveined timber table.
|
|
What selfinvolved enigma did Bloom risen, going, gathering multicoloured
|
|
multiform multitudinous garments, voluntarily apprehending, not
|
|
comprehend?
|
|
|
|
Who was M'Intosh?
|
|
|
|
What selfevident enigma pondered with desultory constancy during 30
|
|
years did Bloom now, having effected natural obscurity by the extinction of
|
|
artificial light, silently suddenly comprehend?
|
|
|
|
Where was Moses when the candle went out?
|
|
|
|
What imperfections in a perfect day did Bloom, walking, charged with
|
|
collected articles of recently disvested male wearing apparel, silently,
|
|
successively, enumerate?
|
|
|
|
A provisional failure to obtain renewal of an advertisement: to obtain a
|
|
certain quantity of tea from Thomas Kernan (agent for Pulbrook,
|
|
Robertson and Co, 5 Dame Street, Dublin, and 2 Mincing Lane, London
|
|
E. C.): to certify the presence or absence of posterior rectal orifice in the
|
|
case of Hellenic female divinities: to obtain admission (gratuitous or paid)
|
|
to the performance of Leah by Mrs Bandmann Palmer at the Gaiety
|
|
Theatre, 46, 47, 48, 49 South King street.
|
|
|
|
What impression of an absent face did Bloom, arrested, silently recall?
|
|
|
|
The face of her father, the late Major Brian Cooper Tweedy, Royal Dublin
|
|
Fusiliers, of Gibraltar and Rehoboth, Dolphin's Barn.
|
|
|
|
What recurrent impressions of the same were possible by hypothesis?
|
|
|
|
Retreating, at the terminus of the Great Northern Railway, Amiens street,
|
|
with constant uniform acceleration, along parallel lines meeting at infinity,
|
|
if produced: along parallel lines, reproduced from infinity, with constant
|
|
uniform retardation, at the terminus of the Great Northern Railway,
|
|
Amiens street, returning.
|
|
|
|
What miscellaneous effects of female personal wearing apparel were
|
|
perceived by him?
|
|
|
|
A pair of new inodorous halfsilk black ladies' hose, a pair of new violet
|
|
garters, a pair of outsize ladies' drawers of India mull, cut on generous
|
|
lines, redolent of opoponax, jessamine and Muratti's Turkish cigarettes and
|
|
containing a long bright steel safety pin, folded curvilinear, a camisole of
|
|
batiste with thin lace border, an accordion underskirt of blue silk moirette,
|
|
all these objects being disposed irregularly on the top of a rectangular
|
|
trunk, quadruple battened, having capped corners, with multicoloured
|
|
labels, initialled on its fore side in white lettering B. C. T. (Brian Cooper
|
|
Tweedy).
|
|
|
|
What impersonal objects were perceived?
|
|
|
|
A commode, one leg fractured, totally covered by square cretonne cutting,
|
|
apple design, on which rested a lady's black straw hat. Orangekeyed ware,
|
|
bought of Henry Price, basket, fancy goods, chinaware and ironmongery
|
|
manufacturer, 21, 22, 23 Moore street, disposed irregularly on the
|
|
washstand and floor and consisting of basin, soapdish and brushtray (on
|
|
the washstand, together), pitcher and night article (on the floor, separate).
|
|
|
|
Bloom's acts?
|
|
|
|
He deposited the articles of clothing on a chair, removed his remaining
|
|
articles of clothing, took from beneath the bolster at the head of the bed a
|
|
folded long white nightshirt, inserted his head and arms into the proper
|
|
apertures of the nightshirt, removed a pillow from the head to the foot of
|
|
the bed, prepared the bedlinen accordingly and entered the bed.
|
|
|
|
How?
|
|
|
|
With circumspection, as invariably when entering an abode (his own or not
|
|
his own): with solicitude, the snakespiral springs of the mattress being
|
|
old, the brass quoits and pendent viper radii loose and tremulous under
|
|
stress and strain: prudently, as entering a lair or ambush of lust or
|
|
adders: lightly, the less to disturb: reverently, the bed of conception
|
|
and of birth, of consummation of marriage and of breach of marriage, of
|
|
sleep and of death.
|
|
|
|
What did his limbs, when gradually extended, encounter?
|
|
|
|
New clean bedlinen, additional odours, the presence of a human form,
|
|
female, hers, the imprint of a human form, male, not his, some crumbs,
|
|
some flakes of potted meat, recooked, which he removed.
|
|
|
|
If he had smiled why would he have smiled?
|
|
|
|
To reflect that each one who enters imagines himself to be the first to
|
|
enter whereas he is always the last term of a preceding series even if
|
|
the first term of a succeeding one, each imagining himself to be first,
|
|
last, only and alone whereas he is neither first nor last nor only nor
|
|
alone in a series originating in and repeated to infinity.
|
|
|
|
What preceding series?
|
|
|
|
Assuming Mulvey to be the first term of his series, Penrose, Bartell
|
|
d'Arcy, professor Goodwin, Julius Mastiansky, John Henry Menton, Father
|
|
Bernard Corrigan, a farmer at the Royal Dublin Society's Horse Show,
|
|
Maggot O'Reilly, Matthew Dillon, Valentine Blake Dillon (Lord Mayor of
|
|
Dublin), Christopher Callinan, Lenehan, an Italian organgrinder, an
|
|
unknown gentleman in the Gaiety Theatre, Benjamin Dollard, Simon
|
|
Dedalus, Andrew (Pisser) Burke, Joseph Cuffe, Wisdom Hely, Alderman
|
|
John Hooper, Dr Francis Brady, Father Sebastian of Mount Argus, a
|
|
bootblack at the General Post Office, Hugh E. (Blazes) Boylan and so each
|
|
and so on to no last term.
|
|
|
|
What were his reflections concerning the last member of this series and late
|
|
occupant of the bed?
|
|
|
|
Reflections on his vigour (a bounder), corporal proportion (a billsticker),
|
|
commercial ability (a bester), impressionability (a boaster).
|
|
|
|
Why for the observer impressionability in addition to vigour, corporal
|
|
proportion and commercial ability?
|
|
|
|
Because he had observed with augmenting frequency in the preceding
|
|
members of the same series the same concupiscence, inflammably
|
|
transmitted, first with alarm, then with understanding, then with desire,
|
|
finally with fatigue, with alternating symptoms of epicene comprehension
|
|
and apprehension.
|
|
|
|
With what antagonistic sentiments were his subsequent reflections affected?
|
|
|
|
Envy, jealousy, abnegation, equanimity.
|
|
|
|
Envy?
|
|
|
|
Of a bodily and mental male organism specially adapted for the
|
|
superincumbent posture of energetic human copulation and energetic piston
|
|
and cylinder movement necessary for the complete satisfaction of a constant
|
|
but not acute concupiscence resident in a bodily and mental female
|
|
organism, passive but not obtuse.
|
|
|
|
Jealousy?
|
|
|
|
Because a nature full and volatile in its free state, was alternately the
|
|
agent and reagent of attraction. Because attraction between agent(s) and
|
|
reagent(s) at all instants varied, with inverse proportion of increase and
|
|
decrease, with incessant circular extension and radial reentrance. Because
|
|
the controlled contemplation of the fluctuation of attraction produced, if
|
|
desired, a fluctuation of pleasure.
|
|
|
|
Abnegation?
|
|
|
|
In virtue of a) acquaintance initiated in September 1903 in the establishment
|
|
of George Mesias, merchant tailor and outfitter, 5 Eden Quay, b) hospitality
|
|
extended and received in kind, reciprocated and reappropriated in person,
|
|
c) comparative youth subject to impulses of ambition and magnanimity,
|
|
colleagual altruism and amorous egoism, d) extraracial attraction,
|
|
intraracial inhibition, supraracial prerogative, e) an imminent provincial
|
|
musical tour, common current expenses, net proceeds divided.
|
|
|
|
Equanimity?
|
|
|
|
As as natural as any and every natural act of a nature expressed or
|
|
understood executed in natured nature by natural creatures in accordance
|
|
with his, her and their natured natures, of dissimilar similarity. As not so
|
|
calamitous as a cataclysmic annihilation of the planet in consequence of a
|
|
collision with a dark sun. As less reprehensible than theft, highway robbery,
|
|
cruelty to children and animals, obtaining money under false pretences,
|
|
forgery, embezzlement, misappropriation of public money, betrayal of
|
|
public trust, malingering, mayhem, corruption of minors, criminal libel,
|
|
blackmail, contempt of court, arson, treason, felony, mutiny on the high
|
|
seas, trespass, burglary, jailbreaking, practice of unnatural vice, desertion
|
|
from armed forces in the field, perjury, poaching, usury, intelligence with
|
|
the king's enemies, impersonation, criminal assault, manslaughter, wilful
|
|
and premeditated murder. As not more abnormal than all other parallel
|
|
processes of adaptation to altered conditions of existence, resulting in a
|
|
reciprocal equilibrium between the bodily organism and its attendant
|
|
circumstances, foods, beverages, acquired habits, indulged inclinations,
|
|
significant disease. As more than inevitable, irreparable.
|
|
|
|
Why more abnegation than jealousy, less envy than equanimity?
|
|
|
|
From outrage (matrimony) to outrage (adultery) there arose nought but
|
|
outrage (copulation) yet the matrimonial violator of the matrimonially
|
|
violated had not been outraged by the adulterous violator of the
|
|
adulterously violated.
|
|
|
|
What retribution, if any?
|
|
|
|
Assassination, never, as two wrongs did not make one right. Duel by
|
|
combat, no. Divorce, not now. Exposure by mechanical artifice (automatic
|
|
bed) or individual testimony (concealed ocular witnesses), not yet. Suit for
|
|
damages by legal influence or simulation of assault with evidence of injuries
|
|
sustained (selfinflicted), not impossibly. Hushmoney by moral influence
|
|
possibly. If any, positively, connivance, introduction of emulation (material,
|
|
a prosperous rival agency of publicity: moral, a successful rival agent of
|
|
intimacy), depreciation, alienation, humiliation, separation protecting the
|
|
one separated from the other, protecting the separator from both.
|
|
By what reflections did he, a conscious reactor against the void of
|
|
incertitude, justify to himself his sentiments?
|
|
|
|
The preordained frangibility of the hymen: the presupposed intangibility of
|
|
the thing in itself: the incongruity and disproportion between the
|
|
selfprolonging tension of the thing proposed to be done and the
|
|
selfabbreviating relaxation of the thing done; the fallaciously inferred
|
|
debility of the female: the muscularity of the male: the variations of ethical
|
|
codes: the natural grammatical transition by inversion involving no
|
|
alteration of sense of an aorist preterite proposition (parsed as masculine
|
|
subject, monosyllabic onomatopoeic transitive verb with direct feminine
|
|
object) from the active voice into its correlative aorist preterite
|
|
proposition (parsed as feminine subject, auxiliary verb and quasimonosyllabic
|
|
onomatopoeic past participle with complementary masculine agent) in the
|
|
passive voice: the continued product of seminators by generation: the
|
|
continual production of semen by distillation: the futility of triumph or
|
|
protest or vindication: the inanity of extolled virtue: the lethargy of
|
|
nescient matter: the apathy of the stars.
|
|
|
|
In what final satisfaction did these antagonistic sentiments and reflections,
|
|
reduced to their simplest forms, converge?
|
|
|
|
Satisfaction at the ubiquity in eastern and western terrestrial hemispheres,
|
|
in all habitable lands and islands explored or unexplored (the land of the
|
|
midnight sun, the islands of the blessed, the isles of Greece, the land of
|
|
promise), of adipose anterior and posterior female hemispheres, redolent of
|
|
milk and honey and of excretory sanguine and seminal warmth, reminiscent
|
|
of secular families of curves of amplitude, insusceptible of moods of
|
|
impression or of contrarieties of expression, expressive of mute immutable
|
|
mature animality.
|
|
|
|
The visible signs of antesatisfaction?
|
|
|
|
An approximate erection: a solicitous adversion: a gradual elevation: a
|
|
tentative revelation: a silent contemplation.
|
|
|
|
Then?
|
|
|
|
He kissed the plump mellow yellow smellow melons of her rump, on each
|
|
plump melonous hemisphere, in their mellow yellow furrow, with obscure
|
|
prolonged provocative melonsmellonous osculation.
|
|
|
|
The visible signs of postsatisfaction?
|
|
|
|
A silent contemplation: a tentative velation: a gradual abasement: a
|
|
solicitous aversion: a proximate erection.
|
|
What followed this silent action?
|
|
|
|
Somnolent invocation, less somnolent recognition, incipient excitation,
|
|
catechetical interrogation.
|
|
|
|
With what modifications did the narrator reply to this interrogation?
|
|
|
|
Negative: he omitted to mention the clandestine correspondence between
|
|
Martha Clifford and Henry Flower, the public altercation at, in and in the
|
|
vicinity of the licensed premises of Bernard Kiernan and Co, Limited, 8, 9
|
|
and 10 Little Britain street, the erotic provocation and response thereto
|
|
caused by the exhibitionism of Gertrude (Gerty), surname unknown.
|
|
Positive: he included mention of a performance by Mrs Bandmann Palmer
|
|
of Leah at the Gaiety Theatre, 46, 47, 48, 49 South King street, an
|
|
invitation to supper at Wynn's (Murphy's) Hotel, 35, 36 and 37 Lower
|
|
Abbey street, a volume of peccaminous pornographical tendency entituled
|
|
Sweets of Sin, anonymous author a gentleman of fashion, a temporary
|
|
concussion caused by a falsely calculated movement in the course of a
|
|
postcenal gymnastic display, the victim (since completely recovered) being
|
|
Stephen Dedalus, professor and author, eldest surviving son of Simon
|
|
Dedalus, of no fixed occupation, an aeronautical feat executed by him
|
|
(narrator) in the presence of a witness, the professor and author
|
|
aforesaid, with promptitude of decision and gymnastic flexibility.
|
|
|
|
Was the narration otherwise unaltered by modifications?
|
|
|
|
Absolutely.
|
|
|
|
Which event or person emerged as the salient point of his narration?
|
|
|
|
Stephen Dedalus, professor and author.
|
|
|
|
What limitations of activity and inhibitions of conjugal rights were
|
|
perceived by listener and narrator concerning themselves during the course
|
|
of this intermittent and increasingly more laconic narration?
|
|
|
|
By the listener a limitation of fertility inasmuch as marriage had been
|
|
celebrated 1 calendar month after the 18th anniversary of her birth (8
|
|
September 1870), viz. 8 October, and consummated on the same date with
|
|
female issue born 15 June 1889, having been anticipatorily consummated on
|
|
the lo September of the same year and complete carnal intercourse, with
|
|
ejaculation of semen within the natural female organ, having last taken
|
|
place 5 weeks previous, viz. 27 November 1893, to the birth on 29
|
|
|
|
December 1893 of second (and only male) issue, deceased 9 January 1894,
|
|
aged 11 days, there remained a period of 10 years, 5 months and 18 days
|
|
during which carnal intercourse had been incomplete, without ejaculation
|
|
of semen within the natural female organ. By the narrator a limitation of
|
|
activity, mental and corporal, inasmuch as complete mental intercourse
|
|
between himself and the listener had not taken place since the
|
|
consummation of puberty, indicated by catamenic hemorrhage, of the
|
|
female issue of narrator and listener, 15 September 1903, there remained a
|
|
period of 9 months and 1 day during which, in consequence of a
|
|
preestablished natural comprehension in incomprehension between the
|
|
consummated females (listener and issue), complete corporal liberty of
|
|
action had been circumscribed.
|
|
|
|
How?
|
|
|
|
By various reiterated feminine interrogation concerning the masculine
|
|
destination whither, the place where, the time at which, the duration for
|
|
which, the object with which in the case of temporary absences, projected
|
|
or effected.
|
|
|
|
What moved visibly above the listener's and the narrator's invisible
|
|
thoughts?
|
|
|
|
The upcast reflection of a lamp and shade, an inconstant series of
|
|
concentric circles of varying gradations of light and shadow.
|
|
|
|
In what directions did listener and narrator lie?
|
|
|
|
Listener, S. E. by E.: Narrator, N. W. by W.: on the 53rd parallel of
|
|
latitude, N., and 6th meridian of longitude, W.: at an angle of 45 degrees to
|
|
the terrestrial equator.
|
|
|
|
In what state of rest or motion?
|
|
|
|
At rest relatively to themselves and to each other. In motion being each and
|
|
both carried westward, forward and rereward respectively, by the proper
|
|
perpetual motion of the earth through everchanging tracks of
|
|
neverchanging space.
|
|
|
|
In what posture?
|
|
|
|
Listener: reclined semilaterally, left, left hand under head, right leg
|
|
extended in a straight line and resting on left leg, flexed, in the
|
|
attitude of Gea-Tellus, fulfilled, recumbent, big with seed. Narrator:
|
|
reclined laterally, left, with right and left legs flexed, the
|
|
index finger and thumb of the right hand resting on the bridge of
|
|
the nose, in the attitude depicted in a snapshot photograph made by
|
|
Percy Apjohn, the childman weary, the manchild in the womb.
|
|
|
|
Womb? Weary?
|
|
|
|
He rests. He has travelled.
|
|
|
|
With?
|
|
|
|
Sinbad the Sailor and Tinbad the Tailor and Jinbad the Jailer and Whinbad
|
|
the Whaler and Ninbad the Nailer and Finbad the Failer and Binbad the
|
|
Bailer and Pinbad the Pailer and Minbad the Mailer and Hinbad the Hailer
|
|
and Rinbad the Railer and Dinbad the Kailer and Vinbad the Quailer and
|
|
Linbad the Yailer and Xinbad the Phthailer.
|
|
|
|
When?
|
|
|
|
Going to dark bed there was a square round Sinbad the Sailor roc's auk's
|
|
egg in the night of the bed of all the auks of the rocs of Darkinbad the
|
|
Brightdayler.
|
|
|
|
Where?
|
|
|
|
[18]
|
|
|
|
Yes because he never did a thing like that before as ask to get his
|
|
breakfast in bed with a couple of eggs since the City Arms hotel when he
|
|
used to be pretending to be laid up with a sick voice doing his highness to
|
|
make himself interesting for that old faggot Mrs Riordan that he thought he
|
|
had a great leg of and she never left us a farthing all for masses for herself
|
|
and her soul greatest miser ever was actually afraid to lay out 4d for her
|
|
methylated spirit telling me all her ailments she had too much old chat in
|
|
her about politics and earthquakes and the end of the world let us have a bit
|
|
of fun first God help the world if all the women were her sort down on
|
|
bathingsuits and lownecks of course nobody wanted her to wear them I
|
|
suppose she was pious because no man would look at her twice I hope Ill
|
|
never be like her a wonder she didnt want us to cover our faces but she was
|
|
a welleducated woman certainly and her gabby talk about Mr Riordan here
|
|
and Mr Riordan there I suppose he was glad to get shut of her and her dog
|
|
smelling my fur and always edging to get up under my petticoats especially
|
|
then still I like that in him polite to old women like that and waiters and
|
|
beggars too hes not proud out of nothing but not always if ever he got
|
|
anything really serious the matter with him its much better for them to go
|
|
into a hospital where everything is clean but I suppose Id have to dring it
|
|
into him for a month yes and then wed have a hospital nurse next thing on
|
|
the carpet have him staying there till they throw him out or a nun maybe
|
|
like the smutty photo he has shes as much a nun as Im not yes because
|
|
theyre so weak and puling when theyre sick they want a woman to get well
|
|
if his nose bleeds youd think it was O tragic and that dyinglooking one off
|
|
the south circular when he sprained his foot at the choir party at the
|
|
sugarloaf Mountain the day I wore that dress Miss Stack bringing him
|
|
flowers the worst old ones she could find at the bottom of the basket
|
|
anything at all to get into a mans bedroom with her old maids voice trying
|
|
to imagine he was dying on account of her to never see thy face again
|
|
though he looked more like a man with his beard a bit grown in the bed
|
|
father was the same besides I hate bandaging and dosing when he cut his
|
|
toe with the razor paring his corns afraid hed get bloodpoisoning but if it
|
|
was a thing I was sick then wed see what attention only of course the
|
|
woman hides it not to give all the trouble they do yes he came somewhere
|
|
Im sure by his appetite anyway love its not or hed be off his feed thinking of
|
|
her so either it was one of those night women if it was down there he was
|
|
really and the hotel story he made up a pack of lies to hide it planning it
|
|
Hynes kept me who did I meet ah yes I met do you remember Menton and
|
|
who else who let me see that big babbyface I saw him and he not long
|
|
married flirting with a young girl at Pooles Myriorama and turned my back
|
|
on him when he slinked out looking quite conscious what harm but he had
|
|
the impudence to make up to me one time well done to him mouth almighty
|
|
and his boiled eyes of all the big stupoes I ever met and thats called a
|
|
solicitor only for I hate having a long wrangle in bed or else if its not that
|
|
its some little bitch or other he got in with somewhere or picked up on the
|
|
sly if they only knew him as well as I do yes because the day before yesterday
|
|
he was scribbling something a letter when I came into the front room to show
|
|
him Dignams death in the paper as if something told me and he covered it
|
|
up with the blottingpaper pretending to be thinking about business so very
|
|
probably that was it to somebody who thinks she has a softy in him because
|
|
all men get a bit like that at his age especially getting on to forty he is
|
|
now so as to wheedle any money she can out of him no fool like an old fool and
|
|
then the usual kissing my bottom was to hide it not that I care two straws
|
|
now who he does it with or knew before that way though Id like to find out
|
|
so long as I dont have the two of them under my nose all the time like that
|
|
slut that Mary we had in Ontario terrace padding out her false bottom to
|
|
excite him bad enough to get the smell of those painted women off him once
|
|
or twice I had a suspicion by getting him to come near me when I found the
|
|
long hair on his coat without that one when I went into the kitchen
|
|
pretending he was drinking water 1 woman is not enough for them it was
|
|
all his fault of course ruining servants then proposing that she could eat at
|
|
our table on Christmas day if you please O no thank you not in my house
|
|
stealing my potatoes and the oysters 2/6 per doz going out to see her aunt if
|
|
you please common robbery so it was but I was sure he had something on
|
|
with that one it takes me to find out a thing like that he said you have no
|
|
proof it was her proof O yes her aunt was very fond of oysters but I told
|
|
her what I thought of her suggesting me to go out to be alone with her I
|
|
wouldnt lower myself to spy on them the garters I found in her room the
|
|
Friday she was out that was enough for me a little bit too much her face
|
|
swelled up on her with temper when I gave her her weeks notice I saw to
|
|
that better do without them altogether do out the rooms myself quicker only
|
|
for the damn cooking and throwing out the dirt I gave it to him anyhow
|
|
either she or me leaves the house I couldnt even touch him if I thought he
|
|
was with a dirty barefaced liar and sloven like that one denying it up to my
|
|
face and singing about the place in the W C too because she knew she was
|
|
too well off yes because he couldnt possibly do without it that long so he
|
|
must do it somewhere and the last time he came on my bottom when was it
|
|
the night Boylan gave my hand a great squeeze going along by the Tolka in
|
|
my hand there steals another I just pressed the back of his like that with my
|
|
thumb to squeeze back singing the young May moon shes beaming love
|
|
because he has an idea about him and me hes not such a fool he said Im
|
|
dining out and going to the Gaiety though Im not going to give him the
|
|
satisfaction in any case God knows hes a change in a way not to be always
|
|
and ever wearing the same old hat unless I paid some nicelooking boy to do
|
|
it since I cant do it myself a young boy would like me Id confuse him a little
|
|
alone with him if we were Id let him see my garters the new ones and make
|
|
him turn red looking at him seduce him I know what boys feel with that
|
|
down on their cheek doing that frigging drawing out the thing by the hour
|
|
question and answer would you do this that and the other with the coalman
|
|
yes with a bishop yes I would because I told him about some dean or bishop
|
|
was sitting beside me in the jews temples gardens when I was knitting that
|
|
woollen thing a stranger to Dublin what place was it and so on about the
|
|
monuments and he tired me out with statues encouraging him making him
|
|
worse than he is who is in your mind now tell me who are you thinking of
|
|
who is it tell me his name who tell me who the german Emperor is it yes
|
|
imagine Im him think of him can you feel him trying to make a whore of me
|
|
what he never will he ought to give it up now at this age of his life simply
|
|
ruination for any woman and no satisfaction in it pretending to like it till
|
|
he comes and then finish it off myself anyway and it makes your lips pale
|
|
anyhow its done now once and for all with all the talk of the world about it
|
|
people make its only the first time after that its just the ordinary do it and
|
|
think no more about it why cant you kiss a man without going and
|
|
marrying him first you sometimes love to wildly when you feel that way so
|
|
nice all over you you cant help yourself I wish some man or other would
|
|
take me sometime when hes there and kiss me in his arms theres nothing
|
|
like a kiss long and hot down to your soul almost paralyses you then I hate
|
|
that confession when I used to go to Father Corrigan he touched me father
|
|
and what harm if he did where and I said on the canal bank like a fool but
|
|
whereabouts on your person my child on the leg behind high up was it yes
|
|
rather high up was it where you sit down yes O Lord couldnt he say bottom
|
|
right out and have done with it what has that got to do with it and did you
|
|
whatever way he put it I forget no father and I always think of the real
|
|
father what did he want to know for when I already confessed it to God he
|
|
had a nice fat hand the palm moist always I wouldnt mind feeling it neither
|
|
would he Id say by the bullneck in his horsecollar I wonder did he know me
|
|
in the box I could see his face he couldnt see mine of course hed never turn
|
|
or let on still his eyes were red when his father died theyre lost for a woman
|
|
of course must be terrible when a man cries let alone them Id like to be
|
|
embraced by one in his vestments and the smell of incense off him like the
|
|
pope besides theres no danger with a priest if youre married hes too careful
|
|
about himself then give something to H H the pope for a penance I wonder
|
|
was he satisfied with me one thing I didnt like his slapping me behind going
|
|
away so familiarly in the hall though I laughed Im not a horse or an ass am
|
|
I I suppose he was thinking of his fathers I wonder is he awake thinking of
|
|
me or dreaming am I in it who gave him that flower he said he bought he
|
|
smelt of some kind of drink not whisky or stout or perhaps the sweety kind
|
|
of paste they stick their bills up with some liqueur Id like to sip those
|
|
richlooking green and yellow expensive drinks those stagedoor johnnies
|
|
drink with the opera hats I tasted once with my finger dipped out of that
|
|
American that had the squirrel talking stamps with father he had all he
|
|
could do to keep himself from falling asleep after the last time after we took
|
|
the port and potted meat it had a fine salty taste yes because I felt lovely
|
|
and tired myself and fell asleep as sound as a top the moment I popped
|
|
straight into bed till that thunder woke me up God be merciful to us I thought
|
|
the heavens were coming down about us to punish us when I blessed myself
|
|
and said a Hail Mary like those awful thunderbolts in Gibraltar as if the
|
|
world was coming to an end and then they come and tell you theres no God
|
|
what could you do if it was running and rushing about nothing only make
|
|
an act of contrition the candle I lit that evening in Whitefriars street
|
|
chapel for the month of May see it brought its luck though hed scoff if he
|
|
heard because he never goes to church mass or meeting he says your soul you
|
|
have no soul inside only grey matter because he doesnt know what it is to
|
|
have one yes when I lit the lamp because he must have come 3 or 4 times
|
|
with that tremendous big red brute of a thing he has I thought the vein or
|
|
whatever the dickens they call it was going to burst though his nose is not
|
|
so big after I took off all my things with the blinds down after my hours
|
|
dressing and perfuming and combing it like iron or some kind of a thick
|
|
crowbar standing all the time he must have eaten oysters I think a few
|
|
dozen he was in great singing voice no I never in all my life felt anyone had
|
|
one the size of that to make you feel full up he must have eaten a whole
|
|
sheep after whats the idea making us like that with a big hole in the middle
|
|
of us or like a Stallion driving it up into you because thats all they want
|
|
out of you with that determined vicious look in his eye I had to halfshut my
|
|
eyes still he hasnt such a tremendous amount of spunk in him when I made
|
|
him pull out and do it on me considering how big it is so much the better in
|
|
case any of it wasnt washed out properly the last time I let him finish it in
|
|
me nice invention they made for women for him to get all the pleasure but if
|
|
someone gave them a touch of it themselves theyd know what I went
|
|
through with Milly nobody would believe cutting her teeth too and Mina
|
|
Purefoys husband give us a swing out of your whiskers filling her up with a
|
|
child or twins once a year as regular as the clock always with a smell of
|
|
children off her the one they called budgers or something like a nigger with
|
|
a shock of hair on it Jesusjack the child is a black the last time I was there
|
|
a squad of them falling over one another and bawling you couldnt hear your
|
|
ears supposed to be healthy not satisfied till they have us swollen out like
|
|
elephants or I dont know what supposing I risked having another not off
|
|
him though still if he was married Im sure hed have a fine strong child but I
|
|
dont know Poldy has more spunk in him yes thatd be awfully jolly I
|
|
suppose it was meeting Josie Powell and the funeral and thinking about me
|
|
and Boylan set him off well he can think what he likes now if thatll do him
|
|
any good I know they were spooning a bit when I came on the scene he was
|
|
dancing and sitting out with her the night of Georgina Simpsons
|
|
housewarming and then he wanted to ram it down my neck it was on
|
|
account of not liking to see her a wallflower that was why we had the
|
|
standup row over politics he began it not me when he said about Our Lord
|
|
being a carpenter at last he made me cry of course a woman is so sensitive
|
|
about everything I was fuming with myself after for giving in only for I
|
|
knew he was gone on me and the first socialist he said He was he annoyed
|
|
me so much I couldnt put him into a temper still he knows a lot of mixedup
|
|
things especially about the body and the inside I often wanted to study up
|
|
that myself what we have inside us in that family physician I could always
|
|
hear his voice talking when the room was crowded and watch him after that
|
|
I pretended I had a coolness on with her over him because he used to be a
|
|
bit on the jealous side whenever he asked who are you going to and I said
|
|
over to Floey and he made me the present of Byron's poems and the
|
|
three pairs of gloves so that finished that I could quite easily get him to
|
|
make it up any time I know how Id even supposing he got in with her again
|
|
and was going out to see her somewhere Id know if he refused to eat the
|
|
onions I know plenty of ways ask him to tuck down the collar of my blouse
|
|
or touch him with my veil and gloves on going out I kiss then would send
|
|
them all spinning however alright well see then let him go to her she of
|
|
course would only be too delighted to pretend shes mad in love with him
|
|
that I wouldnt so much mind Id just go to her and ask her do you love him
|
|
and look her square in the eyes she couldnt fool me but he might imagine he
|
|
was and make a declaration to her with his plabbery kind of a manner like
|
|
he did to me though I had the devils own job to get it out of him though I
|
|
liked him for that it showed he could hold in and wasnt to be got for the
|
|
asking he was on the pop of asking me too the night in the kitchen I was
|
|
rolling the potato cake theres something I want to say to you only for I put
|
|
him off letting on I was in a temper with my hands and arms full of pasty
|
|
flour in any case I let out too much the night before talking of dreams so I
|
|
didnt want to let him know more than was good for him she used to be
|
|
always embracing me Josie whenever he was there meaning him of course
|
|
glauming me over and when I said I washed up and down as far as possible
|
|
asking me and did you wash possible the women are always egging on to
|
|
that putting it on thick when hes there they know by his sly eye blinking a
|
|
bit putting on the indifferent when they come out with something the kind
|
|
he is what spoils him I dont wonder in the least because he was very
|
|
handsome at that time trying to look like Lord Byron I said I liked though
|
|
he was too beautiful for a man and he was a little before we got engaged
|
|
afterwards though she didnt like it so much the day I was in fits of laughing
|
|
with the giggles I couldnt stop about all my hairpins falling out one after
|
|
another with the mass of hair I had youre always in great humour she said
|
|
yes because it grigged her because she knew what it meant because I used to
|
|
tell her a good bit of what went on between us not all but just enough to
|
|
make her mouth water but that wasnt my fault she didnt darken the door
|
|
much after we were married I wonder what shes got like now after living
|
|
with that dotty husband of hers she had her face beginning to look drawn
|
|
and run down the last time I saw her she must have been just after a row
|
|
with him because I saw on the moment she was edging to draw down a
|
|
conversation about husbands and talk about him to run him down what
|
|
was it she told me O yes that sometimes he used to go to bed with his
|
|
muddy boots on when the maggot takes him just imagine having to get into
|
|
bed with a thing like that that might murder you any moment what a man
|
|
well its not the one way everyone goes mad Poldy anyhow whatever he does
|
|
always wipes his feet on the mat when he comes in wet or shine and always
|
|
blacks his own boots too and he always takes off his hat when he comes up
|
|
in the street like then and now hes going about in his slippers to look for
|
|
10000 pounds for a postcard U p up O sweetheart May wouldnt a thing like that
|
|
simply bore you stiff to extinction actually too stupid even to take his boots
|
|
off now what could you make of a man like that Id rather die 20 times over
|
|
than marry another of their sex of course hed never find another woman
|
|
like me to put up with him the way I do know me come sleep with me yes
|
|
and he knows that too at the bottom of his heart take that Mrs Maybrick
|
|
that poisoned her husband for what I wonder in love with some other man
|
|
yes it was found out on her wasnt she the downright villain to go and do a
|
|
thing like that of course some men can be dreadfully aggravating drive you
|
|
mad and always the worst word in the world what do they ask us to marry
|
|
them for if were so bad as all that comes to yes because they cant get on
|
|
without us white Arsenic she put in his tea off flypaper wasnt it I wonder
|
|
why they call it that if I asked him hed say its from the Greek leave us as
|
|
wise as we were before she must have been madly in love with the other
|
|
fellow to run the chance of being hanged O she didnt care if that was her
|
|
nature what could she do besides theyre not brutes enough to go and hang a
|
|
woman surely are they
|
|
theyre all so different Boylan talking about the shape of my foot he
|
|
noticed at once even before he was introduced when I was in the D B C
|
|
with Poldy laughing and trying to listen I was waggling my foot we both
|
|
ordered 2 teas and plain bread and butter I saw him looking with his two
|
|
old maids of sisters when I stood up and asked the girl where it was what
|
|
do I care with it dropping out of me and that black closed breeches he made
|
|
me buy takes you half an hour to let them down wetting all myself always
|
|
with some brandnew fad every other week such a long one I did I forgot my
|
|
suede gloves on the seat behind that I never got after some robber of a
|
|
woman and he wanted me to put it in the Irish times lost in the ladies
|
|
lavatory D B C Dame street finder return to Mrs Marion Bloom and I saw
|
|
his eyes on my feet going out through the turning door he was looking
|
|
when I looked back and I went there for tea 2 days after in the hope but he
|
|
wasnt now how did that excite him because I was crossing them when we
|
|
were in the other room first he meant the shoes that are too tight to walk in
|
|
my hand is nice like that if I only had a ring with the stone for my month a
|
|
nice aquamarine Ill stick him for one and a gold bracelet I dont like my foot
|
|
so much still I made him spend once with my foot the night after Goodwins
|
|
botchup of a concert so cold and windy it was well we had that rum in the
|
|
house to mull and the fire wasnt black out when he asked to take off my
|
|
stockings lying on the hearthrug in Lombard street west and another time it
|
|
was my muddy boots hed like me to walk in all the horses dung I could find
|
|
but of course hes not natural like the rest of the world that I what did he
|
|
say I could give 9 points in 10 to Katty Lanner and beat her what does that
|
|
mean I asked him I forget what he said because the stoppress edition just
|
|
passed and the man with the curly hair in the Lucan dairy thats so polite I
|
|
think I saw his face before somewhere I noticed him when I was tasting the
|
|
butter so I took my time Bartell dArcy too that he used to make fun of when
|
|
he commenced kissing me on the choir stairs after I sang Gounods Ave
|
|
Maria what are we waiting for O my heart kiss me straight on the brow and
|
|
part which is my brown part he was pretty hot for all his tinny voice too my
|
|
low notes he was always raving about if you can believe him I liked the way
|
|
he used his mouth singing then he said wasnt it terrible to do that there in a
|
|
place like that I dont see anything so terrible about it Ill tell him about
|
|
that some day not now and surprise him ay and Ill take him there and show him
|
|
the very place too we did it so now there you are like it or lump it he thinks
|
|
nothing can happen without him knowing he hadnt an idea about my
|
|
mother till we were engaged otherwise hed never have got me so cheap as he
|
|
did he was lo times worse himself anyhow begging me to give him a tiny bit
|
|
cut off my drawers that was the evening coming along Kenilworth square
|
|
he kissed me in the eye of my glove and I had to take it off asking me
|
|
questions is it permitted to enquire the shape of my bedroom so I let him
|
|
keep it as if I forgot it to think of me when I saw him slip it into his
|
|
pocket of course hes mad on the subject of drawers thats plain to be seen
|
|
always skeezing at those brazenfaced things on the bicycles with their skirts
|
|
blowing up to their navels even when Milly and I were out with him at the
|
|
open air fete that one in the cream muslin standing right against the sun so
|
|
he could see every atom she had on when he saw me from behind following
|
|
in the rain I saw him before he saw me however standing at the corner of
|
|
the Harolds cross road with a new raincoat on him with the muffler in the
|
|
Zingari colours to show off his complexion and the brown hat looking
|
|
slyboots as usual what was he doing there where hed no business they can
|
|
go and get whatever they like from anything at all with a skirt on it and
|
|
were not to ask any questions but they want to know where were you where
|
|
are you going I could feel him coming along skulking after me his eyes on
|
|
my neck he had been keeping away from the house he felt it was getting too
|
|
warm for him so I halfturned and stopped then he pestered me to say yes till
|
|
I took off my glove slowly watching him he said my openwork sleeves were
|
|
too cold for the rain anything for an excuse to put his hand anear me
|
|
drawers drawers the whole blessed time till I promised to give him the pair
|
|
off my doll to carry about in his waistcoat pocket O Maria Santisima he did
|
|
look a big fool dreeping in the rain splendid set of teeth he had made me
|
|
hungry to look at them and beseeched of me to lift the orange petticoat I
|
|
had on with the sunray pleats that there was nobody he said hed kneel
|
|
down in the wet if I didnt so persevering he would too and ruin his new
|
|
raincoat you never know what freak theyd take alone with you theyre so
|
|
savage for it if anyone was passing so I lifted them a bit and touched his
|
|
trousers outside the way I used to Gardner after with my ring hand to keep
|
|
him from doing worse where it was too public I was dying to find out was
|
|
he circumcised he was shaking like a jelly all over they want to do everything
|
|
too quick take all the pleasure out of it and father waiting all the
|
|
time for his dinner he told me to say I left my purse in the butchers and had
|
|
to go back for it what a Deceiver then he wrote me that letter with all those
|
|
words in it how could he have the face to any woman after his company
|
|
manners making it so awkward after when we met asking me have I
|
|
offended you with my eyelids down of course he saw I wasnt he had a few
|
|
brains not like that other fool Henny Doyle he was always breaking or
|
|
tearing something in the charades I hate an unlucky man and if I knew
|
|
what it meant of course I had to say no for form sake dont understand you
|
|
I said and wasnt it natural so it is of course it used to be written up with
|
|
a picture of a womans on that wall in Gibraltar with that word I couldnt find
|
|
anywhere only for children seeing it too young then writing every morning
|
|
a letter sometimes twice a day I liked the way he made love then he knew
|
|
the way to take a woman when he sent me the 8 big poppies because mine
|
|
was the 8th then I wrote the night he kissed my heart at Dolphins barn I
|
|
couldnt describe it simply it makes you feel like nothing on earth but he
|
|
never knew how to embrace well like Gardner I hope hell come on Monday
|
|
as he said at the same time four I hate people who come at all hours answer
|
|
the door you think its the vegetables then its somebody and you all
|
|
undressed or the door of the filthy sloppy kitchen blows open the day old
|
|
frostyface Goodwin called about the concert in Lombard street and I just
|
|
after dinner all flushed and tossed with boiling old stew dont look at me
|
|
professor I had to say Im a fright yes but he was a real old gent in his way
|
|
it was impossible to be more respectful nobody to say youre out you have to
|
|
peep out through the blind like the messengerboy today I thought it was a
|
|
putoff first him sending the port and the peaches first and I was just
|
|
beginning to yawn with nerves thinking he was trying to make a fool of me
|
|
when I knew his tattarrattat at the door he must have been a bit late because
|
|
it was l/4 after 3 when I saw the 2 Dedalus girls coming from school I never
|
|
know the time even that watch he gave me never seems to go properly Id
|
|
want to get it looked after when I threw the penny to that lame sailor for
|
|
England home and beauty when I was whistling there is a charming girl I
|
|
love and I hadnt even put on my clean shift or powdered myself or a thing
|
|
then this day week were to go to Belfast just as well he has to go to Ennis
|
|
his fathers anniversary the 27th it wouldnt be pleasant if he did suppose our
|
|
rooms at the hotel were beside each other and any fooling went on in the
|
|
new bed I couldnt tell him to stop and not bother me with him in the next
|
|
room or perhaps some protestant clergyman with a cough knocking on the
|
|
wall then hed never believe the next day we didnt do something its all very
|
|
well a husband but you cant fool a lover after me telling him we never did
|
|
anything of course he didnt believe me no its better hes going where he is
|
|
besides something always happens with him the time going to the Mallow
|
|
concert at Maryborough ordering boiling soup for the two of us then the
|
|
bell rang out he walks down the platform with the soup splashing about
|
|
taking spoonfuls of it hadnt he the nerve and the waiter after him making a
|
|
holy show of us screeching and confusion for the engine to start but he
|
|
wouldnt pay till he finished it the two gentlemen in the 3rd class carriage
|
|
said he was quite right so he was too hes so pigheaded sometimes when he
|
|
gets a thing into his head a good job he was able to open the carriage door
|
|
with his knife or theyd have taken us on to Cork I suppose that was done
|
|
out of revenge on him O I love jaunting in a train or a car with lovely soft
|
|
cushions I wonder will he take a 1st class for me he might want to do it in
|
|
the train by tipping the guard well O I suppose therell be the usual idiots of
|
|
men gaping at us with their eyes as stupid as ever they can possibly be that
|
|
was an exceptional man that common workman that left us alone in the
|
|
carriage that day going to Howth Id like to find out something about him l
|
|
or 2 tunnels perhaps then you have to look out of the window all the nicer
|
|
then coming back suppose I never came back what would they say eloped
|
|
with him that gets you on on the stage the last concert I sang at where its
|
|
over a year ago when was it St Teresas hall Clarendon St little chits of
|
|
missies they have now singing Kathleen Kearney and her like on account of
|
|
father being in the army and my singing the absentminded beggar and
|
|
wearing a brooch for Lord Roberts when I had the map of it all and Poldy
|
|
not Irish enough was it him managed it this time I wouldnt put it past him
|
|
like he got me on to sing in the Stabat Mater by going around saying he was
|
|
putting Lead Kindly Light to music I put him up to that till the jesuits found
|
|
out he was a freemason thumping the piano lead Thou me on copied from
|
|
some old opera yes and he was going about with some of them Sinner Fein
|
|
lately or whatever they call themselves talking his usual trash and nonsense
|
|
he says that little man he showed me without the neck is very intelligent the
|
|
coming man Griffiths is he well he doesnt look it thats all I can say still it
|
|
must have been him he knew there was a boycott I hate the mention of their
|
|
politics after the war that Pretoria and Ladysmith and Bloemfontein where
|
|
Gardner lieut Stanley G 8th Bn 2nd East Lancs Rgt of enteric fever he was
|
|
a lovely fellow in khaki and just the right height over me Im sure he was
|
|
brave too he said I was lovely the evening we kissed goodbye at the canal
|
|
lock my Irish beauty he was pale with excitement about going away or wed
|
|
be seen from the road he couldnt stand properly and I so hot as I never felt
|
|
they could have made their peace in the beginning or old oom Paul and the
|
|
rest of the other old Krugers go and fight it out between them instead of
|
|
dragging on for years killing any finelooking men there were with their
|
|
fever if he was even decently shot it wouldnt have been so bad I love to see a
|
|
regiment pass in review the first time I saw the Spanish cavalry at La Roque
|
|
it was lovely after looking across the bay from Algeciras all the lights of
|
|
the rock like fireflies or those sham battles on the 15 acres the Black Watch
|
|
with their kilts in time at the march past the 10th hussars the prince of
|
|
Wales own or the lancers O the lancers theyre grand or the Dublins that won
|
|
Tugela his father made his money over selling the horses for the cavalry
|
|
well he could buy me a nice present up in Belfast after what I gave him
|
|
theyve lovely linen up there or one of those nice kimono things I must buy a
|
|
mothball like I had before to keep in the drawer with them it would be
|
|
exciting going round with him shopping buying those things in a new city
|
|
better leave this ring behind want to keep turning and turning to get it over
|
|
the knuckle there or they might bell it round the town in their papers or tell
|
|
the police on me but theyd think were married O let them all go and
|
|
smother themselves for the fat lot I care he has plenty of money and hes not
|
|
a marrying man so somebody better get it out of him if I could find out
|
|
whether he likes me I looked a bit washy of course when I looked close in
|
|
the handglass powdering a mirror never gives you the expression besides
|
|
scrooching down on me like that all the time with his big hipbones hes
|
|
heavy too with his hairy chest for this heat always having to lie down for
|
|
them better for him put it into me from behind the way Mrs Mastiansky
|
|
told me her husband made her like the dogs do it and stick out her tongue
|
|
as far as ever she could and he so quiet and mild with his tingating cither
|
|
can you ever be up to men the way it takes them lovely stuff in that blue suit
|
|
he had on and stylish tie and socks with the skyblue silk things on them hes
|
|
certainly well off I know by the cut his clothes have and his heavy watch but
|
|
he was like a perfect devil for a few minutes after he came back with the
|
|
stoppress tearing up the tickets and swearing blazes because he lost 20 quid
|
|
he said he lost over that outsider that won and half he put on for me on
|
|
account of Lenehans tip cursing him to the lowest pits that sponger he was
|
|
making free with me after the Glencree dinner coming back that long joult
|
|
over the featherbed mountain after the lord Mayor looking at me with his
|
|
dirty eyes Val Dillon that big heathen I first noticed him at dessert when I
|
|
was cracking the nuts with my teeth I wished I could have picked every
|
|
morsel of that chicken out of my fingers it was so tasty and browned and as
|
|
tender as anything only for I didnt want to eat everything on my plate those
|
|
forks and fishslicers were hallmarked silver too I wish I had some I could
|
|
easily have slipped a couple into my muff when I was playing with them
|
|
then always hanging out of them for money in a restaurant for the bit you
|
|
put down your throat we have to be thankful for our mangy cup of tea itself
|
|
as a great compliment to be noticed the way the world is divided in any case
|
|
if its going to go on I want at least two other good chemises for one thing
|
|
and but I dont know what kind of drawers he likes none at all I think didnt
|
|
he say yes and half the girls in Gibraltar never wore them either naked as
|
|
God made them that Andalusian singing her Manola she didnt make much
|
|
secret of what she hadnt yes and the second pair of silkette stockings is
|
|
laddered after one days wear I could have brought them back to Lewers this
|
|
morning and kicked up a row and made that one change them only not to
|
|
upset myself and run the risk of walking into him and ruining the whole
|
|
thing and one of those kidfitting corsets Id want advertised cheap in the
|
|
Gentlewoman with elastic gores on the hips he saved the one I have but
|
|
thats no good what did they say they give a delightful figure line 11/6
|
|
obviating that unsightly broad appearance across the lower back to reduce
|
|
flesh my belly is a bit too big Ill have to knock off the stout at dinner or
|
|
am I getting too fond of it the last they sent from ORourkes was as flat as a
|
|
pancake he makes his money easy Larry they call him the old mangy parcel
|
|
he sent at Xmas a cottage cake and a bottle of hogwash he tried to palm off
|
|
as claret that he couldnt get anyone to drink God spare his spit for fear hed
|
|
die of the drouth or I must do a few breathing exercises I wonder is that
|
|
antifat any good might overdo it the thin ones are not so much the fashion
|
|
now garters that much I have the violet pair I wore today thats all he
|
|
bought me out of the cheque he got on the first O no there was the face
|
|
lotion I finished the last of yesterday that made my skin like new I told him
|
|
over and over again get that made up in the same place and dont forget it
|
|
God only knows whether he did after all I said to him 111 know by the bottle
|
|
anyway if not I suppose 111 only have to wash in my piss like beeftea or
|
|
chickensoup with some of that opoponax and violet I thought it was
|
|
beginning to look coarse or old a bit the skin underneath is much finer
|
|
where it peeled off there on my finger after the burn its a pity it isnt all
|
|
like that and the four paltry handkerchiefs about 6/- in all sure you cant get
|
|
on in this world without style all going in food and rent when I get it Ill
|
|
lash it around I tell you in fine style I always want to throw a handful of
|
|
tea into the pot measuring and mincing if I buy a pair of old brogues itself
|
|
do you like those new shoes yes how much were they Ive no clothes at all the
|
|
brown costume and the skirt and jacket and the one at the cleaners 3 whats
|
|
that for any woman cutting up this old hat and patching up the other the men
|
|
wont look at you and women try to walk on you because they know youve no
|
|
man then with all the things getting dearer every day for the 4 years more I
|
|
have of life up to 35 no Im what am I at all 111 be 33 in September will I
|
|
what O well look at that Mrs Galbraith shes much older than me I saw her
|
|
when I was out last week her beautys on the wane she was a lovely woman
|
|
magnificent head of hair on her down to her waist tossing it back like that
|
|
like Kitty OShea in Grantham street 1st thing I did every morning to look
|
|
across see her combing it as if she loved it and was full of it pity I only
|
|
got to know her the day before we left and that Mrs Langtry the jersey lily
|
|
the prince of Wales was in love with I suppose hes like the first man going
|
|
the roads only for the name of a king theyre all made the one way only a black
|
|
mans Id like to try a beauty up to what was she 45 there was some funny
|
|
story about the jealous old husband what was it at all and an oyster knife he
|
|
went no he made her wear a kind of a tin thing round her and the prince of
|
|
Wales yes he had the oyster knife cant be true a thing like that like some of
|
|
those books he brings me the works of Master Francois Somebody
|
|
supposed to be a priest about a child born out of her ear because her
|
|
bumgut fell out a nice word for any priest to write and her a--e as if any
|
|
fool wouldnt know what that meant I hate that pretending of all things with
|
|
that old blackguards face on him anybody can see its not true and that
|
|
Ruby and Fair Tyrants he brought me that twice I remember when I came
|
|
to page 5 o the part about where she hangs him up out of a hook with a cord
|
|
flagellate sure theres nothing for a woman in that all invention made up
|
|
about he drinking the champagne out of her slipper after the ball was over
|
|
like the infant Jesus in the crib at Inchicore in the Blessed Virgins arms
|
|
sure no woman could have a child that big taken out of her and I thought first
|
|
it came out of her side because how could she go to the chamber when she
|
|
wanted to and she a rich lady of course she felt honoured H R H he was in
|
|
Gibraltar the year I was born I bet he found lilies there too where he
|
|
planted the tree he planted more than that in his time he might have planted
|
|
me too if hed come a bit sooner then I wouldnt be here as I am he ought to
|
|
chuck that Freeman with the paltry few shillings he knocks out of it and go
|
|
into an office or something where hed get regular pay or a bank where they
|
|
could put him up on a throne to count the money all the day of course he
|
|
prefers plottering about the house so you cant stir with him any side whats
|
|
your programme today I wish hed even smoke a pipe like father to get the .
|
|
smell of a man or pretending to be mooching about for advertisements
|
|
when he could have been in Mr Cuffes still only for what he did then
|
|
sending me to try and patch it up I could have got him promoted there to be
|
|
the manager he gave me a great mirada once or twice first he was as stiff as
|
|
the mischief really and truly Mrs Bloom only I felt rotten simply with the
|
|
old rubbishy dress that I lost the leads out of the tails with no cut in it
|
|
but theyre coming into fashion again I bought it simply to please him I knew
|
|
it was no good by the finish pity I changed my mind of going to Todd and
|
|
Bums as I said and not Lees it was just like the shop itself rummage sale a
|
|
lot of trash I hate those rich shops get on your nerves nothing kills me
|
|
altogether only he thinks he knows a great lot about a womans dress and
|
|
cooking mathering everything he can scour off the shelves into it if I went
|
|
by his advices every blessed hat I put on does that suit me yes take that
|
|
thats alright the one like a weddingcake standing up miles off my head he said
|
|
suited me or the dishcover one coming down on my backside on pins and
|
|
needles about the shopgirl in that place in Grafton street I had the
|
|
misfortune to bring him into and she as insolent as ever she could be with
|
|
her smirk saying Im afraid were giving you too much trouble what shes
|
|
there for but I stared it out of her yes he was awfully stiff and no wonder
|
|
but he changed the second time he looked Poldy pigheaded as usual like the
|
|
soup but I could see him looking very hard at my chest when he stood up to
|
|
open the door for me it was nice of him to show me out in any case Im
|
|
extremely sorry Mrs Bloom believe me without making it too marked the
|
|
first time after him being insulted and me being supposed to be his wife I
|
|
just half smiled I know my chest was out that way at the door when he said
|
|
Im extremely sorry and Im sure you were
|
|
yes I think he made them a bit firmer sucking them like that so long he
|
|
made me thirsty titties he calls them I had to laugh yes this one anyhow stiff
|
|
the nipple gets for the least thing Ill get him to keep that up and Ill take
|
|
those eggs beaten up with marsala fatten them out for him what are all
|
|
those veins and things curious the way its made 2 the same in case of twins
|
|
theyre supposed to represent beauty placed up there like those statues in the
|
|
museum one of them pretending to hide it with her hand are they so
|
|
beautiful of course compared with what a man looks like with his two bags
|
|
full and his other thing hanging down out of him or sticking up at you like
|
|
a hatrack no wonder they hide it with a cabbageleaf that disgusting
|
|
Cameron highlander behind the meat market or that other wretch with the
|
|
red head behind the tree where the statue of the fish used to be when I was
|
|
passing pretending he was pissing standing out for me to see it with his
|
|
babyclothes up to one side the Queens own they were a nice lot its well the
|
|
Surreys relieved them theyre always trying to show it to you every time
|
|
nearly I passed outside the mens greenhouse near the Harcourt street
|
|
station just to try some fellow or other trying to catch my eye as if it was I
|
|
of the 7 wonders of the world O and the stink of those rotten places the
|
|
night coming home with Poldy after the Comerfords party oranges and
|
|
lemonade to make you feel nice and watery I went into r of them it was so
|
|
biting cold I couldnt keep it when was that 93 the canal was frozen yes it
|
|
was a few months after a pity a couple of the Camerons werent there to see
|
|
me squatting in the mens place meadero I tried to draw a picture of it before
|
|
I tore it up like a sausage or something I wonder theyre not afraid going
|
|
about of getting a kick or a bang of something there the woman is beauty of
|
|
course thats admitted when he said I could pose for a picture naked to some
|
|
rich fellow in Holles street when he lost the job in Helys and I was selling
|
|
the clothes and strumming in the coffee palace would I be like that bath of
|
|
the nymph with my hair down yes only shes younger or Im a little like that
|
|
dirty bitch in that Spanish photo he has nymphs used they go about like
|
|
that I asked him about her and that word met something with hoses in it
|
|
and he came out with some jawbreakers about the incarnation he never can
|
|
explain a thing simply the way a body can understand then he goes and
|
|
burns the bottom out of the pan all for his Kidney this one not so much
|
|
theres the mark of his teeth still where he tried to bite the nipple I had to
|
|
scream out arent they fearful trying to hurt you I had a great breast of milk
|
|
with Milly enough for two what was the reason of that he said I could have
|
|
got a pound a week as a wet nurse all swelled out the morning that delicate
|
|
looking student that stopped in no 28 with the Citrons Penrose nearly
|
|
caught me washing through the window only for I snapped up the towel to
|
|
my face that was his studenting hurt me they used to weaning her till he got
|
|
doctor Brady to give me the belladonna prescription I had to get him to
|
|
suck them they were so hard he said it was sweeter and thicker than cows
|
|
then he wanted to milk me into the tea well hes beyond everything I declare
|
|
somebody ought to put him in the budget if I only could remember the I
|
|
half of the things and write a book out of it the works of Master Poldy yes
|
|
and its so much smoother the skin much an hour he was at them Im sure by
|
|
the clock like some kind of a big infant I had at me they want everything in
|
|
their mouth all the pleasure those men get out of a woman I can feel his
|
|
mouth O Lord I must stretch myself I wished he was here or somebody to
|
|
let myself go with and come again like that I feel all fire inside me or if I
|
|
could dream it when he made me spend the 2nd time tickling me behind with
|
|
his finger I was coming for about 5 minutes with my legs round him I had
|
|
to hug him after O Lord I wanted to shout out all sorts of things fuck or
|
|
shit or anything at all only not to look ugly or those lines from the strain
|
|
who knows the way hed take it you want to feel your way with a man
|
|
theyre not all like him thank God some of them want you to be so nice
|
|
about it I noticed the contrast he does it and doesnt talk I gave my eyes that
|
|
look with my hair a bit loose from the tumbling and my tongue between my
|
|
lips up to him the savage brute Thursday Friday one Saturday two Sunday
|
|
three O Lord I cant wait till Monday
|
|
frseeeeeeeefronnnng train somewhere whistling the strength those
|
|
engines have in them like big giants and the water rolling all over and out of
|
|
them all sides like the end of Loves old sweeeetsonnnng the poor men that
|
|
have to be out all the night from their wives and families in those roasting
|
|
engines stifling it was today Im glad I burned the half of those old Freemans
|
|
and Photo Bits leaving things like that lying about hes getting very careless
|
|
and threw the rest of them up in the W C 111 get him to cut them tomorrow
|
|
for me instead of having them there for the next year to get a few pence for
|
|
them have him asking wheres last Januarys paper and all those old
|
|
overcoats I bundled out of the hall making the place hotter than it is that
|
|
rain was lovely and refreshing just after my beauty sleep I thought it was
|
|
going to get like Gibraltar my goodness the heat there before the levanter
|
|
came on black as night and the glare of the rock standing up in it like a big
|
|
giant compared with their 3 Rock mountain they think is so great with the
|
|
red sentries here and there the poplars and they all whitehot and the smell
|
|
of the rainwater in those tanks watching the sun all the time weltering down
|
|
on you faded all that lovely frock fathers friend Mrs Stanhope sent me from
|
|
the B Marche paris what a shame my dearest Doggerina she wrote on it she
|
|
was very nice whats this her other name was just a p c to tell you I sent the
|
|
little present have just had a jolly warm bath and feel a very clean dog now
|
|
enjoyed it wogger she called him wogger wd give anything to be back in
|
|
Gib and hear you sing Waiting and in old Madrid Concone is the name of
|
|
those exercises he bought me one of those new some word I couldnt make
|
|
out shawls amusing things but tear for the least thing still there lovely I
|
|
think dont you will always think of the lovely teas we had together
|
|
scrumptious currant scones and raspberry wafers I adore well now dearest
|
|
Doggerina be sure and write soon kind she left out regards to your father
|
|
also captain Grove with love yrs affly Hester x x x x x she didnt look a bit
|
|
married just like a girl he was years older than her wogger he was awfully
|
|
fond of me when he held down the wire with his foot for me to step over at
|
|
the bullfight at La Linea when that matador Gomez was given the bulls ear
|
|
these clothes we have to wear whoever invented them expecting you to walk
|
|
up Killiney hill then for example at that picnic all staysed up you cant do a
|
|
blessed thing in them in a crowd run or jump out of the way thats why I
|
|
was afraid when that other ferocious old Bull began to charge the
|
|
banderilleros with the sashes and the 2 things in their hats and the brutes of
|
|
men shouting bravo toro sure the women were as bad in their nice white
|
|
mantillas ripping all the whole insides out of those poor horses I never
|
|
heard of such a thing in all my life yes he used to break his heart at me
|
|
taking off the dog barking in bell lane poor brute and it sick what became of
|
|
them ever I suppose theyre dead long ago the 2 of them its like all through a
|
|
mist makes you feel so old I made the scones of course I had everything all
|
|
to myself then a girl Hester we used to compare our hair mine was thicker
|
|
than hers she showed me how to settle it at the back when I put it up and
|
|
whats this else how to make a knot on a thread with the one hand we were
|
|
like cousins what age was I then the night of the storm I slept in her bed she
|
|
had her arms round me then we were fighting in the morning with the
|
|
pillow what fun he was watching me whenever he got an opportunity at the
|
|
band on the Alameda esplanade when I was with father and captain Grove
|
|
I looked up at the church first and then at the windows then down and our
|
|
eyes met I felt something go through me like all needles my eyes were
|
|
dancing I remember after when I looked at myself in the glass hardly
|
|
recognised myself the change he was attractive to a girl in spite of his being
|
|
a little bald intelligent looking disappointed and gay at the same time he was
|
|
like Thomas in the shadow of Ashlydyat I had a splendid skin from the sun
|
|
and the excitement like a rose I didnt get a wink of sleep it wouldnt have
|
|
been nice on account of her but I could have stopped it in time she gave me
|
|
the Moonstone to read that was the first I read of Wilkie Collins East Lynne
|
|
I read and the shadow of Ashlydyat Mrs Henry Wood Henry Dunbar by
|
|
that other woman I lent him afterwards with Mulveys photo in it so as he
|
|
see I wasnt without and Lord Lytton Eugene Aram Molly bawn she gave
|
|
me by Mrs Hungerford on account of the name I dont like books with a
|
|
Molly in them like that one he brought me about the one from Flanders a
|
|
whore always shoplifting anything she could cloth and stuff and yards of it
|
|
O this blanket is too heavy on me thats better I havent even one decent
|
|
nightdress this thing gets all rolled under me besides him and his fooling
|
|
thats better I used to be weltering then in the heat my shift drenched with
|
|
the sweat stuck in the cheeks of my bottom on the chair when I stood up
|
|
they were so fattish and firm when I got up on the sofa cushions to see with
|
|
my clothes up and the bugs tons of them at night and the mosquito nets I
|
|
couldnt read a line Lord how long ago it seems centuries of course they
|
|
never came back and she didnt put her address right on it either she may
|
|
have noticed her wogger people were always going away and we never I
|
|
remember that day with the waves and the boats with their high heads
|
|
rocking and the smell of ship those Officers uniforms on shore leave made
|
|
me seasick he didnt say anything he was very serious I had the high
|
|
buttoned boots on and my skirt was blowing she kissed me six or seven
|
|
times didnt I cry yes I believe I did or near it my lips were taittering when
|
|
I said goodbye she had a Gorgeous wrap of some special kind of blue colour
|
|
on her for the voyage made very peculiarly to one side like and it was
|
|
extremely pretty it got as dull as the devil after they went I was almost
|
|
planning to run away mad out of it somewhere were never easy where we
|
|
are father or aunt or marriage waiting always waiting to guiiiide him toooo
|
|
me waiting nor speeeed his flying feet their damn guns bursting and
|
|
booming all over the shop especially the Queens birthday and throwing
|
|
everything down in all directions if you didnt open the windows when
|
|
general Ulysses Grant whoever he was or did supposed to be some great
|
|
fellow landed off the ship and old Sprague the consul that was there from
|
|
before the flood dressed up poor man and he in mourning for the son then
|
|
the same old bugles for reveille in the morning and drums rolling and the
|
|
unfortunate poor devils of soldiers walking about with messtins smelling the
|
|
place more than the old longbearded jews in their jellibees and levites
|
|
assembly and sound clear and gunfire for the men to cross the lines and the
|
|
warden marching with his keys to lock the gates and the bagpipes and only
|
|
captain Groves and father talking about Rorkes drift and Plevna and sir
|
|
Garnet Wolseley and Gordon at Khartoum lighting their pipes for them
|
|
everytime they went out drunken old devil with his grog on the windowsill
|
|
catch him leaving any of it picking his nose trying to think of some other
|
|
dirty story to tell up in a corner but he never forgot himself when I was
|
|
there sending me out of the room on some blind excuse paying his
|
|
compliments the Bushmills whisky talking of course but hed do the same to
|
|
the next woman that came along I suppose he died of galloping drink ages
|
|
ago the days like years not a letter from a living soul except the odd few I
|
|
posted to myself with bits of paper in them so bored sometimes I could fight
|
|
with my nails listening to that old Arab with the one eye and his heass of an
|
|
instrument singing his heah heah aheah all my compriments on your
|
|
hotchapotch of your heass as bad as now with the hands hanging off me
|
|
looking out of the window if there was a nice fellow even in the opposite
|
|
house that medical in Holles street the nurse was after when I put on my
|
|
gloves and hat at the window to show I was going out not a notion what I
|
|
meant arent they thick never understand what you say even youd want to
|
|
print it up on a big poster for them not even if you shake hands twice with
|
|
the left he didnt recognise me either when I half frowned at him outside
|
|
Westland row chapel where does their great intelligence come in Id like to
|
|
know grey matter they have it all in their tail if you ask me those country
|
|
gougers up in the City Arms intelligence they had a damn sight less than the
|
|
bulls and cows they were selling the meat and the coalmans bell that noisy
|
|
bugger trying to swindle me with the wrong bill he took out of his hat what
|
|
a pair of paws and pots and pans and kettles to mend any broken bottles for
|
|
a poor man today and no visitors or post ever except his cheques or some
|
|
advertisement like that wonderworker they sent him addressed dear Madam
|
|
only his letter and the card from Milly this morning see she wrote a letter to
|
|
him who did I get the last letter from O Mrs Dwenn now what possessed
|
|
her to write from Canada after so many years to know the recipe I had for
|
|
pisto madrileno Floey Dillon since she wrote to say she was married to a
|
|
very rich architect if Im to believe all I hear with a villa and eight rooms
|
|
her father was an awfully nice man he was near seventy always goodhumoured
|
|
well now Miss Tweedy or Miss Gillespie theres the piannyer that was a solid
|
|
silver coffee service he had too on the mahogany sideboard then dying so
|
|
far away I hate people that have always their poor story to tell everybody
|
|
has their own troubles that poor Nancy Blake died a month ago of acute
|
|
neumonia well I didnt know her so well as all that she was Floeys friend
|
|
more than mine poor Nancy its a bother having to answer he always tells
|
|
me the wrong things and no stops to say like making a speech your sad
|
|
bereavement symphathy I always make that mistake and newphew with 2
|
|
double yous in I hope hell write me a longer letter the next time if its a
|
|
thing he really likes me O thanks be to the great God I got somebody to give
|
|
me what I badly wanted to put some heart up into me youve no chances at all in
|
|
this place like you used long ago I wish somebody would write me a
|
|
loveletter his wasnt much and I told him he could write what he liked yours
|
|
ever Hugh Boylan in old Madrid stuff silly women believe love is sighing I
|
|
am dying still if he wrote it I suppose thered be some truth in it true or no
|
|
it fills up your whole day and life always something to think about every
|
|
moment and see it all round you like a new world I could write the answer
|
|
in bed to let him imagine me short just a few words not those long crossed
|
|
letters Atty Dillon used to write to the fellow that was something in the four
|
|
courts that jilted her after out of the ladies letterwriter when I told her to
|
|
say a few simple words he could twist how he liked not acting with precipat
|
|
precip itancy with equal candour the greatest earthly happiness answer to a
|
|
gentlemans proposal affirmatively my goodness theres nothing else its all
|
|
very fine for them but as for being a woman as soon as youre old they might
|
|
as well throw you out in the bottom of the ashpit.
|
|
|
|
Mulveys was the first when I was in bed that morning and Mrs Rubio
|
|
brought it in with the coffee she stood there standing when I asked her to
|
|
hand me and I pointing at them I couldnt think of the word a hairpin to
|
|
open it with ah horquilla disobliging old thing and it staring her in the face
|
|
with her switch of false hair on her and vain about her appearance ugly as
|
|
she was near 80 or a loo her face a mass of wrinkles with all her religion
|
|
domineering because she never could get over the Atlantic fleet coming in
|
|
half the ships of the world and the Union Jack flying with all her
|
|
carabineros because 4 drunken English sailors took all the rock from them
|
|
and because I didnt run into mass often enough in Santa Maria to please
|
|
her with her shawl up on her except when there was a marriage on with all
|
|
her miracles of the saints and her black blessed virgin with the silver dress
|
|
and the sun dancing 3 times on Easter Sunday morning and when the priest
|
|
was going by with the bell bringing the vatican to the dying blessing herself
|
|
for his Majestad an admirer he signed it I near jumped out of my skin I
|
|
wanted to pick him up when I saw him following me along the Calle Real in
|
|
the shop window then he tipped me just in passing but I never thought hed
|
|
write making an appointment I had it inside my petticoat bodice all day
|
|
reading it up in every hole and corner while father was up at the drill
|
|
instructing to find out by the handwriting or the language of stamps singing
|
|
I remember shall I wear a white rose and I wanted to put on the old stupid
|
|
clock to near the time he was the first man kissed me under the Moorish
|
|
wall my sweetheart when a boy it never entered my head what kissing
|
|
meant till he put his tongue in my mouth his mouth was sweetlike young I
|
|
put my knee up to him a few times to learn the way what did I tell him I was
|
|
engaged for for fun to the son of a Spanish nobleman named Don Miguel
|
|
de la Flora and he believed me that I was to be married to him in 3 years
|
|
time theres many a true word spoken in jest there is a flower that bloometh
|
|
a few things I told him true about myself just for him to be imagining the
|
|
Spanish girls he didnt like I suppose one of them wouldnt have him I got
|
|
him excited he crushed all the flowers on my bosom he brought me he
|
|
couldnt count the pesetas and the perragordas till I taught him Cappoquin
|
|
he came from he said on the black water but it was too short then the day
|
|
before he left May yes it was May when the infant king of Spain was born
|
|
Im always like that in the spring Id like a new fellow every year up on the
|
|
tiptop under the rockgun near OHaras tower I told him it was struck by
|
|
lightning and all about the old Barbary apes they sent to Clapham without a
|
|
tail careering all over the show on each others back Mrs Rubio said she was
|
|
a regular old rock scorpion robbing the chickens out of Inces farm and
|
|
throw stones at you if you went anear he was looking at me I had that white
|
|
blouse on open in the front to encourage him as much as I could without
|
|
too openly they were just beginning to be plump I said I was tired we lay
|
|
over the firtree cove a wild place I suppose it must be the highest rock in
|
|
existence the galleries and casemates and those frightful rocks and Saint
|
|
Michaels cave with the icicles or whatever they call them hanging down and
|
|
ladders all the mud plotching my boots Im sure thats the way down the
|
|
monkeys go under the sea to Africa when they die the ships out far like
|
|
chips that was the Malta boat passing yes the sea and the sky you could do
|
|
what you liked lie there for ever he caressed them outside they love doing
|
|
that its the roundness there I was leaning over him with my white ricestraw
|
|
hat to take the newness out of it the left side of my face the best my blouse
|
|
open for his last day transparent kind of shirt he had I could see his chest
|
|
pink he wanted to touch mine with his for a moment but I wouldnt lee him
|
|
he was awfully put out first for fear you never know consumption or leave
|
|
me with a child embarazada that old servant Ines told me that one drop
|
|
even if it got into you at all after I tried with the Banana but I was afraid
|
|
it might break and get lost up in me somewhere because they once took
|
|
something down out of a woman that was up there for years covered with
|
|
limesalts theyre all mad to get in there where they come out of youd think
|
|
they could never go far enough up and then theyre done with you in a way
|
|
till the next time yes because theres a wonderful feeling there so tender all
|
|
the time how did we finish it off yes O yes I pulled him off into my
|
|
handkerchief pretending not to be excited but I opened my legs I wouldnt
|
|
let him touch me inside my petticoat because I had a skirt opening up the
|
|
side I tormented the life out of him first tickling him I loved rousing that
|
|
dog in the hotel rrrsssstt awokwokawok his eyes shut and a bird flying
|
|
below us he was shy all the same I liked him like that moaning I made him
|
|
blush a little when I got over him that way when I unbuttoned him and took
|
|
his out and drew back the skin it had a kind of eye in it theyre all Buttons
|
|
men down the middle on the wrong side of them Molly darling he called me
|
|
what was his name Jack Joe Harry Mulvey was it yes I think a lieutenant he
|
|
was rather fair he had a laughing kind of a voice so I went round to the
|
|
whatyoucallit everything was whatyoucallit moustache had he he said hed
|
|
come back Lord its just like yesterday to me and if I was married hed do it
|
|
to me and I promised him yes faithfully Id let him block me now flying
|
|
perhaps hes dead or killed or a captain or admiral its nearly 20 years if I
|
|
said firtree cove he would if he came up behind me and put his hands over
|
|
my eyes to guess who I might recognise him hes young still about 40
|
|
perhaps hes married some girl on the black water and is quite changed they
|
|
all do they havent half the character a woman has she little knows what I
|
|
did with her beloved husband before he ever dreamt of her in broad
|
|
daylight too in the sight of the whole world you might say they could have
|
|
put an article about it in the Chronicle I was a bit wild after when I blew
|
|
out the old bag the biscuits were in from Benady Bros and exploded it Lord
|
|
what a bang all the woodcocks and pigeons screaming coming back the
|
|
same way that we went over middle hill round by the old guardhouse and
|
|
the jews burialplace pretending to read out the Hebrew on them I wanted to
|
|
fire his pistol he said he hadnt one he didnt know what to make of me with
|
|
his peak cap on that he always wore crooked as often as I settled it straight
|
|
H M S Calypso swinging my hat that old Bishop that spoke off the altar his
|
|
long preach about womans higher functions about girls now riding the
|
|
bicycle and wearing peak caps and the new woman bloomers God send him
|
|
sense and me more money I suppose theyre called after him I never thought
|
|
that would be my name Bloom when I used to write it in print to see how it
|
|
looked on a visiting card or practising for the butcher and oblige M Bloom
|
|
youre looking blooming Josie used to say after I married him well its better
|
|
than Breen or Briggs does brig or those awful names with bottom in them
|
|
Mrs Ramsbottom or some other kind of a bottom Mulvey I wouldnt go mad
|
|
about either or suppose I divorced him Mrs Boylan my mother whoever she
|
|
was might have given me a nicer name the Lord knows after the lovely one
|
|
she had Lunita Laredo the fun we had running along Williss road to
|
|
Europa point twisting in and out all round the other side of Jersey they
|
|
were shaking and dancing about in my blouse like Millys little ones now
|
|
when she runs up the stairs I loved looking down at them I was jumping up
|
|
at the pepper trees and the white poplars pulling the leaves off and throwing
|
|
them at him he went to India he was to write the voyages those men have to
|
|
make to the ends of the world and back its the least they might get a squeeze
|
|
or two at a woman while they can going out to be drowned or blown up
|
|
somewhere I went up Windmill hill to the flats that Sunday morning with
|
|
captain Rubios that was dead spyglass like the sentry had he said hed have
|
|
one or two from on board I wore that frock from the B Marche paris and
|
|
the coral necklace the straits shining I could see over to Morocco almost the
|
|
bay of Tangier white and the Atlas mountain with snow on it and the straits
|
|
like a river so clear Harry Molly darling I was thinking of him on the sea all
|
|
the time after at mass when my petticoat began to slip down at the elevation
|
|
weeks and weeks I kept the handkerchief under my pillow for the smell of
|
|
him there was no decent perfume to be got in that Gibraltar only that cheap
|
|
peau dEspagne that faded and left a stink on you more than anything else I
|
|
wanted to give him a memento he gave me that clumsy Claddagh ring for
|
|
luck that I gave Gardner going to south Africa where those Boers killed
|
|
him with their war and fever but they were well beaten all the same as
|
|
if it brought its bad luck with it like an opal or pearl still it must have
|
|
been pure 18 carrot gold because it was very heavy but what could you get in
|
|
a place like that the sandfrog shower from Africa and that derelict ship
|
|
that came up to the harbour Marie the Marie whatyoucallit no he hadnt a
|
|
moustache that was Gardner yes I can see his face cleanshaven
|
|
Frseeeeeeeeeeeeeeeeeeeefrong that train again weeping tone once in the dear
|
|
deaead days beyondre call close my eyes breath my lips forward kiss sad
|
|
look eyes open piano ere oer the world the mists began I hate that istsbeg
|
|
comes loves sweet sooooooooooong Ill let that out full when I get in front of
|
|
the footlights again Kathleen Kearney and her lot of squealers Miss This
|
|
Miss That Miss Theother lot of sparrowfarts skitting around talking about
|
|
politics they know as much about as my backside anything in the world to
|
|
make themselves someway interesting Irish homemade beauties soldiers
|
|
daughter am I ay and whose are you bootmakers and publicans I beg your
|
|
pardon coach I thought you were a wheelbarrow theyd die down dead off
|
|
their feet if ever they got a chance of walking down the Alameda on an
|
|
officers arm like me on the bandnight my eyes flash my bust that they
|
|
havent passion God help their poor head I knew more about men and life
|
|
when I was I S than theyll all know at 50 they dont know how to sing a song
|
|
like that Gardner said no man could look at my mouth and teeth smiling
|
|
like that and not think of it I was afraid he mightnt like my accent first he
|
|
so English all father left me in spite of his stamps Ive my mothers eyes and
|
|
figure anyhow he always said theyre so snotty about themselves some of
|
|
those cads he wasnt a bit like that he was dead gone on my lips let them get
|
|
a husband first thats fit to be looked at and a daughter like mine or see if
|
|
they can excite a swell with money that can pick and choose whoever he
|
|
wants like Boylan to do it 4 or 5 times locked in each others arms or the
|
|
voice either I could have been a prima donna only I married him comes
|
|
looooves old deep down chin back not too much make it double My Ladys
|
|
Bower is too long for an encore about the moated grange at twilight and
|
|
vaunted rooms yes Ill sing Winds that blow from the south that he gave
|
|
after the choirstairs performance Ill change that lace on my black dress to
|
|
show off my bubs and Ill yes by God Ill get that big fan mended make them
|
|
burst with envy my hole is itching me always when I think of him I feel I
|
|
want to I feel some wind in me better go easy not wake him have him at it
|
|
again slobbering after washing every bit of myself back belly and sides if we
|
|
had even a bath itself or my own room anyway I wish hed sleep in some bed
|
|
by himself with his cold feet on me give us room even to let a fart God or do
|
|
the least thing better yes hold them like that a bit on my side piano quietly
|
|
sweeeee theres that train far away pianissimo eeeee one more tsong
|
|
that was a relief wherever you be let your wind go free who knows if
|
|
that pork chop I took with my cup of tea after was quite good with the heat
|
|
I couldnt smell anything off it Im sure that queerlooking man in the
|
|
porkbutchers is a great rogue I hope that lamp is not smoking fill my nose
|
|
up with smuts better than having him leaving the gas on all night I couldnt
|
|
rest easy in my bed in Gibraltar even getting up to see why am I so damned
|
|
nervous about that though I like it in the winter its more company O Lord it
|
|
was rotten cold too that winter when I was only about ten was I yes I had
|
|
the big doll with all the funny clothes dressing her up and undressing that
|
|
icy wind skeeting across from those mountains the something Nevada
|
|
sierra nevada standing at the fire with the little bit of a short shift I had
|
|
up to heat myself I loved dancing about in it then make a race back into bed
|
|
Im sure that fellow opposite used to be there the whole time watching with the
|
|
lights out in the summer and I in my skin hopping around I used to love
|
|
myself then stripped at the washstand dabbing and creaming only when it
|
|
came to the chamber performance I put out the light too so then there were
|
|
2 of us goodbye to my sleep for this night anyhow I hope hes not going to
|
|
get in with those medicals leading him astray to imagine hes young again
|
|
coming in at 4 in the morning it must be if not more still he had the manners
|
|
not to wake me what do they find to gabber about all night squandering
|
|
money and getting drunker and drunker couldnt they drink water then he
|
|
starts giving us his orders for eggs and tea and Findon haddy and hot
|
|
buttered toast I suppose well have him sitting up like the king of the country
|
|
pumping the wrong end of the spoon up and down in his egg wherever he
|
|
learned that from and I love to hear him falling up the stairs of a morning
|
|
with the cups rattling on the tray and then play with the cat she rubs up
|
|
against you for her own sake I wonder has she fleas shes as bad as a woman
|
|
always licking and lecking but I hate their claws I wonder do they see
|
|
anything that we cant staring like that when she sits at the top of the stairs
|
|
so long and listening as I wait always what a robber too that lovely fresh
|
|
place I bought I think Ill get a bit of fish tomorrow or today is it Friday
|
|
yes I will with some blancmange with black currant jam like long ago not those
|
|
2 lb pots of mixed plum and apple from the London and Newcastle
|
|
Williams and Woods goes twice as far only for the bones I hate those eels
|
|
cod yes Ill get a nice piece of cod Im always getting enough for 3 forgetting
|
|
anyway Im sick of that everlasting butchers meat from Buckleys loin chops
|
|
and leg beef and rib steak and scrag of mutton and calfs pluck the very
|
|
name is enough or a picnic suppose we all gave 5/- each and or let him pay
|
|
it and invite some other woman for him who Mrs Fleming and drove out to
|
|
the furry glen or the strawberry beds wed have him examining all the horses
|
|
toenails first like he does with the letters no not with Boylan there yes with
|
|
some cold veal and ham mixed sandwiches there are little houses down at
|
|
the bottom of the banks there on purpose but its as hot as blazes he says not
|
|
a bank holiday anyhow I hate those ruck of Mary Ann coalboxes out for
|
|
the day Whit Monday is a cursed day too no wonder that bee bit him better
|
|
the seaside but Id never again in this life get into a boat with him after him
|
|
at Bray telling the boatman he knew how to row if anyone asked could he
|
|
ride the steeplechase for the gold cup hed say yes then it came on to get
|
|
rough the old thing crookeding about and the weight all down my side
|
|
telling me pull the right reins now pull the left and the tide all swamping in
|
|
floods in through the bottom and his oar slipping out of the stirrup its a
|
|
mercy we werent all drowned he can swim of course me no theres no
|
|
danger whatsoever keep yourself calm in his flannel trousers Id like to have
|
|
tattered them down off him before all the people and give him what that one
|
|
calls flagellate till he was black and blue do him all the good in the world
|
|
only for that longnosed chap I dont know who he is with that other beauty
|
|
Burke out of the City Arms hotel was there spying around as usual on the
|
|
slip always where he wasnt wanted if there was a row on youd vomit a
|
|
better face there was no love lost between us thats 1 consolation I wonder
|
|
what kind is that book he brought me Sweets of Sin by a gentleman of
|
|
fashion some other Mr de Kock I suppose the people gave him that
|
|
nickname going about with his tube from one woman to another I couldnt
|
|
even change my new white shoes all ruined with the saltwater and the hat I
|
|
had with that feather all blowy and tossed on me how annoying and
|
|
provoking because the smell of the sea excited me of course the sardines and
|
|
the bream in Catalan bay round the back of the rock they were fine all
|
|
silver in the fishermens baskets old Luigi near a hundred they said came
|
|
from Genoa and the tall old chap with the earrings I dont like a man you
|
|
have to climb up to to get at I suppose theyre all dead and rotten long ago
|
|
besides I dont like being alone in this big barracks of a place at night I
|
|
suppose Ill have to put up with it I never brought a bit of salt in even when
|
|
we moved in the confusion musical academy he was going to make on the
|
|
first floor drawingroom with a brassplate or Blooms private hotel he
|
|
suggested go and ruin himself altogether the way his father did down in
|
|
Ennis like all the things he told father he was going to do and me but I saw
|
|
through him telling me all the lovely places we could go for the honeymoon
|
|
Venice by moonlight with the gondolas and the lake of Como he had a
|
|
picture cut out of some paper of and mandolines and lanterns O how nice I
|
|
said whatever I liked he was going to do immediately if not sooner will you
|
|
be my man will you carry my can he ought to get a leather medal with a
|
|
putty rim for all the plans he invents then leaving us here all day youd never
|
|
know what old beggar at the door for a crust with his long story might be a
|
|
tramp and put his foot in the way to prevent me shutting it like that picture
|
|
of that hardened criminal he was called in Lloyds Weekly news 20 years in
|
|
jail then he comes out and murders an old woman for her money imagine
|
|
his poor wife or mother or whoever she is such a face youd run miles away
|
|
from I couldnt rest easy till I bolted all the doors and windows to make sure
|
|
but its worse again being locked up like in a prison or a madhouse they
|
|
ought to be all shot or the cat of nine tails a big brute like that that would
|
|
attack a poor old woman to murder her in her bed Id cut them off him so I
|
|
would not that hed be much use still better than nothing the night I was
|
|
sure I heard burglars in the kitchen and he went down in his shirt with a
|
|
candle and a poker as if he was looking for a mouse as white as a sheet
|
|
frightened out of his wits making as much noise as he possibly could for the
|
|
burglars benefit there isnt much to steal indeed the Lord knows still its the
|
|
feeling especially now with Milly away such an idea for him to send the girl
|
|
down there to learn to take photographs on account of his grandfather
|
|
instead of sending her to Skerrys academy where shed have to learn not like
|
|
me getting all IS at school only hed do a thing like that all the same on
|
|
account of me and Boylan thats why he did it Im certain the way he plots
|
|
and plans everything out I couldnt turn round with her in the place lately
|
|
unless I bolted the door first gave me the fidgets coming in without
|
|
knocking first when I put the chair against the door just as I was washing
|
|
myself there below with the glove get on your nerves then doing the loglady
|
|
all day put her in a glasscase with two at a time to look at her if he knew
|
|
she broke off the hand off that little gimcrack statue with her roughness and
|
|
carelessness before she left that I got that little Italian boy to mend so
|
|
that you cant see the join for 2 shillings wouldnt even teem the potatoes for
|
|
you of course shes right not to ruin her hands I noticed he was always talking
|
|
to her lately at the table explaining things in the paper and she pretending
|
|
to understand sly of course that comes from his side of the house he cant say
|
|
I pretend things can he Im too honest as a matter of fact and helping her into
|
|
her coat but if there was anything wrong with her its me shed tell not him I
|
|
suppose he thinks Im finished out and laid on the shelf well Im not no nor
|
|
anything like it well see well see now shes well on for flirting too with Tom
|
|
Devans two sons imitating me whistling with those romps of Murray girls
|
|
calling for her can Milly come out please shes in great demand to pick what
|
|
they can out of her round in Nelson street riding Harry Devans bicycle at
|
|
night its as well he sent her where she is she was just getting out of bounds
|
|
wanting to go on the skatingrink and smoking their cigarettes through their
|
|
nose I smelt it off her dress when I was biting off the thread of the button I
|
|
sewed on to the bottom of her jacket she couldnt hide much from me I tell
|
|
you only I oughtnt to have stitched it and it on her it brings a parting and
|
|
the last plumpudding too split in 2 halves see it comes out no matter what
|
|
they say her tongue is a bit too long for my taste your blouse is open too
|
|
low she says to me the pan calling the kettle blackbottom and I had to tell
|
|
her not to cock her legs up like that on show on the windowsill before all
|
|
the people passing they all look at her like me when I was her age of course
|
|
any old rag looks well on you then a great touchmenot too in her own way
|
|
at the Only Way in the Theatre royal take your foot away out of that I hate
|
|
people touching me afraid of her life Id crush her skirt with the pleats a lot
|
|
of that touching must go on in theatres in the crush in the dark theyre
|
|
always trying to wiggle up to you that fellow in the pit at the Gaiety for
|
|
Beerbohm Tree in Trilby the last time Ill ever go there to be squashed like
|
|
that for any Trilby or her barebum every two minutes tipping me there and
|
|
looking away hes a bit daft I think I saw him after trying to get near two
|
|
stylishdressed ladies outside Switzers window at the same little game I
|
|
recognised him on the moment the face and everything but he didnt
|
|
remember me yes and she didnt even want me to kiss her at the Broadstone
|
|
going away well I hope shell get someone to dance attendance on her the
|
|
way I did when she was down with the mumps and her glands swollen
|
|
wheres this and wheres that of course she cant feel anything deep yet I
|
|
never came properly till I was what 22 or so it went into the wrong place
|
|
always only the usual girls nonsense and giggling that Conny Connolly
|
|
writing to her in white ink on black paper sealed with sealingwax though
|
|
she clapped when the curtain came down because he looked so handsome
|
|
then we had Martin Harvey for breakfast dinner and supper I thought to
|
|
myself afterwards it must be real love if a man gives up his life for her that
|
|
way for nothing I suppose there are a few men like that left its hard to
|
|
believe in it though unless it really happened to me the majority of them
|
|
with not a particle of love in their natures to find two people like that
|
|
nowadays full up of each other that would feel the same way as you do
|
|
theyre usually a bit foolish in the head his father must have been a bit queer
|
|
to go and poison himself after her still poor old man I suppose he felt lost
|
|
shes always making love to my things too the few old rags I have wanting to
|
|
put her hair up at I S my powder too only ruin her skin on her shes time
|
|
enough for that all her life after of course shes restless knowing shes pretty
|
|
with her lips so red a pity they wont stay that way I was too but theres no
|
|
use going to the fair with the thing answering me like a fishwoman when I
|
|
asked to go for a half a stone of potatoes the day we met Mrs Joe Gallaher
|
|
at the trottingmatches and she pretended not to see us in her trap with
|
|
Friery the solicitor we werent grand enough till I gave her 2 damn fine
|
|
cracks across the ear for herself take that now for answering me like that
|
|
and that for your impudence she had me that exasperated of course
|
|
contradicting I was badtempered too because how was it there was a weed
|
|
in the tea or I didnt sleep the night before cheese I ate was it and I told
|
|
her over and over again not to leave knives crossed like that because she has
|
|
nobody to command her as she said herself well if he doesnt correct her
|
|
faith I will that was the last time she turned on the teartap I was just like
|
|
that myself they darent order me about the place its his fault of course
|
|
having the two of us slaving here instead of getting in a woman long ago am
|
|
I ever going to have a proper servant again of course then shed see him
|
|
coming Id have to let her know or shed revenge it arent they a nuisance that
|
|
old Mrs Fleming you have to be walking round after her putting the things
|
|
into her hands sneezing and farting into the pots well of course shes old she
|
|
cant help it a good job I found that rotten old smelly dishcloth that got lost
|
|
behind the dresser I knew there was something and opened the area
|
|
window to let out the smell bringing in his friends to entertain them like the
|
|
night he walked home with a dog if you please that might have been mad
|
|
especially Simon Dedalus son his father such a criticiser with his glasses up
|
|
with his tall hat on him at the cricket match and a great big hole in his sock
|
|
one thing laughing at the other and his son that got all those prizes for
|
|
whatever he won them in the intermediate imagine climbing over the
|
|
railings if anybody saw him that knew us I wonder he didnt tear a big hole
|
|
in his grand funeral trousers as if the one nature gave wasnt enough for
|
|
anybody hawking him down into the dirty old kitchen now is he right in his
|
|
head I ask pity it wasnt washing day my old pair of drawers might have
|
|
been hanging up too on the line on exhibition for all hed ever care with the
|
|
ironmould mark the stupid old bundle burned on them he might think was
|
|
something else and she never even rendered down the fat I told her and now
|
|
shes going such as she was on account of her paralysed husband getting
|
|
worse theres always something wrong with them disease or they have to go
|
|
under an operation or if its not that its drink and he beats her Ill have to
|
|
hunt around again for someone every day I get up theres some new thing
|
|
on sweet God sweet God well when Im stretched out dead in my grave I
|
|
suppose 111 have some peace I want to get up a minute if Im let wait O Jesus
|
|
wait yes that thing has come on me yes now wouldnt that afflict you of
|
|
course all the poking and rooting and ploughing he had up in me now what
|
|
am I to do Friday Saturday Sunday wouldnt that pester the soul out of a
|
|
body unless he likes it some men do God knows theres always something
|
|
wrong with us 5 days every 3 or 4 weeks usual monthly auction isnt it
|
|
simply sickening that night it came on me like that the one and only time we
|
|
were in a box that Michael Gunn gave him to see Mrs Kendal and her
|
|
husband at the Gaiety something he did about insurance for him in
|
|
Drimmies I was fit to be tied though I wouldnt give in with that gentleman
|
|
of fashion staring down at me with his glasses and him the other side of me
|
|
talking about Spinoza and his soul thats dead I suppose millions of years
|
|
ago I smiled the best I could all in a swamp leaning forward as if I was
|
|
interested having to sit it out then to the last tag I wont forget that wife of
|
|
Scarli in a hurry supposed to be a fast play about adultery that idiot in the
|
|
gallery hissing the woman adulteress he shouted I suppose he went and had
|
|
a woman in the next lane running round all the back ways after to make up
|
|
for it I wish he had what I had then hed boo I bet the cat itself is better off
|
|
than us have we too much blood up in us or what O patience above its
|
|
pouring out of me like the sea anyhow he didnt make me pregnant as big as
|
|
he is I dont want to ruin the clean sheets I just put on I suppose the clean
|
|
linen I wore brought it on too damn it damn it and they always want to see
|
|
a stain on the bed to know youre a virgin for them all thats troubling them
|
|
theyre such fools too you could be a widow or divorced 40 times over a
|
|
daub of red ink would do or blackberry juice no thats too purply O Jamesy
|
|
let me up out of this pooh sweets of sin whoever suggested that business for
|
|
women what between clothes and cooking and children this damned old
|
|
bed too jingling like the dickens I suppose they could hear us away over the
|
|
other side of the park till I suggested to put the quilt on the floor with the
|
|
pillow under my bottom I wonder is it nicer in the day I think it is easy I
|
|
think Ill cut all this hair off me there scalding me I might look like a young
|
|
girl wouldnt he get the great suckin the next time he turned up my clothes
|
|
on me Id give anything to see his face wheres the chamber gone easy Ive a
|
|
holy horror of its breaking under me after that old commode I wonder was
|
|
I too heavy sitting on his knee I made him sit on the easychair purposely
|
|
when I took off only my blouse and skirt first in the other room he was so
|
|
busy where he oughtnt to be he never felt me I hope my breath was sweet
|
|
after those kissing comfits easy God I remember one time I could scout it
|
|
out straight whistling like a man almost easy O Lord how noisy I hope
|
|
theyre bubbles on it for a wad of money from some fellow 111 have to
|
|
perfume it in the morning dont forget I bet he never saw a better pair of
|
|
thighs than that look how white they are the smoothest place is right there
|
|
between this bit here how soft like a peach easy God I wouldnt mind being a
|
|
man and get up on a lovely woman O Lord what a row youre making like
|
|
the jersey lily easy easy O how the waters come down at Lahore
|
|
who knows is there anything the matter with my insides or have I
|
|
something growing in me getting that thing like that every week when was it
|
|
last I Whit Monday yes its only about 3 weeks I ought to go to the doctor
|
|
only it would be like before I married him when I had that white thing
|
|
coming from me and Floey made me go to that dry old stick Dr Collins for
|
|
womens diseases on Pembroke road your vagina he called it I suppose thats
|
|
how he got all the gilt mirrors and carpets getting round those rich ones off
|
|
Stephens green running up to him for every little fiddlefaddle her vagina
|
|
and her cochinchina theyve money of course so theyre all right I wouldnt
|
|
marry him not if he was the last man in the world besides theres something
|
|
queer about their children always smelling around those filthy bitches all
|
|
sides asking me if what I did had an offensive odour what did he want me to
|
|
do but the one thing gold maybe what a question if I smathered it all over
|
|
his wrinkly old face for him with all my compriments I suppose hed know
|
|
then and could you pass it easily pass what I thought he was talking about
|
|
the rock of Gibraltar the way he put it thats a very nice invention too by the
|
|
way only I like letting myself down after in the hole as far as I can squeeze
|
|
and pull the chain then to flush it nice cool pins and needles still theres
|
|
something in it I suppose I always used to know by Millys when she was a
|
|
child whether she had worms or not still all the same paying him for that
|
|
how much is that doctor one guinea please and asking me had I frequent
|
|
omissions where do those old fellows get all the words they have omissions
|
|
with his shortsighted eyes on me cocked sideways I wouldnt trust him too
|
|
far to give me chloroform or God knows what else still I liked him when he
|
|
sat down to write the thing out frowning so severe his nose intelligent like
|
|
that you be damned you lying strap O anything no matter who except an
|
|
idiot he was clever enough to spot that of course that was all thinking of
|
|
him and his mad crazy letters my Precious one everything connected with
|
|
your glorious Body everything underlined that comes from it is a thing of
|
|
beauty and of joy for ever something he got out of some nonsensical book
|
|
that he had me always at myself 4 and 5 times a day sometimes and I said I
|
|
hadnt are you sure O yes I said I am quite sure in a way that shut him up I
|
|
knew what was coming next only natural weakness it was he excited me I
|
|
dont know how the first night ever we met when I was living in Rehoboth
|
|
terrace we stood staring at one another for about lo minutes as if we met
|
|
somewhere I suppose on account of my being jewess looking after my
|
|
mother he used to amuse me the things he said with the half sloothering
|
|
smile on him and all the Doyles said he was going to stand for a member of
|
|
Parliament O wasnt I the born fool to believe all his blather about home
|
|
rule and the land league sending me that long strool of a song out of the
|
|
Huguenots to sing in French to be more classy O beau pays de la Touraine
|
|
that I never even sang once explaining and rigmaroling about religion and
|
|
persecution he wont let you enjoy anything naturally then might he as a
|
|
great favour the very 1st opportunity he got a chance in Brighton square
|
|
running into my bedroom pretending the ink got on his hands to wash it off
|
|
with the Albion milk and sulphur soap I used to use and the gelatine still
|
|
round it O I laughed myself sick at him that day I better not make an
|
|
alnight sitting on this affair they ought to make chambers a natural size so
|
|
that a woman could sit on it properly he kneels down to do it I suppose
|
|
there isnt in all creation another man with the habits he has look at the way
|
|
hes sleeping at the foot of the bed how can he without a hard bolster its well
|
|
he doesnt kick or he might knock out all my teeth breathing with his hand
|
|
on his nose like that Indian god he took me to show one wet Sunday in the
|
|
museum in Kildare street all yellow in a pinafore lying on his side on his
|
|
hand with his ten toes sticking out that he said was a bigger religion than
|
|
the jews and Our Lords both put together all over Asia imitating him as hes
|
|
always imitating everybody I suppose he used to sleep at the foot of the bed
|
|
too with his big square feet up in his wifes mouth damn this stinking thing
|
|
anyway wheres this those napkins are ah yes I know I hope the old press
|
|
doesnt creak ah I knew it would hes sleeping hard had a good time
|
|
somewhere still she must have given him great value for his money of course
|
|
he has to pay for it from her O this nuisance of a thing I hope theyll have
|
|
something better for us in the other world tying ourselves up God help us
|
|
thats all right for tonight now the lumpy old jingly bed always reminds me
|
|
of old Cohen I suppose he scratched himself in it often enough and he
|
|
thinks father bought it from Lord Napier that I used to admire when I was
|
|
a little girl because I told him easy piano O I like my bed God here we are
|
|
as bad as ever after 16 years how many houses were we in at all Raymond
|
|
terrace and Ontario terrace and Lombard street and Holles street and he
|
|
goes about whistling every time were on the run again his huguenots or the
|
|
frogs march pretending to help the men with our 4 sticks of furniture and
|
|
then the City Arms hotel worse and worse says Warden Daly that charming
|
|
place on the landing always somebody inside praying then leaving all their
|
|
stinks after them always know who was in there last every time were just
|
|
getting on right something happens or he puts his big foot in it Thoms and
|
|
Helys and Mr Cuffes and Drimmies either hes going to be run into prison
|
|
over his old lottery tickets that was to be all our salvations or he goes and
|
|
gives impudence well have him coming home with the sack soon out of the
|
|
Freeman too like the rest on account of those Sinner Fein or the freemasons
|
|
then well see if the little man he showed me dribbling along in the wet all by
|
|
himself round by Coadys lane will give him much consolation that he says
|
|
is so capable and sincerely Irish he is indeed judging by the sincerity of the
|
|
trousers I saw on him wait theres Georges church bells wait 3 quarters the
|
|
hour l wait 2 oclock well thats a nice hour of the night for him to be
|
|
coming home at to anybody climbing down into the area if anybody saw
|
|
him Ill knock him off that little habit tomorrow first Ill look at his shirt
|
|
to see or Ill see if he has that French letter still in his pocketbook I
|
|
suppose he thinks I dont know deceitful men all their 20 pockets arent enough
|
|
for their lies then why should we tell them even if its the truth they dont
|
|
believe you then tucked up in bed like those babies in the Aristocrats
|
|
Masterpiece he brought me another time as if we hadnt enough of that
|
|
in real life without some old Aristocrat or whatever his name is
|
|
disgusting you more with those rotten pictures children with two
|
|
heads and no legs thats the kind of villainy theyre always dreaming
|
|
about with not another thing in their empty heads they ought to get
|
|
slow poison the half of them then tea and toast for him buttered on
|
|
both sides and newlaid eggs I suppose Im nothing any more when I
|
|
wouldnt let him lick me in Holles street one night man man tyrant
|
|
as ever for the one thing he slept on the floor half the night naked the way
|
|
the jews used when somebody dies belonged to them and wouldnt eat any
|
|
breakfast or speak a word wanting to be petted so I thought I stood out
|
|
enough for one time and let him he does it all wrong too thinking only of
|
|
his own pleasure his tongue is too flat or I dont know what he forgets that
|
|
wethen I dont Ill make him do it again if he doesnt mind himself and lock
|
|
him down to sleep in the coalcellar with the blackbeetles I wonder was it her
|
|
Josie off her head with my castoffs hes such a born liar too no hed never
|
|
have the courage with a married woman thats why he wants me and Boylan
|
|
though as for her Denis as she calls him that forlornlooking spectacle you
|
|
couldnt call him a husband yes its some little bitch hes got in with even
|
|
when I was with him with Milly at the College races that Hornblower with
|
|
the childs bonnet on the top of his nob let us into by the back way he was
|
|
throwing his sheeps eyes at those two doing skirt duty up and down I tried
|
|
to wink at him first no use of course and thats the way his money goes this
|
|
is the fruits of Mr Paddy Dignam yes they were all in great style at the
|
|
grand funeral in the paper Boylan brought in if they saw a real officers
|
|
funeral thatd be something reversed arms muffled drums the poor horse
|
|
walking behind in black L Boom and Tom Kernan that drunken little
|
|
barrelly man that bit his tongue off falling down the mens W C drunk in
|
|
some place or other and Martin Cunningham and the two Dedaluses and
|
|
Fanny MCoys husband white head of cabbage skinny thing with a turn in
|
|
her eye trying to sing my songs shed want to be born all over again and her
|
|
old green dress with the lowneck as she cant attract them any other way like
|
|
dabbling on a rainy day I see it all now plainly and they call that friendship
|
|
killing and then burying one another and they all with their wives and
|
|
families at home more especially Jack Power keeping that barmaid he does
|
|
of course his wife is always sick or going to be sick or just getting better
|
|
of it and hes a goodlooking man still though hes getting a bit grey over the
|
|
ears theyre a nice lot all of them well theyre not going to get my husband
|
|
again into their clutches if I can help it making fun of him then behind his
|
|
back I know well when he goes on with his idiotics because he has sense
|
|
enough not to squander every penny piece he earns down their gullets and
|
|
looks after his wife and family goodfornothings poor Paddy Dignam all the
|
|
same Im sorry in a way for him what are his wife and 5 children going to
|
|
do unless he was insured comical little teetotum always stuck up in some
|
|
pub corner and her or her son waiting Bill Bailey wont you please come
|
|
home her widows weeds wont improve her appearance theyre awfully
|
|
becoming though if youre goodlooking what men wasnt he yes he was at
|
|
the Glencree dinner and Ben Dollard base barreltone the night he borrowed
|
|
the swallowtail to sing out of in Holles street squeezed and squashed into
|
|
them and grinning all over his big Dolly face like a wellwhipped childs
|
|
botty didnt he look a balmy ballocks sure enough that must have been a
|
|
spectacle on the stage imagine paying 5/- in the preserved seats for that to
|
|
see him trotting off in his trowlers and Simon Dedalus too he was always
|
|
turning up half screwed singing the second verse first the old love is the new
|
|
was one of his so sweetly sang the maiden on the hawthorn bough he was
|
|
always on for flirtyfying too when I sang Maritana with him at Freddy
|
|
Mayers private opera he had a delicious glorious voice Phoebe dearest
|
|
goodbye sweetheart sweetheart he always sang it not like Bartell Darcy
|
|
sweet tart goodbye of course he had the gift of the voice so there was no art
|
|
in it all over you like a warm showerbath O Maritana wildwood flower we
|
|
sang splendidly though it was a bit too high for my register even transposed
|
|
and he was married at the time to May Goulding but then hed say or do
|
|
something to knock the good out of it hes a widower now I wonder what
|
|
sort is his son he says hes an author and going to be a university professor
|
|
of Italian and Im to take lessons what is he driving at now showing him my
|
|
photo its not good of me I ought to have got it taken in drapery that never
|
|
looks out of fashion still I look young in it I wonder he didnt make him a
|
|
present of it altogether and me too after all why not I saw him driving down
|
|
to the Kingsbridge station with his father and mother I was in mourning
|
|
thats 11 years ago now yes hed be 11 though what was the good in going
|
|
into mourning for what was neither one thing nor the other the first cry was
|
|
enough for me I heard the deathwatch too ticking in the wall of course he
|
|
insisted hed go into mourning for the cat I suppose hes a man now by this
|
|
time he was an innocent boy then and a darling little fellow in his lord
|
|
Fauntleroy suit and curly hair like a prince on the stage when I saw him at
|
|
Mat Dillons he liked me too I remember they all do wait by God yes wait
|
|
yes hold on he was on the cards this morning when I laid out the deck
|
|
union with a young stranger neither dark nor fair you met before I thought
|
|
it meant him but hes no chicken nor a stranger either besides my face was
|
|
turned the other way what was the 7th card after that the 10 of spades for a
|
|
journey by land then there was a letter on its way and scandals too the 3
|
|
queens and the 8 of diamonds for a rise in society yes wait it all came out
|
|
and 2 red 8s for new garments look at that and didnt I dream something too
|
|
yes there was something about poetry in it I hope he hasnt long greasy hair
|
|
hanging into his eyes or standing up like a red Indian what do they go
|
|
about like that for only getting themselves and their poetry laughed at I
|
|
always liked poetry when I was a girl first I thought he was a poet like lord
|
|
Byron and not an ounce of it in his composition I thought he was quite
|
|
different I wonder is he too young hes about wait 88 I was married 88 Milly
|
|
is 15 yesterday 89 what age was he then at Dillons 5 or 6 about 88 I suppose
|
|
hes 20 or more Im not too old for him if hes 23 or 24 I hope hes not that
|
|
stuckup university student sort no otherwise he wouldnt go sitting down in
|
|
the old kitchen with him taking Eppss cocoa and talking of course he
|
|
pretended to understand it all probably he told him he was out of Trinity
|
|
college hes very young to be a professor I hope hes not a professor like
|
|
Goodwin was he was a potent professor of John Jameson they all write
|
|
about some woman in their poetry well I suppose he wont find many like me
|
|
where softly sighs of love the light guitar where poetry is in the air the
|
|
blue sea and the moon shining so beautifully coming back on the nightboat from
|
|
Tarifa the lighthouse at Europa point the guitar that fellow played was so
|
|
expressive will I ever go back there again all new faces two glancing eyes a
|
|
lattice hid Ill sing that for him theyre my eyes if hes anything of a poet two
|
|
eyes as darkly bright as loves own star arent those beautiful words as loves
|
|
young star itll be a change the Lord knows to have an intelligent person to
|
|
talk to about yourself not always listening to him and Billy Prescotts ad and
|
|
Keyess ad and Tom the Devils ad then if anything goes wrong in their
|
|
business we have to suffer Im sure hes very distinguished Id like to meet a
|
|
man like that God not those other ruck besides hes young those fine young
|
|
men I could see down in Margate strand bathingplace from the side of the
|
|
rock standing up in the sun naked like a God or something and then
|
|
plunging into the sea with them why arent all men like that thered be some
|
|
consolation for a woman like that lovely little statue he bought I could look
|
|
at him all day long curly head and his shoulders his finger up for you to
|
|
listen theres real beauty and poetry for you I often felt I wanted to kiss him
|
|
all over also his lovely young cock there so simple I wouldnt mind taking
|
|
him in my mouth if nobody was looking as if it was asking you to suck it so
|
|
clean and white he looks with his boyish face I would too in 1/2 a minute
|
|
even if some of it went down what its only like gruel or the dew theres no
|
|
danger besides hed be so clean compared with those pigs of men I suppose
|
|
never dream of washing it from I years end to the other the most of them
|
|
only thats what gives the women the moustaches Im sure itll be grand if I
|
|
can only get in with a handsome young poet at my age Ill throw them the 1st
|
|
thing in the morning till I see if the wishcard comes out or Ill try pairing
|
|
the lady herself and see if he comes out Ill read and study all I can find or
|
|
learn a bit off by heart if I knew who he likes so he wont think me stupid if
|
|
he thinks all women are the same and I can teach him the other part Ill
|
|
make him feel all over him till he half faints under me then hell write about
|
|
me lover and mistress publicly too with our 2 photographs in all the papers
|
|
when he becomes famous O but then what am I going to do about him
|
|
though no thats no way for him has he no manners nor no refinement nor no
|
|
nothing in his nature slapping us behind like that on my bottom because I
|
|
didnt call him Hugh the ignoramus that doesnt know poetry from a
|
|
cabbage thats what you get for not keeping them in their proper place
|
|
pulling off his shoes and trousers there on the chair before me so barefaced
|
|
without even asking permission and standing out that vulgar way in the half
|
|
of a shirt they wear to be admired like a priest or a butcher or those old
|
|
hypocrites in the time of Julius Caesar of course hes right enough in his
|
|
way to pass the time as a joke sure you might as well be in bed with what
|
|
with a lion God Im sure hed have something better to say for himself an old
|
|
Lion would O well I suppose its because they were so plump and tempting
|
|
in my short petticoat he couldnt resist they excite myself sometimes its well
|
|
for men all the amount of pleasure they get off a womans body were so
|
|
round and white for them always I wished I was one myself for a change
|
|
just to try with that thing they have swelling up on you so hard and at the
|
|
same time so soft when you touch it my uncle John has a thing long I heard
|
|
those cornerboys saying passing the comer of Marrowbone lane my aunt
|
|
Mary has a thing hairy because it was dark and they knew a girl was
|
|
passing it didnt make me blush why should it either its only nature and he
|
|
puts his thing long into my aunt Marys hairy etcetera and turns out to be
|
|
you put the handle in a sweepingbrush men again all over they can pick and
|
|
choose what they please a married woman or a fast widow or a girl for their
|
|
different tastes like those houses round behind Irish street no but were to be
|
|
always chained up theyre not going to be chaining me up no damn fear
|
|
once I start I tell you for their stupid husbands jealousy why cant we all
|
|
remain friends over it instead of quarrelling her husband found it out what
|
|
they did together well naturally and if he did can he undo it hes coronado
|
|
anyway whatever he does and then he going to the other mad extreme about
|
|
the wife in Fair Tyrants of course the man never even casts a 2nd thought
|
|
on the husband or wife either its the woman he wants and he gets her what
|
|
else were we given all those desires for Id like to know I cant help it if Im
|
|
young still can I its a wonder Im not an old shrivelled hag before my time
|
|
living with him so cold never embracing me except sometimes when hes
|
|
asleep the wrong end of me not knowing I suppose who he has any man
|
|
thatd kiss a womans bottom Id throw my hat at him after that hed kiss
|
|
anything unnatural where we havent I atom of any kind of expression in us
|
|
all of us the same 2 lumps of lard before ever Id do that to a man pfooh the
|
|
dirty brutes the mere thought is enough I kiss the feet of you senorita theres
|
|
some sense in that didnt he kiss our halldoor yes he did what a madman
|
|
nobody understands his cracked ideas but me still of course a woman wants
|
|
to be embraced 20 times a day almost to make her look young no matter by
|
|
who so long as to be in love or loved by somebody if the fellow you want
|
|
isnt there sometimes by the Lord God I was thinking would I go around by
|
|
the quays there some dark evening where nobodyd know me and pick up a
|
|
sailor off the sea thatd be hot on for it and not care a pin whose I was only
|
|
do it off up in a gate somewhere or one of those wildlooking gipsies in
|
|
Rathfarnham had their camp pitched near the Bloomfield laundry to try
|
|
and steal our things if they could I only sent mine there a few times for the
|
|
name model laundry sending me back over and over some old ones odd
|
|
stockings that blackguardlooking fellow with the fine eyes peeling a switch
|
|
attack me in the dark and ride me up against the wall without a word or a
|
|
murderer anybody what they do themselves the fine gentlemen in their silk
|
|
hats that K C lives up somewhere this way coming out of Hardwicke lane
|
|
the night he gave us the fish supper on account of winning over the boxing
|
|
match of course it was for me he gave it I knew him by his gaiters and the
|
|
walk and when I turned round a minute after just to see there was a woman
|
|
after coming out of it too some filthy prostitute then he goes home to his
|
|
wife after that only I suppose the half of those sailors are rotten again with
|
|
disease O move over your big carcass out of that for the love of Mike listen
|
|
to him the winds that waft my sighs to thee so well he may sleep and sigh the
|
|
great Suggester Don Poldo de la Flora if he knew how he came out on the
|
|
cards this morning hed have something to sigh for a dark man in some
|
|
perplexity between 2 7s too in prison for Lord knows what he does that I
|
|
dont know and Im to be slooching around down in the kitchen to get his
|
|
lordship his breakfast while hes rolled up like a mummy will I indeed did
|
|
you ever see me running Id just like to see myself at it show them attention
|
|
and they treat you like dirt I dont care what anybody says itd be much
|
|
better for the world to be governed by the women in it you wouldnt see
|
|
women going and killing one another and slaughtering when do you ever
|
|
see women rolling around drunk like they do or gambling every penny they
|
|
have and losing it on horses yes because a woman whatever she does she
|
|
knows where to stop sure they wouldnt be in the world at all only for us
|
|
they dont know what it is to be a woman and a mother how could they
|
|
where would they all of them be if they hadnt all a mother to look after
|
|
them what I never had thats why I suppose hes running wild now out at
|
|
night away from his books and studies and not living at home on account of
|
|
the usual rowy house I suppose well its a poor case that those that have a
|
|
fine son like that theyre not satisfied and I none was he not able to make one
|
|
it wasnt my fault we came together when I was watching the two dogs up in
|
|
her behind in the middle of the naked street that disheartened me altogether
|
|
I suppose I oughtnt to have buried him in that little woolly jacket I knitted
|
|
crying as I was but give it to some poor child but I knew well Id never have
|
|
another our 1st death too it was we were never the same since O Im not
|
|
going to think myself into the glooms about that any more I wonder why he
|
|
wouldnt stay the night I felt all the time it was somebody strange he brought
|
|
in instead of roving around the city meeting God knows who nightwalkers
|
|
and pickpockets his poor mother wouldnt like that if she was alive ruining
|
|
himself for life perhaps still its a lovely hour so silent I used to love
|
|
coming home after dances the air of the night they have friends they can talk
|
|
to weve none either he wants what he wont get or its some woman ready to
|
|
stick her knife in you I hate that in women no wonder they treat us the way
|
|
they do we are a dreadful lot of bitches I suppose its all the troubles we
|
|
have makes us so snappy Im not like that he could easy have slept in there on
|
|
the sofa in the other room I suppose he was as shy as a boy he being so young
|
|
hardly 20 of me in the next room hed have heard me on the chamber arrah
|
|
what harm Dedalus I wonder its like those names in Gibraltar Delapaz
|
|
Delagracia they had the devils queer names there father Vilaplana of Santa
|
|
Maria that gave me the rosary Rosales y OReilly in the Calle las Siete
|
|
Revueltas and Pisimbo and Mrs Opisso in Governor street O what a name
|
|
Id go and drown myself in the first river if I had a name like her O my and
|
|
all the bits of streets Paradise ramp and Bedlam ramp and Rodgers ramp
|
|
and Crutchetts ramp and the devils gap steps well small blame to me if I am
|
|
a harumscarum I know I am a bit I declare to God I dont feel a day older
|
|
than then I wonder could I get my tongue round any of the Spanish como
|
|
esta usted muy bien gracias y usted see I havent forgotten it all I thought I
|
|
had only for the grammar a noun is the name of any person place or thing
|
|
pity I never tried to read that novel cantankerous Mrs Rubio lent me by
|
|
Valera with the questions in it all upside down the two ways I always knew
|
|
wed go away in the end I can tell him the Spanish and he tell me the Italian
|
|
then hell see Im not so ignorant what a pity he didnt stay Im sure the poor
|
|
fellow was dead tired and wanted a good sleep badly I could have brought
|
|
him in his breakfast in bed with a bit of toast so long as I didnt do it on
|
|
the knife for bad luck or if the woman was going her rounds with the
|
|
watercress and something nice and tasty there are a few olives in the kitchen
|
|
he might like I never could bear the look of them in Abrines I could do the
|
|
criada the room looks all right since I changed it the other way you see
|
|
something was telling me all the time Id have to introduce myself not
|
|
knowing me from Adam very funny wouldnt it Im his wife or pretend we
|
|
were in Spain with him half awake without a Gods notion where he is dos
|
|
huevos estrellados senor Lord the cracked things come into my head
|
|
sometimes itd be great fun supposing he stayed with us why not theres the
|
|
room upstairs empty and Millys bed in the back room he could do his
|
|
writing and studies at the table in there for all the scribbling he does at it
|
|
and if he wants to read in bed in the morning like me as hes making the
|
|
breakfast for I he can make it for 2 Im sure Im not going to take in lodgers
|
|
off the street for him if he takes a gesabo of a house like this Id love to
|
|
have a long talk with an intelligent welleducated person Id have to get a nice
|
|
pair of red slippers like those Turks with the fez used to sell or yellow and
|
|
a nice semitransparent morning gown that I badly want or a peachblossom
|
|
dressing jacket like the one long ago in Walpoles only 8/6 or 18/6 Ill just
|
|
give him one more chance Ill get up early in the morning Im sick of Cohens
|
|
old bed in any case I might go over to the markets to see all the vegetables
|
|
and cabbages and tomatoes and carrots and all kinds of splendid fruits all
|
|
coming in lovely and fresh who knows whod be the 1st man Id meet theyre
|
|
out looking for it in the morning Mamy Dillon used to say they are and the
|
|
night too that was her massgoing Id love a big juicy pear now to melt in
|
|
your mouth like when I used to be in the longing way then Ill throw him up
|
|
his eggs and tea in the moustachecup she gave him to make his mouth
|
|
bigger I suppose hed like my nice cream too I know what Ill do Ill go about
|
|
rather gay not too much singing a bit now and then mi fa pieta Masetto
|
|
then Ill start dressing myself to go out presto non son piu forte Ill put on
|
|
my best shift and drawers let him have a good eyeful out of that to make his
|
|
micky stand for him Ill let him know if thats what he wanted that his wife is
|
|
I s l o fucked yes and damn well fucked too up to my neck nearly not by him 5
|
|
or 6 times handrunning theres the mark of his spunk on the clean sheet I
|
|
wouldnt bother to even iron it out that ought to satisfy him if you dont
|
|
believe me feel my belly unless I made him stand there and put him into me
|
|
Ive a mind to tell him every scrap and make him do it out in front of me
|
|
serve him right its all his own fault if I am an adulteress as the thing in
|
|
the gallery said O much about it if thats all the harm ever we did in this
|
|
vale of tears God knows its not much doesnt everybody only they hide it I
|
|
suppose thats what a woman is supposed to be there for or He wouldnt have made
|
|
us the way He did so attractive to men then if he wants to kiss my bottom Ill
|
|
drag open my drawers and bulge it right out in his face as large as life he
|
|
can stick his tongue 7 miles up my hole as hes there my brown part then Ill
|
|
tell him I want LI or perhaps 30/- Ill tell him I want to buy underclothes
|
|
then if he gives me that well he wont be too bad I dont want to soak it all
|
|
out of him like other women do I could often have written out a fine cheque
|
|
for myself and write his name on it for a couple of pounds a few times he
|
|
forgot to lock it up besides he wont spend it Ill let him do it off on me
|
|
behind provided he doesnt smear all my good drawers O I suppose that
|
|
cant be helped Ill do the indifferent l or 2 questions Ill know by the answers
|
|
when hes like that he cant keep a thing back I know every turn in him Ill
|
|
tighten my bottom well and let out a few smutty words smellrump or lick
|
|
my shit or the first mad thing comes into my head then Ill suggest about yes
|
|
O wait now sonny my turn is coming Ill be quite gay and friendly over it O
|
|
but I was forgetting this bloody pest of a thing pfooh you wouldnt know
|
|
which to laugh or cry were such a mixture of plum and apple no Ill have to
|
|
wear the old things so much the better itll be more pointed hell never know
|
|
whether he did it or not there thats good enough for you any old thing at all
|
|
then Ill wipe him off me just like a business his omission then Ill go out Ill
|
|
have him eying up at the ceiling where is she gone now make him want me
|
|
thats the only way a quarter after what an unearthly hour I suppose theyre
|
|
just getting up in China now combing out their pigtails for the day well
|
|
soon have the nuns ringing the angelus theyve nobody coming in to spoil
|
|
their sleep except an odd priest or two for his night office or the alarmclock
|
|
next door at cockshout clattering the brains out of itself let me see if I can
|
|
doze off 1 2 3 4 5 what kind of flowers are those they invented like the stars
|
|
the wallpaper in Lombard street was much nicer the apron he gave me was
|
|
like that something only I only wore it twice better lower this lamp and try
|
|
again so as I can get up early Ill go to Lambes there beside Findlaters and
|
|
get them to send us some flowers to put about the place in case he brings
|
|
him home tomorrow today I mean no no Fridays an unlucky day first I
|
|
want to do the place up someway the dust grows in it I think while Im
|
|
asleep then we can have music and cigarettes I can accompany him first I
|
|
must clean the keys of the piano with milk whatll I wear shall I wear a white
|
|
rose or those fairy cakes in Liptons I love the smell of a rich big shop at
|
|
7Ƥ a lb or the other ones with the cherries in them and the pinky sugar I Id
|
|
|
|
*^~~ check end of prev line also!
|
|
|
|
a couple of lbs of those a nice plant for the middle of the table Id get that
|
|
cheaper in wait wheres this I saw them not long ago I love flowers Id love to
|
|
have the whole place swimming in roses God of heaven theres nothing like
|
|
nature the wild mountains then the sea and the waves rushing then the
|
|
beautiful country with the fields of oats and wheat and all kinds of things
|
|
and all the fine cattle going about that would do your heart good to see
|
|
rivers and lakes and flowers all sorts of shapes and smells and colours
|
|
springing up even out of the ditches primroses and violets nature it is as for
|
|
them saying theres no God I wouldnt give a snap of my two fingers for all
|
|
their learning why dont they go and create something I often asked him
|
|
atheists or whatever they call themselves go and wash the cobbles off
|
|
themselves first then they go howling for the priest and they dying and why
|
|
why because theyre afraid of hell on account of their bad conscience ah yes
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I know them well who was the first person in the universe before there was
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anybody that made it all who ah that they dont know neither do I so there
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you are they might as well try to stop the sun from rising tomorrow the sun
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shines for you he said the day we were lying among the rhododendrons on
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Howth head in the grey tweed suit and his straw hat the day I got him to
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propose to me yes first I gave him the bit of seedcake out of my mouth and
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it was leapyear like now yes 16 years ago my God after that long kiss I near
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lost my breath yes he said I was a flower of the mountain yes so we are
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flowers all a womans body yes that was one true thing he said in his life and
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the sun shines for you today yes that was why I liked him because I saw he
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understood or felt what a woman is and I knew I could always get round
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him and I gave him all the pleasure I could leading him on till he asked me
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to say yes and I wouldnt answer first only looked out over the sea and the
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sky I was thinking of so many things he didnt know of Mulvey and Mr
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Stanhope and Hester and father and old captain Groves and the sailors
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playing all birds fly and I say stoop and washing up dishes they called it on
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the pier and the sentry in front of the governors house with the thing round
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his white helmet poor devil half roasted and the Spanish girls laughing in
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their shawls and their tall combs and the auctions in the morning the
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Greeks and the jews and the Arabs and the devil knows who else from all
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the ends of Europe and Duke street and the fowl market all clucking
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outside Larby Sharons and the poor donkeys slipping half asleep and the
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vague fellows in the cloaks asleep in the shade on the steps and the big
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wheels of the carts of the bulls and the old castle thousands of years old yes
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and those handsome Moors all in white and turbans like kings asking you
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to sit down in their little bit of a shop and Ronda with the old windows of
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the posadas 2 glancing eyes a lattice hid for her lover to kiss the iron and
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the wineshops half open at night and the castanets and the night we missed
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the boat at Algeciras the watchman going about serene with his lamp and O
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that awful deepdown torrent O and the sea the sea crimson sometimes like
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fire and the glorious sunsets and the figtrees in the Alameda gardens yes
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and all the queer little streets and the pink and blue and yellow houses and
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the rosegardens and the jessamine and geraniums and cactuses and
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Gibraltar as a girl where I was a Flower of the mountain yes when I put the
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rose in my hair like the Andalusian girls used or shall I wear a red yes and
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how he kissed me under the Moorish wall and I thought well as well him as
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another and then I asked him with my eyes to ask again yes and then he
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asked me would I yes to say yes my mountain flower and first I put my
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arms around him yes and drew him down to me so he could feel my breasts
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all perfume yes and his heart was going like mad and yes I said yes I will
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Yes.
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Trieste-Zurich-Paris
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1914-1921
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End of The Project Gutenberg Etext of Ulysses
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by James Joyce
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